#especially with the live action segments

[velvetjune]

Warlin Door having access to different worlds is already so good and compelling as a character, but it’s even more perfect that he’s presented as a TV host every time we see him, both with Night Springs and the talk show. He’s across different channels at all times, able to narrate and interact within the medium, but as far as we know, unable to change and mold the world around him like Alan and other artists in the dark place. It’s the perfect persona for him to have (and he better have a big role in that Night Springs DLC!)

[psychotrenny]

I love how the most vocal liberals on Tumblr are even more politically regressive than like your average Yankee lib. Like the other day I overheard this news program my parents were watching where they were doing a segment on the US elections (we do live in their empire after all). The part I heard was an interview with this Liberal who was vocally not voting for Harris because "We need to send a message to Washington. Genocide cannot go unpunished".

And I'm not saying this a great political position; any sort of engagement with bourgeois electoralism is clearly an ineffective way of attaining meaningful political change (especially in the conditions of the contemporary USA)* and in most situations you'd be better off spending your time and energy on other channels of political actions. But like, she was at least actually engaging with the political system she claims to support. "Pressuring your representatives into changing their positions by withholding your vote" is Liberal Democracy 101; a basic and (once you accept its basic premises) logically consistent part of the ideology. It certainly makes a lot more sense than "vote for your representatives no matter what and then psychically convert them through social media posts and pure belief". Like "vote blue no matter who" isn't just bad and Liberal; it's bad at being Liberal.

*this isn't even a conclusion you need to be a Marxist or super well read on theory to reach; simply paying attention to the course of internationally prominent political movements in the Liberal Democracies of the world should make the uselessness of electoralism pretty obvious

[txttletale]

sorry if you have answered a question like this before, but what do you think of critiques from liberals/other leftists whether they be calling themselves socialist, communist, or anarchist, on the "disastrous/genocidal" effect of a "glorious revolution" on populations like children, the elderly, and the disabled? would any revolutionary action necessitate destruction of infrastructure? what kind of conversations are being had among communists about protecting these vulnerable populations? i see a lot of stuff about not wanting to watch kids die in hospitals just for a power vacuum that could go the wrong way and stuff like that and i agree with wanting to protect these populations especially, but something about the conversation in general seems off to me, since kids are already dying all over the world because of the lack of access to healthcare because of things like usimperialism or the insane costs even for people living in the us and the supply chain is already showing many cracks because of climate change and capitalism, with no global "violent revolution" to speak of. am i missing something crucial here? what can i say to my fellow disabled friends who have these concerns, partially born from dealing with ableism in leftist spaces? -- thank you, a baby communist

i mean first of all yes, it is disingenuous to pretend that the most vulnerable people are not dying constantly under capitalism. secondly, revolutions do not usually involve blowing up hospitals and care homes for no reason.

but most crucially of all this entire argument relies on a childish view of revolution inspired by the most tedious reactionary propaganda--an understanding gained from shen yun and anastasia. communist revolutions (like any revolution!) don't happen in times of unremarkable peace and prosperity--they necessarily happen in times of mass discontent and instability, because that's when large segments of the population become radicalised!

genuinely, the best antidote to all these silly liberal ideas about revolution is to read about the history of real revolutions, socialist or otherwise. actual historical knowledge trumps mind palace hystericizing every time. i recommend walter rodney's the russian revolution: a view from the third world.

[princesssarisa]

Shelley Duvall's Faerie Tale Theatre: The Complete Series

I'm sharing this playlist in response to the post that's been circulating today debunking the "urban legends" about Shelley Duvall.

I was shocked to learn that some people assume Duvall was "driven insane" by the trauma she went through filming The Shining, and think this was why she left Hollywood and became a recluse.

Now, I don't know all the details of Duvall's mental health struggles, but the myth that The Shining drove her into exile is total nonsense! She was active as both an actress and a producer throughout the '80s and '90s – especially in children's shows, as the post that's been circulating points out.

So to thoroughly debunk that urban legend, I've decided the complete episode playlist of the '80s TV series that may be her post-Shining magnum opus: Faerie Tale Theatre.

This series originally ran on Showtime, then was shown in reruns on the Disney Channel in the '90s. Most of the episodes were also released on VHS and later DVD. Each episode is a 50-minute live-action adaptation of a classic fairy tale or fantasy story, with a celebrity cast. Many of the episodes have quirky, irreverent humor, and jokes aimed more at adults than at kids, but they never quite cross the line into "fractured fairy tale" and have genuine heart too. I've written reviews in the past of Cinderella, Snow White and the Seven Dwarfs, and Sleeping Beauty. My personal favorite episodes are probably Cinderella and The Three Little Pigs, but they're all worth watching and were a mainstay of my childhood.

Duvall created and produced the series and introduces each episode in a host segment. In two episodes, she appears as the heroine: the Miller's Daughter in Rumpelstiltskin and the title role in Rapunzel. She also provides the voice of the titular bird in The Nightingale and briefly appears as Snow White's mother in the prologue of Snow White and the Seven Dwarfs.

If you like fairy tales, and if you never knew that Shelley Duvall's career still thrived in the '80s and want to see her work from that era, then watch this series!

[mdhwrites]

I’ve been watching Amphibia while studying. I should definitely do a rewatch during the summer, but it’s occurred to me that Amphibia’s strengths are criminally underrated.

Amphibia feels like a more focused show than TOH. It has its flaws ofc especially in Season 3, but Amphibia’s cast comes across as a lot more developed than TOH’s cast. I mean, Andrias got a dedicated flashback episode and Belos didn’t???

Amphibia’s execution of the found family trope is one of the best things I’ve seen in animation. In contrast, I always felt that King, Lilith, Eda, and the Hexside crew are plot devices to get Luz where she needs to go. Eda has some depth but generally speaking TOH never “got into their heads,” unlike with the Plantars, Sasha, Marcy, Grime, and Andrias.

And I gotta praise Amphibia’s ending!!! I wish more kids cartoons embraced the idea of permanent, bittersweet change. The idea of letting things go but not forgetting them.

So while I agree Amphibia is more focused, I actually don't think that's what the bigger difference is between TOH and Amphibia that I think needs to be highlighted. No, instead, I'm interrogate something you said: Does Belos not get a dedicated backstory episode? For that matter... Does he potentially get MORE time spent on backstory than Andrias?

Andrias literally only gets The Core and the King. He actually gets VERY little screentime, mostly because the effects of his cruelty are more important than what he does himself. So for backstory, he gets 11 minutes. MAYBE you could stretch to like 12 or 13 if you want to include hints to Lief but that's all post her time with him. So 11 minutes because Andrias only gets one segment, not two.

What does Belos get?

Well... I think everyone just forgets about Elsewhere Elsewhen. That IS backstory. That is previous characterization. It's not a flashback but it is still interacting with a Belos earlier in the timeline, like a backstory exposition dump or a flashback does. And interacting with Philip is the main purpose of the A plot of the episode, even if it takes a bit to get to him and then he dips out before the end.

As the author of the journal though, he also counts for backstory whenever passages of the journal are told to us. It's unreliable but it is still previous characterization. So stuff like Eclipse Lake and the end of Looking Glass Ruins adds a little here and there.

Then of course... What the fuck do you call Hollow Mind if not a dedicated backstory episode to Belos? The majority of the run time is literally go through his brain, and his memories, to show his rise to power. His backstory. And while there is technically a B plot, it doesn't take up much time so probably at least a third of the episode is spent on this and these are 22 minute episodes. If just two thirds get spent on backstory, that's more than Andrias gets.

So why doesn't it feel like that? Why does it feel like we get a VERY complete version of Andrias' backstory, despite seeing cumulatively three days in a row of his life, while it feels like we were never told Belos'?

