#even if you feel like its a lie!

[wingdingle]

ok i figured it out finally. the secret to becoming friends with somebody is to keep doing smalltalk and asking how peoples days are and listen to them and share your own experiences and be genuinely curious about theirs, until you find people who also want to be friends with you enough to talk to you outside of the setting you regularly meet in, and then just initiate communication on a regular basis (at least 5 times a week or some shit idk.) also assess their comfort zone before talking about like social taboos . like ask them if they are ok hearing smth youre unsure about before you say it. also you dont necessarily succeed every time but dont get discouraged theres always more ppl and more room to grow =]

sidenote: try to make sure that when you make conversation it isnt exclusively about things you feel negatively about and keep an open mind about peoples interests, even if you dont necessarily agree with them - some people dont know some tjings are offensive bc theyre just too busy living their lives to stay on top of everything, but you can always explain that thought about it being offensive, just dont shut them down right away... imagine how youd feel if someone shut you down when you were talking about something you liked

[oceanwithouthermoon]

maybe its just me but i cant stand when people are like "it just doesn't sit right with me how teruhashi thought about aiura 🥺" like yes... its not supposed to ??? because her thinking badly of other girls and prioritizing male validation over everything is one of her main flaws ??? can we talk about that WITHOUT making it seem like shes not allowed to have a single actual flaw without suddenly becoming an awful person? nobody can handle complex female characters at all and its so fucking annoying

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[drawnfamiliarfaces]

i've never even seen the show First is from and yet i love your First x Chase Young ship so i have to ask. If anything did HAPPEN between the two of them what sort of emotions would they be dealing with afterwards?

Wow, this is such an unexpectedly nice compliment for me? Cause it means, you are a Chase/XS fan, who saw my crack ship and went 'I don't know what's going on, but I enjoy your silly little ship, funny crossover shipper.' and you know what? It's very nice and made me happy. ;) Thank you!

And well who said nothing ever happened between them lol IF anything happened between those two (be it emotional or physical ;3), their default way of dealing it would be DENIAL DENIAL DENIAL, in similar but also in slightly different ways.

Chase Young is a man who seemingly doesn't do softer emotions. Any possible feelings and reactions who could be attributed to him actually caring about First Ninja, are re-labeled in his head into him doing all of this because he is trying to manipulate First on his side (and he totally still is, but he also now wants to feed that man, talk with him during long evenings and perhaps take a nap with him, you know, disgusting cute domestic stuff amidst oh i dunno- taking over the world and being evil together. >;))

First Ninja on the other hand, is very much aware that for things to go this far means that he is absolutely having emotions about Chase. But he is also in denial, because how can he betray all of his moral standing and beliefs, if he starting to care about someone like Chase Young? So he shoves it so far deep, he is in denial about denial, and turns completely blind to anything even resembling them being something more than opponents who tentavely respect one another.

[whos-hotter-jjba]

Hottest JJBA Outfit Bracket - Joseph Joestar First Preliminary Poll

This is the first prelim poll for Joseph Joestar, with the purpose to select the best two outfits to move on to a second phase. I'm sorry about this one, Joseph has way too many outfits, the little son of a bitch.

[poorly-drawn-mdzs]

Counterspell

[First] Prev <--> Next

[good-beanswrites]

If you're still taking requests, could I ask for Futa finding our that Yuno was lying about getting beaten up in her first interrogation?

You sure can 👀👀👀👀 Omg, I'm a fake 02-03 fan, how have I never thought about that moment before? I assumed he'd know eventually, but for someone who's so honest (and likely already has issues with a disloyal friend group) an actual confession would be so painful... Thank you so much for the request, it reminded me how much I loved writing these two ;--;

“I can’t believe it!” Fuuta laid across Yuno’s bed, staring up at the ceiling. “I can’t fucking believe it!”

“Ooh~ is this about Shidou-san?” Yuno stepped out of a pair of shoes, grabbing another. She walked back and forth with accessories she’d requested or borrowed from the others. After scrutinizing them in the mirror, she’d try on something else. 

“Of course it is! Why aren’t you freaking out about this?”

It was a rhetorical question, she knew. This was one of those times Fuuta wasn’t really listening to anything except the rant in his own head. It could be annoying, but between him and Mahiru, Yuno actually enjoyed the chance to sit back and let someone else take over the conversation. 

