#even since Shibuya ended the themes of the story have been all over the place

[birdyverdie]

Hmmm honestly the only reason why I'm still reading JJK is cuz of the sunk cost fallacy

[niinnyu]

Gege's payoff followed by setup problem, and why Shibuya Arc is still their finest writing.

Gege's writing structure has become so reliant on catching the readers by surprise that they just won't tell anything to the reader. Going into Gojo vs sukuna and the fight fest it's been since, readers have no clue of if there was any strategic/tactical planning happening (outside of Yuuji training with Kusakabe which is sloowwly coming back to the limelight).

The current buildup by adding emphasis to Sukuna and Yuuji and their dynamic, Yuuji's rage and loneliness and loss, only to bring in a Gojo-Yuuta vs Sukuna part 2 electric boogaloo. Which imo is another fight that has no interesting overarching commentary/themes outside of being the promised shounen strong vs strong fight, in a power system already criticised by both sides for being flawed.

It feels like Gege uses shock value and people eating absolutely anything up if it's about their fav, to bypass any meaningful setup.

The reason why Shibuya had the effect of absolute gutwrenching loss and defeat, is because it was setup so deliciously done. We'd seen the villains literally experiment their ideas with the veils on our heroes with the sister-school event, we've seen them talk about their plan with a lot of details, and how eventually they tweaked it to work better with their new knowledge.

We've seen that the mastermind might be someone from Gojo's past since they talk about how they cant be seen by Gojo, then you have jjk0 which shows the rift and the death of that someone (intrugue! Theyre still alive?? They're still on the bad side with that ending??) , following which you have Hidden Inventory where you see the bond and what caused the rift.

And ONLY THEN do you have everything fall into place when Kenjaku appears and Gojo is tricked because you were tricked alongside Gojo even tho as the reader almost everything was right in plain sight with just the lack of some context. Even the inconsistencies between Suguru's and now revealed Kenjaku's behaviour makes sense.

Althought the setup happened rather non-linearly, all of it was still always before the payoff. And boy, does it pay off.

And when things didn't go according to the villains' well thought out plans, it was still just such a seen yet unforeseen turn of events. We didn't know Yuuji would be fed so many of Sukuna's fingers that Sukuna would take over, but Sukuna taking over was an underlying threat that has been constant throughout the story and it just so happened to take place then).

Everything since the culling games has felt like things just happening one after the other. Short term goals that our protagonists had to complete since no one knew what was even happening. An entire year's worth of chapters of not seeing our protagonists and following new people who didn't/haven't yet done anything to truly warrant that much undivided paneltime. Anyone remember the US gov subplot? Did i dream that?

The last genuinely set up but still pretty shocking event was Sukuna using their binding vow and taking over Yuuji's body only to then take over Megumi's. We knew he wanted Megumi's power and the binding vow was another underlying threat since Yuuji's first death that was waiting to happen. Abrupt? Yes. But it was something hinted happening.

By no means am I saying that the reader should be told everything, that's not how writing works, but have enough at least fall into place when things are revealed instead of showing the puzzle completed then picking out puzzle pieces to show it individually and putting them back. A couple of panels where a character says something vague where you as the reader don't even know if it's something to take into account is NOT good set up.

[crescentsteel]

Just Friends - Epilogue

plot: fubu set up with Kuroo, model fem reader genre: fluff, suggestive themes  wc: 2.1k

[a/n]

I enjoyed writing this self-indulgent, tooth-rotting part. I hope you do too.

I loved this story so much. It really is goodbye now, Kuroo. 

Ack. Not crying. 

Part 10 || m.list

“Morning,” says your boyfriend with the familiar drawl of his voice in early mornings.

“Mmm, more sleep.” You nuzzle your face on his glorious chest which you deem is the best pillow you’ll ever have. Of course, you won’t tell him that. His head is already big enough with that bed hair of his.

He wraps his arms around you even tighter, drawing you in his warm embrace that makes the January weather in Japan forgiving, comforting even.

He plants a soft kiss on your forehead while he tenderly tucks your hair behind your ear.

“Kitten, as much as I want to sleep in today, we both have to get up,” he says while he strokes your cheek, making you want to stay longer like this, contrary to what he just said.

“But why?” You whine with your eyes still closed.

He chuckles softly. “It’s your graduation today.”

You squint your eyes open and look at him. Kuroo Tetsurou. Your fuck buddy for 6 months, friend without the benefits for another 6 months, and boyfriend for 2 years.

After you made things official with him, you sorted your life out and figured out what you really wanted to do. As much as you enjoyed working full time, you decided to go back to your university and finish your degree while working part time instead.

You realized that you wanted to see it through, not because your parents wanted you to, but for yourself. You lost clients, but you were happier. But with Tetsu looking at you as he is, you’d think he’s way gladder than you are that you’re finally graduating.

“Why are you looking at me like that?”

“What? Can’t I be happy for this occasion?”

You shrug your shoulders and get back to nestling yourself within his hold. He gently taps your shoulder. “Oyyy, get up already. I can’t do it with you being cute and shit like that.”

You giggle on his chest before getting up.

—

“Seriously, Tetsu. You look too damn happy,” you remark on your seat as you watch him drive. “You’ve had that wide grin on your face since we left my place.”

“You don’t understand, kitten. We finally get to look like a legit couple. I won’t get those looks from students in your university anymore.”

You frown. “What’re you talking about?”

He snorts. “Don’t tell me you haven’t noticed.”

“Noticed what?”

“Oh please. They look at me like I’m a cradle snatcher.”

You cackle on your seat. You really had no idea that your schoolmates looked at him like that. It must be the suit and the car every time he fetches you from the campus.

“Aww Tetsu.” You reach for his face and caress his cheek. “You don’t look that old to be a cradle snatcher.” He smiles as his one hand lets go of the wheel to cup yours that was resting on his face.

“Maybe a sugar daddy?”

He returns his hand on the wheel and scowls. “You know, we still have time to pull up somewhere.”

“Why the hell would we pull up?”

His scowl turns into a contemptuous grin. “So we could do that sugar daddy roleplay of yours. I can act like a creep who paid for your university. Then we can pretend to have one last sex.”

You instantly remove your hand away from his face. “You’re gross,” you spat out. It was his turn to laugh. “What? I’m just going along with your shit.”

His one hand creeps on your inner thighs. “Come on, baby. Won’t you let me fuck you for the last time?” You raise an eyebrow on his hand that’s inside your skirt before raising your gaze to him. “Oh daddy. Does this really have to be the last?” You play along with his dumb antics.

He grips your flesh right before making a sharp turning on the curve right ahead. “Tetsu! What’re you doing?” He keeps his mouth shut with his eye glued to the road. “Hey! Where are we going?” He still doesn’t answer you until he pulls up at a park that is somehow familiar to you, but you can’t remember why.

“What are we doing here?” You ask.

“You don’t remember this place?”

You shake your head. “Well, if you must know. I stopped over in this area to do you before I took you back to my place. You were batshit drunk and let me, a stranger do all sorts of stuff with you. End of story time.”

He unbuckles his seatbelt and lunges right at your lips, causing you to moan from the suddenness of it. His tongue swipes your lower lip right before thrusting it impatiently in your mouth.

You force yourself to pull away. “Tetsu, it’s broad daylight.” He might have gotten away with it before, but it’s too bright at present. Anyone can just walk in on you.

“Why do you think I got my car tinted as fuck? Besides, barely anyone comes here,” he says before his lips coaxes you to agree by flicking his tongue just below your jaw.

“B-but my clothes,” you try to protest.

“We’re not going to remove them,” he hums against your neck.

You cup his face to lead him back to your lips as you unbuckle your own seat belt to get over to his seat and straddle him. He reclines his seat while ravaging your lips.

“Call me that again,” he says in between kisses. You knit your eyebrows together before gaping at him with an amused look as it dawns on you what he’s talking about.

You hitch your skirt up and grind on his clothed erection. You place both your elbows on both sides of his head, hovering just an inch on his face. “Call you what, daddy?”

He smiles as he reaches for your lips once again.

--

“Why are you late on your own graduation?” Kenma asks as he eyes Kuroo’s wrinkled slacks and your crumpled dress that you still struggle to fix even after arriving.

“Forget I asked,” he says with a grimace. “Sorry,” you apologize before catching your own breath. You turn to Kuroo and fix your hair for the last time. “Do I look okay?”

“Most beautiful person here.” He pulls you for a quick peck on the lips. “Go to your seat, kitten. You’re already almost an hour late.” You beam at him and give him and Kenma a quick wave before marching to your assigned seat.

When you're out of earshot, Kenma frowns at Kuroo. “Really? You couldn’t wait until after the ceremony?”

Kuroo laughs at Kenma’s question. “Is it that obvious?” Kuroo asks to heighten his amusement. “Disgustingly so.” Kenma answers instantly which cracks him up even more. Kenma easily swerves away from the topic, telling Kuroo about his current plans for Bouncing Ball while they wait for you to get on stage.

When your name is called, they both immediately stop talking. This is what they came here for, to see you get that certificate you very much deserved.

You were right earlier in the car. He is too damn happy for this day. You worked so hard for this milestone even if you didn’t have to. You did so well with your job. You were soaring your way to being more successful. But you stayed true to what you really wanted and studied again. After two years, you really did it.

He took the whole day off to make sure he’d be with you because he wanted to be with you as you grasp this achievement. More especially because you told him your parents won’t be coming. He’s also glad that Kenma made time for you so you have one more person celebrating your success.

He watches you get up on stage, a walk so far from your usual, composed one because you too were happy. Your face is radiating even when from a distance. When you get the diploma, you turn your head to where he is, quickly scanning the area to look for him. When your eyes meet his, you break into the most beautiful smile he’s ever laid his on.

He waves at you with a smile of his own. Fuck. He must have done something right in this life to deserve you.

“Don’t cry here, Kuroo. You’re going to look like her father instead of her boyfriend,” Kenma says. He sniffs a bit and laughs when he remembers your antics before you two arrive at the place. “I wouldn’t mind being her daddy,” he answers back meaningfully, causing Kenma to glower.

“Ew.”

--

“Oh my God. I’m exhausted!” You exclaim as you remove your heels when you enter his apartment. You two immediately went straight to his place after having your celebratory dinner with Kenma and Kuroo. You two have been sleeping at each other’s place interchangeably for quite a while now that you have some clothes and your necessities in his place and vice versa.

Before changing clothes, you plop yourself on his couch, resting your head on the back rest. You feel familiar fingers massager your temples. “You good?”

“Mmmhmm. Just tired.” His digits leave your head. You hear his footsteps go around the couch, the cushion shifting down with his weight when he gets there. He tenderly tugs your head to lean on his shoulder.

“Congratulations, kitten. I’m so proud of you” he whispers. You snuggle even closer to him, getting yourself lost in his comforting presence. “Thanks, Tetsu.”

You feel something in your lap which makes you flutter your eyes open. It’s a small red paper bag. You sit up straight and feign a glare at him. “I did tell you no gifts, right?”

“Yep, but since when have you been the boss of me?” You roll your eyes as you scoff at him. You take the paper bag off your lap and gently open it. You find a rectangular black leather box inside.

“Ooh! Are these eyeglasses?” You ask eagerly. You’ve been whining non-stop that your eyes hurt from the amount of time you’ve been spending in front of your laptop. Damn, your boyfriend really is thoughtful.

“Uh huh. Go open it and lemme see if you look hot with it,” he smirks as he watches you take the black box inside. You open it and see no eyeglasses. What’s there is a key stuffed in the velvet cushion filling the empty space inside the box.

You look at him with a frown, confused as to what it means. He no longer holds that cocky expression in his face. He regards you lovingly, his eyes warm as he dotes you. “I bought a condo unit in Shibuya. Move in with me?”

You gawk at him, the word you want to say not coming out of your mouth from shock. You two didn’t have a problem with your set up. He’d sleep over at your place and you’d sleep at his place in turn. You were fine with that, but sometimes, it’d slip your mind how nice it would be if you wouldn’t have to take turns anymore, if you lived together.

But you never told him that. It was just a thought  that you pushed in the back of your head. You were content with your current set-up anyways.

“A-are you sure?”

He laughs softly. “Damn right, I’m sure.” He grabs your hand, covering it with his as he strokes your knuckles. “I don’t want to keep track of whose place we’re spending the night at. I want to wake up with your face next to mine on the same bed everyday. I want to go home knowing you’ll be there.”

You blink back the warm liquid in the corner of your eyes that’s threatening to surface. You have been exposed to many grandeurs and successes in life, but not any of those compared to the happiness you feel as he eyes you with pure rapture.

“Honestly, I would’ve asked you to marry me if only I’d met your parents already.”

You smile through the tears that you failed to hold in. “Tetsu, you’re making me cry like an idiot on my own graduation day. Of course, I’d love to move in with you, duh,” you say before wrapping an arm around his neck and burying your face on his chest as you let the tears of joy flow peacefully.

He draws you away and wipes your tears with his thumb, the amorous look he had not leaving his face. “I’m serious though. I love you, y/n. I love you so much that I want you to be completely mine.”

You trail your hands up to his cheek and hoist yourself up to cover his lips with yours. You’ve shared many kisses with him, and among those thousand times your mouth meld against his, this feels different, special.

You pull away and return the earnest adoration he has with your own. “I already am, Tetsu. Just as you are mine.”

Part 10 || m.list

taglist (those crossed out can’t be tagged)

@lia-faerie-queen @mkkhaikyuu @fastidious-and-precise @winunk @feelkindahorny @cece-lives-here @arendizzle @phantomneko0 @ysatrap @babythotshq @ameliaxo @miiy @kurooscoochie @lucifers-luv @suikrem @loving-unicorns106 @flairlust @tsumurai

[firstagent]

Review! Adventure: (2020) Episode 67: The End of the Adventure

In this episode, among all of Negamon’s terrifying forms, it decides a shadow rivaling Omegamon is the scariest.

The common template for Digimon finales of half climactic action and half emotional epilogue offers some intriguing possibilities for this series. The climactic action part goes without saying: whatever stops are left will be pulled out and it’s going to be the kind of wild action sequence the show’s excelled at. But it’s hard to go without some sort of resolution as the kids say farewell to the Digital World. How do you say goodbye to a cast we never really met in the first place? It could be the same hollow statements we’re used to, or they could cram a bunch of real world details we should have discovered ages ago. Instead it’s split halfway, with sights a little more telling than we’re used to, but without pretending this show was anything different than what it was.

After tussling with multiple forms of Negamon, all abominations of tentacles and eyes, Omegamon dives into its main core for the final showdown. And Negamon, master of horrors… solidifies into a form the same size as Omegamon, only shadowy. It’s possibly the least intimidating thing it could muster. It’s also a weird show of deference, like Negamon would rather fight as equals rather than as something larger and awe-inspiring. It makes for a hell of a final one-on-one clash that delivers the kind of fight we hoped for, but the psychology is poorly considered and the form in many ways betrays Negamon’s concept.

Once Omegamon and Negamon run through the string of “evenly matched overpowered robot duel” tropes, eventually ending up in space because why not, the usual spur of energy from the angels and the usual refusal to quit from Taichi and Yamato leads to Omegamon Alter-S… the usual mode change everybody expected. It makes quick work of Negamon, but makes an observation that other Digimon seasons have only danced around: in worlds where Digimon are reborn: doesn’t that apply to the villains?

It varies by world, but you probably should wonder about the fate of the Dark Masters, Lucemon, Bagramon, and the like. This time it’s attacked head on. Omegamon recognizes that the power of rebirth Negamon grew such a disdain for allows it another chance to recreate itself, perhaps this time without the corruption that led it down this path. If there has been a recurring theme this series, it could be the exploration of renewal and history repeating itself.

The falling action starts out on an auspicious note, with the kids left in a weird binary space where everyone can chill with their partners for a second. They’re sweet, quiet moments, but nothing remarkable. And suddenly it’s over, leaving you wondering if that was it for the kids in the Digital World, perhaps even with their Digimon. Meanwhile, the following scene of Wisemon passing on the story to the baby Digimon is a wonderful additional to the formula. Like the holy war before it, it shows how this adventure is destined to become part of the world’s lore, to inform and guide the heroes of the next crisis that will inevitably come along.

As for the heroes of this one… they just go back to their lives. Not knowing much about them lives hampers a few of the shots, particularly Sora and Joe’s. But for everyone else they take what little we were given and roll with it. Takeru and Yamato get a rare real world visit. Mimi puts her entrepreneurial spirit into action. Koshiro’s on her payroll, devising a way to open his own gate to the Digital World. And Taichi gets a moment in the shade, a chance to enjoy some peace and quiet, maybe even out of the limelight for a change. That he’s still in the Digital World is only brushed on, appropriate as he’s not the first Digimon protagonist to make that call, that he didn’t have any specific grievance that made him want to avoid the real world (at least that we knew of), and he wasn’t that convincing as a human child anyway. It’s a good spot for him.

It’s almost a footnote that the Digimon stayed with them, remarkable since that only happened once in the first six seasons. But instead of wondering about the implications of Digimon in the real world, they leave the kids alone with their sassy pets. Other kids saw it all; they’re fine with it. They keep it simple, while still offering up a clean resolution to everything, combined with a final battle that lives up to the hype. With all the disappointments of the series baked in, the least it could do was manage an ending within its means. To that, at least, we can be happy it was successful.

My Grade: A-

Loose Data:

Hope you weren’t playing a drinking game taking a shot for every Our War Game homage. The episode leads off with Omegamon flying through a network-like tunnel and it never really lets up at any point in the battle.

