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#especially if you really try to get into the minds of these characters like trying to understand why they do the things they do
romugh · 2 days
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IN HER REFLECTION- nerd!NR
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pairing- nerd!natasha romanoff x reader
cw- 18+!!; top!reader, sub!bottom!natasha, fingering, mirror sex, liiiight choking, strap (n rcv), heavy praise kink!!, slight degradation if you squint i guess, natty in subspace!
wc- almost 10k of pure smut? sorry?
a/n- got inspired by a request! and then my brain did something weird and suddenly there's 7k words about natasha taking a strap, but that's not on me. not. on. me. blame the anon! (loved writing your request, feel free to send some more in x)
request- forcing nerdy!nat to look at herself on the mirror while you make her sit on your lap and finger her.
synopsis- natasha had been a brat, so you treat her like one, exploring her desires as she confronts herself in the mirror.
taglist- @esposadejoyhuerta, @lost-mortemanghel - comment or dm if you'd like to be added x
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It wasn’t just today that had you on edge. Natasha had been bratting out in the most subtle, infuriating ways for days now, but today she had taken it to another level. She knew exactly how to toe the line—pretending to be her usual innocent, shy self—while leaving just enough doubt in your mind to make you question whether or not she was pushing you intentionally.
The text messages were what really started it.
You’d been in class, trying to focus on a lecture, when the first one came in. It was simple enough: “Hope your class is going well ;)”—completely harmless, right? But you couldn’t shake the feeling there was more to it, especially when you opened it and saw the little winking emoji she’d added at the end. That wink, so out of character for her, made you pause. You stared at your phone, trying to decide whether or not you were imagining things. Natasha didn’t usually send flirty texts, let alone ones with winking emojis.
You could already feel the flicker of heat in your chest, but you pushed it aside and ignored the message, hoping it was just an innocent mistake.
Except it didn’t stop there.
Three hours later, another text came through: “I keep thinking about you today. Can’t focus on anything else.”
And this time, it wasn’t so easy to brush off. Her words were vague enough to be taken as sweet, but your gut told you there was more to it. You could almost imagine her saying those words, the way her voice might sound just a little breathless as she admitted it.
By the third class, you were struggling to concentrate. The way Natasha kept popping into your mind, her texts leaving you on edge, had you feeling more than just a little distracted.
As soon as the lecture ended and you stepped out of the classroom, your phone rang. Natasha.
You picked up, trying to keep your voice casual. “Hey, Natty. Everything okay?”
“Yeah,” she replied, her voice soft and shy, but there was something else. A breathlessness. Like she was slightly out of breath. “I was just thinking about you.”
Again, it sounded innocent enough, but the timing, the tone… something about it felt deliberate.
You frowned, trying to make sense of it. "Are you sure you're okay? You’ve been really... attentive today."
“I just miss you,” she murmured, her voice carrying that same soft, almost innocent tone. But underneath it, you could sense that there was more she wasn’t saying.
There was a slight pause on the line, and for a moment, you thought you heard her inhale sharply, like she was trying to catch her breath. It made your pulse spike, sending a ripple of heat through you. You didn’t ask, but the thought crossed your mind—was she…?
No. Natasha was too innocent for that. You knew she wouldn’t touch herself without you.
Still, the way she’d sounded out of breath left you imagining all sorts of scenarios, ones you tried to push away as you focused on getting through the rest of the day.
By the time you got home, her teasing texts and those breathy phone calls had simmered inside you, leaving you wound tight. She was fully aware of her actions, even though she acted like she wasn’t. The winks, the subtle innuendos, the way she kept thinking about you and calling you after every class—it was all part of her game.
And now, here she was, sitting at your dining table, acting like the same sweet, innocent nerd who couldn’t possibly have done anything wrong. Her head tilted slightly as she studied you, still feigning innocence, but there was that glimmer in her eyes, that hint of mischief that sent a fresh surge of frustration through you.
“What’s wrong?” she asked again, her voice sweet but clearly baiting you, her lips curling into the faintest smirk. “Did I do something?”
You exhaled sharply, narrowing your eyes at her. “Don’t play dumb, Natty. You know exactly what you’ve been doing all day.”
She blinked up at you, a blush warming her cheeks, but she didn’t deny it. Instead, she held your gaze, biting her lip as if struggling to suppress a smile, that bratty confidence shining through.
You moved closer, standing directly in front of her now, crossing your arms as you stared down at her. “The texts, the calls… were you just trying to mess with me?”
Her breath hitched slightly, the blush spreading across her cheeks. “I-I wasn’t trying to—”
“Don’t lie,” you interrupted, your tone firm. You leaned in, placing your hands on the arms of her chair, caging her in. “You’ve been bratting out all day, trying to get a reaction. Haven’t you?”
Her eyes widened for a moment, her bravado faltering just slightly. But then, after a beat of silence, she bit her lip and nodded.
“Maybe a little,” she whispered, her voice barely audible, but the admission was clear.
You could feel your pulse quicken, the tension between you crackling like electricity. You knew she was doing this on purpose, trying to push your buttons, trying to test you. But now? Now she was going to find out exactly what happens when she pushes too far.
“You like pushing me, don’t you?” you asked, your voice low and dangerous, watching as her blush deepened even further.
Natasha squirmed slightly in her seat, clearly flustered, but she didn’t look away. “I-I like it when you… when you pay attention to me,” she admitted softly, her voice filled with nervousness and excitement.
You raised an eyebrow, your lips curling into a smirk. “Oh, you have my attention, alright.” You let your hand move to her chin, tilting her head up so she was forced to keep looking at you. “But if you want to keep bratting out, then you’d better be ready to handle what comes next.”
Her breath caught in her throat, her wide eyes locking onto yours. You could see the anticipation swirling there, her nervousness mixing with anticipation as she realised what was about to happen.
“Stand up,” you commanded, your tone leaving no room for argument.
Natasha quickly obeyed, her body trembling slightly as she rose to her feet, her gaze never leaving yours. You could see the flush creeping down her neck, and you knew that under her composed exterior, she was just as affected as you were.
You moved behind her, placing your hands on her shoulders and guiding her toward the mirror on the far wall of the room. She looked confused for a moment, but she didn’t resist.
You positioned her in front of the mirror, your body pressing close to hers from behind, your hands slowly sliding down her arms as you leaned in close to her ear.
“Look at yourself, Natty,” you whispered, your voice low and commanding. “Look at how flushed you are. How much you’ve been teasing me today.”
Her breath came in short, sharp gasps, her eyes fixed on her reflection as you stood behind her, the tension between you thick in the air. She could see it herself too now—the bratty smirk gone, replaced with the vulnerable, needy expression you knew she’d been hiding all day.
“You think you’re so innocent,” you murmured, your hands moving down to rest on her hips. “But you’re not. You’ve been begging for this all day.”
Natasha let out a shaky breath, her eyes flickering between the mirror and the floor, her body trembling under your touch.
“I… I didn’t mean to—”
“Oh, but you did,” you interrupted, your tone soft but firm. “And now, you’re going to take the consequences.” -
You sit on the edge of the bed, facing the mirror in your bedroom with Natasha in your lap. Her back is resting against your front, her body snug against yours. She’s still wearing her panties and your oversized shirt—one she had been using as pyjamas, soft and far too big for her. The image of her in it, slightly dishevelled, only adds to the intimacy of the moment.
She had undressed you earlier, her hands tentative but eager, slowly pulling off each piece of clothing until you were left bare. Her fingers had lingered on your skin, tracing over your chest, arms, and thighs with a delicate touch, as if still unsure of her own boldness. Now, the warmth of her bare back pressing against your chest feels both grounding and electrifying.
The oversized shirt hangs loosely off her shoulders, the fabric falling down past her thighs, barely covering anything. Her skin glows in the dim light of the room, and the way her chest rises and falls with each shallow breath betrays the nerves bubbling inside her. You can feel her heartbeat thudding softly against your chest, her anticipation palpable.
With one hand resting on her waist, you reach for the hem of the shirt. Your fingers brush lightly against her skin, and you feel the shiver that runs down her spine. "Let’s get rid of this," you murmur softly into her ear. She tenses for a moment, but she doesn’t object, only nodding slightly in agreement.
You tug the shirt upwards, brushing it over her shoulders and guiding her arms out of the sleeves. Her skin is warm beneath your touch, and when the shirt is finally discarded, it leaves her sitting there in nothing but her panties, vulnerable and exposed in the dim light of the room.
The soft blush on her cheeks deepens, her eyes glancing away from the mirror in front of you as she tries to hide her embarrassment. But there’s no hiding now—not when you’re both like this.
"Look at yourself," you say gently, your voice soft but firm. Your fingers lift her chin, tilting her head slightly so she’s forced to meet her own reflection in the mirror. Her wide eyes flicker nervously, trying to focus on anything but the image staring back at her. But you don’t let her turn away.
"Look at how beautiful you are," you continue, your hand sliding down her bare stomach, feeling the soft skin beneath your fingertips. She trembles slightly, her body pressing further into you for comfort. The sight of her like this—vulnerable, unsure, and so soft—makes your heart ache with affection.
Her breathing hitches as your hand travels lower, tracing over the waistband of her panties. She’s already wet—you can feel it through the fabric—and the knowledge sends a thrill down your spine. You slide your hand under the waistband, teasing her with the lightest of touches.
"You’re already so wet for me," you murmur, pressing a finger against her slick entrance. Natasha gasps softly, her body jerking in your lap. Her hips shift instinctively, trying to push against your hand, but you hold her steady.
"Keep looking," you remind her, tilting her chin up again as you tear her panties away with a swift motion, leaving her exposed to the mirror. "I want you to watch every second."
Her breath comes in soft, shaky pants as you slide a single finger inside her. Her walls flutter around you, the slick heat welcoming your touch, but she’s so tight, so sensitive. She bites her lip, trying to stifle the whimper that escapes her, but you catch it anyway.
"Tell me how it feels," you coax her gently, your lips brushing against the shell of her ear.
"It feels… good," she whispers, her voice trembling. Her cheeks are flushed, her eyes half-lidded as she watches the reflection of herself in your lap, back pressed against you, utterly at your mercy. She’s barely holding on to her own control, the sensation already overwhelming her.
You add another finger, stretching her slightly, and her body tenses. She lets out a soft moan, her head falling back against your shoulder as you continue to move inside her. The wet sounds of your fingers sliding in and out of her fill the room, and her reflection shudders at the sound. Her hips rock involuntarily against your hand, desperate for more friction.
"Look at yourself," you whisper again, your voice a mix of command and praise. "Look at how beautiful you are when you’re falling apart so fast."
Natasha’s eyes flutter open, her gaze locking onto the reflection, and the sight makes her blush even deeper. She watches herself being fingered, cheeks flushed, lips parted as soft gasps fall from her mouth. She’s trembling in your lap already, her hips moving slightly, but she’s still shy, still struggling to meet her own gaze.
"Don’t hide from me," you murmur, curling your fingers inside her, causing her to whimper. "I want to see you, hear you. I want you to see yourself."
Her chest rises sharply as the pleasure builds, and her body reacts to every small movement of your hand. The intensity of it is written all over her face—her soft moans, the way her legs tremble in your lap, the way she tries so hard to maintain her composure but can’t.
You pick up the pace, curling your fingers just right, and Natasha’s breath hitches. Her hips jerk forward, her body writhing as the pleasure starts to take over. She’s close now, her walls tightening around your fingers, her moans growing louder as her body shudders in your arms.
"That’s it," you praise softly. "You’re doing so well."
It doesn’t take long before Natasha falls apart completely. Her orgasm hits her in waves, her body trembling violently as she gasps for air, her reflection a beautiful, trembling mess. Her walls clamp down on your fingers, and she lets out a loud moan, unable to hold back any longer. You keep your pace steady, letting her ride out the full extent of her climax.
