#even if you disagree

[gwiffie]

Full body comm for another good friend, Shii The Exile! :3

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[ghostslimu]

you will never be a bad person for not reblogging a post on tumblr, please remember that

[troonwolf]

Literally not a single person has a logical explanation for why I’m wrong and it’s really frustrating me <3

Like I am open to engaging on specific reasons why the cult framework doesn’t work in this instance but that’s not what y’all are doing. Literally all you’re doing is invalidating my trauma (and the trauma of anyone that doesn’t fit into the made up criterias you’re coming up with), not listen to anything I actually said, then present me as being in bad faith and “just disliking x”, which proves you are not fucking listening to me.

[poorly-drawn-mdzs]

Unsolved Mysteries.

[First] Prev <–-> Next

[ndostairlyrium]

Wing-it commission for @idolsgf / @blightbear featuring A BABY <3 been fangirling over Bohean for a while, the fact I could draw him sent me over the moon ;u;

-

Commissions Price List & TOS

[chattematsu]

[4.0 archon quest spoilers]

[grimrester]

i am really so sorry to continue harping on about the watcher entertainment streaming service. but this kind of stuff (internet content as a business & marketing it as such) is truly my obsession, and i think i will implode if i don't talk about some of the takes i'm seeing.

i'd like to emphasize again i don't have strong feelings about watcher either way. i like ghost files, i watch mystery files sometimes, i watched worth it back in the buzzfeed days. i don't watch any of their shows religiously.

anyway, here's the main things i keep seeing crop up and my thoughts on each:

"watcher has 25 employees they have to pay, and employing people in this economy is good, so we should be banding together to pay them."

employing people is good if you currently have the capacity to pay them. i checked watcher's linkedin page, and many of their employees were hired within the last year or two. if they hired people they cannot pay with the business model they had before, something is seriously wrong with their internal bookkeeping/decision making. it means they either didn't know they couldn't pay these people long term, or they did know and were content with risking newly hired employees' livelihoods on a huge content pivot in the next year.

of note is that none of their employees' titles have anything to do with managing the finances of the company. they are the size of a small business but have no one aside from the figureheads of the company in charge of their finances.

this is the kind of company decision making that leads to downsizing and layoffs, which can be devastating. but you know what's worse than laying off a portion of your staff? laying off everyone because your business is going under.

"not everyone can afford the subscription, but those who can should pay it to support the watcher team."

no. $6/month for a couple hours of content (depending on what shows you actively watch and the natural fluctuation of their release schedule) is a fundamentally bad value. i can pay that much for a few movies on amazon. i can pay that much for dropout, if i want to support a smaller business instead.

and to be totally frank, even if people do sign up, i don't think they'd get enough to compete with the amount they get through patreon/sponsorships. and the fact that they didn't know how many of their subscribers would realistically sign up is a bad sign.

a pretty good conversion rate of free to paid subscribers of a service or content is 3% (usually accomplished through a free trial). given the very poor reception of the announcement, let's say about 1% of their 3 mil youtube subs pay for their service. that's 30k people paying for their new platform. that's $180k a month in their pocket.

(they currently only have 12k subs on patreon so we are being generous here.)

a sponsorship deal (based on my googling, i have less direct experience with this) is anywhere from $10-50 per 1000 views. they've gotten about 1 mil views on their last few videos. 3 mil subs is nothing to shake a stick at, but let's say they're on the lower end of the payscale at $25 per 1000 views. that's $25k a video, $100k a month if they release 1 video a week. their lowest patreon tier is 5 bucks, so even if all their subs are at that tier, that's another $60k, so $160k total. it's entirely likely they're bringing in much more than that when you factor in merch, adsence, etc.

did anyone on their team crunch numbers on how many people would need to sub to make the switch worth it? did anyone do market research on how many people they could convert to paid users? because if not, if they really didn't have a game plan for this, the subscription service was always doomed to fail.