They make a big show of the other six occupying Negamon’s outer body to weaken the core, but there isn’t much correlation shown to suggest that affecting much. But it’s nice that the other six got to feel useful in the final battle. And while it’s certainly appropriate that Seraphimon and Ophanimon are leading the way, it is unusual to think about Takeru and Hikari heading up the troops.

Considering it’s the first time we’ve had a good Digimon introduced stronger than the one that showed up in episode two, Alter-S didn’t get a whole ton of screentime. He showed up, more or less one-shotted Negamon, then was back to regular Omegamon before the end of his monologue. As far as midnight hour emergency power-ups (Crimson Mode, X7 Superior, that sort of thing), this is one of the weakest.

Omegamon talking about “endless potential” sure hits differently after Kizuna, doesn’t it? He’s talking more about Digimon in general while Kizuna was about the limitations of the Chosen-Digimon partnership, but still…

Given the season’s dedication to showing the Digital World outside of battle, the montage of locations carrying on with life is great, and lined with little sights like BanchoMamemon graduating finishing school, the Mimi statue at the gem mine, and Petaldramon, Andromon, and Guardromon all still petrified under flowers.

One cute little touch/nod to the original series… Yamato and Takeru are meeting in Shibuya.

The digital gate Koshiro is trying to create resembles the weird pop-up he received in episode one that we all thought was going to be interesting and relevant and we never saw again.

And finally, congrats to Leomon for surviving a series! His reward is spending the rest of eternity helping Wisemon babysit.

See reviews of every Digimon episode at Digimon: System Restore! Support the site by joining our Patreon!

[not-delicious-milk]

yuuji’s wounds in shibuya

it occurred to me today that during the shibuya arc, the wounds that yuuji receives and the location he receives them in are actually pretty significant.

i’m putting it here so nobody asks me about it: nobara also receives significant wounds, but that’s been a running theme tied to what i assume will be a character arc focused on personal appearance as a female jujutsu sorcerer. throughout the story she continually receives wounds to the face, which was excellent foreshadowing for her (probably) near death experience in shibuya, and will serve as setup for future arcs.

i. just a scratch

in their fight against awasake, yuuji receives a gash to the side. when megumi runs over to see if he’s okay, yuuji responds that it’s “just a scratch.” it doesn’t seem to be debilitating, so he’s probably right, but what’s important to note is the continuation of the theme of hiding pain from each other. 

ii. crack

not once, but twice yuuji receives a wound in the exact same place: across his face. once from choso, and once from mahito. that can’t be chalked up to coincidence.

the orientation is reversed, showing how yuuji’s position is reversed but fundamentally, the same.

when fighting choso, he’s fighting someone taking revenge for the murder of his brothers -- yuuji’s murder. morally, it’s the same as yuuji trying to kill mahito in revenge for junpei’s (and nanami’s) death. when fighting mahito, he has to kill transfigured humans, and later admits that he isn’t so different from mahito after all. 

the arrow placement in the second panel here further points out the hypocrisy in yuuji’s conviction -- he has been playing with people’s lives, too. not just through sukuna’s rampage, but also by his own hands. choso and the transfigured humans stick out as prime examples, but there’s also the indirect deaths caused by his consumption of sukuna’s finger. 

the “crack” that appears across his face, in both instances, represents the cracks evident in his conviction, but the wound also splits his face. i don’t have to remind you that the “ryomen” in “ryomen sukuna” means “two-faced.” well before he started resembling sukuna in his fight vs mahito, gege was already showing their similarities. 

yuuji isn’t exactly doing okay right now. he’s running on adrenaline and cognitive dissonance. simultaneously, he believes that he is a murderer who deserves nothing less than death, and that he needs to save as many people as possible to redeem himself. these are conflicting ideals that he’s trying desperately to consolidate, and it’s splitting him in two. 

iii. liver

this is a turning point in yuuji vs choso, shifting the fight firmly in choso’s favor. shortly afterwards, yuuji accepts his impending death and chooses to sacrifice himself to ensure that choso falls here, to save his friends and gojo. 

he fails.

the liver is the site of blood filtration in the body. when blood passes through, toxins are flushed out and it leaves the liver in a purified state. itadori’s injury to the liver is the moment when he clears all distractions from his mind and decides that he will die here fighting choso. 

additionally, the liver has a few interesting symbolic meanings. in greek mythology, it was thought to be the source of passion and emotion, specifically anger and wrath. it is the source of bile in the body; the theory of four humors attributes yellow bile to the liver, and with it a short temper and tendency towards anger. 

in this fight, choso is fighting out of a desire for revenge and immense rage. it’s only fitting that his fatal attack strikes yuuji’s liver, the symbolic source of anger in the body. 

iv. baring his teeth

to bare one’s teeth means to indicate one’s hostility in a threatening way. the term comes from the way wolves bare their teeth when doing the same. 

oh? wolves? where have we seen that before?

this is the moment when yuuji’s overwhelming hostility translates to stalking mahito like prey. and mahito? mahito is terrified. yuuji has asserted his dominance and doesn’t even need to run after mahito, taking a leisurely pace as he moves to kill his enemy. 

it’s significant that the skin on his cheek is what’s damaged, revealing what’s underneath. it suggests that this is only revealing a side of yuuji that’s been here all along, rather than a sudden development. it’s also mahito who pushed him this far, being the one to tear his cheek open. 

in this intimately personal moment, where it’s just yuuji and mahito, yuuji’s innermost thoughts and impulses are shown without a second skin to cover them up. he’s laid bare, and it’s not just his teeth that are exposed. 

this, of course, is immediately ruined by kamo’s arrival. 

v. blood on his hands

in contrast to the injuries that revealed more and more of his innermost self during his fight with mahito, kamo’s -- and kyoto tech’s -- arrival is accompanied by injuries all over his body, completely covering him in blood. every other injury he has sustained is obscured by it, overshadowing it in significance. 

this is significant, because “covered in blood” is exactly how yuuji appears to outside observers. up until now, the only people he’s come across since his breakdown were close friends and mortal enemies, people who know his true self. but now, with the arrival of the proverbial puppet master and members of the greater jujutsu world, yuuji is covered in blood. 

i’ve said it a few times before, but it’s important to note that nobody, nobody has been made fully aware of sukuna’s rampage. kusakabe openly stated his desire to see yuuji executed after seeing that sukuna took over his body and destroyed some buildings. yuuji told todo that sukuna killed a lot of people, but didn’t elaborate on the point, and todo didn’t really seem to grasp the magnitude of what happened.

nobody knows. but yuuji does. he knows and he hates that nobody else does. 

now suddenly in the presence of people who, for the moment, are protecting him and putting trust in him, yuuji is probably only seeing the blood on his hands. and if they’re made aware of what he’s done, the others will only see the blood on his hands, too. he is, figuratively and literally, covered in blood, and not just his own. 

with choso’s appearance and extremely loud declaration of relation to yuuji, further explanation of the situation will undoubtedly be demanded from him, and he’s probably going to confess to what he did with no reason to hide it. the kyoto forces might end up splitting between those protecting yuuji and those trying to take him out now while he’s wounded. 

but that’s only a speculation. for now, all i can do is sit back and marvel at gege’s writing and art, and how it can be interpreted in so many ways even with only 134 chapters at the time of writing this. 

[nyrator]

been feeling like venting, so just some random vents- then afterwards, JSRF ramblings because I just beat that game

turning 29 at the end of the week, not looking forward to it- turning 30 next year terrifies me

mother’s funeral was friday, got that out of the way relatively painlessly (other than having to spend an extra 800 dollars just to bury my sister with her, about $4500 by the end of it

gofundme raised about $2000, other donations about $1300 last I counted (probably higher), so most of it was covered

yesterday my mother’s 70 year old best friend held a party at a bar for my mother’s friends and I was obligated to go, bunch of crazy old women talking like sailors, drinking and smoking pot and laughing about all the drugs they did and all the times they got raped (yeahhhh), the only person I was comfortable around was the best friend. And then the party ends two hours late, we’re getting kicked out of the bar, and this friend falls bending down to grab a picture of my mother that she dropped, smashes her face into the floor, and collapses with a pool of blood under her face, unmoving, right in front of me. I couldn’t get the words out that I’d go and pick the photo up for her before she went to get it, and I regret it

Thankfully, she only had a concussion and a broken nose, she started responding after about a minute of just lying there, but it messed me up, I think.

I’ve been debating if I want to start drinking. I never tried before, mainly because my father was an abusive and violent alcoholic. The other reason is because I’m afraid what I’d do to myself if I had no inhibitions in place, I feel like I’d be very dangerous to myself.

neck has been stiff for two days. Probably slept on it wrong. Also keep feeling like I get different symptoms of covid every so often after exposing myself to the public (that bar was packed with old people who wouldn’t wear masks and had no concept of personal space). Today my throat’s been sore and I can barely breathe.

my boss told me I can go back to work as soon as the funeral’s finished- not sure if I should call her to remind her or wait for her to call me, she texted me last week and I told her the funeral was on friday. But my coworker was also wondering and asked me today, and I didn’t know what to tell her, since my boss doesn’t want me to let her know just yet because of how limited they’re open (three days a week, four hours a day)

relationships are very hard

I’m a terrible person who does the bare minimum to help someone who’s terribly lonely and depressed, and it’s like I’m backed into a corner in desperation from being unable to do anything about it. I’ve caused so much harm to this relationship that I wonder if there’s any way it can survive sometimes

It’s always the case, though- I can’t get myself to do more than the minimum effort it takes, and my social anxiety prevents me from ever initiating anything, which has cost me so many people that I shouldn’t be surprised at this point. And I can feel that awful, selfish bitterness inside of me, that part of my father and my sister that’s in me that I try to suppress, and I hate it.

my diet is going well enough, lost over five pounds since starting it late August. But it’s mostly because I just dislike eating, so eating in portions is easier for me. And then there are days like today, where I just don’t eat at all. Just ate one slice of bread, 30g of peanut butter, and a small cup of ice cream today, and I don’t even feel hungry. Normally I try to get some food in me, but today I’m just too disgusted to even try to make dinner.

My sleep’s also been weird, still. Been going to bed later and later again, but can’t stay asleep. Usually only sleep in bouts of 3-4 hours, then just lay awake until I’m half asleep long enough that I feel the urge to give up and get up. It’s been like that for weeks now, I can’t remember the last full night of sleep I’ve gotten.

In lighter news, finally got back to playing JSRF. Beat it the other night after 24.5 hours of game time, just have a few more challenges left (did everything from Dogenzaka Hill to the Bottom of the Sewage Facility so far), got all graffiti and souls possible before beating the final boss. Played it via emulator (which worked great except for crashing when entering the graffiti selection occasionally) with a Switch Pro Controller, felt really good. I own it and the original Xbox for it, but just am spoiled by a PC experience, I suppose.

The gameplay is great, but the level design leaves a funny taste in my mouth. Aesthetics are worse than JSR for me, while music... it’s tough to say, it’s different than JSR, but really grew on me. Sometimes it felt more like noise (I remember the Sewage tracklist not speaking to me too much at first with the more ambient-ish tracks), but it did grow on me a lot. Baby-T was my Garage theme the entire game, such a great track.

Naganuma’s music in the first game was definitely the weakest of the original’s OST (still good of course), but in Future I feel he really stepped up his game. Teknopathetic is one of my favorite songs in the new OST.

speaking of favorite music, here’s mine from each game:

Bout the City

Dragula

Magical Girl

Miller Ball Breakers

Mischievous Boy

On the Bowl (A.Fargus Mix)

Rock It On

Super Brothers

Yellow Bream

Aisle 10

Baby-T

Birthday Cake

Count Latchula

I'm Not a Model

Like It Like This Like That

Rockin' the Mic

Statement of Intent

Teknopathetic

The Scrappy

(shout outs to Girls from the one JSR CD, haven’t listened to much of the other exclusive songs to it, but Girls was good)

but yeah, my minor gripes with Future

Linear level design was a bit painful (missing a jump and not being able to backtrack a lot was bleh), and the later levels were very painful (the sewage area and the rooftops are come to mind, skyscraper to a lesser extent but I liked the skyscraper one a bit more), but at the same time, they force you to get good, which I can appreciate, so hm. Still, a checkpoint system (especially since there are save points) or unlocking shortcuts would be a bit more convenient, if not entirely necessary.

Not having a way to stop auto-grinding, even if just holding down a trigger or something- the way I latched onto rails especially in the sewage area was painful

Points challenges mainly being “find the special points rail and just spamming Y” on it was a bit odd (mainly for the Jet Techs so far, just five minutes of spamming Y...), but I like how the combos feel in this game, especially X combos to speed up. Has a rhythm that’s hard to explain but just feels natural.

Also street challenges should’ve been explained better in general, had to look up most of the special ones (and glitched out the Shibuya Terminal one many times until realizing the fix was just “hop all over each platform multiple times and hope it counts”, the second one next to the tilted platform specifically for me

Mew/Bis/Rhyth’s redesign still hurts, but you better believe she’s the character I used throughout the entire game after unlocking her

Storywise, I think I like JSR’s take better- Professor K being a neutral party and more amusing/less insulting, Onishima > Hayashi, and the character designs and artstyle I overall prefer from the first game

Felt like it tried to add things that just didn’t really work sometimes (Death Ball comes to mind, though I haven’t messed with Versus yet, the story mission was very easy compared to how they hyped it up), and the boss battles were all... strange. Tagging enemies on that roller coaster level, having to grind up to that one Hayashi boss fight over and over and over, then even moreso for the final boss... never got much use out of targeting enemies, spinning circles around them, or things like the railgrab for high jumps or skidding to slow down for graffiti, either, but maybe they have their uses.

But man, the game did feel fun to play, just frustrating to explore, I think. I still like the idea of making Skatered, even more after playing this game. Maybe I could learn modding, or something...

Oh yeah, also got all the pieces of my costume together (minus some eva foam), we’ll see how that goes. Not looking forward to assembling it, honestly, but I can’t back out now. Main regret I think is the tights, being unable to find striped ones (and the solid ones I bought being a bit too see-through, I should’ve bought a size up maybe). Still not confident enough in my makeup abilities, either.

and one last bit of light news- I finally got my Kuja figure, he’s so beautiful and detailed and I need a good place to put him

[lynxgriffin]

Led Zeppelin was right all along

It’s my FINAL PIECE of KH3 commentary! That’s right, I’ve finished the game! Commentary for me finishing it is under the cut!

Okay guys, this is it

It’s time to finish this sucker

It’s time for all of my feelings to get curbstomped and then cracked in half over a knee

Turns out I’ve caught a cold so this might be tougher to do

But I’m still going to do it

AWAY. WE. GOOOOO

And after beating this gummi boss again…

Ahhh there he is at last

The old fart

…So weird that it’s not Leonard Nimoy though

Xehanort: Let’s just try out this whole apocalypse thing and see how it goes

It’s rainin’ Heartless, hallelujah

LMAO there isn’t even an enemy counter, it’s just:

ENEMIES. YES, ALL OF THEM. ALL THE TIME. FOREVER

And I just blew up ten million Heartless with a train, THIS IS THE SHINIEST APOCALYPSE EVER

Ohh, once again, hate that tunnel

IT’S A TRAP

At least Aqua didn’t fall for that

Oh dang he’s got No Name there

NOOOO SUNSHINE BOY

Oh well now that’s cheating

FUKYEAH GOOFY

Donald’s fukkin pissed

Did Donald just Megaflare this bitch

ArE yoU kiDDinG mE

Oh great, one of you again

Aqua: Never mind, that is way damn too many Heartless

HE SCREAM, AGAIN

SORA PULL YOURSELF TOGETHER WE’RE STILL EARLY IN FINAL BATTLE MODE

Well that was five different layers of OH SHIT

Oh hey back at that chess metaphor HI AGAIN YOUNG ERAQUS

Wait the hell kind of chess move was that

MEANWHILE, BACK ON THE SALT FLATS

ThE FINAL WORLD, HUH

Chirithy!!!!

Chirithy: So yeah you’ve kinda died a couple times previously just by being unconscious a lot

Sora: YEAH WELL time to get back to life

Sora: THERE’S PUZZLES IN HEAVEN, TOO??

THERE’S PUZZLES IN HEAVEN YUP, BETTER GET TO THAT

Ohhhh no the sparkly stars are KHUX Keykids, aren’t they :(((

Ugh it’s the little star soul stories that are getting to me :(

Sora bein’ a pal even to all the souls in heaven, gosh darn

OH SURE JUST KEEP THAT FROM THE AUDIENCE

OMG this soul is longing for his kismesis, what a nerd

“What a weird place” YEAH NO SHIT

Well it’s nice to see THESE Soras are having a great time

Perhaps this game was taking the idea of Sorabits a tad too literally

Also actually two quick questions here:

1) Why is Chirithy in heaven?

2) Sora were you instagramming from heaven??

Sora: So heaven’s been a trip and all but I’ve still got endgame to do, STAY COOL FUZZY FRIEND

Wait a bloop it sent him back in time too??

Insert 2001 Space Odyssey reference here

Oh now we’re in DIFFERENT heaven??

Okay yeah now I have no clue where we’re going from here

Man here I was expecting to fight all the Norts and instead it’s…Heartless…Grim Reaper

I’m starting to suspect this is not the real Jiminy

This is kind of a weird callback to KH1, innit

Yeah I was just wondering that myself

Oh hey Youngnort

See? Grim Reaper Heartless, I knew it

I gotta say that after Sora dying and going to KH heaven this is…kinda weirder coming afterwards

I’m kind of worried about where this is going

This is like Three Days of the Condor, I TRUST NO ONE

WE FINALLY GOT A TITLE CRAWL???

