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Mario del Monaco
Nei panni di OTELLO, Capolavoro VERDIANO e cantando l'aria prima: *ESULTATE*.
Source, Color & Copyright ©️: Esultate, MARIO del MONACO, EJR Mario Del Monaco & Claudio Del Monaco Oficial su YouTube. ScreenShots: Luz Butron Soprano LBS 24.
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🇬🇧🇵🇱🇮🇹 Supreme Mario del Monaco, Canary Islands, Las Palmas, 1972. Deeply rare + remastered. Clip featuring the original Castle of Otello.
Although the merciless storm, with victory finishes the Grand Berber Otello yet another battle, mooring the ship betwixt betrayals, amidst the foes is where the final fight awaits. His true heart was not in recognition what are the vile whirls of manipulation...
P.S. The ending photograph of Mario manually coloured by @Enaveri, @ilMioPrimoAngelo
No acceptance for the popular yet primitive automatic colouring applications which give unnaturally insulting effect!
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Najwyższy Mario del Monaco, Wyspy Kanaryjskie, Las Palmas, 1972. Wysoce rzadkie + zremasterowane. Dodatkowo, klip przedstawia oryginalny zamek Otella.
Pomimo bezlitosnego sztormu zwycięstwem kończy kolejną bitwę Wielki Berber Otello, cumując statek pośród zdrajców, pomiędzy wrogami oczekuje go walka finalna. Szczere jego serce nie było w rozpoznaniu czymże są nikczemne wiry manipulacji...
P.S. Końcowa fotografia Mario ręcznie pokolorowane przez @Enaveri, @ilMioPrimoAngelo
Brak akceptacji dla popularnych lecz prymitywnych automatycznych aplikacji koloryzujących dających nienaturalnie obraźliwy efekt!
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Supremo Mario del Monaco, Isole Canarie, Las Palmas, 1972. Profondamente raro + rimasterizzato. Clip con il Castello originale di Otello.
Nonostante la spietata tempesta, il Gran Berbero Otello con la vittoria termina l'ennesima battaglia, ormeggiando la nave tra i tradimenti, in mezzo ai nemici, dove lo scontro finale lo attende. Il suo vero cuore non era in grado di riconoscere quali sono gli ignobili vortici della manipolazione...
P.S. La fotografia finale di Mario colorata manualmente da @Enaveri, @ilMioPrimoAngelo
Nessuna accettazione per le popolari ma primitive applicazioni di colorazione automatica che danno un effetto innaturalmente offensivo!
#MARIOdelMONACO#Otello#Otello Remastered#Esultate Remastered#ENÄVERi#Amazigh#Real Opera#Mario del Monaco rare#Mario del Monaco remastered#Mario del Monaco raro#ilMioPrimoAngelo Instagram#Mario del Monaco#mariodelmonaco#Mario del Monaco Otello
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did an oopsie and strained a muscle in my leg, now forced to waddle slowly like a duck
#said “oopsie” was stepping on some thorns stuck to our sheep while we were trying to get him to untangle him#and then he of course ran and i fell into a split#which my body did not. enjoy doing.#hurts bad fellas! do stupid shit ya get stupid r esults!
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Gaudio e tripudio
Gioite ed esultate tutti meco! Finalmente ho terminato la lettura di Anna Karenina. Capolavoro, eh. Bellissimo, non c'è dubbio. Uno di quei libri che un lettore serio deve assolutamente leggere. Però è come i Rotoloni Regina. Non finisce mai…
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which song from The Great Impersonator are you?
updated my which great impersonator to include the full tracklist!!!
it took forever enjoy!!! https://uquiz.com/YwOrxS
#uquiz#uquizzes#music#medium uquiz#aspec friendly#disability friendly#no quotes lyrics#myr esults;Letter to God (1974) // Impersonating: Cher
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Esultate, o giusti, nel Signore, la lode s'addice agli uomini retti. Celebrate il Signore con la cetra, salmeggiate a lui con il saltèrio a dieci corde. Cantategli un cantico nuovo, suonate bene e con gioia. Poiché la parola del Signore è retta e tutta l'opera sua è fatta con fedeltà. Egli ama la giustizia e l'equità, la terra è piena della benevolenza del Signore.
