#eric bogle

[edge-oftheworld]

13 fave Christmas songs?

anon I’m not gonna lie to you I’m not the biggest fan of Christmas in general. it reminds me a lot of the commercialised and the colonial, oppressive side of Christianity and I find it hard to get into the spirit when neither of these things have been reconciled and the damage they’ve done to the planet and oppressed people hasn’t been resolved.

that said there are a few that hit well for me. I’m not sure I’ll make it to 13, but in no particular order:

Christmas must be something more by taylor swift. I just find it super cute the way she’s like ‘here’s to the baby boy that saved our lives’ like obv everyone is entitled to their own beliefs around Christmas and the holidays, but I appreciate the sentiment behind this song

do they know it’s christmas (feed the world) by band aid (which isn’t a real band, I can’t remember the full lineup but I’m thinking of the 1984 original with boy george etc.) I know it does have some problematic implications with the image it presents of africa, however, when I see it as what it is (a fundraising song trying to break us out of our feel-good bubbles and capture the heart of sharing from our plenty when we’re the ones who happen to have that privilege) it’s a lot more meaningful than a bunch of carols

dtkic (2014). the one where one direction sang a part and so did chris martin, to raise money for ebola. ik it’s kinda a cop out to put the same song twice but they changed it to make it a little bit less politically incorrect, and I’m putting it here to call on directioners who can tell, to tell me exactly which 1D members sang what. also, how cool would it be if we did a new one in 2024 to raise money for palestine and ukraine? (do I want 5sos to sing it? of course)

angels we have heard on high (I think that’s what it’s called). the one with the Gloria in exelsis deo. the modern version. I played it on viola once for a church event and it was fun

silent night. love how melodic this is

o holy night. I love the themes of the slave being our brother, freedom for the oppressed etc. To me that’s what Christmas is about.

taylors last christmas

colin buchanan’s parody of jingle bells, called jesus saves. it’s a bit corny and does present a more simplified evangelical penal substitution version of Christianity/the gospel (aka the one where it requires telling you you’re sinful) but it’s not super dark and it’s kinda fun and I appreciate it way more as an adult than I did as a kid

this one isn’t really a Christmas song but it captures the holiday season in Australia really well and how I grew up celebrating Christmas. Aussie BBQ by eric bogle. I’d encourage anyone who either wants to see their culture represented or wants to realise that the whole world isn’t the northern hemisphere to give it a listen. It’s hilarious as anything and has the best lyrics and little references. I prefer the Goanna Gang cover to the original, it’s got a couple lyric changes to be less problematic and they generally did it really well musically. It’s available on streaming services I’m pretty sure, but I’m not sure if only in Australia. dm me if you want the mp3 though I can post it

I’ll add something that’s not a Christmas song at all but has themes of going to see family: the road to gundagai. It’s a traditional Australian song or something, can’t remember the original, but there’s a cool parody of the main lyrics as well as the original on the goanna gang version. I might have to post that one because the parody verse starts with ‘there’s an old fashioned Ford made of rubber tin and cord’ and I can’t find the version I have on CD anywhere else

come thou long expected jesus

mum by luke hemmings (yeah I’m joining in the trend in this fandom to make this our de facto christmas song just because it contains the words ‘I’ll be home December morning). but anyway I love the themes of this song, and though it’s written to a parent it can also be applicable to a relationship with God, and reconciling that, which is a big part of Christmas to me. The ‘I’m so heavy, jump into my ocean, can’t you see me sinking?’ calling out to the person (or deity, if you’re me) who takes care of you to come and witness you, mirrors really well the ‘call’ of the people that Christmas was meant to be an answer to. which is still the call of the people in the land where Jesus was born especially today. so

tis the damn season by taylor swift

[cbjustmusic]

"The Green Fields of France" performed by Niall Hanna and Niamh Farrell. ____________________________ The Green Fields of France Songwriter: Eric Bogle

Well, how do you do, young Willie McBride? Do you mind if I sit here down by your graveside? And rest for a while in the warm summer sun I've been walking all day and I'm nearly done I see by your gravestone you were only nineteen When you joined the great fallen in 1916 I hope you died well and I hope you died clean Or young Willie McBride, was it slow and obscene?

Did they beat the drum slowly, did they play the life lowly? Did they sound the death march as they lowered you down? Did the band play The Last Post in chorus? Did the pipes play the Flowers of the Forest?

Did you leave a wife or sweetheart behind In some faithful heart is your memory enshrined? Although you died back in 1916 In that faithful heart are you forever nineteen? Or are you a stranger without even a name Enclosed in forever behind the glass frame In an old photograph, torn, battered and stained And faded to yellow in a brown leather frame?

