#even though he has

[chirpsythismorning]

Will Byers Analysis - Between S3 & 4

Something I always think about, is how Will probably didn't even know Mike and El were back together at the end of season 3.

When they had last spoke, part of Will probably thought Mike was talking about something else, which is understandable bc both him and Mike were speaking in code, whether they realized it or not (I didn’t say it/You didn’t have to).

At the very least, Will thought things could go back to how they used to between them; friends (best friends).

When the Byers arrived to Cali, I imagine within the first day, or within the first few days after they settled, it was most likely Jonathan who made the move to phone the Wheelers to talk to Nancy.

Then maybe Will decided he would call Mike once the phone was free or even asked Jonathan to have Nancy just hand the phone to Mike so they could catch up too.

But once Mike got on the phone, something was off. He sounded kind of distant and awkward and it left Will feeling confused.

Maybe Will tried to chock it up as them just needing to get used to living far away from each other, since this distance thing was indeed new for them. They'd been friends for the last decade and hadn't experienced being apart for longer than a week (the week of his disappearance). So, it was bound to be a little weird, for a little while. Right?

But honestly, just thinking about their fight in s3 and the events leading up to it, I wouldn't blame Will for being slightly worried.

Before the rain fight, Will was putting almost all of the time and effort into their relationship. He was fighting for it and Mike was leaving him behind. And that really hurt Will.

And that's what's honestly so incredible about Will's arc in s4, because he's not putting himself through that again.

Yes, he's growing up and he's matured, but he's also come to accept that, based on Mike's actions as of recent (despite what he might have sensed from Mike over the years), those romantic feelings he has for him will NEVER be reciprocated. If he's lucky, Mike will still want to be his friend, and he would be relieved to stay in his life in that way if it's something Mike still wants.

(Which also makes the GA's argument about how they think Will's arc in s5 is going to be about him accepting that Mike will never love him back, fall flat??? Because, Will's already realized that, sis. S4 ending the way it did was in part to make as clear as possible to Will (the unreliable narrator) that Mike cannot love him that way... And so why the hell would s5 confirm that for a second (3) time now? Where is the shock? Where is the value? What is satisfying about that? And why do that, while also holding off on Mike finding out about Will's feelings until the very end? Like... just let that simmer for a second and think about what that actually means in terms of the story going in a satisfying direction that also manages to surprise you... there is literally nothing satisfying about proving Will 'I'm not gonna fall in love' Byers, right...)

So, after about a week since they last spoke on the phone since arriving, a bunch of letters come in the mail: one for Jonathan, four for El, and three for Will (you can probably guess who from the party didn't send a letter to Will...).

And it's as if Will's worst fears are being (re)realized.

In his casual letter exchanges between the party, he talks about DnD and a new art class he's taking with Dustin, joining the basketball team with Lucas and how everything she'd told him about California was right with Max. Super casual catching up with some of his best friends. And yet still, nothing from Mike, arguably his best friend.

And so Will is understandably devastated.

He doesn't understand. Or maybe he does, he just didn't want to believe it.

And so, how Will chose to go about his contact with Mike over the next 'year' makes sense to me (and I support him fully tbh).

I think Will's arc in s4 is beautiful because he has some of the best development of anyone on the entire show. He's not the gay kid being used as a plot device for a heterosexual couple (stay tuned for s5). If anything, we're seeing this character who tried his best to mend his friendship with his best friend (also secret first love) after Mike presumably rejected him (ITS NOT MY FAULT YOU DON'T LIKE GIRLS!), and so, Will is not going to put himself through that again.

He's not going to let himself have hope that there could ever be something more between them, even if he thought so many times before there were moments or signs that Mike could feel the same (BC MIKE DID!!). He has already accepted it's not possible.

He's not going to 'stand in the way' anymore. If Mike wants to be with El, he's going to support them, even if it hurts him and his own feelings.

It's tragic, but it feels so in character for Will and his qualities as a person.

I know a lot of bylers argue that both Mike and Will were in the wrong when it came to them both not staying in touch, and I do agree, completely actually. Especially knowing Mike tried to call Will. HE TRIED. So it's not like he didn't. The miscommunication trope is doing it's magic. We just have to accept that.

And so, fittingly, when confronted, Mike doesn't tell Will he called (a lot). He lets Will think that he barely called and deflects and pushes it back on Will. But then almost instantly, he regrets it. Because it's in this moment he's only now realizing that Will did want to talk and missed him and is quite literally confused why they're not best friends any more. And suddenly it's all clicking. He knows deep down Will has every reason to be insecure, to not reach out to Mike after what happened last summer. It's just that he also thought Will had every right to move on because why wouldn't he, what's so great about Mike? Will could have anyone? Mike was so distracted by his own insecurities that Will had inevitably moved on, while also trying to hide his feelings, that he didn't realize Will actually did miss him. They've both got it all wrong.

As of now, we don’t know for sure if Will called at all, and so me assuming he called first, is just that, an assumption. But I’m giving Will the benefit of the doubt here. (It's also likely the Byers would have called the Wheeler's first because they know their number by heart most likely, while the Wheelers would've had to wait to get their new number).

Based on the story presented though (Will's unreliable narrator POV), he had a lot more reason to doubt Mike wanted anything to do with him. Will literally spent all of s3 fighting for their friendship, even if it meant coming off as slightly clingy and annoying and ‘childish’. And look how that turned out?

What else was Will to do in this situation? Just repeat all of his behavior in s4?

Was he just supposed to call Mike first, write him letters first, even though Mike was showing repeat signs of wanting to distance himself from him again?

And so, Will waits. He waits for Mike to make the next move, just in case his insecurities are right and that Mike doesn't want them to be best friends like they used to be.

