#episode tag: The Last Generation

[star-trek-fandom-confessions]

#730

I love Seven of Nine and I'm mostly pretty happy with how she was treated in Picard (its honestly better than how she was treated for much of Voyager), but I don't like the way they made her captain. I honestly think Liam Shaw was one of the best parts of the season and was a great contrast to a lot of the previous captain characters we've seen, and the fact that they killed him off so Seven could become captain felt really obvious and boring- even the way they did it felt super cheap and cliche (like I called the "he calls her Seven while dying and making her captain" beat EXACTLY several episodes before it happened). I would have loved to have seen him live AND her get promoted to Captain of a ship. I feel like both things could have happened, and instead they wasted a super interesting new character for the sake of a really trite plot beat. Also thought renaming the Titan the Enterprise at the end was kind of lame. We don't need that. Let it be its own ship.

[art-from-the-juice-box]

gen loss dump part 2 :]

i have a gen loss playlist so the last two was me hitting randomize and drawing a pic based on the song before it finished. the second one technically isn’t that cause charlie’s inferno isn’t on apple music cause they hate me so it’s way more of the song out of spite because they wouldn’t give it to me.

[gravitysoda]

Relief.

[starsandwriting]

I never said this with tma, but The Magnus Protocol actually IS a comedy.

[ID: Excerpts from the transcripts of The Magnus Protocol episode 12.

1. The cover had this awful comic sans title: "Mr. Bonzo's On His Way" and I wasn't exactly thrilled by this.

2. Slowly, awfully slowly, it raised its head, tilting it coquettishly

3. And it boomed playfully "Bonzo? Bonzo Bonzo?

End ID]

[carmineskiesandspidereyes]

A Softer Trigun, part 17/?

pt. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23

[necrotic-nephilim]

Any ships you don’t like in the batfam fandom that is popular?

OOOH this is such a fun question because I have quite a few

StephCass - i'll be honest this is one of those ships where the fandom ruined it for me. because 2000s StephCass is an elite dynamic, they care for each other so deeply. but the fandom has been intent on defanging and purifying this ship. i don't know *why* but StephCass seems most popular with the anti-Batcest crowd who get very mad if you compare it to ships they deem Batcest. i have an entire meta commentary on this in my drafts I'll likely never post discussing why the only reason StephCass gets the pass for not being Batcest ties directly into misogyny (because the women of the Batfam need to exist as love interests first, not family members so Steph was never going to truly get to exist as a "full" Batfam member so long as she could remain a viable love interest for Tim, and the same can apply to Babs, Helena, and even Cass in some cases) and that just sours me to it. like if i want yuri in Batfam i think there are far more interesting/fucked up ships for Steph like Babs/Steph or Helena/Steph. and when it comes to what i'd actually like to see in canon, i don't want to see Steph relegated to love interest of a Batfamily member, even if it's queer. let her date and exist outside of Gotham the way every other Batfam member gets to, DC *please*.

Bruce/Selina - i can't fully articulate why this ship isn't my thing, it just isn't. i think i just can't conceivably agree with Selina letting go of so many of her fundamental morals and beliefs for the sake of a man, even one she loves such as Bruce. ironically, i think that's one of the few things Gotham War got right about these two. the only canon love interest i like for Bruce is Zatanna and i mourn we'll never get much of that.

JayRoy - i will admit when i was newer to DC the first comics i picked up for Jason were all New-52 and i shipped this. but now that i'm a pre-Flashpoint truther and i've actually read well-written Roy Harper comics, i only see the flaws in this ship. ngl if ppl were actually fun and interesting with it, playing with the idea of Roy knowing Jason as Robin and still seeing him as just Dick's little brother who's gone a little mental, it *could* be fun. but this Red Hood & the Outlaws (2011) and Red Hood/Arsenal (2015) dynamic *butchers* the fuck out of Roy and strips him of everything interesting. and even as a Batfamily stan, my number one pet peeve is when other DC characters get *butchered* in a Batfamily character's book just for the sake of propping up the Bat as some kind of savior. free Roy Harper from this mans.

