#even if you don't have time to write!

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[frosted-woods]

autumn time to be gay and totally fine and not miserable at all

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[manchestereyes]

thinking about how phil was the first openly gay person dan had ever met. and how phil had so excitedly welcomed dan into his circle of old school youtube queers. and how being around that many queers at once (at the gatherings) was so exhilarating for dan, yet he still chose to spend most of his time with phil.

thinking about how they didn't yet know they had found their person when they first met, but how they both had such massive crushes on each other that they were dearly hoping even then that they could be each other's forever. and how over the course of just a couple months, after hours and hours of skype calls and constant visits, they knew. maybe they didn't know at that point if they were forever, but they knew they were in love and it was the greatest feeling in the world.

thinking about how phil was dan's safe space after a lifetime of closing himself off from the world. and how they're both each other's biggest supporters, even now. and how thrilled they must be to still be so deeply in love even after 15 years. how they were stretched to their breaking points, yet still held tight to each other through it all and are now standing stronger than they've ever been.

what they have really is so special, isn't it?

[starcurtain]

I think Alhaitham's views on gods and his dynamic with Nahida in particular is probably one of the most underrated comedic elements to come out of Sumeru.

This guy put together an entire crack squad and master plan to rescue a god while being the Genshin equivalent of an atheist. "Yes, obviously archons exist. But so do sharks. Both of those beings have their place in the ecosystem, and if I had to pick one to piss off--"

Like, does he believe in the dendro archon? Yes. But is he going to listen if she denies his paid vacation request? Absolutely not.

Bro is selected by name to come discuss important matters with his nation's deity in her sanctuary, and he's just like, "Oh, I ran into Nilou there once. That was cool."

Raised to the highest possible position available in his nation's government by the deliberate selection of his god? Resigns.

We know that Nahida still calls on Alhaitham when Sumeru is in need of defending from nefarious parties, and sends him out with Wanderer to kick ass and take names. Now that they've forgotten Rukkhadevata and the Akademiya's ploy to imprison Nahida has been foiled, most of the people of Sumeru would be floored by the honor of being called upon personally to aid the great dendro archon. Staggered by the fact that the lord of wisdom herself finds them worthy! But Alhaitham? He just goes home. Kaveh asks him what he was up to all day. "Hm. Nothing of note."

Everyone else, upon receiving the recognition of a god: My life has been changed forever. I will be telling my great grandchildren of the day I received such a blessing!

But for Alhaitham? It was Tuesday.

Criminally underrated comedic potential. CRIMINAL.

[lost-in-fandoms]

"Tell me again."

Max hums, moving his hand in slow circles along Daniel's back, feeling his chest move against his side, his face hidden in the folds of Max's t-shirt.

He bows his head, pressing a kiss against Daniel's hair, shifting against the hotel's pillows until he's comfortable again.

"It's going to be sunny," he says, voice low, letting Daniel's curls tickle his lips and nose. "It's going to be sunset, orange, the trees all golden in the way you like."

Daniel's back shifts under his hand, his fingers twisting in Max's shirt.

"We'll be sitting in chairs, because you have old man knees, and would complain about sitting on the floor."

He twists away from the halfhearted poke in his side, then settles back.

"They will be those garden ones, the ones with the straw?"

"Wicker," Daniel corrects him softly, voice scratchy.

"Yes, wicker." He tugs Daniel even closer, not knowing how it is even possible. "With pillows, so you can curl in them like a little cat."

He smooths his hand down Daniel's back, like he does with Sassy, when she stretches out beside him on the bed, similar to how Daniel is now. Does it again when he feels Daniel's shoulders uncurl slightly.

"We will be drinking your weird beers, the expensive ones that taste worse than all the others."

"Craft beer isn't weird," Daniel argues, just like Max was expecting him to. He sounds like there's something stuck in the back of his throat, and Max kisses his hair again.

"It is weird, Daniel. Beer does not need to be that expensive."