"Good girl," you whisper, kissing her temple as she leans back against you, her body spent. "You’re so perfect."
For a moment, you think she might be done, her breathing heavy and her body limp against yours. But then, she surprises you.
"I want more," she whispers breathlessly, her voice barely audible. There’s a neediness to her tone, a desperation for something deeper, more intense.
You pull your fingers out slowly, watching as her body twitches at the sudden emptiness. She’s still trembling, her slick heat clinging to your fingers. "Are you sure?" you ask, your voice gentle but firm, wanting to be absolutely certain.
Natasha nods, biting her lip as she gazes at you in the mirror, cheeks flushed and eyes still glassy from her orgasm. You position three fingers at her entrance, and her breath catches in her throat. She’s never taken that much before, and the nervousness is evident in her expression. But she trusts you—completely.
With slow, deliberate movements, you push three fingers inside her, feeling the stretch and the tightness as she struggles to take all of you. Natasha lets out a sharp gasp, her body tensing, but you’re patient, whispering soothing words of encouragement into her ear.
"Just breathe," you murmur, one hand resting on her waist to ground her. "You’re doing so well, Natty."
Gradually, her body adjusts to the stretch, and the burn begins to melt into pleasure. She’s panting now, her walls fluttering around your fingers as she finally takes all three. Her hips begin to move again, her body seeking out the pleasure despite the overwhelming sensation of being stretched so deliciously. The sensation is intoxicating, and she could easily get addicted to it—the way her pussy clenches around you, taking you in, while she watches herself in the mirror, captivated by the sight.
"That’s it," you praise, your voice low and soothing as you curl your fingers inside her. Natasha’s moans grow louder, her hips rocking against your hand as she loses herself in the pleasure, her reflection shaking and flushed with arousal.
Natasha’s hips move restlessly, grinding down onto your hand as her breath comes in shallow gasps. Her body feels like it’s on fire—every nerve alight with the intense pleasure that your fingers are pulling from her. She’s still trembling, her chest rising and falling erratically as she fights to stay grounded, but it’s slipping away from her with every passing second.
The mirror reflects everything—her flushed face, the way her thighs quiver, craving more of you, even though there’s nothing more to take. Her body tightens and relaxes, caught in a desperate struggle to maintain control over herself. But she’s slipping. She’s losing herself in you, in the way you fill her completely, in the overwhelming need that her body can’t seem to satiate.
Her thoughts blur, everything hazy and distant except for the overwhelming need that pulses through her. There’s no space for anything but the intense sensations, the pleasure so deep and raw it’s almost painful. Her mind can’t focus on anything but the feel of your fingers inside her, the way they stretch her, fill her, the pressure growing until it’s too much.
“I-I can’t—" Natasha gasps, her voice trembling as she tries to form a coherent sentence, but she can’t finish it. Her head falls back against your shoulder, her eyes slipping shut as her body jerks again, a sharp moan escaping her lips.
"You can," you murmur softly, your free hand sliding up to caress her thigh, your voice gentle yet firm. "You’re doing so well, Natty. Just breathe. Let go. I’ve got you."
Her breath catches at your words, the praise hitting her in a way that makes her twitch even more. It’s as if every word of encouragement digs deeper into her mind, making her desperate to please you. She wants to take more, to be good for you, to show you just how much she can handle, how much she needs you.
Her hips jerk forward again, her body trying to pull you even deeper, but it’s still not enough. It’s never enough.
"I want to... please you," Natasha whispers, her voice breathy and weak, barely audible above her own moans. Her fingers clench at the sheets, her body trembling uncontrollably as she rocks back against you, but she’s so far gone that she’s not even sure of what she’s asking anymore.
"You are pleasing me," you whisper, lips brushing against the soft skin of her neck. "You’re perfect, princess. You’re everything I want."
Her breath hitches, her heart pounding as she hears your words, and she can’t help the soft whimper that escapes her. The praise makes her head spin, makes her want more, makes her want to be everything for you.
As you worked her open, the world around you faded into a blur. Natasha’s breathy whimpers filled the space between you, mixing with the steady rhythm of your fingers. The burn and stretch she felt was becoming a delicious ache, one that ignited something deeper within her.
“Just a little more,” you coaxed, your voice a low murmur as you continued to move inside her. “You’re doing so well, Natty.” The praise slipped from your lips like honey, sweet and thick, wrapping around her as she began to surrender to the sensations.
With a deep inhale, Natasha’s eyes fluttered closed, and for a moment, the tension in her body dissolved completely. She began to rock her hips, slowly at first, testing the waters, but soon it transformed into something more urgent, more desperate. You could feel the weight of her trust, a gift that was both intoxicating and thrilling.
Then, without warning, she surprised you. Natasha shifted her weight, driving your fingers deeper inside her as she began to ride them, her movements instinctive, almost primal. The way her body responded to you was mesmerising. Each rise and fall was a dance, her movements fluid and graceful, yet filled with an undeniable hunger.
“Oh my God,” you breathed, utterly captivated by the sight before you. The way she looked, the way she felt—it was overwhelming. The flush of her cheeks deepened, a beautiful shade of crimson, contrasting against the gentle curves of her body. Her eyes, once filled with uncertainty, now sparkled with a wild abandon that made your heart race.
With every thrust of her hips, you could feel the warmth of her surrounding your fingers, enveloping them in a slick, delicious heat. The way she took you deeper, riding your fingers like she was trying to chase down that elusive high—it sent a surge of primal instinct through you. You wanted to guide her, to push her further, but she was taking the lead, and you were powerless to stop it.
“Natasha,” you murmured, your voice thick with desire. “You’re so beautiful like this.”
At your words, her eyes snapped open, locking onto yours in the mirror. There was a glint of something—was it pure submission?—in her gaze that sent a shiver down your spine. She looked so captivating, the way her body moved in tandem with your fingers, her breasts rising and falling with each breath, the soft swell visible through her shirt. You could feel your pulse quicken, blood rushing to your ears as the sight of her lost in pleasure ignited a fire within you.
“Does it feel good?” you asked, wanting to hear her voice, to feel her pleasure wrap around you like a warm embrace.
“Yes,” she gasped, her voice a breathless whisper. “So good.”
You could see the way her body tensed, the slight tremors that coursed through her as she adjusted to the rhythm. The way she leaned backward, pressing her back into your front, gave you an even better view of your fingers disappearing into her. Her sweat clung to her skin, highlighting the curves you wanted to worship.
“Just like that, Natty. You’re perfect.”
Her breath hitched at your words, and she pushed her hips down harder, eager to feel you filling her. Each time your fingers brushed against that sweet spot deep inside her, she gasped, the sound filled with pure ecstasy. The way she rode you, her body moving with both urgency and grace, was hypnotising. She wanted more, her mind hazy from the pleasure, she needed more.
“Look at yourself,” you urged, your voice low and sultry. “Look at how you’re losing yourself in this. How beautiful you are.”
As she gazed into the mirror, you saw a flicker of vulnerability, mixed with a newfound confidence. The tension in her body began to shift, the way she moved becoming more fluid, more assured. The flush on her cheeks deepened, and her mouth fell open in a long moan, the sound reverberating in the silence of the room.
“I—oh God,” she stuttered, her body beginning to tremble as you curled your fingers, hitting that sweet spot again and again. “I can’t… Please–I need more.”
“It’s  okay,” you reassured her, your voice steady, not knowing just how serious she was. “Just let go. Trust me, Natty.”
And as if your words had cast a spell, she surrendered completely. You could see it in her eyes—the moment she slipped into subspace. The tension that had held her so tightly began to unravel, the trust she placed in you lifting her higher than she’s ever been before.
“Please,” she begged, her voice thick with need. “I want more.”
You felt a surge of pride, knowing that you were the one to take her there, to help her explore these depths. “You want more, huh?” you teased lightly, relishing in the power dynamic that flowed between you.
“Yes,” she gasped, her hips working furiously against your hand, every movement driven by instinct. The way her body tightened around you, her walls squeezing your fingers, made your breath hitch in your throat.
“Such a good girl for me,” you praised, watching as her eyes fluttered closed once more, a blissful expression painting her features. The way she was losing herself, riding your fingers with reckless abandon, filled you with an overwhelming need to see her reach her peak.
“Keep going, Natty. I want to see you come undone,” you encouraged, your voice dropping to a low, sultry whisper that wrapped around her like a warm blanket.
With each thrust, you felt her teetering on the edge, her body trembling with pleasure. “I’m so close,” she panted, her voice shaking with need.
“Let go for me,” you urged, your fingers never faltering, coaxing her closer to that precipice. “You can do it. I’m right here.”
In that moment, you felt her walls tighten one last time, her body quaking as she finally surrendered to the waves of pleasure crashing over her. “I—oh God!” she cried, the sound filled with pure bliss as she fell over the edge.
As her orgasm washed over her, you could see the way her body tensed and relaxed, the euphoric release igniting every nerve ending. You held her tightly, guiding her through it, feeling every pulse, every quiver as she rode out the waves of ecstasy.
Natasha was deep in subspace, the remnants of her first orgasm still coursing through her like a gentle wave. Her breaths were slow and steady, but the way she clung to you—her fingers gripping your arms tightly—betrayed the excitement bubbling beneath her surface. She was in a world all her own, a place where she felt safe, vulnerable, and strangely empowered.
You watched her through the mirror, captivated by the way her expression shifted from blissful surrender to a shy longing. Her cheeks were still flushed, and her eyes sparkled with something you recognized as desire, but there was a hesitation there, too. It was a mix of trust and uncertainty, and it only made you want her more.
“Can I…?” she murmured, her voice barely above a whisper, yet filled with a shy eagerness. “Can I have your cock?”
The request sent a thrill through you. “You want my strap?” you asked, your voice low and teasing. You were ready to give her anything, but you wanted to draw out the moment, to enjoy this shift in power dynamics.
“Y-Yeah,” she stammered, biting her lip, her innocence suddenly seeming more pronounced in the heat of the moment. “Please?”
You nodded, a grin spreading across your face. “Alright. Just let me choose one for you.” You reached for the drawer to your left, excitement bubbling in your chest as you pulled out various options. As you displayed them, you couldn’t help but notice the way Natasha’s eyes widened and her breath quickened.
But when you picked up one of the smaller straps, she shook her head vigorously. “No! I want the biggest one.”
Your brows shot up in surprise. “The biggest one? Are you sure about that?” You hadn’t even used it before—it was something your friends had gifted you as a joke, but here was Natasha, deep in subspace and adamant about wanting it.
“I’m sure,” she insisted, her voice a mixture of shyness and determination, almost as if she was testing the boundaries of her own desires. The way she bit her lip again, uncertainty creeping into her gaze, made your heart race. “Please.”
You couldn’t resist her. There was something so endearing about her shy insistence, her innocence shining through even as she pushed her own limits. “Alright, then. It’s in the other drawer, baby. But you have to promise me you’ll tell me if it’s too much.”
“Promise,” she replied, her gaze unwavering, the trust in her eyes melting any reservations you had.
With a nod, she hopped off your lap, her legs slightly wobbly but her determination shining through. She moved to the drawer, reaching inside to retrieve the oversized strap. You couldn’t help but admire the way she handled it, her shyness somehow making her seem even more alluring.
When she returned, her cheeks were bright red, and her hands trembled slightly as she held the strap. “I want it,” she stated, her voice firm but still laced with a hint of innocence. You could see how deep into the mindset she was, yet her shyness made this moment feel even more intimate.
“Alright, sweetheart,” you said softly, your voice reassuring as you got up. “But let’s take it slow. I want you to enjoy every moment.”