Bruce/Oliver - we could be here all day if i listed all the Bruce ships i don't like, but i figure this one has to be included. because oh my god either the people shipping this *really* don't understand Oliver Queen or they just hate his ass because why would you subject Oliver to this man. he can't *stand* Bruce. i really hate the popular BruOliie shipping dynamic of like "oh they were boarding school besties" because if you want that, you *should* like Bruce/Zatanna, not these two. Oliver just always gets butchered in these fics and i won't stand for it.

Tim/Bernard - the ESSAYS i could write on this ship and why i dislike it. the fucking *fear* DC (and most popular media tbh) has with depicting queer relationships as anything other than totally perfect and cute for fear of accusations of homophobia has stripped this ship of *any* real grit. Bernard is a non-character in Tim Drake: Robin, he exists to cheer Tim on and prop him up and just be The Boyfriend. we occasionally get glimpses of an interesting character with really interesting trauma and nothing is *done* with it bc at the end of the day, Tim and Bernard must be perfect and cute. what's fun about Tim is he is the *worst* boyfriend alive. that boy is *ass* at dating. all of his relationships are rich with conflict and yet the moment he dates a guy suddenly all of his flaws vanish? i hate it. i mourn what this could've been if we kept messy Tim Drake and had a Bernard who was actually informed by his trauma. DC please let gays be messy again. also of all of Tim's 90s/00s friends to bring back as a love interest, Bernard Dowd was just a *bizarre* fucking choice. Sebastian Ives was *right* there come on now.

Any Crossover Ship - look if crossovers are your cup of tea i'm happy for you but oh my god if i have to see that little green ghost boy or that ladybug girl in the Batfam one more time i think i may explode. i have a lot of thoughts on *why* i think specifically Danny Phantom and Miraculous Ladybug get crossed over as often as they do with the Batfam, but i don't think anyone wants to year that. my only exception to this is Jason/Bucky Barnes, but it *has* to be comics!Bucky. like. Judd Winick's Jason and Ed Brubaker's Bucky would hatefuck and that i wish to see it. any other crossover ship (especially the Peter Parker ones that seem to be rising in popularity) just do *not* do it for me.

honestly besides that i don't think i dislike many ships. (aside from being super opinionated on Bruce ships, but that's mostly bc ppl will use him to butcher the character they ship him with) there are some ships i'm neutral to because i simply do not know enough to have an opinion (like Dick/Wally). i guess the only Batcest ship i'm not particular to is Bruce/Damian, but I wouldn't say that one is popular nor would i say i dislike it, just that it's not my cup of tea. most Batcest ships click for me in one way or another because i like their Weird dnyamics. i guess i could also say i dislike most ships that have come out of Young Justice (tv) because. oh my *god* why were those group of characters put together on a team. it's baffling. but even then it's not disliking those ships, it's moreso disliking that show's depiction of those characters so. everything is really dependant on the canon context for me!

[sskk-manifesto]

Ep 4 :)

[stressedbisexualtm]

dude ive hit the point where i am actually writing desert duo fanfiction for a school assignment how did i get here

okay there was that one time last year that i hung up desert duo fanart outside my classroom for inktober BUT.

[im-still-watching-anime]

i am officially, FINALLY all caught up again in both the manga and the anime for bsd and OH BOY there are thoughts and opinions but also WHO CARES because my tags are finally FREE to be unfiltered

[landfilloftrash]

the general consensus I feel like.

[star-trek-fandom-confessions]

#847

DaiMon Tarr from the episode The Last Outpost was hot

[transk0vsky]

No but seriously mirage Casey, 03 Casey and idw Casey are probably the best written versions of Casey

And it’s probably because those three get more time to be fleshed out (especially mirage and idw since they have solo issues that give them moments away from the rest of the group!) like just ughhh!!

