#emre ramazanoglu

[aquariumdrunkard]

Ill Considered ::  Ill Considered 3

Get lost in this, the self-contained world of the London based jazz outfit Ill Considered. Formed in 2017 by Emre Ramazanoglu and Idris Rahman, the project began as an experiment in improvisation utilizing drums, bass, saxophone and percussion. Now boasting over a dozen releases, for a taste, dig into the group’s 2018 full-length, Ill Considered 3. While no longer a strictly improvised excursion, the sentiment most definitely remains over the course of the LP’s eight tracks, culminating in a heady 35 minute brew.

[plus-low-overthrow]

Pokus - Pokus Five (STAC LP)

From Members of ‘ILL Considered’ & ‘Wildflower’, 2020, limited 300 press.

[burlveneer-music]

Ill Considered

Ill considered are a band comprising four musicians interacting with each other to create freely improvised music, based loosely around simple pre-written themes or composed on the spot. Deep grooves and plaintive melodies ranging from whispered chants to monstrous climaxes, the group react to the mood of the audience and the sonics of the room to create music that is unique to the moment. 

Idris Rahman - Saxophone Leon Brichard - Bass Yahael Camara-Onono - Percussions Emre Ramazanoglu - Drums

[michaelparque]

ILL CONSIDERED @ Rendez-vous de l’Erdre, Nantes 31/08/2018

Soundcheck - Scène mix

Idris Rahman (ts, fx)

Léon Brichard (b)

Emre Ramazanoglu (dms)

Copyright Michael Parque 2018 All rights reserved

[indigosagei]

Idris Rahman, Leon Brichard, Emre Ramazanoglu, Yahael Camara-Onono - ILL…

[de-salva]

ILL CONSIDERED - Building Bridges

Personnel:

Idris Rahman - saxophone   Leon Brichard - electric bass   Emre Ramazanoglu - drums   Satin Singh - percussions

* Via >>> sashastergiou / TY!

[headlinerportugal]

Mucho Flow 2022: 4 nomes a não perder

No ano passado voltamos a um dos nossos festivais urbanos favoritos, o Mucho Flow numa das nossas cidades favoritas e históricas, a cidade de Guimarães. O festival contou com a presença de bandas como Giant Swan ou Anna B Savage. Podem reviver toda a edição aqui: Mucho Flow: A curta distância entre a histórica Guimarães e a modernidade sonora                                        

O Mucho Flow caracteriza-se por um festival que cria tendências, um festival que se encontra à frente de todos os outros e que marca a diferença por trazer diversas estreias a Portugal, e de nomes que darão que falar daqui a muitos poucos anos. Querem exemplos? Destacamos então nomes como Black Midi, Nite Jewel ou Iceage, só para mencionar alguns. Por essa razão, porque não queremos que percam nada, reunimos aqui 4 nomes que não devem (definitivamente) perder nesta edição.

Dia 1. - 4.11.22

George Riley

O festival vimaranense mostra-se sempre muito eclético, sem nunca se deixar definir por um grupo restrito de rótulos musicais, trazendo sempre grandes promessas dos mais variáveis espectros musicais - George Riley veio amplificar esse espectro.

A artista é uma das vozes em maior ascendência do R&B britânico, trazendo algumas influencias do seu país para o seu seio musical como o trip-hop, o pop ou o jazz, transformando a sua música em peças deliciosas de ouvir cheias de sensualidade.

'Running In Waves' é o novo disco acabado de ser editado pela artista que conta com músicas imprescindíveis como a contagiante "Jealousy", "Delusion", "Time" entre muitas outras.

dia 4, às 19:15 no Teatro Jordão, Guimarães

Slauson Malone 1

Slauson Malone 1 é o alter ego de Jasper Marsalis, artista visual e musical que leva muito das suas artes performativas para a sala de espetáculo, muito devido à sua veia artista bem vincada. Alias, Marsalis, pode ser encontrado na Contemporary Art Library como pintor, escultor, trazendo toda a criatividade para a sua música.

O artista de Los Angeles não é bem jazz nem é bem hip-hop. Marsalis é a sua própria arte que desde 2019 nos trouxe dois discos, o mais recente, de 2020, o brilhante ‘Vergangenheitsbewältigung (Crater Speak)’. Recomendamos a audição integra deste disco, destacando a emotiva "The Wake Pt. 3 & 2 (see page 87, 58, and 48)" com um dedilhar delicioso de uma guitarra como pano de fundo acompanhado ora por sintetizadores delicados ora por um lindo conjunto de sopros, fazendo-se acompanhar por um auto-tune fazendo lembrar a voz de Frank Ocean.