WHELP. ROUND TWO, I GUESS

Guys, let’s…let’s not do this again

You ever get a sense of deja vu

OHOHOHOOOOO THIS IS DIFFERENT

“WHO ARE YOU??” “I’M YOU BUT STRONGER”

Terra: I’ll kick every ass! I’ll kick your ass! I’LL KICK MY OWN ASS

Gad damn the bullshit never stops around here, does it

We’ve done this before but I DUN CARE since this is my favorite boss battle music

Meanwhile the Unreal Engine’s just huffing and puffing trying to keep up

:O!!! EPHEMER!!

WHATRE U DOIN IN A HEARTLESS TORNADO

And all the dead Keykids came to help!

Ohhhhhh myyyyyyyyy goooooooooooosh

HAHA SO THAT’S HOW THEY INTEGRATED THOSE PEOPLE THAT WON THE THING

Congrats Keykids, U ARE ATTACKS

That’s…that’s really sweet actually

That’s a whole lot of Unicornis and Vulpes in there

OMG I was so busy watching those names I didn’t even realize I was supposed to avoid dying

FINALLY CURAGA???

I dunno Lea that was already a pretty big bad

Aw darn they Norted Repliku

Or wait no Pastku?

Pastku you’re such a little shit

Lea: That wasn’t blundering! That was failing, WITH STYLE

HE LOOM

Unreal Engine: Please…help…I’m dying Squirtle

Oh hey FINALLY super powerful magic users like Yen Sid get involved!

And Moses parted the Heartless Sea

And hey finally got Starlight!

Well ain’t this a familiar setup

I miss Leonard Nimoy :(

Well I’m glad we get to save and shop before we all die horribly!

….Wait haven’t we all already died horribly??

FINALLY We get to fight some Norts!!

Took out Xigbar first

Yeah Xigbar I’m really not sure all that hoohah was worth it

Are we gonna do this for each one or do we have to pick and choose?

Oh well that takes care of Pastku so maybe not

SKIRT RIKU VS SKIRT RIKU

Oh that’s creepy actually

OH NO! Repliku :(((

Sora…you just gonna leave that…okay

So now we got some Neophytes to deal with

Well I was gonna go after Mar first but I guess Luxord is our opponent now

AW DAMN I hated this part from before!

Oh wait that wasn’t hard at all you just look behind those stupid cards

Luxord: Well it’s been fun, time to die

Why does everyone’s teeth look blue??

Really liking all these remixes of the old boss themes tho

Aaaaand down goes Mar

And what’s nice is partners have mostly worn down the last Nort present!

Larx is an asshole to the very end

Door puzzles ohhhh nooooooo

Well thank goodness we worked out that nonsense

Who to help first? REDHEAD SQUAD

If that’s Xion I’m going to be SO UPSET

At least we get to fight WITH Kairi even if not as her

Lea is SO ANGER

Ohhhhh BUUUUUURN

Oh well that ain’t good

XION NOOOOOOOOOO

Absolutely not, Xemnas!!

*throws hands in the air* OHHHHHHHH

HE KNOWS

Oh fuck you Xemnas HDU

Ohhhhh sheeeeeeet

THE BOY IS BACK

JUST STAB ME IN THE HEART WITH THE OTHER PROMISE, OKAY

Called out by Roxas daaaayum

Gah dammit not again! STOP DOING KAIRI DIRTY

GET READY FOR: TRIPLE KEYKIDS ASSKICKIN

Hot damn but it’s satisfying to beat the crap out of Saix with Sora, Roxas and Xion all at once while The Other Promise just blasts in the background

Lea: I’m not mad I’m just disappointed

Awww maaaaaan

OH GOSH SEASALT TRIO HUG

THEY’RE ALL TOGETHER AGAIN SOB SOB

Now to the Wayfinder family! Took out Vanyeetas first!

Sora: Hey WTF that’s my face you got

Yeah I gotta agree I don’t know which part of that was okay honestly

WHELP no time to think on it gotta take out Terranort

Since we got back Roxas and Xion can we finally get Terra back??

Sora: TERRA PLEASE STOP, IT’S TOO WEIRD

OHHHHHHH!! OH OH OH

That was metal as all hell

YAAAAAAY

WAYFINDER FAMILY IS HERE

Ohhhh gooooosh

Everyone’s together and I’m full of rainbows

MAN so we got…three Norts left, don’t we

Guess the only way out of this is up

What we’ve just been cloning No Name the whole time??

Okay, FOUR left, we gotta deal with Ansem, Xemnas and Youngnort first

Oh sheesh that was Youngnort dying, thought it was me for a second

Youngnort: Just one last piece of cryptic bullshit to leave you with! BYYYYEEEE

Aaaand that’s Ansem down

Ansem: Must…pontificate more…before…I die

Haha took out Xemnas with flying rocket punch nanobots

Xemnas: Regrets…I’ve had a few…

But then again, too few to mention?

Sora: Life is pain, Xemnas! Anyone who says otherwise is Norting you

Oh boy oh boy, all we have left now is…the old fart…

Oh this is gonna piss me off good, ain’t it

YUP, I’M PISSED

YOU DONE HER DIRTY AGAIN

Nomura do we need to sit you down as a group and learn you some things about NOT DOING THAT

That was…kind of a cool moment I guess?? BUT I’M STILL MAD

Oh shitcakes

The world to come is death from above I guess

Donald and Goofy just coming in like “Hey…what’d we miss?”

I’m honestly really glad they’re here tho, TRINITY ALLLLL THE WAY

The whole gang here together again IRONING OUT THE PLOT POINTS

Trophy here???

OH HEY WE’RE BACK HERE

A town of nothing but Norts

OH I forgot THESE WEIRDOS were in trailers somehow

The hell is happening anymore

An Organization so nice we fought ‘em twice!

The scary music is playing but I have no clue where to goooo

Well it took me five minutes just to find the dang guys before Thundaga finished them off

Oh really now!

ONE MORE TITLE CRAWL FOR Y’ALL

HE WAS AN ANGRY GOAT WHO SAW THE MOVIE INCEPTION ALL ALONG

SHEESH that was a nutty battle that took awhile

Well I think I won THAT battle anyway

Is this gonna be a THAT WASN’T EVEN MY FINAL FORM or what

More callbacks!

This is the fight that never eeeeends, yes it goes on and on my frieeeends

OH that was fuckin weird but COOL

I LOVE THE TRINITY

EVERYONE ELSE AGAIN TOO

HAHA OH DAMN

EVEN ERAQUS GETS TO REAPPEAR

Yaaay my favorite terrible dad

That look from Eraqus OMG

Babbeh Eraqus so cute

Now YOU get the goofy apocalypse weapon, Sora!

More dad reconciliations sob

Oh gosh I’m so glad we get this before we end

ohhhh noooo

Oh no you know shit’s serious when you enter a blocked scene

DOES EVERYONE FINALLY GET TO GO HOME NOW

Man everything’s just so shiny now

A CHIRITHY FOUND A VEN

NEW OUTFITS FOR SEASALT GANG FINALLY

THE EXPANDED SEASALT GANG

YAAAY NAMINE BACK

LET HER LIVE HER LIFE NOW

MOTHAFOCKIN BEACH PARTY FOR EVERYONE YES

FOR REALLY EVERYONE FOR REAL??

Also dang sing us out Utada

*points and points* THAT? FINAL SHOT???

WHERE’S THE BOY

What did you do to my son Nomura

LOOK IF YOU’RE GONNA POP HIM OUT LIKE THAT I AT LEAST WANT TO BE VALIDATED FOR MY THEORIES

THE CREDITS ARE ROLLING AND THERE’S STILL THINGS I FEEL LIKE I’M MISSING

Also just interjecting here but damn that endgame was so long IT FELT LIKE A WHOLE ‘NOTHER GAME

And now the pretty march music with the Super Longer Credits—I CAN’T BELIEVE DRAKE BELL WAS YOUNG ERAQUS

*points* WHY IS FURRY SQUAD VOICED HERE??

Well if nothing else gonna get me a kickass OST out of this

HERE we go, post credits stuff

Here’s the Furry Squad!

LUXU WAS XIGBAR WELL OKAY

What fresh bullshit is thiiiiiiis

OH HEY WE’D ALMOST FORGOTTEN ABOUT THEM

Hey where is Ava

Oh fuuuuuck yoooou Luxugbar

Whaaaaaaaat

THE BOY

SHIBUYA????????????

*throws hands in the air* I GOT NOTHIN FOLKS

I GOT ABSOLUTELY NOTHIN

THE END PAGE!!!! SURE AS HELL IS WHAT THAT IS

OKAY SO LIKE

PLEASE, HELP ME OUT HERE, SECRET ENDING

IS THE NEXT GAME JUST GONNA STRAIGHT UP BE VERUM REX?

NOPE THERE IS NOTHING MORE THAT’S JUST IT

WELL THAT WAS

A WHOLE DAMN LOT WASN’T IT

Nomura I am in fact going to die and go to your house and haunt it and push all of your things off shelves like a cat

ALL OF THE THINGS

OFF OF. YOUR SHELVES.

Okay so overall I did really enjoy the game but also I’m just ????

?????????

??????

Like my reaction is pretty much just

LATER NERDS THIS HAS BEEN LYNX SUFFERS THROUGH KINGDOM HEARTS 3

I HOPE YOU HAD FUN CAUSE I DID

I think I’m gonna go lie down now

[subasekabang]

Ties We Bind (& Break), Chapter 3

Author: @composeregg Rating: T Word Count: 15435, Chapter total: 3415 Pairings/Characters: Joshua/Neku, Shiki/Eri, Joshua & Neku & Shiki & Beat & Rhyme & Eri in a queerplatonic poly-pile relationship. Hanekoma, Kariya. Warnings: Includes depression heavily, and mentions of suicide. Summary: One year after the Long Game, a tall boy named Yuuto Kimura, who has messy black hair, glasses, and bright green eyes, stumbles into Neku’s life, and he can’t help but let him get close, letting him join the circle of friends.

One year after the Long Game, Joshua aches to hang out with Neku again, but the restrictions he’s gained for his transgressions are very clear: Yoshiya Kiryu, Composer of Shibuya, is not to interact with Neku Sakuraba.

(But every rule has a loophole.)

Author’s Note: Each chapter is also being added to ao3! Here! (Small delay per chapter).

Featuring autistic/neurodivergent characters, the “Joshua is Neku’s Dead Best Friend” theory, and lots of headcanons abound.

“So not that you ain’t cool, man, but what’cha doin’ at this meet?” Beat asks, looking at Yuuto.

They’re gathered at Hachiko on a Saturday, like they’ve done twice a month since the Game. Without Eri, so they could hang out as former Game Players.

At least, Beat thought that’s what this was, but Yuuto is standing near. He’d tagged along with Neku to the meetup. None of the others are questioning it, and it makes Beat feel left out of the loop.

“Mm, and here I thought this was for people who’ve played the Game,” he says with a smile, and Beat freezes.

“Sorry, I told him I was meeting up with you guys and he invited himself along,” Neku says. “I told Shiki already, she was the first to show up last Sunday besides me, so we got to chat, but yeah. He apparently played a few years back.”

“It’s been a while since my Game week. I got to play under the previous Composer, in fact; there’s been a regime change since.” Neku frowns at that statement, a flicker across his face before it’s gone, but Beat catches it.

He also notices Rhyme’s reaction, or… lack of it. So he nudges them. “And how come you ain’t surprised by this?”

They shrug, hesitating. “I… I could feel it. My instincts said he’d been touched by the Game, and trusting your instincts is important.”

Ah.

Beat wraps an arm around them, giving a big squeeze. He knows they haven’t told the others yet, and he hasn’t either, but they don’t keep secrets from each other, and… Being a Noise for a bit did something to Rhyme. They get glimpses of the UG, see and feel the presence of Noise, and sometimes they talk about it. Noise running on basic emotions, how it’s heightened their instincts, and how they have to restrain those more now.

Being a Reaper means he didn’t get out unscathed either. The UG is greyscale, hazy, but there in his sights. Power pulses under his skin, buried deep in his core. It’s locked away, he can’t reach it, but if he could…

It’s not a risk he’s willing to take. Beat doesn’t want to be a Reaper, and he doesn’t need that power.

“So, where should we hang out today?” Shiki asks, steering the conversation back onto the tracks. “I’d offer the studio, but Eri said she wanted to get some work done, so she’s there right now.”

“Me and Rhyme’s parents is home, so our place is a no-can-do, sorry yo,” he says.

“And my place is too small to hold us all. Or at least, my mom thinks so, and she’s home.” Neku sighs.

Yuuto grins, and chimes in, “I don’t mean to be presumptuous, asking if you’d like to come to my place, but… Like I said before, rich parents and I live alone.”

“Cool wit’ me,” says Beat, and the others agree.

One quick walk later and, “You live here!?” Shiki gasps, holding a hand to her chest. “If you can afford a Pork City apartment, you must not’ve been joking about rich family!”

“Not just any apartment, the penthouse. The lap of luxury, all to myself!” He laughs, rolling his eyes. “It’s so boring and lonely being isolated there all the time.”

It’s an expensive place to rent, Beat knew that, but as they walk through the halls illuminated by chandeliers and past lounges and rooms of all sorts to the elevator, it starts to sink in just how extravagant this place is.

“It’s a bit much, I think,” Yuuto says, “but I’m not gonna argue where my parents put me. Just a heads up though, a lot of Reapers live here too. I think it’s part of being in the Game, they still need a place to stay, after all.”

With a flourish, he opens the door, and plops down on a recliner chair. Beat follows him in, as do the rest, and Yuuto instructs them to make themselves at home so they all get situated. Neku stakes a claim on the other empty chair, while Beat ends up on the couch, Rhyme in the middle, with Shiki on the other end.

“Sooo,” says Yuuto, “what do y’all do when you gather like this, Players only?”

“Talk, vent, throw stuff at each other, make bad jokes and memes,” Neku says, slipping his headphones down so they rest around his neck. “We should probably share Game stories first, since you’re new here.”

Yuuto nods. “Mm… Well, I played about two years ago. My partner was Uzuki Yashiro,” he says, continuing without noticing the way the rest of them tense, the way the background music jumps as the CD hits a scratch. “She’s a Reaper now, as far as I know. We did not get along well, but we survived.”

“She’s awful,” Shiki groans. “We all had to deal with her, and she’s a manipulative slimy asshole.”

“Sounds about right,” he says with a snort. The next words out of Yuuto’s mouth were softer: “My Fee was my friend’s memories of me. They managed to nitpick something I’d done, and I didn’t get it back. He remembers nothing.”

Neku winces, Shiki gasps, Rhyme closes their eyes and sighs, and Beat… He can only think of Rhyme, and how they never recognized him as their brother. Every little thing they should’ve been able to think of, from calling him bro to their jokes and the quiet nights they’d whisper to each other, not wanting to be alone. Losing that, forever?

It’d destroy him.

“I can’t imagine what it’d be like to forget someone so close to you forever,” Neku says. He’s sitting sideways on the chair, legs draped over one of the armrests and his head against the other. “I mean, the memories are just gone? How do you not realize you’re missing something? How do other people not notice, if they were so close to you?”

“I remember,” Rhyme sighs. “I remember what it was like to forget. It’s like, you know that person exists, know who they were to you, but all the little details were gone. Name, face, specific memories… dust in the wind.”

Beat wraps an arm around them, and they lean on him. Soft touches, a solid presence, reminders that they’re there for each other. That they haven’t left or forgotten.

Yuuto nods at the words, and dangles himself upside-down off the chair, hair skimming the wooden floor. “He doesn’t remember me. He knows he had a friend, but I haven’t tried to rekindle that bond… I miss him, but I lost it all when I lost my Fee.”

“Well hey, maybe you’ll get another chance someday!” Shiki says, cheer infused in her voice. “Not every end is final, and even if he doesn’t remember the details, I’m sure he’d love to have an old friend back.” She’s hops up on the back of the couch, feet hanging in front of the back cushion.

“The world begins with you and all that jazz, huh?” Yuuto snorts. “Your world gets bigger if you reach out to others. Maybe I’ll tell him, sometime. For now, I’ll wait and see what the future holds.”

Chat: [It’s not gay if we’re dead]

[Emo gay has added Yuuto Kimura to the chat]

Emo gay: Welcome to the dead kid’s club.

A lot of this chat is Shiki yelling about how cute Eri is.

An entire 50% of this chat is all of us being queer.

Fashion lesbian: Listen,

She’s beautiful and I’m gay as hell.

And she’s not in this chat so I’m allowed to scream.

Yuuto Kimura: Noted.

[Yuuto Kimura has changed their name to Music queer]

Music queer: I figured I should fit the theme.

Space battery: Nice name!

Music queer: Thanks I picked it out myself!

I must ask, though, why battery?

Space battery: I’m triple-A.

Skateboard ace: And they always got enough energy to charge up everyone else

Space battery: Beat,

You should take a look at yourself sometime, you’ve got enough energy to power the sun!

Emo gay: Another 20% of this chat is these two being adorable siblings so jot that down.

Music queer: What’s the last 30%?

Emo gay: 20% memes and dead jokes, 10% depression.

Music queer: You know what? Valid.

I think I’ll fit right in.

