#especially if people are buying books from those websites

[glass-clown]

[FIRST ID: A screenshot of a Facebook post by Jane Friedman that says, "As of today, there are about half a dozen books being sold on Amazon, with my name on them, that I did not write or publish. Some huckster generated them using AI, hoping to make a quick buck from people who don't realize I'm not the author. Unforuntately, these scam books were also added to my official Goodreads profile. I don't think the larger public understands that author don't directly control what books appear on their profile. They are automatically added via Amazon and/or submitted by users. To get them removed is not an easy process. [in all caps] A brief update [end caps]: After going back and forth a few times with Amazon on this issue, I was notified these junk books would not be removed based on the information I provided. Since I do not own copyright in these AI works and since my name is not trademarked, I'm not sure what can be done." Attached is an image of a rusty dumpster with fire and smoke coming out of it. Above the screenshot is a Tweet by Gabe Hudson @ gabehudson.bsky.social that says, "Dear god what fresh hell is this for writers?" /END OF FIRST ID]

[SECOND ID: A screenshot of a message conversation between @jenovacomplete and an Amazon customer service member whose name has been blocked out. The first message is by jenovacomplete, set at 10:49 pm, that says, "Ah, I haven't ordered from them. I just wanted to see if there was any way to report their fraudulent reproduction. If there isn't, that's fine! Thank you for your time!" At 10:54 pm the customer service member replies, "Okay. Thank you for been on online, The product from Amazon are genuine and correct . You can order from Amazon. No worries from shopping amazon." /END OF ALL IDS]

-

I found an interesting excerpt in an article about this case:

""All this time, public outcry over the case from other authors and observers mounted on Twitter. Finally, on Tuesday morning, Amazon reversed its decision and removed the titles from its platform. A company spokesperson sent Gizmodo a statement explaining its decision.

"We have clear content guidelines governing which books can be listed for sale and promptly investigate any book when a concern is raised," Amazon spokesperson Ashley Vanicek told Gizmodo. "We welcome author feedback and work directly with authors to address any issues they raise and where we have made an error, we correct it. We invest heavily to provide a trustworthy shopping experience and protect customers and authors from misuse of our service."

Amazon declined to comment further when asked to elaborate on what particular rule or policy was violated that led to the AI-generated content being removed. Friedman said she's confident the growing backlash on social media contributed to the ecommerce's reversal. That's good news for her, but will come as little solace to other, smaller writers who lack her same level of prominence.

"I do think it was the public outcry," the author said. "Obviously you shouldn’t have to raise a shitstorm in order to get them to do the right thing."" — "Amazon Removes AI-Generated Books That Spoofed an Author's Byline" by Mark DeGeurin on Gizmodo

[rebeccathenaturalist]

ETA: I wrote up a guide on clues that a foraging book was written by AI here!

[Original Tweet source here.]

[RANT AHEAD]

Okay, yeah. This is a very, very, very bad idea. I understand that there is a certain flavor of techbro who has ABSOLUTELY zero problem with this because "AI is the future, bro", and we're supposed to be reading their articles on how to use AI for side hustles and all that.

I get that ID apps have played into people's tendency to want quick and easy answers to everything (I'm not totally opposed to apps, but please read about how an app does not a Master Naturalist make.) But nature identification is serious stuff, ESPECIALLY when you are trying to identify whether something is safe to eat, handle, etc. You have to be absolutely, completely, 100000% sure of your ID, and then you ALSO have to absolutely verify that it is safely handled and consumed by humans.

As a foraging instructor, I cannot emphasize this enough. My classes, which are intended for a general audience, are very heavy on identification skills for this very reason. I have had (a small subsection of) students complain that I wasn't just spending 2-3 hours listing off bunches of edible plants and fungi, and honestly? They can complain all they want. I am doing MY due diligence to make very sure that the people who take my classes are prepared to go out and start identifying species and then figure out their edibility or lack thereof.

Because it isn't enough to be able to say "Oh, that's a dandelion, and I think this might be an oyster mushroom." It's also not enough to say "Well, such-and-such app says this is Queen Anne's lace and not poison hemlock." You HAVE to have incredibly keen observational skills. You HAVE to be patient enough to take thorough observations and run them through multiple forms of verification (field guides, websites, apps, other foragers/naturalists) to make sure you have a rock-solid identification. And then you ALSO have to be willing to read through multiple sources (NOT just Wikipedia) to determine whether that species is safely consumed by humans, and if so if it needs to be prepared in a particular way or if there are inedible/toxic parts that need to be removed.

AND--this phenomenon of AI-generated crapola emphasizes the fact that in addition to all of the above, you HAVE to have critical thinking skills when it comes to assessing your sources. Just because something is printed on a page doesn't mean it's true. You need to look at the quality of the information being presented. You need to look at the author's sources. You need to compare what this person is saying to other books and resources out there, and make sure there's a consensus.

You also need to look at the author themselves and make absolutely sure they are a real person. Find their website. Find their bio. Find their social media. Find any other manners in which they interact with the world, ESPECIALLY outside of the internet. Contact them. Ask questions. Don't be a jerk about it, because we're just people, but do at least make sure that a book you're interested in buying is by a real person. I guarantee you those of us who are serious about teaching this stuff and who are internet-savvy are going to make it very easy to find who we are (within reason), what we're doing, and why.

Because the OP in that Tweet is absolutely right--people are going to get seriously ill or dead if they try using AI-generated field guides. We have such a wealth of information, both on paper/pixels and in the brains of active, experienced foragers, that we can easily learn from the mistakes of people in the past who got poisoned, and avoid their fate. But it does mean that you MUST have the will and ability to be impeccably thorough in your research--and when in doubt, throw it out.

My inbox is always open. I'm easier caught via email than here, but I will answer. You can always ask me stuff about foraging, about nature identification, etc. And if there's a foraging instructor/author/etc. with a website, chances are they're also going to be more than willing to answer questions. I am happy to direct you to online groups on Facebook and elsewhere where you have a whole slew of people to compare notes with. I want people's foraging to be SAFE and FUN. And AI-generated books aren't the way to make that happen.

[pumpkinpaix]

You have questions! We might have answers.

What is this collection?

As Maria puts it: this collection is a critical look at some of the things that we, the editors, think have made CQL such a hit around the world. Of course, part of that success comes from the webnovel MDZS and the show CQL themselves—we love the characters, the mystery, and the drama, who doesn’t?! However, the authors in our book also look at topics like translating danmei (both officially and unofficially), adapting danmei for new audiences, and interacting with fandoms and fanworks. The larger argument of the book is that all of these things played a huge role in CQL’s visibility and success, and we wanted to start making those moving pieces visible, especially for audiences who mainly watched CQL in translation.

You keep using the word “academic”—what does that mean, exactly? 

Maria: Ok, not to get pedantic here, but this actually touches on some things that I’m really excited about for the book. Traditionally, academic work is written by people who have a deep expertise in the subject (signified by having a PhD and doing specific kinds of research), and then the work itself is peer-reviewed (i.e., sent to other experts in the field for them to evaluate whether it’s sound, original, and interesting enough to publish, without knowing who wrote it). And both of these things are true about our book—our authors have deep knowledge and the book was peer reviewed—but also. We specifically asked for chapters from younger scholars and from fans who also have deep knowledge about topics that academia doesn’t always know or value enough, and we include an interview from the fan-translator K. who did the Exiled Rebels translation. So the hope is that: this book is academic, and also—more!