He gives him space to reply once more, but Daniel doesn't.

"We will drink your weird beer, and we will talk about that time we ate pasta in your hotel room."

It wasn't just one time, but Max knows he doesn't need to specify. They're both thinking about the same one, illegal spaghetti ordered from room service, hidden from their trainers, sauce on the corner of Max's mouth, cleaned by Daniel's thumb first, Daniel's mouth later. And even if they aren't thinking about the same, it doesn't matter. Every plate of pasta shared, in every hotel room, would matter just as much, stepping stones in their story, just as important as that first kiss.

"And it will be rainy," Max continues, voice even lower. His t-shirt is damp, stretched by Daniel's tense fingers. Daniel's back is shuddering, even when he holds him closer and closer and closer.

"It will rain, and you will have a blanket, because you always get cold, even more when it is humid."

The thing that was in Daniel's throat is in his too now.

"We will talk about how stupid everyone was. We will say it was all unfair. But we will not be angry anymore, because it will not matter anymore."

Daniel's hair smell like Max's shampoo, even if he usually doesn't use it, because he hates how dry it makes it feel. Max can taste salt on the back of his throat as he shifts his head slightly, trying to at least keep his ears dry, now that his cheeks are a lost cause.

Daniel's breathing is a stuttered rhythm against his ribs.

"We will cook eggs," Max pushes on, pressing every word against Daniel's skin, hoping every one feels like the i love you that it is. "Because we will have chickens on your farm, like a real farm, so we will be good at cooking eggs. And you will drink your wine, and sing your songs."

His voice breaks, sudden betrayal, just as Daniel trembles in a sob, but Max pushes through. They've both always known how to push through.

"And I will ask are you happy and you will say yes," he says, making it sound like a promise, because it is a promise. "And we will not regret any of it."

He knows they won't. Not the angry moments, not the painful moments, not the annoying little moments they will never even remember. They will take all of them and throw them into the jar of their lives, little pebbles, and colorful marbles, and shards of glass smoothed out with time and love and distance, all mixed together.

"We will sit on your chairs, and they will have nothing, and we will have us."

He holds Daniel closecloseclose, because he's never learned how to let go of the things he cares about, has always clung to things with his teeth and desire bared, and he has no intention of starting now. He has no intention of starting ever.

Even if this is not the way he wanted things to happen, he doesn't believe in letting go, especially when it comes to Daniel.

He swallows, clears his throat to try and dislodge the tight knot of feelings there, raises a hand to swipe his thumb along Daniel's wet jaw.

"We will have chickens, and a garage full of dirt bikes, and I will ask Grace to teach me how to make the pasta sauce you spilled all over the carpet when you were five."

Daniel nods against his chest, fingers relaxing. His breathing is still uneven, Max's t-shirt is still damp, but he can feel him going lax against him, relaxing bit by bit.

"We will," Daniel murmurs, voice shaky enough it sounds closer to a question.

"We will," Max tells him, firm. Would be happy to tell him again and again, until Daniel's voice doesn't shake on it anymore. "We will eat so much food, and we will become fat, and we will be happy. We will."

Daniel nods again, then shifts, wiggling in Max's hold until he can properly climb on top of him, pointy elbows planted on the bed, above Max's shoulders, trembling fingers tracing the wet lines on his cheeks, red-rimmed eyes soft.

When Daniel kisses him, they both taste like salt, exhaustion and the future.

[xmenremix]

A reminder we can still use more sign ups for Remix Madness! :D

X-Men Remix Madness 2024 - Signups Now Open!

What is Remix Madness? Madness is a variation of the Main Remix Challenge; instead of remixing an assignment from the Mods you simply remix whatever fic/art you want from the people who’ve signed up to participate!

