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#especially give show alinas shu heritage
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wraithblogging · 1 year
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I don't think I'll ever be over how much they sidelined Alina in her own show. Like, I get it. The Crows, especially Kaz/Kanej, are more marketable and clickable for Netflix. And looking at the fandom, most people seem to like the choice of giving the Crows way more screen time and relevance.
However, I find it disrespectful as hell. Especially because they advertised season two as exploring Alina's Shu heritage, which they then cut out in favour of adding more of Kaz' backstory.
Given what we know from people who watched the early screening of the season, that exploration of Alina's Shu roots was probably racist as hell. But that doesn't change the fact that they advertised it and completely cut it out, instead of, you know, making an effort (like making it not racist in the first place...).
I'm just so angry at how season two frames Kaz' revenge on Pekka as more meaningful and important than Alina's effort to destroy the fold and unite a country. Like, sorry, but given the stakes, I couldn't care less about some teenage boy who wants to get back at a guy who duped him and his brother. Meanwhile, there's a girl with sun powers who fights a virtually immortal extremist and teams up with the privateer Prince in order to unite a fucking country and destroy a symbol of division. How is that not the focus of the show?!
At points, I forgot Alina and Co were even in that show because the emphasis was so heavily laid on the Crows. And it makes me so sad how often I see posts like "skipping over all the TGT scenes so I get back to the Crows". Like, obviously, no shaming, you do you. It's just sad how often I've seen people say that now. And that is not against the fans, but against the showrunners, cause they could have set the emphasis differently. But again, the Crows are more marketable.
So now we're gonna get a Six of Crows Spin-Off at some point probably and they can finally just ignore Alina altogether, like they always wanted. I just wonder why they didn't make a Six of Crows show to begin with instead of starting with the original trilogy. At least then, they could have also done the Crows justice instead of craming important scenes into it with too little building and context.
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What are your thoughts on Alina being Shu in the show? If canon Alina was from Shu Han do you think it would've made any difference? The show kind of wasted this storyline but idk if I prefer Alina actually having a solid backstory or book Alina being this nobody from nowhere that's now a reverred saint. Also I've seen a lot of people from the book fandom hc darkling as shu looking.
I like her being specifically mixed race a lot! Especially with how it ties into her unmoored feeling where she isn’t sure there’s anywhere she truly belongs. I think it could bring really interesting context to her perspective.
When the show and casting were announced I suspected they chose to have her be half Shu because the books are uh pretty racist in that regard! It starts out in subtler ways with the only Asian characters being either the fucking karate teacher trope or Tolya and Tamar as both having essentially renounced their heritage and country completely in order to be counted “one of the good ones” but also the way they’re employed as the only genuinely faithful characters (devoted to the in-books white lead) in the main cast, while shdhff also being presented as untrustworthy when they sell them out to the Apparat?
But then the SoC duology gets sooo much worse with the parem being given a not!opium position as the scary dangerous Drug From The East and the hardcore dehumanized super soldiers from Shu Han whose name I forgot how to spell but omg it really felt like they only existed to be killed in really gruesome and mean spirited ways. Not to mention Wylan’s magic yellowface! That would be terrible on its own but then that’s how the book attempts to remotely deal with racism sjfhfgff by the character in yellowface experiencing micro agressions. It’s just. It’s bad!
I think someone must have said something to LB by KoS or she just realized the implications were decidedly not great because she tries to course correct really hard and shift most antagonistic focus to Fjerda instead. (Too little too late imo 🥲)
So I was assuming the half Shu Alina choice was in a similar vein? But yeah the show did absolutely nothing with it! What a missed opportunity! I was willing to give them the benefit of the doubt with season one where Alina being Shu was only used as an excuse to hurl made up slurs at her, thinking that it might be building to something? …But then it didn’t lol. And that retroactively made the slurs and focus on racism feel so pointless and mean spirited. It felt like an admittance that her being hit over the head constantly with racism wasn’t at all integral to the story and she could’ve been a mixed race protagonist all along without any of that!
But yeah all that being said, I like the concept of Alina being mixed. But I also wouldn’t trust Leigh Bardugo with it? Like everything I already mentioned in the books aside, I think she has a terrible habit of giving her POC characters very racialized suffering in their backstories. I strongly disliked how she handled race with both Inej and Zoya. Zoya was worse imo because she was initially clearly written to be white, but once we got a race retcon for her she suddenly has a never before hinted at poverty and child bride backstory when she’s primarily been associated with privilege before? Like the problem isn’t that she has a tragic backstory, but all the choices felt very racialized. I also just found it slimy how officially commissioned art etc had her visibly brown then the books make a point of saying multiple times that she just… looks white? Just leaves a bad taste in my mouth like she wants the representation brownie points without being willing to commit in canon. So idk as much as I’d love a POC protagonist, if Alina was half Shu in the books as well I wouldn’t trust LB to not give her a weird racial caricature tragic backstory. I do think we could still have the “no backstory just came out of nowhere” thing with her being mixed, I don’t think that has to be canceled out. Like it’s mentioned that Keramzin regularly takes in “war orphans” and border areas tend to be racially mixed. But yeah I just think LB would probably get weird with it. (She was admittedly better with race in Ninth House, but I suspect that also had to do with the real world contemporary setting)
Also the Darkling thing isn’t an HC it’s from a one off line in Demon in the Wood! It’s mentioned that he can, and has, passed as Shu. It’s ahdhf never mentioned again though and kind of wild tbh considering the very visibly white face casts she’s talked about for him in the past?? But that’s just word of god whereas the line in DitW is canon so 🤷‍♀️
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vanilla-vivillon · 3 years
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So since y’all seemed to like Kanej kid, let’s do Zoyalai kid. Also David isn’t dead in this because it is to sad
||ROW SPOILERS||
TW, this has brief mentions of infertility and describes labor, nothing to graphic just talks about how painful it is
After the wedding zoya and Nikolai were both excited to start a family
Nikolai; while he adores his sister Linnea and his father, never really was able to grow up in a loving household
He never wanted that for his children
He and Vasily had a horrible relationship growing up and he wanted to di everything in his power to make sure his kids had a healthy sibling relationship
Zoya on the other hand never really thought she’d have kids
Before everything went down she kinda assumed she’d work as a general and work to help Grisha
She never thought she’d have children
That obviously had to change
The country needed heirs
Zoya already decided that since she was probably gonna live a loooooong time, when her heir came of age she would step down; that way she wouldn’t love for a super long time.
Now that Zoya was gonna have children she wasn’t honestly sure about
What if they hold her back?
What if she gives up to many duties for them?
But higher the all these other worries she didn’t want to turn into her own mother
No matter how much Nikolai assured her that never will happen
Zoya still had worries
Zoya was a lot of things but motherly she was not
Nevertheless in February Zoya and Nikolai told there friends they were expecting
They were all incredibly happy for them
Tamar loved children although she herself didn’t want any and couldn’t wait to teach the kid things like how to ride a horse or shoot
Tolya objected saying the kid should be well educated on poatry and great works that way the Nazyalensky dynasty might be somewhat pious
Genya was hoping for a girl. Genya and David had there son Forrest earlier that year and Genya was already planning play dates
David was happy for his friends and had already started on projects for toys for the kid
When they wrote Mal and Alina they were ecstatic
While Mal gave tips on how to handle babies to Nikolai
Alina with her wiles and years of friendship with Zoya figured out all the way from Keramzin Zoya was worried
She wrote “Zoya babe imma cut to the chase, your nervous, your scared, your probably worried you’ll turn out to be a horrible mother. And imma tell you your not. Cause you’ve got an amazing freaking team. You’ve got Nikolai, Magnus, Linnea, and Genya and David, the twins, and of course myself. There’s no way in hell we’d let you turn out horrible to the kid. We’ve got you”
It helped Zoya a lot
She decided it was orphan wiles that Alina used to diagnose her exact problem from the letter she wrote to her
And Zoya did have wonderful people to help her
She wasn’t alone
Zoya had been trying to remember that more
Three months along Zoya was safely into Trmester two and it was time to tell the public
This was crucial to the monarchy
While zoya and Nikolai were popular
They needed an heir to convive people of the security of the nation
They made a public speech announcing the baby and Ravka went wild
If there’s one thing Ravkans know how to do it’s rally around babies
Letter came pouring in from name suggestions to old wives tales
They said Rosemary made the baby healthier
They said they should name there child Plumje
Well the Plumje comment was from some Kerch girl Zoya found strange but never mind that
The announcement was huge
The people had hope
Hope that wolves wouldn’t come knocking
Hope that there boys and girls wouldn’t be drafted
Hope for peace
While the people rejoiced Zoyas pregnancy was getting tougher
She had a easy enough first trimester but the second? That was rough
The morning sickness was bad
Her Healer; a no nonsense Fjerdan Women said that the vomiting wasn’t something that could be healed
And so Zoya suffered on
Zoya insisted on keeping her normal schedule
Her usual meetings with Grisha and the spy’s
Passive agressive letters to the Kerch
Aggressive aggressive letters to the shu
And trying to figure out whether or not there was a revolution group in the Wandering Isle
Zoyas schedule was already stressed and the baby wasn’t helping
Eventually her healer; Monika, put her foot down
“Your Magesty” She started “if you do not alleviate your stress I guarantee your pregnancy will be worse”
“Look Monika I can handle a little throw up”
Monika and Zoya attended the little palace together
While Monika was a healer and back then the animosity between corporalki and etherealki were high, they were friends
It was good to have a powerful healer in your corner when half the little palace hates you
And it was good to have a powerful squaller in your corner when your Fjerdan and in enemy territory
“Zoya you are endangering your child” Monika stated
By this statement Nikolai had enough
And zoya finally listened
Nikolai assumed some of her duties and Zoya started to feel a bit better
Her second trimester was stressful for there relationship
Nikolai had a hard time understanding zoya
And Zoyas fears started to grow
But they were a good couple
And they worked through tension before
Zoya opened up about her worries of being a competent queen with a child
She leaned on Nikolai more
And they worked together to fix the damage
By the end of her second trimester there relationship was healthier
And they thought the third couldn’t be as bad
In a way they were right
Her morning sickness while still present was significantly less then her second trimester
However I new thing arose
A question that everyone had been thinking
“What if the baby is Grisha?”
