#even got actual villain things wrong

[lucky-me-envy]

My beloved homunculus who did everything wrong 💞💋💘🫶

Liking a villain character is cool but it also sucks ass cause there’s always ppl that are like ‘aw no precious baby did nothing wrong UWUWUUWUW’ like no asshole they’re bad that’s why I love them leave me alone

[skunkes]

that "i wish that being aware of a mindset being ridiculous would make it easier to snap out of it" post hitting hard every single day

[mathewton-cl]

As An IzuOcha Shipper…

…them not ending up together isn’t the problem.

Horikoshi taking the “leave it up to interpretation” approach and then proceeding to COMPLETELY AVOID ADDRESSING their relationship status is the problem.

Horikoshi failing to tie up that one last loose end for Uraraka’s character arc (not closing off her feelings) is the problem.

Again, I ship IzuOcha. Still do, because I’m stubborn. Would I have liked for them to end up together, even if it was only a somewhat blatant implication that could be handwaved? Obviously. But you know what? Maybe I would be upset if the story went out of its way to explicitly de-confirm any chance of Midoriya and Uraraka being a romantic pairing, but I’d at least respect it and understand it a lot more if the story let Midoriya and Uraraka actually talk about this, or at the very least SHOWED US them talking about this. I’d understand if Uraraka completed her character arc by having a heart to heart with Midoriya and telling him that her feelings have changed, her priorities have changed, and Midoriya understands and they remain good friends. Let’s be real, romance isn’t Horikoshi’s strong suit, despite his many attempts to leave romantic implications throughout the series. I’d completely understand if he just had Midoriya and Uraraka talk and they didn’t end up together, because at least then it still provides both of their characters with closure.

But no, that’s too simple. Let’s just “leave it up to interpretation,” because it clearly wasn’t that important, right?

Well, as many people on the internet have already brought up, if it wasn’t so important, why did you spend so much time putting emphasis on it? Why did you have Uraraka, up until the FINAL WAR, have her crush on Midoriya be a crucial part of her character (it wasn’t her only character trait, mind you, but it was still important)? Why did the penultimate chapter have the class come to comfort Uraraka and tell her that they can talk to her… and then come the next chapter, Uraraka apparently hasn’t done anything regarding her supposed crush on Midoriya? For literal YEARS!?

…see, this isn’t even a shipping problem anymore. This is a character problem.

Horikoshi, for whatever reason, chose not to include a romance for the main character and his supposed love interest. And again, that’s fine, not every story needs to be a romance. Two problems with it here though (well, one problem and an observation):

1) Choosing to not at least address the romantic subplot with a “I think we’re better off as friends” encounter, thus actually concluding the subplot and providing a sense of closure, not only leaves the result feeling underwhelming and frustrating, but also actively damages Uraraka’s character arc. We can have her address the problem that caused people like Toga to exist, but heaven forbid she talks about romance with Midoriya.

2) Despite his supposed aversion to romance, Horikoshi still went out of his way to give Gentle and La Brava wedding rings… he’s willing to establish a side romantic pairing without bringing too much attention to it, but he can’t be bothered to do something similar for the arguable MAIN pairing? It’s the “Togata has special clothes so he doesn’t end up buck naked, but Hagakure’s still gotta go commando” debacle again…

I’ma go ahead and wrap this up ‘cause I don’t wanna keep y’all much longer, but like… being optimistic, this ending was… functional. I’ve got my problems with it, obviously, I don’t think it was BAD bad… but it certainly wasn’t good. It works. Barely. And it’s ‘cause of stuff like this.

Midoriya and Uraraka didn’t need to end up together, truly. All Horikoshi had to do was put the smallest amount of effort and give us something of substance, something with closure. Instead, we got what we got.

I get that he was exhausted and wanted the manga to be over… but that excuse only holds up for so long.

[theprinceandthewitch]

I'm definitely kicking the hornets nest with this one but I always thought it was weird how Marcelines "fallen hero" characterization wasn't really utilized... like at all throughout the show.

Marceline is mostly defined by these characters: Simon, her father, The Vampire King and Princess Bubblegum, with PB and Simon taking the forefront.

Which I thought was weird since PB isn't defined by her relationship with Marceline or any other character. PB gets to exist outside of bubbline and other characters while Marceline doesn't.

And... I honestly dont know why that is, other than the writers just don't like Marceline as much as Princess Bubblegum. I don't think they hate her, but they would rather write PB episodes than Marceline episodes. PB is a more interesting and fun character to write for them. They also need to keep up the illusion she's just as bad as Princess Bubblegum by... not actually making Marceline as bad as Princess Bubblegum. Or really doing anything with Marceline other than using her to develop Simon, making her a depressed goth baddie, or creating Bubbline ship fuel.

