#entry 83

[lemondoddle]

Ow :(

[whysopasta]

apparently i have charcoal pencils

[frostbittenstatic]

y’all see the new comic in the store? happy late anniversary

[tansy-moppet]

THE FALL

[ensegnity]

I had to draw it im sorry.

[spider-mask09]

not a day has gone by where i dont think about how Marble Hornets really killed off their protagonist in the last few episodes and another character has to finish what they started. Thats crazy. That shook me to my core even knowing it was gonna happen

[dracula-dictionary]

Dracula Dictionary, May 18th

jamb: a side post or surface of a doorway, window, or fireplace

surmise: a thought based on very little evidence

[gruelproponent]

When I listen to Danzig-era misfits and it's good and I enjoy it.... the gif with the white lady tearing her curtains apart

[theuglythingay]

Day 83 of 365

Weird.....nonsense

[silksongeveryday]

Journal Entry 83: Crystal Guardian

(Drawing Hornet everyday until Silksong comes out - Day 627)

[thedissonantverses]

So I have ADHD right? And my first run of Veilguard took me 83 hours and I know I missed a ton of stuff even though I really tried to slow down and pay attention and read as many codex entries as I could. I’m still finding new stuff on my third run.

So when I see takes that are like “Veilguard is weirdly sexless compared to previous games” then in the same post you say you played 60 hours….like ya, you missed a ton of stuff. Which is fine? But you can’t get mad at the game or the writers for it that’s a you problem.

Or “You can’t talk to the npc’s so I can’t feel empathy for them” when like a) you can b) do you actually care about the people of Thedas like at all? I didn’t need the game to hit me with the empathy stick to care about a world I’ve loved for years. Again, this is a you problem not a writing problem.

Or “They sanitized/Disneyfied the lore.” Ugh.

Not saying you need to play the game again because I don’t care and honestly you don’t deserve it anyways but like if you’re going to say stupid shit at least be able to back it up.

[npdclaraoswald]

I have come to a realization. If you abide by the theory that Ford fell through the portal in early 83 (because Journal 3's last entry prior to the stuff that happens in series is from January and it makes more sense for his July 82 calendar in the electron carpet room to be out of date than to be early), then that means the last Star Trek he saw was Wrath of Khan.

This man spent 30 years lost in the multiverse, haunted and hunted by his worst mistakes and his abuser, but far more importantly, also thinking that Spock was dead

[pathetic-gamer]

Pentiment's Complete Bibliography, with links to some hard-to-find items:

I've seen some people post screenshots of the game's bibliography, but I hadn't found a plain text version (which would be much easier to work from), so I put together a complete typed version - citation style irregularities included lol. I checked through the full list and found that only four of the forty sources can't be found easily through a search engine. One has no English translation and I'm not even close to fluent enough in German to be able to actually translate an academic article, so I can't help there. For the other three (a museum exhibit book, a master's thesis, and portions of a primary source that has not been entirely translated into English), I tracked down links to them, which are included with their entries on the list.

If you want to read one of the journal articles but can't access it due to paywalls, try out 12ft.io or the unpaywall browser extension (works on Firefox and most chromium browsers). If there's something you have interest in reading but can't track down, let me know, and I can try to help! I'm pretty good at finding things lmao

Okay, happy reading, love you bye

Beach, Alison I. Women as Scribes: Book Production and Monastic Reform in Twelfth-Century Bavaria. Cambridge Univeristy Press, 2004.

Berger, Jutta Maria. Die Geschichterder Gastfreundschaft im hochmittel alterlichen Monchtum: die Cistercienser. Akademie Verlag GmbH, 1999. [No translation found.]

Blickle, Peter. The Revolution of 1525. Translated by Thomas A. Brady, Jr. and H.C. Erik Midelfort. The Johns Hopkins University Press, 1985.

Brady, Thomas A., Jr. “Imperial Destinies: A New Biography of the Emperor Maximilian I.” The Journal of Modern History, vol 62, no. 2., 1990. pp.298-314.