Efficiency. Amphibia is a VERY efficient work. It crams a LOT into its run times. It's part of why the episodes are so satisfying because they actually manage to tell complete stories with morals, sometimes their own A and B plots in an 11 minute segment and actually move the characters forward a full step within the span of that time. It does this while also being hilarious and action packed, much more than TOH or, honestly, a lot of cartoons. Not every episode segment counts for this but ESPECIALLY the important ones do and The Core and the King should be taught in classes for how to get across a character's motivations and backstory in a nuanced, breezy way while also being DENSE. AS. FUCK.

In eleven minutes, we get a clear idea of the utopia that Andrias used to live in, the cost of that utopia, the pressures upon him as a prince, how deep his relationships are with two other characters, Lief gets some genuinely good characterization that helps explain her choice, a logical progression of events that matches with the sillier side of Andrias we know of, an escalation and then a climax. We can VERY clearly see what Andrias lost, what he is trying to get back, and why he would want it back on multiple levels, both societal, familial and even personal, that will motivate into being a MONSTER for a thousand years. All while still being a lot of fun and having some really great jokes. It introduces so many elements but it never feels bogged down by any of this. Instead, it chose the PERFECT moment to get across everything it needed to and left very few questions that you as an audience couldn't figure out yourselves. This also all while being explicit about much of the motivation and what not instead of relying on background details.

Which TOH can't claim for Belos. In Elsewhere Elsewhen, we see that Philip hates witches, that his journal is unreliable and that he has ALWAYS been an asshole and a manipulator. That's befitting who he will be but doesn't actually tell us jack shit. It also includes I guess how he met the Collector but that's moving plot, not expanding on your villain. Because the journal is unreliable, it tells us very little to nothing about him except for some reason he donated his journal to the people he fucking despised. Then Hollow Mind shows how he came to power... But not who he is. Not his motivation, what he actually wants to accomplish besides murder, etc. like that. The paintings in the background tell you far more just by being far more suggestive of what he's been through.

TOH is fucking awful when it comes to density. Most episodes, not even just Belos, have the problem of only taking half steps. Each of Belos' parts are those half steps. Revealing only one or two elements when it easily could have shown more to be more satisfying. As an example: Amphibia has a GREAT episode between Ivy and her mom about rebellion, the consequences of fighting what your parent wants for you, why they might do the things they do, etc. like that. In 11 minutes, we get a genuinely complex relationship between Ivy and her mom who haven't had much talk about each other or their relationship up until now. Meanwhile, TOH decides to focus on Luz being expelled for the episode about Amity and Odalia, meaning Amity is in like... Three, maybe five minutes of that episode? A full minute of that being the intro to the episode where she's just showing off the abomaton?

Because it isn't actually focused on Amity, the relationship between Amity and Odalia isn't actually explored. Because they can't explore that, they also need to now make Odalia cartoonishly villainous so as to fit the fact that Luz also spends very little time with her due to making the conflict be about Hexside so we have to waste some time with a stock standard montage of Luz, Willow and Gus trying to get back in. And by the end, what is the resolution between Amity and Odalia? "Get in my way again and I will kick your fucking ass."

Much deep. Very brave.

There's TONS of stuff like this where Amphibia is genuinely the work trying to do more interesting, more meaningful and deeper things than TOH and managing to do it in literally half the time. If not even less. That breakneck pace is part of what makes Amphibia feel like a kids show but it's also what makes it just more enjoyable to watch.

Which actually makes TOH fit in better with our current era of streaming television. TOH is constantly baiting you for the payoffs it promises. It keeps swearing that its elements are deeper than they appear so make sure to tune in next week because this SURELY can't be all there is to, right?

Unfortunately, that is all there is to it. And once you realize that and look at the show with that sort of lens, it starts falling apart. It's part of why TOH should be thankful it was shortened. It lets people more easily claim that it just needed another season. Another fourteen episodes. That TOTALLY would have solved all the problems with episodes that happened even before the shortening.

That is extremely rarely how this works everyone. Sorry.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[petervintonjr]

"I was working for Mr. T. L. Kearny on the morning of the day of the election, and did not think of voting until he came out to the stable where I was attending to the horses and advised me to go to the polls and exercise a citizen's privilege."

Good god, people. I sure misjudged a hell of a lot of you; it is obvious more studying is called for. Way more. As in, "lessons-that-may-soon-be-illegal" way more.

Since we're already fresh on the subject of elections, let's get right into it with a look at the life of Thomas Mundy Peterson. Born enslaved in 1826 New Jersey, Peterson and his family were later manumitted upon their owner's passing, and moved to Perth Amboy. Peterson married and worked as a custodian and general handyman at Perth Amboy's very first public school. Active in local politics, at the age of 46 Peterson had been a participant in a local ballot initiative to revise the town's existing charter; in this instance, whether or not to abandon their 1798 charter entirely and reincorporate as a township. (Spoiler alert: they did neither and became a city in 1844.)

On March 30, 1871, less than two months after the ratification of the Fifteenth Amendment, Peterson voted in favor of retaining the town's existing charter --thereby making him the very first Black American to cast a ballot in any kind of post-Civil War election.

But for one unsurprising anecdote about a white voter at the polling place crumpling up their own ballot in disgust at the sight, Peterson's civic action went largely unremarked-upon (in fact Peterson even went on to be elected to the local city council). It was as true then, as it is now, that local elections are where the most immediate consequences happen. But gradually over time, the symbolism and the larger historical impact of Peterson's quiet moment took on much greater national significance. In 1884 the community raised the equivalent of $1800.00 to present Peterson with a medal featuring Abraham Lincoln's profile in recognition of his milestone --this medal is now part of the collection of Xavier University. In 1989 the public school at which Peterson once worked (P.S. No. 1), was renamed after him.

====

And further to the above subject: Fascism is a hell of a drug, people. One really doesn't see it for what it is when it finally arrives --no concept of just what it is that you've invited into your lives, just because eggs are inconveniently pricey or because you'd rather your kids not be exposed to history lessons like this one. Fascism never merely visits; it takes up permanent residence. Our Black brothers and sisters (especially the sisters) understood that deep in their bones prior to the Civil War, during Reconstruction, during Jim Crow, and during the Civil Rights movement. The rest of us need to internalize that, too. The past 400 years aren't "just" Black history, as if it all only belonged to a specific segment of the population. It is our history. All of us; inextricably connected to it. If we don't study it and learn about it; if we pivot to the deliberate ignorance that fascism so gleefully celebrates, then we all lose.

Racism (and all its cousins: anti-Semitism, xenophobia, homophobia, etc.) has been emboldened, running unchecked --to say nothing of truly terrifying old-school misogyny. (And yeah, go look up the word misogynoir if you haven't already). Of more immediate concern we've got... what, 70 days or so? 70 days to recalibrate, retool, get at least some guardrails up. In that time interval, please reach out to one another --check on your communities and keep a close eye on local issues, not unlike Thomas Mundy Peterson. Offer what help you can spare. Lotta desperation and panic floating about; folks are afraid of losing a lot of things in 2025 and beyond --you know, minor trifles like health care, insurance, income, savings, civil rights, autonomy. They're going to be looking for a connection. If studying these Black biographies these past 4+ years has taught me one thing, it is that authoritarianism flourishes when people isolate --whether forced upon them or on one's own. The moment folks break that pattern and start connecting with one another, the bullies proveably take a cautious step back. (Notice I didn't naïvely use the word retreat.) So look out for one another and keep each other afloat; the bullies hate that.

In the meantime for my part I'm going to keep doing the two things I know I am legitimately good at: teaching and drawing. Therefore I'll keep providing this resource until I am forcibly stopped from doing so.

If you're new to this series, start here.

