#emotional strategies | Explore Tumblr posts and blogs

kindalikerackham · 3 months ago

Text

okayyyyy fine (I say to the maybe 3 people interested) I'll talk about Dr. Tanaka, and the show's (Bones 2005) response to them

[disclaimer: my perspective is someone late 20s, white, & nonbinary, as well as biased to see the good in this show. I may not have the same perspective on these examples as someone else]

[also I wrote this for fun! so it's not like an airtight argument or anything]

so.. I wasn't surprised by the team's reaction to a person who doesn't conform to gendered standards (obsession with figuring out if they were really a man or a woman, culminating in a hug just to feel their chest), for 2 main reasons:

I. Bones is a show about awkward (usually contextually privileged) people with good hearts, and it expresses this core sentiment over and over again using microaggressions:

The little person from the State Department (Alex Radziwill) is called a midget, and Bones ignorantly accosts him about how he approaches his job. It's done in the context of Booth and Bones reacting weirdly to him. By her saying ignorant things that force Booth to confront his own weirdness, they eventually reach an equilibrium with Radziwill, where they treat him like a normal contentious coworker. It's really uncomfortable, and Radziwill has to sit through them getting over themselves.

The He in The She. Do I even have to mention more than the episode title? It takes forever for the cast to wrap their heads around Pastor Patricia Stephenson, a woman whose bones suggest a male, but whose anatomy suggests a female!! Oh no! Booth struggles with using her correct pronouns, and many characters flip flops between, often settling on the masculine pronouns. And yet, the show itself gives credence to how Patricia lived the last parts of her life. It finds the beauty and honesty in how she lived, and we get to see that honored. But not necessarily through the characters, especially the main squint squad.

Arastoo Vaziri. This poor man is just a Muslim who works in the lab. Bones expresses disdain for him being visibly religious. Hodgins straight up discriminates against him, tells him to his face that he doesn't like Vaziri because he's Muslim. Vaziri has to actively attempt to bond with Hodgins to overcome this bias. Cam barely steps in here, and ultimately Vaziri has to suffer the ignorance of those around him. He has to push back about his people being associated with bombs, because white people are terrorists too! He brings out a list!

And these are just main plot points. There are definitely other examples of how these characters awkwardly microaggress their peers and civilians.

II. The interpersonal logic of Bones is predicated on gendered relationships

I cannot count the amount of times a character on Bones said "It's a woman thing," or "It's a guy thing," or "Alpha-male." The more socially adept a character is (Booth, Angela, Cam, Hodgins), the more they lean on these constructs for explaining personal relationships and the more they use gendered constructs for what's permissible in their relationships. Brennan, Zach, and other squints are often actively taught what's okay to do based on gendered rules. "She's a woman," Angela says to Zach, who doesn't understand why a girl isn't calling him back. "It's a guy thing," Angela says to Brennan, confused about something Booth is doing. "It's a guy-hug," Booth says, manipulating Bones into accepting comfort by explaining a gendered rule that he's making up.

In an environment so saturated with these rules, the characters have no idea what to do with the interpersonal reactions they have to Dr. Tanaka (as Clark has established, the characters are constantly using their interpersonal lens at work). So, this mystery makes Dr. Tanaka into a site of intrigue. I'd say both Hodgins and Angela interpret this intrigue as attraction, based both on their desire for/interpretation of Dr. Tanaka as a woman or a man, respectively. The surprise/rethinking that occurs after feeling up Dr. Tanaka's chest is consistent with this mystery/intrigue/psychosexual anxiety of not knowing a gender. (To digress a bit, it's reactions in this vein that created the Trans Panic Defense for murdering trans people).

I'm also unsurprised at Sweets. From his defense of Dr. Tanaka presenting as they want to him standing alongside the hug onlookers out of curiosity, he's the part of the show that's looking forward. He's the planted seed for this episode: that people who don't want to share their gender, it's not your business, even if it's hard to resist the part of you that thinks that.

And honestly, I think that's kind of the core to it.

Bones is a show about privileged professional folks who are often ignorant, but it attempts to plant seeds in their moderate liberal audience about cultures and subcultures. It planted the seed that Radziwill (a little person) was just a coworker using his own advantages, and it's important to treat him like you would another coworker. It planted the seed that Patricia (a trans woman) was right to transition and live her fullest life. It planted the seed that Arastoo (a Muslim) is just a coworker, one who has his own religious life, and Hodgins was the one acting irrationally.

Finally, it planted the seed that Dr. Tanaka is just living their life, and the awkward must-know-their-gender drive didn't really mean anything in the end, except for the team feeling weird about it.

