#even if they're only in the corner of the panel
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i can't believe i come back momentarily from the dead and it's with more cancerous memes. Two versions bc god had other plans, none which included not having both of these.
#hand jumper#juni chang#ishaan cha#where my juni enjoyers at#did i ever mention i was the qpr ishjun guy i probably should've hung that up in a sign as a warning in advance#i don't f around with these bros they're my little guys they're the scunkledoodles#they're everything and i'll actually fight you on them if i see something egregious or slanderous of them#they're my children they're my little DSM-5 case studies they're my little sillies i keep in the petri dish#whether they beat each other up or talk crap is up to sleepacross tho they my only hope#the fp got me acting up i'm on the delulu cocaina i need to be shot#shot down or shot dead pick one just PLEASE end my suffering#WHO IS THE CELL 3 MENTOR JUST END MY SUFFERING INSTEAD OF HOLDING CELL 3 CRUMBS OVER MY HEAD#AND IF ONLY JUNI IS OVERSEEING THEM OR THEY'RE GOING IN UNSUPERVISED I'LL EXPLODE#STRAIGHT UP.#SHOOT ME DOOOOOOOOOOOOOOOOOOOWN#AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAGHHH#sighs#i could've been simping over that one panel of sayeon like everyone else#not the mirror one or the sayjin flirting kismesis ass vacillating btw#you guys should fp just try it i swear you won't regret it#use the magical powers.....#share the burden.........#i as your personal demon that makes rounds around your head approve of this please#consider throwing some coins or 28 for even more brainrot i'm like dying in a corner and WILL die in a corner waiting for tuesday#also i have testing next week too i think hj is just cursed like that#we love to see it though
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It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.
The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.
Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.
Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.
#dungeon meshi#senshi#analysis#personal#long post#not art#because comics are inherently more abstract and rule-breaky the format thrives off show don't tell#i think trigger is doing a great job overall but they missed the mark on this scene#for me cinematic storytelling will prioritize rhythm; tension; and silence over plot. that's why the manga feels more “cinematic”#if you've been enjoying the anime i cannot recommend also reading the manga enough. it's a completely different experience with much more#subtext and emotion to draw from
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Holm nation... I have a heartbreaking announcement to make.
We didn't get to see this panels animated.
(I wanted to see Laios helping him, this one isn't the one this post is all about)
I feel it's important to his character enough that Kui decided to dedicate three panels about how he aproaches and resurrects Kabru.
He is used to resurrecting people, his party sucks at keeping themselves alive. He walks up to Kabru's corpse with a worried look on his face. Then he kneels besides him and takes a second to process what he is seeing. He is seeing a young man, Kabru, dead. It makes him feel unseasy, a bit of shock that he can't take the luxury of process at the moment. He doesn't want to look, so he closes his eyes and focuses on his spell. He is realizing he is the only one alive from his party (he doesn't know where Mick is or how he is). He is the last one standing. The reality of it all slaps him in the face.
The panel of him just... looking at the mess Kabru's corpse is was just... It was important. It talked about him as a character. "I'm not doing this because I want to, but because I have to". He doesn't has time for emotions. He has a job to do.
It's just three panels. But they provide lots of context between the ones that came before and after.
He doesn't just rubs Kabru's head because he's being afective. He does it because he cares. He does it out of relief. "As long as I'm here, any of you'll be dying soon. And I'll always be here. Don't worry." He is far from being OK after all this. Marillier died, Daya died, Kuro died, Kabru died, Rin died, Mick probably died too (but he doesn't saw it). He... By the time he was the only one standing, the fight was over, and he could alredy resurrect them. He wants to feel sad. To worry, to be concerned, to mourn. But he can't. It isn't necessary.
He is a cleric. He for sure has a notion of dead way different than anyone and feels a certain way about resurrection. "Dying is dying, even if you resurrect." It's a bug at the corner of his mind, he doesn't pay it any attention. He gets resurrected multiple times, he is gratefull he is alive. But seeing all his friends dead? And the most of them mutilated? Covered in their own blood? He has this desire to mourn. To cry the loss. To panic. "They are all dead."
He knows they'll come back. He has to make them come back. So he does. And they are alive. But they weren't a few seconds ago. And he just plays it off, he puts his calm face on as soon as there is another party member alive that could ask him what happened that it disturbed him so much. He throws all those sad feelings under the rug and focuses at the task at hand.
They're going to be ok, he just has to do his job: bring them back from death. They shouldn't even be dead. But they are. And he's going to fix it. No point on feeling sad about them dying if they can be alive soon!
I think the concern that the anime puts here it's something that could come close to what he feels inside. Those seconds are the only ones we see him looking something akin to worried for his friends.
But then...
His worry vanishes in seconds. The moment Kabru revives, he does it in such a "Kabru" way, that he tells himself: "This is fine, they're going to be back soon, nothing to worry about, I just have to hurry". He wants them all back to live. We know for sure that in his priority list there wasn't any "reviving Toshiro's party members first". He was going to make sure all his party, all his friends, were alive before even thinking of resurrecting other people if he still had the magic.
Those three panels they didn't animate are something that was there for a reason. To give depth to Holm. This last episode is definitely the one in wich he shines the most. He isn't the main character at all this episode, but he does the most important stuff on the background. He revives them all. This all lack of something if you don't show what Kuy drew on those panels.
Here he just... goes to work. He says: "lemme handle it" and he does. No concern, no worry, no, nothing. He just does. No thoughts.
It makes me sad. Those panels were important. :(
#dungeon meshi#dunmeshi#delicious in dungeon#holm#holm kranom#holm dungeon meshi#kabru#kabru of utaya#and those are mentioned only:#mickbell dungeon meshi#rin dungeon meshi#daya dungeon meshi#kabru dungeon meshi#kuro dungeon meshi#i was waiting to see this scene in specific#i've been robbed#from Chilchuck's map scene and Holm pausing scene#i hate it here#:(#i love Holm too much not to make a gigant ass post about him knowing Holm Nation maybe doesnt even know this and doesnt know we were robbed#holm nation#awaken#see the crimes that were made against us#and post about him to get more people join our files!!!!!#holm nation!!!!!#holm supremacy#welp#meh#my shit
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Taunt
obviously, i feel very normal and chill about ewan's new performance in saltburn. anyways lmao this is my version of michael gavey from the vibes i got from him in the 5 seconds he's in the trailer! i have no idea if this is accurate to how he is truly portrayed in the movie! if the movie comes out and i'm totally wrong, then i don't care bc i got to have fun writing about a cheeky lil oxford student!!
summary: you're nearly failing statistics and the student your professor asks to tutor you seems to gain a sick satisfaction from seeing you squirm; he hates you...or so think.
pairing: michael gavey x reader
warnings: mature, 18+ (minors, do not enter!!!) no use of Y/N, afab reader, profanity, smut, piv smut, fingering, oral sex (m receiving), dom/sub, brief daddy kink (literally one mention), dirty talk, dumbification, humiliation (only a bit), size kink if you squint, mild angst but happy ending, choking i guess (barely), public sex (they're alone but like it's still public lmao), brief discussions of math -- please let me know if i missed anything!
word count: 10.5k (dear lord)
a/n: baby's first fic omg! if you enjoy this one and want to see more from me, please feel free to send in requests! (GoT, HoTD, Stranger Things, Marvel, etc!)
PRAISE | Taunt Part 2
MAKING AMENDS | Bonus
likes, comments, & reblogs are very appreciated but never required!
🌟add yourself to my taglist to be notified when i post new fics!🌟
“Right, so,” Professor Davies began, pulling a thick textbook off the shelf next to his desk, “Since we’ve only just returned from Easter holiday, I thought I’d go easy on you today.”
A few quiet groans could be heard around the room, a couple students turning to look at one another with grimaces; in the few weeks you’ve been in Professor Davies’s class, he’s never once gone easy on you. With a small sigh, you shuffle through your spiral notebook until you come to a blank page.
“D’you think you’ll go to the party this weekend?” Louise whispers, leaning over closer to you as she twirls a pen around in her fingers, “I heard this one is supposed to be fucking insane.”
“Like any of Felix’s parties aren’t insane?” You whisper back, smirking as you doodle a small flower on the corner of a page of paper, “Of course I’ll be there,” you murmur, watching as Professor Davies writes an intricate formula on the chalkboard, “I could really use a break, anyway…I’ve been so stressed recently.”
“Christ…” A boy, in the row of desks in front of you scoffs, just barely shaking his head as he copies down the formula, his handwriting sharp and choppy. You feel blood rush to your cheeks as you narrow your eyes, staring intently at his sandy hair. You didn’t really know him, this being your only class with him, but you’d seen him around campus, regularly passing by him in the halls. Oxford may be a large university, but when you’re on campus everyday, you begin recognizing familiar faces.
He didn’t run in the same crowds as you at all, and you got the distinct impression that he looked down on you and the rest of your friends, but you knew his name – Michael and that he was incredibly smart, his hand promptly shooting into the air anytime Professor Davies asked a question. In the few weeks you’d been in the same statistics class, you had yet to see him get a question wrong, watching as he grinned, cocky, everytime he was praised for correctly solving even the most intricate of formulas.
You, on the other hand, couldn’t be more the opposite, always shying away and praying not to hear Professor Davies call your name in his deep, baritone voice every time his eyes scanned the crowd, looking for a volunteer, or victim, more like. While Michael clearly enjoyed the class, practically glowing with an arrogant confidence as soon as he walked into the wood paneled lecture hall, you were simply here to check it off as a requirement of your major, hoping to survive the class with a C and nothing more.
It was annoying, you wouldn’t deny that, the way that smug smirk seemed to be permanently etched onto his face, how that stupid taunting glimmer was an ever-present fixture of his blue eyes — blue eyes which, seemingly, always managed to find their way to you, one way or another.
His attention was intimidating at first, his cold stare leaving you unsure of what exactly his intention was. Was he trying to challenge you? Trying to determine if he knew you from somewhere else? A small part of you, a naive part, hoped that his staring was meant to be affectionate; he was cute, you’d admit it! Always showing up to class in cozy knit sweaters, his wavy hair still ruffled and untidy as if he’d just gotten out of bed, gold rimmed glasses perched atop a strong nose.
You quickly tear your gaze away from the back of Michael’s head, biting your bottom lip as you begin copying down the problem on the chalkboard, pausing briefly when you see, from the corner of your eye, his head turn as he glances at you over his shoulder. You felt your cheeks flush despite yourself, that small, sanguine voice in the back of your head cheering.
“Now, then,” Professor Davies booms, dropping the textbook down on his desk with a cacophonous thud before sweeping his eyes across the classroom, “A bit of review before we really dive in…” He continues, pacing around the front of the room as he explains the various parts and pieces of the equation on the board.
“What do you think you’ll wear?” Louise asks, leaning over once more to whisper in your ear, you can smell her signature floral perfume on her hair, “I was thinking I’d do that new blue-ish dress I got, you know, the strappy one?”
“Might still be too cold for strappy,” you whisper back, half listening to the professor drone on as you continue doodling on your paper, pausing every few minutes to jot down a few haphazard notes, “I was just thinking I’d do a jumper, probably a skirt and tights–”
Suddenly, you hear Professor Davies call your name, your cheeks practically stinging as blood rushes to your face. Sitting up straighter, you finally find the courage to meet his stern gaze, “Since you seem all too eager to share your thoughts,” He continues slowly stalking towards you across wooden floorboards that softly creak beneath his feet, “Would you care to enlighten us with the solution to the quadratic equation on the board?” He comes to a stop, hands clasped behind his back as he patiently waits for you to answer, a small, knowing smile poised on his lips.
“I– uhm, well,” you stutter, glancing back and forth between your barely there notes and the chalkboard, throat growing tighter as you feel everyone's eyes on you, “Don’t you need to solve for G first?”
“And how would you go about doing that?”
“Well, you would…” You trail off, desperately trying to remember the lessons you’d had before Easter holiday, absentmindedly picking at your cuticle as you pray to be anywhere but here or for a hole to open in the floor and swallow you whole, “I…I don’t recall, professor. I’m sorry.” You finally say, not being able to meet his gaze as you stare intently at your lap, desperately willing yourself not to cry, even as you feel your eyes stinging.
“Perhaps, in the future, it would be of benefit to socialize with your friends outside of my classroom.” Professor Davies admonishes, giving a sharp glare to Louise as well, who manages an apologetic smile. “Yes, Professor.” You whisper, keeping your eyes downturned.
Finally, you hear the floorboards softly creaking once more as Professor Davies makes his way back up to the podium at the front of the room and once again resumes his lecture. You can’t help but pause for a second when you hear a small snicker from the tall boy in front of you, sensing as he peers at you over his shoulder once again.
“Would anyone else like to take a crack at the problem on the board?” Professor Davies asks, leaning against the old, worn podium at the front of the room. Like clockwork, Michael’s hand shoots into the air. Somehow, that makes you blush even harder.
Eventually, Professor Davies finishes his lecture and retrieves his dark leather briefcase from under the desk, pulling a thick stack of papers out and sitting them on the podium, leaning over it with a sigh, “I have your tests graded. Most of you did very well, you should be pleased with yourselves. Some of you, however,” He says pointedly, “Could benefit greatly from a closer study of the material.”
Slowly, he walks around the room passing back tests, throwing out a comment here and there as he did so. You already know you hadn't done well on that particular test and dread getting it back and confirming your suspicions, so you keep yourself busy, choosing to meticulously pack up your things instead.
“Mr. Gavey,” he said a few feet away from you, papers rustling as he slid the test across the wooden surface of the long bench desks, “Once more, an outstanding job! Top of the class, keep it up.”
“Thank you, Professor,” you glance up, watching as he takes the paper with a humble nod, that same, oh-so pleased smile gracing his angular face. He must sense you looking at him and quickly shifts his gaze in your direction, eyes glimmering with self-satisfaction behind his gold-rimmed glasses as his smile quickly turns into a smirk. Finally, you tear your gaze away from his with a small, bewildered huff. Why did he seem to get so much satisfaction from besting you, of all people? It’s not like you were exactly an academic threat.
“Ms. Bickerstaff,” Professor Davies says, finally appearing next to the table you and Louise sat at, “Not bad, a bit more effort next time and you’re sure to be on track,” he remarks, sliding her paper across the desk. Louise thanks him with a small smile as she flips through her test, eyes scanning over his marks.
Finally, Professor Davies stands before you once again, your paper the very last in his hands. You hear him mutter your last name before he slides the paper across the desk to you, and you can’t help but deflate as you see your grade; you knew it would be bad, but that? How on Earth were you going to recover your average? What if you had to retake the whole course? What if you failed out of Oxford entirely? Your parents had sacrificed so much to help you get here, spending years and untold amounts of money on private tutors and extracurricular materials, all to help you have an impressive application! Not to mention the money just for the course fees! Unlike most of your friends, you didn’t come from piles and piles of money and status – your family was alright, sure, but you were definitely several tax brackets below them.
As your thoughts spiraled, you felt Louise elbow you in the side at the same time you heard Professor Davies address you again. Shaking your head to clear your scattered thoughts, you clear your throat and finally turn to look up at him, “Sorry, yes, Professor?”
“As I was saying,” Professor Davies continues, tapping the papers in front of you, “I would like to discuss your performance with you today, after class. Please meet me at the front of the room before you go.”
“Yes, sir.” you mumble dejectedly, nodding as you quickly flip the test over, embarrassed at the thought of anyone else seeing your grade.
“I’ll see you later, babes,” Louise says a few minutes later as everyone is clearing out of the room, “Good luck!” She whispers, giving you a reassuring pat on the shoulder before making her way to the door.
“Thanks!” you smile weakly, swallowing the lump in your throat before picking up your things and heading to the front of the room. The afternoon sun is already getting lower in the sky, beams of light shining into the room, bathing rectangular swaths of the floor in bright, golden light and highlighting motes of dust as they scatter in the air. Only a few students are left in the classroom, some of them finishing up notes while others type out quick texts. As you walk by his desk, you notice Michael scribbling down notes in his planner.
You shuffle your feet nervously as you stand in front of the sizable oak desk that your professor sits at, watching as he adds a sticky note to the top of another stack of papers, “You wanted to see me, Professor?”
“Ah, yes!” He says, looking up at you over his glasses. He quickly caps his pen and stands, walking around the desk to stand in front of you, “I know this class has been quite the challenge,” he begins, leaning against the desk, “But, I think I’ve found a solution for you.”
“You have?” You ask, tilting your head in confusion.
“I think you could benefit greatly from a tutor, perhaps a peer who could explain the material to you in a different way,” he continues, “And I have just the student in mind.” Instantly, you feel a pit beginning to form in your stomach, biting your bottom lip as you watch Professor Davies motion for someone behind you to come up to the desk, “Mr. Gavey, if you could join us up here, please.”
You freeze when you feel him saunter up beside you, eyeing him out of the corner of your eye. He was so much taller than you, your head barely grazing his shoulder, as he came to a stop next to you, standing casually with his backpack slung over one shoulder.
Professor Davies once again turns his attention to you, motioning to Michael as he speaks, “Mr. Gavey here is one of my most capable students,” you can’t help but notice him stand up straighter at the comment, growing somehow even taller, “I’ve taken the liberty of asking him if he would be so kind as to assist you with some of the course work and he agreed.” You freeze a little at that, stunned that he would be so quick to help you when he seems to relish any opportunity to make you squirm. “I’ve given it some thought,” the professor continues, fixing you with a stern gaze, “And I’m willing to let you make corrections to your test and resubmit it for half credit.”
“Oh, thank you so much, prof–”
“However,” he adds, crossing his arms over his chest, “This will be the only time I do so. From now on, I suggest you see Mr. Gavey here on a regular basis; the material is only going to get more challenging as we begin this next unit.”