What are the dates for Madness?  Sign-up Opens: Now Works Revealed:Thu 08 Aug 2024 12:00AM EDT Creators Revealed:Thu 15 Aug 2024 12:00AM EDT

I want to let people remix my fics for Madness! Simple! Just go to X-Men Remix Madness 2024, first read the rules, and then sign up to participate!

How do I sign up? Go to the Collection homepage and select ‘Prompt Form’ from the left hand menu. Copy and paste and then answer the short list of questions there before clicking submit.

I want to remix other people’s fics - do I have to sign up for Madness too? You only have to sign up for Madness if you want people to remix your fics. You do NOT have to sign up for Madness at all if you only want to remix other people’s work.

Can I remix fic/art from other X-Men verses? Yes! In addition to remixing works based on the X-Men Alternate Timeline movie verse, you can also remix works based on the comics, animated series and original movie trilogy etc in Remix Madness.

Any word count minimum? What about art restrictions? No minimum word count and artwork can be sketches!

When can I start filling prompts/posting works? Anytime! You can start posting works now until Madness officially ends on Aug. 15.

What is a ‘safe work’? When you sign up to allow others to remix your works, you may designate certain ones as ‘safe’ and therefore off limits to others for remix.

Do I have take into consideration the original creator’s preferences when I remix their work? In a word - no. 

When can I start filling prompts/posting works? This is not a gift exchange, so you are not required to acknowledge the fic/art you receive if it is not to your tastes/contains content you don’t read/is offensive to you. There is not, and never will be, any penalty for not commenting on/kudosing/linking back to the fic or art you receive.

In light of the above, you are still expected to be civil to your remixer or recipient, regardless of the circumstance.

If you have any questions about the event, please feel free to send this blog an ask or an email to gerec16@hotmail.com!   Please signal boost thank you!

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[feroluce]

When talking about Boothill's drink order in 2.6, like. Hoyo could have just glossed it over and described it as "a few" or "several" drinks. They didn't bother to program in the actual glasses or anything- it's not like any of us were gonna count them and notice if they put in the wrong amount.

But they specifically chose the number seven, and if it IS just coincidence, it is a very very fun one.

Hsr is also known to make tarot card references- we had the online event shortly before Penacony's release, I'm pretty sure there's at least a couple simulated universe occurrences and a curio, and then Black Swan's Everything.

The Seven of Cups is a card about dreams and making choices when you have multiple options it front of you. It represents resisting self-deception and false dreams, and not letting yourself be charmed by hallucinations. It is a warning to carefully consider what is real vs what is not, which is very important in Penacony as a whole, being the land of sweet dreams, and it becomes relevant to Boothill later, when Primon starts to fuck with his head.

It can also represent someone who is "deep in their cups," which is a more polite way to refer to someone who uses alcohol as a coping mechanism to an unhealthy amount.

I hate that this could be a serious comment on Boothill being an alcoholic to cope with how much horrifying trauma he's experienced...and I have to discuss it looking at Primon's ridiculous fucking face fjkdslajldk

The overall message of the card is to stand fast, keep a clear head, and make your decision. Which suits Boothill beautifully even outside of this patch, since he is the very picture of ruthlessness and straightforwardness- he is able to see that bright clear line between action and result, and he follows it doggedly! Everything he does, he does wholeheartedly and decisively! And we see it especially well when he fights through the partial regression Primon leads him into!

Straight and clear and sure as a bullet, baby!!!

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[nomazee]

enough to make me cry

blade is your only roommate, your only friend, and your only way home from this terrible party you found yourself in.

blade x gn reader — 3.3k — college & roommates au!, very americanized college experiences, frat parties, mentions of drinking & vomiting, could be read as platonic but there are definitely romantic undertones, feelings of inadequacy/being out of place, hurt/comfort, social anxiety, blade is probably ooc i'm gonna be so honest, mild kafka & reader friendship, erggg im probably missing something

notes: no i have to be so honest blade is probably completely out of character i have not played a single side quest with him in it but i just think he has reluctant roommate-to-best friend potential and i wanted to pour that into a fic,,, this is mostly unintelligible but i did proofread! love you all

—°+..｡*ﾟ｡*ﾟ+.*.｡.—

A warm hand rests on your shoulder, and the first thing that you think is Blade’s hands are supposed to be cold.