The sun now it shines on the green fields of France There's a warm summer breeze that makes the red poppies dance And look how the sun shines from under the clouds There's no gas, no barbed wire, there's no guns firing now But here in this graveyard it's still No Man's Land The countless white crosses stand mute in the sand To man's blind indifference to his fellow man To a whole generation that were butchered and damned

Ah young Willie McBride, I can't help wonder why Do those that lie here know why did they die? And did they believe when the answered the cause Did they really believe that this war would end wars? Well the sorrow, the suffering, the glory, the pain The killing and dying, were all done in vain For young Willie McBride, it all happened again And again, and again, and again, and again

[clivechip]

Remembrance 2024

  Here in the UK this coming Sunday is our annual Remembrance Sunday, the day on which we remember and thank those who made the ultimate sacrifice to protect our freedom. I have posted for this every year since I started this blog: it is an important occasion for which I always want to mark my respect. In previous years I have told you of local events, of the forebears of my football team who…

[themapleleafdiaries]

this Remembrance/Veterans day, i crawl out of the woodworks to once again urge you to ditch the Dixie Chicks and listen to The Green Fields of France

[davedyecom]

BLOG/CAST: Graham Watson #1

In the style-obsessed 80s, no agency was more obsessed than BBH. Everything that came out of the place reeked of it. Including the staff. Their men’s toilets were stocked with tubs of hair gel (What? It was the eighties!) Their AAR reel, a tool for agencies for clients to compile pitch lists, didn’t follow the template the rest of the industry did (pasty faced public schoolboys using big words,…

[leftenantjopson]

On the Cyclical Nature of War

And It Cannot Be Changed, Francisco Goya/All Quiet on the Western Front, Erich Maria Remarque/The Next War, Osbert Sitwell/Ivan the Terrible and His Son Ivan, Ilya Repin/The Parable of the Old Man and the Young, Wilfred Owen/Saturn Devouring His Son, Fransisco Goya/Green Fields of France, Eric Bogle/I Want Nothing in Return, Dennis Scholl/Bomber, Len Deighton/Masters of the Air, Donald Miller/Jörmungandr in the Sea during Ragnarok, Louis MoeAgnus Dei, Francisco de Zurbarán/Masters of the Air, Donald Miller/Grass, Carl Sandburg/Last Night I Had the Strangest Dream, Simon and Garfunkel

[petermorwood]

*****

The "Willie McBride, who was only 19" of Eric Bogle's song "No Man's Land / The Green Fields of France" is also an Unknown Soldier.

Bogle used that name and age because they rhymed - McBrIDE / gravesIDE and nineTEEN / sixTEEN - not because they were real, and despite various claims, neither of the two McBride headstones in Authuile Military Cemetery are the man in the song.

Here's a Radio New Zealand interview where Bogle says so himself - it's from 11:50 to 15:08.

Inaccuracy or artistic license, it doesn't blunt the edge of those lyrics one little bit. There are several variants: I chose this one.

"Well, how do you do, Private William McBride, Do you mind if I sit down here by your graveside? And rest for awhile in the warm summer sun, I've been walking all day, and I'm nearly done. And I see by your gravestone you were only 19 When you joined the glorious fallen in 1916, Well, I hope you died quick and I hope you died clean Or, Willie McBride, was it slow and obscene? .... So I can't help but wonder now, Willie McBride, Did the young lads who lie here even know why they died? When they served with the Colours and answered 'The Cause' Did they really believe that their war would end wars? For the sorrow, the suffering, the terror, the pain, The killing, the dying, were all done in vain, Because, Willie McBride, they've all happened again. And again, and again, and again, and again..."

Illustrations by Dave H of Remembrance Art.

[saposii]

'I see by your gravestone you were only nineteen

When you joined the great fallen in 1916

I hope you died well and I hope you died clean' (Eric Bogle "The Green Fields of France")

[scotianostra]

Happy Birthday the Scottish folk singer/songwriter Brian McNeill born on April 6th 1950 in Falkirk.

Brian was a founder member of the Battlefield Band, one of our finest Folk Groups. He also joined several other top Scottish Folk musicians including Dick Gaughan in Clan Alba.

Brian is a multi instrumentalist – chiefly fiddle, bouzouki, mandocello, guitars and concertina – and the importance of his songwriting has long been recognised with such songs as The Yew Tree, The Lads O' The Fair, The Snows of France and Holland, Strong Women Rule Us All With Their Tears, Any Mick'll Do and No Gods and Precious Few Heroes. Many of his songs have been performed and recorded by artists worldwide. He has been described as ‘Scotland’s most meaningful contemporary songwriter’.

​Brian’s audio visual shows, The Back O' The North Wind, about Scottish emigration to America, and the sequel, The Baltic Tae Byzantium, exploring the influence of the Scots in Europe, have won wide critical acclaim. His long connection with America's Lone Star State led to him being created an honorary Texan by the then Governor George W Bush. For six years Brian was Head of Scottish Music at the RSAMD, now the Royal Conservatoire of Scotland.