[the-burd-lord]

Finally am confident enough to post my redesign of Charlie. Buckle up cause it’s a lot!

Kept her simple since I think her original design is kinda alright, but went with the doll aesthetic more.

Made her design simple enough for it to stand out in most any environment within Hell. Should probably have made a colored version for her, but I'm keeping the white and pink from her original design, but making her outfit yellow to compliment the reds of Hell and the blues of Heaven.

Here’s the newest design although I'm still fiddling around with different variations for the marks on her face, shown later in this post. Might lean towards stop motion look with how the mouths of the characters are always a separate segment from the face.

Eventually she goes from bellhop to more of a concierge roll as she gains more confidence in running the hotel, and eventually becomes the defacto ruler of Purgatory.

More on that later.

Also lil Lucifer resign too. Might make a whole post about him, but the basics are that I decided to go more “biblically accurate” angel for him.

He made Charlie's body, with Lilith drawing up the design for what she would look like. Overtime Charlie got to choose what she wanted to look like. She has accrued many bodies over her thousands of years of living.

Their relationship is close as although they don't see each other in person as often, Charlie always makes time to have at least one phone call a week with her dad. Especially with his worsening depression.

He doesn't fully believe in the hotel idea, but he’s willing to support his daughter anyway he can. Although he is hesitant when she requests to have an audience with Heaven as he knows how fickle they can be.

Especially when her first meeting with an angel is spent talking about rock bands.

I also changed up what Charlie is as not only is she a doll, but she is also the manifestation of “free will.” Spawned from Lilith and Lucifer’s union being an action that goes against "god's plan."

Although she barely remembers it, her actions caused Adam and Eve to eat the apple. She partially made the hotel out of guilt for condemning humanity, feeling as though she has to make it up to the sinners she condemned.

This makes her super hesitant to push the patrons to get help as although she knows that it'll help them in the long run it must fully be by their own free will to want to change. This hesitance also leads her to not fully interfere in their afterlives either, even when she knows a push is all they'll need.

She is able to literally be anyone or anything, and she is scared of this fact. Kinda getting decision paralysis. Also being that she is a being made out of pure energy this essentially means she's a bomb.

This is the result of what happens to her once her form is broken.

These are the old designs, went with a more streamlined look later.

Heavily inspired by the final form of the Princess from Slay the Princess. A game I highly recommend!

When in her "chimera form" she accidentally kills Adam, leading her to take him on as a guest at her hotel. It also leads her to convince Heaven and Hell to use Mount Purgatorio for her new liminal hotel. Kinda using Adam as a bargaining chip to show heaven that if angels can fall, then that doesn't mean sinners can't climb up the mountain to Heaven.

Overtime, with more horror influences I kept adding into her character and design I accidentally just made her into a creepy doll with some analog influences.

(It's almost like my subconscious is trying to tell me something 🤔)

Vaggie and her scary gf.

Decided to go for a more psychological route for Charlie’s abilities and personality. On the surface appearing normal, but still standing out in most environments because of her simplicity. That there's just something about her that doesn't quite fit anywhere.

Her character finally clicked for me after watching Paranoia Agent. She's not really based off any characters from the show, but some of the themes and imagery are baked into her character.

Along with the banger opening.

Eventually she builds her hotel in purgatory, and essentially becomes its ruler. Much to the chagrin of Heaven, who still only sees her as a demon. Even though she was technically born in the heavens.

Even though Charlie uses Adam as a bargaining chip they don't really care that he fell. But they don't want to be proven wrong either, so they reluctantly agree to the idea.

Also lil bonus of Charlie and Vaggie in nightwear. Gotta make another post for Vaggie, but I’m still working some things out with her story and character.

I apologize if so much of this post made no sense. I didn't realize how much I had written for Charlie. Although makes sense as she is supposed to be the main character.

I am happy to answer questions if y'all want more clarification.

[fatuismooches]

greetings!!! this is the first time i've ever shared my idea to anyone, kind of worry but guess that i have to share it with you because your writings are so good and i love how you execute scenarios and ideas (literally awake all night scrolling through your brainrot 😭😭😭😭)

let me tell you that fragile!reader and dottore is what keeps me awake at night i love them so much, i literally read everything in the tags, the fluff and angst is SOO GOOD NGL.

so, angst/ no comfort (because i love tormenting myself (⁠◠⁠‿⁠・⁠)⁠—⁠☆), fragile!reader and terminal lucidity - somebody suddenly became lively and conscious before their deaths. i see that you have written about fragile!reader whose memories are slowly deteriorating or slowly losing their eyesight. imagine one day, everything just come back...normal, the sudden recollection of memories, vision returned miraculously, no pain, no suffering, as if they were back to the days at Akademiya. they became gleeful, happy, full of live, no longer the gloomy, sick-ridden individual.

Dottore, of course, was surprised at this phenomenal, run more tests and check-ups just to be sure that we are actually healthy because there is no way we actually turn healthy after being sick in centuries. the segments however, especially Zandy, didn't think much about the whole ordeal. you are fine!! you can finally walking and running freely without being on life-support. your turn in health manage to turned them into a bunch of joyful, blue-haired maniacs with giddy, happy smiles on their lips.

we are fine for a few weeks, which also make Dottore himself believe that maybe, maybe his efforts have paid off, maybe our health have been stable, and maybe from now on, he could spend the rest of eternity with his beloved.

then we die (this is so mean i'm so sorry 😭😭😭😭😭). how they perish is completely up you but i'd preferably that they die in their sleep, a peaceful death. Dottore and the segments are... well, shocked is an understatement, their whole world have...gone, they'd question themself: how can this happen? you were fine in the past few weeks? In which Dottore blame himself the most, he shouldn't have believed that we were fine, he should have run more test, he should have been more cautious about the whole situation but now he completely felt... helpless, for the first time in millions of years. the only person who went thick and thin, the person that can tolerate him in the Akademiya days and the person that he can tolerate now have passed away.

(the ending is kind if short because idk what else to say since my vocabulary and grammar is rather limited. i hope this would be sufficient 😭😭😭😭😭 also looking forward on how you react to this. for now i'll just cry myself to sleep with this scenario while waiting for your work ❤️🥰)

- 🪷

It would come out of nowhere, no one expected it, no one believed it in the beginning. After all, over four hundred years of debilitating illness makes it hard for anyone to believe something good finally happened. But it does, when you first wake up you can feel that something is different - you definitely do some test runs in your room, picking up objects that were once too heavy for you, simple actions that no longer left you tired, no more aches or pains, it was marvelous. So obviously with your newfound energy, you sprint out to find anyone, hell even a random agent would do, because you're finally free. (You can already hear the voices of the segments - no running in the lab because of the very obvious dangers.)

Naturally, Dottore is very skeptical of this, yes, he does not trust how his heart beats at the sight of your glowing self putting on a little performance for him to show how healthy you are now, he can't bring himself to. He's witnessed how low you could become from the worst stages of your sickness, so although he's more than happy to see you well, the possibility of you falling back into such a state is very high. However he cannot find anything, and you don't show any visible signs either. Even so, he still watches you very closely. It's a feeling that always nags, one that may always nag him perhaps, the thought of you becoming worse. But he's not going to damper your mood with his thoughts, you should enjoy this.

Dottore and the segments would still scold you for your recklessness but realize that you are no longer sick and frail and they no longer have to fuss over your health. It's a very strange sensation that's hard to break out of since they've been doing it for so long. But it's good! You're happy! You're strong! You're the [Name] that was buried away, come to rise to the surface once more. Let's just say Zandy very much enjoys the piggyback rides. The checkups still persist as a general measure, but they always go smoothly. It seems there's nothing to worry about.

