#even if it's a different book
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okiroash · 2 years ago
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the fur on his arms are always so fun to draw
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angelicgarnet · 1 year ago
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the way people online talk about autism is getting really weird, like do they know that neurotypicals still have interests? that someone being passionate about a hobby doesn't mean they're autistic? you guys know that right
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hoodedjelly · 6 months ago
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The Square Root Of Two
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starii-void · 8 months ago
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going to chb must be crazy like imagine sharing a camp with
-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)
-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)
-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)
-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)
-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)
-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)
-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)
-pretty much everybody is a two-time war veteran
-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy
-did i mention dionysus, god of wine madness and theatre
-also chiron, trainer of pretty much every greek hero ever
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inkskinned · 11 days ago
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you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.
but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.
well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?
his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.
still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.
so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.
and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.
what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.
it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?
it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.
maybe that's why they were fantasies, after all.
#spilled ink#warm up#oh im .... sick to my stomach.#i talked to him. like ....... we talked. that man interacted with my poetry and writing.#that article.... gutwrenching. i am so sorry to everyone he's ever even been in the room with.#i feel.... like... unbearably. sick.#he acted like he was cool and friends with me!! we were cool internet writers together!!!!!#i feel sick for even having been polite to him.#i ...... am experiencing something so fucking complicated.#i wonder how many of u are feeling that too. like ''oh i sent him an ask and he was funny and sweet''#THATS HOW THEY GET U. ..... and YES I KNOW!!!#i am so fucking well-read about parasocial relationships. it would just be nice to like. trust that someone ISNT#hiding a huge fucking background of BEING A COMPLETE MONSTER. LIKE WHAT THE FUCK.#by the way i am not part of a fandom. this is “what the fuck i accidentally supported a rapist” not#“but my showww”. like i care far more about like. the human cost.#but also like... people are people. idk i saw a take on here about how nobody should mourn the books#and idk. people almost always reply to any scenario with their personal experience first -#''i knew him'' or ''wow i was just at that store'' or ''i grew up there'' or whatever. because that is how we establish connection &#emotional weight. that's just... a person thing. and there is a difference between 'oh this guy is a monster'' & the feeling of:#he's been a monster and i SUPPORTED THAT. i CELEBRATED him. i !!! a fucking victim myself!!!!!!!!! SUPPORTED . HIM.#i am sick. i feel so much pain for her and everyone he's ever hurt. saying ''the books are ruined'' is i think ... like how people say#they're shocked and disgusted by him. (obviously there's nuance here. im sure there's some creep doin it wrong. but u know. in general)#idk..... im an author. i understand my work is in your life in whatever small way. i understand that connection. it's real.
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Fish want him women fear him
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hoarder-of-dragons · 2 months ago
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All characters from any media are asexual unless they say outright, "I'm sexually attracted to this/all gender(s)".
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poorly-drawn-mdzs · 6 months ago
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I hope you take this as the compliment it is intended to be, but you strike the same chord of irreverence-as-love, jokes-to-showcase-sencerity that I get from Chuck Tingle, and I adore both of you.
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You have bestowed the greatest honour upon me.
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gingerswagfreckles · 28 days ago
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It's become extremely obvious over the past 15 months that the only reason much of the Western world ever basically agreed that the Holocaust was bad and was willing to teach about it is because for a brief period of time, Jews and gentiles in most of Europe + America had a common enemy in the Nazis. But this acknowledgement of Nazi antisemitism was only ever the same kind of acknowledgement of antisemitism that we get right now, where people are only willing to acknowledge the antisemitism of the people they already had a completely separate reason to dislike or fear. Antisemitism in this worldview is just a tool, a secondary accusation one can lodge at someone who is already for different reasons an enemy. It is never acknowledged as a form of bigotry in and of itself, that exists on its own and not as a follow up to another "more serious" form of oppression or bigotry against gentiles.
Obviously any Holocaust education we do get in Europe and the US has very much been the result efforts by Jews and our allies in a practical sense, but it is undeniable that there was a brief 70 or so year period where the white Western consciousness found it valuable (or at least politically convenient) to recognize antisemitism as wrong and the Holocaust as horrific. As true, original-brand Nazism fades, though, we see opposition to antisemitism and the Holocaust becoming less and less valuable to the white Western identity, as actual threat of Nazi occupation fades to historical memory. Newer, rebranded neo-Nazis and leftist Hamas supporters pose little to no threat to white Western gentiles. And thus, we see now not only a growing acceptance of antisemitism, but also a growing hostility towards the idea that we should study or condemn the Holocaust as anything particularly terrible. The Holocaust no longer represents a way for gentiles to additionally condemn an ideology that also threatened them, that also killed their families, that also resulted in their own countries and communities being occupied or destroyed by foreign fascist governments. It no longer represents to them an ideology that is in any way a threat to their own safety or way of life.
