#especially at this angle

[braincellwhatsthat]

So. Um.

[vantablackdraws]

WIP I'm abandoning but I figured I'd share it here

[bitchfitch]

writing advice for characters with a missing eye: dear God does losing an eyes function fuck up your neck. Ever since mine crapped out I've been slowly and unconsciously shifting towards holding my head at an angle to put the good eye closer to the center. and human necks. are not meant to accommodate that sorta thing.

[jellolegos]

older korrasami

[sparrowlucero]

Reading comprehension site. As far as I understand it, your point is moreso that often stories set in a world without homophobia, transportation, etc. Are treated as morally better. Meanwhile stories which are parallel to real world queerness, identity, and oppression are often viewed negatively. Mostly because there's a standing idea of "you could have made it better by simply not including the homophobia and transphobia".

In my mind, both are morally equivalent, and both are examining themes which may be interesting in the context of queer experiences and liberation.

yeah that's exactly what I'm talking about... I'm basically just arguing against that more extreme mindset you sometimes see around queernorm stuff and pointing out that maybe it's not great to implicitly lump stuff like, say, steven universe, queer as folk, and i saw the tv glow together as the 'lesser' or "more harmful" type of work we should seek to avoid because they focus on queer struggles, or otherwise downplaying the value of themes that aren't like, escapist enough in some way.

Honestly I think at some point the discussion around depictions of homophobia- specifically, criticism aimed at the thought that (often quite fetishistic) homophobia (or sexism, racism, etc) needed to exist in fantasy for the sake of "historical realism", and of bury your gays-type stuff - sort of got telephone game'd into "it's weird to depict bigotry or gay characters suffering/dying when you could just not do that; no one wants to see that" and then in turn "the best, most valuable and desired way to depict queerness (race, disability, gender, etc) is to make it normal and as downplayed as possible" and i think it's worth pointing out that that's often not great advice/a good metric for judging queer fiction overall.

[erebus0dora]

you know, it's a simple night of, uhh, making a thing without a reference, then using is as a reference for another thing that technically has no reference

the usual

not the best work of mine, but i desperately needed some warming up to get back on the proper Old Maniel track.....

[lintufriikki]

had fun doing metallic nails, inspired by wavewave 💙💜

photos really don't do justice to how shiny and iridescent they are 🥺✨

[fantasykiri5]

Ticklish

[galadrielslight]

The Lord of the Rings: Rings of Power Sauron and Galadriel dueling (insp) Shadow and Flame

[gummishark]

you fatty fat FAT BOY

trans colored alt 🏳️‍⚧️⚧️

[front-facing-pokemon]

[canisalbus]

i decided today was as good a day as any other to learn how to 3d sculpt and then trace and animate the model…

so i made a little machete to spin in my head

(i still want to fix the snout length a little so it looks consistent, but i feel like it’s a pretty good first attempt at this)

hope you have a nice day and nicer ones to come! :)

.

[inthehouseoffinwe]

Hc that Celebrian knew from before they were born which of her children would choose mortality.

From what I remember, Elven mothers have insight to their child’s life pre birth. Thing Miriel telling Finwë not to blame her for the deeds Fëanor will go on to commit. Think even the names that are chosen, and how the mother names seem to hold a certain weight about them.

Celebrian knew from the moment she chose to marry Elrond exactly what she was risking. But I think having heard and potentially seen Elros, this was something she was willing to take. It wasn’t a case of hoping her children would be immortal and find their way back to her. It was ‘I know they’ll choose what’s right for them, and I’ll be happy either way.”

Also remember Celebrian was born as part of a family who had been dealt fates worse than death before, and others to whom immortality would become a curse because they were the only ones left. Galadriel was still in exile, and had lost all her brothers and cousins. As far as they were concerned, this was it for her until she became a shade on Arda.

All that to say, she saw mortality and death not as a curse or sundering - she knew you didn’t have to die for that to happen. But as the gift as Eru intended it.

So yes. When Arwen was born, she grieved. But she also smiled. There’d come a point where her daughter would leave her forever, but she had an Uncle on the other side waiting for her. And Celebrian knew whoever had Arwen’s heart would be a noble and kind man indeed.

And based on conversations I’ve had with people talking of their married children? There will always be a sense of grief. But every parent, especially someone like Celebrian who had such a wonderful life with Elrond, wants their child to experience what they have.

Wherever it takes them.

(Celebrian receives letters from Arwen and Aragorn when Legolas comes. She holds them close and weeps, but smiles and laughs as she reads them. And her heart eases. Just as she thought, Arwen was happier in her short time on Arda than she ever would’ve been as an immortal in the Undying Lands.)

[spidertroupeart]

Hedgehog doodles

[count-skribula]

We need to start drawing Quincey as a girl in those late vitorian bicycle suits without elaborating. Then if anyone asks we say "Stoker's wife approved a script where the only change was Quincey is a woman I am only following the vision"

I couldn’t agree more

In reference to this post:

[flyingfabio]

☀️ sunbathing ☀️