"this was their only option to continue making the content they want to make, with the production value they want."

i watched their announcement video. a key point in that video is that they have done sponsored videos and that's what used to pay for their content, but they did not like the amount of creative control the sponsor had over the content.

look, i get that's no fun. we'd all love creatives to be able to make whatever they want. but when you are a small business with a team of employees relying on you, you have to think about making money, sometimes at the cost of creative liberties.

and they had so many other options to make money for the projects they want to make without jumping to a subscription platform.

they could have started actually promoting their patreon, and maybe done some restructuring of the tiers. why not a highly produced, special series just for patreon members? or a special high-budget episode of each series, while the main series is lower budget?

bite the bullet and continue taking sponsorship deals on some less-produced shows, while axing sponsorships from the ones the crew feels more passionate about.

schedule larger, blowout-production shows only when they can be afforded. this is what Notorious Amongus Guy streamer jerma does. he saves up for big productions like his baseball or dollhouse streams, so he can really get creative with them.

they had other options and they've tried very little, especially when you compare them to other content house business at similar scales. try guys and good mythical morning both put out significant content with significant staff, and have had to diversify their income streams with auxiliary products, shows with widely varied levels of production, etc. but it seems to be working for them. watcher has merch and that's about it, and seems to only want to increase the production quality of ALL their shows.

really, all this just boils down to a terrible business decision. it's hard to say if the watcher team is working with a consultant or anyone outside of their team, but they certainly don't have anyone internally who is experienced with running a business like this. to me, it seems very much like they got in a room together and did some extremely optimistic income ballparking with no research behind it.

and that might have been fine for three dudes running a channel alone, but if they're a business, they have to start making decisions like one.

[hiimcanadia]

There's a lot of posts out there reminding people that they don't have to respond to every stupid post they see but I feel like it's worth saying that you also don't have to finish reading the post once you've realized it's stupid. Easily one of my favorite things about the internet is the ability to get like two sentences into a post and go "actually I think you're wrong" and then just stop reading.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[im-a-freaking-joy]

CALLING ALL EXMORMONS/PIMOS

i have a proposition- lets all write the nastiest, most unhinged, atrocious mormon themed smut that we possibly can. It was honestly weirdly healing for me to read wild ass smut on ao3 that was themed around the religion and not the musical, and i want it to become such a popular trend for exmos and pimos to start doing that they have to start vagueing about it in general conference. It doesnt have to be good. It just needs to *be.*

Once im done writing my Ammon×Lamoni smut fic I'm absolutely reblogging this post with the link added, please join me in this unhinged rebellion

[casscainmainly]

Cassandra Cain and Asian Stereotypes

So I've seen people debating whether Cass is a racist character or not because she falls into certain Asian stereotypes. While this discussion is valid and important, a lot of the conversation (on this website and beyond) is steered by White/non-Asian people, or people who haven't read a lot of Cass' stuff. This is my take on Cass and Asian stereotypes as a Chinese Cass fan. I do not speak for all Asians, or even all Chinese people, who are absolutely free to disagree with any of these arguments.

Stereotypes I will cover here: Silent Asian, Model Minority, and Hypersexuality.

The Silent Asian Stereotype

The most obvious stereotype Cass runs into is the Silent Asian. I would recommend reading the linked article for more information. Silent Asian characters are Asians who are part of a core cast, but rarely speak. Kimiko Miyashiro in The Boys, Lilly in Pitch Perfect, and Katana in Suicide Squad are all examples of this. The article also mentions Ben from Umbrella Academy, who can only communicate with one character, thus limiting his dialogue.

Why does this happen? Removing Asian characters' dialogue reflects the Western conception of Asians as demure, rule-following, and meek, never speaking up or acting out. It also means writers don't have to spend as much time writing these Asian characters, who are secondary to White protagonists.

The problem with the Silent Asian, then, is not the silence itself, but the consequences of silence. Mute Asians exist, as do Asians who don't speak much; in media, Silent Asians are harmful because they indicate an unwillingness to focus on the Asian character.

This is why Cass, even before she learns to speak longer sentences, is not a Silent Asian. While her conception undoubtedly has unfortunate echoes of this trope, she defies it by being the protagonist of the story. A protagonist cannot be a Silent Asian, because a requirement of the trope is being a secondary character. Cass' feelings and actions are the center of Batgirl (2000), so allegations of this stereotype don't actually make sense.