Brian is increasingly in demand for his production skills and his album credits include Davey Arthur, The Paul McKenna Band, Lorne MacDougall, Rua Macmillan, Eric Bogle and John Munro, Matt Tighe and Tad Sargent, The John Wright Band, Drones and Bellows and Missouri a cappella quartet The Wee Heavies.

As well as his musical talent Brian has also turned his hand to writing, he pens short stories, crime and mystery fiction involving his hero, busker Alex Fraser and his heroine, private sleuth Sammy Knox.

Brian is currently on the road with the The Feast of Fiddles 30th anniversary tour.

A song Brian wrote is one of my favourite modern folk songs

No Gods And Precious Few Heroes

I was listening to the news the other day Heard a fat politician who had the nerve to say He was proud to be Scottish, by the way With the glories of our past to remember "Here's tae us, wha's like us", listen to the cry No surrender to the truth and here's the reason why The power and the glory's just another bloody lie They use to keep us all in line

For there's no gods and there's precious few heroes But there's plenty on the dole in the land o the leal And it's time now to sweep the future clear Of the lies of a past that we know was never real

So farewell to the heather and the glen They cleared us off once and they'd do it all again For they still prefer sheep to thinking men Ah, but men who think like sheep are even better There's nothing much to choose between the old vain and the new They still don't give a damn for the likes of me and you Just mind you pay your rent to the factor when it's due And mind your bloody manners when you pay

For there's no gods and there's precious few heroes But there's plenty on the dole in the land o' the leal And it's time now to sweep the future clear Of the lies of a past that we know was never real

And tell me will we never hear the end Of puir bluidy Charlie at Culloden yet again? Though he ran like a rabbit down the glen Leavin better folk than him to be butchered Or are you sittin in your Council house, dreamin o'er your clan? Waiting for the Jacobites to come and free the land? Try going down the broo with your claymore in your hand And count all the Princes in the queue

For there's no gods and there's precious few heroes But there's plenty on the dole in the land o' the leal And it's time now to sweep the future clear Of the lies of a past that we know was never real

So don't talk to me of Scotland the Brave For if we don't fight soon there'll be nothing left to save Or would you rather stand and watch them dig your grave While you wait for the Tartan Messiah? He'll lead us to the Promised Land with laughter in his eye We'll all live on the oil and the whisky by and by Free heavy beer! Pie suppers in the sky Will we never have the sense to learn?

That there's no gods and there's precious few heroes But there's plenty on the dole in the land o' the leal And I'm damned sure that there's plenty live in fear Of the day we stand together with our shoulders at the wheel Aye, there's no Gods

[edge-oftheworld]

see I don’t think they will but if 5sos ever release a christmas album it’ll be like ‘hope ur enjoying ur time off work (refs permanent vacation)’ *something nostalgic abt seeing family* *complaining about heat and then missing it (main big angsty song that turns out to be a banger)* ‘(hope you’re.) going Up (as in finding ways to feel better)’ and a cover of Aussie BBQ

[vox-anglosphere]

A touching rendition of Waltzing Matilda with WWI archival footage.

[serious2020]

Eric & Jessica Huntley & The Bogle L’Overture / Walter Rodney Bookshop

[dollarbin]

Nickel Bin #8 / Sandy Saturdays #12:

Fairport Convention's Genesis Hall and

June Tabor's No Man's Land

Let's continue this week's Nickel Bin battle against the blues and get our Sandy Saturday going early by laying one of my favorite songs of all time, Genesis Hall, alongside a brand-new-to-me track that just made me fight hard not to sob.

I was introduced to June Tabor's rich voice, which sounds like Nina Simone, Emmylou Harris and Helen Mirren in the midst of a throuple, through her early 90's cover of Genesis Hall. My ladyfriend at the time (now my wife) worked at McCabe's Guitars and her fairly questionable hipster boss had just produced Beat the Retreat, a Richard Thompson tribute album. I'd hang around the place like I knew what was up while the hipster went on and on about what it was like to be in the studio with J Mascus as he piled up the tracks.

But when I sat down with the guy's record I was instantly taken instead by Tabor's naked, rugged, simple and shimmering boldness:

Not bad huh? Tabor strikes me as the only person this side of Linda Thompson who has any business singing a Sandy Denny song.

Here's Sandy's original of Genesis Hall from her second record with Fairport. If you've never heard this before, a) that's weird, and b) you might want to sit down. Richard Thompson opens the track by letting his guitar mimic a gallow's sway; you can hear the ravens strutting about with impatience, eager for the corpse to stop twitching so they can get at the eyeballs. Then Sandy comes in and lays it on us.