The Ravkans had accepted a Grisha queen
But a Grisha dynasty was another thing
Monika told them outright that the baby was probably Grisha
Being Grisha tended to run in families
And Zoya was fairly sure her paternal grandmother was also a squaller
The whole science of Grisha heritage wasn’t studied well
Most Grisha were in Ravka in the second army
And most of the soldiers don’t have children
Zoya also learned her new found ability to sense Grisha wasn’t fool proof
Sometimes she couldn’t tell at all
And in Genyas case of being somewhere between a corporalki and materialki, she couldn’t tell what she was
She also couldn’t sense anything in Forrest Kostyk
That meant they couldn’t rely on Zoyas power
Nikolai couldn’t help but think tracing heritage would be easier if he wasn’t a bastard
His mother’s line was easy
She was a Fjerdan princess so he could trace everything back from the very start
And from his mother not a drop of Grisha blood ran through his veins
His fathers got murky
Magnus didn’t come from nobility
He was self made
A self made orphan
So other then his father neither he nor Magnus knew anything about Grisha influence
Nevertheless they had other worries
Zoya was in her third trimester and was going to give birth any minute now
Zoya honestly didn’t think she would make it this far
And that has nothing to do with her fears of motherhood
Her own mother had four miscarriages
Pregnancy complications were common
Especially in Ravka where most couldn’t afford mediks
But now that the due date was fast approaching Zoya was in fact okay
Zoya can handle pain, she’s handled much worse
Labor was one of the least of her worries
The due date was October eighth
And on time and punctual Zoya went into labor during lunch
Nikolai joked it would be a good trait for a ruler to show up on time
However Zoya was in to much pain to think about a snarky retort
She had vastly underestimated how much this would hurt
The pain was blinding
But Zoya was strong enough to survive the fall
And so in 3:07 PM son October eighth
Prince Mycanae Juris Nazyalensky was born (prounounced My-kuh-nay-uh because I threw some random vowels together and made it a name)
Myca (My Kuh) for short
With a tuft of chocolate brown hair and beautiful hazel eyes he shone
Nikolai absolutely adored him
He would rock him and sing him lullabies
But mostly tell him stories
About the amazing Privateer Sturmhond
Of the allusive Juris
Of the little termite
Zoya in the other hand had a different approach to there newborn
When he first cried she was elated
Zoya didn’t hold back the tears of happiness and didn’t even swear the healers to secrecy after
Zoya was the epitome of
“Oh god it’s a baby, as I holding him wrong? Does he have the right clothes on? He’s so fragile and precious”
Monika had to tell her three times that Myca’s crib was fine for him and it wasn’t to hard
However the family’s elation was short lived
They were a family
But they were also the rulers of Ravka
And Ravka needed to see the face of there hope
Four hours after his birth Nikolai presented him before the nobility
Zoya still wasn’t feeling to great and Nikolai Insisted he could do it
This is what the Ravkans needed
The baby met stability
Met peace
For once in many years the people could lay down in there beds without fear
But to Zoya and Nikolai
There baby wasn’t a political tool
Or a savior
He was just a baby
A perfect
Small
Baby
This is what love does.
Im really proud of myself for accomplishing this. I worked really hard on it and to keep our characters in canon. My ask box is open and n do any Grishaverse asks
If this gets 25 likes I’ll do a part two 😉
I defo think Nikolai and Zoya would have more then one kid
Also I kid you not I couldn’t find any good names for the life of me so I eventually took a break and was doing my History homework when I was reading some old Greek thing and saw the word “Mycenae” and was like “Yeah I can massively mispronounce this and make it a name”
Here is part two https://dablackdahlia.tumblr.com/post/651104016423583744/the-black-dahlia
I also made a Kanej kid one here
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People should ship whatever they want to, but I find it telling that Alina told Aleksander she never felt like she belonged until she came to the LP, accepted her role as the Sun Summoner, and him (Her "We can" speech). That means that even when she was closest to Mal she still didn't feel truly accepted. And LBR, by the time they entered the First Army, Mal started moving on and pursuing his own life. Alina was afraid of being abandoned because she knew he didn't need her anymore.
This is very true. The thing that bonded Alina and M*l at the orphanage was that they were both the outsiders and so they stuck to each other for that comfort and security and so as to not feel alone. But when they join the army M*l is no longer an outsider, in fact he flourishes within the army, he makes friends, he is respected for his tracking abilities and this draws in alot of female attention for him too. Alina however continues being an outsider. She gets on ok with Alexei but that's about it as far as friends go. She faces alot of racial slurs because of her Shu heritage. She's not seen as having any particularly special skills like M*ls tracking. She is as alone and out of place in the First Army as she was at the orphanage. Her and M*l no longer have that in common and I do think as you said this contributes to her fear that he has abandoned her because she knows that he doesn't need her anymore, without her he will still continue to flourish within the First Army.
Initially when she first arrives at the LP she feels more alone than she ever has. She's in a new place, she's discovered these previously unknown Grisha powers, but the powers she has makes her different even from other grisha, her friends in her unit are dead and she's been separated from Mal. But as time goes on she does make friends, good ones, I mean I would argue that she becomes as close to Genya as she is with M*l. She becomes part of the community and by the time you get to the winter fete she finally feels like she belongs somewhere. Part of that as well though is that she feels like she also belongs with Aleks. I mean I always got the impression that Alina thought M*l was too good for her and was above her, she always seemed to make herself smaller for him. But with Aleks I do think whilst at first she was a little in awe and intimidated she very quickly becomes comfortable with him and sees them as partners. He's not above her and she's not above him, they are equals. She finally found her place and her people and her partner.
The other thing that is telling to me though is that M*l and Alina's positions in the first army with him being more popular and flourishing and her still being the outsider switch in book 2 so S&S SPOILER ALERT here. When Alina and co go back to the LP and Alina takes the role of general she is the one that is now popular and important and is in her element but now M*l is struggling to fit in and feels like an outsider. But there is a huge difference in the way they both handle this. When in the First Army together Alina just sort of accepted that M*l was popular and I also almost got the impression that Alina felt like he deserved to be popular and had this attitude of M*l is so wonderful its ok if he is succeeding and I am not because he deserves it more than me kind of thing. But their relationship didn't change when M*l became popular, they were still friends and Alina still longed for him from afar. But when those roles are reversed M*l has a very different reaction, he became angry and upset and sort of strops about the place making it very known that he is not happy with his new position and its clear that he wants it to go back to how it was before. He's not happy for Alina at all and huge problems then arise in their relationship where they aren't close anymore, they are always arguing and it ends up with M*l cheating on Alina by kissing Zoya, getting drunk and not being at his post when he is supposed to be which puts Alina in danger. I mean like you said people can ship what they want but for me book 2 was the book that sealed it for me and I just don't think they work as a romantic couple because I personally feel like M*l is selfish and somewhat self absorbed in the books, he spends most of the time wanting Alina to go back to being the sickly and powerless girl she was before and is upset and angry when she admits that she wouldn't give her powers up if she could. Which is why I hated the ending so much because in the end he gets exactly what he wanted. I don't hate M*l as a character but I do think, particularly in the books, he had alot of character flaws and I'm just not here for a relationship where a woman is expected to make herself smaller to appease a man's ego. Especially after watching the show where Aleks, despite all his own flaws, at least always wanted to elevate Alina and was always in awe of her.
