#empire season 3

[mother-of-lothcats]

angry women are taking over star wars 2024 and i am here for it

[the-l0st-lore]

Preview of next week’s episode:

[dreamishsara-art]

A request for the Traffictwt4Palestine Charity Project! Read about it here

[joifee]

Long awaited hug

headcanon that they dont see each other as much as they want to so there is homesickness

[carolineforbes-mikaelson]

4 months later, I'm still here. 😍

[thatone-pancake]

Oh me oh my!

not my usual phighting related post BUUT this is something i drew last month that i LOVED. like i REALLYREALLY REALLY LIKE THIS DRAWING IT'S MY FAVOURITE OF MINE so i'm sharing it!!! now because art fight is ongoing so i know i won't draw and post much loll but i still gotta keep my account active somehow yk..

ANYWAYSS hope the internet likes this as much as me and my friends do (i need to stop yapping in my post omg)

[jestroer]

Bisexual wives of all time

[teadrawstuff]

YES. I am on the bandwagon that Tech is CX-2

[miss-musings]

I’m a sucker for Imperial dads and their Rebel pilot kids who never gave up on them:

[gingermaple]

off to see his rancher <3

[gremnda]

Right at home amongst stars

Timelapse under the cut

[crosshairslongasslegs]

“aim for the kid”

to

“you good? got your crossbow? sure you can carry all those supplies?” “stay close, it’s easy to get lost in this terrain”

[the-l0st-lore]

Next Episode for sure y’all

[waltricia]

Ok but the pointedness of the narration playing over this shot of Colin is incredible.

There were times in season 2 when Whistledown would be speaking about the diamond, but it would play over shots of Kate, implying that the narration was also about her.

That’s what’s happening here. And it’s soooo good because Whistledown is speaking about herself. Meaning the implication is that Colin is also Whistledown.

Lord Whistledown, I see you. Come home, honey.

💛🩵💚

[giantmushyfriend]

Welcome back to the Ineffable lyric discussion (can I hear a wahoo)

In honor of the announcement of season 3 of our beloved Good Omens, I find it completely necessary for us to discuss one of the many songs on Aziraphale and Crowley's angelic playlist that made me scream my bloody head off. One of those songs is the one and only The Book of Love by Peter Gabriel. While I UNDERSTAND this song may have just been chosen to spell out SEASON THREE, I think it goes much deeper than that because of all of the parallels it draws to Aziraphale and Crowley. And ultimately, what I think is going to happen in terms of their relationship when they finally sort their shit out. So beware if you haven't watched season 2 of Good Omens because we're about to do a fucking DEEP DIVE into this.

First, the title of the Book of Love feels almost like a call to this looming threat to the Book of Life that was consistently used in series 2. The entire season, Crowley and Aziraphale have to work oh so carefully because with the Book of Life being confirmed, they know that either of them could get the other erased, and whether they want to admit it or not, losing the other is their biggest fear. We've seen this when Crowley believed Aziraphale to be dead in Series 1 when he couldn't feel Aziraphale's presence anymore since he got incorporated. When Aziraphale isn't there, Crowley is a mess. Likewise, we saw how both reacted during the ineffable divorce scene in series 2. Crowley is full-on begging Aziraphale to stay, and Aziraphale has finally admitted that he needs Crowley and full-on mouths for Crowley not to leave him. The Book of Life inherently, from how Neil set it up, feels threatening. The Book of Love, on the other hand, raises an entirely other reaction. Throughout the series, as corny as it sounds, love has been what grounds our protagonists. It is the love of Tadfeild and his friends that keeps Adam from kickstarting the end of the world; it's what keeps him from rejecting his father, the literal devil. It is the love of the earth, of humanity and all its strange creations, and for each other that keeps Aziraphale and Crowley attempting to prevent the end of the world when it could be so much easier to just accept the fate of it all. Love is the key theme that grounds our protagonists, that makes them tick. Love is safe; love is, at times, painful but overall kind. So when we see this title on their playlist, listed amongst heartwrenching tales of grieving a relationship, you could have had, and of loss, it brings a sense of salvation and safety. The Book of Love, unlike the Book of Life, is not a threat- it's a sanctuary for Aziraphale and Crowley.