Slauson Malone 1 foi definitivamente uma das grandes e boas descobertas que o Mucho Flow nos irá trazer

dia 4, às 20:15 no Teatro Jordão, Guimarães

Dia 2. - 5.11.22

III Considered

Nos últimos anos temo-nos apaixonado pela cena jazz londrina, com nomes como Sons of Kemet, Nubya Garcia, Ezra Collective entre muitos outros. Pois bem, se estes nomes vos dizem alguma coisa, III Considered tem de começar a rodar nos vossos ouvidos.

O trio composto pelo baixista Liran Donin, pelo saxofonista Idris Rahman e pelo produtor e baterista Emre Ramazanoglu, começaram a todo o gás gravando mais de 10 discos desde a sua fundação, em 2017. Sim, 12 discos, para ser mais especifico, que este trio entre sessões ao vivo de improvisação, e outros nem tanto, conseguiram materializar num curto espaço de tempo. O mais recente intitula-se de 'Liminal Space'.

Tendo muitas vezes como personagem principal o saxofone, é ainda acompanhado por aquela tresloucada bateria jazzy e por linhas de baixo montando todo o esqueleto desta formação. Os III Considered oferecem assim uma dinâmica ao vivo com muito de punk, cheias de energia, suor e improviso.

dia 5, às 21:30 no Teatro Jordão, Guimarães

Jockstrap

Quem se encontra por dentro da cena post-punk britânica pode talvez já ter ouvido falar desta banda, Jockstrap. Não propriamente pelo aspecto musical, até porque em pouco tocam uma na outra, mas porque metade da banda é integrante de uma das bandas do momento, os Black Country, New Road. Falamos da violinista, Georgia Ellery. A outra metade, Taylor Skye, conheceu na prestigiada, Guildhall School of Music & Drama.

A combinação da bonita voz de Georgia e do seu arranjo de cordas com a produção eletrónica de Taylor, trouxeram-nos este ano um dos disco do ano, 'I Love You Jennifer B'. Toca ao de leve no jazz, passando pelo grime, chegando mesmo a batidas de dubstep fazendo-se sempre ouvir um grupo de cordas bem lá no fundo oferendo uma dimensão musical brutal a este duo. Não parece fazer muito sentido? Pois bem, o melhor é mesmo decifrarem pelos vossos próprios ouvidos, o nascer de uma banda que dará que falar em muito pouco tempo. Mais uma vez, uma aposta do Mucho Flow, que sabemos nós que está ganha.

dia 5, às 22:45 no CC Vila Flor, Guimarães

Horários Completos

[zef-zef]

Jazz on Sunday

Ill Considered @jazzrefreshed [June 2019]

Emre Ramazanoglu - Drums Leon Brichard - Bass Satin Singh - Percussions Idris Rahman - Saxophone

web

Shot & edited by Bunny Bread @icreatenotdestroy

[etiennedaho]

Welcome to the ClubEtienne Daho (Interprète, Autre contribuant, Compositeur, Choir), Flavien Berger (Interprète, Invité), Yan Wagner (Autre contribuant), Vitalic (Autre contribuant), Sebastian (Autre contribuant), Pierre Rousseau (Autre contribuant), Paolo Gozzetti (Autre contribuant), Keefus Ciancia (Autre contribuant, Artiste), Jean Louis Pierot (Autre contribuant, Artiste, Compositeur), Jade Vincent (Autre contribuant), Fred Ventura (Autre contribuant), Fabien Waltmann (Autre contribuant, Artiste, Compositeur), Victor Hanna (Artiste), Philippe Entressangle (Artiste), François Poggio (Artiste), Emre Ramazanoglu (Artiste) 

Vinyle en vente dans la boutique goodies à chaque concert.

https://www.amazon.fr/Welcome-Club-Etienne-Daho/dp/B07G1SC4KP

[luuurien]

Ill Considered - Liminal Space

(Avant-Garde Jazz, Post-Bop, Free Jazz)

Pushing the norms of post-bop with hustling fusion characteristics and a pristine display of instrumental control, London jazz group Ill Considered's sixth album blends their usual free jazz improvisation with denser and wilder instrumentation. While their past work was often wispy and mood-focused, Liminal Space finds a way to put sounds into sounds without any of them clashing.