You would want to assume your role of his assistant once again right away - it's something you've been longing for, to be able to be useful to your lover just like how you once were. To live those days of banter and sharing fascinating knowledge and listening to each other's ideas once more. And so you do, Dottore's more than happy to let you, oh how he's missed you by his side so often. He's excited, he's ready to put the past four hundred years behind and move on, his mind already racing with the countless possibilities that have opened up now. Unfortunately, they don't come to fruition.

Perhaps you felt something wasn't right but it was already far too late - on the day of your death you acted like everything was normal, carrying out your new duties, but also with a lot of added affection, visiting each segment and Dottore and kissing them with all your love. They don't think much of it, you're usually affectionate like that. If only they knew that would be the last time they were embraced by you. Little Zandy too - it would be the last time you ever hugged him and listened to you read him a story. He'd be absolutely inconsolable after your death.

With you gone, the spark in his life would be gone. It would be the same routine of his duties and experiments and research, with nothing to ease his tension. Sure, he no longer has to spend lots of time finding a cure or producing medicine, but this wasn't the way he wanted it to happen. It's the same as when you were sleeping, except this time he no longer has the anticipation of you eventually waking up. Or does he?

Resurrection is a forbidden art, but he is Il Dottore, the one who has no problem sinking his hands into what should not be done, and he is Zandik, the one who loves you. If this world wants you gone so badly, then so be it. He will simply reach for your hand and pull you back to him every time, because even if it is lifeless, he will make sure it's warm once again.

[leftistfeminista]

– Speaking of freedom, a topic that all women’s organizations especially highlighted in the last period. What would you like to say about this?

–It’s true, in fact freedom is at the top of the demands of all oppressed class. The patriarchal system is imposed on women from home to workplaces, and when they don’t accept the slavery, they will be “punished” with death. Notice that the women on the streets say, “We want to live.” Previously while the demands for how they wanted to live were highlighted, now they say, “We want a world, where we are not killed!”. The attacks on women are at the highest level. Freedom is the need of all oppressed segments in the imperialist-capitalist system. Freedom is the most fundamental problem of all women in the male-dominated system and its our first demand. Our fight and resistance are already for freedom and for liberation.

We must firstly explain that the women who are punished by all kinds of patriarchal methods are not victims, but the subjects that will destroy this system. In every material of bourgeois media, women shown as a violent “poor”. Without action, thoughts; women are seen as a victimized object that is cursed, beaten, abused and murdered. In fact, the message is clear; You will be thankful all the time, if you cross the line you will be punished with any method listed above!

We have lots of duties at this point. What will be our response to this violence, it’s a must that to go to an organization which will work beyond just seeking rights within the legal boundaries. We are not denying or underestimating this sort of works, but we will not be able to achieve true freedom by staying within these boundaries. We cannot break this violence without using revolutionary violence.

KBDH established with the claim of being a united-military-political organization of women that will organize the violence of women which will target all patriarchal institutions. Its currently true that we are not where we wanted to be and expected from us. However, there are objective conditions to take the women on streets to the illegal struggle which will spread the women’s struggle to the next level. Until now, we have carried out actions targeting the institutions of the patriarchal system, we want to increase these actions.

Women were left defenceless, unarmed, unorganized, with definitions such as “naive”, “peaceful”, “far from fighting” and “beauties”. We don’t accept these beauties, because what is trying to be imposed by them is deepening the slavery. Our only demand is freedom. First, we must create the awareness of freedom. Freedom, comes from organizing. Our call is: “Let’s organize, let’s get armed, lets create the united women’s struggle and be liberated”.

– Finally, what would you like to say…

– We believe we have the power, anger and sacrifice in order to do what we have mentioned, as long as we realize our power. Because while we are being taken to the cremation, we are the witches that who walks towards it with smile, and we dare to put our heads under the guillotine in order to be equal. We are the ones holding the positions on the front in defending the Rojava Revolution. We are the fighters/martyred in the mountains. We are the ones on hunger strikes to break the isolation in prisons. We are the ones who doesn’t leave the streets during the most violent attacks of fascism. Because we are women, we will become more beautiful as we resist and become free as we dare.

[cipheramnesia]

The Menu, to me, is such a fascinating movie. I'm going to come back to it and watch the way it's filmed more carefully. but the first time through is such a tantalizing and layered discussion about work, wealth, and inevitably life under capitalism.

What I particularly love about it is that at a very surface level reading it offers a sort of "introduction to systemic inequality," an easy to swallow metaphor of humanity literally consumed by exploitation to the point of annihilation, wrapped around a peppy little survivor girl finale. For me, stripping away all the tasty deeper subtext, it still fulfills the most basic component of a popular film, which is "having a good time." You do not need to try and "get it," you can simply enjoy it by itself if you like.

However, as soon as we get into the finicky details of the movie, especially our "final girl," it starts to get really interesting because the initial surface metaphor starts to fall apart and demand a more complex level of thought. (This will feature some spoilers.)

What I find fascinating is that our protagonist is a sex worker. The entire grand metaphor proposed by our chief antagonist, the chef, is you can divide the world into the served and servers. He has arranged what he thinks is a perfect and flawless illustration of this grand truth, and one unforeseen change fully undermines his entire thesis. She's a worker who provides a service, she's someone getting served by workers in the process of that service. Her job and her life weaves between both worlds and although it's possible to make some larger sweeping generalization, to do so would take the nuance away from the lived reality of most people who are at once point or another both things. This undermining of the chef's thesis is very much the point of the movie, not to suggest there is no class or wealth inequality, but rather as an entry into moving past the surface level binary view of "haves and have nots" into a more complex idea of how wealth and power affects people in different places of the hierarchy.

The movie itself presents each new act as a new item on the menu, which is a well-considered choice, as each step forward reveals more information that builds the complexity of the ideas in the movie and whets your appetite to consider it further. The plot, the characters, and the action in the film progress in a way that mirrors the kind of experience the menus title cards before each segment are describing. The restaurant itself being totally isolated, with every employee committed to their jobs with a cultish intensity lays a groundwork for the production of the idea that individual lives are disposable not just in the literal sense, but metaphorically, a quick sketch of the modern expectations of a workforce by capitalist society to consider their personal lives as disposable in comparison to their jobs. Ralph Fiennes' casting as the chef adds a kind of metatextual level to the proceedings, as he himself is an aspirational actor for many other working actors in the film industry. The way he is worshiped by his devout employees while viewed as someone meant to perform on demand by his employers is the kind of deeper exchange that our modern hierarchy expects from us. You can find a higher place in the world so long as you are always willing to trade yourself to anyone who can afford to purchase you.

This level of exchange, where we as individuals are the actual consumable goods in some way is more at the heart of the Menu than a simple binary division of class. It is also the reason to have a protagonist who is, in a literally sense, her own medium of exchange. The surface metaphor of everything as transactional and finite is deliberately broken time and again, because the antagonist, a chef, is unable to see a world more complex than his own route of understanding it, through food and cooking. He sees everything as abstracted, consumable without any possibility of restoration, resources as something which can only be exchanged but never increased or distributed. He is not the villain in the movie, that role remains with characters like the stockbrokers, the old wealthy gentleman, and our protagonist's date for the evening. But he is the antagonist because of his fundamental idea of the world aligning with the villains (even while ostensibly there to kill them) and in conflict with the fundamentally reasonable position of our protagonist, that she ought to live.

I would enjoy dissecting The Menu scene by scene because there's simply so much going on in it, for me personally. I think there's something excruciatingly interesting to be said about the protagonist being a sex worker, in particular because the movie itself does not chose to view this in an exploitative way, but rather uses it to serve the larger idea that humanity cannot, in fact, be broken down into a consumable resource alone - that giving of yourself does not mean a loss to yourself. I also believe there is a distinct turning point in the movie where Ralph Fiennes sits down at a table, which is to me a huge change. It is the movie making an effort to draw a line under the real thesis, that even the antagonist who insists throughout the movie that he exclusively exists as one who serves, who gives himself up one bite at a time until he is exhausted, even he is someone who cannot exist in his own idea of a false binary.