Rhyme likes Yuuto, they really do! It’s been a month since he’s joined the group, and he’s been nothing but fun. Maybe not the nicest, he likes to tease Neku, but he’s got good intentions, so they like him!

It’s just…

There’s something wrong about him.

Indescribably, horrifically wrong.

Noise do not draw near him. If one gets too close, they freeze and dart away. His mere presence wards them all, and Rhyme can sense it, the Noise are afraid.

Rhyme knows this, because they feel the same.

An instinctual terror, prickling at the hair on their arms, raising the alarm. They squash it down, tuck it away until it doesn’t bother them, but it’s there. Clawing at the back of their throat.

They’ve felt it before, in the presence of Neku’s 2nd week Game Partner. Joshua.

It’s fuzzy, grey-scaled and water-damaged, but they remember being a Noise, operating on instinct alone. They remember when they were returned to a human form, to life.

They remember the Composer.

So they message him.

Rhyme: Hey can we talk today? At WildKat, preferably.

Yuuto: Sure. May I ask why?

Rhyme: You can, but I’m not answering that here, only in person.

Which is how they find themself seated in a booth across from Yuuto after school that evening. Untouched coffee sits before both of them, steam curling up and away.

“So,” he draws, picking up his cup, “Are you going to answer my question now?”

They nod. “Your name is actually Joshua, and you’re the Composer.”

Coffee splashes over the table and over his lap as Yuuto flinches back and drops it. With a yelp, he jumps up, hissing, “Ow! Fuuuuck that’s hot!”

They watch as he hops around, grabbing at napkins to clean up. With a roll of their eyes, they say, “I’m right, aren’t I? You can use your powers if I am, no sense hiding them.”

He spares a glance at Rhyme, and then waves a hand to make the mess disappear.

“Well, I’m sure that answers your question,” he says, sliding back into his seat. “Do I get to know how you figured it out?”

“I remember,” they say. “Not… Not well, most of my time as Noise is static, but I remember what it’s like. During the second week of it all, I know Neku’s Partner set me on edge, and when the Composer brought me back, I remember that flighty feeling from then, too. You’ve got the same vibe.”

Yuuto rubs his forehead, taking a long, deep breath. “This was unexpected,” he mutters. “You want to know why I’m lying about my identity, I assume.”

Rhyme nods. “I also want to know if you plan on messing with Neku again,” they say. When Yuuto’s eyes widen, they cut in before he can speak. “He didn’t tell us what you did, but we can all see how he acts. You did something. You don’t have to tell me what you did, Neku isn’t ready for us to know, but I want to make sure you won’t do it again.”

“Fair enough,” he says, and then his color starts to bleed away.

The black seeps out of his hair, and it bounces into wavy curls. Green flashes to purple in his eyes, and his skin goes a few shades paler. Nothing about the structure of his face changes, but he takes off his glasses, and there’s Joshua, sitting in front of them.

“I’ll start simple. I promise I mean no harm to Neku.” At their snort, he frowns. “I mean that! I hold my past actions in great contempt. I wasn’t in a good space, mentally. Like, you met Neku early on during the Game, I was like that, but a hundred times worse.”

“Oh.”

He laughs. “Yeah, oh. I won’t say what I did, but it was bad, and he has every right to be mad. I didn’t expect him to want to see me, after everything.”

“He does though, so hiding behind a false face is a cowardly move.”

“My superiors would rather I not interact with him at all. This is my loophole,” he says, which, what?

It’s a puzzle, and they don’t have all the pieces, but with some work and head-tilting, they can still make out the picture. “You were told not to meet up with him, weren’t you?”

“Bingo, but they specified Yoshiya Kiryu, Composer of Shibuya, not Yuuto Kimura, ex-Game Player who lived in America these past two years.”

Rhyme crosses their arms over their chest, leaning back. “Clever. Going to fake this forever, then?”

“Nah, working on getting that rule repealed.”

“And what will you do when it is? Your reveal will be another betrayal, another way you stab him in the back, because he’ll think it’s been an elaborate joke.” It’s dramatic, but Neku would. At first.

Joshua snorts. “I know him better than you do. I know he’ll call me an asshole and think I’m messing with him, pulling his strings, but I have some stuff I can say, which might help.”

“What sort of stuff?”

“The truth.”

“Okay, so first things first, we need to get your measurements!” Shiki says, measuring tape in hand as Eri grabs the notepad and pen.

Yuuto laughs. “No time to waste?”

The studio is a mess, mannequins with half-finished projects hanging off them, fabric strewn across the floor, needles shoved into the armrest of the couch, spools of thread in corners and on shelves, and design papers scattered around the room.

It’s perfect. Creativity spawned from this disaster, beauty found in the calamity of a localized tornado. Shibuya’s life shines bright in spaces like this, her Soul strengthened, bursting with energy.

Were he not Yuuto right now, he’d love to soak up the Imagination and refine it, give them good luck for ages.

“Of course, of course! Why dilly-dally when we can get this ball rolling?” Eri laughs, pulling him out of the doorway and into the room proper. “Now let Shiki work her magic!”

He does, standing still as Shiki measures and calls out numbers. Eri dutifully writes them down, and he lets Shiki adjust his positioning as needed to get the most accurate results.

Once Shiki has the measurements, he plops down onto the couch, a grin on his face. There’s more than enough seating for the three of them. The entire gang had crashed here the day before. “So, this thing you’re gonna have me model, what is it?”

Eri flits around, grabbing her sketchpad and pencils, before sitting at her desk. “We’re going to start with something simple first. Maybe a basic suit, or a dress? You could rock either. How do you feel about pink? I feel like it’d suit you well. Or maybe a bright green, or something more forest-y. It’d go well with your eyes.”

“Ooh, pink is always fun, but you’re right, green would match my eyes. I absolutely love blues and purples too, by the way!” He leans back, pulling out a sheet of paper for himself, and a pencil. “Musical motifs are fun, since I’m a composer of music.”

Shiki’s head snaps up to look at him, but he gives no reaction back. Eri, meanwhile is going “Oooh,” and scrawling that down as a note.

“Music notes would be cool to work into some of the things we make you in the future! Little embroidered notes and designs! It’d be super cute!” she says, a grin lighting up her face.

Danger lurks in the room, Shiki refusing to take her eyes off him, but Eri remains oblivious. He gives Shiki a wink, after a moment, playing it off with a shrug. She huffs, and turns her attention back to the doodles Eri is scrawling.

“Mm, we could add some lacework, couldn’t we?” she asks.

Yuuto sighs, tapping his fingers against the fabric of the couch. “If you do add lace, could you keep it minimal or in places that won’t rub against my skin? The texture can be irritating as all hell.”

“Noted!” Eri scribbles that down in the margins as well. At this rate, they’re no doubt going to have a folder on his preferences and design ideas.

The thought of them keeping a record on him sends a spark of warmth through his heart. Watching them squabble over design ideas in the afternoon sunlight, filtering in through the window, makes the sight look like home.

The kid sitting in front of Koki is not one he knows. It’s not one he’s ever met or talked to before. He’d been enjoying his meal when this kid walked into Ramen Don and sat across from him.

Except that’s a lie.

Koki might not know this kid with short black hair and green eyes, but he knows those glasses, he knows that grin, and he knows the Music.

“What’s up, J?”

“Shhh, I’m Yuuto like this, remember?” He holds a finger to his lips, hiding his smile. “Can’t have you talking about my secret when the others could waltz right in and see me.”

Koki snorts. “And what will they say if they walk in on their good friend Yuuto having lunch with a Reaper?”

“They know I’ve always seen the UG, I’ll just tell them the truth. I’ve known you since before I ever played, and you’re just a weird uncle type dude.” Yuuto grins, and orders some Shio while they talk.

“Alright, you got me there. I pull off weird uncle well, don’t I?” he asks with a laugh.

“You do, you really do.”

Koki takes a bite of his own ramen, slurping it up. It’s been a while since he’s gotten food with the little brat, but it’s well worth it to make sure he’s eating. The kid always forgets to take care of himself, so if Koki has to step up the family-figure role in his life to ensure he does, so be it.

“So, how’s the whole friends thing goin’, anyway? It’s been a few months so far, right?”

Josh shrugs. “Yeah, it has. It’s going good. They’re all… really nice to me,” he says, fiddling with his hair. “Like, Rhyme, the one that got Erased, they figured out who I am, and they still accept me, though… They don’t know the whole story, but still!”

Ramen arrives, and so Josh has to speak between bites now, as Koki sits and listens to him ramble. “Neku checks up on me and makes sure I’m not left out. He keeps me from retreating into my shell. Shiki and Eri have already been working on making me clothes because they need more models,” he laughs. “Beat is trying to teach me how to skateboard, and I have to remember not to heal up my scrapes and bruises because that’d be suspicious.”

“You’re happy with them all, huh?” he asks. It’s obvious to him, the way Josh lights up, even in this false form. This is the most friends he’s ever had, and it shows in the hands he waves in the air, the glint of life in his eyes, how much this means to him.

“Yeah! I mean, I wish I could tell Neku,” the blinding smile dims at the statement, “but I can’t. This is the best alternative to that.”

“Hey, in a year or two? You’ll be able to tell him, so don’t sweat about that. I’m sure he’ll understand.” With the way his mom raised him, he’d better, Koki doesn’t say, but he thinks it. It had taken a bit of digging, and it’s such a trivial fact, one thread of being related, but it’s there.

He died before he could see his little sister have children, over a hundred years ago. Now, he’s found a distant descendant. He’s an uncle, with a few greats in front of the grand, but he’s an uncle to somebody alive.

The conversation continues, both of them unaware of the figure watching from outside the window. With a snap, Shiki takes a picture of Yuuto hanging out with a Reaper, eyes narrowing.

She’s got her suspicions. They’ve grown a bit stronger now.

[thomcoldman-blog]

My 10 Favourite Games Of 2017

This list was originally posted on the forum Resetera, but I felt like putting it up here too, with a little more insight into why I liked these games so much, and so they don’t get lost in the muddle of forum posts. Enjoy!

10. Snake Pass (Sumo Digital; Nintendo Switch, PS4, Xbox One, PC)

Sumo Digital has been a developer I've admired for years, particularly for their work on the Nintendo-tier kart racer Sonic & All-Stars Racing Transformed. Snake Pass is their first independently-produced title, and it has a great hook - the player controls a snake in much the same manner as a real snake might move. There's no jump button, no Earthworm Jim spacesuit, just the power to raise one's head and the strength to grip tightly to any object you've coiled around. There's no timer or enemies; Snake Pass is content to let you explore its levels at your own pace, letting you getting used to its unique feeling and take in the calming David Wise soundtrack. It's a game that feels like learning to ride a bike again, and the progression in ability over time is such a pleasing sensation that it earns it its place on this list by itself. The good use of collectables and generous helping of levels is icing on the cake.

9. Wolfenstein 2: The New Colossus (MachineGames; PS4, Xbox One, PC)

B.J. Blazkowicz returns and he's lost all meaning of subtlety whilst he's been out of action. Wolfenstein 2 shoots all of its shots - the action is bloody, explosive carnage, and the subject matter isn't satisfied with just skewering Nazi idiocy and narcissism, taking time to shine a light on White America's love affair with sitting back and reaping the rewards of compliance under fascist rule. Whether it's exploring B.J.'s broken psyche, giving Wyatt a crash course on hallucinogenics or putting you under the spotlight in a terrifying audition, MachineGames refuse to pull their punches, each great moment coming swinging like B.J.'s Nazi-reprimanding fireaxe. The combat encounters are far from polished, with stealth being heavily nerfed from The New Order and the half-way shift in tone from borderline-satirical diatribe on mortality and American race relations to comic-book capers is incredibly stodgy, but Wolfenstein 2 leaves a hell of an impression all the same. Shame about that credits music.

8. Gorogoa (Jason Roberts; PC, iOS, Nintendo Switch)

A good puzzle game can make a really strong impression, guiding you subtly by the hand to make you feel like a member of MENSA just for pressing a few buttons or prodding at a screen. With Gorogoa, I can't even begin to describe how the puzzles actually work. Imagine a window segmented with 4 panes of glass, and now imagine you can drag elements out of those panes and into other panes, or over where there isn't a pane to create a new pane... See, it’s hard! In as simple terms as I can muster, it’s a game about taking the world apart and putting it back together again to create paths and progress for your anonymous young hero. It’s intensely abstract, yet the South Asian aesthetic feels like a living locale, an exploration of a boy's days-to-come. It's a short experience, but with each puzzle solved making me feeling smarter than Albert god damn Einstein, it's one that will stick with me for a long time.

7. Splatoon 2 (Nintendo EPD; Nintendo Switch)

Like pretty much everyone, I didn't own a Wii U, but the sting of that decision never really happened until the arrival of Splatoon - Nintendo's first proper new "core" universe since what felt like Pikmin. It instantly looked like sheer fun - and as a big fan of both Jet Set Radio and The World Ends With You, it was clear as day Nintendo's younger designers were picking up the Shibuya fashion torch those games dropped behind them. Put simply, it's totally my shit. Splatoon 2 confirms my suspicions and then some, being the first multiplayer title I've enjoyed online in forever. I can't get enough of the soundtrack, the sound effects, the amazingly catty banter between Pearl and Marina, and just the feeling of dropping into ink, strafing around a sucker and blasting them straight between the eyeballs with my N-ZAP '85. 20% of Switch owners in the US can't be wrong.

6. Yakuza 0 (SEGA; PS4)

The only games I've played previously by SEGA's Toshihiro Nagoshi are the brilliant arcade/Gamecube bangers F-Zero GX and Super Monkey Ball 2, plus his one-off PS3 sci-fi shooter Binary Domain. Loving those 3 wacky games, I always felt a little put-off by his regular gig nowadays being a series about Japan's most decorated crime organisation, and a bare-knuckle brawler at that. Yakuza 0, the 80s-set series prequel that serves as a perfect entry point for series newcomers, proved my suspicions ill-founded. It's a game which instantly casts the majority of the yakuza as control freaks and bullies, pits its protagonists Kiryu and Majima as their unfounded targets and pawns... and then lets you fight your way out of hell via brutal finishing moves, bizarrely complex business management sidequests and, if you're so inclined, a gun shaped like a giant fish. It's that kind of game that always keeps you guessing whether or not you should take it seriously, and so it wins you over with its best-in-class action choreography, astonishingly good direction and a never-ending deluge of sidequests, minigames and challenges. Don't sleep on Kamurocho.

5. Sonic Mania (SEGA/Christian Whitehead/Headcannon/PagodaWest Games; Nintendo Switch, PS4, Xbox One, PC)

If you’re reading this, you probably know I'm a Sonic apologist. I don't really stand by the 3D entries - bar Sonic Generations, which I genuinely love - but the narrative that "Sonic was never good" is some ridiculous meme that I can't stand. They were genuinely fun games, albeit far from perfect; every game can use some improvement. Sonic Mania is that improvement, spinning the level themes and gimmicks from the original Mega Drive (and Mega CD) games into vast new forms, with myraid routes, tons of secrets, an astonishing sense of speed from beginning to end and fairer, more agreeable, more exciting level design. Old locales, new levels - oh, and some new locales as well, one of which (Studiopolis Zone) is an instant classic. 16:9 presentation, all new animations and crazy levels of animation detail, and a mind-blowing soundtrack by Tee Lopes - Sonic Mania is the perfect Sonic game.

4. NieR: Automata (Square Enix/PlatinumGames; PS4, PC)

For my first foray into the sunken mind of Yoko Taro, he couldn't have left a better impression. NieR: Automata uses Platinum's engaging-at-worst, thrilling-at-best melee combat as the language to tell his new story of how pointless it is for anyone to even bother throwing themselves after ideals of society or humanity, and why it's worth trying all the same. Every inch of this game feels crusted in Taro’s sensibilities, with the no-bullshit 2B and her curious whiny partner 9S running into robots waving white flags, avenging fallen comrades, establishing monarchies, throwing themselves to their deaths, and coming to terms with their crumbling existence in apocalypse.  It's crushing, it's raw, it's often dull, but its uniquely bleak vision of AIs breaking free of their programming has a grip as powerful as a Terminator's. And when it’s ready to let you go, it has you send it off with the most memorable credits sequence in history. Glory to Yoko Taro, glory to PlatinumGames - glory to mankind.

3. The Legend of Zelda: Breath of the Wild (Nintendo EPD; Nintendo Switch, Wii U)

Standing in the centre of a bridge connecting Hyrule’s broad, emerald green fields to the desert mountain approach, a bridge overlooking the still Lake Hylia, I fire an arrow into a lizard bastard’s head, or at least I try to. He dodges it and rushes me, forcing me to jump away and retaliate with my claymore. Out for the count, I resume looking for the lost Zora wife I’ve been asked to seek out, who apparently washed all the way downstream in a recent downpour. I can’t see any wife - my entire view is dominated by the giant green dragon snaking across the night sky above me. The wind picks up, but I am too awestruck by its presence to take note that I could glide up to it and shoot off a valuable scale. Instead, I just stand and stare, this utterly unexpected moment happening before my eyes. Friend or foe? A boss monster, perhaps? A vital story element later on? The answer ended up being none of the above: in The Legend of Zelda: Breath of the Wild, there be dragons, and that fact in and of itself speaks volumes about what this game is about. After 30 years, Hyrule finally feels alive.