Salmi 33 1-5
cywo
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🦋 Day [4 of 100] of Productivity 🦋
Writing: Effetto Luna - Chapter 16 New chapter is nearly done, but I don't want to rush things just for the will of posting. We're approaching the end of the story, so I'm pretty excited. I decided to concentrate on Effetto Luna exclusively 'till its ending. After that, I will work again on my other long fics. Reading: American Psycho - Bret Easton Ellis Listening to: Pasadena 1994 - NanowaR of Steel Snacking on: Fresh Cherries
Extra: Guess what? I'm still looking for a new flat to move on. I visited two new homes this week. I have an appointment next Monday to discuss about the last one (which was the nicest one so fingers crossed 🤞). I don't want to esulte before getting things done, but good vibes are appreciated. ⭐ I'm skipping my methotrexate shot on this weekend because fuck it, I don't want to be brain fogged and in the edge of nausea until Monday. I will surely talk about this to my doctor on our next appointment. I did some stationery shopping to re-organize my documents. Planning to do even more before the move out. Went to the grocery store and bought myself fresh cherries, the first summer watermelon, and my favourite ice-cream because I deserve it. I hope to have a nice writing weekend!
#my post#personal#100 days of productivity#motivation#writing motivation#cherries#stationery#writers on tumblr#writerscommunity#productivity
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Original here: https://www.instagram.com/reel/CoBGNnJI36J/?igsh=MTc4NTlkazNhNHBrZQ==
#MARIOdelMONACO#ilMioPrimoAngelo#Otello#Tenor voice#Baritone#Cinzio#Shakespeare#Arrigo Boito#Giuseppe Verdi#Moor#Imazighen#Opera#Best Tenor#Enaveri#Enäveri#Esultate remastered#Amazigh
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Just thinking about the musical parallel Verdi draws between Otello’s first line “Esultate” and Desdemona’s “Cantiamo” from the Willow Song
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Hey Brenya, i heard you encountered Chimor. how did that go?
--E-> I would say it w-Ent fairly w-Ell. Didn't r-Esult in -Eith-Er of us dying so that's a good start.
--E-> I hav-E to admit that h-E is quit-E th-E int-Etesting individual.
--E-> S-E-Em-Ed g-Enuine, though, I will lik-Ely talk with him again som-Etim-E.
-> he's actually really excited about their little 'date' but won't admit it.
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Che cavolo esultate a fare per la ribellione del capo di un gruppo di mercenari russi che fino a ieri combatteva i mercenari ucraini armati e finanziati da tutte le grandi democrazie occidentali? 🤡🤡🤡
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sì sì bravi, esultate tutti quanti. evviva, è morto l’oppressore, se lo meritava, finalmente, e così via. vedremo quanto saremo tutti contenti tra 4 anni quando voti, parlamentari, senatori e portaborse vari di quella che non sarà più Forza Italia finiranno in seno alla bella Giorgia. che secondo me si sta già fregando le mani, altro che lutto.
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Herodotus’ Scythian Logos viewed from a Central Asian Perspective
Hyun Jin Kim “Herodotus’ Scythians Viewed from a Central Asian Perspective: its Historicity and Significance”, Ancient West and East 9 (2010), pp 115-135 (abstract, introductory, and concluding paragraphs):
“Abstract
The literary interpretation of Herodotus in classical scholarship has arguably abandoned the fixation with the historical veracity of Herodotus’ account that characterised earlier Herodotean scholarship. The critical analyses of Detlev Fehling and François Hartog on the historian’s Scythian logos (singled out for criticism) in different ways acted as catalysts fort his development which heralded a generation of more sophisticated critique of the text as essentially a work of literature rather than history. Such an approach has had some positiver esults, especially in identifying the various levels of literary colouring that characterise the historian’s work. However, this article argues that the historical element simply cannot be removed from its former position of centrality in literary interpretation. It calls for a greater appreciation of the historicity of the Scythian logos by challenging the arguments through which Hartog and Fehling triggered the movement away from ‘history’ to ‘literature’. The article shows that a more intensive application of comparative, Central Asian historical and archaeological material in literary analysis, reveals that the logos as a whole is far more deeply immersed in the world of steppe nomadism than is often thought possible in classical scholarship.