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peachcitt · 3 years
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shadow and bone netflix series analysis
what up besties i said as a joke that i wanted to do an analysis post on the changes made in the s&b netflix series from the grishaverse books, and then i realized i wasn't joking and that i actually wanted to do that
it's finals season, i am an undergraduate english major, i have had about five hours of sleep within the past forty eight hours, and believe it or not i am doing this analysis as a fun reward for finishing a research paper. i am putting this out here for you so you can decide if these are the kinds of vibes you want right now.
structure of the analysis will be vaguely as follows:
changes made, in chronological order (or as best as chronology i can do under the circumstances and doing absolutely zero fact checking)
analysis of change when looking at the themes of the books which will include my personal feelings
personal theories (if any) derived from the change for the trajectory of the netflix series
so, like, long post warning. also spoiler warning for the netflix series as well as probably most, if not all, grishaverse books
now let's get this baby started
alina's appearance and shu heritage
so the series starts right off the bat acknowledging alina's shu appearance and the in-world racism and prejudice she's experienced because of it, which was not in the books. however i found alina's shu appearance to be completely in line with the book's themes. alina was already isolated at keramzin and the army because of her sickliness, and she's isolated at the little palace because of her power and her awkwardness. so purposefully making her shu was, i felt, a nice world-building decision as well as a new and interesting layer to her character. also, it's always nice to see diversity in media, so i have literally no qualms with this change
in terms of the rest of the series, the grishaverse is a very politically-motivated story. there's a lot of in-universe politics that happens in the shadow and bone trilogy and especially in the king of scars duology, and i think if the series chooses to extend into/include the king of scars duology story (which, i really hope it will), alina being shu (or at least part shu) will be very interesting to see considering king of scars and rule of wolves deal with negotiations and treaties with shu han. i think also having alina be shu and someone who has experienced countless amounts of in-world racism become a saint, seeing how she and the rest of ravka navigate her identity and identity politics will be really interesting. generally speaking, i just really hope the later parts of the series really delve into alina's identity, what it means to be a saint and also "look like the enemy," and the ravkan people's mixed feelings about her
alina's sickliness/childhood relationship with mal
in the books, alina is described as thin, always having trouble sleeping, hardly ever hungry, and sickly looking because, as we learn later, of her constantly unconsciously repressing her grisha abilities. this is part of the reason she's isolated at keramzin in the books; she's sickly and awkward and no one bothers with her except mal - because they're the same age and mal is strong enough to defend her from the older orphans at keramzin. however, the show doesn't really delve into the effects of what suppressing her abilities do to her except for a few offhand lines (alina angrily saying "im never that sick" when mal suggests she say she's stick to stop from going into the fold, mentions of her larger appetite when they're on the run in the woods). instead, the show kind of flips alina and mal's childhood personalities; mal is depicted as shy and easily picked on, and alina is the protector.
i'll just say it: this change fucks so hard. i love it. i think it says such wonderful things about their characters, and i like that alina begins the series as someone incapable of turning a blind eye to bullies and someone who cares very fiercely for the people she loves (not that that isn't the case in the books - i just think this change does a great job of looking directly at it in the way that shows have to). i think it's easy to root for her, and it's easy to see how she will become a saint to the people. in addition to that, i love what this is saying about alina and mal's characters and how they grow up; that separation from alina caused mal to have to face his own problems head on in traditionally masculine ways (because that was what ana kuya criticizes him in the show for; for always running from fights and being too soft, and i think it's really telling that our first view of mal as a kid, im pretty sure, is gingerly holding a bunny which portrays feminine caregiving and then we jump cut to mal fighting in a dirty boxing ring in the first army, something gritty and masculine). masculine ways that he had to be indoctrinated into and that may not actually be in his natural disposition.
meanwhile, separation from mal meant alina no longer had to be a dominant protector, and she does not connect with anyone in the first army as strongly as she connected with mal, so she doesn't really feel the need to be as aggressive as she was as a child. however, you can see that quiet protectiveness spark up at times - notably when people other than herself are picked on, such as at the food line when she claims not to know the others in the cartography unit so they don't get penalized along with her. i do wish, however, elements of her sickliness had been emphasized a little more in the show because of grisha theory, which i will talk about in another section.
first entry into the fold
okay i will be honest. this change is probably the one that scared me the most when seeing it in the trailers, and i am kind of still iffy on it now. in the books, alina's first journey into the fold and the inciting moment for the entire series is just luck and orders. everyone in the first army has to go through the fold at some point, and it just so happens to be alina and mal's time to go through. however, in the show alina is not initially assigned to go into the fold, but mal is, and alina goes out of her way to make sure that she gets on the skiff so that mal won't have to go alone/without her. there's this level of 'choice' (or at least the illusion of it) in the show in terms of alina and mal getting onto the skiff and going into the fold; at one point or the other they both try to tell the other not to get on the skiff and just choose something else.
the thing that irks me the most is alina's stubborn "i'll make it" line that she tells mal after she's on the skiff. it screams 'fantasy dystopian protagonist' (divergent is the first to come to mind for some reason) in a way that alina never comes across in the books. alina never chooses to make her life more difficult - she's always given two terrible options and has to take the option that fits with her morals or her perception of the power she needs to surivive and win the fight. but i know the only reason alina goes out of her way to get on the skiff is because she's separated from mal, which aligns nicely with the protective nature the show has inscribed on her.
the thing that redeems this change for me is that when alina tries to get just herself onto the skiff (by burning the maps to ensure that she has a purpose there), she ends up endangering the lives of her entire cartography unit. this keeps with the theme of a whole lot of alina's later decisions throughout the books affecting so many more people than just her, and i like that this is a lesson that she learns very early on. this change also seems to be a trade out for the final entering-the-fold scene, but i'll talk about that later.
alexei
here he is, the lynchpin himself. in the books, alexei is dry and rude in a funny way with alina, and they have this really great banter at the beginning of the novel, and then he's, like, the first to get carried off by volcra. very harrowing in the book, i loved it. in the show, alexei's character is a little (a lot) different - he's naive and blunt in a silly way, and he very obviously has a crush on alina. instead of being carried off by volcra in the show, though, he jumps off the skiff and runs blind into the fold - committing what we think at the time is an act of suicide - which was extremely harrowing to see in a completely different way, and i loved it. even if they changed alexei's personality i still love him (and his death) dearly
so as previously mentioned, alexei acts as the lynchpin between the six of crows plot and the shadow and bone plot; he manages to escape the fold alive, and makes it all the way to ketterdam to tell a select few people the legendary sun summoner is alive WHICH. okay ive just decided that's my next topic. anyway back to alexei.
his death in ketterdam is awful because of the personality change, which is why i don't mind missing bitchy alexei from the book; his hopeful little "if i tell you, you'll set me free?" that pulls at your heart and also tells you immediately that he is going to die as soon as he tells everyone what he say is done so well. i also like that through treatment of alexei, we get some characterization of the crows; inej immediately gives him water and glares at the mercher in quiet rage on his cruel treatment, kaz doesn't flinch when alexei is killed but inej and jesper do. i also thought it was interesting to have the mercher (dreeson was his name i believe) to be the one to get his hands 'dirty' and actually be the one to shoot alexei because in six of crows, there is always the sense that the merchers are cruel and conniving, but that they very carefully keep the death of the poor and the grisha off their own hands. im wondering if this hands-on killing is a dreeson-specific trait, or if this more hands-on cruelty will be explored more in other mercher characters we meet, like van eck.
sun summoner legend
this change is so?? i don't really know what to think of it. narratively, it makes sense in the show to have this legend be in place so that alina's importance is immediately recognized by people across the different countries.
however in the books, no one really expected alina. her presence wasn't foretold or divine (at first) or fate in any way. she became a saint because i think in part people weren't expecting her, and once they saw what she could do, they wanted to believe in her abilities so bad they made her divine. this change was also weird to me having just finished rule of wolves where zoya (i think) reflects on amazing things that have happened throughout the story and she notes that alina was not some sort of legend that people were expecting - none of what happened was. everything that happened from alina to nina's miracles in king of scars to zoya's expanded abilities by the end of rule of wolves to the "age of saints." all of those things were just chance people being in chance situations that all slid together in a strange, amazing coincidence. they got lucky.
and i think, at the center of the books, is this kind of purposeful disillusionment of the saints and religion, what with the main character of the original trilogy literally becoming a saint and yet never truly feeling saint-ly or being perfectly divine. the sun summoner legend the show brings up seems to depart from this. it'll be interesting to see what the show does with the legend and how alina feels about it as she fulfills it, and im honestly hoping that we'll find out later in the series that the legend was actually just some poor guy a few hundred years ago making something up to give people hope.