Furthermore, the trope is about passivity and acquiescence to a White authority. From her introduction, Cass is neither passive nor acquiescent - her origin story is literally about defying David Cain, a White male authority figure. Beyond her not speaking much, she ticks none of the boxes for this stereotype. I think it's time for people to stop mentioning this stereotype in conjunction with Cass, who in every possible way subverts it.

The Model Minority Stereotype

The model minority myth is the belief that Asians are more successful and talented than others, particularly other minoritised groups. Like the Silent Asian, the model minority myth paints Asians as obedient and submissive. This is, in many ways, more insidious than the Silent Asian - there are still people who believe this stereotype (and jokes like 'of course you're good at math, you're Asian') is somehow not racist.

Though this myth seems positive, make no mistake that White people invented this tale for two reasons: to put down Black and Brown communities, and to prevent Asians from ever fully assimilating into White culture.

Cass plays on this myth very interestingly. I've discussed in this post how David Cain and Bruce's assertion that she's 'perfect' is a blatant reference to the model minority myth - by describing her as 'perfect' to them, they are centering their own desires, erasing Cass' individuality.

This is partially why I don't like 'Cass is Bruce's favourite' and 'Cass is an angel who can do no wrong' interpretations when people are just saying it without context. Cass being Bruce's favourite, or Bruce seeing her as an angel, is not a good thing - it is a representation of his biased attitude towards her. He is unable to accept her being a murderer because he is trapped within the model minority mindset. This is not saying Bruce is a full-on racist, but that his actions and perspectives are coloured by his Whiteness.

Cass' abrasive personality, willingness to defy Bruce and David, and very real flaws (her inability to see grey areas, communication difficulties, etc.) make her avoid this stereotype. Additionally, her close relationships with Black characters like Onyx and Duke are essential to combating the anti-Blackness at the core of the model minority myth. Her character evokes the stereotype (perfect martial arts silent fighter), but ultimately defies it through being the star of her own story (and also not being good at math. The fact she doesn't have anything to do with tech is actually one of my favourite aspects of her character, because I am TIRED of tech Asian characters).

The Hypersexual Asian Woman Stereotype

Asian women are often exoticised and fetishised as the ideal sexual partner; think of the term 'yellow fever', which describes men lusting after Asian women. The hypersexualisation of Asian women in media once again goes hand-in-hand with Asians being submissive. They are seen as innocent and child-like, while simultaneously being seductive and sexually experienced.

This stereotype is genuinely perpetuated in Batgirl (2000), mainly by the art in Horrocks' run. Where in Puckett's run there is refreshingly little sexualisation of Cass, once you hit Horrocks' run you get a LOT more shots of her lying down, sexually suggestive covers, etc. People have discussed this already, probably to more effect than I will do here.

However, as I wrote in my Gender and Sexuality posts, the writing is actually fairly defiant of this trope. Cass is vocally uncomfortable with hypersexualisation, and neither of her male love interests stick around. The problem with the Hypersexual Asian Woman is the focus on White sexual interests, where the woman is objectified for the White male gaze. Simply because Cass is the protagonist, the writing focuses on her sexual interests, and in the end it's about gaining control of her gender presentation and sexuality.

Cassandra Cain Vs. Asian Stereotypes

The through-line that connects all these Asian stereotypes is a lack of agency. There's a reason passiveness is the main trait for all of these tropes- the Asian body must be weaker than their White counterparts, in order to be tools or weapons against other minoritised groups.

Cassandra Cain, a character born from a choice that defies White male authority, rises above this passiveness with flying colours. The details of her character certainly fall into some of the above tropes, and the way her character is handled later (evil Cass, New 52), is certainly racist. However, the reason she means so much to me is because at its core, her story is a story of Asian agency. And that in itself is unstereotypical.

[turtleblogatlast]

Leo frowns at his phone.

Or more specifically, at the test on his phone.

Around him, he hears the sound of his brothers tapping their own devices, much faster than he is. Looking up just makes Leo feel worse about his own progress - or lack-thereof.

