#encanto isa

[jacarandaaaas]

small collection of mirabel being comically tiny in the new comics😭

[teawizard]

A girl you like asks you if you want to date her. She seems unaware of the sign that blossomed behind her back

What do you do?

(you can't say no, it's her birthday 🔪)

[tekimoroll]

If today is August, I won't forget the birthday of these both! <3

[miracles-and-butterflies]

Alma: Well, children, as you are all getting older, it’s time to start thinking about what you might like to do in the future. Does anyone have any ideas?

Dolores: I have already planned mine, Abuela. I am going to be a musician and compose my own music.

Alma: Marvellous. I will be looking forward to hear it.

Mirabel: I have already planned mine too! Our local tailor has already promised me a job as an embellisher, seeing as he does not have one and knows I “have potential”. Don’t ask me how. I only went in for some thread and somehow walked out with future employment.

Alma: Because you are very talented, nieta. You should be proud of yourself.

Luisa: I’d like to get into construction. I really enjoyed rebuilding Casita and I’ve already looked into some architecture books, so I’d love to do something like that!

Alma: I’m sure I can arrange for you to shadow some of our builders for a while, just let me know when you are free.

Camilo: Me and Marco are gonna be dads!!! Well, he doesn’t know yet, but I’ve already started buying a ton of baby things and I’ve picked out some great names!

Alma: That all sounds amazing, Milo, you and Marco will make wonderful fathers. And you, Isabela?

Isabela: I already have a job actually, Abuela. I’m a full-time, professional lesbian.

Isabela: Just yesterday, I was a blushing mess in front of sixteen different, pretty women

[thefourchimes]

guess whose turn is it for the sister trilogy posts <3

like the previous two posts i made about some realizations during the songs [the sister (heh) posts: waiting on a miracle & surface pressure & sister angst], this might have already been pointed out by other people in the past and it's probably really obvious anyway, but i might as well bring it up again because god i love this movie

something a friend and i noticed is mirabel looking at isabela longingly and was reaching out to her in waiting on a miracle

she retracts it then, of course, but...in the end, in what else can i do...

here, mirabel's able to understand a little more

and because of that, she's able to reach out to her oldest sister

she's able to do that and so much more

and with mirabel reaching out, isabela reaches back too :')

i love them sm, i love this movie sm

[encantobrainrot365]

So I just had an interesting revelation after an exchange of comments with a writer on ao3. Cause I think I finally figured out ✨Dolores✨

I realized that she and Mirabel are pretty similar people. And while some aspects of their lives and circumstances parallel one another, they don’t have quite enough in common to be all that close.

Mainly, their family is the glue that binds them together. So, they love each other, but they don’t know each other very well, or spend a whole lot of time together.

As they pointed out, Dolores doesn’t fully respect Mirabel. Not enough to take her seriously. In fact, it’s quite likely that Dolores pities her.

Yeah her cousin is gift-less and different from everyone else, but at least she has hobbies and free time. At least she doesn’t have to deal with any of the stress and drawbacks that comes with having a magical gift. And Dolores, of all people, would know.

Between the disasters she prevents; the secrets she keeps; the damage control she has to do; her mother’s weather; her struggles with her own gift; her crush on Mariano; and caring for her younger brothers, as she is the eldest sibling; on top of all her anxieties, Dolores has far too much on her mind to worry about Mirabel. She just isn’t a priority nor her responsibility. Pretty similar to Alma in that regard.

It’s not a pretty side of Dolores, but it makes her human. It makes her relatable. She is not perfect, no one is, and we shouldn’t expect her to be.

On the other hand, I think Mirabel sympathizes with Dolores but that won’t stop her from trying to butter her prima up and asking her for favors. She doesn’t really know Dolores and I don’t think she trusts Dolores either, at least not yet, (which is honestly, valid). She also might not see her as a role model, not the way she does for every other woman in their family.

This is made evident in “Waiting on a Miracle,” and “The Family Madrigal” where she expounds upon and sings everyone’s praises but Dolores’s. I don’t think Mirabel knows what Dolores does other than ‘she can hear everything we’re saying.’ We, as the audience have to guess, to infer what Dolores’s role in the community is. Dolores just isn’t someone on Mirabel’s radar.

Again, this is a character flaw for Mirabel; a blind spot that makes her all the more relatable to us. She’s not immune to taking people for granted or overlooking their hard work.

However, even though they’re not close to each other they don’t go out of their way to hurt one another the way Isa and Mirabel do.

Both of them care very deeply about their family and would do anything in their power to make them proud, protect them & make them happy. This is why Mirabel helps Antonio to his door. This is why Dolores goes out of her way to speak up, unprompted, for the first time, to share her honest thoughts and opinions about Bruno.