“Of course, professor. Thank you again.” You respond quietly, shifting uneasily as you stand between the two men.
“Right, well, now that’s sorted,” Professor Davies says, clapping his hands together once as he turns and makes his way back over to the desk chair, sitting down with a tired sigh, “I trust the two of you can come to an agreement upon when and where to meet. I’ll see you again Monday, have a pleasant weekend.” He says, waving his hand dismissively as he goes back to organizing his papers.
The two of you murmur your goodbyes before making your way into the hall, the hairs on the back of your neck standing up as he follows you out of the classroom. Eventually, you come across a small alcove in the hallway; finally turning to face him, you let your eyes sweep up his body, finally coming to meet his blue eyes, slightly hidden behind the glare of the hallway lights on his glasses.
“So,” you clear your throat and shift on your feet awkwardly, “Uh, what time works for you? I really can’t do Saturdays–” you begin, only to be cut off.
“Shame,” Michael sighs dismissively, a smirk pulling at one corner of his mouth, “Saturday is the only day that works for me.”
The tone of his voice and the mirthful glint in his eyes makes you very much doubt that, your gaze narrowing, “Okay, well Saturday’s are the only day I have off,” you huff, only growing more annoyed as the stupid smirk on his face grows with satisfaction, no doubt pleased that he’s being a nuisance, “Besides, I super can’t tomorrow, anyway. I already promised my friends I’d come with them to this party tha–”
“Oh, I know about your little party,” Michael scoffs, “Trust me, love, the whole damn class heard about that stupid fucking party with the way you lot were running your mouths earlier,” he chuckles coldly, continuing in an exaggerated high-pitched voice, one hand coming up to mime twirling a lock of hair, “Oooooh, it’s so cold, can’t wear the fuckin’ strappy dress, gotta wear me jumper and little slutty skirt, la-dee-dah.” He finishes with a final huff of laughter.
“What is your deal with me?!” You finally snap, glaring at him, even as you feel your face redden, “You’ve been a dick all semester and I haven’t done anything to you! I’ve never even talked to you!” Glancing around the empty hallway, you cross your arms over your chest, praying no one’s in earshot to hear your hissed tirade.
“I might not know you but I know plenty about your little friends,” he sneers, shaking his head like a disappointed father; the sight makes your blood boil.
“What does that even mean?” You demand, eyebrows knitting together in confusion. What did your friends have to do with any of this? None of them ever spoke about Michael, none of them even knew him as far as you were aware.
His face softens, if only for a moment, as he registers the genuine confusion on your face, smirk faltering as his eyes narrow. He leans in closer to you as he begins speaking again and you can’t help but get a brief smell of the cologne he wears, something warm and woodsy that makes you think of a bookshop and the smell of the forest after it rains, “Come on,” he starts, blue eyes flitting between both of yours as he looks at you intently, “Felix Catton? You and your little friend, the one from class, you go around with him, yeah?”
You nod, giving him another puzzled look, confused as to what the hell Felix has to do with any of his disdain, “Yeah,” you say slowly, drawing out the word, “But, what does he have to do with anything?”
Michael huffs once more, almost laughing to himself as he shakes his head, burying his hands in the pockets of his jeans, “See, we went to school together, him and I – some of primary, all of secondary,” he shrugs, clicking his tongue against the roof of his mouth as he traps you in his gaze once again, “And I just don’t fucking like the guy. Can’t stand him, never could’ve.”
You’re silent for a second, and now it’s your turn to flick your eyes back and forth, searching each of his for some sort of coherent answer and yet you come up empty. “But, what does that have to do with me?” You ask slowly, making sure to carefully enunciate each word.
“Don’t trust the people around him either,” he mutters, gazing down at his shoe, “Weirdos, the whole lot. There’s something…off about the guy. Can’t put my finger on it, but there’s something dark there, all around him. Like he’s putting on one big show. All his little gremlins do too, they all act the same.”
The two of you are silent for a moment, neither knowing quite what to say next. You chance a glance up at him, nearly gasping when you find him already gazing at you – an unreadable expression on his face. Yet a light blush still blooms on your cheeks as you quickly look away once again, your heart thudding so loudly you’re wondering if he can hear it – hell, you’re wondering why you’re reacting this way at all, why you’re so shy and skittish around him.
“M’not like that,” you very nearly whisper, finally seeming to regain your voice. Only to lose it once again when he takes a half step toward you, suddenly crowding you further into the small alcove.
He makes a small noise, damn near cooing at you, tilting his head to the side when he notices you flinch as he raises an arm, gently raising your chin with one hand, angling your head up to meet his gaze, that signature smirk once again taking hold on his face as he looks at you curiously, “You’re not like that, are you?” He asks, his voice low and raspy.
You quickly shake your head, blinking up at him, unsure of what exactly he wants from you. You feel your cheeks stinging for the umpteenth time today with how hard you’re blushing, a strange feeling taking root in your stomach the longer you stare at him, that small voice in your head positively cheering.
But, as quickly as whatever spell he seems to have on you takes hold, it’s broken as he suddenly lets go of your chin and steps back, casually pursing his lips and nodding to himself, coming to some unknown decision in his head, “Meet me in Bodleian, tomorrow at five. There’s hardly anyone up on the third floor on the weekends, so we'll be able to focus.” He says simply, turning on his heel to leave without even giving you a second to answer.
“But I’m bus–”
“D’you want a good grade or do you want to go get drunk with your creepy gremlin friends?” He asks, peering over his shoulder as he saunters down the hallway, raising an eyebrow at you over the shiny gold rim of his glasses, “S’your call, love.” He finishes with a shrug, disappearing as he turns a corner and leaves you standing there alone, frowning and dumbstruck.
“Bodleian at five it is,” you mutter to yourself, sighing as you turn and walk the opposite way, desperately trying to ignore the butterflies in your stomach and the fog in your brain.
Your shoes tap against the stone pavement as you walk up to the old library, backpack slung over one shoulder; reaching into a pocket of your backpack, you blindly grab for your phone as you pull open one of the heavy, old wooden doors and step into the atrium. Out of all of Oxford’s libraries, you had to admit that Bodleian was one of your favorites; it had such a soothing atmosphere – from the way the evening light trickled in through the old glass windows, to the intricate wooden decor, and the way the entire place smelled of the old, well-loved books that lined the countless rows of shelves.
Stepping to the side of the entryway, you check the time, your hand shaking a bit as you unlock your phone – 4:53pm, a little early, still. Sighing, you crane your head, nervously looking for Michael. Not seeing him, you decide to bide your time examining one of the tall bookshelves near the entrance, eyes skimming over their titles as you fiddle with the strings of the hoodie you’d decided to wear. Smiling, you lean up on your tiptoes to grab a copy of The Two Towers, happy to see a familiar book. Just as your fingers graze over the embossed gold lettering on the spine of the book, a large pair of hands grab you by the shoulders.
“Boo!” Someone whispers, close enough that you feel the warmth of their breath on the side of your neck.
You spin around with a small shriek, jerking your head to the side when a hand is suddenly clasped over your mouth.
“Shh! Hey, relax!” Finally managing to focus on the face in front of you, your breathing slows as your gaze meets a pair of round blue eyes. Michael’s face is only inches from yours, concern evident, even behind the mask of a smirk he wears. “It’s only me.” He says softly, smirk softening into a genuine smile that sends a frantic tingle down your spine, which you desperately try to ignore as you nod against his hand, gasping in a small breath as it lowers once again to rest on your shoulder.
“Hi.” Blinking up at him, you breathe the word more so than say it as you settle back on your feet, cheeks flushing as you realize he has his other arm wrapped around your waist, pulling you forward ever so slightly, like he wanted to make sure your head didn’t hit the sharp edge of one of the shelves; the voice in your head purrs as the butterflies in your stomach summersalt.
“Hi.” He answers and you feel the hand on your shoulder twitch, the ghost of a comforting squeeze or rub causing the hair on the back of your neck to stand on end as some strange, warm weight settles in the pit of your stomach.
Suddenly, whatever spell the two of you seemed to be under broke and you quickly clambered away from one another. Michael cleared his throat, running a hand through his wheat colored hair as you tugged at the sleeves of your hoodie, trying to look anywhere but in his direction. “Should we–” He starts suddenly, nodding his head to a staircase at the other end of the room, “It’ll be quieter up there.”
“Sure!” You chirp, giving him a curt nod, “Lead the way, you seem to know the place better than I do.”
“Well,” he chuckles, keeping his voice low as he moves past you, “S’what happens when you don’t spend all your damn time at weirdo parties.”
You roll your eyes behind him, huffing as you start following him up the staircase, one of your hands gliding across the smooth, polished wood of the bannister.
“Sorry.” He says suddenly as you reach the third floor of the library, running a hand through his hair once again as he stands at the top of the staircase.
“What?” You ask, coming to a stop on the last step and looking up at him, tilting your head to the side as you lean against the handrail.
“For earlier,” he explains, gesturing for you to follow him as he starts making his way to the back corner of the large, open space, the one furthest from the stairs, “Scaring you, I mean. Didn’t mean to.”
You’re quiet for a moment, following him as the two of you walk past aisle after aisle of towering bookshelves. The area is definitely quieter than the main floor, nearly vacant aside from one or two lone students sitting at the long wooden study tables. It’s calm up here, evening light filtering in through large windows on either end of the long room, casting large shadows on the floor and vaulted ceilings.
Eventually, the two of you come to a stop at a table, the very last in its row, tucked away in a corner. “It’s alright,” you shrug, trying to keep your voice soft in the quiet space as you sit your backpack on the edge of the table, “I don’t know why I’m so jumpy today, maybe the tea from earlier.” You lie, hopefully smoothly, and quickly grab a pen and notebook as well, before sitting down.
Michael huffs to himself as he sits his things out on the table as well, like he’s laughing at a joke you can’t hear, “Maybe it’s all that tension.”
“Wh– tension?” You question, cringing at the urgency in your voice as you pray that he doesn’t pick up on it, shifting in your seat as he pulls out the chair next to you and plops down, completely relaxed as if he owns the place.
“The stress? That you were meant to be working out at Catton’s?” He gives you an odd look, resting his head against his hand as he leans his elbow on the table, “Couldn’t help but overhear your little conversation yesterday.”
“Oh…” You breathe, a pink haze settling over your cheeks once more as you fidget with your pen, acutely aware of how easily he seems to be able to make you blush.
The smirk on his face widens as he narrows his eyes, studying you in a way that makes your heart squeeze, your thighs clenching together as that heady weight from earlier makes itself known again in your stomach, “You can’t keep one thought in that head, can you, love?”
You blink, unsure of what to say, as two halves of your brain argue with one another. Why is he so mean? You wonder to yourself, eyes searching his, as you frown, And…God, why do I like it?
“Why don’t you like me?” You ask, finally breaking the silence with your small voice.
He scoffs again, shaking his head as if the answer should be obvious to you, “You don’t take it seriously. You come to class and whisper and gossip with your damn friend or doodle in your little notebook, but you don’t fucking listen.” He sits back up, frowning, “I work hard every fucking day in there, for fuck’s sake, I only agreed to help you because I want to be Davies’s teaching assistant next year! Yet you and Catton and everyone like you can just pay their way in here, collecting a little diploma from Oxford just so their parents can brag about it with their stupid fucking rich friends.” He finally finishes, turning his head to stare out the window.
“Told you, I’m not like that,” you whisper after a moment, voice wavering from the tightness in the back of your throat, “I’m here on scholarship, same as you.”
His eyes flit back to you, his frown deepening, “How did you know ab–”
“Like I’m not going to ask around about the guy tutoring me?”
“Fair enough.” He concedes after a minute.
Silence settles over the two of you again, like a stalemate, waiting to see who would crack first. Finally, you turn to him with a sigh, nodding to your test paper on the desk, “Can we just get this done? I don’t want to be here any more than you do.”
“Ah, of course,” he nods as he picks up your test, looking over the first incorrect problem, “Catton’s big important party. And you’re stuck here with a loser like me; must really be doing your head in, huh?”
You want so badly to correct him, to tell him that no, actually, for once, you were kind of excited to not be at one of Felix’s parties. You wanted to tell him that you’d hoped things would be different, maybe if it was just the two of you he would drop the arrogant asshole bit, that you stupidly hoped it was just an act.
Instead, you bite your lip, determined not to lash out and give him another reason to dislike you, “I don’t think you’re a loser, Michael,” you say, tiredly meeting his gaze, “Can we just focus on this now, please?”
He’s quiet for a moment, frozen like you’d said something groundbreaking. Finally, he nods his head, almost imperceptibly like he’d come to a decision you weren’t privy to, “Sure,” he says gruffly, grabbing your test and reading over the first incorrect problem, “S’not like I’m the one failing.” He finishes, his voice tight and determined, like he knew it was something he’d regret saying even as the words left his mouth.
See? You think silently, pointed words aimed at that stupid voice in your head, Told you so.
It’s barely an hour later and you already feel cross-eyed, groaning as Michael flips your test over to the next page and you see you’re only just now halfway done correcting the ones you’d gotten wrong. You hate to admit it to yourself, but his tutoring was helping — problems that you’d hardly been able to finish the first time seem far less daunting as he explains them to you. Even he seems less daunting as the hour goes on; shockingly, he doesn’t make anymore snide comments and you can tell that he genuinely enjoys talking about the subject, patiently helping you through each problem.
“Can we take a break?” You grumble, laying your head down on top of your textbook.
“What?” He scoffs, rolling his eyes as he checks his watch, “It’s hardly been an hour and you’re ready to give up?”
“‘M not giving up,” you mumble, “I just think we could use a little break…” You say hopefully, looking at him with a small smile. When he doesn’t break, holding your gaze with a frown, you sigh, “Just, like, ten minutes, please?”
You want to groan again when you see that formidable smirk make its home on his lips again, “Say please again.” He commands, his voice low.
“Huh?” You balk, nearly dropping your phone as you retrieve it from your pocket.
“Say please again,” he says slowly, his smirk only growing wider as he watches your cheeks redden, “Beg.”
“W-why?” You question, face burning as you try your damndest to look unbothered by his request.
He shrugs dismissively, “Makes you squirm,” he answers finally, leaning back in his chair, “I like that.”
“Why?” Your voice is so small you doubt he’d even know you spoke if his eyes weren’t fixed on you.
He hums, a satisfied noise, like you’ve finally managed to meander into a trap he’d set ages ago, “S’fucking cute,” he huffs out a laugh when he sees your eyes widen, “Makes you blush and act all dumb.”
You know you should be offended, but you can’t find it within yourself to care, “You think I’m cute?”
He chuckles, sighing, “That’s what you choose to focus on?”
“Do you?”
“Fine, yes.”
“Please, Michael,” you say suddenly, the words feeling practically punched from your throat, “Please, please can we have a break? Please, only ten minutes?” You beg, breathing hard as you quickly scan the room, shoulders relaxing when you don’t see anyone else sitting at the study tables.
You see the way his eyes widen behind his glasses, like he can’t believe you actually did it, before they narrow once more, overtaken by a satisfied gleam, “Ten minutes.” He says simply, leaning back in his chair yet again, letting his head flop back, relaxed, and closes his eyes.
You don’t move for a second, letting your eyes study the side of his face, looking over his sharp jawline and the curve of his nose. After a moment, you look away, deciding to pull out your phone.
A few minutes go by as you answer a few texts from Louise, telling her that you miss her too and how you wish you were at the party — a lie, though you can’t find it within yourself to care. You busy yourself for a while longer, watching a few people's Instagram stories, the volume on your phone muted as you watch your friends dance under colorful strobe lights, blowing smoke at the camera and clinking drinks together.
“I meant what I said.” You say finally, laying your phone on the table and picking at one of your cuticles.
“Hm?” Michael questions, not bothering to open his eyes.
“I don’t think you’re a loser,” you answer, fidgeting, “I never have. I think you’re…intriguing.”
“Intriguing?” He asks, finally sitting up and looking at you with a questioning stare, “How so?”
You swallow, tucking your hair behind your ear with a shrug, “You’re smart…you know you’re smart,” you start, voice small and shaky, “I like that.”
“You like that or you like me?” He’s looking at you like a cat playing with a helpless mouse, looking at you like he knows he’s already won a game you don’t even know the two of you are playing.
“You.” It comes out as a breath.
He doesn’t answer and eventually you look away from him, choosing to stare out the window at the streetlights outside, the sky dark.
Finally, the silence becomes overbearing and you break first again, “Thank you,” you smile at him, keeping your voice low even though you know the rest of the floor is vacant, even though the noise of the floors below has drastically faded over the last hour, “For helping me, I mean. You probably have a dozen things you’d rather do on a Saturday.”
He stays quiet for a few seconds, “I didn’t really have anything better to do,” he smirks, “No parties.”
“None?”
“Never,” he shakes his head, shrugging, “Don’t get invited.”
“Oh,” you answer simply, “Well, still, either way, thank you.” You smile again, but it falters when he leans forward suddenly, crowding into your space with a sly grin, so close that you can feel his breath on your neck.
“I know a way you could repay me, love,” he whispers lowly into your ear, your hair standing on end, “Only if you want to, of course.” He adds, his long fingers toying with a strand of your hair.
Your eyes grow comically wide as you process what he just said, “H-how do you want me to repay you?” You whisper, your eyes finally meeting his.
He laughs softly, letting go of the strand of your hair to rest his hand lightly against the side of your face, his thumb skimming over your cheek as he watches a rosy hue settle across it, “I can think,” he starts, thumb moving lower to skate across your bottom lip, slightly tugging the skin with it, “Of one very fucking good way to put this mouth to use, love.”
You part your lips slightly, letting the tip of his thumb into your mouth, just barely holding it between your teeth as you lightly run your tongue over it, heart skipping a beat at the way his lips just barely part in shock as you do. The voice in your head purrs again, roaring back to life, and you nod, smiling around his finger.
