#either way it's great storytelling

[alexwilltellyouthings]

Dead Boy Detectives was really smooth with how they decided to keep us hanging with Edwin/Charles. We have hints, but no real way of knowing how their relationship will move forward and that feels very deliberate.

'Cause I mean. We see how Edwin is acting after realizing his feelings. He's not all that subtle (for us) in episode 6. He changes clothes, checks Charles out, lingers on a touch on his shoulder, etc. It's clear he changed.

But then, after hell and the confession, we have just TWO scenes focused on them, and they are somehwat hard to decipher, especially when it comes to Charles' reactions. The scenes are pretty opposite.

First, the roof right after hell. They are standing very apart from each other (not usual at all), each looking away, and there's an awkwardness going on when they do make eye contact. It's cute, but unlike anything we've seen from them before, and it indicates a shift in the dynamic that neither of them seems quite ready to face.

Then Charles reassures Edwin that they're good, they smile, Crystal shows up and goes straight to lean against Charles, not even thinking about it, while Edwin is still at the other side. It feels very interesting to me that they chose to go with this unbalance of proximity. It looks... hurtful, to Edwin at least.

Then there's Crystal with her memories, saying goodbye, Esther, the whole shebang, and the next time we see the boys by themselves is at the very end. Which was also a very interesting choice in proximity, as we all know. But this time, the other way around — they are closer than ever.

Also I think it's worth noting that, before this, when they are about to leave Port Townsend, both Charles and Edwin have a little moment with their respective love interests. Charles and Crystal act kinda shy at each other in Niko's room, while Edwin talks to the Cat King. Again, it feels deliberate.

So are there going to be other awkward moments? Is Edwin going to be fine with the craving he now clearly has? Is Charles going to act confident or bashful? And obviously there's room for the Cat King and Crystal to still mean something romantic and/or sexual to them, in one way or the other. Basically, the evidence can point to any direction. And as much of a Payneland truther I am, I have to admit it can also point to a whole different development. The show made sure to leave all doors open, including the ones leading to heartbreak.

It makes me anxious, and it's also lowkey brilliant.

[rawliverandgoronspice]

I don't get why people hate the timeline so much, its not like you can't pretty much completely ignore it when you play the games. The only time it even approaches mattering to the story is when there is an explicit sequel like botw and totk or zelda and zelda 2

Hey sorry your ask got lost in the sauce of my broken tumblr, but: yeah!

I mean, I get why in some sense. It's been a heated point of debate and I think some people understandably resent the space it has taken not only in fandom discourse, but in how people began to understand the game and its narrative aesthetic choices. There is such a thing as over-rationalizing everything to hard logic, and sometimes it's just not the fandom for that --especially when you begin to forget it's all just fan theory and start to forget what the games are supposed to be like and evoke beyond just strict facts displayed in a linear way.

What I think bugs me with TotK in particular is that it both evokes and relies on continuity and the idea of a timeline, of archeology, of history itself, while being so loose and vacant with it that it both is doing Timeline Shit while also completely failing to understand why some parts of the fandom were invested in Timeline Shit to begin with.

But that's just my two cents of course!

[rigginsstreet]

Like I’m not gonna sit here and pretend there isn’t misogyny in horror movies but like there’s misogyny in every genre and the way y’all talk sometimes it’s like you’ve never seen a horror movie or saw one (1) woman die and decided they’re the only ones getting killed throughout the entirety of horror history

May shock you to learn this but men be dying too

[navree]

"cleopatra movie starring zendaya as cleopatra and timothee chalamet as octavian" i was having a good day and now i have an anger headache

[bredforloyalty]

i don't think we do luv i don't think we do

[legionofpotatoes]

can't believe I just spent three hours watching a movie about masculine anxiety in the nuclear family model, told through cartoon alien tribes wearing Mãori tattoos

[kuromi-hoemie]

fictional or not, dragon lore is always so interesting.

[ineffable-gallimaufry]

here's my probably posting schedule!

front burner fics: both eyes all the way down and the golden ghosts will update biweekly (as in every other week) thursday BUT the deal is that it's going to be alternating. like one week is eyes all the way down, next week is the golden ghosts, and then it continues. no golden ghosts today though since i'm not ready lol

back burner fics: they're all going to update on tuesdays i think. that feels the most right. so though i try, how can i carry on will update on the first tuesday of every month, fantasy and microchips will update the second tuesday of every month, and it was hate at first sight will update the third tuesday of every month. fourth tuesday won't consistently have things posted but sometimes i write one-shots for funsies so if i have any lying around then that's when you'll see em i think. if there's a fifth tuesday... fuck it. i'm not posting anything. i don't appreciate fifth tuesdays. no thanks

anyways. yeag 👍 hope this works out for people.