2. Night in the Woods (Infinite Fall; PS4, Xbox One, PC, Mac, Linux, Android, iOS)

Very few games instil a genuine emotional response within me, but the story of Mae Borowski's no-fanfare return from college to suburban gloom resonates hard with me. It's an expert at the little touches - the needless-yet-fun triple jump, the not-so-starcrossed rooftop musicians, the impulsive reaction to poke a severed arm with a stick - and woefully precise with its big swings, like an upsetting cross-town party, a wave of violent frustration amongst the townspeople, and the inability to just lay it all on the table with friends and family when you need to most. In the cosmic dreams of shitty teens, Night in the Woods finds an ugly beauty in depression. 

1. Super Mario Odyssey (Nintendo EPD; Nintendo Switch)

It’s impossible to deny 2017 has been the year of Nintendo. There’s plenty of celebrate elsewhere, but the Switch’s rise to prominence as the machine to be playing ideally everything on, and the amount of absolute smash hits Nintendo has producing this year makes it hard for the narrative to focus elsewhere. The epitome of all this is their final killer game of 2017: Super Mario Odyssey, the grand return of a more open-ended style of Mario platformer. A true blue achievement in joyous freedom, it brings together everything from Mario's history of 3D platforming - 64's freedom, Sunshine's other-worldliness and sky-high skill ceiling, Galaxy's spectacle, 3D World's razor-sharp platforming challenge - and throws into one big pot, creating a Mario where both the journey and the destination are one and the same, and exciting to the very end. In a year of amazing games that hit upon horrid, upsetting themes with delicate, pinpoint accuracy for tremendous success, I’m not sure whether it’s a shame or an inevitability that such an unapologetically surprising, happy game made the biggest mark on me this year, but either way, I’m welcome to have Mario be truly Super once more.

[soto-translates]

Zero-Sum Sept 2017 article: post anime info

I snagged the scans from @seiten-taisei, thank you! In lieu of a chapter, we got info about the Blu-ray and DVDs, comments from the cast, and news about more goods.

My translations are below the images, with my notes in [square brackets].  Anything in (parenthesis) or 【fancy brackets】is part of the text.

TV anime “Saiyuki Reload Blast” Blu-ray & DVD on sale in high demand!

Although the in-demand TV anime “Saiyuki Reload Blast” has ended, many developments await; including sale of the Blu-ray and goods, and the opening of events!  Check the official site for the latest information!!

Saiyuki Series 20 year anniversary Saiyuki Reload Blast

Volume 3 on sale 10/25 (Wed)!!

◆ DATA: Volume 3 Sale Date: 10/25/2017 (Wed) / Included Episodes: ep.7 - ep.9 / Price: Blu-ray ¥11,000+tax, DVD ¥10,000+tax Pre-order Extras: ① 2-sided sleeve illustration by Minekura Sensei　② Jacket with anime illustration　③ Acrylic key ring featuring illustration by Minekura Sensei　④ Set of 2 original can badges (with images from the sleeve case)　⑤ Drama CD　⑥ Priority application ticket for event (premier afternoon performance 2/4/2018 (Sun) ) Sales agency: Frontier Works corporation / Distributor: Kadokawa corporation

◎ Special acrylic key rings featuring illustration by Minekura Sensei!! ◎ Volume 3 comes with these!!

©Minekura Kazuya ・Ichijinsha / Saiyuki Reload Blast Project

◆ DATA: Regular Extras ① Special booklet (40p total)　② Original post card　③ Video extra (only vol.2 & vol.3) ※ Video extra contents: vol.2 = clean opening, vol.3 = clean ending

◆ DATA: Volume 1 Sale Date: Already on sale in high demand!! Included Episodes: ep.1 - ep.3 Price: Blu-ray ¥11,000+tax, DVD ¥10,000+tax Sales Agency: Frontier Works corporation Distributor: Kadokawa corporation

◆ DATA: Volume 2 Sale Date: Already on sale in high demand!! Included Episodes: ep.4 - ep.6 Price: Blu-ray ¥11,000+tax, DVD ¥10,000+tax Sales Agency: Frontier Works corporation Distributor: Kadokawa corporation

◆ DATA: Volume 4 Sale Date: 11/29/2017 (Wed) Included Episodes: ep.10 - ep.12 Price: Blu-ray ¥11,000+tax, DVD ¥10,000+tax Sales Agency: Frontier Works corporation Distributor: Kadokawa corporation

◇ Participating shops for extras ※ Please see official website for contents of extras 【MinekuraKazuya.net】【Animate】【Amazon.co.jp】【Bunkyoudou, Animega (※ excludes some shops)】【Tsutaya (online / Sumiya Fuji Chuuou / Sumiya Mishima / Sumiya Kannami / Umeda Douyama / Tsutaya Ebisubashi / Shibuya Tsutaya / Aeon Mall Hinode】【Neo・Wing】【Getchu.com (Getchu Shop)】【Seven Net Shopping】【Ami Ami】【Kyara-ani.com】【Ichijinsha Online Shop】

◇ Animate early reservation campaign Campaign Period: Vol.4 ... Open - 10/9 (begins Mon) Eligible Shops: All Animate stores (includes online shop) Reservation Extras: Reproduction image of pre-airing countdown by Minekura Kazuya Sensei     Vol.1 = Genjo Sanzo, vol.2 = Son Goku, vol.3 = Sha Gojyo, vol.4 = Cho Hakkai ※ During campaign period, customers who place reservations (totaling over ¥1,000) will receive a special receipt. ※ Campaigns for vol.1, vol.2, and vol.3 are closed. ※ Extras will be given at time of purchase. ※ Supplies are limited. ※ Please see participating shops for more details.

◆ Holding a TV anime “Saiyuki Reload Blast” special event!! ◆

◆ DATA: 【Shot 1】 Date: 12/17/2017 (Sun) Performance Times: Afternoon performance - doors open 1:45pm / performance begins 2:30pm     Night performance - doors open 5:45pm / performance begins 6:30pm Performers: Seki Toshihiko, Hoshi Souichirou, Hirata Hiroaki, Ishida Akira (planned) Place: Bellesalle Shinjuku Grand Ticket Price: ¥6,800 (includes tax) all seats reserved ◎ Blu-ray & DVD vol.1 comes with priority application ticket for “Afternoon Performance”, vol.2 for “Evening Performance”.

◆ DATA: 【Shot 2】 Date: 2/4/2018 (Sun) Performers: Seki Toshihiko, Hoshi Souichirou, Hirata Hiroaki, Ishida Akira, Katsuki Masako, Konishi Katsuyuki (planned) Place: Kantou Kinkou (planned) Ticket Price: ¥7,800 (includes tax) ◎ Blu-ray & DVD vol.3 comes with priority application ticket for “Afternoon Performance”, vol.4 for “Evening Performance”.

※ Details of the event will be posted at the official anime web site.　※ Performers may change without notice.

©Minekura Kazuya ・Ichijinsha / Saiyuki Reload Blast Project

Presenting screen caps from episodes 9 - 12!!

◆ Cast Comment ◆

Now that the final episode has been recorded, we receive comments from Genjo Sanzo’s voice Seki Toshihiko-san, Son Goku’s voice Hoshi Souichirou-san, Sha Gojyo’s voice Hirata Hiroaki-san, and Cho Hakkai’s voice Ishida Akira-san.

< Questions > ① Please tell us your impressions having finished recording the final episode. ② Looking back through all the episodes, is there a scene or a line that made a lasting impression on you? ③ Please give us a highlight from the final episode, and leave a message for the fans who support the TV anime “Saiyuki Reload Blast”.

◎ Seki Toshihiko-san, voice of Genjo Sanzo ① They were in a big pinch heading into the final episode!  The Sanzo Ikkou never retreat, even face to face with Nataku’s overwhelming abilities.  As expected, I feel like everyone’s zeal for acting has gone up.  The final episode definitely has a unique feel to it. ② Episode 8 “Kekkai” [Barrier].  Sanzo and Kougaiji’s head-on confrontation.  It would be easy with all four of the Ikkou, but could Sanzo stop Kougaiji on his own!?  That was exciting.  The line that made a lasting impression on me was “You plan on killing me while Goku and the others aren’t here, and getting your hands on two scriptures.  It’s a huge chance to kill two birds with one stone.  You sure are lucky, aren’t you Prince.” ③ I think you’ll see some scenes in the second half that weren’t in the original manga, put there in order to give an end to the story for the TV anime.  And we’re the same as you!  We’re wondering about the remaining mysteries as well.  I really hope you’ll watch over their journey until the very end.  Please support them!

◎ Hoshi Souichirou-san, voice of Son Goku ① I was seriously like “It’s already over!?”  It was the first TV anime adaptation in a while, so it was super sad when it ended.  But it was a very fulfilling and satisfying recording session.  I look forward to the day we get to do the continuation of this. ② Saiyuki is definitely a treasure trove of famous scenes and lines.  There’s everything from casual lines to cool one-liners so I can’t choose, but, for example, Goku’s answer to Tenjin in episode 3... or the scene where Kanzeon Bosatsu scolds Goku at the end of the Gaiden arc...  There’s lots of parts I like. ③ What’s going to happen to the “Saiyuki” journey...?  What path will the Sanzo Ikkou choose...?  Please look forward to the last of this TV series.  And look out for Saiyuki from now on too!

◎ Hirata Hiroaki-san, voice of Sha Gojyo ① It was over in a flash.  Even though there were 12 episodes in all, it felt far shorter than that.  It felt like we ran through it in an instant, so I’d have liked to do more. ② Sharak Sanzo entered in the second half, so it was really heart-pounding and fun.  As expected, out of all the series, the story of the Gaiden arc left a huge impression. ③ As for a highlight, I’d like it if the people who watch could feel it for themselves.  Since the second half of recording coincided with the start of the TV anime’s airing, we were able to record while taking into consideration the fans’ response; it felt like we were making it with all the fans.  Please watch to the very end.

◎ Ishida Akira-san, voice of Cho Hakkai ① It felt like the Sharak Sanzo arc finished in an instant.  Amid all of that we got to see important movements by the Kougaiji side and Heaven side, so I think there was important content. ② That would be the shocking remark caused by Taruchie’s foresight.  Overturning fate with brute force may be the Sanzo Ikkou’s way, but it’s uncertain how things will develop in the future. ③ I suppose the confrontation with Nataku is the highlight.  The Sanzo Ikkou will continue West no matter what happens, so I pray for another opportunity for us to see them in an anime.

TV anime official web site ▶︎ http://www.saiyuki-rb.jp/ TV anime official Twitter ▶︎ @saiyuki_rb

STAFF Original work: Minekura Kazuya, serialized in “Gekkan Comic Zero-Sum” (Ichijinsha) Director: Nakano Hideaki / Series Composition: Konuta Kenji / Character Design: Satou Youko / Sub Character Design: Kobayashi Toshimitsu / General Animation Directors: Kobayashi Toshimitsu, Satou Youko / Prop Design: Sugimura Tomokazu / Action Animation Director: Saiki Yasuhiro / Art Director: Mayuzumi Masaki / Color Setting: Yamagami Aiko / Director of Photography: Asakawa Shigeki / Editing: Kimura Kashiko / Music: Katou Tatsuya / Music Producer: Kawashima Mai / Music Production: Lantis / Sound Production: Jinnan Studio / Sound Director: Takakuwa Hajime / Animation Production: Platinum Vision

CAST Genjo Sanzo & Konzen Douji: Seki Toshihiko / Son Goku & Goku: Hoshi Souichirou / Sha Gojyo & General Kenren: Hirata Hiroaki / Cho Hakkai & Field Marshal Tenpou: Ishida Akira / Prince Nataku: Kouda Kaho / Kougaiji: Kusao Takeshi / Dokugakuji: Yamanoi Jin / Kanzeon Bosatsu: Igarashi Rei / Taruchie: Saito Chiwa / Saitaisai: Suwabe Junichi

◆ Original sound track on sale now!! ◆

◆ DATA: TV anime “Saiyuki Reload Blast” original sound track Sale Date: Already on sale in high demand / Price: ¥3,300+tax / Music: Katou Tatsuya Sales Agency: Lantis corporation / Distributor: Bandai Visual corporation Details: 2 CD set (background + TV size OP/ED themes) Jacket: Original anime illustration

◆ Anime version drama CD on sale now!! ◆

◆DATA: TV anime “Saiyuki Reload Blast” drama CD Sale Date: Vol.1 = already on sale in high demand / vol.2 = 11/29/2017 (Wed) Price: ¥2,000+tax / Stock Number: MFCZ-1084 through MFCZ-1086 Sales Agency: Frontier Works corporation / Distributor: Kadokawa corporation

◆ “Saiyui Series” booth display at AGF 2017!! ◆

“Saiyuki Series” booth will be on display at the “Animate Girls Festival 2017 (AGF 2017)” happening 11/3 (Fri) and 11/4 (Sat) in Ikebukuro, Tokyo!

◎ “Saiyuki Reload Blast” can badge collection shot 2 Price: 1 for ¥500 (event price)     1 box (8 pieces) for ¥4,000 (event price) Lineup: Genjo Sanzo, Son Goku, Sha Gojyo, Cho Hakkai     (2 types per character, total 8 types) Size: Approximately 57 mm x 57 mm Details: Blind choice / 1 box of 8     (※ Box may not contain all variations)

◎ “Saiyuki Reload Blast” Sanzo Ikkou bromide collection (also includes some shots from the warehouse!) In addition to the above, numerous goods using illustrations from the manga and anime are set to be released!  Check the official “Saiyuki Reload Blast” TV anime website for goods details!!

◆ DATA: AGF 2017 “Saiyuki Series” booth Period of Operation: 11/3/2017 (Fri) - 11/4 (Sat) Main Site: Ikebukuro Sunshine City    ※ Please see special website for details about entrance tickets, etc. Booth Number: Y-31 (【Yellow Area】Cultural building 2nd floor, hall D) Animate Girls Festival 2017 (AGF 2017) special website: https://www.animate.co.jp/ex/agf/

The latest information on the 20 year project is on the official “Saiyuki Series 20 year project” website!! http://www.ichijinsha.co/jp/special/saiyuki20th/

© Minekura Kazuya・Ichijinsha / Saiyuki Reload Blast Project

Information on the Saiyuki Reload Blast 2018 calendar

Now Printing Front cover features original illustration by Minekura Sensei!!

“Saiyuki Reload Blast” 2018 calendar ◆ Approximately 61 cm x 42 cm (A2 size) ◆7 sheets Price: ¥1,600+tax Set to go on sale in November!! The special extra with mail order from Movic is an original illustration sheet by Minekura Sensei! See the image after it arrives ♪

How to order via mail order: Access the website via the following URL or barcode, then enter the required information.

[QR code] ◀︎ Access here from your smart phone   ※ Customer is responsible for telephone charges etc.   ※ Those who cannot read the barcode, please access via the following URL.   ※ Not compatible with feature phones. Access from your PC ▶︎ http://www.movic.jp/shop/g/g00299-00200-00031/

○ Personal information obtained from customers will not be used without permission of the customer. Details on the above are here! . . . Movic HP ▶︎ http://www.movic.jp/

● Please see the website for payment methods. ● Price is item price (tax) + packing fee (¥300 per shipment) + various service charges (COD ¥250 / NP pay later ¥220) = total cost ● Unopened items may be returned within one week of delivery.  In this case, the customer is responsible for postage. ● There are a vast number of deliveries at the end and beginning of the year, so delivery around those times may be delayed. ● Supplies are limited.  We apologize if we sell out. ● Please only order via Internet (PC or smartphone).  (No post cards, phone calls, cash registered mail, stamps, or money order, etc.)

Mail order contact information Movic “Saiyuki Calancer” mail order TEL ... 03-5995-7204 Business hours ... 10:00am - 5:00pm (excluding Sat, Sun, holidays, 12/30-1/8) Email ... shopinfo@movic.jp

[gokatanime]

why japan?

To anyone who watches anime (especially those who watch it religiously), the idea of visiting Japan has probably crossed their mind, some might have even considered living there. There are a number of great anime tourist locations that it can be very overwhelming trying to figure out exactly where to start. Of course, these locations can be looked up and you can do your own research to help narrow down your options. 

I wish I could express the feeling of visiting these sites for the first time, but I can only imagine it can compare to the feeling of a Disney princess (those who grew up watching Disney movies) visiting Disneyland for the first time. I have never been, but my friends have told me stories of their experiences, one even spent her summer working there. Ever since, she’s been so eager to go back; she would describe it as her happy place. Being able to see anime scenes in real like must give a sense of euphoria. I will provide a few places for things to do and places to see when in Japan as well as some travel tips.  

5 places to see

1.     Akihabara

Akihabara is well known as Japan Electric Town and reflects the interests of otaku and has gained interest for their unique imagery. Otaku (someone who obsess over manga and or anime) culture has influenced and shaped businesses and buildings to create an atmosphere similar to the world of video games and anime. Within Akihabara is the Tokyo Anime Center, it offers a variety of merchandise such as pictures, logos and themes of anime, as well as food, toys, books, magazines and other related reading materials. You can also play real life Mario Kart or spend some time at an arcade.

2.     Yoshihiro Yonezawa Memorial Library of Manga and Subcultures

Yoshihiro Yonezawa, manga critic, author, and co-founder of Comiket was known for filling his houses with manga, once full he would simply buy a new home. Yonezawa’s collection includes rental manga, pornographic manga, manga sold from vending machines, and miniature manga given away as extras or prizes. Before his death he agreed to leave the collection in Kaichiro Morikawa’s care as long as he provided permanent placement. This library was built in memory of Yoshihiro Yonezawa with a free exhibition located within Tokyo’s Meiji University.