“Yeah?” He questions, smirking as he watches your lips twitch around his thumb, “”Y’wanna?”
“Yes.” You reply around his thumb, your hands coming up to hold onto his forearm, the fabric of his rust colored sweater soft under your hands.
“Beg.” He commands again, eyes twinkling.
You take in a breath, eyes slipping shut as your thighs clench around nothing – missing the way Michael glances down at the movement, a knowing grin forming on his face, “Please, Michael.” You practically whine.
“Ooh,” he coos, finally moving his thumb from your mouth, only to trail his hand down your neck, lightly resting it against your throat, “I think you can do better than that, pretty. Open your eyes and damn beg.”
You follow his orders, a small whimper skirting past your lips at the new pet name as you open your eyes, “Please, Michael, please let me repay you, let me thank you, please.” The words tumble out, your eyes wide and pleading.
“How’re you planning on doing that, empty headed little thing?” He taunts, the hand around your throat just barely tightening but it’s enough to make you let out a small, desperate whine. He clicks his tongue against the roof of his mouth, moving close enough to you that the front of his chest is plastered to your side, his heart beating against your shoulder, “Ask for what you want, beg properly.” His breath fans across the side of your face again, the feeling of his lips brushing over the side of your jaw making you jump.
“Please, God, Michael,” you whine, squeezing your legs together so hard you’re surprised they haven’t fused together, “P-please let me suck your cock — to thank you, thank you for helping me.” You add quickly, breath shaky as you turn your head to look at him imploringly.
He chuckles, but he looks pleased as he leans back momentarily, craning his neck to make sure there isn’t anyone around, “Alright, alright, love,” he soothes, coming back to face you, nodding his head to the empty space in front of his hair, below the table, “Not God, but I’ll give you what you want.” He teases.
Your breath catches in your throat as you look down at the floor beneath the desk, then back up at him before nodding, “Yes, sir.” You push yourself off your chair, sliding down beneath the desk.
“Goddammit,” you hear him groan above you, running his palms over his thighs as he parts them, making room for you, “Keep that up, love, might even give you extra credit.”
You rest your palms against the tops of his thighs as you move between his legs, getting comfortable on your knees, the old wooden floor cool against your skin, even through your black leggings. Finally, your eyes settle on the sizable bulge, covered by his dark jeans, and you can’t help the small whine that leaves your lips. Slowly, you move your hands up to the button of his pants, quickly popping it open and dragging the zipper down, smiling when Michael sighs above you as he pulls his sweater up out of the way, exposing the pale skin of his stomach. You let your eyes roam over him, warmth settling between your legs as you spot the dusting of light hair that starts beneath his belly button and leads downwards, disappearing under his plaid boxers.
You move closer to him, crowding in between his long legs, as you hook your fingers over the tops of his boxers, before finally looking up at him, “Can I…?” You ask, nodding to where his cock is straining against the fabric.
“Don’t be shy now, princess,” he groans, running a hand through your hair as he stares down at you, “Get on with it.”
You keep your eyes on his as you pull his boxers down, just enough to free his cock, watching the way his chest heaves as he lets out another relieved sigh. Finally, you tear your gaze away from his as you look at his cock, gasping in a breath as you do. As far as dicks go, Michaels is impressive, beautiful even – long and thick with veins running up the underside, leading up to a flushed, leaking tip.
You take him in your hand tentatively, squeezing him lightly around the base, your confidence growing when he grunts, breathing heavier. Finally, you lightly lick the tip, eyes sliding closed at the pleasant, salty taste of his pre-cum. You take the tip of him in your mouth, humming around him when his fingers tighten in your hair, lightly pushing on the back of your head, silently urging you to take more of him.
“Fuck, that’s it,” he roughly groans, managing to keep his voice low, “Knew that pretty fucking mouth was good for something.” He moves his hips, impatiently thrusting his cock an inch deeper into your mouth, breathily cursing under his breath.
You start bobbing your head up and down over his length, taking more and more of him into your mouth, more of his pre-cum leaking onto your tongue as you feel his dick throb and twitch in your hand. After a moment, you take a deep breath through your nose and remove your hand, resting it on his thigh, as you take him all the way to the base, your nose nestled in the short patch of hair there as you breathe in his heady scent, your eyes glazing over as you savor the feeling of him at the back of your throat.
“Jesus!” He grunts, louder than he meant to, keeping your head in place as he thrusts his hips up again, keeping you in place at the base of his cock, “Fuck, that’s it,” he praised lowly, your center throbbing, no doubt leaking onto the fabric of your leggings, “Look at me, wanna see your eyes while I fuck your throat.”
You whine, desperately blinking back tears as you look up at him, trying to keep your breathing even. You hold his gaze as you stick your tongue out, licking lower, down toward his balls, relishing the way his eyes roll back as you do, stomach muscles twitching as he continues thrusting his hips up into your mouth, soaking his boxers and jeans with your spit.
“Oh, fuck, that’s it,” he groans, looking down at you, his eyelids heavy, “God, yeah, cry on my cock love. Fuck, you look so pretty crying on my cock.” He mumbles, talking to himself more so than you.
His words send a shiver down your spine, adding to the heat in your center, and you whimper when he finally moves his hand from the back of your head, allowing you to come up for air. You do, with a gasp, thin strings of spit connecting your reddened lips with the flushed head of his cock. You keep your eyes on his as you wrap your lips around him once more, running your tongue along the thick vein on the underside before sucking at the swollen tip, relishing the way it makes him clench his jaw and gasp through his teeth as you stroke the rest of him with your hand.
Above you, he smirks again, gently running his hand through your hair but making no move to press your head down again. He cocks his head to the side, studying you, grinning at the far-off, foggy look in your eyes, “Not a thought in that pretty head, is there?” He asks, bringing his hand down and gently patting your cheek; the ghost of a slap making your thighs clench, making your head dizzy with need.
You nod around him, moving your head up and down along his length. You feel yourself throbbing with need, pulsing with heat; almost automatically, your hand starts to wander, a small sigh escaping you as your hand presses against your center through your leggings. You feel a warmth settle across your cheeks again as you feel your own wetness, leaking through the fabric just as you’d suspected. You whimper as you press down again, your eyes falling shut as you let your hips grind against your fingers, the wet fabric creating a delicious friction against your clit.
Which you get to feel for all of five seconds before Michael is suddenly yanking your head from his length, causing you to yelp as he tugs your hair. “Did I say you could touch your cunt?”
“N-no,” you whine pathetically, eyes watering from the harsh hold he has on your hair, “I’m sorry, I wasn’t think—“ You try to explain, only for him to cut you off with another harsh tug, making you mewl.
“That’s a pattern with you, isn’t it?” He asks, looking at you with a condescending smirk, studying you again, “You were being such a good girl earlier, what happened? Hm?” He questions, pushing his chair back enough to pull you out from under the table.
You get to your feet, suddenly feeling shy in front of him once again despite having his cock in your mouth mere moments ago. “I…got distracted.” You answer finally.
“I got distracted….who?” He asks, looking up at you expectantly over the rims of his glasses.
“I got distracted, sir,” you quickly correct yourself, eyes frantically scanning the still vacant floor of the library, “I’m sorry.”
“That’s much better, love,” he drawls, placing his hands on your hips, “Now, what could’ve been so fucking distracting, huh?” He starts moving his hands, slowly, toward your center, still looking up at you, his eyes questioning. You nod your head, just barely but enough for him to understand, and any hesitancy from him quickly disappeared. “Could it be this, I wonder?” He questions sardonically, suddenly cupping your heat in his large hand, the warmth of it nearly making your knees buckle, even through the thin fabric of your leggings. He hums, the sound low in his chest, when he feels how much you’ve soaked the fabric,
“Oh,” you whimper, grabbing at his shoulders to keep yourself balanced as his fingers continue to tease you, rubbing circles into your clit, “Oh my God, fuck.”
“Christ,” he breathes, staring up at you with dark eyes, “So fucking wet, love, holy hell. Did you get this way just from sucking my cock?”
“Yeah,” you whine, nodding your head desperately as you try to swallow all the small noises you want to make in your throat, your hips rutting against his hand, “Please, sir!”
“Oh, so now that dumb brain has no trouble remembering damn instructions, huh?” He taunts, a wicked grin on his face as his fingers rub your clit in smaller, harsher circles, making you see stars, “Need your wet little cunt played with to be able to do as you're told?”
You nod your head frantically, tears nearly spilling from your eyes at the zaps of pleasure radiating from you, your walls clenching around nothing. Just as you feel yourself about to tip over the edge, he stops, jerking his hand away from you with a knowing chuckle, “W-what?” You question, eyes blinking open, “I was so close!” You whine, nearly stamping your foot on the floor like a petulant child.
“Told you,” Michael shrugs, pulling you to sit in his lap, your back against his chest as he wraps his arms around you. His breath tickles the side of your neck and face when he speaks again, “You’re so fun to tease, love, can’t help myself.”
You wiggle in his grasp, making him groan as your ass grinds against his hard length, desperately trying to get your hands free to touch your pussy again, nearly out of your mind with need. “P-please, sir, please touch me!” You finally gasp out, knowing he won’t give in until you do.
“Now there’s a good girl,” he says, voice pleased and cocky as he plants kisses along the side of your neck, “Since you asked so nicely…” He says, letting go of one of your arms, letting you grasp the arm still wrapped around you with your hands, as his free hand skirts down your stomach to the top of your leggings, pausing long enough for you to nod again, before he finally touches you.
You whimper, jerking in his lap at the feel of his warm fingers directly on your heat for the first time, spreading your wet folds with a satisfied hum. His long fingers move down to your entrance, gathering some of the wetness there, “You’re so fucking wet,” he marvels, dragging his fingers up to your aching clit, “Fucking dripping on my fingers.” He murmurs in your ear, nipping at the side of your neck and sending tingles down your spine as he starts rubbing tight, wet circles against your bud.
You tilt your head back, resting it against his shoulder as your chest heaves. A moan leaves your mouth, louder than it should be, and Michaels free hand shoots up, wrapping around your mouth. “Gotta be quiet, love,” he whispers, not slowing down the movement of his fingers in the slightest, “Wouldn’t want someone to interrupt, hm? Make me stop again?”
You squeeze your eyes shut, whining desperately against his hand as he moves his fingers against you, the coil in your belly winding tighter and tighter. Your whole body lurches atop his, making him suck a breath in through his teeth as you move against his cock, still hard and hot as it presses against your lower back, when he moves his hand lower, plunging two fingers into your tight heat with no warning. “Fuck!” You yelp, muffled against his hand; tears leak from the corners of your eyes as he moves his fingers, scissoring them into you relentlessly as his thumb circles your clit.
“S’fucking tight,” he mumbles lowly, voice vibrating his chest against your back, “God, you’re tight.” He grunts between clenched teeth, repeatedly crooking his fingers inside you as he fucks his fingers in and out of your heat, letting out small, barely there groans every time your pussy squelches around his fingers as he punches muffled whines and whimpers from you. He crooks his fingers up suddenly in a way that makes you see stars as you writhe on his lap, your knees shooting up off the floor as you attempt to curl up on yourself, “That the spot?” He teases, relentlessly rubbing his fingers against it as his thumb quickens against your clit. He adds a third finger without warning, curling them up against that rough patch inside you as he bites down on your shoulder, muffling his own groan as he feels you clench down on his fingers.
“You gonna come?” He mumbles, grinning like a cheshire cat when you frantically nod your head, tears leaking onto the hand still wrapped tightly around your mouth. “Open your eyes,” he commands, not stopping his movements, “Want you to watch what I’m doing to you when you fucking cum.”
At the promise of finally getting to come, your eyes shoot open as you pick your head up off his shoulder, looking down the length of your body to where his hand disappears under your leggings. You practically come undone at the sight, watching as his hand moves against you through the dark fabric, maintaining a careful rhythm. “Michael, please!” You whine against his hand, desperately trying to keep your eyes open.
He chuckles lowly, clearly proud of how quickly he’s been able to reduce you into a begging mess, the sound reverberating off your back. “Fucking come,” he commands, doubling his efforts, “Soak my fucking hand, love.”
The coil in your stomach finally snaps and you sob, eyes snapping shut as your whole body clenches, shaking in his lap, as fireworks burst behind your eyelids. Your entire core clamps down so tight he has to fight to keep his fingers within you, muting the sounds of his groans against your neck and shoulder as he feels your cunt pulse against his fingers. He doesn’t let up, pressing incessantly against that spot within you as you come, until he finally gets what he wants – both of you groaning together, noises muffled, as a stream of fluid seems to erupt from your center, soaking his hand and the inside of your leggings, though you can’t think enough to care at the moment.
“Goddammit,” he grunts, finally removing his hand from your leggings, running his fingers through your folds one last time just to make you squirm. Suddenly, he’s lifting you off his lap enough to turn you around, maneuvering you to face him. You’re practically boneless in his lap as he lifts you just enough to pull your leggings down over your ass, pressing his bare cock against your still throbbing center when he sets you back down, “Gonna let me fuck you, love? Hm? Want me to make you go dumb around my cock?”
You nod your head weakly, not bothering to lift it from his shoulder as you straddle his lap. He doesn’t make you beg this time, too desperate to feel your wet heat around him, as he swiftly lifts you up again, just enough to align his length with your entrance.
Both of you moan as he lets you sit back down, his hard length disappearing into your warmth. He holds the back of your head, pressing your mouth against his neck to muffle your cries; you can feel his jaw clench with the effort of keeping his own muted. He fills you deliciously, thick cock pressed against every part of you, as your clit presses against the small thatch of hair above his length.
“Fuck,” he huffs, the word hissed between his teeth as he squeezes his eyes shut, savoring the way your pussy pulses around his length, the way you desperately mouth and lick at his neck, “God, knew you’d feel good.”
Somehow, that remark works it’s way through the fog in your brain, “Hm?” you hum against his neck, your hands coming up to tangle in his golden hair, “You thought about me?” You whimper, words whiny and breathy as he rocks you against him, spearing you on his length again and again, head kissing your cervix just enough to knock the air from your lungs every time he lowers you back down.
He sighs, as if just now realizing what he’d said, and nods, swallowing down a moan before he speaks, “‘Course I did,” he admits, grinding you down against him, his hips pressed against yours. “Looked so damn pretty in class,” he continues, “So cute all, fuck, all flushed and embarrassed every time you got asked a question.”
His admission makes you clench around him, heat flooding through your system as you process what he’d said. Your clit grinds against his body again, just as the head of his cock brushes against that spot in your center, and it’s like your brain has been whited out, all you can do is mewl against his neck as he rocks you up and down along his cock.
“Fuck, I feel this sweet cunt getting tight, love,” he says, breathing heavily as he gets closer to his own release, “Y’gonna come?”
“Yes!” You whimper, voice high-pitched and broken as you nod frantically against the skin of his neck, now wet with your spit and tears as you rock yourself against him, moving your clit against the hair at the base of his cock.
“Hold it,” he commands softly, more breathing than speaking. He chuckles when he hears you whine, loving the way you mewl for him like a soft little kitten, and the hand still holding your head against him strokes your hair, soothing you. “Want us to come together,” he huffs, cursing under his breath as he feels you grow somehow tighter around him, “Fuck, I’m close just hold on.” The hand on your hip tightens, grinding you tightly against him, groaning as he feels your center milking his cock, your walls clenching around him desperately.
“F-fuck, Michael,” you whine, breath hot against the column of his throat as you feel yourself tipping over, “Please! Please I can’t hold it, please!” You beg beautifully, weeping against his skin, trying so hard to keep it down to a whisper so you don’t draw attention, not this close to your release.
“Where, fuck,” he curses, pulling your head up to look in your eyes, the blue in his nearly swallowed by blackness, “Tell me where.” He pants, his voice urgent.
“Inside me!” You breathe, cunt clenching around him as you feel him twitch inside you.
He groans, forehead resting against your shoulder for a second as he tries to maintain control, both of his hands gripping your ass hard enough to leave bruises, “Are you s–”
“Yes!” You nod, resting your forehead against his when he picks his head back up, “‘M on the pill.” You reassure him as you keep nodding. The two of you move together for a few more seconds, wildly grinding together, before the coil in your stomach is finally wound too tight, “Michael, oh, fuck!”
“Fuck,” he gasps, seeming to get somehow thicker inside you, “Come for daddy, fuck, be good and come.” He commands, his own voice low and frenzied.
Hearing him call himself that does you in, and you shatter around him, walls gripping him tightly. You open your mouth, unable to control a loud moan, which he quickly hushes by pressing his lips against yours, licking into your mouth as he thrusts up into your center harshly a few times, each rise of his hips accompanied by a grunt into your waiting mouth as you mewl at the heat of his cum filling you up, extending your own release.
The two of you stay quiet for a moment, breathing heavily as you sweetly kiss, tiredly pressing your lips together. Finally, you pull away from him giggling shyly when you meet his eyes, blushing as you feel his length slowly softening inside you. “Getting shy on me now?” He teases, smiling at you as he gently plays with your hair.
You smile back at him for a second before suddenly coming to your senses and remembering where you are, “Shit,” you whisper, hopping up off his lap, “I cannot believe we just did that!” You quickly scan the floor with wide eyes, shoulders visibly relaxing when you still don’t see anyone.
“Wasn’t in my plan,” Michael starts, tucking his member back into his boxers and zipping up his jeans, “But I’m certainly not complaining.” He finishes, smirking at you before standing. He leans down, helping you pull up your leggings. He doesn’t miss the way you grimace when the damp, now unpleasantly cool, fabric presses against you. “Sorry,” he apologizes, gesturing to them, “I should’ve…controlled myself better with that one.” He finishes, awkwardly scratching at his chin.