It’s really pathetic. You’re somewhere in a stupid frat house, the thrumming of music around you. There’s the flashing colors and sounds of Mario Kart on the TV, the smell of puke (probably yours) and corona lite, and a hand on your shoulders that you’ve discerned is not your roommate, Blade’s. 

Looking to the side, you follow the hand (painted, manicured nails, definitely still not Blade’s), and it leads up to an arm up to a shoulder up to a face, and—oh. 

“You’re—” you pause, getting your words in order before you puke them up, “you’re Blade’s pretty lady friend?” It’s supposed to come out as a statement, but leans more to a question. She looks down, a bit of a teasing grin on her face, but her eyes are a little soft so you trust her. 

“Is that what he calls me?” she jokes.

“No, I’m— I came up with that.” If you had any dignity left in you, you’d be embarrassed to admit that to her. Unfortunately, you’re pretty sure that Kafka (the pretty lady friend in question) just held your hair back and wiped your face as you puked into a frat-house toilet, flushing your dignity away with your dinner. Your eyes burn with tears and mortification, and you pray that only Kafka saw your embarrassing mishaps.

“I called him to pick you up,” she tells you, already looking away from you and scanning the room as if looking for something, or someone. “I would take you home myself, but I’ve got some things to take care of. And I’m assuming you didn't bring your keys with you?” 

A quick pat-down of your pockets confirms that, yes, you somehow managed to leave your keys at home, the one personal necessity that you were supposed to bring besides your phone. Which, thankfully, you do at least have.

“Umm, the…” you mutter, tongue tangling uselessly as you try to find a way out of here without facing the impending doom of Blade’s aggravated scolding and his I told you so’s. 

A week ago, you went to him with an invite to this frat party and begged him to come with you, saying something like You don’t go out much, this is your chance! He’d adamantly refused, calling it a bad idea and rolling his eyes whenever you brought it up. But you were stubborn, and you wanted to have a fun college experience, so you forced him to drive you to the party with the promise of paying for his next gas payment and getting your own ride back home at the end of the night. 

“I can go,” you finally tell Kafka, mind stringing along memories and thoughts and alarm bells of get your ass home before you have to sit in an awful car ride with Blade, “It’s, like, a fifteen minute walk, don’t call him.” 

“It’s a little too late for that, kid,” Kafka drawls, amusement in her words. She’s smiling down at you, and you’re reminded of how small you feel. “He’s already on the way.” 

“No!” you protest, a little too loudly, but not loud enough to be heard over the thumping of music and bodies and voices. “It’s— Kafka, please, just tell him to turn around, I really don’t want him to deal with me today.” 

If you knew her even less, you’d misinterpret the twitch in her expression as concern—but you’re not too dumb, so you read it as amusement. “Trust me, he’s not going to have a problem with that. You’ll be fine.” 

Whatever that means. Kafka’s too cryptic for your liking, but you won’t complain. She wiped up your vomit from the dirty bathroom tiles and stayed with you to make sure you didn't get trampled, and she didn't complain about any of that. In a week, when you have enough strength to face her again, you’ll treat her to a good, expensive, flaky pastry. She seems like the kind of person who would love those. 

Her phone buzzes with a text notification, and she clicks her tongue, standing up and pulling you with her. Her hand is still warm, seeping through the sleeve of your shirt as she takes you by the forearm, gentle but guiding. Your stomach churns at the thought of seeing Blade, the thought of him seeing you like this. Freshly-puked-out with a nasty stomachache all because of a party that he told you not to go to. 