the crows timeline/characterization
in the books, the six of crowd ice court heist happens three years after the events of the final book of the shadow and bone trilogy. but obviously the timelines are smushed together for the show to create a new and different direction for their story and also, as we see at the end of the season, a new and different direction for alina's story as well
ive also seen bardugo say that because of the converging time lines, the grishaverse story will not take seven seasons (one season per book in the grishaverse) to get through. for this reason, im thinking that the parem story/ice court heist will begin if/when we get season 2. given that parem is a big part of kos/row, i see a crows and nikolai interaction happening in season 2 that sparks a beginning discussion on parem.
but back to the crows characterization! the crows are completely in character for me in almost every way, and i found the interactions between kaz, inej, and jesper to be very in character. however kaz's plan to capture alina doesn't work out almost at all which is something that he definitely wouldn't have let happen in the books. im chalking this up to the converging timelines - these crows are baby crows. they're young, a little less experienced, and they haven't gotten their groove on heists (and they don't have the rest of their crew) yet. but i anticipate seeing more crows-classic successful heists in season 2.
there are a couple of things i want to talk about each crow, so it's subtopic time
nina and matthias
perfect. their interactions were almost always word-for-word from the book. i can't remember if matthias had actually been the one to actually catch nina in the book, but if not, then it was a nice touch. it was interesting to see that both of them were so willing to be traitors of their country for each other in the show, because even when they're in a romantic relationship outside of fjerda and ravka in the book, they struggle with even the idea of betraying their country.
i like how they changed nina and matthias' "escape" from fjerda to ravka, and how nina explicitly betrayed grisha she knew to their faces. im interested to see how they'll integrate her back into the second army, or if they even will do that. also, i like that fedyor slowed matthias' heart to make him pass out before he sees the other grisha, so it was easy to understand how matthias could've thought it was nina deceiving him all along. their confrontation in the boat was (chef's kiss), and the horror on nina's face as she realized that this situation she put him in won't be as easily solvable as she thought was just wonderful.
jesper
perfect. i love him. and the coy little hints that he's a fabrikator were so good. also the line in the very beginning where he asks for a demo man, which foreshadows wylan was very nice. the only thing out of character is one time kaz asks him to be a distraction and show jesper claims that being a handsome distraction is not part of his talents. it literally is, why did they make him lie.
inej
literally so so good. i love that we meet her while she still has her oath not to take lives; we get to see her develop and learn that sometimes death is necessary, but that she still isn't yet comfortable with killing. on some level, she never will be, and i think that was a perfect place to start her character. however, i am confused about the show giving her a brother. where is he. is he going to be important?? why is he here???? i can't even make any solid predictions about him because inej having a brother came straight out of fucking left field. here's one flimsy prediction based on nothing at all: inej's brother is grisha and is an indentured servant. may also be involved in the parem plot, or works at the white rose where nina will befriend him and connect with the rest of the six because of him. who fucking knows
kaz
i already kind of went over their disaster plan that still somehow worked out for him, but i love literally everything else they did with kaz. the refusal to show his bare hands was literally art!! we got that tease in the first episode and the camera pans up as soon as the gloves come off. that was perfection - as well as the intimacy and trust portrayed between kaz and inej without them ever touching. i also loved the hints and nudges for his story with pekka - the way he always says his name with obvious distaste, and when we see him interact with pekka for the first time on screen. how he asks if they've ever made a deal before and pekka just goes "nah" and kaz just glares at him. perfect. and i also think the show really leaned in to the soft parts of kaz that inej sees in him, especially when he basically said she (and jesper) meant more to him than any saint?? oh my GOD. i kind of like this honest departure from kaz's book "greed is my god edgy edgy blah blah" especially when he's afraid he'll lose inej. i also think it'd be funny if we hear kaz say "greed is my god" and be edgy about it with us AND inej knowing that is superficial because of what he told her. that would be hilarious.
pekka, tante heleen, per haskell
these three aren't part of the six, but they are part of the original six of crows story and i still wanted to talk about my opinions on them, so they're going here.
i fucking loved pekka, how ruthless he was, and his irish accent. that was wonderful. because of how fucking hands-on and brutal he was, though, i wonder if they're going to keep the jakob hertzoon piece of kaz's origin story the same, because this pekka was so good at being violent that it was hard to picture him even pretending to be a benevolent benefactor to orphans. he is a dilf, though. i am not afraid to admit that.
my only problem with tante heleen is that her actress looked too nice. like she might bake me cookies and offer me a ride home from school. total milf as well but not in the scary sexy way that she was in the books. she had smile lines, she was so dainty, she seemed so genuine. i want to see her be a little more cruel.
per haskell, the actual gang leader of the crows, is not in the show at all. it seems as though the show made kaz the official boss of the crows while he is only second in command in the book. this makes me wonder how they'll handle or if they'll even include that fucking awesome scene in crooked kingdom of kaz earning the gang's trust over haskell. it would be weird to introduce per haskell in season 2 when he wasn't even mentioned in season 1, but it wouldn't be altogether terrible considering the crows spent very little time in ketterdam this season. however, this makes me wonder if, when kaz was away on his little saint pilgrimage (i am calling it that specifically because i know it would piss him off) someone else stepped in as "boss" of the crows. in the show, kaz also leverages the deed of the crow club in order to be able to take inej with him, and presumably the jewels alina gives him will solve that problem, but what would happen if any of the crows find out he made that deal? would he still have to earn the gang's trust back in a show of power and respect like in crooked kingdom? much to think about.
mal
back to the shadow and bone story, ive already briefly (not really briefly) gone over mal characterization alongside alina, but i want to mention how the show includes his perspective alongside alina's and how important that is. the shadow and bone trilogy is told entirely from alina's perspective, and alina is in some ways an unreliable narrator. she tends to think of her relationships and feelings as one sided unless her friend/love interest is looking her in the eye and telling her exactly how they feel about her. the one exception is genya, and that sort of bites her in the ass until it doesn't, but i digress. the point is, the only mal perspective we get in the books is alina's perception of mal, and the bonus content of the "lost" letter he'd written to her while looking for the stag in fjerda. granted, that letter says a lot about mal and how he feels about alina, so if you didn't take the time to read the letter when reading the book, chances are you weren't so hot on mal unless you have sexy critical reading skills like me (or just really love the childhood best friends to lovers trope).
getting all the gritty, messy details of how hard mal is trying to get back to alina in the show makes him so much more of a sympathetic character than he may have seemed at first glance for the majority of shadow and bone from alina's perspective. the show really stresses that the bond alina and mal have is mutual and powerful, and i think that's fucking perfect, actually.
this point was really driven home during the episode we see that mal has a matching scar on his palm that is related to alina, just like how alina has a mal-related scar on her palm. that scene in the brig was so good, especially when they ask each other what they're in for, and alina says "the usual," and after a pause, mal replies "the usual" as well. he could be lying because he knows she would feel bad if she was the reason he chose to stir trouble to go to the brig, but he could also be saying that he usually actively chooses to be sent to the brig for defending alina or because alina is usually already there and he wants to be with her. knowing that and then seeing alina have the scar on her palm erased was. fucking devastating (in a good-ish way), and im kind of hoping alina either chooses to have the tailoring removed so she can see the scar again or injures her hand in a mal-related injury so they can match again :(
i have more to say about mal, but i'll save it for the grisha theory/amplifier section
the darkling
overall, darkling portrayal was very spot on, but i didn't really like how he just. gave alina his name so early on. in the books im quite certain he doesn't give alina his first name until the third book? regardless, he doesn't give it to her until they've fought and been enemies for a while. theoretically, kirigan giving his real name to alina so early could be a manipulation tactic (like his moments of 'vulnerability' and 'weakness' with alina in the book), especially because we lose that 'heart to heart' by the campfire after the darkling rescues alina from the fjerdans where alina first starts to see the darkling as human.
i also thought it was interesting that alina kisses kirigan first - in the books they're actually having a serious discussion (i can't remember what about, but when she realizes the darkling is Not Good, she remembers the first time they kissed as a thing he possibly did to distract her from thinking her own thoughts), and the darkling interrupts her with a kiss sexy enough for her to forget what's going on. the show however chooses to do a girlboss she-can-move-on-if-she-wants-to moment which is pretty cool and let's be honest, if you like men and ben barnes is right in front of you giving you Sexy Eyes a whole lot, you are going to want to kiss him. that scene where they get interrupted during a steamy kiss, and they laugh and kirigan leaves the frame just to rush back for one last kiss? that nearly fucking converted me. that was really sweet actually. the show does a fantastic job of showing how captivating kirigan's interest can be.