Yes, I still will not forgive the show for straight up saying Bubblegums shirt [the one Marceline gave her] held more sentimental value than Hambo. Ah yes... the shirt Bubblegums ex gave her holds sooo much more sentimental value compared to the doll Marcelines beloved father figure gave her when she was literally a defenseless child in a post apocalyptic wasteland.

Can ya tell which character they like more?

Anyways...

People usually reference "It Came from The Nightosphere" as evidence of Marceline being as bad as PB but: She didn't summon her father to Ooo - Finn did. Therefore, that was FINN'S mess to clean up and not Marcelines.

The only time she really goes out of her way to mess with people is when she's being an asshole to Finn and Jake in earlier seasons.

Oh right, and using Finn to get back at PB that one time. But other than that - Marcy hasn't done anything thats puts her on par with a dictator.

Unlike PB who will literally gaslight a lemon child into cleaning up a mess she created... or how she would rather kill an entire squad of sentient robot guards for being too violent rather than like... idk... train them to become less violent... Or how literally anything that comes from PB's DNA turns out to be straight up evil... Or how she will perform child friendly lobotomies on her people while having the audacity to say how some people are just built different...

The point is Marcy is definitely not a "good" person, but she's not on that "literal fascist with a god complex" type of shit like PB is.

Another way they maintain this illusion is by separating Marceline and Finn, because if they got more episodes together then you'd have to address Marcelines "fallen hero" characterization. They're not going to address this part of Marcelines character because they were having a grand time making PB into a fascist. So they can't make Marceline anymore sympathetic than she already is. Remember, Marceline is supposed to be as monstrous as PB is.

This is why Marcy doesn't have any episodes with Finn post "Into the Nightosphere" and why we don't get any Finn and Marcy episodes until... [checks notes] Stakes... and even then those arent Finn and Marcy episodes. Like they only time we see them hang out together is when they make a cameo in Dark Purple.

I'm not counting Bad Little Boy as a Finn and Marcy episode because it's more of a Marceline introspection episode focusing on her feelings for Finn.

But yeah i think this show is funny for completely neglecting to make Marcy just as bad as PB is. Ah yes, she is just as PB because Marcy... [checks notes] has depression. Being depressed makes ya just as bad as a dictator dont cha know...

It's also funny how they want me to think Bubblegum isn't as bad as Ashe even though theyre literally the same character - they're both ancient beings with god complexes LMAO.

[phinjeet]

* i miss lou uglydollz so bad itz terrible 4 me rn …..

[hana-bobo-finch]

I fucking hate miya I fucking hate miya I fucking hate miya I FUCKING HATE HER SO MUCH I HATE HER SO FUCKINH MUCH someone is gonna have to sedate me before I EXPLODE

[rosie-tyler]

.

[cobra-creampuff]

why are they laughing at him as he gets straight up killed??? he doesn't deserve this! he's a sweet kid at heart! he literally just needs one (1) real friend!!

[lohstandfound]

ignore this.

learning to shut up when i dont have anything new to say to the discussions my mutuals are having about the treatment of the female characters in this show and fandom

even though ive just gone ahead and rambled in the tags a bunch of bullshit

[malewifehenrycooldown]

i love how everyone (including me) who enjoys soulcalibur collectively agree that amy sorel is like a daughter to them. It's like she was tailor made to be a tumblr blorbo.

[kindacreepy-kindaugly]

It never gets any fucking easier does it

[zhelin-thames]

A Ghostly Text Mishap

Danny flopped onto his bed, phone in hand, glaring at the screen. Another long day of dealing with Vlad's manipulative nonsense had left him frustrated beyond belief. He opened his messages, found the contact labeled Trucker, and began furiously typing.

Danny: You will NOT believe what Plasmius did this time. The absolute NERVE of this guy. You’d think being half-dead would make someone LESS petty, but nooo, this man’s ego is bigger than the Ghost Zone.

Danny: He tried to "buy" my parents' company AGAIN. He offered to “help” with ghost containment tech but really just wants to snoop around for weaknesses in the portal.

Danny: AND he had the audacity to call me “Little Badger” like it’s a term of endearment. I swear, if I hear that ONE MORE TIME, I might go full ghost and dropkick him into the Fenton Thermos.

Satisfied with his venting, Danny tossed his phone onto the bed and buried his face in his pillow. Unbeknownst to him, he had made one critical mistake.