One evening, about a month since the move, the phone rings and Will answers it. It's Mike.

Will is obviously surprised and thrilled. They talk for a bit, and yeah it's awkward. But still, it gives Will hope.

Now, it's still not enough to give Will the confidence to reach out first, fearing he'll come off too strong and scare Mike away again, and so he continues to give Mike space. But that doesn't stop this gesture from giving Will the inspiration to try one more thing, one last ditch effort to save their friendship; he's going to make Mike a painting.

So, all while watching El receive a new letter in the mail every few weeks or so, with him and Mike talking once (or if he's lucky maybe twice) a month over the phone, Will spends his time working on the painting, knowing that Mike used to appreciate his drawings when their friendship was at its strongest. And so, maybe this will be the thing that finally fixes things for them once and for all?

All too soon, it's Spring break and they're at the airport waiting for Mike to land.

In the months leading up to their reunion, Will made sure no one saw the painting he was working on, least of all El. Not even because he was scared she might figure out his feelings, but because he wanted it to be a surprise. We also know Will presumably had no problem with the others seeing the painting eventually because he literally brought it to the airport for Mike to open in front of all of them? And so... to him this was clearly an attempt at platonic reconciliation, even despite Will having romantic feelings for Mike. What he wanted was their friendship back.

But suddenly, Mike is standing before him and Will is so excited he can't hold back anymore. I mean, he's been holding back for MONTHS and he just wants to hug his best friend.

But then Mike is being awkward again, almost like he doesn't want to even touch Will at all, contrasting greatly from the last time they hugged during their goodbye only just a year ago (6 months they're so dramatic, i swear).

All this does is prove to Will that, despite them apparently ending on good terms, it seems Mike is just repeating last summer all over again.

Understandably, Will jumps to this conclusion fairly quickly, as his insecurities are being proven right in real time. Mike doesn't want the friendship they used to have. He doesn't want to hug, doesn't want to write to him, barely even called despite writing El a book worth of letters. He wants to talk to and focus on his girlfriend and Will is just an afterthought now.

There's no way he's gonna want this? A painting? Not a chance in hell.

So when Mike points to it and asks him about it nervously, Will panics and brushes it off.

How could he be so naive. Mike is making it SUPER clear he doesn't care about him, not like he used to. And still he's holding onto some misguided hope that maybe there's still a chance for them to be best friends.

How could he be so stupid.

[zot3-flopped]

Given the batshit nature of his fandom, what would work as actual positive pr for Louis?

For Larries: be papped walking Clifford on his own outside Kenwood House. Larries will be convinced that Harry is just out of shot.

For Rads: be photographed in bars without Oli but with a new hot male friend.

[what-am-i-doing-in-this-fandom]

Yeah, I don't know about you, Fidds, but I'd fold at this 🙏

Previous!!

Next!!

First!!

[chloesimaginationthings]

FNAF Sun reviews Michael Afton’s art,,

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[squidsmeister]

dungeon meshi is my favorite road-trip comedy film

[cwispihae]

Had to take a swing at this insane Usopp fit GOOD LORD

[ciderjacks]

thinking again about how much trust he had to have in Laios to recommend his own daughter in case he dies

[vaguely-concerned]

the fact that iron bull opens his recruitment conversation with pretending he doesn't quite remember the name of the the inquisition's ambassador. Jose-what's-her-name-again. he's just a big dumb jock no thoughts head empty mercenary who likes fighting and drinking don't worry about lil old me inquisitor! I'll hit things for you if you'd like as long as you pay me! ],) and then right after he reveals he's a spy he drops that he knows not only the name of your spymaster and how she operates but also her haircolour. (but like in a safely bro-y way tho! make that fighting and drinking and fucking! I'll be useful to you but in a real meathead non-threatening kind of way I'll be too busy bedding chantry sisters to do any real harm ],) continue to not worry about lil old me inquisitor!)

god bull you're so multidimensionally and fine-tunedly full of shit I love you so much fhdksah

[inconsistentslack]

my favorite thing about how everyone draws Odysseus

for what ever reason Odysseus is drawn as the shortest adult mortal character and honesty it's funny to me . Props to Ody the og short king.

[poorly-drawn-mdzs]

Ghouls night out

[First] Prev <–-> Next

[iwritenarrativesandstuff]

I always have a soft spot for characters who have a protective streak for another out of gratitude for their kindness towards them, but Charles’ protectiveness towards Edwin really hits a particular way because it’s so so apparent that it’s specifically about wanting Edwin to feel as safe and as comfortable around him as Edwin made Charles feel in his dying moments. I’m going to shatter like glass.

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[puppetmaster13u]

Prompt in Memes 5

Once more, have a prompt entirely in memes because I'm too lazy to properly write one right now lol.

[bet-on-me-13]

The Bat-Adoption Papers are literal Magic Contracts

So! In the Deified Batman AU (the AU where the Belief of the peoples of Gotham accidentally Ascended Batman to minor godhood), the Bat Adoption Papers would be a fun concept.

Batman is a God of The Night, Fear, and Protection. Specifically, the protection of Children, which is one of his biggest motivators. Meaning, it's a big part of his Divine Domain.

So when he, a God of Protection and Children, adopts his own Child? It's kind of a big deal.

His Adoption Papers basically become Magical Contracts that claim Dick to him as his own Son, basically turning Dick into a Demigod by the fact that he is the Son of a God.

Then each time Batman adopts a kid, they become a Demigod as well. Maybe after enough time, and after they forge their own Identities, they could become Minor Gods of their own? Idk, fun idea

Why do I bring this up?

Well, when Danny eventually joins the JLA, and runs into Batman, all he sees in a God of the Night, who takes one look at him, and then pulls out a Magical Binding Contract from his Belt.

Needless to say, he books it.