Who are you? 

Yue studies adaptation, fantasy, and popular culture texts using a feminist lens. She wrote an early, influential article about danmei adaptations and also has a book about feminist adaptations of Chinese fantasy.

Maria studies fanworks, contemporary fantasy, and genre literature. She’s scrambling to finish her dissertation right now.

How were the chapter spotlights chosen?

Voluntarily! The concept of a small social media promo was kicked around by some of the contributors and those interested in the idea filled out a short interview with what they wanted to share. We'll be posting about 2 introductions and 2 spotlights a day for the next week or so!

Who's running this social media campaign anyway?

Not the publishers! A few enthusiastic collection contributors got together and, with the assistance of the editors, have put this promotion together. We do not in any way represent Peter Lang in an official capacity! We just worked hard and wanted to share. :)

Are you making any money off of royalties from this book? 

LOL not even remotely

What about this promotion?

also no. alas

Where can I find this book? 

You can find our listing on Peter Lang’s website here. As for other retailers, a quick search should turn us up!  

How can I access this book if I cannot buy it from Peter Lang / [book retailer of choice]?

As collection editors and contributors who signed a legal agreement with Peter Lang, we have granted Peter Lang exclusive right and license to edit, adapt, publish, reproduce, distribute, display, and store our contributions, and we must cooperate fully with the Publisher if the Publisher believes a third party is infringing or is likely to infringe copyright in the contribution. 

That being said, these are academic papers, which means that contributors may make copies of the contribution for classroom teaching use! (These copies may not be included in course pack material for onward sale by libraries and institutions). Of course, any linking, collection or aggregation of chapters from the same volume is strictly prohibited.

(FAQ may be updated periodically!) (all posts on Catching Chen Qing Ling)

[puppys-tiny-space]

👑Tips for littles on a budget👑

This is some tips for tinies (or carers looking for gifts for kiddos) on a budget! Of course you don't need any gear to be a good regressor but a lot of us like toys etc. and it's okay to want them!

🧸thrift stores, a lot of thrift stores have toys and plushies, sometimes they are a bit broken or dirty but there are lots of tutorials on YouTube for cleaning and restoring plushies and toys🧸

🐾e-books, you can find kids books online as e-books which are often pretty cheap or you can watch tiktoks of people reading those books🐾

🩷diy onesies, a lot of regressors like onesies but the prices are pretty steep, if you can't afford them don't fret! Its super easy and affordable to make one yourself all you need is an old t-shirt and snap buttons plus a way to attach them, just get a big t-shirt, sweatshirt or even hoodie and add 2-4 snap buttons in the crotch, boom you have a super cute and discreet onesie!🩷

🧸diy toys, there are lots of toys you can make yourself either by sewing or crafting and there's lot soft videos on YouTube for it, or get creative🧸

🐾mobile games, I love to play video games when im regressed but game consoles are expensive so free mobile games are a great alternative🐾

🩷dollar store etc, while you shouldn't rely on stores or websites that use cheap labor for everything it's okay to make exceptions every now and then, especially for toys, pacis, sippy cups and similar🩷

🧸pull ups, instead of cute printed diapers get big kid pull-ups in the baby-section or medical diapers from a drugstore, they are less then half the price of a pack of adult diapers from brands like tears etc.🧸

🐾learn to diy, making things yourself is often the most affordable thing to do, not with everything obviously but with a lot of things, learn as much stuff as you can so you can make lots of gear yourself🐾

🩷look for affordable stores, lots of paci stores on Instagram are very affordable and the ones that aren't often have sales so keep an eye out for that, lots of shops also have promoter codes they are happy for you to use, for example with my code 'bunnybab' you get a small discount at pacisbybunnie and cozypacicorner🩷

🧸buy second hand, thrift stores are a great place but if you want little specific stuff looking on vinted, swoop or even insta is a great idea! Lots of people sell gear they no longer connect with🧸

Fun fact of the day: Bluey's pilot was only a minute long and never actually aired

[ckret2]

How do you (personally) rank the validity of different canon sources?

Ex. Show, Books, Livestreams, Panels, Deleted Scenes ect.

Disclaimer ahead of time that this is solely for my own personal canon-compliant fic writing purposes and I don't expect anyone else to follow this or even think they're obligated to write canon compliantly

Tier one: the show is more canon than the books, but only 1% more canon. In defiance of Alex's decree, I do treat Little Gift Shop of Horrors as canon.

Tier two: everything in the books (plus the books' tie-in websites, like Shmeb-You-Unlocked or TINAWDC) is canon UNLESS it's contradicted in the show. If there's a contradiction, usually the show wins, but it has to be decided on a case-by-case basis. Sometimes contradicting book info take precedence over show info if the book's info is better. The best outcome is when the info can be smoothly synthesized. (Note that having to weigh a book against the show only applies to CONTRADICTIONS; if the book just ADDS ONTO our knowledge of the show in a way that doesn't actually contradict it, it's automatically canon.)

Also in defiance of Alex, I consider Time Pirates' Treasure wholly canon, with the "official" timeline being one of the ones where they get the treasure and all of the other choose-your-own-adventure branches being things that happened in neighboring parallel timelines.

Out of the books, Journal 3, TBOB (+TINAWDC), and Lost Legends (+Shmeb-You-Unlocked) are the most canon. TBOB takes precedence over Journal 3 on matters where TBOB's lore is clearly intended as an upgrade on prior ideas (ex: the shaman's portal and the pyramids). Dipper & Mabel's Guide, Time Pirates' Treasure (+ the Axolotl page), and Don't Color This Book are secondarily canon. Lazy screenshot-based novelizations of existing episodes are whatever.

I choose to selectively semi-reject some of the skeevier conspiracy theory claims in the books as "Bill's lying about these": outside of those exceptions, going "there's no evidence Bill's lying about this part but I've decided that he is just because I don't like it" is the coward's way and dishonorable.

Info in the Bill Cipher AMA is third tier canon, since it was written in-character and comes directly from Alex. (Some quotes from the AMA were recycled directly into TBOB + TINAWDC.) Gus Burnside's twitter account is also third tier.

For the first three tiers, all info is canon unless something in a higher tier contradicts it.

The Cipher Hunt is 3.5th tier.

All out-of-universe materials—livestreams, panels, interviews, DVD commentary, tweets, doodles & concept art, etc—are fourth tier. If it's contradicted by anything in the higher tiers, they take precedence; but, for lack of a conflict, out-of-universe materials fill in the gaps. But the person involved matters: show writers' statements on the characters are more canon than voice actors' statements. If fourth-tier materials contradict each other, the newer one takes precedence. Fourth-tier materials can be selectively ignored if so desired, but better to find a way to twist them to make them work.

The Gnome Gemulets game is fifth tier; all the lore from it is canon, but the events may or may not have actually happened, or else only loosely happened like that. Gnome Gemulets may occasionally rank higher than the out-of-universe materials.

Disney.com flash games and the like are semi-canon; you CAN take lore and details from them if you want but the events probably didn't literally happen unless you really want to make it work. Okay to imagine that events happened that were loosely inspired by the games.