last note about the kirigan for this section - isn't kirigan the name of the guy who owns the guilded bog for nikolai in kos/row? i can't be sure because i don't have my book with me and i refuse to look up information when i have gone this entire post without looking anything up, but if his name isn't kirigan it's pretty fucking close. i don't know what that means, but i don't think bardugo is the type to name characters similar names for no reason. we'll know for sure if/when the guilded bog is introduced.
zoya
most of zoya's portrayal is really in line with her character and her development throughout the shadow and bone trilogy as well as king of scars and rule of wolves. i think the show did a great job of showing how zoya was in the darkling/kirigan's favor for a while before alina arrived and how she resents alina at first for causing her to not be the darkling's favorite anymore. in addition to that, knowing we find out she is part suli in row makes her casting so much better, and i like that we get to see a little more of her personality in the show than we do in the book shadow and bone. of course we see more of her in siege and storm/ruin and rising, but it's nice to have her become a sympathetic character through the knowledge that she has family in novokribirsk and that she purposefully mans skiffs to see them before she fully sides with alina.
the one thing that made me. just confused was zoya calling alina a "half-breed" at the little palace?? it was so out of place (that particular part of the insult; im pretty sure the other thing she said was very much exactly what she said in the book. some insult about orphans i think), especially knowing that zoya herself is a "half-breed," so that didn't make sense to me.
however, i was glad to see alina immediately embrace zoya as an ally - because she knows from the start of zoya's alliance that she had family that kirigan killed. in the books, alina's parentage is not at all important, and their deaths are never specified to matter, but the show points out from the very beginning that alina's parents were swallowed by the fold. i think this makes alina's immediate compassion and forgiveness of zoya make sense, and it was also very sweet and a little funny to see alina pull zoya into a hug that she so obviously does not expect or want to express as something she wants. it was perfect.
east vs west ravka civil war
i don't have much to say about this except it makes kirigan's actions at the fold seem a little better. not great, not by any means, but knowing that the leader of a growing coup was right on the other side really cements in the idea that kirigan is doing this for what he thinks is the greater good of ravka. im pretty sure in the original trilogy, there was also some tension between east and west ravka, but none of it comes to a head until the events of kos/row. great set up for future ravkan tensions in future seasons.
david and genya & fedyor and ivan
before we get into the last meat and potatoes of this post, i want to talk about love because it's a little bit of a break. take this time to stop reading, stretch, relax your jaw, straighten your back, drink water, etc. you've been here a while. you deserve it
okay so first fedyor and ivan. in the books, fedyor and ivan are just bros (i don't even remember them ever really interacting?) but in the show it is heavily implied they are dating. this is so funny to me, and i love it so much. especially because ivan was in a het relationship with marie in the books (but because the show kills marie off before she dies in the books, obviously that is not happening), so they really just decided that ivan and fedyor were gay for seemingly no reason. except i think ivan died on the skiff during the final battle in the show which is kind of a bummer because he lives through to ruin and rising and has an... interesting arc. fedyor, i think, dies in the battle of the little palace in siege and storm, but i wonder what they'll do with this relationship in next seasons. maybe fedyor will take ivan's place as grieving boyfriend with ptsd, but im not sure. i honestly don't even know for certain if ivan dies in the show, so we'll see.
as for genya and david, i would just like to point out the little hints of mutual affection. in the books, it's kind of implied that genya had feelings for david first and he didn't realize his own feelings until after she's scarred by the darkling, but in the show we see david actually looking at genya during the winter fete! like looking, appreciating the view! i loved the show choosing to include that small amount of mutuality, and after finishing rule of wolves it definitely made me feel some type of way. david and genya. i love them, they're perfect.
grisha theory/amplifiers
we're nearing the final stretch in this post, however, i have a lot to say about grisha theory and amplifiers, and i also have a lot to say for the battle of the fold so this "final stretch" will probably be. a very long stretch.
so obviously because of the nature of books and narrative writing, there was a lot of space within the shadow and bone book to go over the grisha theory alina was learning at her time in the little palace in great detail, however in the show we hardly even get any grisha theory at all. the little we get is actually from the apparat. im not sure if we get anything from bhagra. i don't even think we get the phrase "like calls to like" which is the most basic piece of grisha theory throughout the entire grishaverse.
i am definitely. bitter about this. i obviously didn't want huge long meditations on grisha theory in the show, but pretty much the whole time alina was at the little palace, i felt like she had so much time free time to wander around the palace, hang out with nadia and marie, daydream about mal and kirigan. don't get me wrong - those are all valuable activities - but i feel like it missed the point of alina's time at the little palace. she felt isolated there; yes, she had nadia and marie, but she couldn't share with them everything she was going through because she didn't want anyone to truly know how difficult mastering her abilities were. and because she was so isolated, she throws herself into grisha theory, especially during the times in which she can't summon her abilities by herself. this is when she learns about why she's been so sickly her whole life (because she has not used her abilities, and grisha derive some form of life force and energy from using their abilities), all about amplifies, and other really cool world-building for grisha abilities and culture. instead, it was difficult to tell (at least for me) in the show if the palace and the little palace were even different places while in the books the little palace was such a whimsical, ancient, and magical place for alina compared to the gaudiness of the main palace.
the collar
anyway, complaints about architecture and alina's subpar theory education aside, the little bit of grisha theory we get is from the apparat when he talks about ilya morozova and the three amplifiers he was attempting to make during his lifetime. when the apparat is describing amplifiers, it almost seems like amplifers - not just morozova's inventions - are super rare in the world of the show. amplifiers are relatively rare in the books, obtained by only some of the most powerful grisha (zoya, ivan, alina), but they still exist. from what we've seen of zoya and ivan, they didn't seem to have amplifiers on their person, so it looks like alina is unique not only in getting an amplifier from one of morozova's beasts, but also in just getting an amplifier in general, which is a little weird.
EDIT: thanks to @laelipoo for pointing out that zoya is actually shown to have what looks like a tiger’s tooth embedded in the skin of her wrist in the first episode! so okay this shows that powerful grisha still have amplifiers in the world of the show, but this probably suggests that instead of being pieces of jewelry like in the books, they act more as body modifications, which is really interesting. if im not mistaken, ivan’s amplifier is a necklace in the book, so maybe his show-amplifier would’ve been embedded in the skin of his chest. regardless, i’d still like to see more discussion on how amplifiers in the show work - which, now that we know zoya most probably has an amplifier, we might get to see with her becoming more prevalent of a character in the projected arcs of the show (both shadow and bone trilogy as well as kos/row)
i can't remember if morozova was ever referred to as "the bonesmith" (i feel like he has been, but not in the way the apparat refers to him in the show), but i feel as though that was a kind of. foreshadowing for how we would see the stag amplifier work later in the show. in the book, the stag's antlers are a literal collar around alina's neck that remains there until she loses her abilities, so the metaphor of being "owned" by the darkling is definitely there. it never stops being there until she loses the ability that makes her his mirror and his tool. however, in the show we definitely. do not get that.
so i've seen some people say that they hate the design of the stag collar, and i cannot say i was a huge fan of looking at it myself. but that just really cemented in the fact that kirigan forcing the collar on her is a complete violation of her body and her agency. the fact that the bones erupt from her skin and that her skin looks irritated where the bones puncture through her skin just reinforces the idea that this fusion is not natural and is not supposed to be pretty because kirigan taking control of her in this way is really really terrible actually. in addition to the collar, the show also gives kirigan a circle of bone embedded in his hand - which, hand versus collar, who has the most agency in this situation, his hand is quite literally around her neck, etc - but i feel like they made this change so that non-readers could see and understand the mutuality of the amplifier in a physical manifestation because the show doesn't expand on that theory at all.
i really liked that the show kept the reason for alina gaining control of the amplifier being her connection with the stag before kirigan killed it because that at least is consistent with the theory in the books, especially with the expansion of that same theory in kos/row with zoya's connection with juris and how true use of an amplifier requires mutual connection, understanding, and suffering between the grisha and the animal.
i also thought that the way the show portrayed alina taking back control of her power with the stag's horns absorbing into her own bones was a really effective way to show that the power is hers now, and that it is a part of her. however, i wish the show had kept some evidence of the collar because of how it quickly became a piece of her iconography in the books as well as a symbol of her power. seeing as how alina stabbed the circle of bone out of kirigan's hand (very sexy girlboss moment), i wonder if kirigan will still be able to control her abilities. if he can, i hope that any time he uses her abilities, the horns emerge from her skin again as a visual signifier that alina is being violated and that her own power is being used against her. OR even at the times in which alina uses kirigan's power against him (like if the show depicts the conclusion to the battle of the little palace where alina uses the darkling's merzost) to have the horns come out of her skin to show that she is reinforcing her bond with him. both would be really cool.