☆☆☆☆

Always transforming, Ill Considered makes space for everything. Releasing nine self-titled records both studio and live between 2017 and 2020, the London jazz outfit has put out quite the body of work in a short amount of time. The most stunning bit is how realized it all feels, especially in live versions, where everyone is working on the spot to make sure they stay engaged with what's happening around them. It's led them to become one of the most thrilling free jazz bands of the past few years, able to balance things out while still heading in interesting directions. Ill Considered's oldest releases bordered on barely-there with how quiet they could be, but as each member learns how to perform as a part of the team, they've become more than willing to let things erupt. Liminal Space, the group's first album entirely studio produced, brings them to new heights while not letting go of their original appeal. The pre-recorded nature of these pieces compared to their entirely in-the-moment ones means they are lent more lenience with how things pan out, builds are more clearly drawn out and structures are established before they recording starts. This precedent gives Ill Considered the ability to insert wilder instrumentation into these instrumental blueprints, developing new ideas without entirely letting go of the old ones. The pulse of these songs varies less than before, but they give Ill Considered the ability to explore their instrumental language more than their spatial language: Loosed's array of squealing saxophones and tropical flutes are supplemented by the moving train of Emre Ramazanoglu's drumming, and he only becomes a bigger asset to the band over time. He knows how to keep things moving along while still fitting the vibe of what each piece is going for, standout performances of his like Knuckles or Dervish with their explosive percussive fills and traditional fusion grooves respectively. The drummer in any band is the absolute core of where every other instrument derives its use, Ramazanoglu's ability to roll out immaculate fills with the help of studio time and raw skill make Liminal Space an immensely rewarding listen for its energy alone. But it's also how that all connects to the band's original ideas. Underneath all this new production magic, free jazz still emerges as a place between places, the door to a new universe found underneath your pillow. Eight-minute opener First Light plays with at least four different melodic motifs at once, each clamoring to get your attention as Ill Considered do their absolute damnedest to suck you into the chaos that follows. Light Trailed has to be one of the hungriest jazz songs of the year, finger-cramp inducing saxophone work courtesy of Idris Rahman and an almost industrial feel to how sturdy and mechanical the surrounding guitars and drums are. It's like watching someone splatter paint all over a manufacturing plant before every inch is knocked to the ground by The Lurch, even grittier than the track before it and willing to take out everything in its path as the album nears its close. What sounds like microtonal guitars find the most awkward to resolve melodies that are so sludgy and monstrous overdubbed by knife-sharp saxophones and dirt-filled bass, it's hard to explain what the song even feels like. Should I be nervous, or excited, or out of my own body? That's kind of the point Liminal Space is making, though. Ill Considered never asks you to feel a certain emotion, their songs are too abstract and compositionally jagged to ever define itself under a single term. Depending on where your ear is pointed in any song, multiple listens can unearth thrillingly disparate thoughts in your mind. Staring up at the thick painted horizon Ill Considered makes, looking at what's behind it seems impossible. But there's always little pockets of light that invite you to wonder what could be dancing in the opaqueness. It's up to you to decide what's all going on, and there's not even a chance that you're right about it. Still, Ill Considered will reward you beautifully for putting in the work to start digging through it in the first place.

[jazzfunkdid]

Ill Considered ‎– Tune In Five

Ill Considered ‎– Live At The Crypt Part 1. Ill Considered recorded live at The Crypt in Camberwell London on the 14th of July 2017. Alto Saxophone – Idris Rahman. Bass – Leon Brichard. Drum – Emre Ramazanoglu. Percussion – Satin Singh.

[burlveneer-music]

Don't Problem - Liminality - spirited jazz from London brass band

Eight man brass and drums monster, Don't Problem, from South East London, combine genres in a groundbreaking and innovative way to reimagine what a brass band is capable of. Don't Problem has struck its own course, insisting on all-original music that combines heavy funk and UK dance with raw psychedelic sounds to create a vibrant fresh music in keeping with the city's diverse new strains of club-orientated jazz. Following on from their acclaimed EP released in 2018 the band presents their debut album 'Liminality'. Breaking down the boundaries of what's possible with the brass sound this record has already been gathering significant attention on the airwaves with singles being championed by Mary Anne Hobbs and Jamz Supernova and Tom Robinson. The combo challenges the common perception of a "covers" brass band by adding electronics, synths & strings, a reflection of their wide encompassing interests and a desire to create new sonic landscapes.