Deleted scenes and cameos (ex: Bill in the Simpsons) are semi-semi canon. They probably didn't happen, especially if it contradicts canon; but you can freely take ideas and vibes from them and use them as examples of the kinds of things that could happen (ex: Bill would try to con people into buying crypto just for the heck of it).

Unwritten episodes are semi-semi-semi canon: they definitely didn't happen, but by god, you could MAKE them happen.

The How Not To Draw Grunkle Stan short is as yet unknown. Under normal conditions it ought to be semi-semi canon, but since TINAWDC did some stuff with the Henchmaniacs escaping to reality shortly before this clip came out about Bill escaping to reality, there's a slim possibility this is part of a budding storyline about Bill & the gang in the real world, so I'm reserving judgment for now.

[chryza]

How to make money in this godforsaken anime game because I promise it’s not hard

Tips for everyone:

Universalis is free and not against TOS because it’s a website. Use this to easily see what things are selling on your world.

You should be sending your retainers out on ventures as often as you can. Send them out on explorations to get stuff to trade in for GC seals that can be used to purchase items from the quartermaster that sell well on the Marketboard as well as More Ventures. Or just send them out directly to get stuff.

Wondrous Tales has a decent payout on top of the exp boost. It’s not a lot but it’s free. Make sure you’re saving your Gil bags tho for>>

Doman Restoration in the Doman Enclave, at max level, will net you 30k gil per week. It’s not a lot but it takes five minutes a week. Use the gil bags to easily fill out your donation basket and don’t worry about canon.

Leve quests don’t pay a LOT comparatively but they are a reliable source of income for any job.

Do ur hunts. Not because this will make you gil. But because this will save you gil. Literally just slay the elite mark that week for a couple expansions, and spend your hunt tokens on aetheryte tickets. Never spend 2000 gil teleporting from Sharlayan to Radz-At-Han again.

If you like running instanced content:

Adventurer in need bonuses are not one time only. They persist even after your daily reward has been claimed

Roll on everything. Turn that into your grand company for seals. Use seals to purchase items. Sell these items. Ta-Da

Same thing for tomestones. Go buy shit from the vendors in the small cities with your poetics, and current tomestone mats will always sell well

If you like rping

Get a job. I’m serious. Clubs are always hiring wait staff and backend folks (no ERP required). I’m sure people who are in this scene know more about it than me.

ERP pays well my guy

If you like crafting/gathering

It doesn’t matter what level you’re at. Go to your crafting log. On the left hand side is three tabs marked with a stair, a bag with a star, and a book. Click into the bag menu. Scroll down to housing. Look what you can craft. See what’s selling. Purchase what materials you don’t have so long as you make a profit. Congrats.

Send your retainers out to gather items for housing crafts. Or just the mats directly and sell those. Do a little research into what free companies use for things like airship and submersible voyages/components and farm that

If you are maxed out, remember HARM—Housing, Aethersand, Raiding supplies, intermediate Materials. It can be difficult to sell gear because of market saturation, but the materials to make gear are always in high demand, especially those tricky intermediate crafts. Selling raid food and tinctures is easy money.

Diadem. Skybuilder mats sell well. Like. REALLY well. And you can hop into the diadem with a really low level. Have fun.

Speaking of the firmament, your skybuilder scrips are basically worth a fortune. Almost everything you can exchange for skybuilders scrips sells super well on the market.

Do your custom deliveries. It really doesn’t take long. Do whatever you want with the scrips. Materia always sells well.

The end

[bogleech]

Mortasheen

Given that I think your Mortasheen page has over 700 monsters while the latest Kickstarter update said you'd have 100 included, what should we think of those not included? Are they still 'canon' to the setting? Will the whole website page need to be revamped?

The book was never meant to be a one-off project but was always planned as the introduction to an entire tabletop gaming brand meant to keep adding content every year, at least in smaller batches. Like Pokemon the goal is to release playable monsters as "generations," and they'll always be a mix of old, new, or reinvented concepts, though @gutsygills who took over a lot of essential work doesn't want to leave a single one behind and stops me from completely scrapping any unless they truly just won't work. The Mortasheen archive on bogleech.com is just there for posterity now and might never be modified again, except to add links to where people will eventually be able to buy the books or visit a more dedicated official website. I guess you could say the release of the RPG will be a "reboot," especially since a lot of aspects of its world had to evolve a little to make more cohesive sense as a game setting. I'll still share my own new monster art and concepts as I go along but some will be book exclusives while some might get released with their gameplay stats for free, it'll vary with the monster. This is supposed to be basically my new job from here on out, it may be an independent project but it's being run as a serious business endeavor in partnership with the gameplay devs.

Here's one new monster I did for this first book though, its name is Pestode and it was designed to be the most basic common Wormbrain class monster, the Rattata of Wormbrains, just a large deadly parasitic worm whose "host" is reduced to barely more than a second skin it can contract into. Every monster also has a "retro sprite" from an imaginary nonexistent gameboy game and in many cases I'm using that to show a monster's other possible poses or configurations; Pestode can scrunch up like a frog if it wants

[anim-ttrpgs]

I was interviewed on Storyteller Conclave!

You’ve probably seen several posts on here about how I’m going to be on Storyteller Conclave talking about Eureka. If you haven’t, you’re going to, because there’s still some in the queue and I’m not going to remove them.

But, that happened, and it was a great time! You can listen to the episode here, here, here, or here!

I wasn’t on my A-game the whole time unfortunately, I had some mic trouble for about the first 20 minutes, along with some other distractions on my end that kept me from focusing early on, but luckily I had team member @ashweather to support me and help me out.

If you can bear with the rocky start, there’s a lot of good insight into the design of Eureka: Investigative Urban Fantasy in this podcast, and a lot of it goes into stuff that we haven’t really covered on this blog, especially the themes.

We talk about the realistic and simulationist nature of Eureka and how this serves its gameplay and themes, we talk about how it takes inspiration from John Woo films such as Hard Boiled, its pretty unique approach to the concept of HP, how it approaches and flips the concept of "winning", and its deeply character-driven nature.

Of course we also talk about Eureka's unique and awesome rules for investigative gameplay, and how it improves upon games that did investigative gameplay before it. How it trusts the players' intellect, but also won't leave them totally twisting in the wind after a bad roll or two!

My favorite thing we talked about, near the end of the show, was Eureka’s approach to monsters, disability, and its sympathy towards “bad people.” I’m actually going to be writing a whole essay on this topic hopefully before the Kickstarter ends on May 10th, but you can get a really good gist of it just from listening to this episode of the podcast.

Oh and on that subject, the hosts, two veteran Vampire: The Masquerade players, said in the show that in many ways, Eureka does vampires better than VTM. Like, wow, that’s high praise..

Here’s a reminder also that Eureka: Investigative Urban Fantasy is kickstarting from right now until May 10th, 2024. Back it and get yourself a copy plus custom artwork or the chance to get your blood sucked by vampires as an entry on the random victim tables for playable monster PCs! With every stretch goal we meet, the game gets better and better. Tons of beautiful new artwork, new options for gameplay, and even two entirely new playable Monsters could be added to the book, so visit the Kickstarter and secure your copy today!