The chef here is not wrong in recognizing the existence of exploitation, or even necessarily incorrect in his ideas of addressing it through violently usurping those in power. I would argue that overall the conclusion of The Menu doesn't disagree with the notion of hierarchical exploitation innate to modern society. If anything, it serves to illustrate even more how much this trend is ultimate a downward spiral of inevitable and total destruction.

However, it is a movie that is meant to be optimistic, a movie about hanging on to our human connections even when we have some exchange between each other. It's about caring for other people, caring about what they do for us, or caring about what we do for others. The conclusion, and our survivor girl, are a recognition of that hope and that potential which still exists.

(edited from bad casting memory)

[leopauldelr]

The beginner's guide to the Pretty Series

With the recent announcement of the new Pretty Series installment titled Himitsu no AiPri, it's about time the Pretty Series returned after over a year since the Waccha PriMagi! series finale. In celebration of the newest installment, let's take a quick history lesson about the Pretty series.

The Pretty Rhythm Saga (2010-2014) - The Pretty Series saga began on July 15, 2010 with the arcade game titled Pretty Rhythm Mini Skirt. Made by Takara Tomy and developer SynSophia, this arcade game pits players in the role of Prism Stars, performing Prism Jumps, and collecting Prism Stones.

While the one that started it all made a slow start, the folks from Takara Tomy wanted to do more with the Pretty Rhythm saga, and with that, a TV anime titled Pretty Rhythm Aurora Dream was made. Aired in TV Tokyo on April 9, 2011, for 51 episodes, this anime is the fruit of Japan-Korea collaboration thanks to Japan's Tatsunoko Production and South Korea's Dong Woo Animation. The TV anime is all about Aira, Rizumu, and Mion in their quest to take on the prestigious Prism Queen Cup.

As Aira Harune's journey to become Prism Queen is completed, Mia Ageha takes the baton as the star of the next Pretty Rhythm story; Dear My Future. Aired in TV Tokyo on April 7, 2012, for 51 episodes, Dear My Future centers on the rivalry between Prizmmy☆ and the K-Pop group PURETTY. Believe it or not, there are real-life versions of the groups as seen in the anime. There's even a live-action segment featuring Prizmmy☆ as well.

As Mia Ageha's road to Grateful Symphonia is well and truly over, Naru Ayase steps to the spotlight in the third and final chapter of the Pretty Rhythm saga, titled Rainbow Live. Aired in TV Tokyo on April 6, 2013, it features an original storyline unlike the previous two. It's about Naru, An, and Ito, who are working together at the Prism Stone Shop while trying to take good care of a mysterious girl named Rinne.

Although the Pretty Rhythm saga ended, the story continues with the KING OF PRISM spinoff films featuring male characters from the Pretty Rhythm saga. They even got a 2019 anime show as well showcasing the rise of the boys who would be Septentrion.

The PriPara saga (2014-2018, 2021~) After the end of the Pretty Rhythm saga,  the folks of Takara Tomy prepped up what it seems to be the second generation of the Pretty series. It's called PriPara and it aired on TV Tokyo in the Summer of 2014 and lasted for three seasons, four if you count Idol Time PriPara of course. This anime series centers on the life and times of Laala Manaka, a little girl who wants to be the best PriPara idol. Together with Mirei Minami and Sophy Hojo, they became SoLaMi Smile and they fought their way against the best idol teams of PriPara, especially Dressing Pafe consisting of Dorothy, Reona, and Sion, Tricolore, and Gaarmageddon, among many others. PriPara is a huge win for the people behind it and such success prompted the show to spawn four movies and outrageous merchandising rights.

In the spring of 2017, the next chapter of PriPara begins with three new main characters penning the final pages of this saga. Titled Idol Time PriPara, it's all about Yui Yumekawa, whose fateful encounter with Laala Manaka changed everything following an accident. With Nino Nijiiro and Michiru Kouda joining alongside, the MY☆DREAM trio made the best closure to this saga.

Although the PriPara TV series is finished, the story continues with Idol Land PriPara. First announced in December 2020, it was originally slated to be released in the spring of 2021 until it became subject to long gestation and delayed launch dates. It was released on August 17, 2023. It is the second official PriPara app game after the defunct PriPuz puzzle app game. This app game also features an original anime series set moments after the events of Idol Time PriPara. It introduces new characters such as Amari Katasumi, Mario, and Pololo, among others.

The Kiratto PriChan years (2018-2021) - Aired in TV Tokyo since April 2018 for three seasons, Kiratto PriChan is set in a world where fame comes from social media just like in the real world. It's about a group of girls who called themselves the Miracle☆Kiratts who are striving to become the best PriChan idols above the rest. For three seasons, we watched Miracle Kiratts taking on big challenges such as heated competition with rival teams such as Meltic StAr and Ring Marry, the jewel idol competition, saving the world, the road to the Queens Grand Prix, and saving the world...again, while they do what they do best; showcasing the world that they're the best PriChan sensations ever known.

PriMagi (2021-2022) - Waccha PriMagi! is the fourth installment of the Pretty Series that revolves around the lives of Primagistas striving to become the best of the best. The show is about Matsuri Hibino, a middle-schooler who dreams of being the best just like her idol, the legendary Jennifer Sumire Sol.

AiPri - After over a year of void, the Pretty Series has returned with the newest installment coming to TV Tokyo this April 2024. Titled Himitsu no AiPri, the new series stars Minori Fujidera as Himari Aozora and Sae Hiratsuka as Mitsuki Hoshikawa. For the first time in Pretty Series, the animation sequences were provided by OLM, the studio behind the Pokemon and Yo-Kai Watch anime series, while South Korea's Dongwoo A&E returned to cooperate for it.

Welcome back, Pretty Series! The world can't wait for the franchise's comeback show this April.

[archoneddzs15]

Sega Mega CD - Shadowrun

Title: Shadowrun / シャドウラン

Developer/Publisher: Compile / LMS Music

Release date: 23 February 1996

Catalogue No.: T-66024

Genre: RPG

Shadowrun. Many games come into our lives and alter who we are, becoming a part of us for the rest of our lives. Shadowrun is one such series that after the first time I played it I had become heavily engrossed in everything to do with the canon behind it. This game is an especially strange beast if you've played the SNES (Data East) and Sega Genesis (Bluesky Software) Shadowrun games.

You see, at the end of 1995, we saw the last Mega CD releases. In the US, the last game to be released for the Sega CD is a half-arsed update to "Demolition Man", a run-n-gun based on and featuring grainy FMV clips from the Sylvester Stallone movie. Then, in Europe, came The Adventures of Batman and Robin. That game was clearly based on *just* the driving levels from Mega CD Batman Returns and greatly expanded on, and featured splices of an "original episode" of Batman the Animated Series specifically for the game.

For a while as the year 1996 began spinning into rotation, there would be no new games for the Mega CD, making it seem like The Adventures of Batman and Robin was indeed the last ever Mega CD game to be released.... which it did end up being if you lived in Europe. That is until, in some miracle on the 23rd of February 1996, Compile resurrected the aging Mega CD devkits and worked together with Japanese tabletop RPG distributor Group SNE and Chicago-based tabletop RPG company FASA Corporation to release one last Mega CD game once and for all. That game would end up being based on a tabletop RPG that, since its inception in 1989, has remained among the most popular role-playing games. This is Shadowrun.