You laugh quietly, trying to play it off although you’re dreading the half hour train ride back to your flat. That feeling doubles when you look down, eyes widening as you see the dark patch around your crotch, hardly visible on the dark fabric but enough that it makes you nervous, “Getting home is gonna be fun.” You joke, turning to begin gathering your things.
You’ve gotten your textbook put back into your backpack when you feel a tap on your shoulder; turning your head, you look wide-eyed when you see him sheepishly smiling at you, holding his red sweater out as he stands in a band t-shirt, “Here,” he says softly, waving the sweater at you, “You need it more than I do and it’s my fucking fault anyway.”
You blush, taking the sweater from him with a small thank you, tying it around your waist as he busies himself with picking up his things, before putting the rest of yours into your backpack as well, “Oh, you didn’t have to do that!” You tell him as you finish situating his sweater around you, satisfied that the stain is covered.
He huffs out a laugh, “You sucked my cock on the floor of a library,” he jokes, eyes sparkling with mischief yet again, “S’the least I could do.”
You laugh, playfully shoving at his shoulder as you put your backpack on. The floor is truly, blessedly, empty as the two of you leave and walk downstairs, not seeing anyone on the second floor either and only a few stragglers on the main floor at this hour on a Saturday evening. He pushes open one of the heavy wooden doors at the entrance, holding it open for you as you duck under his arm. The door thuds closed behind you as you both stand outside the library, the air cold now that the sun’s gone down.
“I really like them, that band,” you say, nodding to his shirt, “Their last album’s really good.”
“Oh!” He says, eyebrows raising in surprise, “You know them?” He asks, smiling when you nod again, “Their new album is probably my favorite too, actually.” The two of you stand in a comfortable silence for a second later before he notices you shiver as a breeze blows through the stoney courtyard. “D’you live close to campus?”
“Half hour on the train,” you shrug, pulling your phone out to check the time, “I should probably go soon if I’m gonna catch the next one…”
“You could come to mine?” He asks, his voice hopeful, “It’s only a walk from here, maybe fifteen or twenty minutes?”
Your eyes widen, having not expected his invitation, but you nod nonetheless, “If you’re sure,” he nods, “Then, yeah! That would be great.” You smile, walking beside him as you start heading in the direction of his flat.
“Would you maybe want to get lunch sometime?” He asks, glancing down at you.
“I would love that,” you smile, your hand brushing against his as you continue down the sidewalk, “I think I might need more tutoring, too…”
His hand catches yours, your fingers intertwining as he smirks, “Will you suck my cock every time?” He teases, grinning as you laugh, the sound echoing off the buildings and filtering into the night air.
Told you so. The voice in the back of your mind echos as you lean your head on Michael’s shoulder.
tagged lovelies: @schniiipsel @arcielee @darlingofvalyria @aemshaircare @imaegontatgaryenwife0 @valeskafics @beautbuck @watercolorskyy @marysucks-blog @fan-goddess @drakonflames @helloworldiamnotarobot
(tags are based on your answers to my google form; if you were mistakenly tagged, please contact me & update your answers on the form! thank you!)
#michael gavey#michael gavey fic#michael gavey smut#michael gavey x reader#michael gavey x you#michael gavey fanfiction#michael gavey oneshot#saltburn#saltburn fic#saltburn smut#saltburn fanfiction#saltburn oneshot#ewan mitchell#ewan nation#ewanverse#ewan mitchell fic#ewan mitchell smut#fanfiction#fanfic#fic#my writing
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hey friends! i was unable to post all of my early access content bc i'm sick. but i was able to post this video, which in my honest opinion are the major features in this 'romance' pack.
IS IT WORTH $40?
DEPENDS ON HOW BADLY YOU NEED THESE FEATURES TBH.
this review is brought to you by the ea creator network. all of my opinions are my own. i must disclose this per FTC guidelines #ad.
*i do not cover everything in the pack, only the things that stood out for me lol. i'm sorry i'm not used to doing full reviews up here
the attraction system is helpful and expands dating (which is great, but we've had mods that could do this for some time: pick your poison). the romantic satisfaction is the star here. i love being able to create one sided relationships and actually take care of our romantic relationships with sims. this is a valuable feature for me!
cupid's corner is a nice "hey i don't need this mod" anymore type of feature. prior to this i was using lumpinou's meet & mingle which allowed me to meet with sims (platonic and romantic). i dislike that you can not write custom bio's for your sims. i love the way the app functions, i love saving sims and adding them to our rel. panel - and getting to know them through the phone first. i wish we could've defined our sims favorite music/foods/color etc.
i'll admit it, i'm a sucker for dynamics. family dynamics from the sims 4 growing together are so good (minus the fact that everyone wants to be f*cking jokesters after one joke lol). but i love them! they really do impact my sims relationships. the different romance dynamics are interesting. for example: a strained romance dynamic makes it VERY hard for your sims to communicate. it's like your sims will randomly hug each other, but then 5 secs later they're upset. they want to love each other so badly but they can't lol.
now onto random things that excited me. you can go to cupid's couples counseling. i did not know we'd actually be able to answer questions. these sims had a strained romance dynamic and it was so bad - the therapist suggested we come back. but when i tried to schedule it again, they were booked and i had to wait to schedule another appt. which is great, because in the meantime your sims are going downhill fast and you have to keep the peace until then (if you choose).
there are new pop ups and invites. there's even one for a reality dating show lol. you can turn these off in game settings. (if you're wondering, mr. landgrabb never showed up at the motel he wanted to meet at. he stood my sim up. don't judge me, i thought there was simoleons involved).
new crafted dates are cool. you can choose whatever you want to do on them. there's new social interactions based on the activities you choose. you can also invite other sims to these (double dates woohoo!) you can also create crafted hangouts. i like these, i got this cute picture as a reward after a succesful crafted hangout. if you're familiar with mws weddings, it's the same idea. except this works well and isn't as glitchy lol..
another random feature i never needed, but now i find it useful. you can create your own relationship label that will appear in the rel. panel
it's unfair how gorgeous this world is... because there's nothing to do. this is all set dressing.
you can declare your love here.. at the wall of love.
you can buy flowers or edible sweet treats at this shop in the background.
you can get local food here. there are 3 new dishes and spicy hot chocolate. now, i'm not mexican (the world is inspired by mexico) BUT 3 new foods isn't cutting it for me. technically only 2, because one is a vegan option. no pozole, enchiladas, guacamole, tamales?? i'm a foodie, so i take full offense to that.
you can woohoo or sleep at the motel.
you can travel.
go fishing or enjoy a swim.
sit here and chat.
view this for a moodlet.
travel again.
check in a penthouse.
there's a nightclub, gym and lounge. but you get the idea.. there's nothing culturally unique about this world which makes me sad. no festivals? i'd love seeing a mariachi band play at the lounge. something. otherwise, keep the world and add more features right? i would've loved table proposals (sims 2 anyone?). or frisky couch makeouts. so many missed opportunities here.
there's more i could say but i feel like this post should be a little helpful in deciding wether this is a pack you need right now, or wait for a sale! i personally love having a complete colection, so i've always wanted every expansion. though i recieve the pack for free, i owe you my honesty and i want to start doing blog/written content because it's easier to process my thoughts through the excitment. i will enjoy this pack, i do like it, and only time will tell as i integrate it with my current gameplay. i hope this was helpful!
* if you remember, use my code OSHINSIMS at checkout if you decide to purchase this pack. that way, at least i get a % of your purchase and EA doesn't get all your coins 😉
thank you! just keeping simming, always stay wavy, peace x
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welcome home / hunter x f!reader
pairing: hunter x f!reader
description: you return home to find hunter in the shower, and he shows you just how much he missed you while he was gone.
word count: 4,036
warnings: NSFW 18+ explicit sexual content. heavy scent kink. plot only if you squint. p in v s*x. oral s*x (f receiving). slight overstimulation. lots of kissing. slight body worship. cr*ampie.
the need to write a part two to that hunter smut a couple of weeks ago was so strong there was no avoiding it. the hunter feels gripped me so hard they're shaking me around like a rag doll. i have never written a full smut sequence like this before, so please bear with me if it's not as perfect as i would like! i'm doing my best!
although the previous part (which is not essential to read to understand this) was written with gender-neutral pronouns, this part is with a female reader. i wanted to make sure i could actually write a scene like this since i've never done it before. gender-neutral smut is something i'd like to try in the future once i feel more comfortable writing in this style :)
also posted this on ao3. feedback is welcomed, reblogs are appreciated. MINORS DO NOT INTERACT
You rode the slightly odorous lift up to your apartment floor, the doors sliding open slowly once it arrived. The hallway light flickered every minute or two as you approached the door to your humble abode, your body aching after working more overtime than you should’ve stayed for. Yawning, you pressed in the code before promptly walking into the still-closed door with a thud.
You frowned, suddenly more alert. You checked the panel and saw that you had just locked your apartment, not unlocked it. Living on Coruscant – especially in an area not known for being the safest corner of the planetary city – had informally trained you to watch for your safety almost constantly. And the possibility that your door may have been unlocked by someone who may or may not be waiting inside to hurt you was a red flag.
Heart beating faster, you pressed your ear up against the door, to see if you could hear anyone and your eyes widened when you heard a faint groan coming from inside.
Panic began to course through your veins, and you debated whether or not you should call the authorities before deciding against it. They wouldn’t get here in time to be of any use, and so many crimes happened on Coruscant that you doubted anyone would even come at all.
Instead, you steeled yourself and then typed in the code again.
Save for the single lamp you always left on; the apartment was dark. The yellow light bathed the small space in a soft glow that made everything look a little less like a standard-issue Coruscanti apartment and a little more like a home. You quietly dropped your bag by the door, picked up a vase from the entryway and crept into your apartment. It was then you heard the shower running and the soft hum of a smokey tenor echo through the apartment. Your shoulders instantly relaxed.
There was only one person who would break into your apartment and take a shower.
You placed the vase down on the kitchen bench, a smile biting the corners of your mouth as you walked to your small ensuite bathroom, the humming getting louder. Your smile only got wider when you saw his armour stacked neatly next to the dresser. You could hear the hum louder from here, and your heart squeezed itself against your ribs. He was happy.
You opened the door slowly, knocking softly even though he would sense you were there as soon as the door opened. “Hunter?”
The humming stopped and Hunter’s wet head poked around the shower curtain. If he was a sight when he was dry, he was completely ethereal when wet. His hair stuck around his shoulders and neck, water dripping down his tattooed face onto his neck. He smiled out the side of his mouth, eyes bright at the sight of you. “Hey, you.”
You grinned, just as pleased to see him. “Hey. You’re back.”
“I am.”
You nodded to the steaming shower. “Can I join you?”
He wordlessly pulled back the shower curtain as his answer, revealing half of his bare muscular body. You undressed quickly, piling your clothes on top of his blacks that had been kicked near the privy before stepping in with him. Almost instantly, you were engulfed in Hunter’s arms, his wet body pressed against yours as he pushed his nose into your neck, breathing deeply.
“Someone missed me,” you smiled, hands holding his upper arms and squeezing them gently.
You felt his breath on your neck as he nuzzled his nose against your skin. It was always the first thing he did when he saw you. “You have no idea how much,” the words buzzing against your skin.
At the feel of his half-hard length pressed into your stomach, and you chuckled. “I think I can guess.”
Hunter trailed his hands down your body, nose still buried in your neck. He loved the way you smelled. Something about it drove him crazy, though you weren’t sure what it was specifically. But you’d never complain.
You felt him pull you closer, and his wet hair fell onto your shoulder as he dragged his hands up and down your thighs and hips. The water cascaded over you both, and when his hand dipped between your bodies down to the place between your legs, you tipped your head forward to rest on his shoulder as you moaned. “Hunter,” you choked out as his hand moved in slow circles there, and you felt yourself slicken at the touch.
Hunter pressed light kisses to your neck and shoulder, marking a trail up to your ear with his lips. “Been waiting for you to get back.” His voice was ragged like he’d been running, rasping out of him all breathy.
His fingers still moved slowly between you, and you whimpered before telling him quietly. “I thought someone had broken in.”
Hunter pulled back to look at you, his hand stilling as he searched your face with a crease between his brow. He placed a soft kiss on your forehead. “Sorry, cyari’ka, I didn’t mean to scare you.”
You shook your head and looked in his brown-grey eyes as steam continued to rise from the running water. “I heard a loud groan…what were you doing?”
The corner of Hunter’s mouth lifted before those eyes of his darkened. “What do you think?” He pressed an open-mouthed kiss to your jaw.
You hummed. The idea of him getting off in your shower as he waited for you to come home conjured up so many salacious images in your mind you had to squeeze his arms to steady yourself. The thought of him in here, cock in his hand as he stroked himself to just your scent…it only made the arousal building inside you burn hotter.
“Couldn’t wait for me?” You croaked out.
“Kriff, no. As soon as I stepped inside you were everywhere,” he continued his kisses, sucking at your jaw. “And it only got stronger. Every breath I took you were there, inside my lungs, seeping into my skin. You know how insane you make me, and it’s been months…” He drew back and brushed his nose against yours. “Are you mad?”
“God, no,” you breathed against his lips.
“Good.”
Hunter finally kisses your mouth then. His mouth slants over yours and it’s impossible not to moan into it. His tongue moves over your lips and slides against yours. To think when you met him, he had no idea how to kiss and now he knew the inside of your mouth better than you did.
He groaned into the kiss, and you knew his senses were in overdrive right now, the hot wet of your mouth only driving him crazier. He pushed you back against the tile, his solid body trapping you between the cool of the tile and the heat of his skin. His hands gripped your hips as you snaked one leg around his. With his now hard length pressing between you, it was so close to where you needed it. You arched into him, the need to have him as close as humanly possible so intense you could comprehend nothing but Hunter’s kisses and hands as he did everything he could to consume every part of you. Your only thought was how badly you wanted him to.
You had missed him too, after all.
Your hands went into his hair, tugging at the wet strands as he continued to explore your mouth. He broke away but only to resume his kisses down your neck, his tongue lolling out to lick the skin and the droplets of water in between the kisses. Steam from the water clouded your vision, or was that because of the sensation of Hunter’s hands against you? You didn’t know. You moaned as his kisses travelled down your torso.
“Hunter,” you choked out as you watched him lower to his knees in front of you.
“Missed you so much,” he said again, the words vibrating against your skin.
You caressed his temple with your thumb. “I missed you.”
He groaned loudly against the skin of your stomach. “You smell incredible.”
You whimpered, so incredibly turned on as he moved his mouth down, his lips dragging across your skin, and you watched him descend lower, his eyes half closed and rolling back. You could see just how hard he was, up against his stomach. The water continued to flow down his shoulders and half-tattooed torso, down into the hair that covered most of his front.
You raked your fingers through his hair, nails against his scalp and you felt his moan on your stomach, and the sound ignited your insides with desire. It felt like your whole body was electrified, pulsing with need and he’d barely even done anything.
“Hunter, more, please,” you breathed out.
Hunter didn’t need to be told twice. He groaned, standing up and shutting the water off as he kissed you once more. He pulled back, sliding the shower curtain roughly across its pole before picking you up effortlessly. Your arms and legs went around him as he buried his nose in your neck again as he walked to your bed, both of you still dripping wet but neither of you caring enough to do anything about it.
Hunter lay you down gently, moving you up to the pillows as he climbed on top of you. His hair fell forward, dripping onto your chest and he leaned down to suck the droplets off your skin.
You moaned as his mouth travelled to your neck again, kissing you there, his lips sucking gently, and you knew there would be a nice mark there tomorrow that you would grumble about trying to cover for work. But right now, the idea of him laying a claim to you made every nerve ending in your body tingle, especially the ones between your legs.
His lips then made their way to your chest, and he moved to one breast, taking the nipple between his teeth, making you whine before he circled his tongue around it, sucking gently. Your back arched off the bed and you felt his hand slide underneath you, between your shoulder blades, drawing you into his mouth more. He sucked gently, then moved on to the other one, repeating the same ministrations with his tongue.
You panted, mewling with every pinch of his teeth grazing your nipple. He was taking his time with you, as usual, savouring every single part of you. You knew he’d be tired after spending months completing gruelling missions, but he was still eager to pleasure you slowly, work you up until you were begging for a release only he could give.
Exhausted, but never for you.
He released your breast, wetness from his mouth glistening the peak in the dim light. He continued down once again, leaving open-mouthed kisses as he lowered himself between your legs.
He looked up at you, eyes dark with want before he sat back on his heels to spread your legs a little wider, holding the inside of your thighs down with his hands. His thumbs circled the soft skin there as he gazed at you all spread out for him.
He looked beautiful like his. His brown skin illuminated only by the light that managed to creep through the blinds, his tattoo etched down one side of his body which still shined with the water from the shower. His cock was so hard with need, precum already pooling at the tip – you’ve barely even touched him. He was just worked up over touching you, breathing you in. He was average in length, but his thickness set him apart from any other sexual partner you’ve had. You ached to feel it inside you, but if he was taking his sweet time with you, it would be a while before you felt him stretch you.
Hunter was nothing if not thorough.
“Hunter…” you whined, sitting up on your elbows.
“Look so pretty like this,” he told you, not an ounce of insincerity in his tone as he crept down to his elbows, arms wrapping under and around your thighs as he pushed his nose against your centre. He breathed in deeply, and the groan that erupted from the back of his throat buzzed against your core.
“So good…” he murmured as he pushed his nose against your clit, making you jerk. He placed a kiss there before gently bringing it into his mouth to suck. You cry out, hips bucking up into his nose and he moans again before his mouth finally moves over you completely.