Louis Schultz-Wiremu - Tenor sax, Alto sax, Bari sax, Moroccan goat horn, Synths, Percussion Seb Silas - Bari sax, Tenor sax, Soprano sax, Piano, Percussion Rudi Schultz-Wiremu - Drums, Actual Percussion Sam Warner - Trumpet, Flugelhorn, Percussion, Synths Jake Stoddart - Trumpet, Flugelhorn, Slide trumpet, Ocarina of time, Percussion John Caddick - Trombone, Bass trombone, Guitars, Percussion Ed Horsey - Trombone, Percussion, Synths Ben Kelly - Sousaphone, Tuba, Synths, Percussion Wayne Urquhart - Cello (tracks 4,5,8) Marsha Skinns - Violin, Viola (tracks 4,5,6) Sylvia Schmidt - Vocals (tracks 7,8) Giles Barrett - Record Producer, Mixing Engineer, Technician, Studio Manager, Zen Master Emre Ramazanoglu - Mastering

[righteoustuff]

The Stroke - Animation Video The Stroke by Vincent de Boer The Stroke is a hand-drawn animation film that reverses the roles of audio and visuals for a music video. Improvised on its very first viewing, the music for The Stroke was the immediate response of the musicians to the artistic and emotional visual journey. The drawings of the film are used for the 10th vinyl release of Ill Considered. All 338 records come with 12 unique drawings: one second of the film. Order the vinyl record and original drawings The Creation of The Stroke by Bram Broerse, Studio Airport 'The Creation of The Stroke' shines a light on the 2-year long process behind the collaborative effort of artist Vincent de Boer and London based jazz band 'Ill Considered'. One Second of The Stroke All 4056 drawings of the animation film are divided between 338 LP boxes. One of the 12 drawings serves as the cover; the remaining drawings can be seen in a bundle. This way, 338 people share an artwork that took Vincent and his collaborative partner Hans Schuttenbeld nearly 1,5 years of preparation and 9 months of drawing, including many long days and nights spent in Vincent's isolated studio in the forest. The Stroke sprang from the urge for a creative exchange of artistic energies. Vincent has created all Ill Considered album covers in response to the music and when he changed the order of the process, new challenges and possibilities arose. The Stroke tells the story of a brush stroke: a trace of a movement performed by the artist with his instrument, the paint brush. As the only non-musician member of Ill Considered, Vincent invites both the viewer and the musicians into a realm of strokes while exploring whether an album cover can transform into a music video. This has led to a multi-sensory artwork that connects the musician with the audience and the artist. "It was almost a relief to finally see the animation Vincent had been working on for so long. We’d had a lot of anticipation for this day and you can hear the release of tension in all the takes. It was great to be able to try a few different approaches and they all seemed to work well with the visuals as Vincent is so attuned to what we do. Definitely a memorable experience." In addition to the first take of the recording session, two extra improvised takes are included on the record; both very different and reacting to the film in unexpected ways. It is possible to view the film to all takes: simply play the record and the (muted) video on the Ill Considered Bandcamp page at the same time. *The live show that was planned during the program of Le Guess Who 2020 On/Off unfortunately got cancelled due to the national virus measures.* Film production and direction by Vincent de Boer and Hans Schuttenbeld Emre Ramazanoglu on drums Idris Rahman on saxophone Satin Singh on percussion Liran Donin on bass Recorded at The Pool, London Engineered/mixed/mastered by Emre Ramazanoglu Realised with support from: Stimuleringsfonds (Creative Industries Fund NL) 3D Animation by Jasper Hesseling With help from: Daddy Bones Pim Tieland Bram Broerse Marike Verbiest Johan Rijpma Nick van Steen Phae van Osta Roosmarijn ten Hoopen Guido de Boer Martijn van de Zuidwind Simon Lakos Julian Tjon Sack Kie Carlien Peijsel Ramon Goedvree Kapitaal Utrecht Libertas Pascal Words of gratitude: Minem Sezgin Marta Wörner Dedicated to: Leon Brichard A Film by Vincent de Boer, 2021, All rights reserved ©. Unauthorized copying, reproduction, hiring, lending, public performance, sharing and broadcasting is prohibited.