#el laberinto del fauno icons

[willowwormwood]

I started thinking of cool creature designs and that made me think of the Faun from Pan's Labyrinth and...anyway I'll take inspiration in an art block slog where I can and Guillermo del Toro's work is a pretty good place to look I think

[couturefaith]

masterpieces by guillermo del toro.

[latinotiktok]

Hi! I'm wondering if anyone can provide me some media suggestions. I'm looking for Spanish shows or movies to introduce to my partner. I typically like to practice my Spanish by watching Spanish dubbed content but it can be hard for my partner as most of the time if we use subtitles the subtitles are meant for the English (or another language) dubbing not the actual Spanish which makes it harder for them to follow along.

I'm preferably looking for anything meant more for a younger demographic so the Spanish is easier for us to understand. But honestly any recommendations are good as long as there is a way to get proper subtitles for it! We are planning to watch Pan's Labyrinth (El laberinto del fauno) soon since I enjoyed it as a child. Also if there's anything that's considered like classic/iconic Latino cinema that works too !

guuuuys any recomendations?

[adarkrainbow]

Spooky season fairytales (6)

And we reach the penultimate post of this series! After looking at actual fairytale adaptations (well... roughly), for this post I want to love at fantasy movies that are not any adaptation of any specific tale or story... But which were made with the intentions of having a "fairytale feel" or a fairytale lore. Dark or creepy movies inspired by fairytales as a whole. Basically "dark fairytale fantasy".

And of course I have to begin with the most FAMOUS dark fairytale movie of our century... Guillermo del Toro's "Pan's Labyrinth", in the original Spanish, "El Laberinto del Fauno".

Do I need to present this movie? Probably not, since it was one of del Toro's masterpices, but to simply put it... This is a dark, haunting, poetic but tragic movie following a little girl's life in the Spain of Franco. Said little girl meets in the ruins of an old labyrinth, guided by fairies, a faun, who reveals to her she is the lost princess of a fairy realm... But to regain her place, she will have to undergo fairytale-trials. All while the little girl enjoys her "changeling fantasy", we follow the harsh and horrifying everyday life of World War II Spain that unfolds around her: the girl's step-father is a Falangist captain who hunts down with cruelty the resistance in the area, while her mother is having a very complicated pregnancy. And as the real-world piles on the horrors - famine, execution, torture - so does the fairy-world becomes darker and darker, filled with monsters, ogres and blood...

Of course, Guillermo del Toro did other dark "fairy pieces" - such as Hellboy II, which is a dark and gritty urban-fantasy homage to the fair folk - and recently returned to the fairytale world with his acclaimed Pinocchio.

1985's Legend, by Ridley Scott, is usually considered as one of the "great 80s fantasy movies", alongside pieces such as Ladyhawke, The Dark Crystal, Conan the Barbarian, Willow and more. However "Legend" is also, and this is less evoked, one of the prime examples of a movie belonging to the genre of "fairytale fantasy" - alongside stories such as Stardust or The Neverending Story.

After all, all the elements are there. The main hero is a brave young "wild man" of the woods, who must save a princess trapped by an evil monster, with the help of fairies and elves, and the whole quest goes through numerous folkloric motifs and characters - the unicorn, the water-hag, the fight of day and night, the endless winter... But speaking of "endless winter", the reason why this movie is featuring here is because of how dark it becomes. Truly. The main villain is even the literal embodiment of Darkness, an evil creature sporting the most iconic look of a devil in the history of cinema, and played by none other than Tim Curry himself. He sends hordes of goblins devour babies and kill unicorns throughout endless winter and ever-ending night... To reach him one must cross a monster-infected swamps leading to a dark palace of venomous charms, dancing statues and cannibal feasts... And even the elves and fairy sidekicks are truer to Brian Froud illustrations and the original "fair folk", being whimsical, capricious, easily angered and just as dangerous as the villains they're fighting...

Coraline. Another great piece of "fairytale fantasy".

Coraline (the movie or the book it is based on, the two have several differences but complement each other very well) is the story of a young girl living your typical "travel to another magical world" plot, as she discovers a secret door allowing her to escape her dreary, boring and unpleasant life to find an alternate, whimsical, fantastical and charming version of her own family and neighbors. But of course, this being a Neil Gaiman story, things quickly grow strange and eerie, as talking cats, fairy-ghosts, shapeshifting witches and buttons sewn in place of eyes come to turn the dream into a nightmare, and then into a battle of wits to survive against a dark and old magic...

Yet another VERY famous piece - there's a lot of famous pieces I am covering here, but hey, not my fault the good stuff is getting the recognition it deserves!