You arch your back off the bed as his tongue moves artfully against you. The sensation continued to stoke the fire that had been building the minute he wrapped his arms around you in the shower. You moved your hands to his hair, clutching the roots with your fingers and pushing him closer as he licked and sucked like a man starved. And in a way he was. Your hand was no substitute for this. He licked a line up, before bringing his lips around the bud again and sucking gently. You couldn’t think about anything but his hot mouth and tongue against you. You ground into his mouth, needing more friction as the pleasure began to build in your belly, coiling in hot spirals as Hunter continued. He groaned into you through his ministrations, and when he felt you clench on his tongue, he pulled you impossibly closer to his mouth as he moved his tongue faster. Your breaths filled the room, pants loud and moans echoing in the space. You could feel the mattress move underneath you and you looked down at him with hooded eyes to see him rutting against the mattress, getting off to the pleasure he was giving you.
“Hunter, please, I’m so—” Your words were barely audible, but Hunter knew what you meant as he pressed his tongue harder against you, bringing your clit into his mouth and sucking one more time, flicking it with the tip of his tongue. You cried out, the band inside you snapping as pleasure erupted.
Your back arched and you cried out his name like it was an incantation, over and over as he continued to move his tongue through your undoing, groaning against you as you came all over his tongue. Your hands tight in his hair, you tugged as you shuddered underneath him until the tremors slowed, and you lay breathless, limbs heavy. You looked down at him as he emerged from between your legs, mouth glistening with your come, coating his lips and chin. He licked his lips and groaned. The sight of it was so obscene you felt your body flush.
“Good girl,” he told you before he climbed over you, capturing your mouth in a kiss. You could taste yourself in his mouth and you moaned at the way his fingers briefly dipped inside you. “So good for me,” he told you against your lips. “Always so good.”
“Need you inside me,” you mumbled back.
Hunter groaned and you watched as he drew back to lean on his heels again, using the fingers he’d just brushed through your folds to lubricate his length. He hissed as he circled the tip and down the shaft before he coated his fingers again and slid them in his mouth, sucking them gently with his eyes closed, savouring the taste. You watched him, mesmerised.
Was this man really yours?
He positioned himself at your entrance, holding himself above you with strong arms, face over yours. His eyes were so intense, their brown-grey colour boring into you. He gave you a look, one that differed from the wanting gaze he’d been giving you. This look was one of tenderness, one that asked if you were still good – still okay with this. You nodded and he pressed his lips against yours once more before he eased himself inside you.
You gasped as you stretched around him, clawing at his shoulders as you locked your legs around his. He groaned as he bottomed out, filling you completely. He caught his breath and when you clenched around him, he made a choking sound, swearing.
“Been too long,” he whispered.
“Too long,” you repeated before he drew himself back out slowly. He pushed his nose into your shoulder again as he groaned loudly. Then he slowly began thrusting, the sounds of your moans and groans filling the room, along with the indecent sound of his skin hitting yours as his movements increased in speed.
“Hunter,” you moaned his name, and he groaned in response. His hands found your hips and he adjusted his position so he could reach deeper, and he continued to roll his hips against you, your hands clutching at his forearms as the headboard hit the wall repeatedly.
Sex with Hunter always felt amazing. Full of the kind of passion that almost didn’t feel real. It was full of moans and groans and tantalising touches that built you up and up so when you finally let go, the fall felt so good it was almost immeasurable. It was filled with kisses and though he wasn’t much of a talker, he would whisper how good you felt against him. No matter how rough he was being, you felt safe in his hands and cared for – he made sure of that. Being in the throes of pleasure with Hunter was an all-consuming feeling for you both, one that you relished whenever you got the chance. His time home was so fleeting, that anything you could both do to tell each other how much you missed the other, how much you loved the other, you would do. Later, you would use your words. But right now, your bodies spoke instead; each press, clench, shudder, whimper, and groan said the words for you both.
You could feel those familiar hot coils building again each time he buried himself in you, and you could feel his movements falter slightly as he came closer to his own release. He’d come up from your neck again and you looked up at him, mouth agape as his hair, now half dry, fell over his handsome face and the curled ends tickled your cheeks. You reached up and placed some behind his ear, hand cupping his jaw.
“Hunter—”
Hunter nodded quickly, eyes dark and pupils blown. “I know.”
Of course, he did. His senses were so in tune with your body he could feel the subtle changes of your arousal and smell the way your body was on the precipice of falling.
Hunter’s hands held your hips and the headboard, and he rocked himself into you, faster this time. He panted, a husky noise from the back of his throat sounding with each thrust as he brought you closer. You rasped out a string of yeses as the sensation that had been building rose to its peak. You locked your legs around his thighs, clawing at his back as you clenched hard around him, crying out.
Your back arched into him, fingernails forming crescent moon carvings in the skin of his arms as you shuddered against him. His name fell from your lips as you writhed underneath him, riding out your orgasm as he continued to sink into you on the verge of overstimulation.
“Come on, cyare,” you whispered to him as you were still trembling. "Still got my implant."
It wasn’t a second later until he gave a ragged cry as he stilled, spilling inside you. His eyes screwed shut and his teeth gritted as he groaned loudly – the way you had heard him through the apartment door before. Half collapsing on top of you, he pushed his face into your shoulder again, this time biting the skin there as his thrusts became languid, drawing out as much of his release as possible. You hissed as his teeth claimed your skin, but no matter how worked up Hunter was, he always made sure his bites weren’t too hard.
When Hunter’s shudders stopped, both of you caught your breath. You could feel his breath tickle your shoulder, and this was the first time since you’d been home that you registered the familiar musky smell of his skin. You smiled and kissed his shoulder while he was still on top of you, the tangy taste of his sweat on your lips.
Hunter slowly emerged from your shoulder and looked down at you, eyelids heavy and hair all tangled. You smiled, still dazed, and reached up to push it out of his face, tucking it behind his ear again. He smiled warmly at you before kissing the inside of your wrist.
He hissed as he pulled out of you, and the loss of him down there was so prominent you felt an ache. Hunter rolled off you and lay beside you on his stomach for a minute, his eyes drooping shut for a moment before he forced them open again.
“Hang on,” he said and kissed your shoulder lightly before pushing himself up and heading into the bathroom. You giggled as you heard the cupboard door open and shut before the tap turned on. You turned on your side, still half-limp, watching him wet a towel and then re-enter the room.
He sat next to you as he wiped between your legs sleepily, the warm towel a gentle caress on your skin before he placed it on the bedside table and lay down next to you.
You smiled and pulled the covers back so you could get under them together. They were damp from your hasty decision to not dry off beforehand, but they would dry as you slept. You watched as Hunter nestled himself in the mattress, eyes closing, but when you didn’t move closer to him immediately, he peeked an eye open. He reached out to you under the covers, with a frown.
“Come,” he said, his voice thick with exhaustion.
“I did. Twice,” you smirked as you let his hands circle your arms and pull you in closer.
“Shuddup,” he slurred, but he still smiled, kissing your temple as he tucked you against his chest. You breathed in the scent of him as you rested your head on him.
You chuckled. “You smell like me.”
“Good. Need to smell like you forever,” he pushed his nose in your hair, taking a deep breath in. “What is the name of this soap, anyway? Gonna place an order.”
You laughed. You loved he was like this – all soft and sleepy after you’d come together. It was a side only you saw, the shedding of that broody exterior he reserved for his service to reveal the tenderness that was a secret for your eyes only. “I think it’s generic brand vanilla and starflower.”
“Smells fucking incredible,” Hunter mumbled, making you laugh again. You kissed his chest and after a moment of silence where all you did was breathe together, he said, “You okay? I didn’t plan to do all that the second I saw you.”
You smiled. No matter how exhausted he was, he always had to check in with you.
“I’m really, really okay, Hunter,” you told him. “There are worse ways to be greeted upon returning home.”
“I at least wanted one conversation with you before I had my way with you,” Hunter murmured in your skin, kissing your shoulder again, this time where he had bitten you, his lips soothing the slight ache there.
“Talking is overrated,” you joked with a shrug, snuggling into his chest. You felt it thrum with a deep chuckle. He knew you loved to hear him talk.
“Tomorrow, we can talk. I have so much to tell you,” he breathed, lips brushing your temple.
You smiled. “Me too. Tomorrow.” You patted his chest gently. “Sleep now, cyare. I know you’re exhausted.”
Hunter hummed, on the cusp of slumber. “Tomorrow.” You felt his body relax. “Love you, cyare,” he mumbled into your hair.
You heard his breathing become deep and even, his chest rising and falling, his heartbeat steady against your palms. You smiled, closing your eyes. “Love you more.”
banner art by @vimse thank you for reading! <3 again, this is my first time writing a full smut scene like this so feedback (delivered kindly) is really appreciated!!
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TAGLIST FORM
if you're a regular on my tag list but haven't been tagged, it's bc your age isn't in your bio/have said you prefer sfw fics.
#larissa writes#hunter x reader#hunter x reader fic#hunter bad batch smut#hunter x reader smut#hunter bad batch#huter fic#hunter bad batch fic#the bad batch hunter#the bad batch smut#tbb huter#tbb hunter x reader#tbb x reader#bad batch smut#hunter smut
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Hey, I love the comic! I love how the storywriting stays true to the original series but also adds its own fun spin on it! You've actually inspired me to write my own Blue diamond AU, lol.
Anyways I have a question for making comics just in general. How can you make dynamic compositions in such a small space. I honestly love how intricate all of your panels fade into one another!
So, if you're okay with it, I was wondering if you could give me some tips on how that would work?
Anyway, I love the comic and stay awesome!
:D
Your own comic - that's awesome to hear! It's always exciting to start something like that. I wish you the best of luck in your goals!
As for the paneling - honestly, the first step is to stop thinking of it as a 'small space'! The truth is, even on a small mobile screen, we can fit a lot of detail. And as long as we know how to use the space wisely, it's not ever going to feel small.
Ironically, cramming MORE into a panel makes it feel smaller.
Drawing less on a panel makes it feel larger. Weird, isn't it?
My more general advice is... STUDY MOVIES!
Don't just WATCH movies. But study them. Movies are like comics for dummies because there's only one size and shape of a panel and all the characters do the hard work of acting for you. (It's a joke, don't kill me.)
Anyway, the paneling in movies is versatile and interesting BECAUSE they're putting that single wide panel to the best use. If you already drew some comics, compare them to a movie screenshot and see what's different! Then, ask yourself why a certain angle, or a certain cropping of an image works better.
You'll find that there's some awesome ways to cram fun details into even the smallest corner of a panel. :)
There's also some awesome art resources by more talented comic artists than me out there. I'm sure others will link them in the comments, but for now, here's one I found:
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Energon Megatron X Reader
NSFW 18+ ONLY
LAST SURVIVOR
__________________________
You're the last one left. The Decepticons have taken ocean city and Megatron has chosen to keep you alive to reward himself for his hard work.
__________________________
Head pounding, vision blurry, you came to in the autobot control room in ocean city; the cold metal of the floor a stark contrast to your building anxiety as your eyes darted around the room. It started flooding back to you when you noticed SnowCat and Demolisher in the corner giggling at you lying defenceless with your hands tied: the Decepticons had taken the city, Optimus was off-world with most of the autobots leaving you with a small crew, none of whom you could see in the room with you.
The live feed which was broadcast from the large screen that sat at the front wall of the room was still running, maybe the Autobots were on the way to get you out of this if they could see the situation unfolding wherever they were.
They weren’t able to help you right now though, as you could hear heavy footfall approaching the control room. Megatron.
The Decepticons in the room quickly straightened up as their leader came into view, he was imposing, towering blue frame dwarfing his subordinates and glaring yellow optics darting between Demolisher and Snowcat, prompting them to leave. You began to strain against the wire holding your hands together, a lump forming in your throat as you imagined what was coming to you. Tears began to sting in your eyes knowing you would be meeting your end today.
“Now, now, human. I’m not going to extinguish you.” He boomed from the control panel, staring you down, “I only require something from you. And who knows, if you comply I might just let you walk free…” his tone was sickly sweet, he was clearly enjoying the suspense he was creating.
“I don't have any information for you, Megatron” You spat, assuming the Decepticon leader was after access codes or autobot intelligence, “you may as well kill me now and get it over with” defeated, you stopped fighting your restraints, only hoping the pain you were going to endure would be quick. Approaching you slowly, Megatron let out a low chuckle, shaking his head. “Oh no no no, small thing, that's not what I want at all! You see, I’ve taken my time extracting everything I need from your Autobot friends, they were ever so useful”. He stopped as close to you as he could be without having crushed you under him, his optics dark, observing you intently. Looking around in the hopes you would see the rest of your crew, Megatron began to laugh again, “Don’t bother. They can’t help you now”.
Noticing a glint in his gold optics, your heart sank, realising your friends had been extinguished, you were all alone at Megatron’s mercy… and if you weren’t mistaken, he was after something much more personal than information.
“Please, Megatron, don’t do this, you’ll kill me. You know it'll kill me-” Begging for a more dignified death than being split open by a Cybertronian’s spike, using your legs to push yourself away from him.
“Stupid creature, is that what the autobots have told you? They're classless, they interface like animals, but me?” he trailed off, velvet voice hanging in the air as if he were considering ways to bring you round before resorting to force, “I promise you’ll survive. You may even enjoy yourself-”
“Enjoy myself!? After you’ve just decimated our home?” anger taking you over, heat rising to your cheeks as you berated him.
Cutting you off, Megatron lifted you off the cold ground, his large servos holding your body painfully tight as you squirmed in his grip. Your eyes widened as you realised what was happening: Megatron was striding towards the live feed’s main camera stopping mere feet away from it. He knew full well that every autobot on or off world had access to the feed 24/7, too and they were all about to bear witness to what you would be reduced to.
Unable to resist with your hands tied, Megatron made quick work of removing your clothes, ripping the fabric as to ensure he wouldn't have to set you loose. He held you up in front of the screen, working one warming servo down the front of your body, exploring every inch with hard grabs and pinches, making you wince, until he got down to your upper thighs. He took harsh handfuls of the soft skin, the pain making you yelp and hiss, giving him exactly what he wanted.
Before you could process the heat flushing your cheeks, megatron had brought a large finger to your entrance, teasing at it, feeling how wet you were already under his rigorous touch. Bringing his mouth down to your ear, he let out a low hum, almost as if to let you know you were pleasing him. “You know our dearest viewers can see what a mess you're making for me already?” He laughed into the question, watching the embarrassment of knowing that someone was watching on your face morph into excitement and back again.
“Please-” Your breaths already short, “Just put it in”
“How impatient!” Megatron’s tone was mocking, and it was working for you “but if you insist, it only means I can take you sooner”
With that he finally began to slide his forefinger into you, sending waves of pleasure through your entire body.
You threw your head back, giving in to the feeling. Besides, there was nothing you could do about it. Seeing this, Megatron increased his pace to try and get even more of a reaction out of you, your moans only just covering the quiet hiss of him releasing his spike.
“Such a good girl,” he snickered “I never would have guessed you’d be so easy to break”
Praising your cooperation to the live feed, who could see everything from your eyes rolling to the puddle forming in megatron’s palm, he decided to let you enjoy yourself for a little longer, his sick degradation bringing you closer and closer until you feel yourself begin to finish on his hand, breathing shallow and legs quivering.
“Oh is that good? Hm?” He slowed his movements, but you could only let out an affirmative groan in response. “I asked you a question, human. How dare you deny me an answer.” There was genuine annoyance rising in his voice, so you mustered up an answer for him as not to cut your enjoyment (or life) short “y- yes… so… so good”.
“That wasn't so difficult now, was it?” Megatron’s optics shifted between your shaking form and the screen as if to acknowledge whoever sat watching on the other end of the feed.
Retracting his finger from inside you, he lowered you down ever so slightly. You jolted in surprise at feeling his spike fully pressurised beneath you, slick with transfluid already. Without so much as a grunt, Megatron began to work his way into you with an excruciatingly gradual pace, stretching you slowly around him and making you scream with both pain and want. It felt so good despite the agony, your wails now filling the room entirely as he ran out of space inside you. Barely half of him fit into your tight hole, but he didnt seem perturbed at all, he simply moved his grip to your thighs, your knees now spread, level with your chest.
You were utterly helpless, sitting on Megatron’s spike, screaming. All while under the watchful eye of every autobot crew with access to the signal.
His movements were relentless and calculated, hitting you at the perfect angle with every thrust of his hips, he seemed not to tire at all from the exertion which led you to wonder how long this was going to go on for exactly… Hours? Days, even? Megatron’s moans are low, filled with want as he begins leaving bites up and down your delicate neck, the pain only serving to amplify the sensation of his spike inside you.
“Oh how pathetic, it seems you really will let me do anything to you so long as you get your little hole fucked” Megatron was now musing to himself between guttural sounds of appreciation, getting lost in the sensation of such a tight body.
Snapping the both of you back to reality was a loud notification on the control panel. Someone was watching for sure now. Embarrassment flooding your body, it only drove you closer to finishing once more as your captor leaned forward to dismiss the message. As he does, one servo leaves your thigh dangling, moving to your throat after the control panel.
“‘how does it feel to have an audience like this? Everyone knows how little it takes to use you like this, and I bet they will the moment they get the chance”
With that you released again, gushing onto Megatron's spike and the floor below and leaving a clear puddle beneath you both. The angle he had you held at meant you had definitely splashed the main lens of the camera, not that he cared now. The sight of you so undone on his huge spike sent him feral, holding you flush to his torso with one clenching servo, and supporting himself on the control panel with another, your legs swinging with every thrust as he started twitching inside you, ready to finish himself. Megatron’s moans now matched your own as he drew closer to his overload, growling into the nape of your neck as he gripped your small body harder. And harder.
“You're going to take it, human,” He sounded desperate, “All. Of. It.” his words punctuated by the movement of his hips, taking the breath out of your lungs as he coated your walls with his transfluid, warm and thick, too much for your body to hold.