Someone that she empathizes with. Someone she loves so much, she kept the fact that he was hiding in the walls a secret for ten years! If you consider all of this together, it’s no wonder she blabbed at dinner.

Despite how wrong it was she was operating from a place of stress and anxiety, not malice (like some would assume).

I think during reconstruction for Casita, and without the magic hanging over them, Dolores and Mirabel finally find that report they’ve been missing out on.

The whole family is relearning how to respect one another and truly understand their needs and personal boundaries. To be more proactive in showing how much they love and appreciate one another, instead of leaving things unsaid. They spend more time together actually bonding and listening to one another.

Building a relationship they didn’t know was missing for the past ten years. Just like Mirabel and her sisters. Or Alma and her children and grandchildren. How beautiful is that?

[sketchncanto]

Madrigaydays: first kiss! 🌸

I’m a day late but yeah!!

I hc that Isa had her first kiss at 17 and that’s when she discovered that she’s not as good at controlling her flowers as she thought she was lol

[someone272727]

I was thinking about a possible au for Encanto and I want to see if anyone’s interested? The idea is pretty simple but I don’t think it’s been done before.

what if the madrigals all had gifts that were the “opposite” of their cannon gifts. For example instead of foresight Bruno would be able to see/go back in time, Either rewinding it or simply showing things in their former state. Dolores could have the power to dampen sounds, and Antonio could speak any language. I’m not sure about the others though.

if anyone has any ideas or wants to make this au themselves, you can go ahead I really don’t mind. If this has already been done please let me know and I will take this down :)

[gamerbearmira]

Art and AU idea

Mama Isa but she's more like Harley Quinn and Poison Ivy!

Letting her kids cause chaos while she looks at them proudly in the distance.

I think Dolores is the only "responsible" one (she makes them wear helmets and kneepads when they do chaos)

Her villain name is "Mama/Hermana thorn". I chose the name because she can be sweet and protective like a sister/mom but if you cross her, you get the thorns.

And to be clear, she doesn't hurt people on the regular, she avoids violence when she can. She's the type of villain who thrives on going against the government (and having fun while doing so)

She's kind of like robin hood too!

YAYYYY‼️

Very cool 🧌🧌 also her being against the government. That is essentially anarchy 🌚

ANYWAYYYYYY ERM…I think it’s very cool <333 and I mean at least Dolores is making sure their safe, and Robin Hood doesn’t necessarily bad 😭😭 ALSO GRAFFITI LETS GOOOOOO (I don’t condone the destruction of public/private property guys) SORAY PAINT AND CHAOS YEAHHHHH‼️‼️

Still can’t design 👍 these are horrible, don’t look too hard tbh

[nocturnal-notes]

I think I am hilarious actually

[jacarandaaaas]

MOREEE ENCANTO LORCANA CARDS‼️‼️‼️

[zuuz-dot-chr-exe]

Log date: 12 Vll 24

I'm done designing my future cold sisters YIPPIE!

Bonus: a height comparison

[tboycamilo]

i won't even lie i never really thought about it that hard before but tbh tgirl dolores is a good ass hc

[yellowcry]

Luisa, on the phone: Hello, I'm sorry, I cannot attend the work today

Luisa: Why? Oh, nothing, it's just that my sisters and cousins proclaimed me as their pillow now and fell asleep on me

[heliphantie]

It's not symmetrical or perfect But it's beautiful, and it's mine

Some long ramblings about Isabela under 'read more':

I originally didn’t use to be interested in Isabela, brushing her aside as yet another emancipated princess character, but with time, I figured she’s more dimensional and distinctive character of her kind, and possibly, most multifaceted one next to Bruno. More than that, the two, as opposite they look on the surface, have enough things in common for him to have more rapport with her than with Mirabel, as movie seems to suggest.

First of all, magnitude of their powers. All of original triplets have got gifts that surpass any others in the family, outright divine in nature – abilities of healing, conduct the weather and foreseeing future. While out of third generation, Isabela has got an ultimate divine power – of bringing life out of thin air, and in accordance with her emotional state no less. Thus, her powers also require thorough control, which may be another hidden reason for her always needing to keep herself straight. And it’s apparent too, bearers of greatest gifts are also under hardest pressure, with Bruno and Isabela even visually (in the sequence of “Dos Oruguitas”) indicated to be most subjected to.