After you had stepped into the harness and adjusted the 12-inch strap, you moved toward the bed, but Natasha lingered behind, not immediately following. Her blush deepened as she stood by the mirror, her gaze falling shyly before she finally spoke, her voice barely above a whisper, “Can you... take me where I can see myself?”
Her words caught you off guard, but the longing in her eyes made your chest tighten. “Are you sure?” you asked softly, needing to ensure she was comfortable with what she was asking.
She nodded, her eyes flicking between you and the mirror. “I’m sure,” she breathed, her lips parting with a mix of anticipation and uncertainty.
You smiled, nodding as you guided her back to your previous position. Natasha settled onto your lap again, shifting just a bit higher onto your abs, her back pressed against your chest while the strap nestled against her stomach. The strap was secured snugly to your hips, its impressive length and girth nearly brushing her navel when she sat up straight. The sight alone made your pulse quicken, but you couldn’t help but wonder if she’d be able to take it all.
You rested your hands on her waist, offering a gentle squeeze. “Let’s go slow, okay?” you murmured, feeling the warmth of her body against yours. “We’ll take it one step at a time.”
She bit her lip nervously, her eyes wide with both eagerness and hesitation as she moved up, situated herself and began to lower herself back down. The tip of the strap nudged against her entrance, and she let out a soft gasp, her thighs trembling with the effort.
“Relax, Nat,” you whispered, guiding her down slowly. “Breathe.”
She nodded, exhaling shakily as she sank down a little more, the stretch becoming apparent as she took in the first few inches. Her brow furrowed, her body tensing as she tried to adjust to the sensation. “It’s... it’s so big,” she stammered, her voice laced with both excitement and uncertainty.
“I know, sweetheart,” you reassured her, your hands steady on her waist. “You don’t have to take it all at once. Just take what you can.”
Natasha’s breath hitched as she lowered herself a bit more, her body stretching around the strap. The burn of the stretch was evident in the way her thighs quivered and her soft whimpers filled the air. She could barely take a quarter of it, and even then, she paused, her chest heaving with effort. The sheer girth of the strap made it appear enormous, and you were astonished she was able to take this much of you.
“You’re doing so well, Natty,” you praised, your voice gentle but filled with pride. “You don’t have to rush. You’re perfect like this.”
She exhaled slowly, nodding as she leaned back against you. “It feels... different,” she murmured, her hands gripping your arms for support. “But I like it. I just... I want to take more.”
Your breath caught at her words. “You will,” you said softly, brushing your lips against her shoulder. “But let’s go at your pace.”
For a few moments, she stayed there, hovering on the strap, her body adjusting to the stretch. The sight of her reflection in the mirror—her flushed cheeks, her parted lips, the way her body clung to the strap—was almost too much to handle. But you stayed focused, rubbing gentle circles into her hips to keep her grounded.
Then, as if something shifted in her, Natasha began to move again, slowly lowering herself down further. Inch by inch, she took more of you, her body trembling with the effort but her determination unwavering. You could feel her pulse around you, the heat of her arousal making every movement slicker, easier. Still, she hadn’t taken it all—just over halfway—and the sight of the strap glistening as it nestled within her was mesmerising. The sight of her slick coating the parts she hadn’t taken yet had you hypnotised, utterly drunk on desire.
“I... I can feel it,” she whimpered, her voice breathy and thick with pleasure. “I think I can take more.”
“You’re doing so well,” you murmured against her ear, your hands holding her steady as she tried to sink lower. “Just like that, Natty. You’re amazing.”
Time seemed to blur as she kept moving, her breath ragged, her movements tentative but eager. And then, after a while, you realised Natasha had been taking more and more of you. Your eyes flicked to the mirror, watching in awe as the strap slowly disappeared into her, the stretch making her body quiver with every inch.
She still hadn’t taken it all—just a quarter left—but the sight of her reflection, of how much of you was inside her, made your control slip.
“God, look at you,” you breathed, unable to hold back. Your hands slid from her waist, moving upwards to cup her breasts, kneading them gently as she moaned under your touch. “You’re so beautiful, Natty. Taking me so well.”
Her breath hitched as you massaged her breasts, her nipples hardening against your palms. “I... I’m trying so hard,” she whimpered, her voice breaking. “I want to take it all... I want to please you.”
“You are,” you reassured her, your fingers teasing her nipples as you pressed your hips up slightly, deepening the stretch. “You’re doing so good, baby. I’m so proud of you.”
Her eyes fluttered shut, her body melting into your touch. She leaned back into your chest, her head resting on your shoulder as she focused on the sensation of you filling her up. The praise made her moan, her thighs shaking as she tried to sink down even further.
“Just a little more,” you coaxed, your voice husky. “You’ve got this. You’re perfect.”
Your gaze wandered back to the mirror, entranced by the image of Natasha’s flushed, needy expression and the reflection of your bodies joined together. But then something else caught your eye—a bulge pressing against her lower stomach. It was the outline of the strap inside her, stretching her so much that it was visible through her skin.
The sight made your breath catch, something primal snapping inside you. You hadn’t even realised how far you’d pushed her, how deep the strap had gone until you saw that bulge—and it ignited a fire in you that was impossible to contain.
Your grip on her breasts tightened momentarily, then slid down to her waist again. Natasha let out a soft gasp of confusion as your hands left her chest, only to clamp down firmly on her hips, pulling her down onto you in one swift, overwhelming motion.
Her eyes flew open, a sharp cry escaping her lips as her body was forced to take the rest of the strap all at once. The sheer girth stretched her impossibly wide, her thighs trembling violently as you thrust your hips up at the same time, slamming the last bit deep into her core.
“Fuck,” you groaned, the word dripping with unrestrained lust as you felt the full weight of Natasha's body sink down onto you. The strap filled her completely, the bulge in her stomach more pronounced now as you both struggled to breathe, overwhelmed by the intensity of the moment.
“I-I can feel it,” Natasha whimpered, her voice trembling as she struggled to catch her breath. “I can feel all of you.”
“You’re doing so good, baby,” you whispered, your voice rough with desire. “Look at you... taking all of me.”
Natasha's head was against your shoulder, her eyes wide and unfocused as her entire body shook from the overwhelming sensation. She’d never felt this full before; the sensation made her feel like she was on the verge of breaking—and yet, the pleasure was undeniable. She loved it. The overwhelming stretch, the sheer size of the strap filled her in ways she’d never experienced. Her thighs shook violently, her breath coming in ragged, desperate gasps, and then you saw it—tears.
Her eyes, already glassy with pleasure, began to well as she lifted herself up and then sank fully back onto you. The tears spilled over, streaming down her flushed cheeks, her lips parted as soft, broken whimpers escaped her. She was so deep into subspace, so lost in the haze of sensation and submission that her body didn’t know how to react. All she could do was feel.
You watched her, completely captivated by the sight of her like this—so vulnerable, so beautiful, her skin glistening with sweat, her cheeks stained with tears. It made your heart ache with an almost possessive kind of affection.
“There you go,” you whispered, your voice low and tender as your hands moved from her waist to cup her cheeks, gently wiping away her tears with your fingers while using the reflection as a guide. “You’re doing so well, baby. Look at you, taking it all. You’re perfect.”
Her chest rose and fell rapidly, her breath catching in her throat as she struggled to comprehend your words. The praise washed over her like a warm blanket, pulling her deeper into that fuzzy, blissed-out space. But the tears didn’t stop. If anything, they flowed even more freely now, her lips quivering as she let out another soft sob.
“Too much?” you asked, though you knew from the way her body clung to yours, the way she kept sinking down further and further, that she wasn’t going to stop. “Or do you like it, hmm? You like being so full of me?”
Her response was almost incoherent, a soft whimper and a nod, her head lolling against your shoulder as she tried to gather herself. The praise was affecting her so deeply, every word sinking into her foggy brain and amplifying the pleasure until she didn’t know what to do with herself.
But then you leaned closer, your lips brushing against her ear, and you let your voice dip into something more commanding, more degrading.
“Look at you,” you murmured, your tone taking on a sharper edge. “Crying just because you’re so full. You’re such a pretty little thing, aren’t you? You can barely handle it, and yet here you are... taking all of me like a good girl.”
Natasha whimpered again, her entire body flushing deep red as the words cut through the haze in her mind. She didn’t fully understand them—her brain was too fuzzy, too far gone—but the tone, the way you said it, made her blush even harder. It was a mix of praise and something else, something darker, and it sent shivers down her spine.
“I... I’m trying,” she mumbled, her voice shaky, her lips trembling. “I’m trying so hard to be good.”
“You are good,” you reassured her, your hands moving back to her waist again, gripping her firmly as you pulled her down onto the strap again. “You’re so fucking good, Nat. So perfect for me. Taking it all like such a good girl.”
Her breath hitched as you moved her, her body too weak to resist, too deep in the pleasure to even think of stopping you. Her mind was spinning, her body trembling, and the tears kept flowing. She didn’t even know why she was crying anymore. Maybe it was the overwhelming sensation of being filled so completely, or maybe it was the praise that made her heart ache with need.
“You’re so beautiful,” you continued, your voice softer now as you kissed the side of her neck, your hands still guiding her hips. “So beautiful when you cry for me.”
The tears kept coming, her body shaking with quiet sobs, but her hips kept moving, kept following your lead as you pushed her down again and again. She didn’t stop, didn’t want to stop. The pain and pleasure mixed together, a heady cocktail of sensations that had her spiralling deeper into submission.
“I don’t know if you can take me much longer,” you teased, your lips brushing against her ear as you spoke. “But you want to, don’t you? You want to be good for me.”
Natasha could barely form a response now, her head spinning with the intensity of it all. She nodded, her cheeks burning with embarrassment and need, her brain too fuzzy to process everything. But she knew one thing for certain: she wanted to make you happy. She wanted to please you, even if it meant pushing herself to the edge of her limits, even further than now.
“Yes,” she whimpered, her voice barely a whisper, her head falling back against your shoulder. “I want to... I want to make you happy.”
“You are,” you murmured, your tone laced with approval as you squeezed her waist, your eyes glued to her reflection in the mirror. “You’re making me so happy, sweet angel. Look at yourself. Look how good you’re doing.”
Her gaze flicked to the mirror, and she moaned at the sight. The strap pushed deep inside her, creating a visible bulge in her stomach that moved with each thrust. Her skin was flushed, hair damp with sweat, and her cheeks streaked with tears. She looked completely wrecked—and yet, so incredibly beautiful.
“You see that?” you asked, your voice thick with lust as your hands slid up her stomach, pressing down on the bulge gently. “Look how full you are, baby. You’re so perfect like this.”
The praise, the sensation, everything was too much for her. Natasha’s mind was a blur of pleasure and pain, her body stretched beyond what she thought she could take, and yet she wanted more. She needed more. Even if her body was trembling, even if the tears wouldn’t stop, she needed to make you proud.
“I’m... I’m so full,” she whimpered, her hands resting right above yours on her lower stomach, feeling the bulge there, her face bright red as she looked at herself in the mirror. “It’s so much...”
“You can take it,” you growled, your hands moving from her waist to her breasts, massaging them roughly as you thrust your hips up again. “You’ve already taken all of me, Nat. You’re doing so good. So fucking good.”
The praise hit her like a tidal wave, making her moan as her body convulsed in your lap. She was too far gone to even process the words properly, her brain fuzzy and overwhelmed, but she nodded anyway, tears still streaming down her cheeks as she whispered, “Thank you...”
“Such a good girl,” you purred, your hands squeezing her breasts as your lips brushed against her ear again. “You love this, don’t you? Being full, being praised... You’re perfect, Nat. Absolutely perfect.”