3.     Kyoto International Manga Museum

In 2006, what was known as Tatsuike Elementary School became a Manga Museum, which also serves as a library. It consists of three floors and a basement, and most of its walls are lined with shelves of manga, which is the museum’s main attractions. They also hold special exhibitions detailing the history of manga and occasionally invite manga artists to work in the museum's manga Studio.  

4.     AnimeJapan

This is one of the largest anime conventions in Japan held every year at the end of March. They also offer presentations to showcase new animation products and special effect-based products.

5.     Anime and Manga Theme Parks

There are a number of Theme Parks, so I decided to put them all together.

Naruto x Boruto Shinobi Zato – it recreates the Hidden Leaf village and other areas such as the Ichikaru Ramen and the Hokage Rock.

Tokyo One Piece Tower – this is an indoor anime amusement park located inside Tokyo Tower, the whole park is an island in the New World called Tongari Island, where the Straw Hat Crew landed on. They offer games, entertainment shows, merchandise shops and restaurants, as well as seasonal events.

Cool Japan: Universal Studios – for six months, from January to June, Universal Studios Japan hosts an anime event featuring the top and most recent hits. Also, Super Nintendo World in USJ is scheduled to open this summer.

Tips

If you plan to visit Akihabara, it’s best to stay in Asakusa or Akihabara, considering they are close to Akihabara. Shibuya and Skinjuku are good options if you want access to more attractions in Tokyo.

Along with AnimeJapan, Comiket Summer, Wonder Festival, and World Cosplay Summit Tokyo are also held around this time. Cherry blossom season also occurs between March and May depending on the region.

Most anime attractions are English friendly so there is no need to worry about the language barrier.

Best anime goods stores in Tokyo – Jump Shop, Animate, UNIQLO and Cospa GEE! Store.

[luucarii]

Persona 5 Ramblings

this shit is long. like really long.

and I sound like a crazed fangirl so....

MAJOR SPOILERS UNDER THE CUT. IM TALKING ABOUT LIKE ALMOST EVERYTHING BUD!!!

also, i curse way too much in this... apologies in advance 

also, happy father’s day even though this has nothing to do with it :)

THIS IS ALL BACKGROUND ON ME BEFORE I GOT THE GAME SKIP TO THE NEXT BOLD PART IF YOU WANT TO HEAR MY OPINION ON THE GAME ITSELF.

Okay, so I’ve mentioned vaguely how Persona 5 is my first encounter with the Persona series. I’d heard bits and pieces about the series but I never really understood the concept of Persona until maybe mid April of this year. I was on spring break from school and I don’t remember how exactly how I stumbled across it but i found this playthrough of Persona 5 on youtube and I was mildly interested. So I clicked on it, and into the emotional rollercoaster that is this game i went.

At the time, there was only about 11 episodes of the play through (each around an hour long) so I binged watched each episode ending up with me staying up past 2 am. I was just so invested. The opening drew me in the minute the camera showed off that smug little bastard Joker’s smirk over the casino (I’ll get into why I love this kid and the rest of the cast later). I was confused since I was going into Persona 5 with no knowledge of the whole concept of Personas at all. I was kinda just like “wow this looks badass. What is he doing? Oh my god, this game is so pretty.”

I ended up skipping around once I got tired of waiting for a new episode and watched this long ass livestream. I got to about Okumura’s Palace before there was nothing left for me to watch but the boss battles uploaded, which did spoil me a little bit and got me a bit confused but I was so interested that I honestly didn’t care. I was so surprised at Niijima’s Palace and her boss battle as a whole and was like “SHIT THIS IS THE BEGINNING OF THE GAME!!!! OH MY GOD EVERYTHINGS BACK”

From there, I skipped straight to the traitor - aka Akechi’s battle - and can I just say, I was not surprised that he had a Persona but I was surprised that he betrayed the group considering all the story shit I skipped. Shido’s fight was fairly interesting to me but again, I skipped a bunch of story shit so I was really just rooting for the Phantom Thieves because this was THE ASSHOLE WHO GAVE MY POOR LITTLE AKIRA A CRIMINAL RECORD.

Skipped a bunch of shit again and onto the fight with Yaldobaoth. At this point I was drawing a lot of similarities to Xenoblade Chronicles, fighting a God for freedom and then THEY PULLED THE WHOLE BELIEF THINGY (which they did at the end of Okami as well) AT THE END WITH MISHIMA AND THE REST OF TOKYO BELIEVING IN THE THIEVES AND I WAS SOBBING LIKE A LITTLE BITCH AT 2 AM.

And after that, I made it a point that one day I’d play this game for myself. And it was maybe a few days after that I finally got the game.

Now at the time (and still now) I didn’t own a PS4 and was forced to use my brother’s when he was at work. Adding to the fact that school was beginning to start up again, I had at most maybe 6 hours to play a day if homework didn’t take up all my time. So what might’ve taken me a few weeks to beat took me almost 2 months to beat because of timing. 

BUT OH WELL, I HAD THE GAME, I PLAYED THE GAME, I LOVED THE GAME AND NOW IM GOING TO SQUEAL LIKE A FANGIRL OVER EVERY ASPECT OF THIS GAME THAT I ADORED.

GAMEPLAY

Okay, so I’ve played my fair share of JRPGs and Persona 5 was a nice familiarity. All the dungeon crawling, the fighting, turn-base combat, ya’ll get it.

BUT UM THESE DUNGEONS (Palaces if you would) ARE FREAKING GORGEOUS, HELL THE GAME ITSELF IS GORGEOUS.

Each Palace and their respective Shadow ruler has their own design, personality and each are based on the seven deadly sins which (after finishing FullMetal Alchemist a few months earlier) I thought was clever and interesting.

Kamoshida’s castle was a nice balance of a first dungeon and “hey we’re not gonna hold your hand, this is fairly simply kill some Shadows, find the infiltration route and don’t get kicked out.” ALSO RYUJI AND ANN’S AWAKENINGS. JUST THAT. INCREDIBLE.

Madarame’s museum had a little bit more difficulty but was still fairly easy. The security bars kinda gave me a little anxiety considering I was still getting used to all the controls (I had just finished an Xbox One game before playing this so my buttons were mixed up) and the little painting guessing game was a bit dumb considering each Sayuri looked EXACTLY THE SAME TO ME (except the color swapped ones) ESPECIALLY CONSIDERING YUSUKE WAS THERE AND COULD HAVE EASILY TOLD US BUT NO HE WANTED TO TEST AKIRA’S ART SKILL. ARE YOU APART OF THE PHANTOM THIEVES OR NOT YUSUKE??????????

but i digress…

Kaneshiro’s bank was fun but GOD SEND THOSE FREAKING SECURITY CAMERAS AND THOSE SHADOW DOGS TO HELL OH MY GOD I HATED THOSE. See my thing is, I’m not exactly a stealthy person. Which is why I love hiding because you can sneak up on Shadows and ambush them easily. I hate raising security level and those damn dogs were so annoying and just ugh. Those dogs are honestly one of the few grips I have with the game. Also, MAKOTO IS THE ACTUAL QUEEN.

Futaba’s temple was by far the longest one for me in terms of gameplay hours (in game time took me about 2-3 days) but it was still fun nonetheless and I’m glad Futaba (who is one of my favorite female characters) got some closure on her story with her mother and was able to rise above that. I’m a sucker for tragic backstories when their well executed. (i still to this day do not know how to pronounce her Persona…)

Okumura’s spaceship was my favorite aesthetically because I’ve always been interested in space and the stars and the little puzzle at the end with the space pockets was a nice bit of challenging and flying through Metaverse space. ALSO HARU HAS FLUFFY FLUFF HAIR AND HAS MY SECOND FAVORITE PHANTOM THIEF OUTFIT 

hmm, i wonder who has my favorite Phantom Thief outfit... Joker... It’s Joker... god damn those red gloves

Niijima’s casino, which OH MY GOD WERE BACK TO THE BEGINNING AND AKECHI’S WITH US AHH, and WHIMS OF FATE IS BEST PALACE THEME.

It was my favorite palace, no questions asked.

Shido’s ship was another long one but finally getting revenge on this dick was incredible. Also, AKECHI AND RYUJI PLAYING WITH MY FEELINGS.

Mementos was a good idea as a whole but the way it was executed everything just sort of blended together for me and there were only a few requests that stood out to me. The music was bland (one of the blandest on the soundtrack, especially compared to the other Palace themes casually mentions Whims of Fates again) and during the late floors of Mementos, everything got so dark and it was really hard to see.

CHARACTERS

expect this to be me screaming a lot.

Akira Kurusu (Protagonist)

okay, um, i love this boy. like a lot. LIKE I WOULD DIE FOR HIM.

For a silent protagonist this guy sure has a lot of character. The rare times he speaks in cutscenes, specifically the ones where he’s Joker, he has this sort of cocky arrogance yet when he’s little Akira in his Shujin uniform he’s a quiet little curious boy. He’s incredible under pressure, like there’s only a few things that make him crack and his dialogue options are priceless.

I especially love Joker because I’m an honest to god mess when it comes to smug bastards and I have an unhealthy love for those crimson gloves of his.

But honestly he doesn’t deserve half the shit he gets in game. Besides the whole “game” set up by Yaldobaoth, he was sent away from his family and presumedly the friends he had back in his hometown all because of his probation, literally no one treats him with any sort of respect when he gets to Shibuya. Sojiro reminds him countless times the first what 3-4 months that he’ll be kicked out if he breaks his probation which (besides doing all that illegal shit as Phantom Thieves) he honestly just goes to school (a place where he gets even more shit from teachers and students), hangs out a little after and comes straight home. I know Akira’s been established to have a bad reputation because of his record but don’t these people have eyes??? Can’t they see that he’s obviously not a bad guy based on what he’s doing in school and not getting involved with the police??? Sojiro's exempt from this because he at least grows to like having Akira around and trusts him enough to go out at night, work in the store alone and lock up from him when he leaves.

AKIRA IS A GOOD BOY WHO DIDN’T DESERVE ALL THE SHIT GIVEN TO HIM

Also, Xander Mobus did a good ass job with his voice

Ryuji Sakamoto

see this post that basically sums up my feelings on this boy.

Also, Max Mittelman.

Ann Takamaki

CAN I JUST SAY ANN IS ONE OF THE BESTEST FRIENDS IVE EVER SEEN???????

Like she went through all that shit with Kamoshida, the harassment, possibly rape, all for freaking Shiho’s sake. Just… wow. That’s some freaking loyalty there. Shiho's the closest friend she has at Shujin (at least before the events of the game) and God knows how long she went along with Kamoshida’s bullshit all for Shiho. I mean I may sound a bit repetitive but holy shit that just amazes  me. SHE. ENDURED. SEXUAL. HARASSMENT. ALL. FOR. HER. BEST. FRIEND. And the minute she watched Shiho’s suicide attempt that was it. Any last bit of restraint she had left broke and she went full on at Kamoshida all for revenge for her best friend. My god.

Onto her confidant ranks, Ann is just a charismatic bundle of joy who just wants to make people happy. Yeah she butted heads with that girl (forgot her name…) and did fall down a little in terms of confidence but Akira and Shiho helped her through it and brought her back on her path of what she wants to do… Just ugh, I love Ann so much.

Yusuke Kitagawa

Yusuke’s a fan favorite and for good reason.

His backstory about how Madarame took him in after his mom died and overlooked his painting which led to the later plagiarism is an interesting one and I love how the Sayuri, the only thing left to connect him to his mother, is an important factor that leads to his realization of “oh shit this guy’s a dick who watched my mom die without helping her and he used me for money and fame.”

As a character though, Yusuke’s freaking weird. But i love him because of it. He has his formal tongue but that formal tongue casually overlooks any weird shit that comes out of his mouth. He doesn’t give any flying fucks about what people think of him and he speaks his mind like there’s no tomorrow. I still crack up at the nude painting scene with him and Ann because his mix of awkwardness and passion to paint a nice ass picture is just incredible. Also, another thing. He’s. So. Damn. Passionate. Like he ties art into everything, even fighting Shadows and he’s always looking for new ideas for paintings.

Also, Matt Mercer

Makoto Niijima

MAKOTO IS QUEEN.

She’s not my favorite female, that role goes to Futaba but she’s definitely number 2.

I genuinely have a love for the Niijima sisters because they complement each other so well. Sae’s the head of the house who also works tirelessly just to support her younger sister and it’s clear to see why Makoto would feel useless. She’s a high school student and as a student you really can’t do much that’ll pay the bills and keep food on the table unless you have a job which Makoto’s student council president and (i’m assuming) is in everything so it’d probably be hard as is to get a job and be of some sort of use to her sister. Then Kaneshiro comes around threatening her and Thieves and her sister and she just doesn’t want to feel useless anymore. She wants to do something after being forced to sit back and watch other people be counted on. And just, ugh, her awakening is by far my favorite out of all of them just because of everything behind it and just MAKOTO IS AMAZING, CASE CLOSED.

Also, Cherami Leigh.

Futaba Sakura

By far my favorite female as I feel our personalities are pretty damn similar. Besides her being a hacker and me not knowing anything about possibly illegal things like that, I relate to Futaba as she’s an introvert. She and I value our alone time and (although for different reasons) like being shut in. Now I’m not going to say Futaba and I share the same backstory because my God I’m honestly baffled how this girl went through years in solitude after her mother’s death thinking it was her fault. For one, she WATCHED HER MOTHER DIE IN FRONT OF HER. HOLY SHIT HOW DID THIS GIRL MANAGE TO FUNCTION WITH THAT MENTAL IMAGE IMPRINTED IN HER BRAIN???? AND THEN FOR YEARS ON END SHE LOCKED HERSELF UP AWAY FROM THE WORLD AND BEGAN HAVING ACTUAL PHYSICAL AND VERBAL HALLUCINATIONS AND IF IT WASNT FOR THE PHANTOM THIEVES SHE PROBABLY WOULD HAVE ENDED UP KILLING HERSELF AND I DONT WANT TO THINK OF A WORLD WITHOUT THIS ADORABLE LITTLE OTAKU.

also, i really ship her and Yusuke Inari

Haru Okumura

For one, Haru is freaking adorable, I mean look at her. She has the short little fluffy fluff hair and her voice is so light and feathery and polite and WHY DOES SHE COME SO LATE IN THE DAMN GAME????

I was lucky enough to manage to finish her confidant before the end of the game but when her confidant first opened up to me (getting rank 5 Proficiency was a bitch) at that point I was planning on not doing her confidant at all, I was just planning on getting Baton Pass and ditching her because I didn’t think I’d finish it. I did (at the cost of not finishing Makoto’s, still extremely disappointed on that) and I have to say Haru’s confidant was by far my favorite one out of the ones I maxed out.

Her whole thing is now that her father’s dead, she’s basically the one inheriting everything from Okumura Foods and she never really understood anything to begin with and she thinks everyone who’s trying to help her is just doing it for their own self-gain.  Okumura Foods, at this point, is attempting to rise back up after all the shit her father put the company through and all the current bad reputation it has. Haru’s never had a chance in her life to make things for herself. She’s always been told what to do and has been very obedient (even agreeing to marry a literal dickhead all for her father’s company) and suddenly she’s given all control and doesn’t know what to do with it. All these happy smiling faces offering their help just seem like people attempting to take advantage of her incompetence. Akira helps her through it like the amazing boy that he is and Haru ends up finally being able to speak her mind about the company and what SHE wants to do. She gives the company up to someone who she believes is trustworthy and decides that she’ll one day open a small little cafe like Leblanc in the future after college. And honestly, just her overcoming her distrust and her previous shell of being obedient to rising up and making her own decisions it makes me so happy and proud to see her grow and change and just UGGH I LOVE EVERYONE IN THIS DAMN CAST.

Morgana

This cat, literally this cat. HE BELONGS WITH AKIRA AND THE REST OF THE THIEVES NO ONE CAN CONVINCE ME OTHERWISE.

Loud-mouthed, a little bit arrogant, Morgana is just an amazing character in general for me. I know Ryuji’s technically supposed to be the comic relief (and he does fulfill this role, don’t get me wrong) but I feel Morgana takes this spot too, especially the two bickering like an old married couple. I know some people hate on Morgana because of how he treats Ryuji and the amount of “go to bed” memes on Tumblr but all around Morgana is just a cat who was just looking for a place to call home. He was just looking for people to accept him.

And a part of me honestly hopes if there’s an add on for this game in the future, Morgana gets a human form because I’d love to see that.

Also, please tell me I’m not the only one who still mixes up Morgana’s gender. I still sometimes call him a her just out of habit because I can’t hear Cassandra Lee Morris as anything but a girl.

Also, Cassandra Lee Morris.

Goro Akechi

OKAY SO CONTROVERSY??? MAYBE??

I LIKE AKECHI

NO FUCK THAT

I LOVE AKECHI

LIKE HONEST TO GOD THIS BOY DESERVED BETTER.

Don’t misunderstand, I know he killed people. I know he caused all those shutdowns and was planning on killing the Thieves and eventually Shido himself (which now begs the question, say he did kill Shido, what next?)

I’m not denying anything he did. And yes, his backstory (although extremely saddening) does not justify his actions. He knew what he was doing and he still did it.

Akechi took the wrong path in his life. If anything you can sort of compare his story to Futaba’s in the sense that they both lost family members and were left with nothing. In Futaba’s case however, she still had people trying to help her. She had Sojiro who took her in after her uncle was abusing her or something and she had the Thieves who literally changed her heart and made her see the truth.