Second thing is, external and internal presentation. Out of all characters, the two have the most conflict between public perception and genuine expression, and an array of different facades in case of both – from impassive and contemptuous to caring and heartful. We don’t get to see any objective view of Bruno’s behavior in the past, but from how he’s perceived in retrospect, it appears he used to give off impression of distant and uncaring to people around him, which could’ve been simply an effect of his professional duty, including acting impartial to the events he gets to witness as local oracle and avoiding personal interference with anybody’s fate (just my conclusion, anyway). Which is rather similar to Isabela’s acting around people – pleasant, but not extremely intimate, more like performer than participant, and impression of egoistic, haughty person she leaves on Mirabel. (Did encounter with and insight of real Bruno give no clue about what her sister’s situation would be? It’s not a Mirabel-bashing article, but she’s one dense protag, I must say…) In that, they’re two people in family who appear to bottle their feelings and maintain the constructed façade the most of all (“So much hides behind my smile…”). In addition, as parallel to Isabela’s built image of conventional feminine “perfection”, Bruno has his own invented persona of Hernando, which seemingly serves as “perfect”, and more stereotypically masculine version of himself. (Their natural selves are, of course, still properly feminine/masculine, just of more subtle and nuanced variety.)

And what is fundamental trait shared between two: the extreme selflessness and devotion, and sense of responsibility, being prone to self-sacrifice with long-lasting consequences and openly declaring their willingness to give it all for the family. Which also slips into coming to well-intended, but misguided, and even hurtful in perspective, decisions: no, making yourself a traitor in the eyes of your relatives, never getting rewarded for your good will, while for noble reasons, is not going to bring family together, and neither does confining yourself to lifetime of fake love relationship (and hell knows how suppressed discontent seeping through would manifest itself in the end of things… Mariano dodged a bullet, also not deserving such misery). Anyhow, willfully getting your freedom cut short for the rest of your life for the sake of wellbeing and benefit of your loved ones is tremendous sacrifice (and yet again, it’s such a short sight on Mirabel’s part to take confession of that sacrifice lightly, beside of not realizing she is a case of Isa’s predicament, what with approving a proposal behind her sister’s back). And that’s where Isa is deconstructing Disney rebellious princess archetype even before her breaking out: unlike Jasmine or Merida, she actually holds her family in priority over whatever carefree life she could lead, and makes mature move, total opposite of pampered princess Mira thinks she is. It should be said, marriage is not something exactly forced upon Isa, but rather silently accepted on the assumption she does return affection of would-be fiancé. While Isabela seemingly doesn’t have the same luxury as Jasmine to reject suitors left and right (it doesn’t seem there’s a lot of options…), nor fiancé in question is as obnoxious as any of Jasmine’s, or, say, Gaston, she definitely has enough authority around the town to deem any suitor unworthy of herself or make her own choice, so she’s not that submissive in that situation as it may look. (And nothing indicates any of older Madrigals were forced into arranged marriage, which makes me think that is not entirely in Alma’s hands to decide on whom or if her children going to marry.) It appears, based on observation of similarities between Alma and Isa being possible reason for her singling the granddaughter out as her favorite, Alma might just have been projecting her own perfect romance on the young couple, being convinced they’re destined for each other just as she and Pedro were, and have to make up for her own abruptly cut matrimonial bliss, not taking in account Isa doesn’t have to be her carbon copy. Note that, entering marriage, Isa is not simply getting what she (presumably) wants, she puts herself in a role of next (after Julieta, most likely) matriarch, a head of family, a ruler of town, accepting huge responsibility, quite an opposite of effort-free fairytale life.

Which brings me to connection between characters affirmed in the movie itself: what was exact output of Bruno’s words – either prophetic or not – for Isabela? She is the only one, whose prophecy wasn’t appearing to fulfill itself, and she doesn’t comment on it even in the moment of honesty. We never get closure on that issue, let alone any conversation between two (because poor Bruno was denied of opportunity explaining himself properly by his kind relatives…). One answer that seems to be likely correct in context of Bruno’s reputation: because his vision always undoubtedly becomes reality, promise of the dreams coming true was taken for granted, and Isa considered that, as long as she goes with the flow and doesn’t take the initiative in deciding for herself, she obtains happiness by default. So, she’s basically another princess in waiting for the miracle (hm…) until she gets to break free on her own, which is consistent with modern trend of Disney subverting and defeating their own fairytale standard.

But other possible interpretation is: what if that promise, while leading to wrongful and harmful conviction, was giving her strength to follow her path and assigned duty, vested with faith she, by doing right thing, eventually will become a master of her life and achieve fulfillment. (And probably, it makes sense for her to think Mirabel, revealed being linked with imminent destruction of miracle, somehow also leads to her miraculous destiny being dissolved with no hope left.)

