#emre ramazanoglu

[aquariumdrunkard]

Ill Considered ::  Ill Considered 3

Get lost in this, the self-contained world of the London based jazz outfit Ill Considered. Formed in 2017 by Emre Ramazanoglu and Idris Rahman, the project began as an experiment in improvisation utilizing drums, bass, saxophone and percussion. Now boasting over a dozen releases, for a taste, dig into the group’s 2018 full-length, Ill Considered 3. While no longer a strictly improvised excursion, the sentiment most definitely remains over the course of the LP’s eight tracks, culminating in a heady 35 minute brew.

[plus-low-overthrow]

Pokus - Pokus Five (STAC LP)

From Members of ‘ILL Considered’ & ‘Wildflower’, 2020, limited 300 press.

[burlveneer-music]

Ill Considered

Ill considered are a band comprising four musicians interacting with each other to create freely improvised music, based loosely around simple pre-written themes or composed on the spot. Deep grooves and plaintive melodies ranging from whispered chants to monstrous climaxes, the group react to the mood of the audience and the sonics of the room to create music that is unique to the moment. 

Idris Rahman - Saxophone Leon Brichard - Bass Yahael Camara-Onono - Percussions Emre Ramazanoglu - Drums

[michaelparque]

ILL CONSIDERED @ Rendez-vous de l’Erdre, Nantes 31/08/2018

Soundcheck - Scène mix

Idris Rahman (ts, fx)

Léon Brichard (b)

Emre Ramazanoglu (dms)

Copyright Michael Parque 2018 All rights reserved

[indigosagei]

Idris Rahman, Leon Brichard, Emre Ramazanoglu, Yahael Camara-Onono - ILL…

[de-salva]

ILL CONSIDERED - Building Bridges

Personnel:

Idris Rahman - saxophone   Leon Brichard - electric bass   Emre Ramazanoglu - drums   Satin Singh - percussions

* Via >>> sashastergiou / TY!

[headlinerportugal]

Mucho Flow 2022: 4 nomes a não perder

No ano passado voltamos a um dos nossos festivais urbanos favoritos, o Mucho Flow numa das nossas cidades favoritas e históricas, a cidade de Guimarães. O festival contou com a presença de bandas como Giant Swan ou Anna B Savage. Podem reviver toda a edição aqui: Mucho Flow: A curta distância entre a histórica Guimarães e a modernidade sonora                                        

O Mucho Flow caracteriza-se por um festival que cria tendências, um festival que se encontra à frente de todos os outros e que marca a diferença por trazer diversas estreias a Portugal, e de nomes que darão que falar daqui a muitos poucos anos. Querem exemplos? Destacamos então nomes como Black Midi, Nite Jewel ou Iceage, só para mencionar alguns. Por essa razão, porque não queremos que percam nada, reunimos aqui 4 nomes que não devem (definitivamente) perder nesta edição.

Dia 1. - 4.11.22

George Riley

O festival vimaranense mostra-se sempre muito eclético, sem nunca se deixar definir por um grupo restrito de rótulos musicais, trazendo sempre grandes promessas dos mais variáveis espectros musicais - George Riley veio amplificar esse espectro.

A artista é uma das vozes em maior ascendência do R&B britânico, trazendo algumas influencias do seu país para o seu seio musical como o trip-hop, o pop ou o jazz, transformando a sua música em peças deliciosas de ouvir cheias de sensualidade.

'Running In Waves' é o novo disco acabado de ser editado pela artista que conta com músicas imprescindíveis como a contagiante "Jealousy", "Delusion", "Time" entre muitas outras.

dia 4, às 19:15 no Teatro Jordão, Guimarães

Slauson Malone 1

Slauson Malone 1 é o alter ego de Jasper Marsalis, artista visual e musical que leva muito das suas artes performativas para a sala de espetáculo, muito devido à sua veia artista bem vincada. Alias, Marsalis, pode ser encontrado na Contemporary Art Library como pintor, escultor, trazendo toda a criatividade para a sua música.