If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[animelovelover123]

Hey there! You don't have to answer, but what do you think (insert DMC charas of your choice) would do for Valentines Day? Love your work btw. Always makes my day when you post 🥰 Have a great evening

Devil May Cry Boys Valentine

Parings: Dante, Reboot Dante, Vergil, Reboot Vergil, Nero, V x Reader

Author Note: Thanks for the suggestion! I woke up late today (was up and down all night because of period pain) and when I saw this and started imagining scenarios it made me feel better. Hope you like it, happy Valentine’s Day/Singles Awareness Day!

Dante

This mans straight up forgot, like always. He is always forgetting dates and holidays, especially if he is out on a mission in some remote place so doesn’t have the typical festive decorations that litter stores to tip him off that some event is approaching. Even when he is at home though, sometimes he holes up in his house just eating delivery food and relaxing so the world outside and the passage of time goes on without him.

He scrambles to prepare something, anything.

What can he set up in less than a day? What do people do for Valentine’s Day? He is not used to having a partner.

Fancy restaurants? Can he get into any of those? No, they have all been booked months in advance.

Okay, candlelit dinner at home. Should he order something? No, that’s not special enough. So he should cook. He can cook, right? It can’t be that hard.

It was… it was hard.

Well while that disaster is on the way, what else can he do?

Flowers? Flowers sound nice. Again though, most florists are sold out of the traditional roses, but at least he can make his own with his demon abilities (see Lucifer from DMC4). How many does he make though? One? Six? A dozen? Well now Dante has enough roses to fill a hot tub but that’s fine, he can just sprinkle the petals around. What does he do with the stems? Uh… just throw them in the closet for now.

What else?

He should dress up! He still has a suit, right? Does it fit him still? He hasn’t worn it in years.

In the end, you have dinner with Dante who tries to act cool, despite the fact that he is in a suit that is two sizes too small, his food is a mushy mess (a good-tasting mush might I add but still), he nearly set the place on fire with the old candles he used, and you both have little nicks all over your hands from cleaning up the rose stems that came cascading out of the closet when you tried to hang up your coat.

He swears up and down that he will do better next year. Yes, it was a disaster, but by god he tried.

Reboot Dante

Dante is not into Valentine’s Day and how commercialized it is. Every ad, shop, and website proclaims that if you don’t buy your partner <insert product name here> then your relationship will fail. What bullshit.

But you know what is kind of fun? The day after.

Pounds and pounds of chocolate and sweets on sale for cheap.

Popular hangout spots mostly barren as everyone just went.

Bars and restaurants with half-used bottles of wine and champagne that are usually multiple tens of dollars a glass now being sold at a fraction of the price because it was quickly going stale.

Valentine-themed lingerie and sex toys practically being given away at stores.

So hold off on the celebration baby. Save that cash you would have spent.

The next day you and Dante will go on a shopping spree, buying more chocolate than you two could eat.

And as you two indulge in said chocolate, you can bounce from one place to the next, enjoying bougie alcohol at empty restaurants and practically having places like amusement parks, arcades, and waterparks all to yourselves.

And when you two get home, well you now have a drawer full of new lingerie and sex paraphernalia that Dante is dying to try. Which one does he want to try today? Oh no baby, you don’t get it. Dante wants to try them all.

Vergil

Vergil is the kind of man who did not see a point in doing anything special for Valentine’s Day. He gave you love and affection all year round, why would doing something specifically on this one day mean more than any other?

But if you show even the slightest sliver of disappointment at this, he will do something. Nothing basic though. If he was going to go out of his way for this then he was going to be extra about it.

So on the day he picks you up from work, school, or just your home, in a limo.

He takes you to a dress and suit rental shop filled with gowns and suits of all styles and colours. He also made sure to find a rental place that also offered accessories so jewellery, headdresses, and shoes were also available.

He will not exert his will over your choice, but he does want to be present for you trying things on and he will suggest some things. He claims that he simply wants to make sure you are presentable, but he secretly is having a lot of fun seeing you in different styles, patterns, and colours. He takes mental notes of what kind of things you look good in so he can get them for you later.

Once you pick out whatever you like he takes you to a dance hall where a ball is being held. Men, women, and everyone in between are dressed to the nines and dance around the room to live music. The way the lights shine, the glitter of jewels sparkle, and the fabric of all the dresses swish around creating a dream-like atmosphere.

Vergil will lead you in multiple dances. If you seem nervous or mess up the steps, he does not criticize you. He brushes it off as there is no need to worry. Yes, this was an elegant ball, but that should not restrict you. He did not bring you here to try to force you to act fancy.

He brought you here to make you happy, and that’s all he cares about. Not just today, but every day.

Reboot Vergil

This man is always working and unfortunately does not spend a lot of one-on-one time with you. He makes exceptions for special events though, such as your birthday, anniversaries, and Valentine’s Day.

He will spend time with you for these events. Note, though, that the likelihood of Vergil actually spending the specific day with you is low. His social life must work around his work, he warned you of this before you started dating. So your Valintine’s Day celebration will happen in about a month's vicinity of February 14th.

When the time comes though, Vergil spares no expense. Literally, this man is loaded and he will use this opportunity to shower you with luxury and attention to make up for all the time he spends working.

We are talking about a multi-day vacation to anywhere in the world you want to go to do whatever you want. And you know exactly where you are going because you are the one that planned it all. Again, Vergil is a very busy man.

This isn't to say he will not have a few surprises in store for you.

Despite what it may seem, when you are talking at him while he is typing away on his computer he is listening. He has a specific file on his computer that lists all of the things you are interested in and said you wanted and will secretly add to it while you talk.

The surprises he gets you for Valentine’s Day will be extravagant, not a simple book or game you have been interested in. He just buys those for you whenever they come up, if you don’t take the initiative and get it yourself with his card. So be ready for things like private concerts from your favourite singer and/or group, getting to play the beta version of an unreleased game you have been waiting years for, or getting to play a minor role in an episode or two of your favourite TV show.

The time you two had together would be relatively brief, as only a few days were scheduled and he reminded you that he would have to return to work as soon as possible.

It was almost two weeks later when he could finally pull himself away from you.

Nero

A traditional lover from a traditional city and religion.

Even if Nero was not really into the rules and restrictions of The Order of the Sword, some of his beliefs did line up with theirs.

For example, Nero wasn’t interested in getting you something sexy for Valentine’s Day as he felt it was a bit sleazy and he worried that it would give off the impression that he was only interested in sex. However, if you are the one to gift him with a special something something in the bedroom then he will be all for it.

No, Nero wanted to keep things clean and simple.

Flowers, chocolates, and a card filled with some personal and deep feelings that you better not tell anyone about because he would die of embarrassment if it got out.

He’ll take you out on a date, but not to a restaurant or anything. Instead, he planned a picnic for you two. He made all the food himself, with minimal help from Kyrie. Mainly she just acted as a recipe book and made sure everything he made was safe to eat. Nero was a decent cook, but he did not want to risk making you sick. It may not look immaculate (he doesn’t have a normal right arm, give him a break) but it tasted great.

On the day he will take you out of town, somewhere nice and natural. A peaceful place with a beautiful view and no one around for miles that can get in the way of you two being together.

V

This will be the first Valentine’s Day V ever celebrates, period. He knows of the day, of course, and many of the traditions that accompany it. But he has never gotten to experience them.

It was also a bit troublesome as many of the typical Valentine’s Day activities, such as fancy dinners, either at home or going out, giving flowers and reciting poetry were things V did for you regularly.

So if days with him are already filled with elegance and refined shows of affection, how would he make this day special? Well, he will do the opposite.