“Yeeeeeeeeees,” he groaned, the tension in his giant body dissolving with every slowing thrust. Your eyes trailing down to your own thighs, now covered in his release which was dripping into your own on the floor.
Panting and shaking you look once again at the feed monitor, entirely spent, at least you could go free now, maybe find a way to convince the autobots you hated every second of it despite the flush of tired bliss that washed over your skin and every sound you made as he was still deep inside you.
Your hands still bound, you struggled to move as your aching legs begged for support but Megatron seems to notice this; lifting you slowly off of his emptied spike, causing more of his transfluid to splash on to the metal flooring, the sound echoing throughout the empty room.
“Is..” you panted, “is it over Megatron?”
“Oh you silly thing, I’ve barely begun to have my fun with you”
__________________________
This is a repost from my AO3 and people seemed to like it over there, so let me know what yall think!
Part 2 below!
Edit: doing some drawing inspired by thic fic so stick around hehehe
#transformers fanfiction#megatron#transformers energon#energonmegatron#megatron x reader#megatron x human reader#transformers smut
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GREAT TEACHER, GOJO
For my final commentary on chapter 236, I thought I'd talk about this panel the starter of a million flame wars on twitter dot com. The big controversy is Nanami stating that Gojo fought only for himself without mentioning his students which a lot of people thought was a last minute reversal on Gojo's character, or character regression.
I'm not going to call anyone stupid, or say if you have good teacher Gojo headcanons you're wrong. However, I'd like to point out that Gojo's always been more complicated than most shonen mentors. He's not Kakashi, and he's not Aizawa, and I'd argue the fact that he's not the standard "I'd die to protect my students" mentor we see in shonen manga is what makes him interesting.
The Springtime of Youth
Jujutsu Kaisen is a shonen jump manga that is very aware of the other manga that are running in the same magazine and uses that awareness to play with audience expectations.
To put it simply if you don't want to use words like Deconstruction - if you're reading Jujutsu Kaisen then things are probably not going to go the way you expect them. It's not Naruto, it's not My Hero Academia, it's a little bit like Bleach except characters actually die.
If you expect things to go one way in Jujutsu Kaisen, then you're going to be thrown a curveball. To name some examples briefly before diving into Gojo.
Yuji Itadori is a normal boy protagonist suddenly dragged into the world of the supernatural.
However, everything goes wrong from there. Jujutsu Sorcerers are not heroes. Yuji is told that much from the beginning by Megumi within the first thirteen chapters. The world of Jujutsu Sorcery is not a good place to be, Yuji is initially excited to be a sorcerer and to be a part of this world and then learns that lesson fast. I mean, imagine if Deku was accepted to UA, and then he immediately learned that students at the school die on the regular and all the adults are either terrible selfish people, or if they're not they die too like Nanami because being selfless means sticking your neck out for someone else.
Yuji's not really special in the narrative. He's just a kid who swallowed a finger. He doesn't have a secret technique. We're hundreds of chapters in and he's still just punching people. If he's cornered in a fight he doesn't unlock a secret technique either, he just loses.
Yuji has a superpowered evil side, like the nine tailed fox, or Hollow Ichigo except it's not really his super powered evil side. It's an evil parasite attached to his soul with a will of its ownt hat will manipualte him. Hollow Ichigo and the Kyuubi can escape temporarily and there's usually no consequence. Sukuna escapes twice, the first time he nearly kills Megumi, the second time he kills thousands.
Yuji is kind of like a main character who is not a main character.
If you still believe he's the main character, then you can agree he's punished for thinking he's the main character and therefore things are going to be easy, because nothing is ever easy in Jujutsu Kaisen.
Megumi is a riff on the chosen one. He's supposed to be the Gojo Satoru of his generation, born with the strongest technique that ca even surpass the limitless and he's nowhere near the level he's supposed to be. This is because Megumi has been continually failed by every adult figure all his life, starting with his father who sold him, then Gojo the man who SAVED* him techically but with a big asterisk that he needed to become his student and do jobs for Jujutsu High School otherwise Gojo would just let the Zen'in take him or let them starve I guess. Megumi has no adult figures to rely on, and has been given very little freedom about who or what he wants to be in his life, and therefore he's a very passive, repressed individual who's riddled with insecurities. Megumi doesn't want to be the strongest like Gojo, or like many hero / rival characters in shonen manga. Megumi doesn't even know what he wants to be, because he's never been given any choice in life.
If you don't think Megumi's a deconstruction of any sort of character type, look at those posts on twitter that are like "Look at the black haired depressed shonen boys" and then look at Megumi, he's never actually like any of these boys because he's much deeper and probably closer to being the main character than Yuji is.
Then we get to Gojo who is very unlike all the other mentors in shonen manga.
If Yuji and Megumi are both riffs on a main character, a hero in a world so cynical he's not allowed to play hero and actively punished for it, and a chosen one who doesn't want to be the chosen one then you have Gojo as the mentor who's nothing like the classic mentor.
The problem with mentor characters in fiction is that number one they die a lot (spoiler warning Obi Wan Kenobi dies in Star Wars just so you know) and number two they're not usually the most complex character in the cast.
What is the mentor there for?
To Mentor (duh.)
What this means is they are usually a fully formed adult who can teach a lesson to the main character, who in shonen manga is typically a teenager.
I say they're usually less interesting because stories are about characters changing, or characters learning lessons. A teacher presumably already has learned his lesson. They are usually at the end of their journey and not the beginning, that's why they can offer wisdom to the main characters. They're not usually their own separate characters because of this - a narrative doesn't have time to waste on a character that's not going to change.
Jung had a term for this character, it's called the Wise Old Man.
In Jungian analytical psychology, senex is the specific term used in association with this archetype. Examples of the senex archetype in a positive form include the wise old man or wizard. In the individuation process, the archetype of the Wise old man was late to emerge, and seen as an indication of the Self. 'If an individual has wrestled seriously enough and long enough with the anima (or animus) problem...the unconscious again changes its dominant character and appears in a new symbolic form...as a masculine initiator and guardian, a wise old man, a spirit of nature, and so forth'.
The role of the wise man archetype is to help other people along with their ego development, because usually they are already fully developed individuals.
Obi Wan is the most typical of typical mentors, and he dies in Star Wars because after he finishes teaching Luke he has nothing to do. This is Luke's Hero's Journey. Obi Wan's already happened offscreen, he's at the end of his journey there's no room for change or growth in him because his story purpose is to exist to advise Luke and to do that he needs to be a fully grown adult figure.
The subversion to this when the mentor has their own agenda (Gandalf), or the mentor is as flawed as the main characters themselves and so therefore he has something to learn.
Gojo is kind of a combination of both, like Gandalf he is the mysterious but seemingly all powerful wizard (er... or rather sorcerer) with his own agenda, and he's also practically the fourth member of the main cast who are otherwise all teenagers. In fact, Gojo spells out his agenda in the same panels that everyone uses to constantly assert that Gojo is a good teacher who only wants to protect his students.
He wants to make the Jujutsu World a better place (good) which is why he is raising students so he can turn them into his political allies to make a regime change (hidden agenda).
It's a means justifies the end type scenario. In Gojo's mind the means (raising kids as tools in support of his political agenda) justifies the ends (a better jujutsu world for those children). His motivation is still the same. This is what I think people most often get confused about with Gojo's character. I think he is one hundred percent genuine about wanting a better world.
"I have a dream, I want to reset this crappy Jujutsu World" is his motivation, but not his means. He uses his students as a means to achieve that end. Even if it's purportedly for their sake, he's still using them. I don't even think this is subtext it's text, both Megumi and Yuji call themselves cogs.
"But senpai, what's your function...?"
You could say in this case that the ends don't justify the means. Is Gojo really protecting these kid's youth, if Yuji and Megumi are going around calling themselves cog and acting like they don't matter in the grand scheme of things? In fact the narrative is inviting you to question if Gojo's ends justify his means.
Gojo's ideals can be one hundred percent real, but he can also pick faulty ways of choosing those ideals that fail to live up to them. In fact most people fall short of ideals, that's why they're called ideals. Gojo is taking these kids in because they have strong potential as sorcerers and he wants to recruit them, that's his hidden agenda. It's confirmed in databooks in Yuji and Yuta's case, and even if you don't trust databooks as canon then look at how he treats Megumi.
Megumi is explicitly Gojo's student, not his son. He only intervened in Megumi's situation on the caveat that Megumi work for him. Presumably, if Megumi didn't want to be a sorcerer and just wanted to be a normal kid, Gojo would have either let the Zen'in have him or do nothing. The option of just calling child services and getting someone to foster Megumi until he was older didn't even seem to cross Gojo's mind. There's the help he gives (Food money, rent, protection from the Zen'in) and then the hidden agenda (Don't work for the Zen'in who are my political rivals, you're my student now).
Yet at the same time Gojo is shown going to find Megumi after Geto's defection, probably because of the words he said to Yaga "You can only save those who want to be saved," when he realized it was too late for Geto. Was he intervening earlier for Megumi because he learned from being too late with Geto? Did he think Megumi needed guidance, or did he think Megumi needed protection in his youth so the Jujutsu World wouldn't corrupt him like it did Geto, or did he think he just needed to make it so Megumi was strong so he wouldn't fall behind him because Geto fell so far behind him once Gojo became the strongest. There's ambiguity there, because the hidden agenda is you know... Hidden. That's what I mean with Gojo though, you can look at him from multiple angles, he's not just (I love my students I'd die for them) because that character would only have one purpose in the narrative and that'd be being the perfect mentor who teaches them all the right lessons.
Gojo's not like other mentors, and in fact he's a commentary on the mentors that everyone is always comparing him to and expecting him to be like.
Literally everyone who reads Naruto has the exact same response, "I hate how the manga never talks about how it's a bad thing to send these child soldiers into war, and nobody breaks the cycle."
There are a lot of people unhappy about the same thing in My Hero Academia, "Why does nobody talk about how wrong it is that the adults make these high school students fight on the battlefield."
Well there you go. That's Gojo. His dream is to make it so Jujutsu Society is a place where teenagers can survive until adulthood. His method of doing so is to... raise those teenagers to be stronger than the previous generation, but you know still letting them be child soldiers on the battlefield just stronger ones. He does this because if he's working within the system the his two choices are raise a group of people who can age out and replace the old regime, or just kill everyone at the top.
Everyone complains about how no one talks about the child soldiers in Naruto or My Hero Academia, but here you go, we have a manga that is centered around how messed up it is to send high school students to continually fight these curses before they even turn eighteen. Gojo's sending these kids out there still even if he wants to change things, and it's supposed to be a little messed up and also a contradiction to what his ideals are supposed to be.
Because in My Hero Academia you have characters like Aizawa and Kakashi who are "I will die for my students" but then they just send those teens out to fight in a war, and seem totally fine with that. It's a hole in the writing, but this time it's done on purpose, to ask why these adults are always comfortable sending teenagers out to fight for them?
Jujutsu Kaisen provides two answers, number one the system is inherently corrupt and it sees the youth as cogs because the system is rooted in traditions that keep the elderly in power. Number two, in Gojo's case at least this is exactly what it was like for him growing up as a child. Gojo is just repeating with his students what was done to him, subconsciously.
The reason Nanami said this, and then repeated it in this most recent chapter is Gojo was born to be a Jujutsu Sorcerer. Being a Jujutsu Sorcerer is a highly deadly occupation for everyone else, except for Gojo. Not only that but because he's so good at it, and he's so lauded for it he's built his entire identity around it. Nanami's not just saying that Gojo is selfish, he's also saying that Gojo thinks being a sorcerer is a good thing. It is the end all, be all of Gojo's existence.
He doesn't want to make it so sorcerers don't have to fight, or make it so all cursed energy is gone for the world like Yuki Tsukumo, his dream is actually kind of limited in scope he doesn't want the school days of his students to be destroyed by the outside world the way it was for him and Geto.
Gojo looks at the symptoms and not the cause. Geto defected, Haibara died, Yaga wasn't really able to do much for his students in both scenarios. Gojo deduced it was because the elders and regressive policies were holding people back in favor of keeping the regime in charge (correct) and that because of that the sorcerers in Gojo's high school years just weren't strong enough to keep up (this is just what Gojo thinks).
His words to Megumi are encouraging him to be strong so he won't get left behind, which as I speculated above might imply Gojo thinks that part of what went wrong with Geto was that he simply wasn't strong enough to keep up with Gojo or stay on his level. If not then he still encourages Megumi to get strong before everything else, he's not taking care of these kids emotional needs, he's pushing them to get stronger because in Gojo's mind that's the be all end all solution to every problem.
"Nanami's line was not saying that Gojo doesn't care about children, it's saying that "You live for Jujutsu." It is the lens through which Gojo sees everything, and so therefore he doesn't think of breaking kids out of the Jujutsu World, just making it a place that's slightly more safe for them. Gojo's ego is so strong that he only ever sees things from his point of view, being a sorcerer was fun for him, his high school days were the happiest time in his life before they got ruined by outside forces.
He's trying to protect those days for his children, but he's not arguing against the existence of an institution like Jujutsu High in the first place. He's not saying the teenagers should never be sent out on missions, he's saying we need to make the teens stronger. If they're stronger than they won't die (that's probably true but they'll be even safer if they don't have to go on missions in the first place).
Now we have a reason! Why do Aizawa and Kakashi send out child soldiers into the battlefield if their goal is to protect their students? Because it's a shonen manga and the main characters are all teenagers.
Why does Gojo send out teenagers to fight for him if he wants to protect them, well I just explained it.
In fact, the entire purpose of Nanami in the story is to give us a character who explicitly treats children like they are children and not miniature adults. Who acknowledges that this is emotionally hard for children to deal with and they shouldn't have to do that.
Nanami's lines of "I'm an adult you're a child" and "Being a child is not a bad thing." would not have the weight they carry if they weren't so different from the way that every other adult in the story (including Gojo) treats children.
Nanami and Gojo have the same goal of making being a Jujutsu Sorcerer easier for children, but Nanami practices what he preaches. He tells Yuji to stand back and that he doesn't need to fight if he sees an enemy that's too strong, to let the adult on scene handle things first.
When he sees that Yuji is disturbed by the idea of killing former humans that Mahito had changed with his technique, he consoles him. He knows that Yuji is a sensitive kid and tries to spare him as much of that grief as possible. When he leaves Yuji behind he tells him explicitly that he's the adult in this situation, he shouldn't be forcing a child to help carry that burden if it's not necessary.
He also explicitly tells Yuji that being strong or jumping into life threatening situations =/= as growing up. Nanami is a character aware that the problem isn't that the children are not strong enough, but that too much responsibility is being thrown on these children. That there is a difference between what children and adults are emotionally capable of. Gojo doesn't see that difference because he reached enlightenment as seventeen. He even explicitly chose Nanami because Gojo knew he wasn't good at that stuff.
Nanami was not saying that Gojo doesn't care about children, Nanami was saying Gojo lives to be a sorcerer, Gojo who loves sorcery doesn't understand why being a sorcerer is too much of an emotional burden on a child. He just doesn't. He literally says his students are flowers.
Now, here's the kicker. Nanami dies.
Nanami wanted Yuji to not take on too much responsibility, and he died leaving Yuji with more responsibility than he could ever carry. Nanami failed in his goal, despite the fact he is the most responsible and well-meaning adult in the story who treats children like they're children.
The reason he dies is because this is what happens to people like Nanami in Jujutsu Society. The whole of society is built to condition people into being cogs and Nanami who's just one person can't overcome it on his own. I can write a whole meta on how Nanami's way of dealing with children is way better than Gojo's and yet they do essentially the same thing, throw way too much responsibility onto Yuji even though he's just a kid. They're both too ingrained in the system to make any sweeping changes, and that's why the child soldiers keep on child soldiering.
Gojo as a Character
The second reason as eluded above that Gojo is not meant to be read as a perfect teacher, or even a good one really is because he's the fourth main character of the cast. If you are a main character, then you need a flaw, and an arc where you either improve upon that flaw or you succumb to it in tragic fashion.
Gojo's not the perfect adult mentor, because he's kind of in the same place as the kids themselves. I think there's a reason we never learn anything about Gojo's backstory, we know nothing about his parents, the Gojo clan, because those details aren't as relevant. The most important thing about Gojo is the three years he spent at high school, because that was the only time he felt like a person, and also because he is trapped there mentally.
There's a reason that Gojo's dying dream is him imagining everyone reset to seventeen years old, because that was where the clock stopped for him in his youth, and that was where all of his regrets as an adult come from. His motivation to help teenagers today only comes from his own youth being ruined, and the adults in his life failing to protect him.
It's very likely that Gojo who lives for Jujutsu probably would never have realized the problems in his current society, if his youth wasn't ruined by those same adults he's now fighting against.
The reason most mentor figures in fiction are not main characters is because as adults they don't really need to grow up anymore. The obvious solution is that you just need your mentor character to just fail to be an adult in some glaring way.
To show how Gojo falls short as an adult, especially in regards to these children and how he treats them is to drag him down from all powerful, all knowing wizard, and make him struggle with the rest of the main cast. Gojo is not a positive adult figure in these kids lives despite having the best of intentions, because he's not really an adult.
I guess if you were already the best and strongest person in the world at seventeen, smarter and more capable than all the adults around you, you wouldn't really feel the need to grow up. Coupled with the fact that you are alienated from other people and do not relate to them on a personal level that's not going to help with your identity formation.
I mean I constantly compare Gojo to Superman, but to be fair to Gojo instead of bullying him like I usually do Clark Kent was raised by parents who raised a boy not a superman, and who constantly tell him that he's just a normal person, his powers don't make him great, it's his heart.
Nanami says that Gojo only fights for himself that ""You don't wield Jujutsu to protect something, you use it solely to for your own sake. What a weirdo" it's likely Gojo only fights for himself because he's never ben told that's he's more than just the six-eyes and more than just the limitless.
