#entertainer actor

[scotianostra]

August 4th 1870 saw the birth of the entertainer Harry Lauder in Portobello.

Harry was the eldest of seven children, Harry’s parents were John Lauder, a master potter, Porty was famous for it’s pottery works back in the day, the family moved to Derbyshire in 1882 where John Lauder was going to design china. However, he died on 20th April and they had to move to Isabella’s parents’ home in Arbroath.

When Harry left school aged about 12 he went to work in a flax mill. The family then moved to Hamilton where Harry worked in a coal mine. In 1891 he married Ann Vallance, daughter of the manager of the mine.

Harry’s fellow-workers, who whom he often sang, encouraged him to sing in local music halls. He joined a concert party and began touring, which enabled him to give up his job at the coal mine. By 1894 Harry had turned professional and was singing in London venues..

Though a few other songs contend for a place among his best, Roamin’ In The Gloamin’ seems to be the one most often remembered. and even nowadays must be one of the best known songs written in and about Scotland, come on everyone knows it;

Roamin’ in the gloamin’ on the bonnie banks o’ Clyde.

Roamin’ in the gloamin’ wae my lassie by my side.

When the sun has gone to rest,

That’s the time we love the best.

O, it’s lovely roamin’ in the gloamin.

On 28th December 1916, Harry’s only son John Lauder who was a Captain in the Argyll and Sutherland Highlanders, was killed at Pozières. Harry wrote the song “Keep Right on till the end of the Road” in memory of him. Captain Lauder was buried at Ovillers, France and his father had a memorial placed in his son’s memory in Glenbranter, the Lauder family home in Scotland.

For his many services to the war effort, Harry was knighted in 1919. Lady Lauder died in July 1927 and Harry continued to tour, sing and write songs. He retired in 1935. Apart from his songs, Harry also wrote several books and appeared in several films. He came out of retrieved in the Second World War, entertained troops in Britain and also took part in radio broadcasts.

Sir Harry Lauder died on 26th February 1950, age79.

[edains]

Rick Riordan constantly trashing the movies for not sticking to his books then releasing a show in which he rewrites everything and loses the spirit of the books entirely

[montanabohemian]

if i see a single one of you pissed that your faves canceled an event or a con appearance because they're striking for fair wages then imma come for you in your sleep 🔪🔪🔪

(direct that fury where it belongs: AMPTP and the execs)

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[cbrownjc]

I hope this is true. Because it would just be so in line with deciding to be so cartoonishly evil in public right before SAG was set to go on strike as well. A union that really has the power to shut down the whole industry and make them lose astronomical amounts of money per day.

All that Deadline article probably did was make SAG more emboldened to get everything they're asking for and not extend the deadline again.

[wilwheaton]

Q: Why hasn't the SAG-AFTRA strike been resolved?

A:

[popculturebaby]

Sarah Jessica Parker and Chris Noth for Entertainment Weekly, 1999

[mummer]

😦

[viviraptor-art]

⚡ CHAZZ IT UP! ⚡

i was commissioned by tony salerno to make a print for another one of his iconic roles, the one and only chazz princeton! this was a huge endeavor for me and i couldn't be prouder of how it turned out 💙 tony is signing prints LIVE this saturday, august 3rd on instagram! don't forget to tune in! ⚡

[they-have-the-same-va]

Blooregard Q. Kazoo from Foster's Home for Imaginary Friends shares a voice actor with Reaper from Overwatch 1 & 2.

Voiced by Keith Ferguson

[mpetovergas]

I just love him so much😍😭🥺

[yourdailyqueer]

Yeda Brown

Gender: Transgender woman

Sexuality: Queer

DOB: Born 1945

Ethnicity: White - Brazilian

Occupation: Entertainer, actress

Note: Achieved notoriety in Spain in the 1970s and 1980s for being one of the first transgender women to be visible in the media, being considered one of the muses of Salvador Dalí and of Spanish transition to democracy.

[nevermeyers]

There's absolutely no way people are now saying that all the gege-hate train is just an internal joke of the fandom. There's no way you're this out of touch with what has been happening.

I've been in the fandom since 2020 and it doesn't take a lot of smarts to see there's been a change in tone in the way some people say that in the last year. Since this new arc of history began, destructive criticism, massive hate and threats have overflowed into hundreds of profiles. It's no longer "oh, I hate Gege akutami" now and for a while now it's "I hate Gege akutami - his manga is horrible I'm gonna drop it (they never do) - he doesn't deserve popularity - he doesn't know how to write - he pretends to have an illness."

And yet, it's not normal to make jokes about wanting to kill someone, hon. Go check yourself if you find that funny, you're no better than let's-joke-about-sensitive-issues reddit incels

[scarlettundrhett]

[finelythreadedsky]

JSTOR Wrapped: top ten JSTOR articles of 2023

Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.

Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.

Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.

Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.

Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.

McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.

Purves, Alex C.  “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.

Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.

Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.

Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.

[outer-space-face]

STOOOOP 😭😭