Mikey’s the fastest, speeding through the test like nobody’s business. He’d been the one to make them all do this stupid test in the first place, so it makes sense that he’s having a blast.

Raph’s slower than Mikey is, but he’s still clearly answering the questions at a steady pace. Sometimes he looks unsure, but he powers through anyway.

Donnie often looks frustrated, which relieves Leo somewhat because at least someone is struggling like him. But that “struggle” isn’t nearly as big as his own, considering that Donnie is answering about as fast as Raph is.

Leo turns his gaze back down to his own test. He’s still near the beginning, he thinks.

He’d put the same answer for the past seven questions - the middle of the road answer, neither a “yes” or a “no.” Then, whenever he does come across one that is more one direction than the other, he second guesses himself and restarts the test!

Sure, there are a few he could definitely give a yes or a no to, but…never the “strongly agree” or “strongly disagree” that the test seemed to want from him.

He eyes his twin sitting nearby, the softshell absorbed in the test. Maybe Leo should copy what Donnie put for some of these…

“DONE!” Mikey’s shout makes Leo freeze in place just as he started to lean over.

“What?” Donnie squawks, “No way you’re already finished, you must’ve been cheating!”

“It’s a personality test, Dee!” Mikey stuck his tongue out, “You can’t cheat at those!”

…

Leo settles back into his seat.

Ignoring Donnie’s mutterings about how it was “just because it’s not an academic test” that he didn’t finish first, Raph smiles encouragingly at Mikey.

“Hey, good job! So what’d you get, Mike?”

Mikey looks back down at his test, reading aloud, “Says that I got the “Campaigner”!”

“What’s that mean?” Leo asks, his phone screen going dark.

“Apparently, I’m an “enthusiastic, creative, and sociable free-spirit”.” Mikey reads, smiling at them, “You think it fits?”

“Oh, to a T, bro!” Leo laughs, giving Mikey a thumbs up, making Mikey’s smile grow larger.

Inside, Leo was feeling a lot more mixed about this. He has no idea how Mikey knew himself so well. Maybe Donnie was right and Mikey did cheat, because how could he answer those questions so easily?

Leo’s phone burns in his hand. He keeps it locked.

“Wow, that really is you.” Raph says, his eyes flitting back and forth between his own test and Mikey, “Do you think it fits?”

“I guess? It’s fun to see at least!” Mikey shrugs with a grin.

“Hold on, I think…” Raph makes a noise of satisfaction, “Okay, done!”

“Sigh, now I’m relegated to the straggler group.” Donnie grumbles, his thumbs moving faster as he tries rushing through the questions.

“Ooh, what’d you get Raph?” Mikey asks, practically bouncing in curiosity.

“Says, uh…I got something called the “Consul”?” He squints his eyes to read more, “Uh, “caring, social, and community-minded.””

“Sounds about right to me.” Leo nods. Can’t be more “community-minded” than being a hero.

“Yeah, no one’s more caring than you, Raphie!” Mikey says, moving to lean across Raph’s shell.

“You do put the community in mind, that’s for sure.” Donnie states, not looking up.

Raph chuckles, a bit embarrassed, “Aw, thanks. It’s just some test, but it feels kinda good to hear that.”

Just a test. Right.

Leo unlocks his screen.

The test stares back at him.

Right. Okay. He can do this. He can.

The screen ends up going dark again.

Frustration builds up in Leo. Was he even halfway done with the test? At this rate, soon even Donnie will-

“FINISHED.”

Leo unlocks his phone.

“What’d you get, DonTon?” Leo asks as his thumb taps the top right of the screen.

Donnie puffs up proudly, a self sure grin on his face, “I got the result “Logician” which states that I, obviously, am an “innovative inventor with a thirst for knowledge.” Truly could not have described me better, if I do say so myself.”

“It is pretty accurate.” Raph agrees with a nod, “Even calls you an inventor, so extra accurate.”

“Super accurate.” Mikey jumps in, eyes shining.

“Yes, yes, almost like reading my own character synopsis.” Donnie’s grin had not dwindled since the word “innovative” had left his mouth.

Leo just nods along, eyes on his own screen as he skims the words. “Yeah, kinda creepy how close it got. Could have called you a nerd for extra accuracy, though.”