Thompson's poetry here is young and elusive; I don't think he or Sandy knew precisely what they were getting at. But so what: they identify, and conquer, a truly harrowing mood all the same, while the soon-to-be-dead-in-a-full-band-auto-wreck Martin Lamble's drum falls leave their forever mark.

Alternatively, Australian singer-songwriter, Eric Bogle knew exactly what he was getting at when he wrote No Man's Land in the mid-seventies. He did not like wars, most especially WW1, and he didn't like Britain's ongoing mistreatment of the Irish. So he said something about it.

Honestly, this version, which I'm listening to for the first time as I type this, doesn't do a whole lot for me. It's too stately and sincere for my impatient ears midweek - if I had not heard Tabor sing the song to begin with earlier this afternoon I never would have stopped to listen.

But Tabor's version is a big deal. She creates incredible drama with the barest of ornamentation; she climbs up and down the melody with lithe strength. I've sought fruitlessly for another song of hers that hits me like her take of Genesis Hall for a full 30 years.

Until now:

There's so much to grieve for right now. I'm battered daily by the news out of Palestine, and I know there's comparable famine and suffering from Sudan to Haiti, all while I sit complacent about 12 miles from an international, and totally arbitrary, border that is intended to prevent millions of striving people from obtaining far better lives.

I don't know what to do about it any more than you do. But listening to this song today seems like a tiny, but solid, first step.

[dreaminginthedeepsouth]

My youngest son came home today His friends marched with him all the way The flutes and drums beat out the time As in his box of polished pine Like dead meat on a butcher's tray My youngest son same home today

My youngest son was a fine young man With a wife, a daughter and a son A man he would have lived and died Till by a bullet sanctified Now he's a saint or so they say They brought their saint home today

Above the narrow Belfast streets An Irish sky looks down and weeps On children's blood in gutters spilled For dreams of freedom unfulfilled As part of freedom's price to pay My youngest son came home today

My youngest son came home today His friends marched with him all the way The flutes and drums beat out the time As in his box of polished pine Like dead meat on a butcher's tray My youngest son came home today And this time he's home to stay

+

[I was about to post this piece when I heard the news of Ben Zussman's death. So, posted that instead. Now, here's this. I hope this war ends soon, so I can get back to writing about other things. Working on my novel. But this is where I am. So this is what I write. Also, if you read it all and decide to share, please paste Abu Saif's essay into the first two comments on your post as I do below.]

I'm pasting in the first two comments an essay from the NYT by عاطف ابوسيف(Atef abu Saif). I’m violating the paywall because it's so important and you might not have a subscription. Sue me. If you manage to read the title and can continue, read all the way to the end. If I believe in the idea of sin, I believe it is a sin to look away. I began to write an introduction, but it turned into something longer. A lot longer. The longest post I’ve ever written. So, feel free to skip my meandering and oh so sentimental musings and read the essay. In any case, I urge you to read his essay. More than that. I dare you. Especially if you support this war.

This post will be difficult for some to read. It sure as hell was difficult to write. There’s complexity here if you recognize the horrors the IDF is perpetrating in Gaza. Even if you, unlike me, stand with those who think them necessary and justified. It’s not simple to write then. But if you make your way through it and then read the essay in the comment, maybe you’ll understand something better. Though perhaps not more sympathetically. Just maybe a bit better.

I’m between the hammer and the anvil with regard to the IDF. I’m in no way an apologist. I’ve been clear with my son that I would support him if he refused. There’s no chance of that. But I wanted him to know. I’ll write something else about that later. These are issues about which I will repeat myself.

But I also reject that people serving in the IDF are like Nazi stormtroopers, or the majority of those serving in it are the equivalent of Hamas, even though I have friends I deeply respect who have presented me with those opinions explicitly. I hope that they are able to read this. It’s again about my children, as Abu Saif’s is in large part. War, for me, is always about children. Always. And, as I wrote last week, maybe if we all recognized that, there wouldn’t be more war.

We should all listen to Eric Bogle’s song “My Youngest Son Came Home Today” more often. Especially the rendition here by the PS22 chorus.

My three children came to me for Shabbat dinner this past Friday. We're all still getting used to the divorce. One meal with me, one at home with their mother, a 20 minute walk from my place. Sometimes, it’s dinner with me and lunch with her. Sometimes vice versa. Once in a while, all five of us together. Their mother sees them more on Shabbat. It’s the nature of things. That’s their home. I see them for two hours. Precious hours. But I see them.

We generally have a very nice time. But even when not, I’d rather have a horrible time with them than a wonderful time with anyone else. They are never eager to walk those 20 minutes, as much, I think because of what that time and distance represents as the effort required to make the short trek. Sometimes one or more of them arrives grumpy. They are teenagers, after all, in the wake of a domestic disruption. But usually, even then, things loosen up. I make food they like. I make sure things are clean and orderly and calm. That things feel stable and safe.