alina and mal
okay so in ruin and rising we learn that not only are alina and mal bffs and in love whatever, but also that they've been drawn to each other because mal is actually the host to the last of morozova's amplifiers. and then alina looks back at the times in which she's felt the most powerful or when they encountered morozova's beasts, and she realizes that all of those times coincide with when she had important moments with mal. this reveal is huge in the series, and without the build up, i fear it might seem like it would've come out of nowhere if the show chooses to go in the same direction.
for example, alina and mal in the book only find the stag after they kiss for the first time. however, in the show they don't kiss. they don't even move mal's "i see you now" speech to right before they find the stag. it's simply a jump cut to alina and mal in the forest looking at the stag. they might be talking, but i don't think it was an 'important' moment for them.
however, they've been setting mal up as a better-than-average tracker since the very beginning with ana kuya asking him specifically to hunt for dinner. mal also admits that when he saw alina's power come from the tent when kirigan is testing her power that he heard a 'high-pitched tone' and somehow intuitively knew that it was her or something like that. he also tells alina that he'll always be able to find his way to her, no matter what, which is really romantic of course, but it is also part of their connection as one of morozova's three amplifiers and the girl who will possess at one point in time two of the three amplifiers.
i also think that the scene in ruin and rising when alina kills mal for his power is supposed to directly mirror the scene in the shadow and bone book where alina tells mal before they find the stag that she wants him to kill her before she can be caught by the darkling; part of the reason she feels strongly enough to ask this is because she understands grisha theory enough to know what the darkling's plans for the stag and her are. when she's protecting mal and the stag from the darkling, she begs mal to kill her. but he doesn't. and in ruin and rising, when they're out of options during the final battle, mal tells alina to kill him. and she does.
but without alina asking to be killed paired alongside the lack of intimate mal and alina moment before they find the stag, i wonder if the show will be heading in the same direction as the books in terms of mal's status as the last of morozova's creations, or if they'll decide to do something different.
battle of the fold
i think the most obvious difference in the battle of the fold is that kaz, inej, and jesper are like. just chillin on the skiff. additionally, zoya is on the skiff (her presence there was discussed in the zoya section), and mal is not a prisoner in the skiff like he was in the book - he snuck on. for the six's presence on the skiff, i don't mind it and i actually like how they participate in the battle (inej throwing a knife into kirigan's chest and nearly ending his shit right then and there was something we always wanted but did not know we wanted. same with zoya and inej bonding during a fight), but the change in mal's freedom status on the ship is a little more complicated.
in the books, the darkling lets alina and mal spend one last night together (with bars between them) before whatever happens on the fold. i can't remember if he tells alina that he plans to execute mal in the fold, but regardless it becomes apparent that is his plan when he throws mal overboard, on the edges of alina's sunlight, and begins reigning in the sunlight so that mal will be consumed by the fold. it's the fact that mal is in danger that alina manages to gain control of her power once more, and she saves mal. the group of dignitaries from the various nations are still on the ship when she makes her escape, and she uses the Cut - a form of summoner ability that she has never used before and has only ever been used by the darkling. she makes the terrible and difficult decision to let the dignitaries die in the fold alongside the darkling, because she believes it's a worthy sacrifice to make, and she and mal escape together.
i think this sequence of events would've tracked really well in the show with how alina had previously been depicted as mal's protector, but the show chooses not to have alina save mal and kill the dignitaries. instead, the show has kirigan kill the dignitaries and also has mal have a homoerotic fist fight with kirigan which is. not exactly not in line with themes the show has put on, especially with how mal and kirigan have interacted before in the show.
in the books, we don't see mal and the darkling interact without alina as a buffer, and so a fistfight between them in the battle of the fold in shadow and bone wouldn't have made narrative sense and would've just ended up feeling cheap. however we do see mal and kirigan interact without alina in the show - when mal is showing kirigan where the stag is and kirigan learns alina's favorite flower through mal, and when kirigan gives mal that petty little speech about how he'll get alina eventually while mal grows old and dies.
there's an interesting phenomenon in certain kinds of love triangles; most of the time you see love triangles in the classic sense of Person B and Person C both being in love with Person A, who has to make the choice between B and C. however, that's not a true love triangle - there also needs to be a connecting factor between B and C. and, in most cases, that connecting factor is the ritual of masculine homosocial rivalry. so when applying this kind of love triangle to alina, mal, and kirigan, we see that both mal and kirigan have feelings for alina, but they also have a connection to each other through their rivalry, which is as much about rituals of masculine conquering (whether the person they are wanting to conquer is alina or the other man is a very interesting question to which the answer is yes) as it is about being the person alina loves.
do i personally like the kirigan/mal fight in the fold? no, i would've much preferred to see alina rescue and protect mal. however, i do recognize that the fight makes narrative sense within the show, and it was really funny to see kirigan get his shit rocked by mal's bare fists a couple of times. i would say i hope he's been humbled by the experience but we all know that's not true.
also remember when i mentioned that kirigan is the one who kills the dignitaries here instead of alina leaving them to die? and remember, way back in the beginning when i said that alina inadvertently getting her cartography unit killed in the show may have been a swap for some deaths in the battle of the fold? alina being excused from the deaths of the dignitaries in the show but responsible for the deaths of her cartography friends at the beginning is what i was talking about. like i said way back (or maybe i didn't say it but im saying it now), it makes narrative sense. i get it.
however, i think the choice not to have alina perform the Cut on the skiff when she regains control of her power is an interesting one. because, in the book, that was an ultimate show-off of power (even if it was a terrible moment for alina). no one else but the darkling can perform a Cut, and as soon as alina forcibly takes control of her power from the darkling she uses his own signature move to leave him for death? that's a power move. that's irony. that's a physical manifestation of alina being able to adopt and take advantage of some of the darkling's power and use it against him, which is definitely a main theme in the book as it happens every single time alina gets close to defeating him and also when she actually defeats him.
so the Cut is really important, and i want to see in what other situation the show might have alina perform a Cut of her own against kirigan, or if they'll even include that aspect of reclaiming of power. i really want them to.
conclusion
so what have we learned? i think, first and foremost, we have learned that i have so many opinions and should learn how to be sweet and concise with my words. we have also learned there were a lot of changes between the grishaverse books and the series, and these were only the changes that i remembered off the top of my head having watched the series almost a week ago and having reread the books over the past few months.
in addition to those things, we have learned that, in my academic opinion, many of the changes made to fit the story into the screen were positive changes or, at the very least, changes i am interested in seeing develop. in the end, i am just a fan, and regardless of what season 2 may throw at us, i trust bardugo's decisions because she has never let me down narratively before, so i'll probably end up loving things the show ends up doing because i am, at my core, a simple sort of person.
i had a lot of fun writing this all up, and i hope this super long post was informative or entertaining in some way. thank you so much for reading<3<3<3<3
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abstract-moth · 3 years
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My thoughts on Shadow and Bone Episode 3
Spoilers below the break of course
The special affects are really good, especially the Darkling’s powers. They just look so cool.
Also was the bathing scene the nudity? Is that all? I know about of people were worried about it so I HOPE that that was all the nudity.
We did really get to see much of Genya (which is understandable she is seen as a servant), but I really liked her character so far. She’s really kind to Alina. 
NINA. I was not expecting to see her this early in the storyline. There have been multiple major changes to her story, the most of any character. I honestly don’t know what to make of them. It’s still a bit too early to tell. However I did think that it was a bit weird to introduce her then immediately remove her from the story. 
Also that image of Kaz carrying that lil goat while scowling menacingly. And that goat ended up just being a therapy animal. LMAO. Peak comedy. 
I really liked Jesper’s badass moment. It kind of redeemed him for his earlier mistakes and subtly hinted at his powers. 
I noticed a sharp contrast in Alina’s and the Crows’s crossing. Alina’s was a military activity with clear rules, professionally, and silent reverence. And then The Crows was all panicked screaming. 
Alina is being portrayed as remarkably human. She blows at her silly veil. She stares up at the palace ceiling. All those little moments are just so humanizing and makes her even more relatable. 
Also that Apparat was creepy. He didn’t seem to have any malicious intent, but I completely understand that extremely uncomfortable and weirded out look Alina was giving him. 
I did notice that they cut out the scene where Alina specifically asks for a blue kefta. It was a character defining moment in the books, establishing how she is desperately trying to fit in. However since they haven’t clearly explained the Grisha powers, I understand how it wouldn’t make sense in the show.
I knew that Alina and Zoya’s fight wasn’t going to end well. Alina had no hope of winning against a trailed soldier. However, I think that it did an extremely good job of establishing both of their characters. Both of them are very headstrong. Also who turns their back to their opponent and then is upset when they are hit? Like
At first I thought that it was really clever that they chose to narrate the episode by having Alina write a letter to Mal. However. I think Alina’s monologue at the end was a bit out of place. I don’t like monologues in general so I could be biased, but the audience can already tell that Alina is out of place and under an incredible about of pressure. It doesn’t really need to be explicitly stated.