Her body trembled at the words, her eyes fluttering shut as she let out a soft, broken sob. She didn’t know how to respond, didn’t know how to process all the feelings swirling inside her, but one thing stayed clear in her mind—she wanted to make you proud. She needed to. And she would.
Natasha’s body shuddered violently, her breath hitching in sharp, desperate gasps as she tried to stay grounded. But you could feel the way she was clenching around you, her inner muscles spasming uncontrollably as her body teetered on the edge.
You shifted your hips upward, thrusting the strap even deeper inside her. The rough movement sent a jolt through her entire body, and that was it—Natasha couldn’t hold on any longer. Her third orgasm ripped through her with devastating force, her legs trembling uncontrollably as she let out a loud, broken moan, her body convulsing in your lap.
“There it is,” you murmured, your voice thick with satisfaction as your hands tightened on her waist. “That’s it, Nat. You feel so good when you come for me.”
Natasha’s head lolled back against your shoulder, her body sagging against yours as she came hard, her walls tightening around the strap, her muscles clenching and releasing in frantic waves. Her hands scrabbled for purchase, one gripping your thigh while the other pressed against the mirror as if trying to steady herself, but she couldn’t. She was completely lost in it.
The tears that were already spilling down her cheeks came faster now, mingling with the sweat that coated her skin, her lips trembling as sobs of pleasure wracked her body. She was overwhelmed, her mind completely submerged in the sensation, but even through the haze of subspace, she kept moving—kept riding your strap, desperate to please you, desperate to be good.
“There you go,” you whispered, guiding her gently as she shook in your lap. “Just let go. I’ve got you.”
The praise sent another wave of pleasure crashing through her, and she moaned, her body responding without thought, without control. Her hips bucked, the muscles in her thighs spasming as her fourth orgasm hit her before she had fully come down from the previous one. It was too much. She couldn’t breathe, couldn’t think, couldn’t stop her body from convulsing as she rode out the wave after wave of pleasure that seemed to keep rolling through her.
“Oh god, oh god,” Natasha gasped, her voice barely audible between her sobs. “I can’t... I can’t stop...”
“You don’t need to stop,” you reassured her, your voice low and soothing even as your hands gripped her tighter, pulling her back onto your strap as she tried to squirm away from the overwhelming sensation. “You’re doing so good, baby. You’re perfect.”
Her sobs turned to wails, absolute filth escaping her mouth, her entire body trembling as her next orgasm crashed into her like a tidal wave. She couldn’t hold herself together anymore, her body completely out of her control. Her hips jerked, moving on instinct as she ground down against you, her walls squeezing the strap so tightly that you could feel the tension all the way through your core.
The sight of her in the mirror drove you wild—the way her stomach bulged from the size of the strap, her breasts bouncing with each desperate movement, and the tears that continued to spill down her cheeks. She looked utterly destroyed, so beautifully wrecked, her skin flushed and glistening, her lips parted as broken moans and whimpers slipped from her mouth.
“Fuck, look at you,” you growled, your hands exploring every inch of her skin, fingers digging into her softness as you continued to thrust deeper with increasing force. “You’re so fucking beautiful, Nat. You’re so full.”
Natasha just whimpered, her breath hitching as her body responded to your rougher touch. She was so deep in subspace now, so far gone, that she couldn’t even register the words you were saying, but she could feel them—the way they made her body react, the way her muscles tightened and trembled under your hands. She nodded, her head falling forward, her eyes glassy and distant as she let out another soft sob.
“I... I want to be good,” she whispered, her voice barely a breath as she tried to steady herself. “I want... I want to make you happy.”
“You are good,” you whispered back, your voice a mix of praise and possessiveness as you kept pulling her down harder onto the strap. “You’re fucking perfect, Nat. You’re making me so proud.”
The praise sent another wave of pleasure crashing through her, and suddenly, Natasha was coming again—her body convulsing in your lap as her next orgasm hit her with even more intensity than the last. Her hands pressed against the mirror, her palms flat against the glass as she sobbed, her entire body trembling uncontrollably.
“You’re doing so good,” you murmured, your hands sliding up from her waist to her breasts again, squeezing them as she convulsed in your lap. “Look at you. Look at how beautiful you are when you come.”
Natasha’s eyes fluttered open, her gaze fixing on the mirror, and the sight of herself—flushed, sweaty, tear-streaked, and utterly wrecked—sent another shudder through her. She moaned, her hips jerking as her body tried to keep up with the pleasure, her mind too fuzzy to process it all.
“I... I still can’t stop,” she whimpered, her voice thick with need. “It’s too much...”
“I know, baby,” you cooed, your voice dripping with approval as you massaged her breasts, your thumbs brushing over her nipples. “You’re doing so good. Just let go. Let me take care of you.”
Her body obeyed without question, her hips moving on their own as she sank down onto the strap again, her walls clenching around it as another orgasm built inside her. She was completely lost to it now, her mind a haze of pleasure and submission, her body trembling as she came again and again, each orgasm rolling into the next until she didn’t know where one ended and the other began.
“Such a good girl,” you murmured, your hands sliding down to her waist again as you thrust up into her with more force. “You’re taking me so well, Nat. You’re perfect.”
Natasha’s response was a soft, broken sob, her body collapsing against you as the pleasure overwhelmed her completely. She was gone, completely lost in subspace, her mind a blur of sensations and praise, and all she could do was ride it out, her body trembling in your lap as you guided her through each wave of pleasure.
Natasha’s body continued to tremble against yours, her breath coming in ragged, shallow gasps, her chest heaving with the effort. The storm of pleasure was still coursing through her, but her hips had stilled, no longer able to move after the relentless waves of orgasms that had wracked her body.
You could feel the twitching of her muscles, the way her body clenched around the strap still buried deep inside her, but she wasn’t grinding and you weren’t thrusting anymore. She was utterly spent, her head resting against your shoulder, her tears still trickling down her flushed cheeks as she tried to catch her breath.
Gently, you loosened your grip on her waist, moving your hands with deliberate care as you wrapped your arms around her trembling form. Natasha whimpered softly as you pulled her close, her body still so sensitive, every slight movement sending aftershocks rippling through her.
“It’s okay,” you whispered, your voice soft and soothing now, a stark contrast to the intensity that had filled the air just moments before. “You did so good, Natty baby. Just breathe.”
Natasha’s body relaxed a little in your hold, though she was still shaking, her limbs twitching with the lingering ecstasy that coursed through her. She made a small, broken sound—half a sob, half a whimper—as her body gave in fully, collapsing against you, completely spent. You cradled her carefully, holding her close, one hand stroking her arm while the other stayed on her breast, grounding her in your touch.
“I’ve got you,” you whispered again, pressing a soft kiss to the top of her head. “You’re safe. You’re perfect.”
She let out a shaky breath, her head lolling to the side as her eyes fluttered closed, her mind still foggy from the intensity of everything. You could feel the way her heartbeat was gradually slowing, the frantic rhythm calming as you continued to hold her, shushing her softly, letting her know she wasn’t alone in this vulnerable moment.
Your hand on her breast moved gently, tracing soft circles around her nipple, a grounding sensation to remind her she was safe in your arms. Her body twitched under your touch, her chest still heaving, but she didn’t try to move away. She stayed nestled against you, letting the warmth of your embrace calm her.
“You’re okay, Natty,” you murmured softly, your lips brushing against her ear. “Just stay with me. I’ve got you.”
She nodded weakly, her body sagging further into your lap, her legs spread open as she remained impaled on the strap. It was a quiet, intimate moment now—no longer about the intensity of lust but about something deeper, more tender. Her body was twitching from the aftershocks, the occasional clench around the strap still reminding you of how deep you were inside her, but she wasn’t trying to take more. She was just… being.
Natasha let out another shaky breath, her fingers gripping your arm as if to anchor herself. The tears that had been flowing earlier were slowing, but her face remained wet, her cheeks flushed and streaked with saltwater. You watched her closely in the mirror, your gaze softening as you took in the sight of her—completely vulnerable, completely yours.
“There you go,” you whispered, brushing your thumb gently across her cheek, wiping away the remnants of her tears. “You’re so beautiful, Natty. So perfect.”
She whimpered softly at the praise, her eyes fluttering open for just a moment before they closed again. Her breathing was slowly evening out, the shaky gasps becoming steadier as you held her close, your hands moving in gentle, soothing motions. You could feel her muscles slowly unclenching, her body relaxing into you, no longer overwhelmed by the intensity of the pleasure.
“It’s okay now,” you whispered, resting your chin on her shoulder as you held her tighter. “Just breathe with me.”
You stayed like that for a while, the two of you wrapped in each other, the room filled with nothing but the sound of your quiet breaths and the faint hum of the world outside. The strap was still inside her, but it was a comfort—something grounding for her as she came down from the high of subspace.
Natasha’s body, though still trembling, seemed to relax even further, her head turning slightly as she nestled into your neck. She was quiet now, her soft whimpers replaced with gentle sighs, her body twitching occasionally but no longer driven by the need to move. She was content to just be held, to let you take care of her.
You pressed another soft kiss to her hair, your hands still stroking her arms and chest, reminding her that you were there—that you had her.
“You’re so good for me,” you whispered, your voice barely audible now, a quiet affirmation that she didn’t need to do anything more. “So perfect, Nat. I’m so proud of you.”
Her response was a quiet, barely-there hum, her body settling even more as she melted into your embrace. The tension was gone now, replaced with a soft, languid peace that settled over both of you. You could feel the steady rhythm of her breathing, the way her back moved against yours, and it grounded you just as much as it did her.
You cradled Natasha in your arms for what felt like forever, the quiet comfort between you speaking louder than any words. She was completely limp, her body heavy against yours, her breaths soft and steady now.
After a while, you pressed a soft kiss to her temple and whispered gently, “I should clean you up, baby. Let me run you a bath.”
Natasha hummed in disagreement, her head shaking slightly as she leaned further into you, her eyes still closed. She wasn’t ready to move, wasn’t ready to let go of the feeling of you inside her, keeping her grounded and safe. You smiled softly at her stubbornness, her bratty behaviour making you shake your head in amusement. The bulge in her stomach, still there and almost casual now, was like a silent reminder that this wasn’t the last time something like this would happen whenever she decided to brat out.
You chuckled again, warmth spreading through your chest. She was so beautiful, so perfect, and you loved her even more in these quiet, vulnerable moments.
“Alright, alright,” you murmured, running your hand gently along her side, “we’ll stay here for a bit longer. But when you’re ready, I’m cleaning you up.”
Natasha didn’t respond, just snuggled deeper into you, her body still. Her face was completely relaxed, her lips parted slightly as she rested against you, lost in the lingering haze of subspace. You held her close, stroking her arm softly as you watched the slow rise and fall of her chest, content to stay like this for as long as she needed.
It was about ten minutes later when you felt her stir. A faint wince crossed her face as she shifted in your lap, her muscles clearly starting to ache after the intense session. She let out a small, pained whimper, her brow furrowing as she tried to move slightly, the soreness settling in.
You kissed her head gently, your voice soft and reassuring. “Ready for that bath now?”
This time, she didn’t protest. She nodded weakly, her eyes still closed but her body slowly coming back to her as she let out a quiet, “Mhm.”
You helped her sit up, your hands gentle as you guided her, though even the small movement made her wince again. As Natasha began to lift herself off the strap, you couldn’t help but groan at the sight. She was slightly gaping, her body clearly feeling the aftereffects of the stretch, and the sight was enough to make your stomach twist with desire all over again.
Natasha blushed deeply, her cheeks flushed a soft pink as she noticed your reaction. You saw her glance in the mirror, catching the way her body looked before quickly averting her gaze, embarrassed but unable to hide the small, sheepish smile playing on her lips.