Brandl, Rainer. “Art or Craft: Art and the Artist in Medieval Nuremberg.” Gothic and Renaissance Art in Nuremberg 1300-1550. The Metropolitan Museum of Art, 1986. [LINK]

Byars, Jana L., “Prostitutes and Prostitution in Late Medieval Bercelona.” Masters Theses. Western Michigan University, 1997. [LINK]

Cashion, Debra Taylor. “The Art of Nikolaus Glockendon: Imitation and Originality in the Art of Renaissance Germany.” Journal of Historians of Netherlandish Art, vol 2, no. 1-2, 2010.

de Hamel, Christopher. A History of Illuminated Manuscripts. Phaidon Press Limited, 1986.

Eco, Umberto. The Name of the Rose. Translated by William Weaver. Mariner Books, 2014.

Eco, Umberto. Baudolino. Translated by William Weaver. Mariner Books, 2003.

Fournier, Jacques. “The Inquisition Records of Jacques Fournier.” Translated by Nancy P. Stork. Jan Jose Univeristy, 2020. [LINK]

Geary, Patrick. “Humiliation of Saints.” In Saints and their cults: studies in religious sociology, folklore, and history. Edited by Stephen Wilson. Cambridge University Press, 1985. pp. 123-140

Harrington, Joel F. The Faithrul Executioner: Life and Death, Honor and Shame in the Turbulent Sixteenth Century. Farrar, Straus and Giroux, 2013.

Hertzka, Gottfired and Wighard Strehlow. Grosse Hildegard-Apotheke. Christiana-Verlag, 2017.

Hildegard von Bingen. Physica. Edited by Reiner Hildebrandt and Thomas Gloning. De Gruyter, 2010.

Julian of Norwich. Revelations of Divine Love. Translated by Barry Windeatt. Oxford Univeristy Press, 2015.

Karras, Ruth Mazo. Sexuality in Medieval Europe: Doing Unto Others. Routledge, 2017.

Kerr, Julie. Monastic Hospitality: The Benedictines in England, c.1070-c.1250. Boudell Press, 2007.

Kieckhefer, Richard. Forbidden rites: a necromancer’s manual of the fifteenth century. Sutton, 1997.

Kuemin, Beat and B. Ann Tlusty, The World of the Tavern: Public Houses in Early Modern Europe. Routledge, 2017.

Ilner, Thomas, et al. The Economy of Duerrnberg-Bei-Hallein: An Iron Age Salt-mining Center in the Austrian Alps. The Antiquaries Journal, vol 83, 2003. pp. 123-194

Lang, Benedek. Unlocked Books: Manuscripts of Learned Magic in the Medieval Libraries of Central Europe. The Pennsylvania State University Press, 2008

Lindeman, Mary. Medicine and Society in Early Modern Europe. Cambridge University Press, 2019.

Lowe, Kate. “’Representing’ Africa: Ambassadors and Princes from Christian Africa to Renaissance Italy and Portugal, 1402-1608.” Transactions of the Royal Historical Society Sixth Series, vol 17, 2007. pp. 101-128

Meyers, David. “Ritual, Confession, and Religion in Sixteenth-Century Germany.” Archiv fuer Reformationsgenshichte, vol. 89, 1998. pp. 125-143.

Murat, Zuleika. “Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century).” Archaeological and Anthropological Sciences, vol 23, no. 191. Springer, October 2021. pp. 1-27.

Overty, Joanne Filippone. “The Cost of Doing Scribal Business: Prices of Manuscript Books in England, 1300-1483.” Book History 11, 2008. pp. 1-32.

Page, Sophie. Magic in the Cloister: Pious Motives, Illicit Interests, and Occullt Approaches to the Medieval Universe. The Pennsylvania State University Press, 2013.

Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissectionin Renaissance Italy.” Renaissance Quarterly, vol 47, no. 1, Spring 1994. pp. 1-33.

Rebel, Hermann. Peasant Classes: The Bureaucratization of Property and Family Relations under Early Habsburg Absolutism, 1511-1636. Princeton University Press, 1983.