You hold back your protests as Kafka leads you through the still-crowded frat house. What time is it? Has nobody gotten bored yet, seriously? At least you didn't kill the mood by running to the bathroom and weeping into the toilet. It seems like nobody noticed, except for Kafka, and you don’t know if that should make you feel comforted or just more upset. 

The cool air of the night hits you as you step through the front door, eyes tracking your feet as you walk down the concrete steps. You see the silhouette of Blade’s ugly blue car in your peripheral vision, but you don’t want to look up in fear of seeing the disappointment on his face so soon. He’s going to rip you a new one, and then call you a slob and kick you out of the apartment and say I can’t have a party fiend living with me even though this was your first party ever, honest. 

You barely register that you’ve reached the passenger side of Blade’s car, only coming back to awareness when Kafka opens the door for you and starts nudging you into the seat. A really pathetic part of you wants to grab onto her arm and cry hard enough that she just relents and lets you walk home, but you’re already half into the passenger seat, looking everywhere but Blade. 

“Take care of them, won’t you, Bladie?” Kafka commands lightly, her hand leaving your arm as you get situated and buckled up in the car. Blade lets out a little huff in response and your stomach sinks. He’s already annoyed. 

The car ride to your apartment is only five minutes at this time of night. You just have to survive five minutes in silence and pray that he doesn’t tear into you and scold you like a disappointed parent. A glance at the clock on the car’s console confirms that it’s half past midnight. What the fuck. What were you even doing at the party for that long, besides vomiting and crying? 

The car rumbles, exhaust sputtering a little bit as Blade pulls out from the side of the street and drives slowly, carefully, as if not to rattle you, and you really just want him to speed up and throttle the car around so you feel more guilty about waking him up in the middle of the night to come pick you up. Blade goes to bed at eleven, the latest. You can’t imagine why Kafka thought it would be a good idea to call him, of all people, but then you remember that you kind of don’t have any other friends on campus. Your chest tightens at the thought. 

Blade makes some kind of sniffling noise, his way of trying to initiate some kind of conversation. There’s not even any music playing, because he always drives in dead silence because he’s abnormal, and on any other day you’d tease him about it like you always do. You see him turn his head to you in the corner of your eye, but you refuse to acknowledge him. You wish he’d just start scolding you, yelling at you or something. 

Tears prickle behind your eyes, painfully so, but your hands tighten around each other in your lap as you will yourself to not cry like a baby in front of your roommate. He lets out another sigh, but it doesn’t sound angry, just tired, and somehow that makes you feel worse. 

“What were you guys even drinking?” is his question of voice, and it’s the one question you didn't want him to ask, and you can’t help it when the tears spill over and you bring your hand up to wipe them away frantically, hiccuping a little bit as your gut churns. 

“What—” Blade stutters, and he never stutters, and you see him whip his head around to look at you, crying into your hands over a simple question, and you just want to leave the car and walk home like you told Kafka you would do. He pulls over to the side of some residential street. There’s a dog barking in a yard and wind chimes clinking together, and you think of your handmade bottle cap wind chime hung in the balcony of yours and Blade’s apartment, and it just makes you cry more. 

The car comes to a full stop. Blade puts it in park and turns completely to you. You spare a quick glance at him through the gaps between your fingers, and there’s something like worry on his face, which you’ve never seen before. His face is pinched, lips parted as if wanting to say something, but he can’t. He’s waiting for you. 

“I didn't drink anything, Blade,” you sob, feeling miserable at the state of yourself, at how you went to a frat party with nobody you knew and just walked around like a lost child, too scared to drink or talk to anyone, too anxious to say a word. “Not even a shot, or a sip, nothing from the fridge. It was so stupid, you were right, okay? It was a stupid idea, and I shouldn’t have gone.” Your breath catches in your throat, and the car is dead quiet as Blade lets your words sink in. 

You try not to make so much noise when you cry, but you’re sniveling and wiping your face and wishing that he would just stop looking at you like that. You can still see the ruby-red of his eyes even when you can’t bear to look up at him, and it makes you so viscerally upset. 