The Scythian logos of Herodotus with its strange and wondrous tales about the far north has attracted much attention and critique in recent Herodotean scholarship. In the plethora of scholarship on the logos the critical analyses of Fehling 1 and Hartog 2 have been particularly influential or notorious. Fehling inherited a tradition of empirical, nearly positivistic textual analysis, which was focused primarily on proving Herodotus right or wrong. Hartog’s famous work marked a movement away from this approach to a more sophisticated appreciation of the literary and artistic dimension of Herodotus. The historian’s work, through the lens of late 20th-century neo-historicism, was seen in the context of cultural history and was appreciated as literature, not just history. Moreover, quite remarkably, despite significant differences in approach, both critics agreed that Herodotus’ account of the Scythians is largely, if not entirely, fictitious. Both works, therefore, in different ways contributed to the removal of the element of historicity from its former position of centrality to a peripheral role in all literary discussions on Herodotus.
This article, however, argues that historicity simply cannot be removed from any literary interpretation of Herodotus’ Scythian logos. It shows that both analyses mentioned above have serious limitations that result largely from their almost complete neglect of comparative, Central Asian historical material, a feature that is sadly far too common in literary, theoretical interpretations of Herodotus. The limited use of Central Asian historical or archaeological material to examine the veracity or falsity of various portions of the Scythian logos is indeed nothing new. However, this article, by subjecting the entirety of the Scythian logos to a more intensive comparative analysis, shows that the logos as a whole is far more deeply immersed in the traditions and culture of the Pontic steppe nomads than has previously been thought possible by both Fehling and Hartog and indeed classical scholarship in general.”
“ Thus Herodotus or his sources evidently did possess a greater understanding of steppe society and its military practices than modern critics such as Hartog give him credit for. The oddities and extremes that he mentions in his account of Scythian life and history are mostly historical realities, not make-believe...
As Hinge suggests, in the case of the Scythians at least, the analogies and patternsthat arise occasionally between Greeks and Scythians are not necessarily due to the ‘interpolation of Greek categories into a Scythian context’. They are rather ‘the result of the formulation of Scythian customs and beliefs in a Greek discourse’;115 i.e. they should rather be regarded as indicators of Herodotus’ attempt to Hellenise the Scythians to the extent that their behaviour and history would become intelligible to a Greek audience.
The uniquely Scythian elements in the account of the Scythian war and the description of Scythian customs show that Herodotus understands and appreciates the distinctive features of Scythian society and are a telling proof that he does nottry to make unnecessary analogies or create non-existent polarities. They also indicate clearly that genuine steppe customs and traditions are central to his overall representation of the Scythians in the Scythian logos. However, this by no means suggests that there is no validity in the doubts raised by a number of critics concerning Herodotus’ accuracy nor is it a denial of the reality of the limited application of both past and contemporary Greek theoretical constructs on the Scythians in the Histories by Herodotus.
Most of the steppe customs and historical details that we have presented in this article would be known to scholars engaged in the research of Central Asian history and nomad customs. He or she would be highly amused and perplexed by the fact that anyone could possibly consider them to be make-believe. Yet this is exactly what is asserted by arguably the two most prominent Herodotean scholars of the past five decades! Such an embarrassing situation arises, as has been shown throughout this article, from the tendency in current literary scholarship on the Scythian logos to largely neglect or treat as peripheral non-Greek and non-European historical and comparative material even when analysing the account of a people beyond this geographical or conceptual boundary. Hartog and Fehling, though approaching the text from radically different perspectives, nonetheless arrive at the same erroneous conclusions precisely because neither a solely text-based, empirical analysis as in the case of Fehling or a strictly theoretical and literary interpretation (Hartog), though both are valuable in their own right and have contributed to the development of Hero-dotean scholarship, can adequately grasp the full breadth of Herodotean inquiry.