Over the Garden Wall, an animated mini-series that was created by the same man behind "Adventure Time", telling the story of two brothers as they try to find a way home while venturing into a bizarre and magical forest called "The Unknown". They are guided by a talking bird in hope of finding a good witch who will help them - all the while mysterious and dark figures such as the Woodsman or the Beast linger in the shadows and keep crossing path with them...

Over the Garden Wall is a perfect autumn watch, since it actually takes place during the autumn season, the first episodes exploring an Halloweenesque harvest festival, while the lasts take place in winter. More than just autumn imagery, the show relies heavily on the "vintage" and "old" imagery of early 20th, 19th and even 18th centuries America, building its wonders and magic with vintage Halloween cards, Colonial or Industrial-era fashions, Betty Boop or Silly Symphonies cartoons, the Dogville Comedies and the "Game of Frog Pond" board game... However, under its at first whimsical and fanciful appearance, the mini-series quickly reveal a haunting tale worthy of the darkest fairytales, exploring themes such as betrayal, despair, death and sacrifices.

In fact, "Over the Garden Wall" was inspired by numerous fairytales, hence its fairytale feel. Many, many people commented that, upon watching the series, they felt the exact same thing they experienced when, as a kid, they discovered new fairytales - I also felt it, and this proves the power of this series that truly captures the essence of what a fairytale is. On top of reusing fairytale tropes (two children exploring woods filled with girls turned into birds, good and bad witches, strange talking beasts...) and explicitely referencing some "fairytale-like" children novels (especially "The Wizad of Oz"), the very artstyle of the show was inspired by "fairytale art", ranging from Gustave Doré's illustrations of Perrault to Tenniel's Alice in Wonderland drawings, passing by old Andersen illustrations.

Ah, finally a more obscure piece! At last for non-French people... La Cité des Enfants Perdus, The City of Lost Children. A 1995 movie by Jean-Pierre Jeunet. Now, Jeunet is one of those French moviemakers distinctively recognizeable thanks to his very unique style of movie making. You will recognize this when you know that he is behind the movies "Delicatessen" (the one about a former clown in a post-war world behind hired in a building dominated by a cannibalistic butcher) and the "Amélie Poulain" movie (about a quirky Parisian waitress who decides to change whimsically the life of those around her). Jeunet enjoys the bizarre, the unusual, strange technologies, extravagant characters, dark humor, absurd comedy, and oniric or fairytale-like atmosphere... And this all blooms in the darkest and eeriest way in this movie.

To put the story simply (which is a challenge since it is a complex movie)... Off the shores of a shadowy, dirty, corrupt fishing town, in a manor in the middle of the sea (on top of an abandoned oil rig), an old mad scientist regularly captures children. For you see the scientist is unable to dream, and tries to steal away the dreams of children - which never works, since being captured by a creepy old man makes the children have nightmares rather than sweet dreams. One day, the little brother of a simple-minded circus strongman is captured - and the strongman teams up with a little girl, a street-savy member of a group of street urchins, to try to get him back. The story is further muddled by the presence of a cult of "cyclops" in town that do the dirty work of the mad scientit for him, the threat of greedy conjoined sisters that run the gang the little girl is part of, and the strange entourage of the mad scientist himself (six identical brothers acting like children, a dwarf-wife, and a sentient, talking brain in a jar).

This movie truly feels like a dream - like one of those dark, strange dreams that never fully go into a nightmare while still walking at the edge, and the story, no matter how feverish it can get, still keeps certain cohesive elements to maintain its flow of sinister wonders (such as the theme of family, heavily explored). The movie never goes into actual magic - we are more into a proto-steampunk world crossed with the mad science of Gothic literature and horror movies - but its oniric, bizarre and borderline surreal treatment of the subject did earn this movie the classification of "science-fantasy" and "dark fantasy", as mythological, folkloric and fantasy archetypes can be clearly seen throughout the science-fiction setting (the "cyclops" for example, or the very idea of "a creepy old man stealing children's dreams").

Heck - this movie was one of the prime inspirations behind "Little Nightmares"!

And finally, I cheat a little here, but I had to include it: Disney's Hocus Pocus. This is a classic of Halloween movies, a fun but dark horror-comedy for teens, (well rather like a full comedy but with elements that make it horrific here and there), campy in all the good ways, and with the greatest trio of witches ever depicted on stage since Shakespeare's Weird Sisters.