“You’re beautiful,” you murmured, your voice a little rough from the sight of her. Natasha’s blush deepened, and she looked away again, biting her lip in that shy, adorable way she did when she was overwhelmed with praise.
You discarded the toy to the side, knowing you’d deal with it later. Right now, Natasha was your priority, and aftercare was the only thing on your mind.
“Come here, Nat,” you whispered, helping her to her feet and wrapping an arm around her waist to support her. She wobbled slightly, her legs weak from the intensity of everything, but you held her steady, guiding her slowly toward the bathroom.
Once you had the bath running, you sat her down on the edge of the tub, kneeling in front of her as you gently cleaned her up, wiping away the remnants of the session with a soft, damp cloth. Natasha was quiet, her eyes half-lidded as she watched you with a tired, hazy gaze, her body still relaxed in the warmth of your presence.
“You’re doing so good,” you murmured as you cleaned her, your hands gentle and careful. “I’m so proud of you, Nat.”
She let out a soft hum in response, her cheeks still a little pink from earlier, but she didn’t try to speak. She was too exhausted, too deep in the afterglow to do anything but watch you with that sleepy, content look on her face.
Once the bath was ready, you helped her into the warm water, holding her hand as she slowly sank into the tub, a sigh of relief escaping her lips as the heat soothed her aching muscles. You stayed by her side, your fingers tracing soft patterns along her arm, watching as she closed her eyes and leaned back against the edge of the tub.
“Are you feeling better?” you asked softly, brushing a strand of hair away from her face.
Natasha nodded, her lips curving into a small, tired smile. “Mhm,” she mumbled, her voice soft but hoarse from all the moaning and gasping earlier.
You chuckled, leaning in to press a kiss to her forehead. “Good.”
For the next while, you stayed with her, washing her hair gently, your hands careful as you massaged her scalp, the soothing motions helping to relax her even more. Natasha let out quiet, contented sighs every now and then, her body completely at ease in your care.
When the bath was over, you wrapped her in a soft towel, drying her off gently before helping her into a comfortable, oversized shirt. She was still quiet, her movements slow and sleepy, but she leaned into your touch every chance she got, seeking out your warmth and comfort.
You led her back to the bedroom, guiding her under the covers before climbing in beside her. As soon as you settled in, Natasha curled into your side, her head resting on your chest, her arms wrapping around you as she let out a soft, contented sigh.
“Thank you,” she whispered, her voice barely audible, but the gratitude in her tone was clear.
You smiled, wrapping your arms around her and holding her close. “Always, Natty,” you murmured, pressing a soft kiss to her hair. “I’ll always take care of you.”
She hummed softly in response, already drifting off to sleep in your arms, her body finally fully at peace.
a/n- i need to start writing shorter fics oh my god. thanks for reading!
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gabrielleragusi · 2 days
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For Artists: My Experience with Commission Platforms and Illustration Agencies
Hi there! I’ve been wanting to compile a list of commission platforms that I’ve personally used for the longest time, and I finally did it! I’ve highlighted the still-active commission platforms in bold and struck those that don't exist anymore so you can jump to the sections that interest you without needing to read my entire story.
Let me start by briefly introducing myself.
I’m Gabrielle, a fantasy illustrator. Since 2014, I’ve been working on book covers and illustrations for publishers, authors, and book subscription boxes. Early on, work wasn’t as frequent as it is now. I had to search for opportunities myself, and even small private commissions were important for building my portfolio and earning some money, which I’d spend on materials, books, and online courses. Like many other artists, I started out by trying my luck with the biggest art community available at the time.
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DeviantArt
2009-2018
Once upon a time, there was a virtual haven called DeviantArt. To my teenage self, it was a magical place. I signed up in 2009 and thought I’d never leave!
At first, I created an account just to share my work and learn. I didn’t even think about commissions for four or five years. But when that first inquiry finally landed in my inbox, things took off! My mum swears she remembers my excitement when I got my first commission, but for some reason, I’ve completely forgotten about it. I can't remember what it was or how much it paid. It might have been a portrait of a fantasy character.
Commissions on DeviantArt were fairly frequent, especially considering my cheap prices at the time. I used to offer discounts and post my rates in my DeviantArt journal, or in Commission groups that featured artists either monthly or weekly. After checking out my profile, a client could simply send me a private message and from there, we’d discuss payment, deadlines, and other details, and the platform didn’t take any fees, much like how ArtStation works today. Everything happened through private messages or email, with direct contact between artist and client.
The downside of this process was that there was no dispute resolution system on the platform. I had to handle all issues myself, and unfortunately, problems did arise sometimes: there were clients changing their minds about commissions, asking for refunds after work was delivered, refusing to pay, or just ghosting me. These issues didn’t happen because clients were evil, but rather because I was inexperienced and allowed some to take advantage of my naivety.
However, all that frustration helped me develop my commission process through trial and error (mostly error). And despite the challenges, I can say with satisfaction that most of the commissions I received through my DeviantArt profile were positive experiences.
DeviantArt eventually introduced a commission feature for Core (Premium) users, which came with a platform fee, but I didn’t use it much, and I’m not sure if it still exists.
The real beauty of dA, though, was the connections I made. I was able to meet people, both artists and clients, that I’m still in contact with today, and some of whom I still collaborate with.
I closed my account in 2018 or 2019, but by that time, I hadn’t really used it for a couple of years. The new user interface was a bit of a turn-off for me. I had always loved the geeky, and dare I say cozy, look of the old green and grey aesthetic, with its customisable panels that you could move around and personalise with HTML code... But I digress.
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Artists and Clients
2013-2016
While taking small commissions on DeviantArt, I discovered Artists & Clients. It was a nice platform for clients to get things like their D&D characters or groups illustrated for relatively cheap. I think my highest price was $50 for a single character portrait, with the platform taking a 15% cut. I used it for about two or three years before the platform started to change.
As more artists with hentai art styles flooded in, the homepage shifted, and so did the clientele. There’s nothing wrong with drawing naked anime girls, of course, but you can understand that if a client is looking for a fantasy, semi-realistic painting of their female orc character, or a realistic portrait of their spouse, it's more than likely that they won't bother sifting through a sea of anime girls to find the style they want, imagining it isn't here. Let's just say that, at the time, the website took a definite direction that wasn't in line with my genre, but this direction didn't make the different, more realistic art styles stand out either.
Soon, commissions slowed down for me, so I closed my account, but by then I was already working elsewhere.
That said, this platform could still be a useful tool if you’re looking to take on smaller commissions.
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DreamUp
2014-2015
DreamUp wasn’t an AI generator back then. It was actually a subsidiary of DeviantArt, where clients could post projects and artists could apply. It was a competitive platform that offered well-paid work–very well-paid. I remember seeing jobs posted that ranged from $300 to $1,200. DreamUp was a very professional platform for clients with a mid to high budget.
I believe I landed my very first book cover commission through this website when I was in my last year of high school. I remember getting the job and going to school the next morning, excited to share the news with my classmates. Everyone was super thrilled for me (we were a really close-knit class!), and I felt like I was walking on air.
Unfortunately, as far as I know, that book was never released, but it didn’t matter because I was moving forward, and fast.
I’m not sure when DreamUp was shut down, but I do know that DeviantArt held onto the copyrighted name, assigning it to something so anti-old DreamUp that it still boggles my mind.
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ArtCorgi
Now Artistree
2014-2019
When I received an invitation to join ArtCorgi from its founder, I already had a somewhat consistent portfolio. I was painting portraits and fantasy illustrations, and the clients on this platform were looking for both–your typical wedding and pet portraits, as well as book covers, which were what really interested me. To get to the latter, I had to do the former. Over the years, I’ve painted so many realistic portraits that now I have a strict rule for my own sanity not to do them any more. I have great respect for portrait artists, but it’s just not me.
When I first submitted my prices to the person I was in contact with, she kindly suggested that I raise them... a lot. That was a major step forward in my professional career. I went from charging $50 to $100/$200 overnight. And to my surprise, people actually wanted to commission me at those prices!
From 2014 to 2019, I took nearly every commission that came my way. I never spoke directly with the clients; all instructions and feedback went through my point of contact, which helped maintain a level of professionalism, although now that I’m used to working directly with clients, I’m not sure I’d want to go back to having an intermediary.
Sadly, as with all good things, this chapter came to an end. My point of contact eventually left communication in the hands of someone else, and shortly after, the commission fee changed to, I believe, 30%.
Simply put, 30% is an unrealistic cut for a website like this. For an agent that gets you all kinds of big work in the publishing industry, sure, but since this was not the case I had to stop taking commissions. Despite that, my overall experience with ArtCorgi was very positive.
Today, ArtCorgi joined another platform, Artistree. As far as I can tell, Artistree doesn’t take any fees from artists, with clients covering a small cost instead.
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Sketchmob (?)
2016-2020
This was probably the platform I used the most. I’ve lost count of how many commissions I received through Sketchmob. Many. Enough to generate a steady income at the time. With reasonable fees and a variety of art styles available, clients contacted me almost daily. Communication was direct between artists and clients, and payments could be split. The review system also worked very well… for a while.
Once I raised my prices, requests became fewer and farther apart. But by then, I was already working with my own clients.
Is this platform still active? Who knows. The website is still up and the chat feature works, but I’ve seen users complain that money available for withdrawal never arrived via PayPal (the only payment method the platform accepted, if I remember correctly). Personally, I wouldn’t risk completing a job through Sketchmob right now, at least not until they release an update.
If you’ve used the platform recently and successfully received payment within the last six months, please let me know, and I’d be happy to update this section!
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Upwork
2017-2019
In 2017, I was determined to break into the book publishing industry. After trying out Fiverr and Freelancer.com with no success (the competition was too fierce for someone just starting out), I decided to give Upwork a shot. The platform looked very professional, and while the process sounded a bit complicated, I wanted to land the interesting projects I saw featured in my category. I really wanted to work with a big client… but big clients didn’t seem to want me, despite having the Rising Talent badge.
In two years of bidding for jobs and submitting proposals, I only landed two projects: a small commission from a private client who actually reached out to me, and another project that I bid on.
Don’t get me wrong, I was ecstatic at the time and truly appreciated every opportunity that came my way. But looking back, I can see why Upwork didn’t work out for me. The platform just wasn’t the right fit for my style and niche, which is fantasy illustration. Graphic design, however, was (and still is) in much higher demand.
The commission process on Upwork wasn’t as simple as on other platforms. For instance, at the time, costs were calculated hourly, which was a challenge for someone like me who prefers working with flat fees (having already calculated my average hours spent on an illustration). From what I’ve seen, this has since changed.
One positive aspect of Upwork is its current 10% cut on what artists earn. I don’t recall if this has changed over the years, but 10% is quite reasonable in my experience. Of course, 0% would be even better, but for a platform as large as Upwork, 10% is fair.
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Illustration Agency
2019-2021
By 2019, I had built a solid, consistent portfolio thanks to my personal work and commissions. I had a simple website in place, my Instagram following was growing… I was steadily working toward my goal of illustrating covers for big publishers (which didn't happen until two years ago).
So, when an illustration agency reached out to me one day, I was over the moon. I had always heard that artists were the ones who had to approach agencies, not the other way around.
Well, that should have been my first red flag.
I won’t name this agency because, unfortunately, I have nothing positive to say about it. In fact, the word “nothing” perfectly describes my involvement with them. Nothing came of this barely there experience.
The agency invited me to sign up, not on an exclusive basis, but they assured me they’d get me work. That work never came. Once in a while, I’d receive messages saying they were trying to pitch my portfolio to a French publisher or another client, but... nothing.