Blade is beautiful, really, and it makes you so upset that he looks better than you right now despite him being dragged right out of bed by Kafka’s phone call with a request to pick you up just minutes ago. You, who spent hours selecting an outfit, just to feel inadequate and wholly ugly the minute you walked through the door. It felt like you were back in middle school, spending hours with your parents picking out an outfit to a school dance, looking through ties and pants and shoes, just to show up and feel both overdressed and underdressed, feel like a fool, feel like you just can’t look the way everyone else does. Like something is always a little wrong. 

“Kafka said that you got sick. You didn't drink anything? You’re sure?” 

“No,”  you confirm pitifully, wanting him to just drop the topic and drive the rest of the way home and never talk about this again. “I was just anxious, and I puked like an idiot. Kafka helped me, she was the only one that I knew at the party. I don’t know. I don’t remember anymore. I was just anxious.” 

He says your name, not unkindly, but with a prying tone that just makes a fresh wave of tears stream down your face in rivulets. “Why would you go if you didn't know anyone?” 

“I don't know!” you shout, heated with embarrassment. You’re acting like a child, throwing a tantrum and crying and shouting in Blade’s car. The seatbelt is too tight on you. You fiddle with it, pulling it from the juncture of your neck and shoulder and loosening it, scratching your bitten nails against the scratchy cloth and looking out of the car window so that you can avoid Blade’s awful, terrible, intrusive gaze. 

“I just wanted to be normal, or something. I don’t know anybody from any of my classes. I don’t talk to anyone from my major. And then I got the invite for the party somehow and I just thought it would be fun. I don’t know, Blade, I know I should’ve listened to you, I’m sorry.” 

“Stop,” he says firmly, fully turned to you now, as if he wants you to look back at him, to listen to whatever he’s going to say, and that’s the one thing you don’t want to do. You hate that he’s being kind. You wish he’d be sarcastic and mean and cruel, bite into you and feed off your self-pity. But he’s being nice, nice in the same way that he’s nice when he buys the right brand of milk for you (because the others make you sick, and the taste is different), or when he drives you places in his car when it’s raining so that you don’t have to take the buses everywhere, or when he comes home with your ridiculous coffee order that costs a hellacious amount of money with all of your substitutions and additions and flavorings. 

“There’s nothing to be sorry about,” he says resolutely, leaving no room for argument, “Just— I didn't know you were feeling like that. I would’ve gone with you if you told me you needed someone. I assumed you were going with a friend.” 

You don’t respond with I don’t have any friends, because you’re pretty sure that’s clear enough by now, and you don’t want to confirm what’s already been confirmed a million times over just from the way you act. The way you cling to yours and Blade’s apartment, the way you never spend a second longer than you need to in any of your classes, the way that sometimes, when Blade goes out for class or work, you sit on the couch in silence with your laptop out, doing your work for the week and checking the clock and taking naps so that you don’t have to feel so alone for so long. 

“You didn't want to go,” you say instead, “I wasn’t going to make you just because I’m— I don’t know.” 

“I would’ve gone for you,” he tells you, really tells you, with a force in his words, like he wants to drive the point into you with a stake, driven right through your heart. “I would do a lot of things if you asked. You just need to ask.” 

You don’t— you really don’t want to think about what that means. What he means. You rip your eyes away from the car window and turn to face him. He’s not too close. You almost wish he could be closer, but you would suffocate under the pressure in your stomach and behind your eyes. 

He shouldn’t say things like that, things like You just need to ask, because you’d ask for a lot if given the chance. You’d ask for him to come to parties with you, stay by your side, let you put a hand on his shoulder and guide him around another disgusting frat house as if you know what you’re doing. You’d ask him to sleep in the same bed as you some nights, just a foot away from each other, backs turned to each other but still close enough that you can feel the unnatural coldness that radiates off of Blade. 