Now, the movie itself is not very much fairytale like. It is a Halloween comedy, an urban-fantasy story for teenagers, drawing upon the myth of the witch and the legends surrounding witchcraft. However, precisely because the movie explores the figure of the witch, there are several fairytale references here and there. While the Sanderson sisters were mostly build out of the Christian myth of the witch (using human-skin bound grimoires, having sold their souls to the devil, tied to black cats, summoning ghouls out of graves, hate salt...), there are also several parts of their characters tied to fairytale witches. Hansel and Gretel is the most obvious one - they are child-eating witches living into the woods who lure children to their home before "devouring" them (in souls if not body) - but Snow-White is also among the references (a very vain witch who is obsessed with staying the fairest/youngest and kills children to do so?). And of course, there's all the fairytale-witches tropes ranging from "turning people into animals" (here a cat rather than a frog) to the use of the number three.

Oh yes, and let's not forget the specific use of an oven...

[canmom]

Animation Night 138: Del Toro’s Pinocchio

Happy almost-new Gregorian year everyone!

No huge introduction tonight since it is late and I imagine Guillermo del Toro needs little introduction in these parts, and for biography, I would be paraphrasing Wikipedia’s quite thorough article. I also have seen fewer films of his than I’d like, so I could give you only broad strokes: he has a deep and very genuine enthusiasm for gothic horror monsters and comics, he likes to tell metaphorical stories about fascism framed through fairy tales, he’s really big on body horror.

Here’s the really condensed version. del Toro got his start on horror movies, made his name on comic book movies Blade II and Hellboy 1 and 2, helping to revive the genre, and through that he got enough clout to increasingly do original films like El laberinto del fauno (Pan’s Labyrinth) and The Shape of Water which fit the del Toro ‘sympathetic or alien monsters contrasted against fascism’ template, Pan’s Labyrinth especially being the iconic del Toro movie; two gothic horror type movies Crimson Peak and Nightmare Alley; and odd duck Pacific Rim, a gleefully silly spin on mech anime. And I’m a little embarassed to say that I’ve only seen Pan and Rim. I’d rather wait to say more until I’ve filled in the rest.

But I will briefly talk about animation, since it’s Animation Night! Although he began as an eight-year-old with a Super 8 camera, Del Toro was interested in using animation from very early on, originally planning to create his first feature film Cronos as a stop motion film until his studio was robbed. He worked for a long time in special effects makeup, and most of his films have had an animation component, often blended with practical effects. With Hellboy, del Toro deep inspiration from Ray Harryhausen’s stop-motion, and asked Tippett Studio (the studio founded by Phil Tippett of Mad God) to make the miniatures and puppets, but I’m not sure if he used stop motion there. Pan’s Labyrinth using elaborate animatronics, The Shape of Water touching up a suit with CGI. Pacific Rim mostly shot its action scenes in CG at ILM, with Del Toro asking them to use a saturated colour and draw inspiration from Hokusai(!) in the wave effects.

Oddly enough, Pinocchio is not the first time del Toro has made a fully animated something. That is actually a series of CG TV shows animated by Dreamworks, the Tales of Arcadia series. It begins with the urban fantasy Trollhunters (not to be confused with the Norwegian fantasy mockumentary), followed by the sci-fi fish-out-of-water 3Below and time-travel Arthurian isekai Wizards (not to be confused with the Bakshi film).

Del Toro is credited as the ‘creator’ on all three series, which turns out to mean he originally planned it as a live-action TV show, which he turned into a book - a book which got picked up for a film by Dreamworks, and then finally evolved into a TV series. I’ll admit, I haven’t really looked into this much more than that, but it’s apparently scooped up a lot of praise and many awards.

OK, so, enough preamble, Pinocchio then. It’s a famous novel from 1883 by Italian writer Carlo Collodi. I suspect you know how it goes, at least in the broad strokes: puppetmaker Gepetto creates a living puppet, but he wants to be a real human boy; he becomes a serious troublemaker, and gets cursed for it, famously with a nose that grows whenever he tells a lie. Like most novels of the time, The Adventures of Pinocchio was first serialised in a weekly magazine, before getting compiled into a massive volume compiling all of Pinocchio’s many misadventures. (I think it’s interesting how serial fiction is making a big comeback lately, but more on that elsewhere.) In the first part of the serialisation, it ends with... Pinocchio getting executed by hanging, I’m not even kidding, it was supposed to be a ‘be moral’ tragedy. However, if I’m reading the summaries right, Collodi decided to retcon this and serialise it into something longer.