Fixation with the ‘truth’ had clouded earlier scholarship on Herodotus and Hartog’s innovative, neo-historicist analysis marked a fresh break away from this cycle. However, his approach fails in the sense that it creates a too rigid a barrier between history and literature (extremely odd) and restricts the Histories to an arguably post-structuralist, European, cultural framework. In short a more balanced approach that is more comprehensive, interdisciplinary and comparative must be adopted in the future literary interpretation of Herodotus.”
The whole article can be found on https://href.li/?https://www.academia.edu/10885180/HERODOTUS_SCYTHIANS_VIEWED_FROM_A_CENTRAL_ASIAN_PERSPECTIVE_ITS_HISTORICITY_AND_SIGNIFICANCE
Hyun Jin Kim is Associate Professor in Classics, Historical and Philosophical Studies, University of Melbourne and a Fellow of the Australian Academy ogf Humanities. Many of his books, including his first monograph Ethnicity and Foreigners in Ancient Greece and China (2009; Duckworth), are comparative studies of Ancient Greece, Rome and China. His other monographs, most notably The Huns, Rome and the Birth of Europe (2013; Cambridge University Press), and edited books are studies of the Inner Asian Huns, Geopolitics and Eurasian Empires in Late Antiquity.
Very informative article, although I think that it rather gives too much to Fehling and Hartog, who certainly are not the two most prominent Herodotean scholars of the past five decades. Moreover, it is undeniable that the Herodotean scholarship of the last decades has moved away from Fehling’s and Hartog’s approaches to Herodotus’ work because these approaches had serious flaws, a thing that Pr. Hyun Jim Kim establishes very well in the case of the Scythians in Herodotus’ Histories.
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.@theeconomist @bbc_whys .@10downingstreet @eu_commission @eucouncil @euparl_en .@euparl_dk . @emmanuelmacron germany needs a new businessmodel germanyinc over the #keypoint deeper integration of europe but theyare a tot al monster and allknow the nationalisms as threat seem rather templated and miseryamplified the eu hasnolegs as its integrationwas only as deep as the advant ageof market carried now theglonal conditions changed to notonly economic competition but to dirty governance and war glad the eu has an optionleft you shouldbe with rollback of eu theworst for the tiny and small evenmore the aeh aeh aeh filthy easterners a bloodwarcontintent is the r esult
.@theeconomist @bbc_whys .@10downingstreet @eu_commission @eucouncil @euparl_en .@euparl_dk .@emmanuelmacron germany needs a new businessmodel germanyinc over the #keypoint deeper integration of europe but theyare a total monster and allknow the nationalisms as threat seem rather templated and miseryamplified the eu hasnolegs as its integrationwas only as deep as the advantageof market carried…
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Venerdì 1 Novembre 2024
👉❤️❤️🌼TUTTI I SANTI (s); S. Cesario; S. Licinio
30.a del Tempo Ordinario
Ap 7,2-4.9-14; Sal 23; 1Gv 3,1-3; Mt 5,1-12a
Ecco la generazione che cerca il tuo volto, Signore
👉🕍📖❤️VANGELO
Rallegratevi ed esultate, perché grande è la vostra ricompensa nei cieli.
+ Dal Vangelo secondo Matteo 5,1-12a
In quel tempo, vedendo le folle, Gesù salì sul monte: si pose a sedere e si avvicinarono a lui i suoi discepoli. Si mise a parlare e insegnava loro dicendo: «Beati i poveri in spirito, perché di essi è il regno dei cieli. Beati quelli che sono nel pianto, perché saranno consolati. Beati i miti, perché avranno in eredità la terra. Beati quelli che hanno fame e sete della giustizia, perché saranno saziati. Beati i misericordiosi, perché troveranno misericordia. Beati i puri di cuore, perché vedranno Dio. Beati gli operatori di pace, perché saranno chiamati figli di Dio. Beati i perseguitati per la giustizia, perché di essi è il regno dei cieli. Beati voi quando vi insulteranno, vi perseguiteranno e, mentendo, diranno ogni sorta di male contro di voi per causa mia. Rallegratevi ed esultate, perché grande è la vostra ricompensa nei cieli».
Parola del Signore. 🌹❤️
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