the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.
One of the only things I'll say negatively about leverage is how they handled parkers Thing in the French connection job. She spends the whole episode talking about how she wants something to enjoy OUTSIDE of the life like eliot has cooking, hardison has gaming, and sophie has theater but then her thing ends up being art which like. Is fine. We know she loves art and shiny things, but the clear answer is music.
She did not stop dead in her tracks in the middle of a con, losing track of time and what she is doing TWICE because she heard her boys performing music, for you to say that music doesn't make her feel things.
She got CAUGHT in the scheherazade job bc she was so enamored with hardisons playing. She was completely caught off guard when they came in the room which is fucking unheard of for her. Don't tell me music doesn't make her Feel Things.
my attempt at a bunch of my fav artists styles :] idea by sootnuki!!
i would love to do more but this was already a huge challenge
if any artist here dislikes this/is uncomfortable with it/any reason i can take it down or turn off reblogs etc. otherwise i hope its ok 🫡 im not gonna tag anyone just gonna let it do its thing in the wild lol
Uhm uhm uhhh INCREDIBLY self indulgent Trolls Au that's centered around John Dory and Bruce called Beach Bros bc I like them and I think there should be more content surrounding them as a duo *looks at you with my big wet eyes*
EXTREMELY short explanation + design refs under the cut! CW for mentions of drowning
There's a lot I got planned for it but for now the basics is that after I'd say around 8-10 years after Brozone split up, John Dory received the postcard that Bruce sent him. Now bc JD believed none of the other trolls were alive (since he went back after all the pop trolls escaped Bergen Town and found the Troll Tree empty) JD was ECSTATIC to find out that at least one of his brothers was still alive and immediately began searching for Bruce. Took him about a couple of days but eventually JD managed to locate Vacay Island!
And then almost drowned while crossing the waters... On Bruce's fucking wedding day.
After that ordeal, JD decides to live with Bruce and Brandi on Vacay Island!
Again there's a LOT more to it but it's late and I am extremely tired, I'm gonna go to sleep lol. ALSO if y'all have any questions abt the au, feel free to ask! I'd be more than happy to answer them as best as I can :] !!!!
(also while making designs for them I accidentally made JD look much younger than Bruce I think, oops 😔)
Omg I missed this the first time I watched the movie but it's Hug Time and the boys refuse to hug JD. They are Pop Trolls and they refuse Hug Time. It's not just Branch. All my boys are so broken. 😭😭
the way the valentinian and theodosian dynasties intermarried gives me a headache, so we'll just (hand waving) the marriage of licinia eudoxia and valentinian iii, also some normal ribbing between theodosius ii and valentinian iii
can you believe that we got another set of co-emperors with the theodosius-valentinian name set after the absolute disaster of the first pair? incredible!
hey-hey-j replied to your post “god i need to draw more dreamworks trolls…”
sits.
please. talk to me about JD :)
it boggles my mind that JD is likely the most touch starved out of his brothers. like, branch went gray, but he also stayed with the village, and was routinely roped into hug-time against his will. floyd, for all of my own speculating, must have at least kept around civilization. clay had the putt putt community & viva, and bruce had his own family.
but JD..?
all of the information we can glean about him implies that he went off to the middle of nowhere and just. stayed there alone. roughed it pop idol style....
and there's something so deeply, incredibly sad about that. JD makes my heart hurt, the poor idiot.
(floyd is no. 2 on the touch-starved list. to me. the life of a transient musician is not one filled with a lot of contact. this is part of the reason that this moment vvv)
(makes me so weepy like good lord. please hug each other)
‣ Max holds the 100% reply rate to a middle-of-the-night text from him. And most probably George would text back as well
‣ Lando most likely to leave him on read
‣ Nico Hulkenberg would hate to be stuck with Daniel in a lift. Like no shit
‣ Witty banter: Lando. And also Fernando (whatever has been going awn there since testing)
‣ Jack is apparently the one who changed his phone number recently. And definitely not him ‼️
‣ Most likely to get along with his parents: apparently Lando with his Dad (even though it must be noted the answer is based purely on more recent teammates)
I don't know how many of you remember what his age was--15--but after figuring out some timeline stuff, I've decided to change it. Nico is now 21 years old.
i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.