O artista de Los Angeles não é bem jazz nem é bem hip-hop. Marsalis é a sua própria arte que desde 2019 nos trouxe dois discos, o mais recente, de 2020, o brilhante ‘Vergangenheitsbewältigung (Crater Speak)’. Recomendamos a audição integra deste disco, destacando a emotiva "The Wake Pt. 3 & 2 (see page 87, 58, and 48)" com um dedilhar delicioso de uma guitarra como pano de fundo acompanhado ora por sintetizadores delicados ora por um lindo conjunto de sopros, fazendo-se acompanhar por um auto-tune fazendo lembrar a voz de Frank Ocean.

Slauson Malone 1 foi definitivamente uma das grandes e boas descobertas que o Mucho Flow nos irá trazer

dia 4, às 20:15 no Teatro Jordão, Guimarães

Dia 2. - 5.11.22

III Considered

Nos últimos anos temo-nos apaixonado pela cena jazz londrina, com nomes como Sons of Kemet, Nubya Garcia, Ezra Collective entre muitos outros. Pois bem, se estes nomes vos dizem alguma coisa, III Considered tem de começar a rodar nos vossos ouvidos.

O trio composto pelo baixista Liran Donin, pelo saxofonista Idris Rahman e pelo produtor e baterista Emre Ramazanoglu, começaram a todo o gás gravando mais de 10 discos desde a sua fundação, em 2017. Sim, 12 discos, para ser mais especifico, que este trio entre sessões ao vivo de improvisação, e outros nem tanto, conseguiram materializar num curto espaço de tempo. O mais recente intitula-se de 'Liminal Space'.

Tendo muitas vezes como personagem principal o saxofone, é ainda acompanhado por aquela tresloucada bateria jazzy e por linhas de baixo montando todo o esqueleto desta formação. Os III Considered oferecem assim uma dinâmica ao vivo com muito de punk, cheias de energia, suor e improviso.

dia 5, às 21:30 no Teatro Jordão, Guimarães

Jockstrap

Quem se encontra por dentro da cena post-punk britânica pode talvez já ter ouvido falar desta banda, Jockstrap. Não propriamente pelo aspecto musical, até porque em pouco tocam uma na outra, mas porque metade da banda é integrante de uma das bandas do momento, os Black Country, New Road. Falamos da violinista, Georgia Ellery. A outra metade, Taylor Skye, conheceu na prestigiada, Guildhall School of Music & Drama.

A combinação da bonita voz de Georgia e do seu arranjo de cordas com a produção eletrónica de Taylor, trouxeram-nos este ano um dos disco do ano, 'I Love You Jennifer B'. Toca ao de leve no jazz, passando pelo grime, chegando mesmo a batidas de dubstep fazendo-se sempre ouvir um grupo de cordas bem lá no fundo oferendo uma dimensão musical brutal a este duo. Não parece fazer muito sentido? Pois bem, o melhor é mesmo decifrarem pelos vossos próprios ouvidos, o nascer de uma banda que dará que falar em muito pouco tempo. Mais uma vez, uma aposta do Mucho Flow, que sabemos nós que está ganha.

dia 5, às 22:45 no CC Vila Flor, Guimarães

Horários Completos

[zef-zef]

Jazz on Sunday

Ill Considered @jazzrefreshed [June 2019]

Emre Ramazanoglu - Drums Leon Brichard - Bass Satin Singh - Percussions Idris Rahman - Saxophone

web

Shot & edited by Bunny Bread @icreatenotdestroy

[jazzfunkdid]

Ill Considered ‎– Tune In Five

Ill Considered ‎– Live At The Crypt Part 1. Ill Considered recorded live at The Crypt in Camberwell London on the 14th of July 2017. Alto Saxophone – Idris Rahman. Bass – Leon Brichard. Drum – Emre Ramazanoglu. Percussion – Satin Singh.