You’d ask him to introduce you to Kafka and that other girl they hang out with, to say something stupid and funny like This is my abhorrent roommate, be nice to them, and that way you’d have more contacts in your phone that aren't just Blade and your parents and two old high school friends who you haven’t spoken to in a year. You’d ask him to be a lot more than just a plus-one to a party full of people you’ve never met. 

“I just want to go home,” you breathe out, a guilty confession burning your gums and leaving a sour taste in your mouth. “I’m sorry.” 

“Stop saying sorry,” he asserts for the second time tonight, making your lungs squeeze as you puff out a tired exhale. Blade turns back in his seat, taking the car out of park and heading back onto the road—driving slowly, yet again, avoiding cracks and potholes in the road. “You need to eat something. You’ll wake up with a hellish headache if you go to bed dehydrated.” 

“I don’t think that’s true.” 

“I said it, so it’s true,” he says petulantly, turning the car down into a road that’s definitely not in the direction of your apartment building. To your hidden delight, the glowing sign of a twenty-four-seven ice cream store comes into view, and you sit up just a little bit. Blade slows the car as he turns into the drive-thru, glancing at you with an eyebrow half-raised. 

“What do you want? I’ll order for you.” 

“I don’t have my wallet,” you admit, just a little bit embarrassed. “I didn't even bring my keys with me. Do you think they take Apple Pay?” 

A breathy laugh escapes him, and you catch sight of a dimple pressed into his cheek, and you want to press your thumb into it and look at his smile, just for a little longer. “Don’t be dumb. I’m paying,” he tells you, the same way he has every time he pays for your cafe drink, or when he comes home from work with your favorite, and says You’re broke enough without having to pay for these drinks, don’t pay me back in that snippy way he shows his care. 

You ask for a medium vanilla milkshake, with sprinkles, and he gets you a large instead, which you’re more than grateful for. He refuses to let you look at the receipt for the total cost, and hands you the milkshake with a comical severity that you often see in him. The sweet drink washes away any bitter taste left in your mouth, and you feel a little better, a little nicer in your haphazard party outfit and under Blade’s fleeting gaze. 

A deep sigh escapes you, one of relief, when the car finally parks at your apartment building. Blade puts a cold hand between your shoulder blades, unobtrusive and leading, and it’s a comforting contrast from the heat lingering on your skin from the party and the closed car. It feels right, more in-place than Kafka’s warm hands were when she wiped your face and kept you steady, though she was just as gentle. 

Blade all but tosses you onto the couch, claiming that it’s much too late for a shower and he’d rather not deal with you collapsing from exhaustion in the tub. You relent easily, the exhaustion of the night hitting you and soaking into your limbs. 

“I’ll let you sleep on the couch,” he says, and it’s a good and kind thing, because he knows that sometimes you hate your bedroom because it’s just too empty, and the constant sound filtering into the living room puts you at ease. He never lets you sleep on the couch, because it’s bad for your back, and he jokes about you developing adult onset scoliosis with the awful way you sleep. Letting you do it, just this once, is another one of his small mercies. 

The TV is on, humming at a low volume, and your legs are thrown across Blade’s lap. You’re shocked that he’s willing to fall asleep with you like this, but he’s kind, sarcastic and biting but kind all the same, as much as he loathes to admit it. It’s not too lonely, you decide, hearing the bottle cap wind chimes on your balcony clink together in dissonant harmonies. 

(There’s a missing text from a new contact on your phone when you wake up, coming from pretty lady friend, extending an invite to brunch in two days, and you kick your legs on the couch in giddy excitement, thinking about how you’ll rope Blade into coming with you, too.)

—°+..｡*ﾟ｡*ﾟ+.*.｡.—

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[bumblingbabooshka]

The worst trope in the universe is when someone accuses character A, who is part of a real or fantasy or coded minority, of doing something bad and everyone's like "That's just your prejudice against [real or fantasy minority]!" and it turns out character A actually did do that bad thing and everyone else was stupid for not believing they did that bad thing.