Finally, in the past few weeks, I have prevailed on them to enter without knocking. “It's your father's home,” I tell them. “You don't need to knock to enter your father's home. You aren't guests. You have a place here. Always.” I don’t know if it makes a difference to them. But it does to me. I hate it when they knock. They’re my kids.

I only see my elder daughter on Shabbat. She was recently inducted into the education corps for her compulsory service. (The army aspires to be a source of knowledge for people who have been deprived.) She began her service just a few weeks before October 7th. A member of her course was from Kibbutz Beeri. He was home for Shabbat and caught up in the massacre. Even in the education corps, one may be connected to the dead.

But she’s nowhere near any danger. She says she’s a bit embarrassed when she’s in uniform on the street, or on a bus, and people bid her “watch over yourself”. Or “May the Name guard you.” I tell her she’s a member of a corporate body that puts itself in danger to keep them safe, even if that’s not her posting. They are wishing her well because they need to wish all of our soldiers well. Because, often, they can’t wish family members and friends and friends’ children well at that moment. They need to say it. For themselves. And she provides them with an occasion. A sort of gift she can give them. Also, I want everyone to bless my children. To wish them safety and protection. To want their wellbeing. Who wouldn’t?

Sometimes, the one who gives the blessing benefits more than the one who receives it. Every Shabbat when I see them, before we eat, like many Jewish parents, I move from one to the next, in order of their birth, place my hands upon their heads, and recite the tripartite priestly blessing from the Book of Numbers. Three blessings in one. An ancient bargain!

May The LORD bless you and guard you. May The LORD shine His face upon you and grant you favor. May The LORD raise His face to you and grant you peace.

My favorite moment of the week. Routine, a formula, but never formulaic. The regularity never diminishes its emotional charge. They are often distracted or bored or grumpy. Though when he was little, my son, who was born with a galaxy-sized heart – when he was two, one of his caregivers told us “he’s simply full of love” – would respond by putting one hand on my head and one on his mother’s. And we would grin and sometimes giggle a bit. And feel blessed. Even when I’m irritable or tired, blessing them always redirects me toward meaning, if only for a moment.

I remember the first time I did this. In a hospital recovery room. Their mother looked up at me, tired beyond tired, and said “should we give our daughter a b’rakhah?” A blessing. We’d been preparing for nine months. In some senses longer than that. Since we were engaged and hoping to give one another children. So, I’d been waiting for the right moment, and I was about to say something. Our daughter had been born on Friday morning. We’d lost track of time. The labor had been so long, and the delivery had not been easy. But Shabbat, commencing with sundown, pulled us back on schedule. We always measure time from Shabbat to Shabbat. From that moment on, I would measure it from blessing to blessing.

I had been about to say something about it being time. Our first time. But she preempted me. It was right for her to claim the prerogative to prompt us. Earned. Childbirth is never egalitarian. And despite the long anticipation of this moment I’d imagined, even dreamed, the substance of its performance, the special mix of gravity and joy, the glow of it felt surprising. We’d placed our fingertips on her small, warm, downy head. So delicate. So fragile. With barely any pressure. She was in a deep sleep. Being born is very hard work. Especially when it takes so long. In a matter of weeks, if not days, we’d be longing for her to finally sleep. So, we could collapse or work or read or watch TV. Mostly collapse. But at that moment, I wanted her to be awake. I wanted her to hear us. I wanted her to watch us and feel our hands upon her, blessing her with a wish of peace. Shalom. A more expansive term than peace that also connotes health and fullness and well-being. A blessing that channels something beyond language, something language can only summon but not contain. I wanted her to feel it. I remember crying a little. I think I did. I hope I did.

I wonder how Atef Abu Saif blesses his children.

I don’t connect so much to the idea of a “personal God.” Sometimes I wish I did. I wish I had an almighty and benevolent addressee who would hear me. “Nigh is The LORD to all who call upon Him,” as the psalmist says. But I’ve never really felt it. That presence. I’ve studied some theology. A body of knowledge I admire. I wrote my Bachelor thesis on Maimonides’ reading of Job in his Guide of the Perplexed. A dazzling text that I never found as cold as some find its rationalism. Rather, it’s literary and bold and charged with a kind of passion, with humanity, even as the author, that monumental Sage and philosopher strives to distinguish God absolutely from anything human. A deity so far beyond humanity that ascriptions of physicality to him in scripture must be read strictly and scrupulously as metaphors. Yet his text sings with humanity. I’ve studied mystical theologies as well. They have moved me in similar fashion. Though a different flavor.