[righteoustuff]

The Stroke - Animation Video The Stroke by Vincent de Boer The Stroke is a hand-drawn animation film that reverses the roles of audio and visuals for a music video. Improvised on its very first viewing, the music for The Stroke was the immediate response of the musicians to the artistic and emotional visual journey. The drawings of the film are used for the 10th vinyl release of Ill Considered. All 338 records come with 12 unique drawings: one second of the film. Order the vinyl record and original drawings The Creation of The Stroke by Bram Broerse, Studio Airport 'The Creation of The Stroke' shines a light on the 2-year long process behind the collaborative effort of artist Vincent de Boer and London based jazz band 'Ill Considered'. One Second of The Stroke All 4056 drawings of the animation film are divided between 338 LP boxes. One of the 12 drawings serves as the cover; the remaining drawings can be seen in a bundle. This way, 338 people share an artwork that took Vincent and his collaborative partner Hans Schuttenbeld nearly 1,5 years of preparation and 9 months of drawing, including many long days and nights spent in Vincent's isolated studio in the forest. The Stroke sprang from the urge for a creative exchange of artistic energies. Vincent has created all Ill Considered album covers in response to the music and when he changed the order of the process, new challenges and possibilities arose. The Stroke tells the story of a brush stroke: a trace of a movement performed by the artist with his instrument, the paint brush. As the only non-musician member of Ill Considered, Vincent invites both the viewer and the musicians into a realm of strokes while exploring whether an album cover can transform into a music video. This has led to a multi-sensory artwork that connects the musician with the audience and the artist. "It was almost a relief to finally see the animation Vincent had been working on for so long. We’d had a lot of anticipation for this day and you can hear the release of tension in all the takes. It was great to be able to try a few different approaches and they all seemed to work well with the visuals as Vincent is so attuned to what we do. Definitely a memorable experience." In addition to the first take of the recording session, two extra improvised takes are included on the record; both very different and reacting to the film in unexpected ways. It is possible to view the film to all takes: simply play the record and the (muted) video on the Ill Considered Bandcamp page at the same time. *The live show that was planned during the program of Le Guess Who 2020 On/Off unfortunately got cancelled due to the national virus measures.* Film production and direction by Vincent de Boer and Hans Schuttenbeld Emre Ramazanoglu on drums Idris Rahman on saxophone Satin Singh on percussion Liran Donin on bass Recorded at The Pool, London Engineered/mixed/mastered by Emre Ramazanoglu Realised with support from: Stimuleringsfonds (Creative Industries Fund NL) 3D Animation by Jasper Hesseling With help from: Daddy Bones Pim Tieland Bram Broerse Marike Verbiest Johan Rijpma Nick van Steen Phae van Osta Roosmarijn ten Hoopen Guido de Boer Martijn van de Zuidwind Simon Lakos Julian Tjon Sack Kie Carlien Peijsel Ramon Goedvree Kapitaal Utrecht Libertas Pascal Words of gratitude: Minem Sezgin Marta Wörner Dedicated to: Leon Brichard A Film by Vincent de Boer, 2021, All rights reserved ©. Unauthorized copying, reproduction, hiring, lending, public performance, sharing and broadcasting is prohibited.

[burlveneer-music]

Don't Problem - Liminality - spirited jazz from London brass band

Eight man brass and drums monster, Don't Problem, from South East London, combine genres in a groundbreaking and innovative way to reimagine what a brass band is capable of. Don't Problem has struck its own course, insisting on all-original music that combines heavy funk and UK dance with raw psychedelic sounds to create a vibrant fresh music in keeping with the city's diverse new strains of club-orientated jazz. Following on from their acclaimed EP released in 2018 the band presents their debut album 'Liminality'. Breaking down the boundaries of what's possible with the brass sound this record has already been gathering significant attention on the airwaves with singles being championed by Mary Anne Hobbs and Jamz Supernova and Tom Robinson. The combo challenges the common perception of a "covers" brass band by adding electronics, synths & strings, a reflection of their wide encompassing interests and a desire to create new sonic landscapes.