V invites you to make homemade chocolates with him. With his lack of experience, it is a messy task and the finished product is far from immaculate, but that did not matter to him.

He could clean later and his familiars could eat any mistakes created. (They were demons, they could eat chocolate despite their animal forms.)

What mattered was experiencing something new with you. To spend the day working together, laughing at the mess-ups and sharing the prideful joy of success.

And he also quickly discovered the appeal of licking chocolate off each other.

[librarycards]

hi! i know you don't read books about identity anymore, but as a fat nonbinary person who doesn't fit into transmasculine or "woman aligned nonbinary" boxes but wants to read both more experiences of fat nonbinary people who are neither men or women (especially those who choose to be fat), and also wants to read more about fat transfeminine experiences because that experience tends to be sorely missing from the world (especially fat transfeminine people who CHOOSE to be fat), do you have any books centering fat nonbinary "not transmasculine or transfeminine" experiences, especially those of people who got fat out of choice to be fat, and fat nonbinary or (for lack of a better term, as i think it's personally reductive) binary transfeminine experiences for fat transfems who choose to get fat? sorry if this is worded weird, i have self admitted problems with word salad, cluttered speech, and circumstantiality from (self diagnosed) schizo-ocd, and i struggle to sound coherent at times, but personally i think that makes my fiction writing and poetry writing more fun so :\. planning to buy your poetry collections as well, i love poetry! thank you for tolerating this ask!

hello! no worries, I'm the same way for similar reasons wrt long and digressive writing, i'm really enjoy it and find it similarly generative. regarding transfem / non-aligned ppl who choose to be/stay fat, I can certainly try, though these narratives are still so heavily erased from collective conversations around fatness - which center white, cis, perisex, abled women - and ofc around trans subjectivity.

Mel Baggs z"l was fat and genderless [x] [x] [I discuss/analyse hir work here.]

Gretchen Felker-Martin writes transfem (body) horror, erotica, and other mostly-speculative work that routinely centers fatness.

Caleb Luna, who wrote REVENGE BODY and is also a scholar.

Da'Shaun Harrison, Belly of the Beast, as well as their website, where they write about being Black, fat, and non-/anti-/ante-binary.

Evelyn Berry, who I'm friendly with, wrote Grief Slut and has lots of other publications.

here are the ones that came to mind for me, though as i re-read, i realize i may (?) have misinterpreted your question –– I'm not sure one way or the other whether or not these authors chose to get fat, but i can say with certainty that they all choose not to deliberately lose weight/diet and embrace, in a number of ways, a liberatory fat politic.

i hope this helps! (and thank you for the kind words re: my work!!!)

[rustbeltjessie]

To what purpose, April, do you return again? (or: finally, a pinned post for April)

Hi all. I'm Jessie Lynn McMains, aka Rust Belt Jessie. I'm an Xennial/Elder Millenial (please don't call me a Geriatric Millenial, thank you) writer/artist/zine-maker/etc. (I wear many hats.) I'm queer and nonbinary/genderfluid, and as far as pronouns go, I’m okay with any human pronoun (they and she are my most-used, but I like he, too, and I especially like it when people switch up the pronouns they use for me). I’m disabled and neurodivergent.

I live with my partner and our two kiddos, both of whom are also neurodivergent, and right now I’m supporting all of us on whatever money I earn. I do freelance copywriting and editing as my main thing, but I also make a decent chunk of my income from selling my zines and books and pins and whatever else I make, so the more I sell, the better able I am to pay bills and take care of my family.

Through my Ko-fi, you can buy my zines and books (I have both poetry and prose available) and pins, as well as commission me to make you a music-inspired mini-collage or hire me to edit your own writing. Or also just throw me a few bucks if you appreciate the content I make available for free.

If you live outside the US (I can only ship within the US via Ko-fi, because setting up shipping for multiple countries is a pain the butt), or just prefer to purchase something or donate via a different platform, I also have PayPal and Venmo (@ JessieLynnMcMains).

I also have a Substack newsletter. I try to send something out at least once a month. Sometimes it's a longer piece about music and nostalgia (I recently started a series called These Fucking Songs, for just that purpose), sometimes it's just updates on what I'm up to, sometimes it's something else. I'm currently working on one about poetry, and my writing process, and revision.

As if that weren't enough, this month I'm doing a 30/30 on the Tupelo Press site, which not only means I have to write a poem every day to be posted the next day, but I am also fundraising for Tupelo Press. My goal is to raise $350 by the end of the month. You can follow along with my daily poems here (the newest is always at the top; scroll down to read previous days), and the fundraising page is here. (I'm also offering some cool incentives for people who donate; more info about all that is available on the fundraising page.)

I'm pro-trans, pro-vaccine, pro-sex worker, pro-abortion, pro-Black Lives Matter. I'm for harm reduction for any drug user or addict, meaning I want them to be able to use drugs as safely as possible, rather than forcing them into rehab or incarcerating them. I'm anti-censorship and anti-fascist. I believe everyone, everyone, should have a safe place to sleep and enough to eat without having to earn it. I consider myself an anarcho-socialist, basically, but I do vote. I'm telling you all that because if you are vehemently against any of those things, we'll probably not get along.

I'm a forever-goth/punk who loves all kinds of music. (Things on heavy rotation for me as I write this are: The Replacements, Einstürzende Neubauten, and Oliver Nelson.) I'm femme but I'm a disaster femme; when I use nailpolish it's always sloppy and/or chipped, when I wear eyeliner it's always crooked and/or smeared, and I am incapable of not ripping a hole or two in every pair of tights and stockings I own. I love art and film and theater and literature and music. I'm a Shakespeare stan, I love growing my own vegetables, I collect souvenir pennies and stick and poke tattoos. I'm always a slut in theory, even when not always in practice. I'm perpetually nostalgic, melancholy, and restless. I spend all my free time posting pictures of myself on the internet and trying to prove I'm punk to anyone that'll listen.

Want more Jessie content? There's my website (still under construction, but it exists). Or you could try searching the my writing, my art, Jessie Lynn McMains, or Rust Belt Jessie tags on this blog. I also have a side blog, where I tend to post more frequently than I do on this blog. If you ask nice, I'll probably give you the URL.

On that note, my DMs and asks are open, and, as of right now, anon is on.

I think that's it! As always, whether you can send any $$ my way (or to my fundraiser) currently or not, keeping this post circulating helps. Thanks much. 🖤

[bao3bei4]

zine finance and fulfillment... TWO!

this is a follow up post to my original “zine finance and fulfillment” post that i made oh gosh a year and a half and a few big zine projects ago. i come to you now with some more thoughts on my process. so here are some things that you can consider before embarking on your beautiful journey**

WHAT MY LAST POST COVERED: what goes into my pricing, which websites i use for fulfillment, the epic highs and lows of flat rate shipping. 

WHAT THIS ONE COVERS: some warnings, estimates for perfect bound books, detailed numbers for diy zines, explanation of my fulfillment timeline

**note: this is aimed at the rotten people of the united states of america. some tips may be generally applicable, but my numbers are in USD and my estimates are tailored to US prices as of december 2024. anyway! 

NUMBER ONE: YOU NEED TO HAVE EXTRA MONEY LYING AROUND 

zines are beautifully diy. you can make them for free if you steal shit or use something you have lying around. however. the second you start selling them online, you need to have a little extra money as a cushion. 