[pheonix-inside]

The musical I'm in rn at school is really fun and has really interesting themes about marriage and gender and relationships in general in the 70s, but my god do I die inside whenever we rehearse one of the songs that basically boils down to the male characters not liking their wives and objectifying other women. Hahahaha.

At least my character's husband loves her. 😒

[fondcrimes]

the "labru chapter" is the kabru chapter

this is a dungeon meshi love manifesto, but not in the way you think. sorry not sorry for the labrubait

what makes chapter 76 so amazing is kabru’s desperation has little to do with laios specifically. it’s not just about kabru being obsessed with laios and making sure he doesn't cause tragedy, either. I think this chapter emphasizes kabru's struggle with the concept of love and companionship. the point of this chapter is that every critical part of kabru collides at once and renders him useless.

(disclaimer: this post includes a lot of projection/speculation but it's to understand kabru's character arc i promise. for clearer analysis and examination of how kabru's ideologies are constructed, check out this really great post)

kabru is a lone visionary

in ch 76, kabru’s threatened by lycion exposing his true intentions to laios not only bc he wants to prevent laios from joining marcille in her destruction, but also bc laios is also from a short-lived race and kabru needs an ally in his power struggle against elves (esp when the chips are down)

but has kabru really accepted his need for allies in his plight? kabru has spent his adult life suppressing a human urge to connect meaningfully with others. he even keeps rinsha et al. at arm's length in the name of achieving his masculine hero complex/survivor's guilt goals. he's already quite disillusioned bc most adventurers don't have the same goal as he does. so he uses people and gets on their good side for systematic support. he’s well-intentioned and takes care of his party. but the idea that an ally could also protect HIM and make HIM feel safe as well doesn’t really register with him until later on in the narrative bc camaraderie and allyship, at its core, is about acknowledging intimacy. kabru struggles with intimacy sub-textually (his self-neglect and social insincerity) even though he knows how to simulate it to gain others' trust.

but he can’t crack laios, he can’t get him to listen. for lack of a better word, kabru is spoiled by the fruits of his superb perception and emotional intelligence. he also doesn’t cope well with failure (bc his goal is too valuable to ~not~ devote himself to) he puts too much value in conquering laios and when he thinks he's failed, he basically crashes out. the real problem is he still doesn’t understand his true feelings--not feelings for laios, but the root of his desire. the root of his goals and the endless search for companionship.

kabru is a strategic historian

at his core, kabru is a storyteller. he tells himself a variety of stories about his trauma and his goals, which serve as motivation and to some extent, self-protection (as shown in his conversation w mithrun). he deeply understands the role of storytelling in regards to the construction of history and drastic shifts in power.

as an utayan, he understands that the tragedy that overcame his people was not random, but resulted from elven negligence of a disenfranchised people. it is imperative for kabru to cement himself as a voice for otherwise voiceless people. in his story, he has no choice but to handle the hero, if not become the hero himself.

kabru even has a story about his pursuit of laios, mainly that laios is currently the most capable person of defeating the mage and that he must do whatever it takes to ensure laios doesn’t fuck it up. his instincts are right, sure, but at first, he places special value in laios’ capabilities that almost seems unearned… like yes he’s studied the island adventurers with frightening expertise, so it makes sense he would have a good idea about who is the most equipped to succeed. but his early suspicions of the toudens seems to complicate my perception of his knowledge by adding emotional depth and a layer of tinhattery so to speak.

canonically, kabru has been rebuffed by laios multiple times (which is so... lolll) when he's talking with his party, kabru hides behind the excuse of dungeon but he’s been trying to get his attention this whole time. to me it reads like he's got a bruised ego from being ignored and is being a hater about it (so real lol). it's funny bc kabru is usually great at taking shit from others (esp elves) if it means nobody suspects/interrogates his true intentions and he can keep the peace. so why does laios tick him off so bad? now we have to get into the psychoanalysis of it all!

kabru is a cynic

first and foremost, kabru’s cynical philosophy about humans is challenged by the touden mission. but plenty of people don’t care about the impact of their actions, so why does kabru obsess over the toudens at the start? I figured kui changed gears with kabru's characterization following his introduction, but I want to try to connect it to kabru's unresolved survivor's guilt. kabru is the sole survivor of a catastrophe caused by negligence and oversight. he criticizes the negative impact of the toudens' generosity and naïveté and confirms his cynical worldview (the road to hell is paved with best intentions), but still maintains a level-headed perspective. on the other hand, kabru's interactions with laios are tinged with irrational jealousy/resentment/desperation, even prior to kabru learning laios' character/intentions as an adventurer. I cannot emphasize enough that I am employing a neutral definition of jealousy here--it seems kabru is jealous of the freedom to not care the way laios does not care about the fate of the island. this isn't to say laios doesn't care about humans, he does, but he seems so singleminded compared to kabru esp in ch 76. kabru sees laios going to the literal end of the world to save his sister. laios gets to be human selfishly, kind-natured but ultimately self-prioritizing.