[zu-is-here]

Naive souls ♪( ´▽｀)

[celtrist]

I really want to see a more fucked up version of Charlie in canon. Like, okay, I am a die-hard for sweet bubbly girls in media. But I always see how some people make Charlie actually, oh I dunno... demonic? And it's so refreshing for her type of character. I could honestly see her having low empathy (and we kinda see this with how she handled Angel's situation or even Vaggie's nervousness about taking control on an activity). An exploration of that trait (if it was intended) would be interesting to see for a protagonist, especially when her main goal is about helping others. I would love to see her actually have a level of difficulty in understanding others' feelings from the other residents, sinners, and even her father.

But give her a fucked up side. Not a "she gets more power when she's angey uwu", but a "oh, she's a little fucked in the head". It would give so much to her character that she just doesn't have.

@/murmurmurena (don't wanna bother them so slash there we go) has some fun ideas with Charlie. I highly encourage people to check their stuff out! So many fun dark ideas with her character while also still keeping to her canon personality pretty well! Personally, I think Charlie being a bit more naive to her own messed up traits would work best but her also being aware of these traits can make for some interesting character for her.

THIS FIC, "A Game Between You and I". RIGHT HERE WITH THE FIRST CHAPTER. A bit of spoil for the fic here: but I love how they handled Charlie’s absolute ignorance as to why the idea of Russian roulette is horrifying to Angel Dust. It doesn't feel like her being intentionally malicious or aware that she's the odd man out here. This is also a pretty old fic going by only the pilot, but the point still stands that it was such a fun take for her character!

Charlie is one of my favorite characters in the show in part of the POTENTIAL she could have as being the most bubbly sweetheart character while also being the most messed up character in the show. I can't say I have strong confidence with the show's writing and fully expect them to stick with Charlie being the "nice girl but oh no, don't get her angry or she gets scarwy". Which isn't bad for a character mind you, there's just so much more potential to Charlie outside of that trope, especially when you get into the theories of her either being a doll, Roo's biological daughter, or what have you. And for the MAIN CHARACTER of the show, it would be not only interesting but also bring the spotlight back to her.

There's really no question that the side characters steal the show, particularly all the male characters. If I'm honest, Charlie does not feel like she gets a lot of love from the show itself when she's supposed to be the main character. She feels far more flat compared to the rest of the characters (again, the male cast in this "female-lead" show has more depth than most of the female cast currently. I wouldn't be pointing this tidbit concerning the genders of characters if it weren't for the fact Viv defended Helluva's lack of development with their female cast by saying "Hazbin is a female-lead show and Helluva is a male-lead" and Hazbin ended up with it not feeling female lead (to me) and the male cast just completely stealing the show. I don't normally care about gender stuff, especially since I do personally lean interest towards male characters. But using one show as a defense for poor development of the female characters, and then that show not really holding up with no very interesting well-developed feeling female characters irritates me. It's just very clear that these shows don't seem to care much about the female cast :/)

If you like how Charlie is written that's totally fine. PERSONALLY, I just think they're missing so much opportunity with her character by just making her the standard female character type. I honestly don't have a lot of faith they'll actually do something with Charlie's character though. She's a pretty static character in S1 being the same from start to end. Not changing or learning anything to create any development. What does the end of season Charlie do that start of season Charlie wouldn't do? Fight back? Because we see with the pilot (which is the “first episode”) that Charlie does fight people if pushed like with Katie Killjoy and even Valentino. Static characters can work in media depending on the show or their role. But Charlie is the MC of a show about “bettering one's self”. So to have her as a static with not a lot of strong dilemmas for herself (like we see with Angel Husk Al and even Vox) seems silly. Plus, considering Hazbin is telling a whole story and it's not a fun episodic thing, characters are expected to grow on some level. Or else, what was the point of their hero's journey?

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.