The best way to make a mentor a part of the cast, is to make them through some way or another have failed to grow up properly in their youth and therefore they need to do it while the story is taking place. We know how Gojo failed, his springtime of youth ended early, it ended the day he couldn't stop Geto from leaving, the day he can be the strongest sorcerer ever and still fail because sorcerer society is too corrupt for one person to handle alone. We also know he didn't really grow up past this point, because he still thinks the solution is to make people be stronger. Why does he not do anything about Geto for 11 years? In story terms he's basically suspended in time unable to grow past Geto. Kenjaku literally uses the trauma from his youth and the memories that seeing Geto alive would provoke in Gojo again, to trap him because he knew it would make him freeze up. Gojo is frozen in the past, he failed to grow up in story terms and must now grow up while the main story itself is taking place along with the children he's trying to raise.
This is how you make a mentor interesting. You have to make them flawed in some way that makes it worth having them onscreen, because a perfect mentor only serves one purpose to teach a main character and then he's gone.
Dazai Osamu from Bungo Stray Dogs is a character that's almost as massively popular as Gojo. Similiarly, he is a teenage genius who found trouble relating to other people who is now as an adult attempting to mentor two children.
However, Dazai's faults as a mentor are made much more explicit.
Dazai suddenly punched Akutagawa in the face, preventing him from finishing his sentence. Akutagawa flew back onto the ground, his head bouncing off the stone flooring with a thud. "Perhaps I made it look like I wanted to hear excuses. Sorry for the misudnerstanding," Dazai said while rubbing his knuckles. "Urg..." Akutagawa moaned. He'd hit his head so hard that he couldn't even stagger to his feet. "Give me your gun," Dazai ordered one of his men. The subordinate was hesitant but nonetheless handed over his weapon. Next, Dazai removed the magaine from the automatic pistol, took out all but three bullets, then put the magazine back in. He immediately pointed the gun at Akutagawa, who was still on the ground. "I have this friend who's supporting several orphans all on his own, you see," he continued his weapon still drawn and aimed at the boy. "AKutagawa I'm sure Odasaku would've been patient enough to give you the guidance you needed had he been the one who'd found you on the brink of starvation right in the slums. That would have been the 'right' thing to do. But 'righteousness' doesn't take very kindly to me. And there's only one thing people like me do to useless subordinates." Dazai mercilessly pulled the trigger the moment he finished his sentence.
(Don't worry, Akutagawa lived). Dazai is a character who had a troublesome youth he never grew up from. He was too smart for the world as a kid, and because of that joined up with the mafia because he wanted to feel like he was more connected to life and other people by getting closer to death (weird dazai logic I know) and was the best of the best at it, but it only drove him further away from people. He makes one friend, and loses that friend similiar to Gojo. Just like Gojo too, that friend is the one who gives him his purpose as an adult that drives him to mentor young people.
"Odasaku.. What should I do?" "Be on the side that saves people," Odasaku replied, "If both sides are the same, then choose to become a good person. Save the weak, protect the orphaned. You might not see a great difference between right and wrong, but... saving others is something just a bit more wonderful."
Is this not what Nanami said just in different words. Odasaku tells Dazai point blank, I know you're selfish, I know that you don't really have any concept of good or evil but you can choose to save others anyway.
Isn't this what Gojo does?
He is selfish. He doesn't really consider the morality or his actions or get hung up on the idea of protecting the weak like Nanami or Geto do, but he still does go out of his way to live for the ideal of saving children.
Both Gojo and Dazai are characters who are struggling with this ideal of saving the children, because while their ideals are good they themselves as people are morally gray. Adding onto that, they're also children and a good deal of their backstory is devoted to showing why they never really grew out of the mindset that they held as children.
The story doesn't call them horrible monsters for it, it's just saying that they need to grow up or face the consequences of not growing up.
"I have one regret," I said. "I never got to say good-bye to my friend. He was always there for me as 'just a friend.' He was bored of this world and always waited for death to come for him." "That man was in search of a place to die just like me?" "No, not exactly," I answered. "I thought you were similiar to Dazai at first, rushing into battle and wishing for death without even considering the value of your own life. But he's different. He's sharp-witted with a mind like a steel trap. And he's just a child - a sobbing child abandoned in the darkness of a world far emptier of the world we're seeing." He was too smart for his own good. THat was why he was always alone. The reason why ANgo and I were able to be by his side was that we understood the solitude that surrounded him, and we never stepped inside it no matter how close we stood. But in that moment, I kind of regretted not stepping in and invading a little.
Does that sound like the narrative is condemning Dazai for being who he is? No, it's Dazai's best friend offering empathy and understanding for how lonely it must be, and how if Dazai made real connections with people then he could have a chance of growing up like everyone else. That's what the narrative challenges Dazai to do while empathizing with why it's harder for him to and why he's still trapped in his youth, because to take care of children you need to be an adult yourself. Otherwise if you're a child, and I'm a child, then nobody's driving the plane.
Rupert Giles from Buffy the Vampire Slayer is another mentor who faces the same moral dilemna that Gojo does. In fact his entire character revolves around the fact he knows deep down he's sending a kid to her early grave.
Buffy is the Chosen One TM. One girl in all the world is chosen to fight the vampires. Much like sorcerer society, there is an entire bureaucracy dedicated to identifying the chosen slayer and then raising her up and guiding her as a weapon to be used against the threat of vampires and demons.
The watchers are all adults. The slayer is a teenage girl. The slayer slays. The watchers watch. Just like in Jujutsu Kaisen, there is a necessity for the Slayer to exist, because the alternative is just letting vampires eat people. Yet even if the slayer needs to exist, at the end of the day a bunch of adult men are sending a teenage girl to fight for them.
All Slayers die young. All of them without an exception. No matter how good of a mentor is, no matter how much he cares about her, Buffy is going to die one day, and Giles is going to watch. Because that's what the watcher does, they watch. Sending her on missions means Buffy's in danger, not sending her means innocent people are in danger.
It's a scenario that's pretty much like Gojo's, and the narrative of Buffy makes it explicit that Giles really can't be a father figure to bufy in this scenario. A father would have to choose to put their child above the world and keep them safe, not send them out straight into danger.
It is a choice that Giles makes over and over again. He is always her watcher and never her father. There's a season 3 episode where Giles literally drugs Buffy as a part of a test to prove she is "worthy" of being a slayer. A test that deliberately puts her in harms way that he complies with - because the system told him to. A choice to be her watcher and act according to what the council of watchers wanted and not what Buffy wanted. A choice that shatters the illusion that Buffy had of him, showing her that Giles is only there to teach her to be a Slayer, not to take her to the iceapades or buy ice cream with her.
In this scenario Gojo is very much like Giles as no matter how much he may personally like these kids, he is not their father, and there is only so much he can do for them when he's still feeding them into the same system. Giles loves Buffy, Giles wants to protect Buffy, Giles is a part of the system that exploits Buffy. Giles is an adult asking Buffy to risk her life to save the world.
Gojo goes out of his way to recruit Megumi, Yuji, and Yuta among others. Gojo still doesn't let them be anything other than sorcerers, and as sorcerers they're still guaranteed to one day die and probably die young. Gojo wants to revolutionize the system he is, but he still sends out his students to do missions as part of that system. He's not letting them escape it, he's just making them be stronger sorcerers.
Not only is Gojo not a father figure to Megumi, he is exploiting him more or less. The option of Megumi not being a sorcerer isn't on the table. No matter how well-intentioned he may be, or how good his ideals are he's still an adult telling a child to make a sacrifice for the world.
So, there are two character conflicts with two different mentors that both reflect Gojo. Gojo cannot grow up because he's still trapped in the tragedy of his youth. He himself is not an adult, for various reasons (lack of connection to other people, trauma in his youth) he's egocentric like a child but there are children in his life who need him to be.
Gojo also cannot be a proper adult, because he is part of a system that exploits children. We see what the system does to proper adults like Nanami, he shows us just how much well-intentioned adults struggle to help kids under sorcerer society so how about Gojo who thinks being a sorcerer is really fun. A proper adult would never send kids on those missions, they'd find some way to shield them but Gojo cannot do that. Because sorcerers are short staffed and innocent people will die if he doesn't. Because Gojo isn't the sorcer-king of Jujtusu Society and is working within it to affect change. There are reasons, but still Gojo is failing to live up to his desire to protect children because he's not doing what a responsible adult should do in this situation.
Gojo's failures are two-fold, and yet it's because of those failures that he was a main character who got as much special plot attention as he did. If Gojo was a perfect teacher he wouldn't be a character. After all, we relate to the struggles of other human beings we see onscreen in television and in movies so why would we care about a perfect character?
Gojo has a lot more to say about teachers in shonen manga, and also about childhood vs. adulthood as a bad teacher struggling to be a good one, then a teacher who's already perfect. Nanami said those lines because he wanted us to understand the audience that this is who Gojo is, he is a selfish and egotistical person who nonetheless was trying to do good things.
#jjk meta#gojo satoru#satoru gojo#nanami kento#kento nanami#jujutsu kaisen meta#jujtusu kaisen#jjk spoilers#jjk 236#jujutsu kaisen spoilers#dazai osamu
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I am back on my bullshit, and with my bullshit I mean over analyzing small details in media
In this case the recent pages of Kill Six Billion Demons (read it! READ IT! IT'S REALLY GOOD!)
Specifically the framing and layout of the pages
so if you're familiar with Tom's work you know he's pretty much allergic to normal comic layouts and simple panels
and even when there are two panels side by side they're never the exact same size
but then we get to Wheel Smashing Lord, pages 77 and 78, where Gog Agog puts our protagonist, Allison, through the horrors of a talk show
and we got side by side panels, with the exact same size, evenly spaced, and with no art or anything between the panels
Of course this is partially done so as to simulate the framing of a TV show, so we get stuck in this TV screen format
buuuut I wouldn't be making a long ass post if this was the only cool thing this paneling was doing
Because what it does is also trap Allison in this neat little box of Gog Agog's influence
Bitch is literally controlling how Allison is framed. She's limiting Allison's range of motion and limiting how we get to see her
but then what happens?
Something that is outside Gog's control. Someone who she has no influence over
So they get to exist outside of the framing, because they're not part of her show
Then the very next page Allison decides she's sick of Gog's shit and how do we see that happen?
She breaks the frame. She gets up from the interview chair and just like that the TV format is broken, and with it Gog Agog's control and influence
Gog cannot contain Allison anymore and so neither can the frame
From this point on we're back to classic KSBD page layouts, except for one little detail
Now Allison gets to exist unbound by panel frames, while Gog Agog herself remains almost entirely trapped, because this bitch just managed to put herself into a corner
aaaaand that's all I got because that is literally the most recent page and it came out yesterday
So uh yeah this comic is really fucking good. Now go read Kill Six Billion Demons!
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In the wake of hearing that DC is making a Dick Grayson and Jason Todd movie and that they're supposedly gonna be screwing up Dick and Jason's backstories, I started thinking about what kind of Nightwing & Red Hood movie I would want to see, in addition to what kind of batfam movies in general I would want to see. I offer for consideration:
Nightwing and Red Hood: Last Defenders. While on patrol, Nightwing stumbles upon the hints of a truly diabolical plot taking shape to topple not just Gotham, but possibly the entire planet while the majority of Earth's heroes are presently indisposed, including most of the batfam. Batman and most of the JL are off world, the Titans are tied up, even Alfred's away, etc- leaving Nightwing and Red Hood as the only two people left to defend Gotham. This is set in a world sometime after UtRH; Jason's identity has been revealed, and he has an uneasy truce settled with the Bats ("you don't bother me, I don't bother you"). The movie follows them through their journey as Dick tries to convince Jason to work with him, they narrowly escape lots of explosions, and argue about Dick's failings as a brother and everything Jason has done since coming back. It all culminates in an epic 2v1 battle with the Big Bad and resolves with them saving the day and coming to an emotional understanding- a hopeful ending, looking towards a future in which Jason might be able to improve his standing with the Bats. BONUS END CREDITS SCENE: Bruce arrives home to a quiet manor. He goes to the kitchen and makes some tea. Goes to the den, and draws up short in the doorway. Dick and Jason are sprawled across the couch, half on top of each other, dead asleep. The credits of a movie are scrolling on the TV. Bruce buffers for a moment, before smiling and deftly whipping out his phone and snapping several pictures. Then he turns off the TV, drapes a blanket over them, and kisses both of them on the forehead.
The Waynes in: Mission Impossible. Bruce and his sons must attend the fancy gala of Evil Rich Man, and foil his diabolical supervillain plot while undercover as the Wayne family. Ideally, without ruining the gala. (Spoiler: they ruin the gala). This is firmly an action comedy, with maybe some sprinkles of family angst thrown in. Otherwise, though, this movie includes a gratuitous amount of puns, the Wayne Men in really sharp tuxes, Jason blowing up several things, Tim and Bruce holding the only braincells in the operation, Jason losing his suit jacket and tie 5 minutes into the gala, and Bruce being Tired. At a later point in the mission they need a distraction, and without hesitation Damian whips around and punches Tim in the face. They proceed to have a very loud and explosive fistfight. Tim YEETS Damian into the dessert table. Bruce groans into his hands.
The Battle of Wayne Manor. Dick, Jason, and Alfred are the only ones home to defend the Manor against a dangerous team of superhuman home invaders, Home Alone style. As soon as the three of them are aware of the situation, Alfred marches over to a panel in the wall, opens up a secret compartment, and pulls out an AK-47. "I have not spent three-fourths of my life at this Manor for a group of brutish, arrogant thugs to think they can just waltz in and lay claim to the place. As you like to say, Master Jason- let's light em up, boys." This can be a serious film or another action comedy. It's pretty much just Home Alone with some guns thrown in. They blind the invaders with several disgustingly bright glitter bombs and then Alfred whips out from behind a corner with his rifle, they've got booby traps on all the staircases, Jason's throwing pies at people, etc. The most important detail is that they successfully defend their home as civilians. No use of vigilante skills whatsoever. The news are baffled and the boys cheekily only comment that Home Alone is a cherished childhood film in their household. This plot could be edited to include Tim, Damian, and even Bruce as well, I just initially thought of it as just Dick, Jason, and Alfred.
#dc pls put me in charge of the dcu I could make you so much money#dc#batman#batman comics#dc comics#dcu#dc universe#batfam#batfamily#dick grayson#nightwing dc#nightwing#jason todd wayne#jason todd#red hood#tim drake wayne#tim drake#red robin#damian wayne#damian al ghul#alfred pennyworth#bruce wayne#dc movies#batman movie ideas#batfam shenanigans#dynamic duo#dick grayson and jason todd: dynamic duo
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A breakdown of my quirrel!nosk comic from last year (original post here) since I like doing breakdowns and talking about my process, and I know at least some people like reading those things. :)
First of all, a little background. I made that comic in an evening with just a pencil, a black marker, two grey markers, and a yellow-orange marker. (All markers had a thick tip and a thin tip, and all were water-based markers, so they don't blend like alcohol markers, but they can still be layered to affect the values) I had a text post from @g0at0ad saved in my drafts that said "gotta say. massive missed opportunity to not have nosk mimic quirrel to lure the knight into its lair." and finally, I had an idea for how to illustrate the reveal and felt I had a decent idea for the nosk's design.
I wanted to follow the same encounter order as the game provides, and by happy coincidence, I realized that the route from first sighting to nosk den includes the hot spring, so it made perfect sense for that location and the real Quirrel to appear in the comic.
Ghost spots a Quirrel-like figure in the darkness in the first panel, and then as the path continues and drops into the hot spring, there's (real) Quirrel, so clearly that's who Ghost saw a minute ago. Yay, friend! And since Quirrel explores around, it's not strange that Ghost would spot him again in an area not so far away, though it's odd how he got ahead of them. Perhaps a different tunnel? And it seems like Quirrel wants to lead the way to something, so Ghost follows, until- That's not Quirrel.
In addition to the potential of a reader already knowing the game's locations and recognizing the path to the nosk's den, there are other visual clues that subtly communicate that something might not be right. I made it so every panel but the hot spring one has black silhouettes encroaching on the space within.
The third panel is the mildest one being encroached upon because Ghost doesn't yet feel like something is off (still reassured from seeing Quirrel in the safe hot spring) but the trap is coming together. The existence of the spider web in the corner is a nod to the trap because it's a common visual symbol for being trapped.
Also note how both the first and third panels have some safety via straight panel edges. Contrasted with the fourth and fifth panels which have no straight edges as Ghost cannot escape and there is no safety.
Another subtle reinforcement of danger vs safety is how the use of black is very limited in the hot spring panel. It's a brighter room mechanically, yes, but it's also a Safe Room. The only black is Ghost's void parts and a thin outline around Quirrel (and also a bit of shading on his arm that I did out of habit before remembering that I wasn't going to use black to shade him here, oops!)
And, note that in the only panel with Real Quirrel, he isn't framed against a darker shape in the background.
Okay, and finally, I will share a bit about the nosk reveal panel and its design...
This pose and angle are dramatic and all, but they're The Worst for showcasing the actual design of the nosk! Just a complete mistake on my part that I did my best to roll with, since I didn't realize until too late how I'd messed myself up.
Which happens! I don't always get it right, and especially when I'm working traditionally, there's a point where I can't go back, so I just have to make do with what I gave myself. :) I don't hate what I have here, but I have been dissatisfied with it ever since I drew the lineart.
A thought I have had since then was that maybe I should've drawn it larger, to be more threatening? Maybe a different pose to show off the side-body frills? I explored a couple ideas below, but honestly, I think the whole panel would have to be reworked to get it right.
Making sure that the background frames the nosk effectively would be one of the main things I'd redo, but I'm getting tired and don't feel like drawing more, so I'll just leave it at the nosk replacement sketches.