NUMBER TWO: YOU NEED TO BE OKAY LOSING THAT MONEY. 

especially if you operate with as thin margins as i do OR you are doing a p4p model. you will lose money. something will happen to you. sorry. i can’t believe i priced my very first zine at $8 shipped worldwide for a pro printed booklet. what the hell. the hubris of youth. 

NUMBER THREE: WHILE WE’RE TALKING MONEY, LET ME HELP YOU ESTIMATE COSTS

i love transparency and oversharing. you can hear the specifics of my financials. assuming that you are selling black and white perfect bound books between 100-200 pages that you are buying online, and you are working in quantities somewhere from 50-150 books… 

i assume that to get those books to my house, it will cost roughly $6.50 plus or minus a dollar depending on the length of the book. i tend to budget 50 cents per book for shipping materials. stripe fees are stripe fees; i just let my spreadsheet take care of that. 

shipping cost. the beast that consistently costs more than i budget for. well. if you’re normal, and charge people the actual cost of shipping.... within the US, it’ll cost maybe $2.50 to ship a lightweight zine (<100 pages) and closer to $4.50 if it’s heavier or you want tracking [you can use media mail]. shipping to canada is consistently around $4 for lightweight zines, and $6-7 for perfect bound books using lettermail [possibly illegal]. everywhere else in the world is around $7 for lightweight zines and around $15 for heavier zines. whew. estimate your specific costs using the usps links i linked in the last post, but TO GET A BALLPARK you can use my numbers.

so anyway you will never see me pricing a perfect bound book less than $10 anymore, because $15 shipped would be my "i am planning to make no profits and give out no contributor copies" price, where i'd be reasonably certain i would not lose money.

NUMBER THREE AND A HALF: DIDN'T YOU JUST SELL A $5 ZINE. WHAT IF I DIY

okay, imagine for a second you’re not a clout-chasing sellout like me who makes perfect bound books. let’s say your zine is handmade. how does that shake out. great question. i will show you a picture of the exact breakdown of yaoi zine 5 costs. 

i’m not done yet, so i’m not sure how much money i’m going to lose on shipping. but i have no doubt that it will cut into the profits. but anyway, yeah. spreadsheets are your friend :) 

NUMBER FOUR: SO HOW LONG WILL THIS TAKE ANYWAY? 

alright. great question. i do a preorder model for all my zines. this is so i don’t have to worry about inventory or buying too many or whateva. this does mean, however, that my dear dear zine buyers have to wait longer. how long does my average zine fulfillment take, from posting the store link, to shipping the final zine? 

i will use yaoi zine 4 as my example. it was a pro printed zine that sold around 100 copies, which is what i usually estimate i will sell in a two week preorder period. 

i posted the store link august 27th. 

i closed the store september 10th. 

i ordered the zines september 11th. 

the zines shipped september 17th. 

they arrived at my house september 20th. 

my first shipment went out september 24th [packing orders was more complicated because i was doing a large giveaway, and also selling shirts] 

my final shipment went out september 27th. 

so exactly one month! it took anywhere from a couple days (localish buyers) to a couple weeks (people who live outside the us) to get their zine. 

NUMBER FIVE: HEY, YOU SKIPPED OVER THE MOST IMPORTANT PART OF THE TIMELINE. 

yeah those four days of packing and shipping zines were um. grueling. luckily i was extremely underemployed at the time. unluckily i don’t have that much willpower so i only worked on shipping for a few hours at most each day. 

here’s what you need to consider budgeting time for: 

making zines (optional). i hand sew mine because i have poor judgment. for my 72 page zine, from first hitting print to tying off the thread, it takes around um. 10 minutes. damn i’m slow. you may be faster. this is the most time consuming part of the process, which is why i often skip it [also because 100+ pages is too thick to saddle stitch]

packing zines. most people will buy one zine and one zine only and make your life easy. pack all of these first, then do your “odd” orders separately. this part is pretty self explanatory. just stuff an envelope. you can do this in a hour or two. 

addressing zines. i handwrote all the yaoi zine 5 addresses, in another lapse of judgment. you can print them on labels to make it easier. or, if you’re shipping media mail, you can buy addressed postage through pirateship. this is the most variable time sink.  

buying postage. be prepared to spend an hour at the post office at a time using the pitney bowes machine. do not bother the stalwart workers of the usps with your dozens of packages lmfao. especially because half the time they’ll tell you that they don’t think letter mail will work out for you (it always has for me). also don’t try to ship them all in one day i get soooo sweaty and tired shipping like 20-30 at a time. 

well. that’s everything i can think of. hopefully i said something non obvious. or at the very least satisfied your curiosity as to how much money i make. 

EDIT THIRTY SECONDS AFTER I POSTED THIS: my dear oomf julian asked how i pick a printing company.

well normally i choose based on price. bookmobile has consistently had the best prices for the small runs i do of simple books.

i use mixam if the run is veryyyy small or i'm just making a one off.

if price is no object and i want to pick the best paper irl etc etc, i go to my local guy.

[atopvisenyashill]

hi! it’s nice to see another dark dany truther on this website. just wondering how you interpret dany’s parallels to aegon the unlikely? as in growing up on the streets/seperate from their aristocracy, unlikely monarchs, well intentioned (re: freeing slaves / law reform for the smallfolk), not too well liked by nobles for it, family all meeting their ends + burning people alive to gain dragons (even if egg’s didn’t work out so stellar) would she perhaps serve as a darker mirror since she awakened the dragons (and all the death and destruction that comes with them) from stone?

short answer is yes i think she’s a darker mirror to egg. but long answer-

the thing is…egg’s life does not end happily nor is his reign happily remembered. for one thing, egg is just like, hopelessly bad at politics and at keeping his dumb ass children under control.

There were other battles during the time of Aegon V, for the unlikely king was forced to spend much of his reign in armor, quelling one rising or another. Though beloved by the smallfolk, King Aegon made many enemies amongst the lords of the realm, whose powers he wished to curtail. He enacted numerous reforms and granted rights and protections to the commons that they had never known before, but each of these measures provoked fierce opposition and sometimes open defiance amongst the lords. The most outspoken of his foes went so far as to denounce Aegon V as a "bloodyhanded tyrant intent on depriving us of our gods-given rights and liberties." It was well-known that the resistance against him taxed Aegon's patience—especially as the compromises a king must make to rule well often left his greatest hopes receding further and further into the future. As one defiance followed another, His Grace found himself forced to bow to the recalcitrant lords more often than he wished. A student of history and lover of books, Aegon V was oft heard to say that had he only had dragons, as the first Aegon had, he could have remade the realm anew, with peace and prosperity and justice for all.

do i give a shit about the feelings of a bunch of spoiled lordlings who are mad that egg is trying to pass laws like "you're not allowed to starve the peasants"? no, fuck those dudes. but i'm not talking about "is egg a good person" or "does egg have good intentions" i'm talking about "is egg an effective ruler" and the answer is no. everything egg does is repealed just a few years after he dies. he's not unlike baelor in that he is loved by the smallfolk for his very short lived reforms but because he cannot get buy in from the lords, he spends most of his reign fighting them and losing. and as he keeps losing, what does he turn to? fire and blood. dragons.