Jason Todd, aka Red Hood, was sitting in his safe house, polishing his guns when his phone buzzed. He glanced at the screen.

Unknown Number: You will NOT believe what Plasmius did this time…

Jason raised an eyebrow. “What the hell is this?” he muttered, scrolling through the tirade. By the time he got to “Little Badger”, he was smirking.

He typed back:

Jason: Kid, I think you’ve got the wrong number. Unless this “Plasmius” guy is a Gotham villain I’ve somehow missed.

Danny’s phone buzzed, and he rolled over to check it. His heart dropped when he saw the reply.

Danny: Oh no. This isn’t Trucker, is it?

Jason: Nope. But you’ve got my attention. Who’s Plasmius, and why does he sound like the type of guy I’d shoot on principle?

Danny hesitated, then decided to just roll with it.

Danny: Short version: he’s a half-ghost fruitloop billionaire who’s obsessed with ruining my life, becoming my creepy stepdad, and taking over the world. Think Lex Luthor but undead and ickier.

Jason burst out laughing, earning a curious glance from Roy Harper, who had just walked in.

“Who’s got you laughing like that?” Roy asked, setting down a bag of takeout.

“Some kid who texted me by mistake,” Jason replied, showing him the messages.

Roy skimmed them and snickered. “Plasmius? Sounds like a knockoff vampire villain.”

Jason’s fingers flew over the keyboard.

Jason: Okay, kid, you’ve officially got my interest. I don’t know who you are, but if this Plasmius guy’s half as bad as you say, I’ve got some creative ways to deal with him. You in Gotham?

Danny stared at the message, blinking. Who even was this guy? But... he did sound like he knew how to handle problems.

Danny: Uh, no. I’m from Amity Park. It’s kind of a supernatural hotspot, so I’ve got it covered. But thanks for the offer, I guess?

Jason smirked.

Jason: Supernatural hotspot? Kid, you’re talking to someone who’s been resurrected. Ghosts don’t scare me.

Danny froze. Resurrected? Oh no. This guy might actually know about the supernatural.

Danny: ...Wait, who ARE you?

Jason: Name’s Jason. Most people call me Red Hood. Ever heard of me?

Danny blinked, then groaned. “Of course. I text a vigilante. Just my luck.”

Danny: ...Yeah, I’ve heard of you. So, uh, thanks for not tracking this number and showing up at my house or something.

Jason: Yet.

Danny felt a shiver run down his spine.

Danny: That’s not funny, dude.

Jason: Relax, Little Badger. Your secret’s safe with me. For now. But hey, if you ever need help dealing with your undead billionaire problem, hit me up.

Danny sighed, shaking his head.

Danny: Sure. Thanks, I guess?

Jason leaned back, grinning as he saved the number under Ghost Kid.

“Roy, I think I just found the weirdest contact in my phone.”

“You say that like it’s a bad thing,” Roy replied, tossing Jason a burger.

“Not bad. Just… different.” Jason chuckled. “Plasmius, huh? Sounds like fun.”

[luna-azzurra]

How To Write A Chase Scene

Before anyone takes off running, the reader needs to know why this matters. The chase can’t just be about two people running, it’s gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe they’re chasing someone who just stole something valuable, and if they don’t catch them, it’s game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. They’ll feel that surge of panic, knowing what’s on the line.

Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If it’s too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.

Don’t let the setting just be a backdrop. The world around them should become a part of the chase. Maybe they’re tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If they’re running through the woods, you’ve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. It’s not just two people running in a straight line, it’s two people trying to navigate through chaos.

Running isn’t easy, especially when you’re running for your life. This isn’t some smooth, graceful sprint where they look cool the whole time. Your character’s lungs should be burning, their legs aching, maybe their side starts to cramp. They’re gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if they’ll actually make it.

Don’t make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villain’s fingers brush the hero’s coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.

And Don’t let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place that’s almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.

[curseofpower]

just realized something we have in common

we’re both ganondorf fans and I feel that’s worth saying :)

WELL....!

Can't deny that!