Akechi had absolutely nobody.

His mom died (suicide if I remember correctly), he was thrown into foster care, his own father (seriously, fuck Shido. Not just because of how he was with Akechi but everything in this damn game) didn’t even knew he existed. He had no acknowledgement, no affection, nothing. He was forced to make do with what little scraps he could find and make a life for himself.

Again, don’t misunderstand me. I know he killed people and his backstory does not justify his actions because he knew what he was doing was wrong. I’m just saying maybe if he had someone, anyone who was there to help him out, to pull him out of his misery he most likely would have been a different person. He wouldn’t have had his revenge for Shido be his only reason for living and he wouldn’t have gone out the way he did. It’s hard not to feel bad for him. He’s been alone all his damn life and all this guy really wanted was a friend, some teammates, people who wanted him around. I just wish Akechi had gotten a way to repent. I hate the fact that he died. One because we lost a good character and two because I genuinely believe that he wanted to change at the end. Akira changed him. The Thieves changed him. I wish he had gotten an ending where he could own up to his mistakes and be able to make up for lost time.

Just… ugh.

I’m apart of the “Akechi deserved better” group.

And I also ship Akeshu really really really hard.

Also, Robbie Daymond was freaking fantastic.

VERDICT

THIS IS LONG ENOUGH SO LET ME SUM IT UP IN A SENTENCE.

PERSONA 5 IS AMAZING, I LOVED IT.

[i-am-always-lost]

Day 25 | Yokohama

I have been planning to go to Yokohama ever since the first week I've been in Tokyo.

For some reason, that iconic (for me at least) Ferris wheel from Honey and Clover has always been in my head since 2007. I don't even think it's the one from Yokohama but that started my fascination for Ferris Wheels. I've never even been on a proper one. I think the only one I've been on is the two story high one in Sunway Pyramid. PLEASE DONT LAUGH AT ME!

Been putting it off because I know it requires a full day and I don't get many full days. Because I waste my full days on studying (this is for my parents)! Yay! Plus it's bloody far away. It takes 1.5 hours and FOUR lines to get from the nerimatakanodai station to yokohama. But believe it or not, there is a direct train. It changes automatically. Color me surprised because my station is small, obscure and very far away. It goes from the seibu Ikebukuro line -> Fukutoshin metro -> Tokyo Tokyu metro (passing by Shibuya) and one more which I forgot to get to Montomachi Chuukagai (China town stop). You never know who would google this. Hello to Kyoko's future homestay guests!

Of course, Ferris wheel obsession aside, I was attracted to Yokohama for an entirely different reason.

Pilgrimage no 2!!

For those of you watching Bungou Stray Dogs (probably only two of my friends), you will know that it's set in Yokohama. It's a beautiful seaside town - bad description- one of the oldest and major ports in Japan. It is heavy with infrastructure yet beautiful in its own way. Other people know it as the place where the ramen museum is located. I know it as a port area.

tl;dr: No regrets coming here but might have regretted going to the ramen museum earlier than expected. Covered MOST of the places from BSD.

But you wouldn't want a tl;dr when you just clicked 'Read More', don't you?

How did I travel around?

I painstakingly planned out all locations according to a Crunchyroll article screenshots of the real life comparisons with the anime ones. SHOUTOUT TO YI EN BC I couldn't access the website in Japan. Okay, it didn't take that long and it was pretty fun. I ended up walking all over Yokohama though because of bad planning on my part. Also I got distracted by the ramen museum so I ended up missing one hour  of daylight.

Some fucked up route I took

For some reason, I stayed on past Yokohama and went all the way to Chinatown, which cost like 210 yen more! My brain thought that it would be the easiest starting point (which it was) so I went there. It was dead empty on a 9:30AM Wednesday morning, no doubt. Shops were opening slowly but pretty much no sign of life. So I decided to stand in the middle of the street to take a photo. TIP: Do not do this. There might be cars.

Got the shot!

Unfortunately, I couldn't see many similarities aside from the sign. I might have been at the wrong entrance as there are a number of entrances. The one in the anime has red poles and they have different store fronts surrounding it. Oh well!

Walked in Chinatown for a bit and saw tian hou gong. Pretty Chinese of them to have it right smack in the center of China town, lol! 

After that, I went to the park (you can observe the “logical” sequence)

The view from the deck was so amazing. You can see the Yokohama view and bridge from here. I didnt knew how to take less shitty photos though.

There was a flower garden near by as well with a nice fountain.

This is near the exit of the park where the girl wanted to surrender her crimes to the nearest police station from the anime.

Motomachi shopping street. This street looks quite fancy with all the fancy shops along the street. Even the roads look like they are right out from an anime. But you can see its very European-esque.

After that, I walked past this doll museum so I just went in randomly. It was 400 yen and the dolls were pretty creepy looking. The museum was designed like a huge, pink dollhouse! 

Entry ticket

Historical japanese dolls where they displayed dolls according to their geographical regions of Japan. They had international dolls too. The Malaysian one was in some traditional Malay outfit lol.

After that, I walked along the pier to get to the bay area where the ferris wheel and brickhouse was located.

Inside the brickhouse place was a shopping area! One of the shops that was interesting was this fake food shop. Look at the toasts!!! 

I bought a piece of salmon! It found its permanent spot on my bag pack now hehe.

Ferris wheel scene near one of Yokohama’s theme park. You will definitely see it near the pier.

Not quite the angle but trust me, this was the best I could get.

Yokohama’s Customs (Queens tower)

Okay. I walked past this building before heading to the ramen museum so the sequence is a little messed up. Honestly, I shouldnt have went to the Ramen Museum if I wanted to take good photos in the day but I still went anyway! 

The Ramen Museum near the Ferris Wheel (apparently there’s a nicer and larger one at Shin Yokohama which i HIGHLY regret not going to because of time constraint - I really should have skipped dinner that night) was pretty good, but I wouldnt waste my time if i were you and just go to the one at Shin Yokohama. At the very least, I got to customized my own Ramen cup and learnt a little about the Ramen history! Nissin is the main brand if you wondering. I never knew it was Japanese from the packaging when I used to see it at the local Asian grocer.

The interior looks damn nice and atas ok,

Vending machines for you to get empty cups. Customized ones are about 300 yen each!

This is how it looks like pre cooked.

After this experience, I think I’m a Nissin convert now. (They actually have laksa flavours at Hometown (Elizabeth Street near my Melb apartment) 

OKAY. SORRY FOR THE DETOUR (maybe I should do a two parter...)

The Yokohama Port Opening Memorial Hall.

I know this is a horrible photo but all my other photos could barely be seen due to the direction of the sun!! I took this photo around 4pm and the sun was so setting so quickly. This was when I realized I should have planned my whole pilgrimage better. Wasted too much time at the Ramen Museum.

Museum of History and Culture of Kanagawa Prefecture, Yokohama

As you can see, the skies are getting darker with every photo heh. 

The police station featured in the anime!

(this is the photo with the Kevin filter - wanted to give it the orange tinge. The sun was setting when I took this photo but it didnt hit the building :( )

Yokohamabashi Shopping District.

I remember the moment when I finally reached this street - it was such a long day and it was getting so dark at merely 5:30 (fuck winter, seriously), and I felt so relieved that I found most of the places featured on Crunchyroll! Sadly, I didnt get to find the bridge shot and the pier, plus the big longkang featured in episode 1. But I’m happy enough.

Inside the shopping street. 

It’s pretty old in comparison to the Motomachi shopping street and it is mainly selling food stuff - its like a market!

After that, I took the train home. I was lucky enough to only switch twice tbh! I was on the same train that automatically switched lines 4 times (i love Japan for almost 30 stops. The train ride was like 90 minutes long and I even made it back for dinner.

Yokohama is seriously one of the nicest, prettiest places in the world. I think I just personally love ports (Docklands, Yokohama, Port Klang (lol jk)) because of that fantastic ocean view in contrast with the city skyline.

ugh bring me back pls

If you have the chance, go to Yokohama or Kanagawa or just fucking both bc the views are definitely worth. Pictures cannot describe the feeling that you will experience. I promise that it will be worth it.

One day, I’m going back to Yokohama to complete my pilgrimage.

[japanessie]

Hey! I found your blog recently and I also just started listening to MFS and I really like their music. I'm a bit lost as to where to start to learn more about them and their motivation/thoughts behind their music since it's been a couple years since they've debuted. What would you suggest?

Hello (^^)v Welcome to the fandom.

I’m guessing you probably discovered them through their more popular songs like ALONE, 不可逆リプレイス or the more recent ones like Missing You. Firstly, too many people get caught up in singer Hiro’s family relations and ignore the other members. So, I would highly encourage a new fan to NOT follow that crowd XD

There are basically 4 aspects to MFS that all fans need to know OR you won’t understand the band and what diehard fans talk about:

1. Band members & the personnel changes.2. Their musical roots especially the main songwriter Sho Tsuchiya + their twin band named fromus.3. Hiro’s lyrics in relations to his life story.4. The important people in their team especially their boss GEN, A&R exec KTR (Kentaro Suzuki) from Japan Music System (JMS) & circle of friends. Also, their earliest mentor K ( Kei Goto) the late singer of Pay Money To My Pain (PTP).

BAND MEMBERS

1. Sho Tsuchiya ~ leader, guitarist, main composer (currently only functions behind the scene & as a non-touring member)2. Nob @ Nobuaki Katou ~ bassist3. Teru @ Teruki Nishizawa ~ guitarist (many like to categorize him as rhythm guitarist when Sho was in but I personally disagree because he played both lead & rhythm guitars even from the 1st album)4. Kid'z ~ drummer (officially joined on 3 Mar 2016)5. Hiro @ Hiroki Moriuchi ~ vocalist, lyricist6. Masack @ Masaki Kojima ~ drummer (officially left on 3 Mar 2016)

Note: MFS current members “deactivated" from public social media in early 2016. So, don’t bother looking XD

PERSONNEL CHANGES

Sho’s hiatus:Sho remains as a member. He announced his hiatus in October 2015. I won’t call it “inactive" like some people do because he’s still composing with them and most recently served as the Sound Producer for ANTITHESE. He’s just not a touring member for now. He didn’t give specific reason other than family matter.

Drummer change:Masaki didn’t state why he left but it looked like he didn’t want to be tied down to only one genre of music. He was active playing outside MFS before his departure. So, he probably wanted that musical freedom even though he loves MFS. But his decision was enough to badly crush the two youngest members at the time, Hiro and Teruki, from what I observed. Those two younger men were still emotionally dealing with Sho’s hiatus at that moment.  Kid'z is their friend / labelmate who had always got along well with Teru & Hiro. He had worked together with Sho & Nob before too. Co-incidentally, his band officially split up in Nov 2015. So, he was the natural choice to replace Masaki. But Kid'z was drumming as a sessionist musician for singer ナノ(nano) at the time MFS took him. He stopped using his real name and took on a stage name Kid'z* after that. 

* I personally don’t use his real name in public anymore out of respect for his decision. Understandably, he was initially worried about MFS fans’ reaction. Also, it was and probably still is an awkward situation for him regarding his former bandmates when their band split up and he went to their biggest rival band just a few months later. So, I chose to respect his wish to start anew.

THEIR BEGINNING

On my blog so far, the interview that tells their formation year story the most is this one from GEKIROCK.

MFS GEKIROCK Interview March 2016 Translation

The band did describe how they got together in this video interview around minutes 01:42 to 02:58.

My Japanese listening ability is not up to that point yet though, sorry. Hiro explained how he and Sho met at a PTP concert. Couldn’t catch what Sho said about Hiro & Masaki with the music playing in the background :-/ Hiro also said he and Teru knew each other when they were high school students. Well, the GEKIROCK interview is a pretty good picture of their history.

FOR OLD PHOTOS of MFS, check out these places:

My First Story Unofficial fanpage on FBMy First Story Thailand fanpage on FBex-drummer Masaki Kojima’s Twitter @kojimasa 

THEIR TWIN BAND fromus

Ignore whatever musical comparison people made about them and OOR. The real band to compare MFS to is their real twin band fromus, a piano-rock unit. I made an entry about them here.

http://japanessie.tumblr.com/post/140215899677/meet-fromus-mfs-real-twin-band

I personally feel that musically, MFS first two albums are the direct guitar edition fromus. Just take MFS, change the singer & then the guitars to piano. You’ll get fromus.

OTHER MUSICAL INFLUENCES

They do have influences from old school hard rock & metal. Sho and Nob are already in their 30s. Both men said they started on guitar with British rock legend Deep Purple’s Smoke On The Water. Guitarist Teruki grew up with a heavy-metal-music-loving father and would often cite Ozzy Osbourne and Metallica as his early influences.

DISCOGRAPHY

If you want to see their musical & lyrical evolution, try to listen to their songs chronologically from the 1st album to the current work.

Albums & Singles

1. MY FIRST STORY ~ MV Second Limit & Take It Back2. THE STORY IS MY LIFE ~ MVs The Story Is My Life & The Reason3. 最終回STORY (Saishukai STORY)4. BONEDS (a joint 4-band project in which they contributed 2 songs)5. BLACK RAIL ~ MVs Black Rail & FAKE6. 不可逆リプレイス ( Fukagyaku Replace) ~ their breakthrough song IMO7. 虚言NEUROSE ~ MVs 虚言NEUROSE, Child Error & Someday (lyrics MV available on Livehouse iOS App & STORYTELLER website)8. ALONE ~ MVs ALONE & 失踪FLAME * 9. ANTITHESE ~ MVs The Puzzle (exclusive for STORYTELLER members only), Missing You (there’s another STORYTELLER-only version too) & Last Call

Update: 12 Jan 2017. Sorry I forgot the MVs from the ALONE single XD

They also have a special 2-track single dedicated to band leader Sho Tsuchiya, released to the public at the Budokan called:

We’re Just Waiting 4 You (available at MAGIC ROOM while stock lasts)

DVD Collection so far:

1. THE STORY IS MY LIFE Final at Shibuya Club Quattro (bundled with 最終回STORY) ~ the only official DVD released when Hiro still sported his natural black hair colour.2. The Ending of the Beginning at Ebisu Liquidroom.3. BONEDS Tour Movie (with AIR SWELL, BLUE ENCOUNT, SWANKY DANK).4. ITSUWARI NEUROSE Tour Final at Shinkiba Studio Coast.5. MFS at A.V.E.S.T. Vol.9 (released as a free bonus for ANTITHESE Pre-order)

TIDBITS Info (^_-)

Hiro called 虚言NEUROSE creation process as “creating a human-like superhero" & the sound as “listening to the radio in the city“. Does that make any sense to you? LOL. Read what he said in this interview:

Hiro’s Interview with Rockin’ On Japan magazine Jan 2015

HIRO’s LYRICS

Sho let Hiro be in charge of lyrics writing from the start (from an interview for Yamaha Music).

Hiro comes from a famous family thanks to his parents and his successful brother. As a result, he was heavily thrashed on the internet by people who disliked his “easy entry” into the music industry. Hiro used to be very active on Twitter but the criticism against him soon turned into cyber-bullying. I personally had seen the cruel things people wrote about him on Japanese 2ch forum.

I can only guess what happened that drove Hiro to leave social media. Other than abusive online comments, some people probably took advantage of his Twitter presence by sending inappropriate messages or even being intrusive about his brother Taka’s personal life. He tweeted an angry response about 2ch on 14 Feb 2013. Then he wrote on his blog on Ameblo (now deleted / deactivated(?)) that “people’s words can hurt". A few months later, he tweeted “I started blocking fucked up people" in English. Not long after, he tweeted his final tweet “Goodbye forever" and abandoned Twitter in Sept 2013.

He then channeled his anger through the song BLACK RAIL in 2014. He explained it in this interview.

Hiro MFS Rolling Stone Japan Aug 2014 Interview Translation

From then on, a lot of his lyrics reflected what he was going through while writing them.

It must be noted that the special project singles ALONE & 不可逆リプレイス (Fukagyaku Replace) were written for the themes of those projects. Hiro talked at length about ALONE around its release and there are a bunch of them that I posted on this blog.

For details on ALONE Project with HAL College, read these posts:

HAL Project Special Musician Interview with MFS Translation

MY FIRST STORY Flying Postman Interview Translation

Hiro’s ALONE Blog Translation

What is HAL Project & HAL College?

不可逆リプレイス / Fukagyaku Replace was made for the historical anime Nobunaga Concerto. Interesting to note that Hiro wrote the lyrics not from the main character Saburo’s point of view but the other guy Michi. The lines, “I don’t know why but you saved me ………… “ all the way to “I will follow you ….. keep you close to me,” were directly inspired by what Michi said to Saburo in the finale or Episode 10.

The lyrics of Someday are for the late K.Hiro said in Kaohsiung, Taiwan that “This is a very important song to me,“.

His blog entry translation on K’s death

ANTITHESE Lyrics & Hiro’s personal stories

The Puzzle & Tomorrowland are about his heartbreak over Masaki’s departure.Home is about his family who split up after his parents divorced.