#my conjecture is that it takes you on this emotional microaggression journey with the characters #so you don't act like an ass when you encounter someone like x #but yeah #I'm not judging it too harshly #this episode aired years before gay marriage was legalized in the us #so I'm still proud of the attempt #and I'm thinking this attempt was meant for teaching #even if it doesn't hit the mark as much as it does with other similar arcs #bones tv #musings #I wouldn't even be surprised by people saying it missed the mark on all these examples #or by people saying this strategy isn't enough #but it's a big part of the show imo #i have a friend who doesn't accept this as good enough and tbh? fair enough

43 notes · View notes

gareleia · 9 months ago

Text

THE KNITTING SAGA BUT MAKE IT SAD

update: my co-writer friend FINALLY got a tumblr account, so I can tag them now!!

previously: part 1 part 2

next: part 4 part 5

lets talk about relationships, shall we. i'm gonna focus on Athena & Telemachus this time, but Hermes will have his turn later

let's be real, Athena is a hardass. sure, she cares, but she's so emotionally constipated that it really doesn't show that much. especially before she goes through that character development arc after her break up with Odysseus in My Goodbye

(and what a crisis that is)

(because her masterpiece??? failed her??? but she trusted him??? she made him much as in her image as possible??? he was supposed to be perfect???)

(and if he's not perfect, then she failed,,, and she can't fail, she doesn't fail,,, she's a goddess,,, war strategy is her domain, surely there is no way her plan could be flawed,,,)

(what even is the point of her if she's not perfect)

so yeah, she's a hardass. even on baby Telemachus who'd never held a sword before - especially on baby Telemachus, because he's the son of her favored Champion. he may be waaay younger than any of her previous pupils, but she's expecting him to shine just as bright.

Athena, on the first day: let's get down to business! make your father proud! you won't have a weakness! by the time we're done! you're the saddest pupil that I've had! and you haven't got a clue! but I will make a man outta you! Telemachus, a literal toddler, holding a wooden sword as big as himself: ٩(๑❛ᴗ❛๑)۶

and for years to come she trains him relentlessly. she's honestly trying to be nice about it, too. it's just that Athena doesn't do soft or gentle, her default is a neutral face of displeasure, and her idea of encouragement is saying 'you're not as bad as you used to be', or something along these lines.

Telemachus: *succeeds at something* Athena: *raises an eyebrow in a slightly different manner than usually* Telemachus: *le gasp* could it b-be? am I doing a good job??? Athena: it's… acceptable, for your age.

she never once tells him she is proud of him. because surely he already knows. he doesn't need to hear it. his father didn't, after all (ody so fucking did)

and this goes on until Telemachus reaches double digits. then My Goodbye happens, and Athena has Feelings™. she's having an existential crisis, and has to confront the fact that she had done something wrong while training Odysseus, and she can't understand what. which is terrifying, because what if she makes a mistake like that with Telemachus. will he fail her too?

will she have to leave him too, so she doesn't watch him die horribly in a tragedy that could've been prevented if only she had made him see-

so Athena doubles down and starts demanding more and more from Telemachus. the praise goes from sparse to non-existent, and nothing he does seems to be enough anymore. she goes from tough love to borderline verbal abuse, thinking that it's the only way to keep him safe and prepare him for the future.

and Telemachus endures. he has to, because he doesn't want his mother to worry. doesn't want to appear weak. Odysseus had done it, so it's only fair his son should too. and when his dad comes home, he'll be sooo impressed. he can do it!

except…. not really. it's been a losing battle since the beginning, and deep down he knows it. he can't win with Athena, not on his own.

???: if you want to impress her, you'll need the blessing of a certain god! divine intervention! someone who's not afraid to- telemachus: aeolus, what are doing in my closet?!

so anyway, Aeolus and the winions start helping him via winds and stuff, and Telemachus actually starts exceeding everyone's expectations. it's not that he'd been bad before, but he's soft, and not quite strong enough physically to make up for his gentle constitution

everyone is cheering him on. he's the talk of the palace! his mom is so proud! the suitors start sizing him up with consideration instead of dismissing him outright! (and tele, baby, that's not a good thing! ಠ_ಠ). Athena seems pleased for the first time in ages!! but he knows that it's all a lie, and it's killing him.

cause he's a good, honest boye, and he wants to succeed on his own merit, not because of cheating and lying to everyone he loves. that's vile and dishonorable.

que some very important island-wide competition that everyone is expecting him to join and win. maybe it's even his duty as a prince. like, a right of passage from complete boyhood to adolescence.

and there's,,, a lot of pressure on Telemachus to suceed. everyone and their mother are telling him that of course he's got this, he's a prodigy! def his father's son! nobody doubts his incoming victory! he's got this! he definitely won't disappoint them!