And now the elephant in the room: Alina’s Shu heritage and racism. I, myself, am Asian American so am I choosing to comment on this. Personally, I thought this was better handled than the first episode. Just because everything was a little more subtle. Like comments about her physical appearance and assumptions that she didn’t speak the language. Again it was uncomfortable, but I thought it was realistic. I mean *gestures at eugenics* people have been micromanging other’s physical characteristics for a long while. Still, I think it’s too early to make any definitive judgements on whether or not this is problematic. I can see how this can be seen as insensitive and unnecessary, but I can also see how this can be seen as realistic and a good commentary on the prejudice minorities face. Again, it will ultimately depend on how the show manages it. If other characters are called out on their racism and overcome their prejudice, then that’s good. However if these little comments exist simply to continuously point out that Alina is Shu, then they have no reason to exist. 
Important Note: This is just my own opinion. My personal acceptance and optimistic attitude with the way this was portrayed, in no ways invalidates how others feel on the topic. If anyone else of Asian heritage feels offended by this show’s depictions, that is completely valid and you have absolutely no right to discredit their feelings. 
I REALLY REALLY want to binge the rest of the episodes, alas I must now finish my schoolwork.
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fillingthescrapbook · 3 years
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Shadow and Bone: The Crows Have It
I would like to preface this by saying I have not read the books that Netflix's latest fantasy series is adapted from. Though, I do have a general knowledge of what happens and which characters aren't supposed to be in the show because of research I did for this interview. With that disclaimer out of the way, I now give you spoiler warning for the rest of this post.
Shadow and Bone is a good series with a well-plotted out story. The world-building, for the most part, is exemplary, and the magical powers that exist in the world are impressively explained and shown. Everyone acted their socks off, the fight choreography and the hand gestures looked and felt natural, the costumes were beautifully-crafted, and the visual effects were amazing. Unfortunately, the show also suffers two glaring weaknesses that kind of sours viewers from the whole package: Alina and Mal.
Don't get me wrong. Actors Jessie Mei Li and Archie Renaux were great. Jessie, especially, was transcendent as Alina. And it's a testament to her acting skills that I felt anything at all for Alina. It was only after each episode aired that I started questioning Alina's decisions. And it was only after the show ended that I realized Alina wasn't a very good character at all.
Alina's only character traits were that she was in love with Mal, and that she had powers to summon light. That was it. Her character didn't really develop because both those character traits existed prior to the show starting, and her realization that General Kirigan wasn't to be trusted didn't come from within; it was propelled by a revelation of a tertiary character that she questioned once and then took as truth after the reveal of a painting. It was... disappointing to say the least. Especially because the show added an element to Alina and Mal's characters that didn't exist in the books: they were made half-Shu.
In the first episode, Alina experiences racism against her because of her Shu Han features. But the only thing we really know about the Shu Han at this point is that they're looked down upon. And that they guard their mountains to the south of Ravka well. One character calls them the enemy, but we don't know why. So my only takeaway from this is that the Ravkans are racist as fuck. Which wouldn't have been a problem if we saw this amount to anything.
After Alina reveals her powers at the end of the first episode, the next time her Shu Han heritage gets brought up is in the third episode: when a maid comments that a Tailor should take away Alina's Shu features, to which Alina pleads against. And then we get another microaggression from the character of Zoya, but I feel like it was more fueled by her being deposed as General Kirigan's favorite Grisha rather than it being because of Alina's racial heritage.
The rest of the time it gets brought up is when Jesper realizes the Sum Summoner they're after is half-Shu, when Alina "escapes" and gets harassed by a Ravkan soldier (which deserves a lot of side-eye), and when General Kirigan is looking for her. That's pretty much the extent of the character trait they added to Alina's character. I mean, sure, it allowed for the actress to ground Alina's backstory and why she was ostracized so much in the past--but it didn't really make an impact on the actual story being told.
What impact did the Sun Summoner being half-Shu have on the other characters? Especially the Grishas and the royal family? I hope this gets explored if the show gets renewed for a second season, because it didn't feel like it was a huge part of the show at all.
Then again, at least Alina had those little microaggressions? Mal's half-Shu heritage is only touched upon in the flashbacks when the other kids in the orphanage would pick on him. Which is, to be honest, the only thing remotely interesting about the character. Again, no offense to Archie Renaux who infuses Mal with so much charm and swagger--but Mal as a character is a non-entity. He exists to pine after Alina, to track a stag, and then to save Alina. He does nothing else. Not even the death of his two closest friends makes an impact on his character.
It is mind-boggling to see how a show this detailed would drop the ball on its two main characters. Especially since the rest of the characters are so rich:
General Kirigan, the bad guy, might have questionable goals but you understand who he is as a character because of the backstory he is given. You see his pain, his anguish, and you see his hope for the future. He is completely evil as well, but there is a clear progression of how he goes from wanting what's best for Grishas like him to who he becomes in the current timeline.
Nina Zenik only has a handful of scenes but we manage to learn more about who she is as a character in one scene than we do Alina for the whole series. Although I think it helps that actress Danielle Galligan has great chemistry with Calahan Skogman, the actor portraying her captor Matthias.
And then there are the scene-stealers: the Crows. They're introduced as pseudo villains but quickly become the actual stars of the show they're not even supposed to be in. Kaz Brekker is a deplorable degenerate who keeps his word, Inej Ghafa is a spy with an honor code and a complicated history, and Jesper Fahey is a narcissistic dandy who is quick on the draw and just as quick to love. And the best part about them? They are actual characters. Their backstories dictate how they act around each other, around other people, and how they are received. And they have character progression:
Kaz starts the series with one goal: to earn a million kruge so he could pay off one important debt. This goal propels him forward, but the events that he gets involved him changes him as a person, giving him leeway to choose a different path. Jesper doesn't have this season-long arc, but he does grow as a character as well--although in a more minimal way. And then there's Inej who, arguably, undergoes the biggest growth in the show.
It's funny how the characters who aren't even supposed to be in the show are the ones who have the best characterization and arc. No wonder people are raving more about them than the actual main characters of the story. Alina and Mal are cardboard cutouts compared to the complex Crows.
Which brings me to these questions: is this problem caused by the show being faithful to the source material? Whose idea was it to make Alina half-Shu, and why wasn't it integrated better into the story? Is there a chance that Alina and Mal will become better characters if a second season is produced? Or will the Crows become the actual leads of a follow-up season?
All of this said; I am curious to see how Shadow and Bone proceeds from this so I hope that Netflix renews it for a second season.
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Shadow and Bone Pt 2
The General/The Darkling/Aleksander Morozova: I like this character. Like, a lot. It helps that he's the epitome of "Tall, Dark, and Handsome" (TDH) but Aleksander Morozozva, as a person, is so interesting. There are so many things I'd like to pick his brain on; human nature, court politics, the war with Fjerda and Shu Han, Zlatan and his independence movement, etc. As a character, I wish they had injected some more darkness into him. I get it, the show is supposed to be marketed towards a younger audience, so it's not logical to have your tall, dark heartthrob be a literal jackass with no redeemable points. I applaud the show for giving him a more human side to him, but I also wish they would be clear on which couple is endgame. B/c if Darklina is endgame, I don't think you're doing enough to sell it. And if it's not, then you're doing waaaaay too much to sell it.
Alina Starkov: I love the actress. She seems so funny and kind. Her biracial status is just an added bonus. As a character, though… let's just say, Alina might not be a Mary Sue, but she's not not one either. Let me explain. I can't say I was thrilled to hear Alina Starkov was written as biracial in the show. It just felt like they were trying to score diversity points in being able to cast Jessie Mei Li as the female lead in a major TV production. I mean, in the context of the universe of Shadow and Bone, it was fine. I guess. But we really only get one piece of dialogue wherein Alina is discriminated against by the army camp cook for her different looks (which, if we're talking different looks, Mal looks waaaay more Shu Han than Alina, but that's just my opinion) and the confrontation with the tsarista and the maid's comment about changing her eyes, but that was about it. And Botkin, who looks and sounds like a Shu Han, NEVER comments on her appearance. For some people, that's great, it means he doesn't see her any different than anyone else. However, in a country where Ravkans sometimes openly discriminate against anyone that looks Shu Han (not Fjerdan cuz they look way too similar to their southern neighbors🙄🙄), you'd think Botkin would give Alina some advice or, I don't know, impart some knowledge about their shared cultural heritage!? If you're going to portray a character as a different race than she was (implied) in the books, AND make a big deal out of it, I should think you'd at least TRY and highlight why this change was necessary or important. But, if you're not going to do that, then please don't emphasize that particular fact. Just treat her like you would if she were of Caucasian descent.