Mega CD Shadowrun is a pretty good game. You play as one of four characters: Rokudou, Shikumo, Mao, and D-head and battle your way through Tokyo in the year 2053 while discovering a massive conspiracy that could potentially destroy the city of Tokyo as we know it. The game is divided into a few sections: a "digital comic" mode similar to Snatcher and Dead of the Brain, a top-down RPG mode outside of battle similar to the original Legend of Zelda, Golvellius or Ys, the Battle mode which triggers within the top-down view and plays in the same way as how games like Final Fantasy 6 do it, and a "Matrix" mode where your characters hack into the Matrix supercomputers.

The main character (Rokudou) acts pretty cool and a little harsh at times but is quite appealing because of it, and the story has some nice ideas, but is maybe a little muddled in places thanks to the language barrier. The action scenes play like an average Squaresoft Super Famicom RPG game, but look nice enough so the game gets away with it. Good enough to satisfy the role-playing fever for a while. My only complaint that I can level against the game is that I can't really recommend this game to those that can't understand Japanese at a native level, and that there are no voice acting or CD redbook music to be had here. All the music is generated via the Mega CD's PCM sound chip combined with the Mega Drive's YM2612 FM synth, though there are two hidden CD audio tracks, none of which are used.

Another weird point is that the characters look good in the visual novel scenes due to Compile making use of the Mega CD's scaling features, but during the RPG segments, they look super tiny and cute. It's a damn shame that games like this never get a complete playable English translation. I really wish that would happen though, but it seems like an English translation to Mega CD Shadowrun is currently suffering from development hell and may never be completed. What a shame.

[avatar-news]

Update: It’s likely these characters’ voices were being cast for a video game, not a movie/show.

Original post below:

Exclusive: Kyoshi, Rangi, Yun, and more Kyoshi novel characters will appear in Avatar Studios’ first movie/show!

We have a huge Avatar News exclusive for you today... and an Avatar News redemption?!

We can confirm that Kyoshi, Rangi, Yun, and more characters from the Chronicles of the Avatar novels The Rise of Kyoshi and The Shadow of Kyoshi by F. C. Yee will have substantial roles in Avatar Studios’ first animated movie and/or show, both slated for 2025!

Currently we don’t have details on which of the first-year projects-- the adult Gaang movie lead by Aang and Katara, or the new earth Avatar show-- the Kyoshi characters will appear in. Right now, a solid guess between the two is the show; it would make sense for the previous earth Avatar to feature in the next earth Avatar’s story. However, this is just a guess and the adult Gaang movie could easily have some kind of Kyoshi-related plotline we don’t know about yet (what we do know is that it’s set 12 years after ATLA and has a rumored title of Hidden Kingdom). It’s also technically possible that the Kyoshi characters are for a later project, but the production timeline strongly favors one of the first-year projects. In both cases these are almost guaranteed to be flashbacks/visions/etc. (And based on some other details I can’t share yet, I’m fairly confident this isn’t for a Kyoshi movie/show itself.)

What’s interesting is that our very first Avatar News exclusive report on Avatar Studios’ slate infamously had a Kyoshi movie as the first project. This became pretty controversial for us when it was announced that the first movie would actually be about Aang (gasp, Avatar News was wrong!!!!!!!!), and even though a first-year project about an earth Avatar (just, the next earth Avatar rather than the previous one) later came to light, and we got confirmation a Kyoshi project was on the table, and we explained how all this together could have been the source of confusion that led to the Kyoshi report, certain segments of the internet peanut gallery have continued to hold this against Avatar News. But ohhh no, Avatar News kept its nose to the grindstone and some might say that Avatar News was vindicated by this new information! But Avatar News doesn’t care about petty matters like that, Avatar News is just happy to be here. ^_^

The Kyoshi novels are some of the absolute best entries in the whole Avatar franchise (and by the way, live-action Kyoshi agrees!), so this will hopefully be welcome news to everyone who was super excited when there was a Kyoshi movie and then disappointed when there wasn’t. Currently we’re waiting on F. C. Yee’s confirmed next Chronicles of the Avatar novel, the second Yangchen book, which will potentially be announced this month. What we know F. C. Yee isn’t involved with, or at least wasn’t 9 months ago, is the animated movies/shows. Right now, we don’t know if that’s changed in the time since that interview. We do know House of Cards’ Kenneth Lin is writing the adult Gaang movie, but there’s no crew information for the new earth Avatar show yet. It’s possible F. C. Yee could now be joining that as a writer, especially if that is where the Kyoshi characters will be showing up. But! That’s just speculation for now, and there’s already a lot to be excited about just from today’s news.

[lu-is-not-ok]

Stuck in Heaven (ego gift: Late-bloomer's Tattoo) has been grinding my gears for a while now. It has an idea - and a clear one at that - but i can't figure out what it *is*. Wiki has the event transcript. Pls send help

Alright, back to my proper analyses, and... *cracks knuckles* Oh this one's gonna be fun. I want to say that since this one won't need to get into E.G.O analysis, then this post will be a bit shorter than my other full-length analyses...

But. You know how it is with me. For all I know this one might end up ridiculously long anyway. Also, uh, spoilers for Lobotomy Corporation and Library of Ruina ahead.

So, before we can talk about Stuck in Heaven, we need to talk about the other Abnormality it's directly related to - The Burrowing Heaven.

The Burrowing Heaven debuted in Lobotomy Corporation, but later made a return in Library of Ruina as one of the Abnormality Battles. For the sake of completion, I will be taking a look at both of its appearances in the series.

In its original appearance, Burrowing Heaven takes on the form of a tree-like entity, made up of a fleshy material, with branches that seperate into wing-like shapes and many eyes.

Its main mechanics in Lobotomy Corporation is that the Abnormality needs to be on-screen to prevent it from breaching and teleporting away once it does breach. This mechanic is reflected in a lot of flavor text about it, most directly in the description of its E.G.O Gear, which includes the sentence "Just contain it in your sight."

Burrowing Heaven's story further expands on this idea. The Abnormality is repeatedly said to "live inside your eyes/gaze", to feed on the attention and focus others give it by looking at it. However, the moment one looks away for too long, it begins to stretch the stalks of its wings for two reasons - one, to gather corpses as food for the fruit it bears; two, to reach towards the sky and sun, as if to cover it up.

Religious imagery and symbolism is used all over for this Abnormality. From the act of stretching its limbs being compared to praying to an old-forgotten god, to its wings reaching the skies being compared to an angel, to the action of it growing its thorns and burrowing being described as for the purpose of "reaching heaven inside one's vision".

Now, there's a very interesting part of Burrowing Heaven's story in LobCorp that I want to point out. Usually, when those stories are said in first person, it's either through the use of "we" (to reflect the company/employees writing those down as a whole), or with the passage being specified as either some testimony or log or otherwise being quoted.

However... That's not the case here. For Burrowing Heaven, there is a whole section in its story written in first person, with no clear note of it being quoted from something else. Allow me to paste the segment in its entirety.

"That's what a gaze is. Attention. An invisible string that connects us.  Sole focus.  Do not come here, as there is no place for you to rest.  But you see, I could only bear fruit when I stood inside your sight. Is this what you wanted to see?  When your tears dry up at last, tell me your answer."

Interesting, isn't it?

However, we're not done yet. There is still the context of its appearance in Library of Ruina, so let's look at that, shall we?

In Library of Ruina, Burrowing Heaven's Abno Battle is placed on the Floor of Religion, aka Hokma's Floor, alongside Price of Silence, Blue Star, and WhiteNight.

Narratively, this Library Floor explores the faith and dedication that Carmen's group put into her and Ayin, especially from Hokma's perspective, who unconditionally put his trust into Ayin back when he was known as Benjamin. Thus, all of the Abnormalities fought on this symbolically represent Carmen's unwavering dedication to gathering like-minded people to make her dream come true, and the devotion those who followed felt towards her and her goals.