random noble: we'll be cheering you on, young prince! truly, we are blessed by the gods to have such a talented successor to the throne! we'll watch with keen eyes as you triumph over your foes and bring even more honor to your family! b(￣▽￣*) telemachus, eye twitching: y-yeah… thank you… (ㆆ _ ㆆ)

so, the night before the competition Telemachus can barely sleep, he's so wrecked by guilt and nerves. he keeps thinking - what would his father do in this situation? all the stories he'd ever heard of Odysseus always painted him as some kind of invincible, righteous, all-capable genius. so the idea of his dad ever grappling with guilt and feelings of inadequacy is just laughable. (oh, if only he knew)

so, he goes to his mom for advice. because Penelope is awesome. but he can't bring himself to admit that's he's cheating - what if she's ashamed of him? he brought dishonor to his father's name, and if anyone knows - will he get exiled?

so yeah, he basically has a panic attack and cries for like, half an hour straight.

telemachus, bawling: if I lose tomorrow, will you hate me? will dad hate me? I can't do anything right and I'm a failure and a horrible person and- just- what do I do, mother? penelope, holding him: oh, love. sometimes you're so similar to your father I wonder if the gods haven't returned him to me in spirit through you.

because no matter what everyone else says, Penelope knows the truth - Odysseus always followed his heart. oh, how he may have tried to forget he had one, to only ever use his head. but a heart he did have - does have, they have to believe that - and it's a bright and gentle one. he may have been hardened by years of pain and struggle in a way that Telemachus hadn't been yet (and Penelope's heart breaks from knowledge that her son will be, one day). but deep down, at ther cores, Odysseus and Telemachus are strikingly similar. and she loves them all the more for it.

and so, with his mother's blessing, the young prince does just as she told him to: follows his heart. he thanks Aeolus for their help, and asks them to stop giving it from now on. either he'll suceed on his own merit, or he'll wear his failure as a badge of honor and an incentive to do better.

and he loses. badly.

and the world,,, doesn't end? sure, the suitors sneer and jeer, but there's a surprising lack of disowning and exile going around. and the nobles tone it down significantly with undeserved adoration, which is definitely a plus, as far as he's concerned.

the only thing is. Athena.

oh boy.

because she's not stupid. Telemachus may have gotten away with cheating so far, but now he'll have to answer to her why he had flunked so badly, and she won't buy his go-to excuse of 'I got nervous!'

athena, expression unreadable: so. care to explain yourself, my stupid pupil? telemachus: w-well, you see… ha-ha… it's, uh… a funny story… athena: you threw away your best advantage! you've had a god perfectly willing to assist you and yet you still somehow managed to lose! telemachus: wait, what-

so yeah, Athena knew all along.

athena, mildly insulted: how stupid do you think I am, boy? telemachus: but! but! but!.. you never said anything! didn't even scold me for cheating! athena, even more insulted: child, I am the goddess of war strategy, where did you get the idea that I ever play fair and straightforward? leave that to ares, the simple-minded fool!

to clarify, she's not upset at him for cheating. she's upset that he stopped doing so. so she throws some choice words at him, implying he lacks both talent and intelligence

and Telemachus defends himself by saying that he'd rather fail on his own merit, than abandon his principles and win by lying and dishonoring his family. in response, she calls him naive.

he tries to implore to her connection to his father by saying that he was just trying to do what's right. he was following his heart, just as Odysseus had always strived to. and he's training to fight for his loved ones, not for glory of being known.

it's a one hit K.O., because it reminds Athena of her recent break-up with Odysseus. of everything they spat at each other during My Goodbye. of anger, of hurt, of disappointment, of betrayal, of I loved you and you failed me, of I loved you and I failed you, of good riddance! and y̶͈̔o̴̘̖͆u̶̻̱͆͒'̸̫̩̌̉r̷̼͝e̴̩̒ ̴͎̻̈́̎ȧ̸̦l̵̗͙͌̐o̸͚͕̚n̷̟̯͠e̵̳̩͠

and is their whole line just cursed? is this their way of punishing her for something? why do they both hurt her so? is it her fault?

telemachus: athena? are… are you okay? (‘-’*) athena, coming off MG flashbacks: well, obviously, boy, why would you even ask that (ಥ﹏ಥ)

Telemachus just hugs her, because she obviously needs it. and she melts into it like never before.

because she wasn't made for empathy or kindness. she's been born to be ruthless and cold. she's not supposed to love and be loved care about anything but winning. it doesn't come natural to Athena, until recently she had truly thought herself unable to, and yet-

yet here, right in front of her, is a boy who loves for the both of them. loves the whole world - sincerely, selflessly. a truly kind and caring soul (the nobles even joke that his true father is Polites).

she can't love.

but maybe… maybe he will teach her.

maybe he already did.

or maybe she always could.

she forgets sometimes, that her fingers know not only the roughness of swords and spears, but also the gentle softness of weaved silk. creation goes hand in hand with destruction, and she can bind countless threads together without breaking them.

and what are humans, if not strings, waiting to be cut by the fates?

also, if Telemachus can teach the goddess of cold cynicism and detached cruelty kindness of all things, then she can teach him swordplay.

yes, it's a threat.

43 notes · View notes