There’s a lot of Pinocchio-related things coming out right now. Disney are continuing their pattern of tedious expensive CGI remakes of their early traditionally animated movies, there’s an upcoming Souls-like game Lies of P, and there’s even a Russian animated film Pinocchio: The True Story. I couldn’t begin to tell you what kicked off this Pinocchio fever, since the book has been in the US public domain since 1940 - not coincidentally when Disney’s first adaptation came out. I was a little tempted, not gonna lie, to do a night where we watch all of them, but I don’t think I could sit through that lmao.

I showed Disney’s original Pinocchio on Animation Night before. By virtue of its position in history, and the ludicrously complex animation, it has positioned itself as the definitive filmed Pinocchio - the one that all subsequent adaptations must in some way respond to. For more on that, read Animation Night 84: The Walter Dismey.

Funnily enough I actually I fell asleep during that one (I was very tired that day and in a very cosy place...), so I’m actually going to watch it again. It is relevant, because that Disney film was part of del Toro’s inspiration. He set out to make his Pinocchio as far back as 2008, describing it as a lifelong passion project, and that he appreciated what he called horror-movie like aspects of the original as well as the traditional animation. Wanting to set his one apart, del Toro stumbled on the designs of illustrator Gris Grimley, and hired him. Along with Grimley, he found a co-director in Mark Gustafson, a stop motion animator who’d worked with Wes Anderson on Fantastic Mister Fox and evidently had some experience with working with normally live-action directors. Later cam art director Curt Enderle from Laika and usual collaborator del Toro Guy Davis to design characters; the models were built over here by a specialist company called Mackinnon & Saunders. For more see here.

One of the things that interests me reading about it is that the animation is described as being very naturalistic, with a lot of attention paid to blinking, shifts of gaze, and that kind of thing. That sounds like a fascinating angle to bring to stop motion, and I hope I’ll have the energy to write about it after the film. Narratively, I’ve avoided learning too many spoilers, but I know it involves an ‘Italian youth training camp’ so I think I can guess how that’s going to play given del Toro’s usual themes. But we’ll see! I’m told there might even be songs.

I think that’s all I want to write tonight. So here’s the plan! We’ll take another, more wakeful go around OG Disney Pinocchio (1940), and then dive into the exciting new flavour of anti-fascist stop motion Pinocchio (2022).

Animation Night will go live now at twitch.tv/canmom, we’ll begin the movies in about half an hour at 20:40 or local equivalent. Would love to see you there!!

[myfrenzi]

European Cinema Unveiled

European Cinematic Marvels: Discovering the Finest Movies on OTT

When we dive into the world of cinema, Europe shines as a treasure trove of exceptional storytelling and breathtaking visuals. It’s a continent rich in diverse cultures, languages, and traditions, and this diversity beautifully reflects in its cinema. In this blog, we’ll embark on a cinematic journey through Europe, exploring some of the best movies on OTT platforms.

French Charms

Amélie — A heartwarming French gem that takes you on a whimsical journey through the streets of Paris. It’s a tale of small joys and big dreams.

La La Land — Although this movie hails from Hollywood, its director, Damien Chazelle, is of French descent. This modern musical masterpiece is a visual and auditory delight.

Italian Delights

Life Is Beautiful (La Vita è Bella) — An Italian classic that beautifully blends humor and heartbreak. It’s a poignant story set against the backdrop of World War II.

The Great Beauty (La Grande Bellezza) — A visually stunning Italian film that explores the beauty and decadence of Rome. It’s a cinematic treat for the senses.

Spanish Wonders

Pan’s Labyrinth (El Laberinto del Fauno) — A dark and enchanting Spanish fairy tale that weaves together fantasy and reality in a mesmerizing way.

The Skin I Live In (La Piel que Habito) — A Spanish psychological thriller that keeps you on the edge of your seat with its twisted narrative.

British Brilliance

The King’s Speech — This British historical drama offers a glimpse into the life of King George VI as he overcomes his speech impediment. It’s a story of courage and friendship.

Slumdog Millionaire — While the story is set in India, it was directed by British filmmaker Danny Boyle. This rags-to-riches tale is an inspiring journey through the streets of Mumbai.

German Greatness

Run Lola Run (Lola rennt) — A German thriller that unfolds in real-time and presents three different scenarios. It’s a pulse-pounding race against the clock.

Good Bye Lenin! — A heartwarming German tragicomedy that explores the fall of the Berlin Wall through the eyes of a devoted son.

The Magic of European Cinema

European cinema has an undeniable charm that has captivated audiences around the world. These movies not only entertain but also offer unique perspectives on life, culture, and the human experience. Whether you’re a fan of heartwarming tales, spine-tingling thrillers, or visually stunning epics, European cinema has something extraordinary to offer.

Why OTT is the Perfect Gateway?