Please understand that meanwhile I was already working directly with shops and authors, so I don’t believe my portfolio was the problem. The real issue was something I didn’t realise at the time: some agencies do this. They feature talented artists in their catalogue without having actual clients lined up, just to appear more professional and credible to potential clients. Did this strategy work for them? Maybe. I’ll never know.
In 2021, I politely asked them to remove my portfolio from their website, and that was the end of it.
After that, I never actively sought out an agent again. By the time my portfolio was strong enough to approach a serious agency, I just didn’t need representation anymore.
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Hireillo
2019-2022
My experience with Hire an Illustrator, or Hireillo, is mixed. At the time, Hireillo was a platform that hosted artists' portfolios, featured artist-submitted news, provided useful articles, resources, and directories of artists and agents. I joined the site hoping to catch the eye of publishers, but I was mostly contacted by authors and one fellow artist for a graphic novel.
Unfortunately, most inquiries didn’t go beyond the first couple of messages due to budget constraints. I did, however, have fun sharing news about my painting process and projects I landed on my own, which were often featured by the website. Additionally, if I had questions about 'complicated' things like copyright, or just needed advice, I could ask the website’s owner and that was incredibly helpful.
Despite these benefits, I didn’t see any real results, which was a little disappointing. The subscription fee was also... odd, for lack of a better word. $5 per week. In the end I just couldn’t justify the cost, so I stopped using the website altogether.
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Reedsy
2019-2022
Finally, we come to the turning point.
I remember stumbling upon Reedsy randomly. It wasn’t very well known at the time, and I think it still isn’t. I was nervous when I submitted my portfolio because their catalogue features the best of the best: designers who’ve created covers for bestsellers, THE bestsellers, people who’ve worked on Stephen King covers, or George R.R. Martin's. Designers, editors, and marketers who are veterans. I didn’t have high hopes for my application. So, I was in shock when it got accepted.
I had an introductory Skype call with a representative from Reedsy, who explained how everything worked. Before the call ended, I remember asking if there was a good chance I’d get work through the platform. The rep laughed and said, “Yes.”
A few weeks in, I understood that laugh.
Reedsy has an overwhelming demand for book covers and commercial projects. For every designer there are many more clients. In peak seasons, I was getting requests almost every day. I’m not exaggerating.
Reedsy transformed my portfolio and my pricing structure. Thanks to the income I earned through the platform, I was finally able not to take everything that came my way but be selective and choose only the projects that really interested me.
The commission process is simple: artists pretty much decide how to split payments, what to include in agreements, and the best part, the most beautiful and helpful feature of all, they can request and adjust deadlines. For someone like me who's terrible with deadlines, this feature was a lifesaver. The admins are also very kind and responsive, available via email or chat.
Unfortunately (this is my last 'unfortunately', I promise), my time on Reedsy came to an end for personal reasons. I’ll explain since it’s no secret.
All my images on Reedsy were watermarked with my signature (my full name), which apparently violated the platform’s rules. Why? Because if a client saw my last name, they could contact me directly and bypass Reedsy, which meant the platform lost potential fees. I’ll admit this did happen a few times, but I had the good sense to redirect the client back to Reedsy.
After three years, an admin finally noticed and asked me to remove my full name from the watermark and any text on my profile. It was a simple and reasonable request, but here’s where the problem started. Profiles on Reedsy are public, and images appear in search engines like Google Images, meaning anyone could download my work and use it without permission. Sure, watermarks can be removed, but uploading my work without one in the first place felt like a bad idea. Btw, not only do I use watermarks, but I also use Glaze to protect my illustrations before sharing them online.
Anyway, for this reason, and also because I couldn’t get over the fact that full names were public at the time, something I won’t get into because, believe me, I tried over email, and my reasons went into the void (now, last names are just initialised, like Gabrielle R. Okay. Sure.), I had to close my account–they would have done it anyway because it was already 'flagged'.
Overall, if you’re willing to overlook the last name conundrum, I can’t recommend Reedsy enough. If you have a killer, solid portfolio and a love for books and editorial projects, go for it!
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I hope you'll find this useful! If you have any questions, please don't hesitate to ask (: Oh, and here's an old article I wrote in 2020, titled:
Tips to freelance illustrators to avoid being screwed over
Who knows, maybe I'll write another 'article' post in four years!
Instagram  - ArtStation - Website - Inprnt - Etsy - TikTok
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terukotime · 2 days
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allow me to be super delulu for a second
if either Eden or Ace are the actual killer, that would mean one of them would be saying their secret quotes in the next coming episodes. but...do we really feel like the situation warrants them saying what their quotes are?
Ace's is: "I don't know what to do with myself anymore."
Eden's is: "You can't go back, no matter how hard you try."
Ace's feels a little strange to say in the trial. we're very close to unearthing the real culprit, and if Ace really is the killer, when would he say that? immediately upon being found out? the quote itself has their air of melancholy and defeatism, and even at his lowest, we know Ace isn't someone to concede or go down without a fight. and if he knows he's about to die, what's the point in saying "I don't know what to do with myself anymore" when he's not even going go be alive in the next few moments? He WON'T be doing anything with himself anymore, he'll be dead.
Eden's, while not as strange of a thing to say as Ace, is also kind of peculiar. when would she say it? while she's admitting to the murder? if Eden did it, sure, it's believable that she'd feel some regret, but the setup to her being the killer feels very odd now that we've gone through this big emotional moment between her and Teruko. honestly, after all that, if Eden really is the killer, i'd be more inclined to believe she WOULDN'T regret killing Arei. it'd seem like her crying and pleading was all just emotional manipulation. it also seems strange to me that Eden would have already had it in mind to kill Arei when she and Teruko found Ace, and took the opportunity to steal the tape to carry it out. i could definitely be wrong, and please correct me if i am, but i think the attempted murder was the same day as what happened with Eden and Arturo? honestly, even if it wasn't, it just feels weird to me that Eden would find some way to disguise her handwriting, set up a murder method even more elaborate than Nico's original version, and then do the whole trial pleading and sobbing for people to believe she didn't kill her and actually have regretted her actions. that shit is so premeditated that everything Eden has done thus far feels like immense emotional manipulation. while that could still be possible...it's not really that satisfying, i'd say. who knows, maybe i'm in severe denial, but i just think this characterization of Eden would be really weird. it would feel less like a betrayal of "man, this character i liked turned out to be awful", and more like a betrayal of "man, this character i liked has made a 180° in their personality without any foreshadowing of having a darker side to them".
and i'm just still really hung up on Hu. her secret quote, "I want to pay for what I've done. But even then, I still want to live." makes total sense in the context of this trial, especially after her secret reveal. and while it's pretty unlikely she took the tape from the gym, there's no guarantee that the person who took the tape at the time HAS to be the murderer. i'm just still hung up on the fact that it feels like there needs to be one last, big twist before the true killer is revealed. a moment where Teruko comes to her realization and the culprit is selected before she makes any actual accusation against them. we already knew Eden and Ace would be the ones Teruko was going to interrogate in the selection because of her explanation. just given how drdt has been written thus far, i feel like they wouldn't hand the potential answer to us like that so easily. like we wouldn't get to the point of selecting the culprit with the story already telling us it can only be one of two suspects.
it's entirely possible that i'm just coping and am refusing to accept that one of my favorite characters is actually the culprit. or that drdt could have a trial that isn't greatly written. it's totally fine if i'm wrong and Eden or Ace really is the killer, i definitely won't enjoy it much but it's not my story, nor would it completely make me drop drdt.
i honestly just needed to rant LMAO. this episode left me with a LOT of feelings.
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menlove · 5 hours
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do you have any girl!mclennon hcs? like how they'd do their hair, how they'd dress, their relationship etc etc
LESBIAN MCLENNON I LOVE YOUUUUU. have a dump. i think about them constantly.
in my mind (at least when they're younger), paul would look like shauna shipman (the character not the actress bc the actress is blonde w blue eyes lmfao) while john i could see being played by rachel sennott
i think i've mentioned this before but paul's first name is definitely mary. pauline is probably her middle name and she just goes by paul. john's harder i've given this thought before but never landed on one, but she still goes by john bc i say so
paul before meeting john is definitely trying to fit into the mold of nice 50s teenage girl- hoop skirts, ponytails, cardigans. when she starts getting more into rock she WANTS to dress differently but doesn't until john talks her into it and then it's leather jackets and drainies still. john just never conformed she wouldn't give a fuck about it
they'd both be in really interesting situations! because paul here is the Oldest Girl after her mom died. so moreso than in real life, the brunt of expectation & household management would get shoved on her, especially with jim out gambling and drinking. similarly, mimi would be driven to insanity with john because she's nowhere NEAR how she thinks she should be and she also sort of sees her as julia 2.0 and she's petrified for her
i think they're probably a lot more physically affectionate bc how casual homophobia between women manifests vs w men is very different, so they're allowed to sort of hang off each other as long as it doesn't Get Weird. and it does certainly get weird with them, they get called dykes more than a few times
i think paul would more readily accept being asked to wear makeup and dress proper again by brian (who is a semi-out lesbian here i can't take away the beautiful homoeroticism of brian & john's relationship) whereas john is gnashing her teeth and throwing the world's biggest fit about it. sometimes paul does her makeup for her though and that's alright.
they start to loosen up with it in '66 and get more androgynous and by pepper's era they're both THRIVING being able to dress androgynously. paul starts getting funky with her makeup around that era too and john just stops wearing it completely
john cuts her hair shorter around revolver era and paul follows suit because they're Mirrors. paul has a twiggy thing going on.
paul also grows her hair out again in the worst most untamed Mess you've ever seen around get back era.
i've had this thought that they've fooled around a bit and john's out in an open industry secret sort of way like. girls would still throw themselves at the girl!beatles i feel this in my soul and i think george and john would be out getting pussy while paul WANTS to be out getting pussy but is holding herself back. but john will Not fuck her like she fucks other girls because this would tip whatever they're doing into Romantic territory like she KNOWS it would be different with paul and this pisses paul off to no end.
of course they DO end up fucking at some point and this makes things worse for everyone involved
paul has a boyfriend who she keeps getting on and off again engaged to (peter asher maybe lmfaoooo in which case... she is lowkey also still fucking jane on the side) and john hates him so so so so bad she wants that man dead and she makes it obvious
yoko is still a woman and her and john do political lesbianism (yoko's straight, john isn't, this is as much as a disaster as anyone would expect it to be) and paul is climbing the fucking WALLS out of how mad the whole thing makes her because it's not HER that john's being openly gay with. not that she'd want to be! but it's the fact that SHE was never ASKED!
linda is also still a woman and this also makes john madder than anyone's ever been because what do you mean paul has been into women romantically this entire time and now she's having a not-so-secret affair with an american photographer and moving to fucking scotland with her? she's losing it.
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skyfallscotland · 1 day
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I also just need to add, and I hope @justallihere doesn’t mind me sharing this publicly (we all know I don’t ask for permission) but:
“i promise if it doesn't add up i've thought about it for a minimum of 57 hours and tried to make it add up”
I think people think we’re critical for the sake of being negative nancys sometimes and that’s not the case, the fact is we spend a lot of time thinking about this world and these characters and you guys know that because you benefit from it—but the flip side to that is we have already considered every possible defence for clear mistakes.
Some people act like it’s a crime to point them out, but it really isn’t. If you’re not willing to hear any minor criticism of the world building, you probably shouldn’t get to enjoy fanworks by people who are forced to consider them and run rings around them to make them make sense (in my personal, savage fucking opinion).
Like do you know how much effort goes into writing fanfic? I feel like most people don’t. I promise you we’ve thought about this world more than the average person. I spend hours of my life every week considering it, actually. So I think we (fandom creators in general) get a pass on pointing out the fuck-up’s that are blindingly obvious when we see them. It’s not like I’m talking to RY’s face.