Now, diving into the lyrics.

"The book of love is long and boring

No one can lift the damn thing

It's full of charts and facts, and figures, and instructions for dancing

But I

I love it when you read to me.

And you

You can read me anything"

The first couple of verses inherently feel like Aziraphale and Crowley's original view on this notion of love. As two supernatural entities who aren't bound by human emotion or logic, love may seem superficial and downright silly at times. The courting procedures that different societies have taken on throughout the centuries and the songs and dances that come along with it may all seem like a big waste. The book of love is a manifestation of love itself, and originally, it seems unappetizing to our protagonists. That is until they refind each other, and love goes from this thing that humans feel and jump through hoops for to this tidal wave of emotions. Love felt silly and unrealistic before, but with each other, they are willing and excited to explore it, even if it comes with things that feel inherently silly.

Also, these verses draw some cute parallels to headcanons and features of cannons. If you've been involved in the Good Omens fandom long enough, you've probably stumbled across the idea that Crowley asks Aziraphale to read to him for a multitude of different reasons. Some people say it's because his eyes aren't meant to read, one of the many punishments that came with him being cast down from grace, or maybe it's just because he finds Aziraphale's voice comforting. Additionally, the line about instructions for dancing is just so heartwarming when we look at the ball scene from this past season and Aziraphale's daydreams of a romance worthy of a Jane Austin novel.

"The book of love is long and boring

And written very long ago

It's full of flowers and heart-shaped boxes

Adn things we're all too young to know

but I

I love it when you give me things

and you

You ought to give me wedding rings"

I'm sure we've all heard this idea that you'll understand love when you get older, but even when you get older, it never seems to make sense. This idea that love is too old for any of us to truly understand, and that humbles us but in the best way possible. There is no point in trying to figure out what exactly love is because you could spend thousands of years feeling it and watching it happen all around you and still not know exactly what it is besides this all-encompassing feeling. And that is exactly the perspective of Aziraphale and Crowley. They have seen countless examples of love, true, unwavering love, and they have felt it for each other. And yet they themselves cannot begin to fathom what love, true unconditional love, is exactly. These two supernatural, ethereal/occult beings are humbled by the very concept of love like humans are- and that love is drawn from each other.

And then there is this notion of giving, which pairs so well with Crowley's primary love language, acts of service and gift giving. If the first chorus was Crowley talking about how he loves it when Aziraphale reads to him and takes care of him, then this is Aziraphale talking about how Crowley displays his love. And this final notion of asking for that final commitment, one of the key ways humans express their love for each other, is just amazing. Because in a way, Aziraphale moving to make this commitment, to fully be on their side in this way, is the resolution we have been wanting since the beginning. For Aziraphale to finally feel safe enough to let go and finally let himself settle to where he finally belongs, on his side with Crowley.

[enigmaticexplorer]

Please stop taking away the clones’ agency.

They are HUMANS.

They fuck up.

They make mistakes.

They make bad decisions and choices.

Because they are HUMAN.

One of the best parts of TBB is that we get to follow different perspectives of the clones: those who want to fight the Empire (Rex and his rebels), those who want to settle down (CF99), and those who WILLINGLY serve the Empire (formerly Crosshair, formerly Cody, currently Wolffe).

What makes these characters interesting—and HUMAN—is that they fuck up. They are not perfect. And they make decisions we do not agree with. Because they are HUMAN.

Crosshair served the Empire willingly.

Wolffe is serving the Empire willingly.

They are both complex characters who chose/choose to serve the Empire based on their own decision-making.

Stop taking away their humanity just because you don’t agree with their decisions.