When it comes to the Burrowing Heaven, there is some more info we can gather from its Abno Battle in this game, starting off with its new appearance:

As you can see, the previously tree-like form has been replaced with one that very clearly represent a human's central nervous system, brain and spinal cord included. The bloody wings and eyes still remain though.

...Now. Those who have played Lobotomy Corporation might recognize what Burrowing Heaven is meant to represent in this form. And for those who haven't, allow me to show you something.

This is what became of Carmen after her death:

A disembodied central nervous system, with its nerves spread out in an almost wing-like fashion.

While most of the flavor text here repeats what we know about the Abno from LobCorp, there are a few unique pieces of text I want to shine a spotlight on right here.

"The desire for the unreachable will only grow bigger. And to pursue it… is to tread a path riddled with thorns."

"Basking in everyone’s gaze and attention… It will finally come to fruition and spread its wings."

"The one who spread their wings sacrificed everything they had, and yet…"

"Just close your eyes. That’s right, you’re doing good…"

"If we ever open our eyes again, will we get to see the fruit of our labor in that gaze?"

...In case you were wondering why I was being so scant on the interpretation part of this analysis, this is why. This connection is what changes Burrowing Heaven from a nebulous concept to a direct parallel.

Burrowing Heaven, at its core, is a reflection of Carmen. More specifically, Carmen's dream, and the way she and her followers acted to reach her goals. How, to pursue it, they had to single-mindedly focus on that goal, to make many sacrifices for the sake of reaching what seemed unreachable.

It could also represent how Carmen's seeming demise and the following tragedies happened because nobody paid attention to the warning signs, nobody focused on Carmen when she was at her lowest. And yet, those very tragedies are what led to even more attention being put on making progress towards that goal, towards Carmen's wings spreading out and reaching ever closer towards the heaven she so desired.

The gaze being put on her may have put her deep underground, in the vat where her nervous system became a source of Cogito... but it also eventually led to the breathtaking sight that was the Light. And now that there is no more gaze left on her, her wings can spread everywhere, blocking out the sun with her own Light.

When you think about it, isn't that how Distortions take place under Carmen's influence? Just close your eyes and ignore the world around you. Let your desires guide you. Just like Carmen is encouraging you to do, patiently. That's right, you're doing good, following what she says.

...Okay that's all fine and good, but what the fuck does all this mean for Stuck in Heaven? Let's get to that.

From just a cursory look at its physical description, Stuck in Heaven appears to be the next step of progression in this Heaven line of Abnormalities. From the tree-like form of the LobCorp Burrowing Heaven, to the brainstem in Library of Ruina, to Stuck in Heaven taking the form of growths directly growing over a person.

Interestingly enough, the Mirror Dungeon event describes Stuck in Heaven as having "the appearance" of a branch, yet being human. Curious.

This is also where a difference is established between Stuck in Heaven and Burrowing Heaven, with the event text directly referencing the Abnormality that Stuck in Heaven is related to.

"Heaven sometimes burrows; other times, it makes a home in the heart. Once taken root, that heaven will only be visible through the eyes of others."

Immediately, this tells us one major thing - Stuck in Heaven does not burrow like Burrowing Heaven, it does not need to feed on the attention people give through vision. Rather, the thing it aims to take root in is the heart.

The text you get from taking the [Close your eyes.] option explains why Stuck in Heaven does that. When it takes root in one's heart, closing one's eyes is not enough to get it out of one's gaze, as the sight it sought out is that coming from the heart itself.

I believe this is also why actually trying to [Return the gaze.] with one's eyes does nothing. With Burrowing Heaven, which actively sought out one's eye vision, one can find many references to it being alive and actively watching its observer back. However, trying to do so with Stuck in Heaven results in it ignoring the observer. The heaven Stuck in Heaven is looking for is not in the eyes, but past them. "Behind me", as the text puts it.

Now... all of that might not have much meaning without further context. After all, what's all this looking with one's eyes and looking with one's heart stuff about?

And this. Is where we get to The Little Prince.

Yeah, remember how Demian seems to be representing the titular Little Prince himself, through him directly quoting the kid?

Yeah, that's not the only thing Limbus Company borrows from that book. In fact, from what I've gathered, The Little Prince might just be one of, if not the most important books when it comes to the themes Limbus Company is setting itself up to explore.

And the main theme that Limbus Company borrows from that book is the theme of seeing with the eyes vs seeing with the heart. It is all over this narrative. The constant focus on perception and what everyone is percieving through their senses. The equal focus on the heart, of how subjective reality is when looking at the reflections of one's heart, yet how one has to follow the heart to reach the unreachable. I mean, for fuck's sake, the word Limbus can refer to both a part of the eye and a part of the heart!

Most importantly, I think it's also the key to understanding Stuck in Heaven a bit better. In The Little Prince, a clear divide is established between the Little Prince, who uses his imagination to understand his reality, and "the grown-ups", who focus solely on the physical world.

Stuck in Heaven's E.G.O Gift is named Late-Bloomer's Tattoo. A late-bloomer is someone who takes a long time to develop one's skills or grow up. For Stuck in Heaven to be able to leave its mark (or Tattoo) on someone, to take root in their heart, one has to not be a grown-up yet, to still be able to see the world with one's heart rather than one's eyes.

So... What does it all mean?

I'll be honest, I don't fucking know! I don't even know if Stuck in Heaven even still has connections to Carmen the way Burrowing Heaven does!

What I can say however, is that Stuck in Heaven is likely extremely interconnected with the main plot and themes of Limbus Company, the same way Burrowing Heaven was for Lobotomy Corporation and Library of Ruina.

Does it represent the goals of Limbus Company itself? Faust? The Golden Boughs? The fucking Mark of Cain?

The reality of it all is... we just aren't far enough along in the story yet to be sure. The way it connects to one of the bigger themes of Limbus Company, alongside it being directly related to the Abnormality that was so directly paralleling the end-game reveals about Carmen in LobCorp, means that we likely just don't have enough of the puzzle pieces yet to see the full picture of what Stuck in Heaven truly represents.

I'm sure as we head closer towards Limbus Company's endgame, the true meaning of Stuck in Heaven will become much, much clearer to us. But, until then, all we can do is wait and see what comes next. It's definitely a subject I'll want to revisit later on, once we get a better grasp on the overarching plot and will be able to start properly connecting the pieces.

Sorry that I couldn't give a more definite answer as to what Stuck in Heaven's exact meaning is, but from all the analysis I've done I genuinely think this is the best answer I can give. That it's a direct parallel to something within the main plot of Limbus Company that we have yet to learn, similarly to how Burrowing Heaven is a direct parallel to Carmen and the path taken to reach her goals.

[skipppppy]

Anyway I’m bored and Carmen Sandiego renaissance is on the brain. What are these characters like when they aren’t focused on the main plot?? Non VILE/ACME/Caper related dialogue seems so few and far between.. I wish we got to see their lives outside work. So I made some headcanons abt it

CARMEN

Player was her first exposure to the outside world so she probably holds a lot of his nerdy interests close to her heart. She’s not the best at video games but plays them regardless. She especially enjoys sci-fi horror movies from the 80s that go big on practical effects

Finding random trivia about different countries is genuinely one of her favourite hobbies. The little info segments she does are not part of the edutainment show. She is genuinely just like that. This woman is a trove of fun facts please let her unleash them upon you

In the same vein she LOVES quizzes. After missions she will drag Team Red to any bar doing a trivia night in her vicinity and will wipe the floor with everyone there. Fear her

Enjoys people watching. It’s why she’s so good at charming strangers despite her socially stunted upbringing. She’ll sit alone in a busy train station for hours and watch everyone pass her by

PLAYER

Look. We know this kid is a nerd. It’s canon. But which niche of nerdiness does he fall into exactly?