The last years of Aegon's reign were consumed by a search for ancient lore about the dragon breeding of Valyria, and it was said that Aegon commissioned journeys to places as far away as Asshai-by-the-Shadow with the hopes of finding texts and knowledge that had not been preserved in Westeros.

What became of the dream of dragons was a grievous tragedy born in a moment of joy. In the fateful year 259 AC, the king summoned many of those closest to him to Summerhall, his favorite castle, there to celebrate the impending birth of his first great-grandchild, a boy later named Rhaegar, to his grandson Aerys and granddaughter Rhaella, the children of Prince Jaehaerys.

It is unfortunate that the tragedy that transpired at Summerhall left very few witnesses alive, and those who survived would not speak of it. A tantalizing page of Gyldayn's history—surely one of the very last written before his own death—hints at much, but the ink that was spilled over it in some mishap blotted out too much.

...the blood of the dragon gathered in one... ...seven eggs, to honor the seven gods, though the king's own septon had warned... ...pyromancers... ...wild fire... ...flames grew out of control...towering...burned so hot that... ...died, but for the valor of the Lord Comman...

Even putting aside the theories that perhaps Egg attempted to sacrifice a person and Dunk stopped it, at best Egg dies getting most of his family killed trying to being the dragons back.

And I’m not saying that Egg isn’t ya kno, a Good Egg, a Sweet Lil Goose who I love and adore for being a champion of the smallfolk. But this kid can't even get buy in the way Baelor did - he is straight up putting down rebellions left and right. He never manages to get the lords on his side or get them to stop grumbling. I’m sure he did SOME things that had a lasting change that we just haven’t heard about - it’s not like we knew about Alysanne building the fountains until F&B for example - but his legacy is someone who cared, someone who tried, and someone who failed because he couldn’t conceive of a solution outside of the feudal system he ruled over.

Does that sound familiar to you? It sounds eerily familiar to me! I think like Egg, our Dany is going to get increasingly frustrated when she can't just remake the world the way she wants (and if that doesn't also sound familiar, please go rewatch HOTD or re-read all my comparisons of how Viserys and Rhaenyra are also too convinced they can simply speak reality into existence!) and will turn to fire and blood to get the job done. but it won't work the way she wants it to, because the dragons are not a force of good anymore than they are a force for evil - they're animals, they're predators, they're barely sentient hyper emotional beings made of blood magic and fire and the experiments of old valyria, and every time she uses the dragons, people will die and dany will compromise or rationalize until she hits her breaking point,.

[kamreadsandrecs]

Title: Between Two Fires

Author: Christopher Buehlman

Genre/s: horror, historical

Content/Trigger Warning/s: body horror, depictions of the Black Plague and its effects on people and society

Summary (from author's website): The year is 1348. The Black Death ravages France, leaving fields and rivers choked with unburied dead and causing whole towns to disappear. Thomas, a disgraced knight, roams the land with a band of thieves, living by the sword; when they encounter an orphaned girl in a dying village, Thomas has just enough humanity in him to save her from his colleagues. No ordinary child, this girl sees angels and talks to the dead. She tells Thomas that Lucifer and the fallen angels have risen in a new war on Heaven, that the kingdoms of men have fallen behind the lines of battle, and that he must now shepherd her on a holy quest to tip the scales in favor of good. Between Two Fires invites you on a journey that is at once a fool’s errand into great danger, and a violent man’s first, uncertain steps toward redemption.

Buy Here: https://bookshop.org/p/books/between-two-fires-christopher-buehlman/15286104

Spoiler-Free Review: GodsDAMN this was good! Strange in parts but GOOD!

This is really interesting to read given the way the world is right now - not least because we’re still not quite out from under the shadow of the COVID-19 pandemic (not that it really ended). While the portrayal of the Black Death in this book might read a bit more grotesque than might seem realistically possible, I think the exaggeration is meant to capture how it felt to be caught in the moment of the plague. It’s easy to forget how far we’ve come in terms of our understanding of science and medicine, compared to the medieval period. (This just makes it even MORE annoying that anti-vaxxers exist; all that advancement, and for what?)

It’s also interesting how the novel doesn’t start out as supernatural at all, or at least doesn’t give that impression. Initially I thought the hints of supernatural activity were more a representation of the worldview of people from that specific historical period, but it soon became VERY clear that the supernatural was indeed at work, and it is very definitely nightmarish. The author certainly knows how to create truly horrific monsters, setting up encounters in an episodic manner as the characters travel towards Avignon. Two in particular stand out: the first monster in the river, and the monsters in Paris.

Speaking of the characters, I think they are the heart of this novel, moving it forward as much as they themselves are moved by the plot. They share echoes with other, similar characters from the Canterbury Tales and the Decameron, but especially the latter, since the Decameron’s frame story is about a group of people fleeing the Black Death in Italy. But they’re also well-drawn characters in their own right, as opposed to roughly-drawn sketches; Thomas of Givras, in particular, is a standout, and the young girl who accompanies him will quickly bring Joan of Arc to mind, while also being entirely unique in her own way.

As for the overall structure of the plot, it shares some parallels with the Arthurian questing tales, and even to literature from later periods like Paradise Lost, the Divine Comedy, and Pilgrim’s Progress. It’s clear the author’s drawing from a deep literary well here, and those who’ve read those works will be rewarded by finding their dark shadows in this novel. Readers who are expecting something more straightforward might find this novel a bit slow, but readers who enjoy a slower burn will not find this a problem.

One of the most visible themes a reader might be able to uncover in this novel is how difficult it is to do the right thing, especially when one’s own survival is at stake. The world got (continues to get) a glimpse of how this works in real time during the recent (ongoing) pandemic, and this book, published in 2012, makes it clear just what people are willing to do - and what they’re willing to ignore - when survival, or personal comfort, for that matter, is at stake. But this book makes clear that, even when conditions are harsh, it is still possible to be good, to be kind, to be generous. It won’t be EASY, but being good and kind and generous when the world is harsh and deadly is not just possible, it is absolutely necessary.

But what if one can’t do any of that? We are all only human, after all; when crisis hits, survival is top of mind. Surely one can be forgiven for not being as good and kind and generous as one would normally be in times of safety and plenty? Surely one can be forgiven for not having the strength of will to continue to be good in the midst of extraordinary hardship? And this book says: yes, yes one can be forgiven for such things, and maybe even worse besides (there’s a scene towards the end of the book that, in my opinion, drives this point home). Forgiveness is a vital theme in this novel: both being a giver of, and recipient thereof. It’s hard forgiving others, of course, and the way this book goes, that forgiveness definitely has to be earned. But it’s just as hard accepting forgiveness too - especially when one is convinced that one does not deserve it. Forgiving is hard, but accepting it can be just as hard.

Overall, this is a horror novel that definitely has many scary moments, but those moments hide a core of gentleness that shines through via the characters and their interactions with each other and the world they inhabit. Some readers might not take well to the story’s slower pace compared to other novels in the same genre, but the pace enhances both the horror and the characters’ development in very good way.

Rating: five sorrel leaves

[ernmark]

Who was in charge of marketing for Harry Potter?

(This isn't about She Who Must Not Be Named or her bigotry. This is purely about the business of bookselling.)

If you were a YA reader at the time, or you're into fandom history, you might know the story: July 16, 2005, in the wee hours of the morning a car pulls up to a bunch of teens and children standing outside a bookstore, and some jackass shouts at the top of their lungs: "Snape kills Dumbledore!" and then speeds away.