Louis Schultz-Wiremu - Tenor sax, Alto sax, Bari sax, Moroccan goat horn, Synths, Percussion Seb Silas - Bari sax, Tenor sax, Soprano sax, Piano, Percussion Rudi Schultz-Wiremu - Drums, Actual Percussion Sam Warner - Trumpet, Flugelhorn, Percussion, Synths Jake Stoddart - Trumpet, Flugelhorn, Slide trumpet, Ocarina of time, Percussion John Caddick - Trombone, Bass trombone, Guitars, Percussion Ed Horsey - Trombone, Percussion, Synths Ben Kelly - Sousaphone, Tuba, Synths, Percussion Wayne Urquhart - Cello (tracks 4,5,8) Marsha Skinns - Violin, Viola (tracks 4,5,6) Sylvia Schmidt - Vocals (tracks 7,8) Giles Barrett - Record Producer, Mixing Engineer, Technician, Studio Manager, Zen Master Emre Ramazanoglu - Mastering

[artwalktv]

Watch the 'making of' film: https://bit.ly/39UFHiT Order THE STROKE vinyl + hand drawn frames: http://www.bit.ly/34yX59L A Film by Vincent de Boer The Stroke is a hand-drawn animation film that reverses the roles of audio and visuals for a music video. Improvised on its very first viewing, the music for The Stroke was the immediate response of the musicians to the artistic and emotional visual journey. The drawings of the film are used for the 10th vinyl release of Ill Considered. All 338 records come with 12 unique drawings: one second of the film. All 4056 drawings of the animation film are divided between 338 LP boxes. One of the 12 drawings serves as the cover; the remaining drawings can be seen in a bundle. This way, 338 people share an artwork that took Vincent and his collaborative partner Hans Schuttenbeld nearly 1,5 years of preparation and 9 months of drawing, including many long days and nights spent in Vincent's isolated studio in the forest. The Stroke sprang from the urge for a creative exchange of artistic energies. Vincent has created all Ill Considered album covers in response to the music and when he changed the order of the process, new challenges and possibilities arose. The Stroke tells the story of a brush stroke: a trace of a movement performed by the artist with his instrument, the paint brush. As the only non-musician member of Ill Considered, Vincent invites both the viewer and the musicians into a realm of strokes while exploring whether an album cover can transform into a music video. This has led to a multi-sensory artwork that connects the musician with the audience and the artist. "It was almost a relief to finally see the animation Vincent had been working on for so long. We’d had a lot of anticipation for this day and you can hear the release of tension in all the takes. It was great to be able to try a few different approaches and they all seemed to work well with the visuals as Vincent is so attuned to what we do. Definitely a memorable experience." In addition to the first take of the recording session, two extra improvised takes are included on the record; both very different and reacting to the film in unexpected ways. It is possible to view the film to all takes: simply play the record and the (muted) video at the same time. Full project info: https://bit.ly/2YOZxW7 Film production and direction by Vincent de Boer and Hans Schuttenbeld Emre Ramazanoglu on drums Idris Rahman on saxophone Satin Singh on percussion Liran Donin on bass 3D Animation by Jasper Hesseling Recorded at The Pool, London Engineered/mixed/mastered by Emre Ramazanoglu Realised with support from: Stimuleringsfonds (Creative Industries Fund NL) With help from: Danny Bones Pim Tieland Bram Broerse Marike Verbiest Johan Rijpma Nick van Steen Phae van Osta Roosmarijn ten Hoopen Guido de Boer Martijn van de Zuidwind Simon Lakos Julian Tjon Sack Kie Carlien Peijsel Ramon Goedvree Kapitaal Utrecht Libertas Pascal Le Guess Who Words of gratitude: Minem Sezgin Marta Wörner Dedicated to: Leon Brichard https://bit.ly/39UHKU3 A Film by Vincent de Boer, 2020, All rights reserved ©. Unauthorized copying, reproduction, hiring, lending, public performance, sharing and broadcasting is prohibited.

[de-salva]

Personnel:

Idris Rahman - saxophone   Leon Brichard - electric bass   Emre Ramazanoglu - drums   Yahael Camara-Onono - percussions

* Via >>> sashastergiou / Thank you Sasha!