This isn’t aimed at anyone in particular, (especially not the last post I reblogged, everyone had some good ideas there trying to explain the Lewellen-Lindell dilemma away and that’s fun and I appreciate the discourse) but I do feel like there’s been some commentary lately on here that’s felt very culty and toxic positivity vibes and I’m not about that. I get enough of that in my regular life as a chronically ill, autistic person. I’m not gonna create content for a community that takes realism as negativity.
I’m just calling it how I see it. Notice how in my last post I defended Rebecca? Very mindful, very demure, very normal. Don’t be weird 😭
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canisalbus · 3 months
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uh hi hello!! first i wanted to say i am deeply in love with your art (god those shapes, these lines, texture, anatomy, expression, EVERYTHING) and your latest drawing just moved something in me i cant quite grasp it, been thinking about it for a couple days. sooo i felt inspired and made myself a smol little machete out of uh wild clay so i could kiss him on the forehead before going to sleep, i hope you're ok with that? (also sorry he's kinda wonky, me and acrylics hate each other haha)
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idolomantises · 2 years
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ngl, the more I think about it, the more I feel conflicted over how people sexualize my characters.
On the one hand, it would be silly to deny that I don't go out of my way to create aesthetically pleasing/attractive characters because I love to draw what I enjoy, and I love it when people simp for them.
But on the other hand, sometimes it does bother me that people are so fixated on sex and their own arousal that they miss important lore/plot information that I get a bit frustrated
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sskk-manifesto · 2 months
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!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!
#A great episode tbh especially given the low budget. I feel like they really did their very best#And even though what I'm going to say next is probably going to be all critic - because I nitpick things and that's what I always end up–#talking about - I still want to underline that it was a very solid and enjoyable episode!!!#Alright the ss/kk was so 💞💞💞 every scene I had to rewatch twice or thrice akhscbashfb they're so cute!!!#Except for the riding scene tho. That scene gives me massive second hand embarrassment every time I just wish it will end as fast as–#possible pffttt. Mmmmhhh... The drawings weren't even too bad all accounted. My main complain is about the quicksand scene...#I feel like that one should be a slow quiet emotional scene. I never licked the choice of using the song as background soundtrack :/#I feel like it ruins the mood of the scene (it was still good though)#I also... Generally don't like the direction they seem to go for with Akutagawa's character in the anime‚ he seems quite a bit flatter–#compared to how he is in the manga. He can't be angry and evil ALL the time you need to show that softness get through from time to time.#If not what even is the point of his character. Yet in the anime he's angry (and not distraught) when he loses the mine craft and he's–#angry when he's questioning Atsushi about his motifs and he's angry when he's bragging about Atsushi's abilities to Goncharov and he's–#angry when he makes the promise with Atsushi at the end of the episode and eventually he'll be just as angry even when telling Atsushi–#to run away as he's sacrificing his life for him. It is pretty flat at the end of the day.#If I can say something about K/ensho Ono without being killed I think they do contribute to making him feel angry all the time.#But that said it's all probably poor directing choices (or simply choices I don't agree with).#Also‚ about cuts. Usually I try to be lenient about it– I understand it's hard to fit in everything and b/sd already does a very–#good job by adapting the manga almost panel-by panel. It's just that... You skip Akutagawa showing compassion for Atsushi after the–#orphanage director died. You skip Atsushi sharing the same compassion when Akutagawa loses his targed in the mines chase. You skip the–#“Nothing special about that. // I suppose he's far crueler than my own mentor.” line. And sure each of them may be negligible by their own#But together they wave a consistent web of relationship between the two characters you know? And it's a loss to omit them all#Well no mind. Again it was still a great episode overall!!!!#I think the colors in the mines could have been prettier in the mines but we can't have it all#Off to season 4!!! Omg I can't believe we got this far :DDD#random rambles#FINALLY was able to catch up in time for the season 3 finale!!!!!!
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puppyeared · 10 months
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save me old flipnote studio MVs.......
#im going thru old flipnotes i used to watch years ago and ouggghhg so many good ones#is twenty one pilots still popular.... do people still remember the TRNDSTTER and marble soda meme.........#its like im unlocking some sort of primal part of my brain and everything is coming back to me. one of my biggest inspirations as a kid#i still remember thinking the final transmission lyrics were the coolest thing and watching =TopHat= Bee and Melissa over and over#theres a very specific feeling of longing and nostalgia looking back and watching these again years later#especially when there isnt anything genshin or mcyt and instead its either fnaf undertale eddsworld or another obscure#interest... and not even fnaf sister location its like fnaf 3 and 2. its THAT old. and a lot of oc MVs especially pokemon ocs and furries..#god but they were so creative u know. i still find it amazing ppl took this little lightbox animation on the fucking NINTENDO DS and#cranked it all the way to 11.. like if u look at the transitions and movement its so fucking fluid its insane..!! HOW DO YOU MAKE THE#CHARACTERS SPIN??? AND CHANGING CAMERA ANGLES??? and keep in mind youre doing this all with a shitty stylus#on a THREE BY TWO INCH SCREEN. you only get two layers you can go up to 29FPS and you only have 999 slides to work with#and 24FPS eats up a lot of that. absolutely insane it literally boggles my mind every time i think about it. AND SOME ARE EVEN FULL COLOR#i forgot how popular EDM was back then too...they were really good for timing beats though so you get a lot of MVs with#strobe last and marble soda. porter robinsons goodbye to a world was also popular with undertale and oc MVs. also a lot of vocaloid#someone made a flipnote abt the warner bros fnaf movie being announced EIGHT FUCKING YEARS AGO. it even used the stay calm audio from#the office.... i wonder how theyre doing now... i love you shitty grainy MV audio.. but i have mixed feelings abt the flashing colors#ppl LOVED animating the sans vs frisk fight. aishite and primadonna were also big ones they were SICK AS FUCK#lots of these inspired my old oc designs.. a lot of my characters had side bangs with one eye covered. animal ears and simple eyes too#now i kinda wanna try my hand at the marble soda meme cause i loved it as a kid lol.. i wonder if i should compare my old and new art here#UGHHHH IM SO NORMAL ABOUT NOSTALGIA. IM SO NORMAL ABT MY SCHOOL BOOK DRAWINGS WITH SHIBA BROWS#yapping#nostalgia
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shdwtouch · 5 months
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not me openly admitting that shade lowkey takes after me. this was not intentional, I swear. uwu; she kinda just... ended up with an extra dose of who I am as a person, whereas most of my original characters receive much less.
I realized this when considering that shade is most likely homo leaning. and I was like, haha she's just like me ! an enby ace lesbian... and then the similarities just kept getting drawn. idk maybe I'm just overly tired.
also like. not gonna apologize ? she really isn't a self-insert. but its also like... creators are allowed to put themselves into what they make ! and I'm proud of shade, I really am. so I won't be made ashamed for traits we might share.
#《 ° puffin.exe 》 im a puffin ! i dont do much#° mobile post !#° to be deleted !#tbh i dont know hoe people get off accusing people of making self inserts in the rpc like#how do you know ?? unless i explicitly state or draw comparisons ??#and why would i do that if my intent is to fool people ? like.#i understand that interacting with inserts can be uncomfortable. i do !#but unless you really know the person ? you arent in a place to say their characters are inserts#and tbh i feel like most of my discomfort comes from the prospect of being deceived#im okay with writing with inserts but im gonna draw boundaries#especially if youre writing them with the intent to live through them / fantasize.#while I think its valid its not something i am personally comfortable with. i dont consent to that as an rp partner.#but im also envisioning the worst possibility in which its someone getting off to how i interact with their oc#point being. to my mind. self inserts arent bad. they also arent easy to judge.#and even if i dont consent to interacting with an insert for the purpose of being wank material or emotional stimulus...#people could still use my content for wank or emotional stimulus by putting themselves in the shoes of whoever im writing with so#am i really one to judge? no. because again. i dont know.#and i honestly think anyone who can come out and say their oc is an insert or takes after them is#more trustworthy than someone who doesnt disclose it. idk just. there is no need for deception.#and if you do try to deceive me im gonna assume you have ill intent#whereas honesty is something that should be valued. especially in cases where the truth is so stigmatized.
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dimiclaudeblaigan · 6 months
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If there is at least one thing I can credit FE for doing better than Tales in localization, it's not trying to actively go out of their way for an entire game to avoid subtext or direct text between two men that is romantic or implied romantic. Funny when it's so present that the attempt doesn't even work; infuriating that it was attempted to begin with.
So as much as I often have issues with some of FE's localizations, at least they have a leg up on loc Tales for that.
#DCB Comments#imagine changing entire sentences and vocal tones just to try to avoid it#if anything I'd say at least in FE the locs just... keep what's there like#they could've toned Soren and Houses Yuri down and they didn't. they just kept their lines or in some cases#especially with Houses Yuri I'd say leaned into them#have to specify bc Houses Yuri got to keep his bi agenda. Vesperia Yuri had the unfortunate issue of#the loc not wanting to keep his gay and trying reeeeally hard to avoid it#including altering entire sentences to avoid any woe is them misunderstandings about men having feelings for each other#meanwhile Houses Yuri is free to call men cute and lo and behold everyone loved that for him#they removed and altered a LOT of Vesperia Yuri's personality traits#(including any ability to express real sadness or fear bc woe is them if he's not a cool edgy man)#but they also really changed his tone toward Flynn PLUS some of what they say to each other#and twisted it to make it sound like Yuri was either angry or wasn't actually emotional abt him#forget the way they brought Grant George in for the DE release and made him sound just completely DEAD with zero personality#like. I can tolerate playing Houses dubbed despite my gripes with it (story based stuff)#it didn't feel like they were trying to alter LBGT+ aspects and they even for some rly leaned into it#basically if you haven't played Vesperia Yuri is... really gay coded. the loc pretended not to notice#in fact he's queer + gay coded bc and doesn't fit male gender norms and the gacha games LOVE that with his hair/outfits#Rays mind you is JP only bc it was shut down very quickly in the west and Vesp Yuri's story in Rays is uh#basically it centers around Flynn he loses his shit to protect Flynn and they do the usual like#don't-admit-it's-gay-outright in fictional media by using the ''Yuri's important person'' shtick#but he activates a special power in the middle of utterly raging to get Flynn back from their enemies#funny thing? that game never made it to that arc. I was told in about five months the western ver would've gotten that#but in some way I'm glad it didn't bc who knows how they would've tried to spin that#It's BAFFLING to me how you can get characters in Tales like JAY but the locs shake in their boots at the idea of queer gays#but given how allergic fictional media is to admitting a male character is gay -gestures to Ike and Vesp Yuri-#I'm not surprised I'm just actually angry that the locs try to censor homosexual relationships as much as possible even when they barely ca#if anyone does know Vesp Yuri and is confused on why I'm calling him gay coded despite what the dub did with Judith feel free to ask#bc I do ship them a little bit myself! but I just recognize that canon wise I really can't see him as anything but gay-demiromantic#but again at least FE locs don't shake in their boots anymore abt same sex pairs including men (side eyes Lucius/Raven)
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dan-crimes · 1 year
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Bro do not even get me started on morally grey characters I WILL DEFEND THEM WITH MY LIFE trust me there are morally grey characters that I do not like in the case of them being like a real person but I HAVE to appreciate their role within a story
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agirlinthegalaxy · 17 days
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Something I see frequently is fans wanting characters like Elle Greenaway or Nathan Harris to return as unsubs in Criminal Minds, which. I'll be completely honest, I hate the idea for a lot of the suggested characters because it feels so undeniably tragic and hopeless that someone will inevitably become a killer, even if they don't want to become one. Yes, a lot of the unsubs have some kind of tragic backstory, but the thing is that they're still awful people (excluding very very few). I feel like having previous characters return as the unsub paints this picture that you're unable to break the cycle of violence or that you're destined to become a monster, which is just such a honestly tragic message, especially for a show that's already pretty dark.