That story was infamous. THE biggest plot twist of THE biggest book series in the world, spoiled before anyone could even crack the pages.

Which is... actually kinda weird, right? How'd they know?

Had they read an advance copy? Did they stand in line since like 4 PM to get their hands on the book, and then the second they got their hands on it just frantically start skimming the last hundred pages or so until they found a particularly devastating bomb to drop? (Trolls being trolls, this was not considered particularly extreme behavior).

Or were they paid to do it?

This is adult me with conspiracy goggles on, but consider: The message that was sent is not that a character killed another character, but that no matter how hard you try to avoid spoiling your favorite story, some bad-faith actor is going to jump out of the bushes and do it anyway. There's no time to wait for your library's copy to be available, no time for your friend or your sibling to finish and hand it to you-- you have to buy your own copy right the fuck now.

And everybody and their sibling (literally, people were buying multiple copies per family) around the world buying the same book in the space of the same two weeks? That is how a book guarantees a spot on every international best seller list for a long ass time.

The thing is, whether this was a deliberate move or an amazingly convenient and lucrative bit of trolling does not matter. Regardless of the source, the marketing department pounced on an opportunity. Every brick-and-mortar bookstore left had piles of bookmarks and buttons, posters plastered on the windows, dividing readers into one of two teams: either "Trust Snape" or "Snape is a Bad Man". People wearing those pins sparked conversation and debate in real life, to say nothing of what was going on in the forums. Essays and treatises and manifestos were written. Books were published-- both officially licensed materials and unofficial ones full of theories and details.

When that next and final release was coming out, you bet your ass everybody on the planet was going to be there (or risk another drive-by spoiler). When the next movie was released that November, it didn't matter that what had come before was kinda iffy in quality-- people were showing up in costume.

Even before The Drive By Spoilering, the marketing team was honestly the stuff of legend. Gorgeous hand-illustrated covers and chapter header artwork, branded title fonts that could be recognized from a mile away in the dark, big fancy displays present in every single school book fair, and then that website-- the official website was a thing of absolute beauty, especially in that time. It was colorful and had a million moving parts and secrets to uncover, it was updated frequently and with a lot of little secret extra tidbits on the character and world, and oodles of essays from the author herself that were often very endearing to the readership. It was a gathering place for fans as much as the fan-run websites.

(I should point out that with marketing this robust, I have no doubt in my mind that all those tidbits and essays were themselves run past the team for approval, to make sure nothing particularly egregious slipped through the cracks. But that kind of editing isn't cheap, and I suspect it would only really have been employed during the Important Years for the franchise.)

I remember wanting to be a writer as a teenager, embarking on that career as I got out into the world and started querying books I'd written, and for every single one of us in the writing community, that kind of marketing was the dream. The midnight releases in full costume, the gorgeous custom covers, the posters in every library and bookstore, the breathtaking website. But all of those things turn out to be heinously expensive, and for every franchise that returns on that investment, there were dozens, perhaps hundreds, who didn't make back enough, or cover their expenses at all. And that's where you get to the point where querying authors were advised to establish massive followings on social media in order to demonstrate that they were a safe bet, that half the work was already done if the publishers would just give us a chance-- and sure, for some of them that effort did get them publishing contracts. At which point, even if the publishers felt inclined to spend more than a pittance on promoting new authors' work, there wasn't any point in doing so to the degree that the Harry Potter books received. There's little room to stand out in a saturated market; a flash in the pan is only impressive if the pan isn't already on fire.

These days there's little hope of any one new author rising to that kind of fame, though with self-promotion and self-advocacy, a lot more diverse authors are starting to carve out places for themselves. But marketing yourself is exhausting, and it's expensive, and it makes you vulnerable to all sorts of stupid blunders and career-ending missteps.

I'd rather stay indie. But I wouldn't say no to that marketing team.

[trigun-manga-overhaul]

hi there! im sure with the advent of a trigun rerelease upon us you've gotten a lot of asks about this over the past couple of days, but in the case you haven't been asked that: do you still plan to move forward with overhaul 2.0 even with the news of a reprint? i ask this with no disrespect or hopes that you do cease work on it, but im interested in hearing your thoughts and feelings about how to proceed.

as well, I'm curious to hear your take on this, do you believe dark horse will redo the translation? or simply edit it? i haven't read much dark horse manga so im not sure historically how they would handle a reprint for a manga that has been out of print for so long, especially since, imo, at this point they would have to meet or exceed your excellent translation. similar to how official video game rereleases at the bare minimum have to meet the current emulation standard- if that makes sense.

btw i just want to say thank you for your in depth and explanatory answers to the many questions you get regarding translation nuances and the work that goes into cleaning and typesetting from scratch and the logic behind your choices. i speak the language but still love hearing the thought process other translators go through when they make certain decisions. it's awesome how much passion you have for trigun and this project as well as helping people to understand choices in the original text and how you translated them for your text.

Hey there and thank you for your question!

We have not been asked specifically about this yet, so your question is very welcome.

We fully intend to continue with Overhaul 2.0, even in light of a Trigun Deluxe release, which the team is ecstatic about, by the way. The need for a digital version for people to read on their computers, phones and other devices remains, and the quality of life that comes with it. Larger pages, the ability to zoom in, very crisp black and white differences, all of these factors can be helpful for people who might find reading difficult due to various health or mental health conditions.

On top of that, it will be free for those who are not fortunate enough to be able to buy expensive Deluxe releases, or the very expensive regular releases, for that matter. We always encourage people to eventually find a way to support the original creator, which is why we suggest buying the digital version of the manga on Dark Horse Comic's own website and not buy second hand books. But until that is economically responsible for people to buy, we offer them a chance to read an accurate translation online in the meantime.

Personally, I doubt they will redo the translation, as the translation for the Berserk Deluxe release remained the same. I don't know if the translation was changed for the Deluxe Hellsing release, but given the trend with their first Deluxe release, I also doubt it.

Of course, they could have changed their procedures for these releases over time and decided some lines or words needed to be changed, however it remains to be seen. Were they to update the translation, we would be very interested in reading it to see the differences, and then determine if it has improved.

Not one wishing to question other industry professionals when it comes to translation, I must still say that Dark Horse comics has repeatedly proven to engage in assembly line translation. Each translation isn't deeply studied, engaged with or understood by the translators, and the work is passed to several individuals with no communication, as is evident by the changing translation of names and words. They do not have the time or means to study the text they are translating, and therefore will ultimately always release a somewhat clumsy but passable script.

None of the translators are incompetent, that is clear, they are instead bound by their workspace regulations to follow the set procedure within the company. You can draw comparisons between the translation industry and production industry; we have the perfect-every-time, cookie-cutter, assembly line product that will do its job but only that, and then the handmade, personalized and polished to the tiniest detail product. Of course, handmade products can come with imperfections caused by the work being done by hand, but that either adds character or can be corrected through recipient engagement.

Thank you so much for your kind words, though. We try our best to be as informative and transparent as we can about our project, while also spacing out information and avoiding to repeat ourselves too much. It is interesting to write about our process too, as it does put the work we do into perspective, even helping with reflection upon how we do it and how we might improve.

So everyone is free to ask about our team, our process or anything that might interest you, and I'll answer to the best of my abilities!