IMPORTANT PEOPLE IN MFS TEAM1. GEN ~ boss, owner of INTACT Records, owner of Zephyren, organizer of AVEST Project, formerly of Subciety clothing brand.Twitter : @Zephyren_genInstagram : Zephyren Gen2. KTR (Kentaro Suzuki) ~ A&R + marketing exec of JMS, marketing exec of Deviluse clothing, regularly seen at MFS video shoots and concerts.Twitter : @kkktttrrr, Instagram: Kentaro Suzuki3. The late K @ Kei Goto ~ vocalist of Pay Money To My Pain (PTP), mentor in MFS early days.4. Nori (producer), Makiko (merchandising) but she’s better known now as the lady who covered Rassungorerai with Hiro XD

* Update (Jan 2018): I believe Makiko is not in the staff team anymore but she remains a close friend. Here is the YouTube link to the video of her and Hiro.5. Japan Music System (JMS) ~ the music distribution company specializing in indie music and the one that markets/promotes MFS musicYouTube Channel: JMSTVOnline shop for bands’ merchandise: MAGIC ROOM ONLINE STORE

5. Circle of friends among many:  Shirakawa-san (SAKAEYA clothing shop manager) ~ the members regularly visit his shop.Twitter: @sakaeyatenchonano, SWANKY DANK, AIR SWELL ~ artists they had musically collaborated with.

The funny interview with Hiro & KOJI about the Sink Like A Stone collaboration in which Hiro admitted the song’s high notes were difficult to sing is here.

STORYTELLER Fan Clubhttps://xxxstorytellerxxx.comAll MFS members let go of their individual public social media after the club was launched in 2016. If you’re interested to join, feel free to ask questions on how to do that.

In case you have an iOS mobile device ……..

JMS created a Japan-only iOS App called LIVEHOUSE where they feature videos from JMS artists. The videos vary from live performances, interviews, behind the scenes etc. However, if you create a different Apple ID specifically for Japan iTunes account, you can still download the App and watch those videos even if you don’t live in Japan.

*Update (12 Jan 2017): You will then get to watch videos like this one!

**Update (15 June 2017): JMS decided to stop the App by 31 May 2017.

Lastly yet very important, don’t believe any ridiculous claim about Hiro and his brother Taka hating each other because they don’t. You’ll find such comments at some point, I’m sure. These two brothers love and support each other away from the public eye and rightfully keep their family relationship private.

I hope that will give you a good start (^_-)

[recentanimenews]

Donyatsu is a Sweet, Unexpected Surprise

Donuts. Donuts never change.

The irrelevant and strange post-apocalyptic world of Yusuke Kozaki’s Donyatsu, a silly slice-of-life series about pastry-inspired critters, is a welcomed and eccentric break from reality. Adapted into a 12-episode original net animation series (ONA) by studio Gathering from Kozaki’s manga in 2013, Donyatsu provides a seemingly standard post-apocalyptic setting with a sweet slice-of-life twist. It dares ask the question—can the end of the world be funny? Can it be about cats and delicious treats while the world burns?

Kozaki’s work has mostly been seen in anime and video game character design—most notably in the Fire Emblem and Pokémon franchises, BBK/BRNK, and Speed Grapher. After debuting in Young Gangan in 2011, the Donyatsu manga soon garnered a cult following for its unique combination of post-apocalyptic story with slice-of-life comedy. I first discovered the series back in 2015 and considered it something of a “hidden gem” at the time through the short net anime. However, I quickly realized that these handful of episodes provided just a glimpse of what the full and bizarre Donyatsu world had to offer. The main appeal of Donyatsu is that it obviously has no large overarching plot—in fact, most of its characters struggle to achieve more than sleeping and eating. Compared to other post-apocalyptic series, the worst of the final blow has already landed and there’s no going back. It's a surprisingly laid-back, empty world.

Donyatsu and Bagel making friends 

  Black Comedy With Sugar On Top

Our hero, Donyatsu, wakes up one day to realize he is now an adorable chocolate donut-shaped cat. Has he been transformed for a human? It’s not clear. The Shibuya streets might be empty, but in lieu of humans are a handful of new friends: Bagel, a basic but stern brown bagel cat; Rollnya, a sweet (you guessed it) roll-themed cat; Baum Cougar, the baumkuchen cat who is also a genius internet hacker; and Kumacaron, the pink macaron bear who loves the in-world "Dragon Fall" manga. There’s also a military squadron of mice who may or may not actually be a threat. Is anyone here terrified by what appears to be a nameless catastrophy? Or civilization as we know it coming to a halt? No, Donyatsu and pals are too busy playing shiritori with a giant space robot instead. Even Baum Cougar, the most prepared of the kitties, is a jab at stereotypical “preppers” and nerds who spend too much time meticulously planning out end-of-world survival scenarios. Will he be their savior in the end times? Well, no. In fact, he’s sort of a creep. They’re all jerks.

Ironically, despite being friends, Donyatsu and pals all kinda hate each other. Unlike other laid-back slice-of-life series, these characters truly have no choice but to involuntarily put up with each other. Donyatsu is bullied by the others in almost every episode. At first it’s a bit odd, since these characters don’t typically seem like the kind to be mean or spiteful. In the end, it’s Donyatsu himself who ends up being the butt of jokes, who personally admits that maybe he isn’t quite as funny or smart as the others. At first I thought, “well, that’s a little sad,” but over time I came to love it—especially after reading the manga, where Kozaki’s sick and silly sense of humor truly shines. Donyatsu is meant to make you feel good, but maybe at these cute animals' expense.

Rudeness without reason is the point. Despite it being the end of the world, despite being adorable pastry animals, Donyatsu and his friends are still all undeniably, selfishly human. Think of house cats. You think they care when they knock over your priceless, priceless treasures? Hell no. Don’t let the cute demeanor fool you. They are cruel, cruel folks.

The mice stab Donyatsu with a fork. Ouch.

When I first showed Donyatsu to a friend five years ago, they said it reminded them of the cartoon Adventure Time—which has been confirmed by its creator Pendleton Ward to also be set in a post-apocalyptic world. When I thought of how strange and illogical those characters acted, I realized I knew why Donyatsu appealed so much to me. What makes Donyatsu’s cutesy, over-the-top post-apocalyptic setting so appealing despite the dreary background story? It might be the humor of cognitive dissonance, that situations like devastated cities and the destruction of human civilization aren’t inherently meant to be “funny” unless you’re very jaded. While the Donyatsu anime itself doesn't fully explore these themes compared to the source material, the understanding that these wacky adventures all take places after a catastrophic, humanity-ending event adds an extra layer to an already strange concept. Cats can’t think that far ahead until there’s a yummy snack at the other end. But us viewers? Their situation really is hard to stomach.

One Donyatsu skit involves Kumacaron reading manga out loud while Donyatsu and Bagel are cooped up in Baum Cougar’s safehouse. Familiarity soon breeds contempt, and in this case just enough contempt for Bagel to smack Kumacaron silly after reading all the over-the-top shounen manga dialogue. In the original manga, the group goes to a supermarket in search of canned goods, but quickly devolves into toilet humor and a strategic joke about karinto cookies (look them up). There's no dramatic build-up or sense of urgency to seek out real survival. It's not that Donyatsu and friends don't care—they're lucky enough to not know they should care. They get fed up with each other, bully and harass, all normally high-stakes, dramatic moments when looking at your last handful of post-apocalyptic survivors, but here it’s just good old-fashioned slapstick.

Donyatsu and Bagel

A returning group of characters, the mice, meanwhile, are framed as villains. The joke is, of course, they’re tiny mice with military helmets with forks as their weapons. At first, they seem like they might pose a challenge to Donyatsu, but surprisingly (and albeit with some body horror-esque realizations about how donut cat physiology works…) Donyatsu’s flesh heals itself. You literally can’t eat donut cats. It turns out they are maaaybe immortal. In a perfect world, Donyatsu could let the mice eat him and then just regenerate over a few days—but that’s missing the point entirely. Donyatsu and friends aren’t that preoccupied with “survival” and “consuming” like the mice, so the thought likely has never crossed their mind. They just wanna hang out. In volume two of the manga, Bagel wonders how long they have until they all run out of food and starve to death. It’s a briefly sobering moment that acknowledges these characters might have an actual life expectancy. Everyone is deathly quiet, wondering when they might die. And then it’s immediately back to jokes. There are no hard answers. Can they really live forever? What happens if they eat other donut cats? Who knows.

Sweet Slice-of-Apocalyptic-Life 

Under the unthreatening frosted and chocolate-dipped exterior is a perfectly blended appreciation for black comedy. Donyatsu is a love-letter to the special kind of dark, but not too dark humor that comes from when you mix idiosyncratic characters with a surreal take on the typical post-apocalyptic setting. This isn’t a story about surviving the end times—it’s about passing the time and making the most out of what should be scary because you're bored, hungry, and stuck in a room with someone narrating an entire shonen manga back-to-front with sound-effects.

It’s no secret that post-apocalyptic stories have been a solid trend in anime and manga for decades. However, there’s now been a recent trend of shows catering toward unlikely fans of the slice-of-life genre. Shows such as Sound of the Sky, Humanity Has Declined—and even Kemono Friends—have all played with the concept of slow, easy-going life amidst the end of the world. In some cases, the fall of humanity is more obvious, especially when your characters are, well, actually human and not adorable sentient food-animals. This "cutesy apocalypse" is an unexpected offshoot of what is universally recognized as a depressing and tense genre full of peril and high-stakes stories. They’re optimistic at the end of the day, and so is Donyatsu. 

The over-exaggerated pastels and puns of a surreal setting after the end is appealing, if not a good set-up for an ironic punchline. Donyatsu doesn’t use its post-apocalyptic setting as a “gotcha” or shocking twist, but rather embraces it as its entire backbone to ask whether or not people would still get in arguments about fighting game tactics and snacks (the answer: yes). As short and sweet as it is, Donyatsu is an unexpected source of comfort, and a reassurance that weirdness always wins out in the end. If you want a fun escape with tons of cute animals doing sometimes not-so-cute-and-pleasant things, it’s undeniably worth your time.

  Have you explored the post-apocalyptic landscape of Donyatsu? Let us know your favorite light-hearted shows with dark backstories in the comments—you might be surprised how many there are! 

    ------

Blake P. is a writer who loves his cat. He likes old mecha anime, computer games, books, and black coffee. His twitter is @_dispossessed. His bylines include Fanbyte, VRV, Unwinnable, and more.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: news+feed@crunchyroll.com

[spoofenshmirtz]

so because I like rambling about various things, lemme talk about Kingdom Hearts 3. spoilers and whatnot under the cut! it also got extremely long and rambly so I apologize for that in advance for anyone who wants to give following my thoughts a shot

so, like most other fans of Kingdom Hearts, I’ve been waiting for KH3 a long time. not the 13 years lots of people like to spout, like dumbasses, but definitely for a long while.

and, honestly? I have some mixed feelings about this. one of my friends already talked about how KH3 doesn’t feel like the “finale” he was looking forward to, and how it raised more questions than he had answered - which, valid, but seeing as I’ve gone deep into KHUX I don’t think I’m as confused as some people might be - and I understand and empathize with that notion. KH3 isn’t a grand finale, it’s a new fork in the road on our path throughout this crazy world.

would it have been better as a grand finale? I don’t know. I do feel like Nomura’s been biting off more than he can chew, especially regarding the specific ways he’s been tying some stuff together - through time travel?? - but on one hand, many characters’ stories did seem to reach an at least somewhat satisfying end. Axel, Roxas and Xion were finally reunited and can live on together; Isa joined them, showing Lea and Isa’s reconciliation; Terra, Aqua and Ventus are finally back together after a decade apart; and Eraqus and Xehanort were finally reunited. Sea Salt and Wayfinder Trios’ endings were the most satisfying, in my opinion, and it was kind of obvious that Nomura wanted to wrap these up for sure.

the rest? kind of set aside, to be honest. even our original trio, the Destiny Trio, kinda took a backseat at times - although Sora’s breakdown over being worthless without his friends was pretty great. like many others, I’m also displeased with the game’s handling of Kairi, which is too bad, because I’ve honestly grown fond of her over my years of growing out of my dumb “I hate fictional girls for breaking up my OTPs” phase. especially her interactions with Lea were particularly fun, and I kind of wish there had been... you know, more.

that’s my main complaint, really. that there wasn’t more. the story we’re told almost feels like a summary, like we’re supposed to assume things about the relationships between characters that we’re not... you know, shown. that’s been a problem when it comes to Sora and Kairi for ages; that their relationship isn’t really shown, ever, and Sora and Riku’s is explored much more. I feel more for Xion now than I did before, because with her you’re actually shown a lot of her internal conflicts and her hurt; while with Sora and Kairi, you’re just kind of supposed to assume that they care for each other a lot. probably based on the knowledge that he’s a boy and she’s a girl alone. “he was a boy, she was a girl... can I make it anymore obvious?”

the same can actually be said about the main antagonist, too. Xehanort. I get what was going on, but... I kind of wish there’d been more with him and Eraqus from their early days, before they had all their conflicts? you don’t really get to feel their conflicts so hard when the times before aren’t shown, like, at all. it would’ve been incredibly cool with a... you know, a prologue in a similar vein as KH2, where you get to play as Eraqus and explore your relationship with Xehanort before everything goes to shit. or adding an episode in the middle where you start following them for a while. it could’ve been done as a really cool parallel story thing, even more than their game of chess - which, don’t get me wrong, was really neat! I’ve always been a fan of chess symbolism, for whatever reason, and that was really cool! but there’s not a whole lot of substance to it, other than their fun, competitive spirit.

let’s just agree that KH3 has a lot of “tell, don’t show” problems. or, even worse, “assume, don’t show”. there’s not a whole lot of substance to the stories told in the game, because there’s still a lot of it missing, it feels like. I mean, the fact that Nomura rewrote the ending so many times (as he admits to in the preface to the artbook that was released with the Deluxe Edition) should probably hint to problems with coherent storytelling...

it is unfortunate, I must say. because I LOVE this game. gameplay alone was incredibly satisfying in ways I’ll get into later, but the way the story feels so.... you know, not finished, really does put down my joy a bit.

let’s not even talk about the epilogue. not yet. I’m so goddamned confused by Xigbar’s role in... well, everything. although I guess it makes a bit more sense for Xigbar to having been number II in the Organization now... knowing that he’s been around for centuries and is just here to wreak havoc, pretty much...

I’m all for the secret movie, though!!!! Sora’s finally going to Shibuya!!!!!! HELL YEA

anyway, got a bit off track. KH3 has a lot of storytelling issues, even with the disney worlds, which is real unfortunate because they’ve usually been pretty narratively solid. the developers’ obsession with exactly recreating some scenes really did pull down the quality of the storytelling, because the way they chose scenes to recreate didn’t consider the effects of the storytelling in the original movies... although recreating Let It Go with Sora, Donald and Goofy in it was an absolute power move and I’m still knocked on my ass from it.

anyway, the worlds with new stories - Big Hero 6, post-movie; Toy Story, in between 1 and 2; and Monsters Inc, post-movie - really were more narratively coherent, while the worlds following the original storylines - Tangled, Frozen and Pirates of the Caribbean - suffered from losing a lot of crucial scenes and (would you look at that!) relationship-building.

okay, but ENOUGH ON STORY CRITICISM! I think we can all agree that Nomura built himself too much to work with and may have gone a bit overboard with it, but honestly, overall? it was still pretty damn good! not entirely solid, but satisfying enough and emotionally engaging that I definitely enjoyed it as an experience! and the reunions of the Sea Salt and Wayfinder Trios brought me to tears for solid minutes at a time!! I’ve been very emotionally engaged in these kids’ specific storylines and their conclusions were more than I could have hoped for!

and like I already said, playing the game itself was THE most satisfying experience I’ve had in AGES! the game itself is so smooth, and just the fact that transitions from cutscene to gameplay were done SEAMLESSLY is enough to make me cry out of joy!

fight systems? great!! I love the way situation commands and such were handled, I love the drive forms connected to the keyblades themselves, I loved the boss fight patterns!

graphics? AMAZING!!! I had to stop and stare at stuff all the time, cry at the beauty of the different worlds, marvel over textures and lighting in different places, and WATER PHYSICS!!!! the game is so goddamned beautiful I can’t stop thinking about how amazing it all was, how many different kinds of scenery they handled and how well they did that! snow physics in Arendelle had me crying, lighting in Kingdom of Corona made me shout with glee, textures in the Caribbean made my jaw drop! underwater levels didn’t even suck!

minigames? honestly? I loved them. cooking is amazing fun (although I kinda suck majorly at cracking eggs), the 100 Acre Woods minigames may have been the same minigame rehashed twice but they were different enough to be fun - plus they’re only really necessary for farming for ingredients, which is pretty cool, sailing in the Caribbean was honestly fun, and the goddamned Verum Rex in Toy Box... *chef kiss* I LOVE it. I know lots of people dislike the multitude of minigames in KH games, and I do get it when it comes to sledding - the one I consistently had the most trouble with - but honestly? I don’t hate a single one of them!

lucky emblems? well. I haven’t really tried to discover all of them yet, but I have had the problem of a character going “look! a lucky emblem!” and me just not being able to find it anywhere a couple times. the concept of taking photographs is itself great, though!

and music? Yoko Shimomura is goddamned DELIVERING, again. the music is so beautiful in KH3, and the opening (with Skrillex) and ending themes by Utada Hikaru were great, as usual. I’ve cried to these songs more than I can count.

so, SUMMARY? the story has kinda gone out of Nomura’s hands, and storywise I still find KH2 to be the best at both telling a story and engaging you in it; but gameplaywise, the series has grown so much since the first game that I barely can’t believe I’ve lived to see the growth of the series as a whole? it’s kind of an amazing feeling knowing you’ve grown with a series like this, and I’m thankful for having been born the time I did so that I got to experience it! KH will always have a special place in my heart, and I will surely keep following this series to see where Nomura is taking it!