“He comes out of his interrogation, casually laughing about the warden being young and kicking him, then expects us to be okay with it? That makes four out of five interrogations someone got hurt! It’s a good thing I showed them they can’t fuck with someone like me, eh? But a pushover like Shidou gets abused and laughs! Argh!” 

Fuuta sat up suddenly, trying to find somewhere to put his anger. He caught Yuno’s eye through the mirror. “There’s no way this is legal, locking us up with some violence-crazed warden! You know what I just keep thinking about, every day?”

Yuno gave a small “hm?” knowing he’d tell her anyway. She turned her eyes away, pretending to fix the ribbon in her hair. It was becoming less and less enjoyable to sit back and let him talk, this time. She was starting to see where this conversation would end. She knew what she needed to do.

“I just keep thinking, what are we going to do about Mahiru?”

“What do you mean?”

She was met with a dumbfounded look. 

“We can’t just let her go in there by herself! Haruka and Shidou have some size and strength on Es, so like a coward they only showed a bit of force. But they know you and Muu were much smaller and weaker, so they really took it out on you both. I mean, I could hear Muu crying during her interrogation, and she came out still sniffling. Whatever the hell happened, it can’t be good. Just think of what’ll happen to Mahiru if we leave her alone in there! I’ve started thinking about what we can do.”

She laughed, picking up a headband. “Fuuta, you can’t do anything. It’s not like you’d be able to break in during the interrogation. I’m sure Mahiru-san will be just fine.”

“You can’t be sure, in a place like this. I’ve been thinking about this! I was even talking to Kotoko, and we think it’s possible to sneak in beforehand.”

“And if you get caught? What if you get Mahiru-san in more trouble?”

It was all she could think to say. She knew the truth had to come out eventually, but if there was a chance she could calm Fuuta down and avoid a fight altogether, she’d take it. Yuno wasn’t afraid of him. However, just because he was all bark and no bite didn’t make his bite any easier to handle. If she was putting the pieces together correctly, it still did end up killing someone…

Instead of slowing down, his face lit up with even more intensity. He leapt to his feet, appearing behind Yuno in the mirror. “See, that’s where my backup plan comes in! We’ll get the others involved. An interrogation will be the perfect time to stage a riot because –”

“Oh, Fuuta.”

“– I mean it! How are they and that stupid rabbit going to stop all of us, huh? It’s high time we stood up to this injustice! Give that brat a taste of their own medicine –”

“Just, listen for a second.”

“– We won’t use any violence or anything! Unlike them, we’re above that. Just give them a good scare, and demand that they –”

“Fuuta.”

“What?” He sounded exasperated, but paused to let her speak. She hadn’t raised her voice; he was learning to tell when she was serious.

“There’s... something I need to tell you.” Her tone made it clear that this would be a pretty weighty confession. Annoyance flashed across his face, like is now really the time for this? 

Yuno turned to face him. She reached for his hands, knowing the wonders a bit of physical contact can do. Fuuta just rolled his eyes as he tore his hands away. She was constantly reminded that her usual tricks didn’t work on him. She also reminded herself, however, that it was a relief. She didn’t feel like holding hands now.

“I… I wasn’t honest about my interrogation. Es didn’t touch me. They were actually really calm, and we had a good conversation. They didn’t want the others to hear that and just walk all over them, so I promised to tell the story they came up with. I heard Muu talking, and she didn’t face any violence either. She was just scared.”

“You – she – what?” Fuuta sputtered on his words. His face turned a few shades redder than it already had been in his excitement.

“The lie wasn’t supposed to be a big deal, or drag out this long. Definitely not to the point of inspiring a prison riot, oh god. I felt bad that you even went after Es because of it–”

“Yeah!” His voice rose. “I stood up to them for you! I coulda gotten punished for that!”

“No, Es knew why you did it, so I’m sure they never would have –”

“You can’t be sure!” He turned to pace the cell, emotion leaking out in sudden pitches in his voice, or a hand jerking up in wild gestures. “So when were you planning on telling me? Or were you just going to lie to my face for another few months?”  She could see the gears turning in his head – all the arguments and comebacks and insults he was formulating. “And what else have you been lying to me about?” 

That’s when she noticed that the look in his eyes wasn’t one of rage. Nor was the blood in his cheeks. Though he was indeed angry, he was also dealing with the embarrassing truth of being lied to for months.