But despite all the humanity in theology, I’ve never felt that immediacy of touch or attention or found the arguments compelling enough to engender belief in God’s objective existence (and now the RaMBaM, the acronym by which we refer to Maimonides, is shouting in my head that God is not an object, and the idea of His objective existence is idolatrous). Yet if God is so elusive for me personally, I still find the conceit powerful. Imputing a name and a face to the Cosmos, with apologies again to the RaMBaM, whether or not it’s an intentional power, is very alluring. So, in that hospital room, my fingers timid on that little head, the regularity of my hours-old daughter’s breathing so miraculous, we pronounced the ancient formula. Please God, let her be well. Let her be whole. Let her have peace. And then we had a son. And then another daughter. Each a blessing. And every week I bless them.

So, once again, this past Friday night I blessed them. Let them have peace. Shalom. Wellbeing. Let everything be well with them. I know it won’t always be. There will be struggles and illnesses and disappointments. Maybe heartbreak. Certainly heartbreak of some sort. I’ve had more than my fair share. Not only recently. Atef Abu Saif, whom I hope you will read below, has had more. Much more. Hard to imagine any Gazan who hasn’t. There are so many kinds of heartbreak. It’s endemic to humanity. To life. Only a babe who dies very shortly after birth never knows heartbreak. Not to know heartbreak seems inhuman. “Nigh is The LORD to the brokenhearted,” says he psalmist. But nonetheless. Please spare them that. Please. When I bless them, I want to feel power flowing through me, pouring out of my hands onto them. Enveloping them in radiance. I want to be a conduit for divine favor. Let God’s face recognize them, let them be seen by the Cosmos, and be received in kindness, and receive kindness. As I said, giving a blessing can be more for the one blessing than for the blessed.

This Friday night, they barely broke their chatter when I went around to bless them. As usual. I did it quickly. I usually do. But it never undercuts the profundity of it. And like many parents, I kissed the tops of their heads as I removed my hands. My son, who recently surpassed me in height by a few centimeters, now bends his head down so I can do this.

These days, that final word in the mystic formula, shalom, feels particularly powerful, particularly heavy. Even more than usual. Despite its range of abstract meanings, it always feels so specific and concrete as their heads round into my palms. And I stand in a posture of power. The ultimate patriarchal pose (though, of course, many women, like their mother, do it as well). But perversely, it makes my powerlessness palpable. I won’t be able to preserve them from suffering and deprivation and disappointment. I have, myself, presented them with such experiences already. It has been a difficult few years. And as my yearning for power underscores my powerlessness, the blessing becomes a plea. Please. Bless them with peace. Please. Please. Please. Always. But especially now. Shalom.

My daughter had told me earlier that day that because of “the situation”, they are going to start sending members of her unit home with rifles when they set out for their near weekly Shabbat furloughs. I think it's ridiculous. She’s in the education corps. It seems both thematically incongruous and useless in a practical sense for her to travel with a semi-automatic assault rifle. A machine gun. I tell her she’ll never use it. And she shouldn’t. The only place she might do so would be if “something happens” on the way. But fifty more visits to the shooting range wouldn’t equip her for that situation. Excellent field soldiers sometimes fail to pass anti-terror training, teaching people how to use a weapon in the middle of an attack in a civilian area. Though we send armed soldiers into civilian areas right now. We always have and we always do. But those aren’t ‘our’ civilians. Aren’t we supposed to hold every human life as equally sacred? We claim to. We don’t. Obviously. No army does. Laws and ethics of warfare don’t. But that doesn’t make it ok.

She mentions the attack that happened the previous day. Two Palestinians from East Jerusalem opened fire on a bus stop at the entrance to West Jerusalem. And two soldiers and one civilian shot them dead. Three civilians died. Four, actually. I’ll get to that in a moment. Several are in the hospital. I admitted that maybe then. If she had a clear shot. But that’s crap. The presence of mind to operate a weapon under pressure without extensive training? I imagine her quickly swinging her rifle around to the front of her body, quickly inserting a magazine, cocking it, bracing the butt against her shoulder, aiming, finding a clear sight line, and pulling the trigger. All while under fire herself. Yeah. That’s not happening. She should get herself behind a very solid object or lie flat on the ground with her hands over her head.

Then my son mentions that one of the people who was killed, the fourth, had jumped from his car and it was he who shot the terrorists. A 38-year-old lawyer named Yuval Kestleman who served in a reserve combat unit and carried a licensed handgun. I saw the security footage. As the two off-duty soldiers had turned and trained their weapons on him, he'd dropped his gun, sunk to his knees, ripped open his jacket so they could see he wasn’t wearing an explosive belt, all the while calling out to them in Hebrew, identifying himself as a Jew and an Israeli. And one of the soldiers, a member of the radical right-wing settler “hilltop youth” who was on his way back to Gaza, shot him dead.