I'm not opposed to characters reappearing, but I'd much prefer that if those characters appeared again that it'd be in the vein of them having undergone some kind of healing and growth and be able to find themselves some kind of peace and satisfaction in where they are in life. Let them reappear, but don't transform them into monsters but a symbol of the healing and growth available to survivors and the other characters.
#criminal minds#elle greenaway#nathan harris#don't get me wrong i get WHY ppl want it#like elle as an unsub would (admittedly in previous years when her teammates were still there) have been a v dramatic and interesting story#but at the same time... let her heal. she went through some really traumatic stuff and wasnt able to handle it and walked away#let her heal and find peace and leave behind the violence#or nathan harris! like that one admittedly always bugs me bc the idea that a kid who tried to kill himself rather than hurt someone#ends up ultimately becoming a killer anyways is genuinely so tragic and devasting and just hopeless#i just feel like a lot of these perpetuates the idea that you can't break the cycle of abuse or violence#or that you're unable to overcome the difficulties in your life or mind and your fate is sealed#which is genuinely the most fucking tragic ass theme that i've ever heard#like is that really what people want the show's message to be?#no matter how hard you try you will inevitably become what you fear and/or you will perpetuate the violence you experienced#i HATE that message#its why i really dislike how multiple characters reappear later as unsubs especially characters like lindsey vaughn and david smith#like what is the implication here? you're destined to continue the cycle of violence that your parents began?#you'll never be free from the violence you witnessed? you were just a child but your fate has been sealed anyways?#especially with so many of our mcs as well having dealt with serious trauma in their past#are they also destined to become their parents/abusers?#it just feels like a v hopeless message tbh which doesnt feel great when the show is already pretty dark#instead of characters coming back as unsubs i'd love to see them be able to help as teachers or guidance counselors or therapists#or anything really tbh like. show me that they're able to find peace despite what was done to them.#show me that while the trauma may be a part of you it is not all you are
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arolesbianism · 2 months
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I've been passively watching an isat playthrough while twiddling my thumbs in my current oni save as I wait for my new power systems to be done and hey guys. I think one of these bitches is aromantic. Why did no one tell me one of these bitches is aromantic I would have played the game myself if I knew that
#rat rambles#ok tbf I still theoretically Could but I dont think Id survive playing through the like first 6 hours of the stuff Ive already seen#anyways current review is that it's rly well written so far and I like how well the worldbuilding is implemented naturally in the dialogue#having odile be a presumably anthropologist or smth along those lines does wonders for this ofc but even with that its amazing how#natural the party feels when discussing their different cultures#and ofc I am staring at mirabelle hard. this game is clearly not shying away in the slightest from queer topics so. blinks oh so sweetly#I am sooooo fucking desperate for canonically aro characters who are actually written to be aro if she talks abt it at all I Will cry#honestly real con of this is that its making me conceptualize an eternal gales au which is not what I should be thinking abt this early#also its a problem because Im pretty dead set on the idea that aris would be sif and that means tali is off limits#which is unfortunate because I think itd be funny to make her mirabelle on the sole basis of her maybe being aro#otherwise the assignments are pretty easy even if some of them would be looser fits than others based on my current knowledge#mase would be odile fydd would be bonnie and sier would be iz#for mira Im thinking if I wanted to get funky with it then maybe bloom? it doesnt effect sier too much since I can just make it so his mom#was the one frozen in time or smth#now bloom is rly only in the running because of the leftover human kids shes somehow the best choice despite being 9 years old lol#dodie is off the table since I try to practice restraint when using dodie in aus#and the snake triplets are well. the snake triplets.#they have about a billion things that makes them hard to fit into any au#now I could use a stalien instead but thats a Really hard choice for me to make given the rest of the selected cast#plus none of them actually fit that much better than bloom would tbh?#like to be clear basically the only thing keeping bloom from being an easy pick is that shes 9#like I could just do it anyways but I should probably wait a lil bit to make sure mira doesnt pull out some crazy shit to change my mind#based on what I do know the only one thats rly a bit of a stretch is sier but Im ok with that I can just slap a different character arc in#rly most fucked up thing abt this cast is that aris our sif is second tallest#which feels deeply wrong to me especially once you consider the hat#her siouette is going to be all fucked up and different from sif's shes going to be so big compared to them#shes not even That tall shes like 5'8 thats just tall compared to most of her companions#in canon shes the third tallest of the friend group and second tallest not counting dodie#so its mase then her and in this hypothetical au the rest of the garden gnome squad#sier is 5'1 fydd is 5 flat and bloom is 4'9 if Im remembering correctly
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leeloooonfire · 3 months
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Steve hasn't read out loud since 4th grade - he still remembers the snickers of his classmates when he stumbled over the words as the letters twisted and turned on the page.
He doesn't like to read in general. It takes him so long to finish a story, let alone an entire book. He tried to read Hamlet once. When he and Nacy were a thing and he knew she liked classic literature. He hated it. Shakespeare, while the storyline seems to be interesting enough, nearly bored him to death.
So, that's the thing: Steve doesn't read, especially not out loud.
But then Vecna happened, and while Max and El finished the bastard off, they barely managed to get a deadly wounded Eddie out of the Upside Down.
(Eddie died in Dustin's arms and came back to life under Steve’s furious hands.)
While Eddie is bound to the hospital bed, unable to move, Steve picks up The Hobbit. He doesn't intend to read it, but when Edide can't hold the book long enough, let alone concentrate on it, Steve takes over. (He always does these things for the people he cares about. It is a small mystery to Steve when he started to care about Eddie.)
So, he reads - stumbling over the words, stuttering and slowly, but instead of laughing or making snide comments, Eddie listens to him patiently, a small smile on his lips.
(They finish The Hobbit and the first of Lotr before Eddie is allowed to leave the hospital.)
Steve thinks with Eddie free to go, that's it. No more hours sitting together and learning the tale of Frodo and Sam.
He is surprised when Eddie wants to hang out with him every other day. (He didn't think Eddie would want to be his friend.)
Two months after Eddie was allowed to go home, they lie in Eddie’s bedroom, sharing a joint and listening to Dio when the cassette comes to an end and Eddie turns slowly to him, brown eyes wide.
(Steve doesn't try thinking about kissing Eddie. He fails. Just a little bit.)
it's then when Eddie turns and grabs something from underneath his bed. A book. The two towers. "Aren't you interested how the story continues?"
Instead of waiting for Steve to answer, Eddie lays back down and starts reading. He is so much better than Steve at it - voice animated, each character distinguished.
(Steve loves it. Maybe even loves Eddie a bit.)
After a while, Eddie's voice gets rough and he pushes the book into Steve's hands, "Your turn." And he's too high to say no, so he reads. Less animated, less practiced, but Eddie lays his head on Steve's stomach and he smiles, humming whenever they reach parts he especially likes.
(If Steve's free hand runs through Eddie's curls every now and then, there's no one here to call them out for it.)
The letters still play tricks on him, turn and twist and make it hard for him to read, but Steve gets better. He doesn't really care if he comes to a stuttering halt or if he doesn't know how to pronounce a word, because Eddie doesn't seem to mind and only speaks to help when Steve gets frustrated with himself. Then they take turns and Eddie takes over reading.
(If Steve gets frustrated on purpose so Eddie reads for him, it's our tiny secret.)
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skyahri · 6 months
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How They'd Do You |Naruto Men X Reader| HC
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Characters: Sasuke Uchiha, Kakashi Hatake, Shikamaru Nara, Madara Uchiha, and Naruto Uzumaki.
Summary: How they are in bed.
Warnings: NSFW. Mentions of sex and foreplay. Breeding kink, breast and nipple play, head, etc.
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Sasuke Uchiha
Sasuke isn't one to give up control very easily, especially when he's in any sort of vulnerable state.
More often than not, he's on top of you, forcing your legs against your chest and not holding anything back as he thrusts into you.
On the rare occasion he allows you to top, he's still 100% in control. He always ends up taking over towards the end when he can't take it anymore. His release is close, and something in his brain is begging him to rail you.
He wouldn't be into actual choking in fear he'd lose control of his strength, but he's not afraid to use your neck as a handle of sorts to keep your body from moving too much.
Hes the embodiment of a breeding kink.
He's close to his end. He places his hand on your stomach and forces his seed in you.
If he's still got stamina, he's pushing you onto your hands and knees for round two, ass high up in the air.
"Not a single drop spills. Got it?"
Emergency contraceptive is your best friend, but let's be real. It fails sooner rather than later based on the sheer amount you rely on it.
Kakashi Hatake
Foreplay king. He loves head, both giving and receiving, sometimes even at the same time. Nipple play, fingering, whatever it is you're needing, he's providing.
Passionate.
When he does share his mind, it's never a light matter, and sex is no different.
Kissing, hand holding, praising - it's all a very important part of the act for him. He's pouring his heart and soul into you every time you're together.
But don't get it wrong, he's still a man. Those sweet nothings and soft whispers about how much he loves you quickly turn into dirty talk.
"You're such a good girl."
"You look so pretty wrapped around my cock."
"You're mine, you know that?"
He definitely sticks his fingers in your mouth.
After a certain point, he let's his dick do the thinking for him. You don't mind one bit.
He's all about aftercare. Rags or showers or just physical contact, whatever you want, he's got it. He knows he's not always the best at taking care of you, but this is one instance where he's confident about what he's doing.
Shikamaru Nara
My man is lazy and that doesn't change, even in the bedroom.
He usually doesn't go down on you but enjoys when you sit on his face. He'll wrap his arms around to grip your thighs. He's never one to turn down head but doesn't really make foreplay a priority.
Some might call him a pillow princess at first glance, but it's deeper than that. He has the control, he just let's you do the work most of the time.
You may be on top, but his strong grip and guiding fingers tell you exactly what to do.
Sometimes, he doesn't care for the pleasantries that come with dragging it out. He'll nestle between your legs and let his head dip down to your neck.
Lazy thrusts, but that's fine. Deeper is always better than faster.
He doesn't really do dirty talk, but he's definitely not silent. He's vocal, always groaning, maybe he'll tell you that he loves you if he's feeling a certain way.
Madara Uchiha
Most of the time, he's hate fucking you.
There's no time for foreplay when he's immediately slamming you against the wall when he gets home.
Despite all the anger radiating off of him as he mercilessly thrusts into you, he's calling you the sweetest nicknames he can think of. Love or Darling or something of the sort.
He always finishes inside. You're not sure if he's just too busy letting his frustration out to think, or if he's actively trying to get you pregnant.
It's both... sort of. For him, anger is just passion and fuel. It has nothing to do with his actions. He's pumping you full of his cum because he likes to claim you. He wants you to bare his children. He wants people to know you're his.
Aftercare isn't as straightforward for him. He's not offering to clean you up, but he tries to find ways to subtly apologize for turning you into a toy.
Naruto Uzumaki
Naruto runs on pure instinct in every aspect of his life.
He's doing what feels right in the moment and confirming it with you if it's something he's unsure about. (Consent is key).
He's a people pleaser. He's always making sure he takes care of you before he even thinks about himself. Eating you out, fingering, breast play, whatever you want.
He's sloppy. It's just something that always emerges with him. He's placing wet kisses on your neck, his hand placement can sometimes be a bit awkward, but it all adds to the experience.
His head gets so foggy with love and lust that he honestly can't think straight. The way his body takes control and he ravages you in an almost primal way, it's to die for.
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