“I haven’t lied about anything else,” she assured him. She bowed her head. “And I won’t. I’m so sorry. It was supposed to be something quick that everyone forgot about. Once they had their interrogation and had their own impression of the warden, no one would think about it.”

“You expect me to believe a shitty excuse like that? Why would we all just forget?”

“Fuuta…” She smiled sadly. “Everyone did forget. You’re the only one who still talks about it. You’re the only one who’s done anything in response. I felt so guilty you’d put yourself out like that, for me, someone you barely met.” 

Yuno paused. She hadn’t meant to use any flattery to steer the conversation. She was supposed to just tell him the truth and leave it at that.

But this wasn’t flattery. She was still speaking the truth. “Everyone else did exactly what I expected, except you. You stood up for me. I don’t take that lightly, okay? I’m grateful.”

Fuuta’s eyes burned with more fury. He jabbed a pointing finger at her.

“You’re right!” 

“...eh?”

“Those bastards didn’t do a single thing! They heard a young girl got abused and they just let it happen? They tried laughing it off? How dare they!” He whirled around. “Oh, I’m gonna give them a –”

Yuno grabbed the back of his uniform “You aren’t going to do anything. If you get everyone riled up now, it’ll be for nothing, remember? But you can’t tell. I still promised Es I’d keep their secret through the first trial.”

“Tch, you don’t owe them shit.”

“If you tell, you’ll get me in trouble. Please.” She let go of him. “Can I trust you with this?”

He kept his back to her. “You didn’t before.”

“You’re right.” She wasn’t the type to waffle around with excuses.

She started putting away her things. It was almost mealtime, and she didn’t have the heart to continue, anyway. Through the mirror, she watched Fuuta hang around the doorway. His expression shifted through emotions that Yuno couldn’t quite put her finger on. All his fire was fizzling out.

“Just… you swear it won’t happen again?” 

“I swear.”

Fuuta nodded. Then, a grin. “And you swear I can tell them off after this trial ends?”

She returned the smirk. “One promise at a time, ’kay?”

[galwednesday]

Removed a wasp from my bedroom without bloodshed. Peace and love on planet earth

[cybergothvox]

Two-faced

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[hauntingblue]

making a collection

making another collection with a threatening aura

[ninashiki]

i feel like almost everything in utena has sort of already been extensively discussed in the last two (almost three) decades of utena's existence (not that there aren't new interpretations to be made, there always are) besides black rose arc (mikage+mamiya+tokiko). which is why they're so much fun to think about. i think the need to read between the lines makes it unfortunately easy to misunderstand or look past obvious stuff if you don't pay attention, but to me it's always been really obvious that mikage's arc is a literal representation of the erasure of queerness in ohtori (society?) by akio/everything he represents. and that's so fucking tragic! nemuro was never able to find a name for his desires. he lived and died as a puppet in the shadows.

[skunkes]

unsure how to word this but there is something about having ocs with unsavory events happening in their past where it's like. talking about it, even when asked, seems almost gratuitous and inappropriate. and i'd much rather describe it through the oc themself and/or draw Them saying it. which is like. fitting for the subject matter? like of course its weird to talk about somebody else's business...!

and falls back into humanizing em/exploratory writing and development where u consider the impact of words said/words unsaid/HOW those words are said etc etc

[neomedievalist]

finding it hard to articulate this but i think the exclusion and othering of trans women thats so rampant on this site stems from the like, 10 year old idea that tumblr is a site only mentally ill women use, and then that idea sort of shifted as everyone started transitioning and now the image of an average tumblr user is like. a nonbinary/transmasc person . and then everyone started hating everyone who wasnt in that in-group

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.

[danielnelsen]

things aren’t going well with peach. while i think my dad’s very right to be concerned that she hasn’t eaten anything in nearly 60 hours (obviously i am too), im becoming increasingly concerned that she hasn’t slept at all in around 36 hours and prior to that she was under anaesthetic, which isn’t exactly restful, so it’s closer to 48 hrs

like dad took her back to the vet today and we’ve got injections for her painkillers now because she’s not eating, and also injections for fluids (because she doesn’t drink; she only gets water from her food), so the not eating is Bad but also kinda under management, but if she doesn’t sleep soon i’m extremely worried. dad was like ‘if she doesn’t eat by tomorrow afternoon we’ll take her back because the injections will run out’ but like. if she doesn’t sleep tonight we have GOT to take her back first thing in the morning so they can sedate her or something