There’s a controversy over whether the soldier who shot him can be excused. Part of a broader controversy about what constitutes a “neutralized” suspect or perpetrator and the ruled of engagement. Some, like the awful Chief Rabbi of Safed, explicitly support summary executions. Even if they are lying unconscious. Just shoot them. The ideological community this soldier affiliates with holds this position. And if you get it wrong, well, as our Prime Minister initially said about this incident, “that’s life”. Really.

I don’t know the soldier. Just his ethos. And he expressed glee at having killed someone, at least before he found out whom he killed. “Everyone wants an ‘x’.” A kill. A lie. Many if not most hope they never have to. But he did. It’s hard for me to believe he couldn’t see Yuval Kestleman drop his weapon, fall to his knees, and raise his hands over his head, hear him calling out in Hebrew.

I’ve already argued about it with one total stranger, a security guard at a building I was entering, holding forth with another security guard about the case. I couldn’t help myself. “You don’t fire at someone if they are on their knees with their hands above their head.” He responded with “and what if it had been a terrorist?” I repeated that you don’t shoot someone on their knees with their hands over their head. And the footage is quite clear. My daughter would never do that, even if she could get in position to do it. My son wouldn’t. None of their friends would. I can’t imagine any of he people I served with doing that. Though it’s been a long time. Maybe some would. Certainly not those I trained and commanded. But we send lots of people like this soldier and this security guard to Gaza. And sometimes people like Atef Abu Saif and his son and his mother face soldiers like these.

My son is 16, a year old than Atef Abu Saif's son, about whom you will read below, if you have the courage to witness. You should try. The act of witnessing is a sacred act. And sometimes, it’s all we can do. I know that telling people what they should do is both strategically and morally a sketchy thing. Lots of things these days are strategically and morally sketchy. I suppose it will be much easier for those who don’t live here, haven’t served, don’t have children serving in Gaza, or know children of friends serving in Gaza, or have neighbors serving in Gaza, or. . .well basically almost everyone who lives here. Barring ultra-Orthodox and Arab communities. He’s an elite athlete, a student at an academy for dedicated and ambitious and highly disciplined basketball players located 40 minutes from Gaza, much closer than his older sister’s army base.

My youngest is 13, the only one who lives with their mother full time. I see her once in the middle of the week as well. She comes for dinner. Or we go out. We always have fun. Last week, I made a pasta she loves, and we watched The Godfather. She shares much more with me now than she did when I lived with her. And I feel guilty that her mother shoulders most of the hard parenting bits, though we both try to share those as well. Some things are overdetermined by the physics of space and time. And sometimes a distance of 20 minutes might as well be 500 kilometers.

At some point, as was inevitable, the conversation shifted to “the situation”. My son says he believes this war is necessary. That it will make us safer. That the civilians dying in Gaza, with whom he says he sympathizes, are all Hamas' fault. ‘Look what they made us do!’ He says his opinions have changed since October 7th. I think that's Hamas' fault. His older sister says she trusts the army that they are doing everything they can and know what they are doing and she thinks we must all have faith in its commanders. She’s very firm about this. Too firm? Does she really think this? Or does she need to believe it? They have friends serving in Gaza. They know people who were murdered on October 7th. They know someone who is being held hostage.

My youngest offers that for every Hamas member we kill, we make three more. A common saying among war skeptics and opposers. Maybe she heard it somewhere. Maybe the formulation is obvious. Maybe she uses the number three because our minds so commonly divide things into threes. Lots of theories about that. Aristotle, in his Poetics, says all stories must have a beginning, a middle, and an end. We invoke the names of three patriarchs in our liturgy. It takes Abraham and Isaac three days to reach Moriah, where the former, a father, binds the latter, his son, on an altar and raises a knife over him. Three blessings make up the blessing I bestow upon them every Shabbat as a plea for their shalom, their wellbeing. Three bears. Three pigs. Three caskets in Shakespeare’s Merchant of Venice. Some say you surface three times before you drown. Like Emily Dickinson.

Three times, 'tis said, a sinking man Comes up to face the skies, And then declines forever To that abhorred abode.

Kill one and make three, she says. I say I agree with her. I tell them that I don't believe that the situation you will read about, if you dare, in Abu Saif’s essay below makes us safer. It's at best a strategically and morally sketchy endeavor. A sketchy calculus. And suddenly I realize how calamitously insufficient the word sketchy is here.

I don't say much more to my elder daughter and son. It won't help to argue and correct them. And they already know my politics. It’s one of the reasons they are unloading on me. Sometimes they are uncomfortable with how far outside the mainstream I am. Sometimes they are confused by my orientation and commitments. It's not easy to have a parent so far outside consensus. A member of a dissenting minority. Who sometimes even dissents from the dissenters. They want to belong. They want to feel at home in their social world, their society, their culture, their history, their people. I used to want that. Sometimes I still do. I have friends with activist children. Mine are not. I don't know why they aren't. Maybe it’s a parenting failure. I haven't always been as stable and present a parent as I intended and always wanted to be. I had serious struggles. I’m better now. Much better. And there’s no deficit of love between us. But I obviously failed to present them with a compelling model for engagement the way I would have liked.