Worth noting, it brings up a parallel with classic story about destiny – and also another one of Disney fairytale standard – tale of Sleeping Beauty, blessed with magical gifts and cursed with ominous future, outcome of which tale being basically the same as Encanto movie: fighting future is dangerous, some losses are inevitable, but what’s matter is what we learn and take from it to improve even more distant future. Also, there’s even visual parallel – Aurora’s two-colored in funky manner dress as result of fairy godmothers fighting over its color, and Isabela’s multicolored holi’d dress, I wonder how intentional it was.

And one another minor and not instantly obvious connection, not clearly visible in the movie: both Isa and Bruno may be “brains” of the family! Some concept arts depict Isa being something of a bookworm, and while you have to be really observant (or peek at production art), there’s hints in Bruno’s environment he’s one himself – in addition to some books in his hideout, there’s drawings on the walls showing doodles of rats in casting of stage plays of Shakespeare’s tragedies and “Don Quixote” (both are not exactly light literature).

And while Isabela being an intellectual isn’t something directly stated in the movie, it’s still part of her development and isn’t contradicted by anything on screen. Though she probably may give preference to non-fiction on the topic of biology. Speaking of nerdy inclinations…   

One last (rather tangential) thing worth of discussion: abandoned Bubo storyline and its connection to ultimate version of story. For the aspects that justify it being scraped for good: first, as I stated above, her being actually loyal to family, instead of trying to elope, makes for all more powerful presentation of her character. Second, is unfortunate implication of her being driven to person simply because he understands her (which is valid on its own) rather than because she likes him for his own qualities and personality. But it may be just lack of context for single scene, otherwise dynamic of two people with connection to nature and such contrasting behavior and appear is pretty endearing. (Official source states the storyline is written off so Isa in the end does not “defined by a man”, but then, Mirabel is treated like hero and she’s “defined” by two men, given she’s in need the word of Bruno on what action to take, and if we take literally statement that she was “send by Pedro” to save the family…) So while I appreciate her ending as more independent and decisive person, I still like how concept of that relationship speaks of her personality, and it did find its way in final version, even if in funny way, by replacing man with cactus:) Even as brief moment leading to big reformative number, having her admiring the “imperfect”, peculiar creature gives evidence of her carrying deep fondness for unconventional forms of beauty, fascination for irregular, whimsical (as opposed to what she’s assigned for -  Mariano, while having his own depths and not entirely flawless as well, kind of dorky in his own way, is simply that – conventional and too ordinary for Isa to spark interest). And considering that trait of her was maintained through the variations of story, it seems more than plausible she may develop profound fondness and connection with her eccentric (and definitely “fish out of water”, as Bubo is described) uncle, which makes it a loss that the story didn’t even tipped toe into interaction between the characters. (And it’s hard to overlook, Bubo’s personal and even physical traits also seem to transfer into final version of Bruno, so the character’s concept wasn’t entirely lost either.)

On the final note, bunch of random musings about the character of Isa, that neither here nor there:

Speaking of unpredictable nature of gift and popular parallel between Isabela and Elsa: may it be that Isabela had to teach herself to regulate her power for pretty much the same reason, given connection between emotions and outcome, and inability for child to properly control it? Even in suppressed state, Isa’s powers have dangerous side to them: we see her being able to use vines to restrain people, making flowers grow from every surface, and later she creates carnivorous plants and just unleashes botanical chaos all around the town, not to mention that her negative emotions resurface itself as plants that unsafe for handling. Between Alma’s worried notion that Isabela got “out of control” and Bruno’s reluctance to face her (which he only partially admits to be for the fear to meet Alma), there could be something that young (and simply not being in existence yet) Mirabel might not knowing about full effect of Isa’s power when unbound and under emotional affect.

And one aspect that felt conflicting to me for some time: as for type of person with “green thumb” she’s supposed to embody (and more prominent “child of nature” image with which her character was conceived at first), Isabela acts rather violently, shown destroying her creations, plucking roses out of her flower bed, ruining topiary and such. But considering she’s not simply nature lover and expert (who she seems to genuinely be), but embodiment of nature itself, like Pepa is an embodiment of atmospheric forces, it’s organic for her to having embraced its destructive side as well, as part of death and resurrection circle. /So she’s a bit of like Stitch, with equally creative and destructive inclinations at one because of immense abilities she’s packed with:)/

I definitely have a little more to say, and contemplate, about the character… but some of it going too far into speculative and fanfic-y territory, so it’s a topic for another time. And sorry for all incidental Mirabel kicking:) – I have things to say about her too, but in its own turn.

[adventuresbyjd]

When Isabela was a baby, she wanted Bruno to hold her when she needed a nap over anyone else, including Julieta. Bruno was quiet and gentle with her, and she would always be asleep within 5 minutes without fail