And don't give me the same-old speel about representation. As an American-born Chinese, I grew up in a predominantly white town where I only had a few classmates who looked like me. I know what it means to be discriminated against or never seeing someone who looked like me on TV or in movies. I don't like watching the animated Mulan movie because she was a Chinese princess amongst a sea of white princesses. I like her because she doesn't take shit from anyone, not even her commanding officer. However, I identified the most with Belle because we were both bookworms and saw the beauty in the written word.
As for her powers… Like I said above, I really want to see what she could do with them. Light + physics = pretty OP.
Ok, so on to some of my biggest gripes with Alina.
One. She's angry that Aleksander has kept her letters from Mal and Mal's letters from her, leading her to believe that Mal doesn't care about her. As a way to woo the heart of possibly the only girl who'll ever be your equal, definitely not the best move. But as a general in charge of an army of grisha who now has finally found the one person who could make all his wishes come true, a necessary evil. True, Aleksander is half a millennia old, you'd think he'd have learned some patience by now. Alternatively, he could just be stubborn and set in his ways because no one has been able to challenge him and he hasn't had to stop and think about the consequences of his actions in terms of the individuals it will affect in a long time. However, in terms of what he could've done (send Mal on some impossible mission that was 100% going to get him killed) (Ok, yes, so the hunt for Morozova's stag probably should've been that, but we're not here to talk about what-ifs), confiscating their letters to each other was practically not even in the top 100. So, I honestly don't get why she seemed to make a mountain out of a mole hill.
Two. Aleksander didn't disclose that he was the Black Heretic and that he was planning to get the stag to be able to control Alina and her powers. I mean… would youdivulge your deepest, darkest secret to someone you just met not even a week before? Especially when it's about something as big as this. No? Point made. As to his plans for the amplifier, it's not like he could've known what the Sun Summoner was going to be like. And this goes back to my point before, that he can't see the trees for the forest because he's used to thinking in big-picture terms and what's best for the grisha as a whole, not the individual person. If you can't predict what this nebulous person is going to be like, you might as well hold all the control in your hands so as not to leave anything up to chance. Maybe Alina just can't see the forest for the trees.
Three. The above points are why (probably, most likely) why she chose Mal over Aleksander in the finale. Oh my God, I don't even know where to start. First of all, I have it on good authority (from someone who's read the books) that Alina is never Mal's first choice (and for that rant, I suggest you read the next point below before coming back to this one) but she still chooses him. When there's a perfectly good, emotionally-available, TDH man who accepts you, boils and all, standing. RIGHT. THERE. Second, this teaches young girls a bad precedent (granted, book!Darkling was a jackass so maybe not him). Why hang onto a guy who's made it clear to you, through his actions, that he'll never see you as his #1? Why waste your time, money, affections for someone like him? He doesn't deserve it and he CERTAINLY doesn't deserve you! You should only be with someone who treats you like a princess, who makes it clear to you that you have been, are, and always will be his #1. (I'm assuming the other person is male, but you don't have to read it like that. Don't @ me.) Trust me, Zhi Hua chasing after Yong Qi in HZIII scared me enough as a child and I have no desire to go through something like that in real life.
Mal: "This is why I have such a problem with Malina as endgame! If they were endgame, why is Mal always treating her like a second choice and Alina always content with the scraps he throws at her?! At least, with Aleksander, Alina was, is, and always will be his first choice and he makes it ABSO-FUCKING-LUTELY clear he thinks the world of her! I thought Aleksander was the kind of guy we were taught to grab and hold on to, not some childhood bestie who always puts you on the backburner!" That's all I have to say for this one.
Zoya: I would have liked to see some complexity in this character, other than the whole "unrequited love for the Darkling". Granted, I only saw a quarter of the show, so I don't know about later episodes.
As for the Crows, I wish I had seen more complexity and character backstory from Kaz. Jesper is amazing but, my favorite has to be Inej because she's fulfilling all my Assassin dreams!
My sister claims I'm expecting too much out of a TV show that is based on a YA fantasy novel series, and maybe I am. I just want to see a well-made fantasy TV series or movie with a great cast that has amazing acting chops, beautiful set pieces, intricate costuming, and a well-written plotline with a dash of sarcasm and wit. Is that really so hard to ask for?
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possumwithabanjo · 3 years
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I started watching shadow and bone tonight so I thought that I’d note down my likes and dislikes so far! I can’t believe that I finally get to do this after 5 years of loving the book series🥰
Likes:
- the casting! I feel like everyone really embodies their character and is giving it their all Wich is awesome! Kit, Amita and Ben were particularly mind blowing to me when it comes to nailing their characters!
-how they integrated the crows into the main. S&B plot! I was most worried about how they would do this and I think that it’s been pulled off and connected really well!
- the costume design! All of the garments seem very fitting to the settings/theme/ characters. I could GO ON about how beautiful the Kefta are! They made me feel so much more immersed in the show!
-special effects! THEY WERE SO GOOD AND LOOKED SO REAL LIKE HOLY CHEESE. I felt like all of my middle school dreams were coming to life! Just so fucking great. 100/10!
Dislikes:
- the set design. Don’t get me wrong some of it was GREAT especially the ravkan army front. But the little palace in particular felt a little out of place to me? Almost too modern, and the colour palette felt off as well.
-addition of fantasy racism/colonialism: I feel like there could have been better ways to convey Alina’s half Shu Han identity IMO. There were some parts where it was being laid on really thick to the point where it felt like overkill to me. However I am not a POC or of AAPI heritage so I don’t feel like I can truly attest to how it was handled/it’s necessity so if you are either, I’d love to know your input/feelings about it!
So yeah! That’s my two cents so far. I’d love to hear what other people think so far as well! However please try to keep spoilers to a minimum:) no mourners no funerals!!
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abstract-moth · 3 years
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My thoughts on Shadow and Bone Episode 1
Spoilers below the break ofc
In short: I liked it A LOT
First and foremost: the set design, costumes, and Worldbuilding were purely amazing. Seriously, the production crew really outdid themselves. Also noteworthy that the credits are more than five minutes long. A lot of people put a lot of work into this. I am very proud. Also kudos to them for using the same font in the books as the credits like. Just amazing. 
Now for the story:
The beginning, especially the few opening scenes were really exposition heavy. I understand that since there is A LOT of Worldbuilding, but I still wish they would’ve written it more naturally. 
Also even though I have read the book, the Shadow Fold was still eerie as HELL. Very good job on that. 
I do like the changes they made to the story. In particular the reason why Alina and Mal are crossing the Fold. It shows the depth of Alina’s relationship and devotion to Mal. It also gives Alina more agency and personal guilt for bringing her entire unit into this dangerous situation. 
I also really liked that after Alina revealed her powers, they didn’t immediately explain what was going on. This built tension and mystery. 
Kaz and Jesper’s character introductions were ON POINT. Mal’s opening scene was also a pleasant surprise. I like the efforts they are making to flesh out his character. Zoya’s and Mal’s interactions were also more natural. And of course, I like how Alina and Mal have such a caring and natural relationship. 
Even though it was heartbreaking, I really liked Alexi’s death. It really shows how ruthless Ketterdam is. 
I also noticed a lot of subtle foreshadowing for a lot of character arcs. 
Very excited to see how the crows will pass through the Fold. This was one of the main things I was so worried about. 
And now the elephant in the room: Alina’s Shu heritage and racism. I, myself, am Asian American so am I choosing to comment on this. At this point one episode in, I think it is too early to tell if this is truly problematic. All we really know is that Alina is Shu (a rivaling country) and that she is mistreated for it. Yes, all the racist jabs and comment are uncomfortable. But I am willing to go as far to say that they are supposed to be uncomfortable. From my own personal experience, I have experienced comments and remarks like that. It’s a sad reality, but it is a reality for many. Yes, the ones depicted in the show were more explicit than those that typically happen (the ones I’ve experienced were more subtle and passive agressive). However I also believe that completely ignoring Alina’s heritage would’ve also been equally if not more problematic. In the end, it will come down to how the show manages this sensitive topic. Will other characters learn to get over their bigotry and accept Alina for her character instead of judging her on physical appearances? Or will this show fall flat on its face and mess it all up? Time will tell. Right now only one episode in, I withhold having any strong feelings about it and will wait until I finish all eight episodes. 
Important Note: This is just my own opinion. My personal acceptance and optimistic attitude with the way this was portrayed, in no ways invalidates how others feel on the topic. If anyone else of Asian heritage feels offended by this show’s depictions, that is completely valid and you have absolutely no right to discredit their feelings. 
I’ll probably only be able to watch one more episode tonight. The rest is going to have to wait till tomorrow. 
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