So I let them unload their fear and anger. Posing a question here and there. Offering a brief comment that I strain to phrase in a way that isn't argumentative. I'm not good at that, so I stay mostly quiet. They know what I think. And they are speaking with that knowledge. Fighting with them won't help. They are in the middle of a crisis. Their trauma is unfolding. Though not like Abu Saif’s son’s trauma. Nowhere near that.

I noted that my son was now standing on his feet. I was distressed at the turn it had taken. For selfish reasons. These hours are indescribably precious to me. I want them to be pleasant. But this, too, is part of parenting. A part I don’t want to miss. There were stories and laughter. Sometimes, even my stories and their laughter. With no accompanying eyerolls. I have some talent for telling stories. But when they began to unload, I reminded myself: say less, listen more, as their mother would often urge me with extreme exasperation. If I had been able to do that, would they be coming with me to rallies and demonstrations? Or, the deeper question, would they be splitting their Shabbat meals between me and their mother now?

We moved onto the blessings after the meal. As always, we prefaced them by singing Psalm 126. ‘He goes forth weeping, the planter bearing his store of seeds; come, he will surely come back in joyous song bearing sheaves.’ Tell that to the loved ones of the victims on October 7th. What about all the kids whose lives were cut short like sheaves, before they could plant their own seeds? Still, I sang with them. Then, this morning, I read Atef Abu Saif’s essay. Tell that to him. I dare you.

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https://www.nytimes.com/.../gaza-family-palestinian...

And listen to "My Youngest Son Came Home Today"

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‘I Want to Be Awake When I Die’

Dec. 2, 2023

[Atef Abu Saif was visiting family members in Gaza with his 15-year-old son, Yasser, before Oct. 7 and has kept a diary of the war since it began. Here is his entry for Nov. 21, the day he decided to leave the Jabaliya neighborhood in the north of the territory for southern Gaza, en route to the Rafah crossing into Egypt.]

We cannot stay here any longer. We have decided.

The shells over the last two nights have been so close to the apartment we are staying in that I didn’t just see the light and hear the thunder of their explosions. I saw them pass right by my window. The Israelis are getting closer every minute. Most of the outer regions of the camp are under full occupation now. Overnight, troops advanced a couple of streets closer from the north. Our street came under continuous shelling from the tanks.

I never closed my eyes. “I want to be awake when I die,” I told my brother Mohammed, who has been with us for most of the war. “I want to see it happening.” Before going to sleep, my son Yasser said he felt more afraid than ever. For the last 45 days, he has shown great strength in the face of everything, but we all have our limits. “Let’s see,” I told him. “In the morning we’ll decide.”

This was two nights ago. So, yesterday morning, I went to see my dad to ask if he’d consider moving with us. It was a hard “no.”

“But most people have left already,” I said. He’s staying put, he insisted, come what may. Then, as I was leaving he shouted back to me: “Get that boy to safety.”

That helped convince me. As I lay on my mattress last night, I realized it was not fair that my 15-year-old son should pay for my decision to come to Gaza and stay so long in the north. He might have survived 45 days, but would he survive the next 45? The chances of escaping death are growing narrower and narrower. I do not have the right to decide for him. In her last call to me from our home in Ramallah, on the West Bank, my wife, Hanna, said simply: “I want my boy. You took him to Gaza. You bring him back.”

Talk of a truce fills the news, and this might be a good time to head south to Rafah and be near the border with Egypt in case it opens. I have a job in the ministry in Ramallah to get back to, after all.

The sight of the shells flying past my window the night before also made it clear that it was time to leave: sometimes it is better to be wise than correct, if that makes sense. The wise thing is to give everyone a chance to live, even if the correct thing is to not let the Israelis get away with a second Nakba — yet another expulsion from our land.

When this morning finally comes, the driver we have hired for the first leg of our journey arrives. My father-in-law Mostafa and his wife Widdad, who uses a wheelchair, are traveling with us. My in-laws want to stay with their granddaughter Wissam, 23, at the European Gaza Hospital in Khan Younis, in the south. Wissam is recovering from triple amputation surgery, after surviving a bombing in the first week that killed her parents and most of her siblings. Wissam’s surviving sister, also named Widdad, can take care of her grandmother as well as Wissam.

I carry my mother-in-law into the car. As the car sets off, we all try to prepare ourselves mentally for the long journey ahead. We get out at the Kuwait traffic junction and negotiate the hire of two donkey carts to carry us all to a gathering area along Salah al-Din Street, the main north-south route already called “New Nakba Road” by some.