Donnie turns to him, eyes narrowing, “Have you even finished your test? I can think of a few words that’d describe you fairly well.”

“Test-y, huh?”

Before Donnie can strangle Leo, Raph cuts in.

“Ok, ok, calm it down, guys.” He rolls his eyes before turning to Leo. “But really, you’re not done yet?”

“Leo’s taking this self reflection seriously.” Mikey sports a faux intellectual expression as he gives a jokingly serious nod. “Maybe we all should’ve taken our time.”

“Says the one who sped through the whole thing in a record time.” Donnie mutters.

Leo waves them all off, “Nah, I finished it ages ago.”

He grins when Donnie immediately shoots him a suspicious glare. “Oh, you did, did you? Then what could you have possibly gotten, Nardo?”

“I’m glad you asked!” Leo clears his throat, “Neon Leon just so happens to be an “Entertainer.””

“Ah. That confirms it. This test is meaningless.” Donnie drones.

“Hey-“

“What’s an Entertainer like?” Mikey asks with a tilt of his head, still hanging off of Raph’s shell.

“Glad you asked, Miguel!” Leo exclaims, “It says that “life is never boring” around yours truly~”

He emphasizes this “result” of his by waving his phone with said “result” on screen.

It’s just an image he found of his chosen personality result, but they don’t need to know that.

Raph nods slowly, “Well, I guess that’s true…”

“”Never boring” is one way to put it.” Donnie hums.

“You are pretty fun, Leo!” Mikey says emphatically, because he’s great like that.

“Thank you, thank you, life of the party, right here.” Leo grins, pointing both thumbs at himself.

He’s careful not to go too overboard with it, or else it might tip someone off.

Not that it…really matters. It’s just a test. Like Raph said.

As the topic around him shifts to something else, jumping away from this brief activity as fast as any other among them, Leo finds himself unlocking his phone and pulling up the test again.

Unanswered questions stare at him. He knows what answers Lou Jitsu would pick. He knows what answers Jupiter Jim would pick. Hell, he knows exactly what answers his brothers would pick.

He doesn’t know what answers Leonardo would pick.

Leo stares at the test for a second longer, before he exits the site and throws himself into the conversation happening around him.

It’s just a stupid test, nothing to worry about.

Just a test…

[logicpng]

...at least that's the link order that made most sense to me

[Image ID:

Clownillustrations' Welcome Home fanart. Wally Darling is drawn at an angle slightly from below, lacking his mouth, and the eyes wide open and bright white looking the viewer. In front of him, along his height through the middle of his face, a long stripe made of the blurry Welcome Home website screenshots, glowing. Behind him is a vinyl record with a plain red label.

The background is littered with text, a wall of repeating "Let me in." from top to bottom to the left of the image, Wally's dialogue behind him, and the text on the foreground, slightly corrupted, says "I will help you understand neighbor I will find a way soon"

End ID]

[letsplaythermalnuclearwar]

tbh I think Calypso views herself as Odysseus's rest and reward. like, she's the comfort in a hurt/comfort fic. she's the therapy saga. and honestly, a lot of her actions make sense when you look at it like that.

Odysseus is traumatised and scared and hurting. and she understands that. she's so understanding that she doesn't take it personally when he yells or screams or begs -- trauma makes it hard to regulate emotions, after all. he'll calm down in a little bit.

she's so understanding that she's not even hurt when he rejects her advances. he's been alone for so long that he's scared to intimacy now. but she doesn't let that discourage her. he'll get used to the idea eventually.

she's so understanding that she doesn't give up on him, even when he talks and talks and talks about his wife and son. obviously he wants to go back to them, but what he wants isn't what's good for him. that's fine, he doesn't need to know what's good for him yet. that's what she's for.

she's so understanding that she doesn't even let it upset her too much when Ody stands too close to the edge and stares out at sea below like its calling to him. it's okay. she can catch him if he falls.

sure, they're relationship isn't what she's dreamed about for centuries -- real relationships never are that perfect. her Ody has a lot of healing to do. and she'll make sure she's with him through it all.