And since I don't think I did a good job with displaying the nosk's design effectively, I quickly sketched some of the features to maybe show them off a bit better.
I like the gimmick of the nosk turning its head, so I pretty much always maintain that with my nosk designs. This one is no exception. Quirrel's head and face become the cranium and upper jaw while Monomon's mask becomes the lower jaw - the extra length causes an underbite. I've always been a fan of when people add a veil hanging from Monomon's mask while Quirrel is wearing it, so that's where the frills come from. ("Why didn't you include the veil in your Quirrel drawings, then?" I hear you ask. And honestly..... I don't know! That could've been an oversight or it could've been deliberate and I just don't remember my justification. That happens sometimes XD)
Anyway uhhh yeah! I think that's it. I like making comics. I like thinking about nosk. Tadaa~
#hollow knight#nosk#quirrel#comic breakdown#flameshadowart#long post#id in alt#this took longer than intended lol but it's done now~#i like doing analyses like this both to show where i do cool things and consider where things could be improved
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Half the boyfriend, half the fun
Chapter 2 | Chapter 1
The best way to pass the time until his legs fully grew back was to sit in Dopinder's car and eat samosas. Wade ignored Dopinder's complaints that his mother had baked them for him. She could make new ones. He had bigger worries. He couldn’t stop thinking about Logan and the fact that he was responsible for his condition. Damn, he couldn’t even remember exactly what had happened! If only he’d never convinced Logan to come along on this mission. But that was just another bad decision added to the long line of bad decisions that defined his life. He could practically hear his father’s voice. Idiot, faggot, loser! You can’t do anything right! Wade shook his head. No! He would make it right. He would find a way to fix this.
He pulled his phone out of his belt pouch and sent a text.
Wade: Hey :3
Negasonic Teenage Bitch: What do you want?
Wade: I need a fayvr. Big one
Negasonic Teenage Bitch: ?
Wade: Logan’s hewrt. U need to find out wat they're dooing to him
Negasonic Teenage Bitch: Find out yourself
Wade: I...may or may not be bent from the promises
Negasonic Teenage Bitch: Not my problem
Wade: Then I’ll brayk in
Negasonic Teenage Bitch: You’re gonna get in so much trouble
Wade: Aight bet
Wade looked down at his legs. A few toes were still missing, but otherwise, they were back in their scarred, pale glory.
"Dopinder, I have to go. You wouldn’t happen to have pants for me, would you?"
He eyed Dopinder’s jeans.
Dopinder shook his head vigorously. "No, you’re not getting mine!"
Wade sighed. "It’s probably for the best. These buns don’t wear Levi’s!"
Sneaking around the back of the building was easier than expected. There was no sign of security cameras, but then again, who needed them with mutants who could see through walls? Unfortunately for him, none of the windows were open, so his plan of entering quietly was thwarted. Concentrating, he scanned the ground until he found what he was looking for.
"Let him, who is without sin, cast the first stone!" he muttered with a grin, tossing a rock through the window.
After climbing inside, Wade realized he was completely lost. The mansion was a maze, and he’d only been there a few times. The wood-paneled walls all looked the same, and the portraits of old white men didn’t provide any hints as to where he was.
"Quentin, was that you? I told you to..."
Storm was descending the stairs. Her white hair was styled in a sassy pixie cut, and she wore a pink crop top with glittery letters spelling out, "RAINING ON YOUR PARADE."
When she saw Wade, she let out a sharp shriek and covered her eyes.
"Wade?"
"Yes?"
"Why aren’t you wearing pants?"
The mercenary puffed out his chest. "Marvel Jesus doesn’t need mundane things like pants!"
Storm sighed, still covering her eyes. "I’ll take you to the Professor."
Now wearing a pair of gray sweatpants emblazoned with the school emblem, Wade sat stiffly in front of Professor Xavier’s desk, arms crossed, staring at the wall. The spacious office felt confining to him, like a cage, despite the ample space and the light streaming through the tall windows. Behind the desk was a bookshelf set into the wood-paneled wall, filled with countless books whose gilded, ornate titles he couldn’t decipher. In one corner stood a large globe, and in another, a sitting area with a chessboard. On the desk itself were a few file folders, a Newton’s cradle, and a photo of the Professor himself, younger and with a full head of hair. Beside him stood another young man with his arm draped around him, presumably Magneto. It might have been more than a friendly gesture; they’d been arguing for decades like an old married couple.
"Wade," Charles said, giving him a calming smile. "Can I offer you something to drink?"
Wade shook his head defiantly. "I don’t want a drink. I want to see Logan."
The Professor’s expression turned somber. "You know that’s not possible."
"Urgh, okay. I’m sorry for calling you Egghead. Can I see Logan now?"
"I don’t think you fully understand the gravity of the situation, Wade. Something has nullified Logan’s healing factor. Dr. McCoy is currently treating him, and any outside influence could be harmful to him in this critical state."
Wade’s eyes narrowed. "So, what am I supposed to do now?"
Charles thoughtfully placed a finger on his chin. "Well, you could help by telling us what happened. Jean mentioned that you also lost your legs. A failed mission, I assume. What exactly happened there?"
Wade ran his hands over his face. "That’s the thing! I don’t remember! I..."
His voice broke. Loser. He was a fucking loser. The love of his life was fighting for his life, and his brain had decided to shut down. Logan was going to die painfully, and it was all his fault. Tears welled up in his eyes.
Charles took his hand and squeezed it gently. "I could help you remember."
Wade nearly jumped out of his chair. "Oh no! After Cassandra Nova—did you know you had a psychopathic twin sister?— there’s no way I’m letting anyone into my head again."
"I’ll only see what you allow me to see, and only with your consent," Charles assured him.
Wade swallowed and nodded. After all, this wasn’t about him. Charles slowly extended his fingertips toward him. He’d nearly reached Wade’s temple when the screams echoed through the halls. Desperate, raw, agonizing screams. Logan’s screams.
Wade burst out the door, ignoring the Professor’s shouts. He ran down the hallway, nearly tripping over his own feet. He didn’t know where he was going, just following the sound of the screams, his chest tight with fear. His bare feet slapped against the wooden floor as he followed the sounds to a door with frosted glass. It was locked, but that was no obstacle for Wade, who’d served in a military special unit. He pivoted halfway, raised his leg, and kicked hard. The door burst open.
Nothing in the world could have prepared him for the sight that greeted him. Hank was bending over an operating table. Logan lay on it, his torso crudely stapled back together at the hips. But that wasn’t the worst of it. What froze the blood in Wade’s veins were the tubes. Countless tubes and wires ran out of Logan’s body and back into him at different points. He looked like a machine. But unlike machines, he was screaming.
Wade was reminded of Weapon X. He quickly made his way over to Logan. Logan’s eyes darted back and forth beneath his closed lids.
"Oh God, what did you do to him?"
He reached out to stroke Logan’s face, but Logan’s hand shot out, gripping his arm. His eyes snapped open, revealing yellow irises staring at Wade from blood-red sclera. His lips parted, exposing razor-sharp fangs. Then he lunged forward and sank his teeth into Wade.
#wolverine#hugh jackman#deadpool and wolverine#deadpool#ryan reynolds#poolverine#deadclaws#xmen#charles xavier#storm xmen#hank mccoy#fanart#fanfiction#artists on tumblr
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I feel like there's potential for a really compelling OCD Johnny headcanon somewhere in the subtext of JTHM. You could interpret his constant neurotic fixation on needing to paint the wall, and constantly, almost impulsively killing to satiate that as being somewhat analogous to obsessive-compulsions. I've seen people resonate with this when I allude to it in posts here and there, but I've never actually dedicated one to my thoughts on it.
This is a panel I think about a lot in relation to this, because this guy just died dramatically, went through a thought-provoking journey in all corners of the afterlife, and in the seconds following his resurrection what immediately comes to mind is violent fantasy! It's not something he actively tried to think about, based on what we're seeing, it just popped up there on its own accord.
That seems to be how it generally goes for him, if you look at the Twitter, for whatever that's worth canonically, it's all just elaborate murder, elaborate murder, oddly specific violence, etc. etc. That's just who he is as a character, sure, but he doesn't always kill out of anger or repressed sexuality, so after a certain point you've got to question what is driving him towards all the murder, practically to the exclusion of all other activities? His mind just seemingly generates a constant string of violent scenarios that bug him until he acts on one of them, and it's completely out of his hands. He's obsessed!
I don't think the fact that he regularly enjoys his rampages of cathartic violence even automatically rules out OCD as a possibility, since he does become distressed and confused by them in moments of self-reflection, such as we see shortly before he dies. Also, while his thoughts of violence comprise the "obsessive" part of the disorder his compulsion, to kill, would then be the "compulsive" part and would thus be designed to give catharsis from the obsession by nature. If you subscribe to the belief that Johnny's mentally ill, then you're probably of the opinion he has multiple disorders. They most likely give him a far more complicated relationship with his obsessions and compulsions, much more so than somebody who's only got OCD. They're his ball-and-chain, and his catharsis simultaneously, as his constant murdering allows him an outlet for his rage, fear of abandonment, sexuality, and need for control in situations on top of just giving him a release from the hold of his obsessive thoughts.
It's probably easy to look at my pathologizing of Johnny's traits, and my neglecting of their supernatural origins as me just ignoring the source material for projection's sake. Yes, I do know that Johnny wasn't written with any specific mental illness in mind, and yeah, I'm aware that a lot of what I'm discussing is attributed to the wall thing's influence in the comics. However, I don't think that's an adequate explanation for it all. His hallucinatory abstractions like Reverend Meat, and the manic-depressive symbolism in the Doughboys, and his delusional paranoia, and even this all continue to be documented facets of his character even after he's free of the wall's influence. That horrible little tentacle beast was only feeding and creating based on what was already present in Johnny's mind, and given the amount of symptomatic dysfunction present in him, even afterwards, it feels a bit silly to me to argue he's completely neurotypical.
I don't even think the answer to "What's plaguing his brain?" has to be as simple as it either being entirely mental illness, or entirely the paranormal infestations making residence in his cranium at any given time. Hell, I'm not even married to a collection of solid disorder headcanons, I just look at the two as being blended seamlessly. There's a lot to be said about the concept of "death of the author" but for me authorial intent stops where execution begins. It just so happens that in an attempt to craft some kickass lore, JV accidentally portrayed a lot of people's real experiences, with a surprising amount of depth and accuracy. He probably threw a bunch of random shit into his cool murder-dude character that he associated passively with insanity, like hallucinations and paranoia, not thinking about it, but he still basically fell assfirst into portraying a nebulous psychotic disorder, since that's all stuff that actually happens to people. I'm getting ramble-y, but basically Johnny is the Schrödinger's Cat of mental illness, and not aknowledging his neurodivergence to some degree practically breaks his character, because it makes everything he does make marginally less sense, even with the lore.
#jthm#analysis hell#sure johnny wasn't intended to have [x] or [y] disorder#but he was absolutely intended to be insane
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A (NSFW) Modern AU where Nedward and Jopson are a cute little married (?) couple getting their house restored and Tozer is a thirsty contractor who gets swept up into a steamy throuple??? Hello??? can anyone hear me?????
Ned and Tom inherited a Georgian or Victorian home from Edward's grandmother or something, but it needs serious work, like needs to be taken back to the studs (or the Victorian equivalent) almost. And Sol comes in to rewire the ancient (fire hazard) electrical.
Down-on-his-luck Sol (having recently lost his job with a construction company) and knows way more about building than just being an electrician is like... hey.... you know they ran all this plumbing wrong here and you can easily salvage the shaker wall paneling in this room instead of tearing it out.
So Ned and Tom are like.... yes? tell us more? so Tozer is just kind of like "well I've got a guy (Morfin) who can run this plumbing again for a really reasonable price, and frankly I could do a better job of retiling this kitchen, and I know a guy (Bridgens) who is really into restoring old Victorian toilets and bathtubs if you need one. Oh by the way - these plaster and lath walls on the first floor don't even need to be removed, I could install some picture rails here so you don't damage the plaster when you hang stuff on the walls."
so they fire the shitty company they had before and put all of their faith in Sol and his mismatched team of contractor friends.
and it's a miracle for Sol because he's had a really unstable couple of months, what with losing his job and then getting booted out of a horribly fucked up polycule and losing his housing stability to boot. So he throws himself into this job which is so much better than just working as just an electrician.
And pretty soon the house becomes (sorta) livable, so Tom and Ned move in while he's still working on it - and then shit hits the fan.
Mostly because Tom works from home and likes to watch Sol with his unnerving blue eyes and walk around in shorts that are, frankly, obscene while also (not-so) subtly bending over to put paint swatches on the wainscoting or whatever. And whenever Ned is there (Saturdays) he's always trying to be helpful but doing a miserable job of it and then moping around with his big sad eyes and his fuck-me lashes while Sol does the heavy lifting.
And this is a Big Job, and a long one, so it's months and months of this, until eventually Ned and Tom are asking Sol to stay for dinner or join them to watch the game against liverpool or whatever - and they're both driving Sol up the wall because he's so horny for both of them he could die but they're MARRIED.
and then one horribly hot day (when Sol is working on re-installing the newly restored windows on the second floor so that the central AC the HVAC guy (Peglar) put in can actually start getting used) and he's stripped out of his shirt and is sweating obscenely - Tom brings him up a sandwich and some cold water and nearly drops the plate when he sees Sol glistening and flexing like that. And it obviously results in Tom on his knees (don't worry, he's using Sol's kneeling mat to protect his lovely delicate knees from the unfinished floor) giving Sol the sloppiest, filthiest blowjob of his life and it melts Sol's damn MIND.
Only this is a huge problem because now all the sudden he's fucking Tom half the time instead of working, and he can't look at Ned in the eye because, Christ, he's been banging this guy's husband in nearly every room in their house. And now Sol is a nervous wreck because Ned is always trying to coax him into staying for a beer or some takeout. And Sol isn't even picking up on the way Ned's hands linger when he claps him on the shoulder or the long knowing looks between Tom and Ned whenever Sol goes red and looks away from Tom's ass or that pale sliver of skin where his shirt rides up.
Sol is totally going to lose this job and never be able to use them as a reference.
Until one Saturday Tom corners Sol in the upstairs bathroom while hes installing the beautiful clawfoot tub and crowds him up against the recently restored sink to shove his hand down Sol's pants. And Sol is like, "Wait-please-Tom-don't --- ohhhh god - Ned is -fuuuuuck - NED is DOWNSTAIRS" but of course Tom just cuts him off with a vicious kiss and keeps stroking him off.
And the stairs creak - which mean's Ned is coming up but Sol can barely register it because Tom's hand feels so good and his lips are so hot and demanding. But then Tom pulls away and Sol makes eye contact with Ned over his shoulder and - oh fuck - he's cumming so hard into Tom's palm that it nearly makes his knees give out.
And there's a long moment of horrified silence where Sol is frozen, cum cooling on his stomach, Tom's hand still around his prick, and Nedward is looking at him with wide dark eyes and his stupid pouty mouth open in shock. And Sol is white knuckling the sink so hard he thinks he might rip it right out and ruin all the beautiful work he's done. This is it - he's cooked - this whole thing is crashing down around his head now, while his cock is out and the tub isn't even all the way installed.
But then Ned's pink tongue is darting out to wet his lips he palms himself with one of his big hands and his voice is low and gravely and totally filthy as he says, "Christ, Sol - you two look just as hot as I imagined."
And Tom is leaning in and snickering against his throat, and Sol doesn't know if his brain is just fully been scrambled but he doesn't understand what is happening at all. But then Tom is kissing him, and when he comes up for air there's a second pair of lips there to meet him, and it takes him a moment to realize that they're Ned's. And fuck his kiss is so hot and wet and Sol is moaning.
Needless to say he's a wreck of a man and so confused to find out that Ned has known all along that Sol and Tom were fucking - duh - there was a coordinated effort to try and get him into their bed, but that Ned was convinced Sol wasn't interested so he had backed off and just been satisfied hearing about it second-hand from Tom.
So Sol gets to have hot threesomes with two beautiful men all the time now as he finishes up the house and he takes some convincing but eventually Ned and Tom get him to agree to move into one of the spare rooms (although their bed is big enough for all three of them so it rarely gets used, actually)
and maybe Ned uses a little bit of that inheritance to loan Sol and friends what they need to start an honest-to-god historical restoration contracting company.
NOW EXPANDED: [[PART 2]]
#joplitzer#joplittle#little/tozer#jopzer#tragic that ned/sol doesn't have a good ship name#jopson/little/tozer#working man solomon tozer#solomon tozer#thomas jopson#edward little#is this anything#this grouping is like all i can think about tbh#the terror#victorian house au
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Ive seen other people do tmnt au posts even though they're not competing, so....
OH NO!!! IT APPEARS KRAANG!LEO IS LOST WITHIN THE @tmntaucompetition !!!
ft. @overthinkingspark-blue 's bettle Leo & @tizeline 's sep!Donnie. Don't look too closely at them I made this panel in 15 minutes in the notes app <3
Someone please direct him to the nearest chair/empty corner; he's about to pass out, throw up, or both. He probably needs some water, too, if anyone has it.
This is a spiritual successor to this joke post I made recently
This is also actually a version of him way later than he is currently in the comic, but I thought it'd be more fun this way <3 it seems that the eyes aren't the only thing wrong with him now.....
Meanwhile, in the lost & found corner .....
#rise of the teenage mutant ninja turtles#scrolls art#rottmnt donnie#rottmnt art#rottmnt fanart#rottmnt mikey#rottmnt leo#tmnt au competition#unpause rise of the tmnt#rottmnt#kraang!leo#kraang!leo au#if the comp mod has any issues with this then please tell me I don't wanna be trouble#this was all made in the notes app while i was not paying attention to classes don't look too closely at the details#the kraang!leo comp saga
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