Despite being an avid gamer he isn’t very competitive about it. He prefers single player rpgs, especially ones with active modding scenes. He doesn’t even know what vanilla Skyrim looks like he probably wasn’t even born yet when it released

He will, however, duo queue with Carmen on unranked Overwatch. They are both terrible at it and think it’s the funniest shit

Enjoys sitting back and watching a good speedrun. Will have a video of someone doing a stupid BOTW challenge in the background while he hacks security cameras and such

Runs a DnD campaign for Team Red which they’re all crazy invested in. Shadowsan is the only one who doesn’t care for it but he keeps rolling nat 20’s on the dumbest shit and derailing the campaign and he finds everyone’s reactions too entertaining to stop. They have a rivalry only a DM and a stupidly lucky rogue could have

ZACK

We already know he’s kind of a meathead that enjoys sports and cars and cheesy action movies but I also think he has a lot of softer hobbies that he keeps to himself bc he knows they won’t take him seriously

He’s a secret crocheter. He’ll mend the team’s clothes when they rip but that’s the extent of their knowledge. He’ll sit for hours by himself and knit while listening to music. Sometimes Shadowsan will find a new pair of socks in his bag. When Carmen got sick once she woke up with a handmade blanket draped over her. Ivy has her suspicions but doesn’t wanna intrude

He loves animals. He never really brings it up because no one ever asks. He always checks out local zoos and aquariums if he has the chance. Grew up watching Steve Irwin-esque nature shows and still does to this day

His love of eating is less out of greed and more his own form of cultural appreciation. Idk what happened to his and Ivy’s parents but for reasons he can’t explain their cooking is one of the few things he hasn’t forgotten, so he has a lot of sentimental food-based memories. And experiencing other countries cuisine connects him with that

IVY

PERIOD DRAMAS. They don’t have to be good they just have to be steamy. She enjoys the hot women in pretty dresses. She and Carmen watch Bridgerton together and laugh about how historically inaccurate it is

She LOVES renfaires and similar high fantasy roleplaying communities. Someone please buy this woman a suit of armour

As an engineering prodigy AND fantasy buff she has a massive interest in Blacksmithing and Swords. That’s her designated lesbian hobby. She’s been trying to politely worm her way into a conversation with Shadowsan about the blade he returned to his brother for months now but isn’t sure if it’s too personal of a topic for him so she’s nervous

Her sweet tooth encompasses more than just chocolate. She’s secretly grateful to Zack since he takes most of the flack for being a glutton. She makes note of any bakeries they pass by on capers so she can come back later in secret and go ham on the pastries

SHADOWSAN

I think his interest in Samurai history starts and ends with his love for Hideo. He’ll happily discuss it and he’s studied it passionately, but out of a sense of respect and duty to do right by the brother he betrayed

He will NEVER, EVER admit it to anyone but he genuinely misses the adrenaline rush from committing petty crimes. He was a criminal for over 20 years. Lifestyles are hard to shake and change isn’t linear. He’d never succumb to impulse but he’s just kinda bored

He microdoses on the urge by pranking people. Everyone always blames Zack so he never gets caught. He also enjoys sneaking up on people and making them jump. He’ll always insist it’s unintentional. It isn’t

He’ll read and meditate and train to keep himself centred but he’s still a rowdy young punk at heart. Team Red is the first taste of freedom he’s had after a lifetime of VILE faculty monitoring him. The first thing he bought for himself after settling in at the San Diego HQ was a motorbike. The second was a new tattoo. The third was a potentially lethal amount of whiskey that he drank in one sitting

JULIA

We know she has a passion for history outside her work in Law Enforcement so she definitely goes to all kinds of museums in her free time. She’s the kind of person who enjoys learning just for the sake of learning (she and Carmen have that in common)

Outside of that she’s surprisingly good at karaoke? She gets stage fright but really likes singing and will go all out if you hype her up. Her taste in music is the exact opposite of her appearance and personality. Lots and lots of death metal

An aficionado for different types of tea. She keeps like 10 flavours in her house at all times. She especially likes floral ones that taste light and sweet. She hates iced tea with a passion though

Goes to botanical gardens whenever the weather is warm and the season is right. She likes the history of the old manor houses but she also loves admiring the landscaping and the blooming flowers. She could sit on a bench surrounded by local flora and fauna for hours

DEVINEAUX

Chase is an entirely different person when he’s off the clock. The unhinged high-energy maniac who froths at the mouth about La Femme Rouge goes dormant once he gets home. Especially after he got stranded on VILE island. That really gave him some introspection about work/life balance

The biggest, softest, sappiest hopeless romantic you will ever meet in your life. Passion is just part of his nature and he gets his heart broken A LOT. It’s why he throws himself into his work

He’s a really good chef. Like REALLY good. Before he was a cop he did a few summers as a line cook in his teen years and he retained most of the knowledge. His pantry is STACKED and he tries out recipes he picked up from his ACME travels in his free time. He’s a tad snobby about it because he’s French but you will not complain about the stuff he feeds you

Old movie enjoyer. His favourites are film noirs, cheesy romances, creepy eastern european animation and german expressionism. He has a fervent hatred of Marvel

Also one of those insane people who get up at 5am to do cardio. One morning before a mission he met Agent Zari with barely a glisten of sweat on his forehead and sadly informed her that he only got to run 15k and he wished he had time to do more. That was the first time she ever knew fear

[iyney]

— STARRING - SCARA’S FRIENDS ♡

THE HEART TO MY ALBUM — A SCARAMOUCHE SMAU

✩— scaramouche : The top student in his class. He ranks a higher average than everyone else in his class, especially in math class with the extra courses and curricula he participates in.

✩— aether : The teacher’s favorite. The teachers adore Aether for his flexibility to help students and to be able to run errands for them when they are busy or attending to other matters.

✩— childe : Childhood friends with Scaramouche since they were 5 years old. Childe and Scaramouche lived in the same neighborhood which caused them to interact more than they wanted to, though Childe was more eager to be friends with Scaramouche while Scaramouche was more curious to see how long Childe could withstand his temper and behavior which led to them nonetheless being close with one another till this day.

✩— heizou : Bothers the teachers with his mysterious questions and tricky trivial questions to catch them off guard. Also blew up a science experiment when he was partnered up with Kazuha which led to Kazuha passing out from the amount of gas he consumed, but out of the kindness of Kazuha's heart, he forgave Heizou and the teachers forbid Heizou from doing any action in a lab experiment.

✩— kazuha : The calm dealer of the group, also the therapist for Scaramouche’s temper. Kazuha is somewhat like the mother of the group, he allows them to go wild while he's casually walking around with their bags on his shoulders and in his hands. Kazuha is very lightheaded so expect him to vomit whenever the group decides to take him on a rollercoaster.

THE HEART TO MY ALBUM » masterlist : previous : next

༉‧₊˚ SUMMARY: y/n was never passionate about her talent of being a violinist, mainly why she never spoke about it with grace in her words nor a shine in her eyes. But one evening, when she thought she would be alone in the music room, playing her violin. An indigo-headed boy accidentally finds his way into the humming room, following the beautiful tune that caught his ear, which turns out to be the second top student in his class, who ranks one rank lower than him and that's y/n. His presence, unfortunately, seems to go unnoticed by y/n as she’s merely focused on the strings of her violin as her fingers slowly prick the string down lightly — casting a soothing tune. Hearing this melody Scaramouche can't help but be intrigued by her aptitude and appearance that she seems to hold up very well. It was almost as if he wanted to know more about her, he had heard some interesting segments about her, and not just that but she had the second-highest score in their class. What else is there for this girl?

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