[prncssguya]

on hwang in-ho/front man, seong gi-hun and their dynamic.

first, idk why people are getting so upset at other people calling gi-hun dumb, we were told that in the first season. lol being bright is not his strongest trait but he has a good heart and we love that about him. however, he is still an idealistic gullible idiot with a gambling problem. except this time his gambling addiction is backed by a sense of justice and righteousness and he no longer gambles with money, he’s gambling with people’s lives. front man asked a good question at the end of the season, “did you have fun playing the hero?” can we even call gi-hun the hero of the story anymore? he gambled with people’s lives and front man showed him the consequences of his moral heroics.

front man only agreed to help gi-hun with his revolution when he mentioned about "small sacrifices for the greater good". i think he reveled in the fact that the “good guy” was willing to allow a few innocent people to die for the greater good to stop the games, which is exactly what the entire VIP theory is to rid the world of 'trash' to improve the world. notice how gi-hun's moral code and belief also changed, from being "nobody should die" into "yeah small sacrifice is okay as long it's for the greater good" at this point, he just proved that front man's belief is actually valid. AND he gets more of his own people killed in the pointless battle with the soldiers that they had no chance of winning. now he gets to feel responsible for all those deaths and the death of his friend and for whatever additional torture they cook up in the next games (as punishment for the escape attempt).

now on hwang in-ho, i believe he was once a good man and the story he told gi-hun was the truth. but in the end he lost a kidney, lost a wife, a baby, lost his money, got fucked over by the wrong people and got into serious debt and had to play this game to help his wife and probably it was too late to save her. he might have played the games like gi-hun but saw how ruthless and greedy people are and resolved that they don't deserve help

i don’t think in-ho wants/will kill gi-hun, but he wants him to understand things from his perspective and show him that his compassion for the people in the games is foolish. you can tell the frontmen (the old man and in-ho) are extremely fond of gi hun. not only did he protect their original front man when nobody else did, he then won the games and thus their respect as he is now as rich as them. he's no longer "trash", he’s an elite like them. i think they both actually kept tabs on him after he won (i wonder if they do that for all winners? inserting them with gps chips?) because they knew he had not used his reward money and in-ho wanted gi-hun to get on the plane and be happy with his daughter

there’s one interesting aspect of the games that makes front man such a complex character. the fact that they’re operating a organ transplant trafficking network. in a way, he’s creating some good to come from a really fucked up situation. but is it really for the good of others who desperately need it, people like his wife, like his brother? or is it just a money making scheme?

either way, i don’t think there is going to be a redemption arc for in-ho, he’s too far gone. we may get to see more of his human side if he manages to see jun-ho again. the only time we’ve seen genuine emotions from him was when he shot his brother like he seemed distraught

the real cliffhanger for me, is will gi-hun stay true to his belief that people can be good, or will he be forever changed into a villain and become the next front man…? after the events of this season i don’t see how his will doesn’t shatter. he’s witnessed how humanity consistently chose money over survival, he’s lost two close friends, his mother, abandoned his daughter. he has gained nothing from wanting to stop the games and this clearly feels like an origin story for the next front man. it’s clear the front man has won this round and i think squid game will either die with 001 or continue with gi-hun as game master

another thing i find funny that i don’t see many mention is how gi-hun is like the luckiest guy in the fucking world. but i don’t think him being alive this long is plot armor, it makes sense. the games exist for the entertainment of rich sadists who have so much money they don't know what to do with it (remember what old 001 said in s1 about life being no fun for both people with no money and people with too much money). and i’d imagine killing hundreds of poor debt-ridden fools year after year gets boring. especially when said fools are desperate enough to gamble with their lives because they think they can beat the system by playing better than everyone else and surviving and getting the money.

gihun is different because he got the money, got out, and still came back. not because he's unfeeling or because he wants more money, but because he's still convinced he can beat the system.

if you're a rich bored gazillionaire, would you rather watch some randos die or would you rather watch this exceptional idiot fail again and again until he learns that his ideals are meaningless and people are inherently greedy and equality is a myth and people at the bottom of the barrel don't get to question the system?

if you're an asshole gazillionaire, you don't want someone to challenge you and just get away with it. you want to hand them 45.6 billion won and make them go away quietly, traumatized, after breaking them psychologically by making them do horrible things until they understand they're just powerless "horses". if they insist on challenging you and your system and your beliefs (money = boundless power), you teach them a lesson and show them their place in the most manipulative and cruel way possible. if gihun dies right away, that's boring. so he can't die, he needs to suffer. he needs to concede defeat.

also, i find it funny how people are comparing hwang inho and gihun dynamic to hannibal and will graham. makes sense, their whole cat and mouse game, front man hiding his true nature from gi-hun the same way hannibal does, trying to corrupt the righteous protagonist, sowing chaos, testing him and observing his behavior like a lab rat, the crazy tension and staring contests, the gaslighting and manipulation. and with the fact that they think lee byung-hun looks like mads mikkelsen. i never put the two of them together but now i can’t unsee it lol

[mrsdarkandyandere7]

BNHA Boys: 1st Time Noncon

▶ This is a yandere/dark work and it may contain triggering content so please READ THE WARNINGS before. Do not read if minor.