This is why we see such a massive rise in Holocaust denial among Gen Z, and, even more broadly than overt Holocaust denial, the rejection of the idea that the Holocaust should be particularly studied or condemned. More and more, we see people "questioning" the "propaganda" of The Jews Crying Victim All The Time, we see young people wondering why they are so cruelly forced to acknowledge on very rare occasion the suffering that the Jewish people went through in their own homes and towns. Often this is framed not only as intellectual bravery but moral bravery, as if this new generation rejecting Holocaust education is somehow fighting back against the unfair valuing of Jewish tragedy above gentile tragedy. What they don't understand, of course, and what many Jews up until now didn't understand either, is that no one ever valued the Holocaust because it WAS a uniquely horrific event in history, because it WAS the first and only industrialized genocide that gassed millions to death on a scale we can only pray the world will never see again, because it WAS only 70 years ago and is still a living part of the history of many Western countries. No. The Holocaust was only ever given the acknowledgement it was because it represented, at one time, an ideological threat that also included gentiles, though less overtly than it targeted Jews.
That ideological threat against Jews has not gone anywhere, and is in fact is seeing a new glory day dawning with the rise of fascism worldwide and the normalization/glorification of antisemitism on the left. But this new form of antisemitic hatred, be it neo-Nazism or support for Hamas, does not represent a threat to white Western gentiles, their way of life, or the integrity of their governments. And so we as we see the decoupling of the Holocaust from something that also incidentally threatens gentiles, we see standing against the Holocaust and antisemitism as a symbol of white Western identity disappearing as fast as it came.
#gingerswagfreckles#antisemitism#leftist antisemitism#jumblr#jewblr#holocaust#the holocaust#the shoah#shoah#shoah mention#im scared to tag this nazism bc i know the whole nazism tag is just Jews Are The Real Nazis rn#so i wont#this is not a comprehensive discussion on this subject obviously#i could write a book on this topic tbh#just how the holocaust is framed in and used politically in differnet parts of the world for different reasons#that have nothing to do with jews or jewish genocide#and how all that is changing rn#but needless to say im not a professional historian or a political scientist#and i skim over concepts here#esp regarding how the holocaust targeted certain gentile groups#like a am speaking generally when i say nazism resulted in gentile oppression and murder incidentally and all that#if you were romani or slavic (esp polish) during the nazi occupations#this was not incidental#tho it was still the jews being targeted as priority number 1. but it would be very dismissive to say that nazism only targeted all gentile#incidentally. this depended on time and place#and obviously even in places like france that went ~relatively~ untouched during the nazi occupation if you were not jewish#these occupations were immensely traumatizing for the general population and many many gentiles were killed during the wars and during the#occupations under the nazis#so my point here is not to take away from that but actually to point out how the very real threat that the nazis also posed to gentiles#during ww2 is what caused a cultural shift in these countries
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nokkiart · 2 months ago
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As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.
The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.
And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.
On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.
With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.
The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!
That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.
And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.
But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.
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doctorsiren · 2 months ago
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Maybe you could call it Reunited Stans AU?
Also, how do you think the gravity falls locals would see those two? I think Ford would end up getting out of the cabin much more because of Stan. Maybe you could draw them going to town for drinks? I don't know.
I like to think the town locals would either be horrified of them and talk about them as cryptids in their own right, or just be annoyed by their shenanigans
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I just remembered they’d be in their early 20s when coming to Gravity Falls haha
But yes they’d definitely start out as “those weird twins that live in the forest” but once Stanley starts feeling like he’s actually safe from that old life Ford pulled him out of, he starts going into the town, which then leads to him dragging Ford along
It’s probably a mix of both, where the town sees them as those odd guys and then also get annoyed by what they do, but also I think they’d think of them as a new endearing staple of their town once the whole “newcomer / stranger” title fades from them. It’d be sort of the same way Stan is in canon with the Mystery Shack, where even though people find him annoying, they also always come to the events.
Also Stanley 😭 your brother does not wanna be in that bar, let him go do nerd things
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andstuffsketches · 2 months ago
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bring the girlies back
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alizalayne · 6 months ago
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it's so amusing that when you're an author who is like any minority, you have this caveat where if your book gets banned, you kinda have to mentally acknowledge whether it was banned by Bruce, the one really bigoted guy who wastes everyone's time in florida. idk how bruce is doing. you don't need to learn who he is really which is why im not using his surname. but if you have a book out commercially, bruce has probably written "damaged souls" on a form about you. so there's a street cred element to all this like did people really have a vendetta against your work...? or was it just bruce again
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qiornono · 6 months ago
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PLEASE PLS PLS read in memoriam by alice winn this book changed my freaking life!!!!!
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snowyfrostshadows · 1 year ago
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So.
We went from this for Starclan Cats:
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To.
This:
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Biggest downgrade of my life.
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roseworth · 2 months ago
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based on a convo with my brother
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