[myrxellabaratheon]

Because of reasons (plot reasons, plot reasons being Griffith *), I’m watching Berserk for the first time — anime number 2 for me after Death Note and extremely likely last one I’ll ever watch — and I’m flabbergasted by the music choices. Like I don’t know if it’s a thing of the Italian dubbing (they used to also change musics back in the day and sadly prime video doesn’t have it in English) BUT how comes that every time Griffith and Guts share the screen there’s a romantic background music?! I KNOW HOW IT ENDS, I REALLY DON’T NEED TO SHIP THEM AND THEREFORE HAVE ANOTHER REASON TO SUFFER!

* don’t worry, I know how it ends for him, still I consider him *plot* and nothing he’ll do will convince me otherwise

** when i say that i know how it ends I mean the flashback parts of the story not the entire thing, of course

[hephaestuscrew]

Assorted Thoughts about the Greater Boston Season 4 finale

I'd assumed that Leon would 'move on' at the end of Season 5, the end of the podcast as a whole. But now we're going to have a whole season of the podcast without him. It's strange to imagine. There's never been a Greater Boston podcast without Leon Stamatis. There's never been a city of Red Line without Leon Stamatis. We began Season 1 confronting the gap that Leon left behind. We learned that he wasn't quite as gone as we might have thought, but there was still the loss, the grief, the consequences of his death. In an interesting narrative symmetry, at the beginning of Season 5 we'll have to confront him being more fully, completely gone. But I think we'll continue to see the ways in which his life and afterlife have rippled outwards.

~~

Immediately after Nica said Leon had brought people together "like a family", Louisa exclaimed that she needed to call Michael. I can't help wondering if it was Nica's comment that triggered that thought for Louisa. I'm emotional about Michael being family for Leon, Michael being family for Louisa, Michael being someone who was brought into Louisa's life by Leon…

~~

There were two moments of Nica and Dimitri sitting with Gemma in the middle of them holding the crystal ball. First, in the back of Lucia's car, when Nica reached out to touch the ball and Dimitri took her hand instead. Second, on the Ferris wheel as they prepared to say goodbye to Leon. Leon was in the middle between his two siblings - he is what divides them and he is what unites them. They held hands over him, finding awkward togetherness in the presence of their loss, stopping each from succumbing to that loss. Leon was in the middle between his two siblings, but he also wasn't; it was Gemma occupying that space for him.

On a related note, I can't help but wonder whether the Stamatis siblings had habitual positions when they'd sit in the back of a car together as children. I think that's a fairly common sibling thing, and it seems likely that it would appeal to the order-loving Leon. I can't decide if it makes me more emotional to imagine that they usually sat with Leon in the middle like that, or to imagine how they sat on that ferris wheel wasn't their typical childhood order.

~~

The lack of narration and the high number of monologues from a range of characters this episode meant that sometimes I wasn't initially sure whether a scene was an interview snippet from a real person or a monologue from a character. I think there's something significant in that blurring of reality and fiction, in real stories of loss mixed with the fictional. Those interviewees are a part of this story, or this story is a part of our world too.

~~

I loved Michael's mantra being spoken by the group, with each person taking one word. For Michael, that sequence of numbers was a way of asserting his own agency in spite of circumstances and his ideas about his nature. It was a way of saying 'my choices matter, even if I can't change the outcome'. And this moment showed how that idea can be upheld within through community and togetherness.

Michael spoke the word "Eight". And perhaps he wanted other people to take over, trusting that the people around him would complete his mantra, believing that they'd understand what he needed in that moment. Or perhaps he was intending to speak the mantra by himself until Louisa interrupted to support him. Either way there's a uniquely powerful kind of choice made against an indifferent world - the choice for people to stand against that world together. It's a contrast with Michael's often self-isolating tendencies for that mantra to become a shared thing.

[waffulaa]

.

[sskk-manifesto]

What a good episode. Maaaaaan