More at Masterlist

Female Reader

Boys -> Hawks + Dabi + Bakugo

Warnings at each part (but the title is quite explicit, right?) + NSFW Link (be careful + on twitter (you need a account to see)

AN: Please, reblog and give me feedback + Gimme ideas

–

Hawks

-> Manipulation

Keigo is a cunning guy, always looking out for a way to get things done his way. He’s used to tricking people, using his tactics to reach his desired goals. But honestly? You have to be the biggest chump he’s ever met in his life. 

Did you actually believe when he deeply sighed and pretended to relent to your begging, just before meekly offering you to walk away from him?

Did your ingenuous self really trust him when Keigo swore on his hero honor - what honor really? - that he’d let you go home, safe and sound?

But the reality is that you fell for it, like a bee attracted to honey. It’s moments like those that Keigo acknowledges how naive and kind-hearted you are. Too cute and good for this twisted, cruel world. 

So that’s why a minor part of him is almost satisfied at the reluctance and doubt that shades your pretty face when he tells you the inflated price for your freedom.  

You clearly don’t want to sleep with him. Your attempts to bargain are immediately turned down and it takes less than five minutes for you to crumble down. 

Keigo almost feels bad at your distressed teary face. But hey, a win is a win.

You try to relax when he starts kissing and touching you. To be calm when he slowly starts making love to you.

But it feels so dead wrong and the overwhelming realization that Hawks was lying about letting you go finally hits you like a brick and you try to push him away, pointlessly make him get off from you. 

But no point in that cause Keigo isn’t gonna let you go anywhere. 

“Deal’s off, babe. I mean, I was willing to let you go and all, but since you ruined the whole mood…there was no need to fight me, ya know? I wasn’t forcing you into anything, was I? But since you broke your promise, I suppose I’m gonna have to keep you here with me.”

(VISUAL)

Dabi

-> Noncon

Dabi isn’t one to shy away from what he wants.

He takes what he wants, when he wants and how he wants and you don’t get any say in it. 

So, if for a moment you actually believed you could argue or convince the black-haired villain to leave you alone, then you’re not up for a great start with him. 

Dabi doesn’t care when you start crying, spirit battered over the small burns he gives you for trying to fight back. He doesn’t care for your wails of pain when he fucks you in the way he wants to. 

Dabi is sadistic like that, he actually enjoys the terror that floods your entire face when he explains in extensive detail all the scary lustful needs he wants to fulfill by using you. 

He’s definitely one to use tight ropes to bend you in uncomfortable positions when fucking you - just because they allow him better access and less struggle from you.

Doesn’t give a crap about your wellbeing or if you get to cum, those are unnecessary thoughts for him. 

As long as Dabi gets to end his night with a few orgasms, he’s good. 

“Oh sweetheart, there’s no point in begging. That’s not gonna change my mind. And can you even blame me? Just look at you, such a pretty body you have. You’re just too tempting to let go and trust me, I’m not planning to.”

(VISUAL)

Bakugo

-> Forced Oral - (male receiving)

Bakugo has mild-anger issues and everyone knows that so, if anything, it was entirely your fault for provoking the anger out of him. 

You saw an opportunity to try an escape and you took it, even though it was meant to fail miserably.

Bakugo ends up wrestling you back inside the house, tightly clutching your hair as he angrily shouts at how much of an ungrateful brat you are.

He’s so damn pissed that you almost got away that he can’t control himself. All the adrenaline and anger mixing up in his blood and all he wants is to teach you a proper lesson. Scare you into submission. Make sure that you’ll never act up again.

His hands are cruel as he roughs you up a bit, ignoring your scared shrieks. 

But the real punishment is the way he fucks your mouth.

His pace is so insanely fast, demanding and brutal, and he carries on without caring for the numerous times you gag and choke around his length, unable to pull away because of the vice grip he has on your scalp.

The way he facefucks you is humiliating and brutal, and the cherry on top of the cake is when Bakugo shoots his sticky cum all over your face before leaving you bruised up and with a hurting throat.

Afterwards, Bakugo might feel a bit bad because that’s definitely not how he planned your first time doing something intimate together, but on the bright side - you get much more obedient and calm towards him. 

“The hell you giving me that pathetic look for, huh. You fuckin’ deserved that and you know that. Had you not acted all lunatic and none of this would’ve happened.”

(VISUAL)