The beauty of OTT platforms is that they bring these cinematic wonders to your fingertips. You can explore the diverse world of European cinema from the comfort of your home. Best movies on OTT platforms , making it easier for you to discover these gems.

In this journey through European cinema, we’ve merely scratched the surface. Each of these movies is a gateway to a world of emotions, cultures, and stories waiting to be explored. So, grab your popcorn, settle into your favorite chair, and let these cinematic marvels from Europe transport you to places you’ve never been before. Whether it’s the enchanting streets of Paris or the haunting beauty of post-war Italy, European cinema has it all.

FAQs

What makes European cinema unique? European cinema is known for its diverse storytelling, rich character development, and often profound exploration of societal themes.

Where can I watch these movies on OTT platforms? You can find many of these movies on popular OTT platforms like Netflix, Amazon Prime Video, and Hulu.

Are subtitles available for non-English films? Yes, most OTT platforms provide subtitles, allowing you to enjoy films in their original language with English subtitles.

Are there other European movies worth watching? Absolutely! European cinema offers a wide range of genres and styles. Explore further to discover more hidden cinematic treasures.

Who are some iconic European film directors? European cinema has produced legendary directors like Federico Fellini, Ingmar Bergman, and Pedro Almodóvar, known for their groundbreaking work.

[vampiredits]

el laberinto del fauno (pan’s labyrinth) headers + icons ‧₊˳✧༚࿐

like or reblog for credit

by: @winonryder on twitter

[magicovento]

I love you, Ofelia 💚

[hornscrown]

NAME :  coffee . FACECLAIM :  i don’t really have one but i will only accept willem dafoe as my faceclaim . PRONOUNS : she / her . but you can call me whatever i don’t mind . HEIGHT :  1,61 m / short for anyone who uses feet as a measurement . BIRTHDAY :  7th of december . AESTHETIC :  dark humor . deadpan stares . rolled cigarettes . vodka . the sun setting on the sea . tom waits . black . gold . brown eyes . accents . old dust covered things . old dust covered men . tiny espressos . LAST  SONG  YOU  LISTENED  TO :   en el alto del cerro de palomares by estrella morente . FAVORITE  MUSE (S)  YOU’VE  WRITTEN : shadow moon , hannibal lecter , some ocs .

* GETTING  TO  KNOW  THE  ACCOUNT : WHAT  INSPIRED  YOU  TO  TAKE  ON  THIS  MUSE : i watched the movie , i loved everything about it . and honestly i needed to write an ugly horned boy . it was either going to be phillip or the fauno from el laberinto del fauno . but i can’t imagine the fauno speaking in english . so i’m trying to learn the rules of early modern english instead and suffering .

WHAT  ARE  YOUR  FAVORITE  ASPECTS  OF  YOUR  CURRENT  MUSE :  he has fun . he’s just a fun guy . he’s that cool uncle that brings you gifts every time he’s in town in exchange for your soul . but no i mean , i like writing black phillip because i get to explore the more conceptual side of threads and get to focus on other muses’ backstory and weaknesses and desires in order to set the stakes or the mood of the thread . i don’t have any other muse like phillip , it’s fun to have a muse that can’t really empathize to the real modern world . or people . or feelings . you get what i mean .

WHAT’S  YOUR  BIGGEST  INSPIRATION  WHEN  IT  COMES  TO  WRITING :  music . a lot of music . a lot of soundtracks and chelsea wolfe . art . staring at paula rego’s and francisco goya’s work . small things from other movies and tv shows . fairy tales . my mutuals’ writing also inspires me a lot . also goats in sweaters . eerie shit .

FAVORITE  TYPES  OF  THREADS : the ones where i feel like my mutuals understand that black phillip doesn’t have a normal “modus operandi” . he’s not going to just sit down and have a chill chat with you for a whole thread . he doesn’t feel sadness nor passion because he’s not human . i feel like when people understand what my character’s rules and limitations are writing wise the threads immediately become more enjoyable . 

BIGGEST  STRUGGLE  IN  REGARDS  TO  YOUR  CURRENT  MUSE :  i spend a long time just staring at my drafts and trying to find his voice or reasoning for whatever i’m going to write . it’s hard because i love writing black phillip but i also like ... to write fun stuff . not that this isn’t fun but it’s dark serious angsty things are at stake kind of fun . it’s hard to be spontaneous and chillaxed when getting into an evil goat’s head .

TAGGED BY:    @gloryshound we support an icon . TAGGING:   you . yEAH YOU ! the mutual who hasn’t done this yet . i see you .

[chocolateheal]

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