Rublack, Ulinka. “Pregnancy, Childbirth, and the Female Body in Early Modern Germany.” Past & Present,vol. 150, no. 1, February 1996.

Salvador, Matteo. “The Ethiopian Age of Exploration: Prester John’s Discovery of Europe, 1306-1458.” Journal of World History, vol. 21, no. 4, 2011. pp.593-627.

Sangster, Alan. “The Earliest Known Treatise on Double Entry Bookkeeping by Marino de Raphaeli.” The Accounting Historians Journal, vol. 42, no. 2, 2015. pp. 1-33.

Throop, Priscilla. Hildegarde von Bingen’s Physica: The Complete English Translation of Her Classic Work on Health and Healing. Healing Arts Press, 1998.

Usher, Abbott Payson. “The Origins of Banking: The Brimitive Bank of Deposit, 1200-1600.” The Economic History Review, vol. 4, no. 4. 1934. pp.399-428.

Waldman, Louis A. “Commissioning Art in Florence for Matthias Corvinus: The Painter and Agent Alexander Formoser and his Sons, Jacopo and Raffaello del Tedesco.” Italy and Hungary: Humanism and Art in the Early Renaissance. Edited by Peter Farbaky and Louis A. Waldman, Villa I Tatti, 2011. pp.427-501.

Wendt, Ulrich. Kultur and Jagd: ein Birschgang durch die Geschichte. G. Reimer, 1907.

Whelan, Mark. “Taxes, Wagenburgs and a Nightingale: The Imperial Abbey of Ellwangen and the Hussite Wars, 1427-1435.” The Journal of Ecclesiastical History, vol. 72, no. 4, 2021, pp.751-777.

Wiesner-Hanks, Merry E. Women and Gender in Early Modern Europe. Cambridge University Press, 2008.

Yardeni, Ada. The Book of Hebrew Script: History, Palaeography, Script Styles, Calligraphy & Design. Tyndale House Publishers, 2010.

[plushmon]

entry #83

[taylorswiftstyle]

Favourite Outfits of 2024: Taylor Swift Style

What a huge year for Taylor and for Swifties. 

The Eras Tour embarked on its final legs, visiting 27 cities over 83 dates. The tour even spawned its own official commemorative book documenting its looks + behind-the-scenes insights. 

Taylor released her 11th studio album TTPD - a direct result of the entries and exits at Electric Lady Studios we saw during summer 2023. Poets was serviced by two music videos for lead single “Fortnight” and “ICDIWABH.” The latter comprised a compilation of clips taken from Taylor rehearsing for the Eras Tour - appropriately meta given this was a song written about performing through heartbreak on this very tour. 

Where last year my word to describe Taylor’s fashion was ‘familiarity’, if I were to choose one for 2024 it would be ‘excess’. In 2023, we saw a reawakening and a reclamation of Taylor’s most recognizable fashions - a natural result of Taylor putting out work that emphasized her past (Eras Tour, Speak Now + 1989 TVs). This year was one where Taylor was emboldened to be glamorous. Gla-*more*-ous, even. Perhaps it was the emotional slipstream of releasing some of her most vulnerable work to date that allowed her to emerge, bravely and fully transformed, from the wreckage. Perhaps it was being able to bask in the glow of a loving relationship deepening its foundation. Whatever the reason, Taylor’s style and confidence grew thanks, in large part, to more visible high-end labels and shimmering stacks of jewelry layers. If 2023 was ‘coming home’ to recognizable elements of Taylor’s aesthetics, 2024 was ‘coming alive’ to something bigger, greater, bolder. 

From matching his and hers hardware in February denoting the highest achievements in their respective fields (Album of the Year, hers; Super Bowl, his) to the final bow of the Eras Tour and its earth-shattering success. There has been so much to celebrate in 2024. 

The following are my favourite looks over the last 12 months (not all of which could even be crammed into this intro graphic).

For more, head to 🔗 taylorswiftstyle.substack.com

Photos via Getty Images

[questionthewitness]

you are made of pain and grief and regret and love. that is all you are, and all you have ever been, and all you ever will be.

or, tim wright, a brief synopsis.

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