kabru correctly assesses motives (besides his own maybe). falin said she’d do anything to protect laios and marcille. laios has been socially rejected by people his whole life, and at first, he only cares about his sister and monsters. kabru has survived horror but only by accident… he doesn't agree with their pov and more importantly, it doesn’t exactly compute with him. the toudens are wholly unaware of their impact, which does not sit well with kabru at all, who understands the impact of negligence better than anyone else, esp how it ends up harming the less fortunate and extremely marginalized in society. it's reminiscent of the age-old trolley problem. while kabru has been the victim of senseless pain, I suspect kabru can’t yet make sense of senseless love. he gets to look down at their cause and call it selfish because it directly contradicts his lived experience.

kabru is an ethicist with a heroic streak

it's easy to glean that kabru wants to be the hero utaya should’ve had. while he's hardcore and intense, but not paranoid enough to do something rash. he uses violence as a means of achieving peace. he's self-aware enough to know his skill limits, which seems rational at a glance but the pressure he puts on himself suggests he views himself as inadequate until he achieves his goal. the races of humans are so split up and he sees that this is a matter of power first and foremost.

with the canaries, kabru submits to political pageantry to make a separate case for innocent people. senseless tragedy is unforgivable, but so is the "too little too late" reality of the canary system. he takes on the impossible task of rallying people together to save the dungeon. one read is that he's saving his childhood self from trauma perhaps by saving those like him… he's wishing someone did something before it got bad, wondering why nobody intervened when they had every opportunity to step in. it’s deeper than a sense of duty or fairness, this is about betrayal and retribution.

throughout his life, kabru struggles with the material inequity and limits of love. the human population is fundamentally segmented into a hierarchy due to lifespans and access to power/resources. his mother was the only one who loved him in utaya and she was ostracized because of his appearance and then she was killed due to senseless tragedy. his frustration with the elves encapsulates this idea perfectly, because he is aware of of the limits of their empathy as a long-lived race and adjusts his strategy and rhetoric accordingly. I think milsiril’s love for kabru is genuine, but still infantilizing and smothering due to the racial imbalance. this continues to inform his politics, as he views their perception of short-lived races with contempt. the worst offense is that their bigotry is nonsensical, meaning their hearts cannot be reasoned with.

dungeon meshi is a story about power and politics, yes, but genuine love and acceptance are the catalysts of change and equality. the "invisible gulf" that marcille is referring to is the inability to view other races with love and care. such is the essence of camaraderie. kabru's backstory, family history, and beliefs/motivations raise two important questions for me: who gets to be loved enough to survive, and then to thrive?

kabru is a monster

the emphasis on distinguishing between humans and monsters is quite interesting too. of all sentient beings, who qualifies as worthy of "human" treatment? who deserves empathy and acceptance? kabru seeks these answers to fix the world, but also to justify his place in it.

kabru's lack of self-worth is evident here, but what’s more interesting is he knows many humans suffer worse fates than some monsters. the dehumanization/neglect of fellow humans does not compute, if the premise is humans are superior to demi-humans/non-humans because mutual empathy and understanding. he clings to the superiority of humanity as an appeal to ethos to those in power despite what he might actually believe about himself. to kabru, the true injustice is that humans won’t even save “inferior” humans despite being the same. his unclear heritage manifests as guilt, as he feels directly responsible for his mother's suffering because he is monstrous. then here comes laios, a human who somehow can find it in himself to love monsters.

kabru doesn’t want laios to love him, per se, but laios’ love for monsters and for falin reveals life-altering possibilities for kabru: there is a world where someone could love him even if he were a monster. there is a world where somebody would go to extreme measures just to save him. kabru does not know the extent of laios' trauma but recognizes a sort of kindred spirit but inverse. taking off the ship goggles here--it has less to do with laios specifically, and more to do with what his beliefs/abilities represent for the trajectory of the world (because kabru studies how beliefs/abilities manifest into material reality, after all)

kabru is seeking the power of love

in a different story, kabru would be laios’ archnemesis. they would have a disastrous battle of opposing worldviews in their struggle for dominion. kabru has every right to want to take laios out bc while his affinity for monsters is sympathetic and even charming, it is still a natural threat… kabru has the true hero pathology. he believes he only deserves to live if he can save people for a variety of reasons/traumas. he should do whatever it takes to exterminate laios. but the expectation is subverted in chapter 76 bc we see kabru’s curiosity and ongoing quest for understanding win over his worst fears.

I feel like I’ve been projecting a lot but bear with me... a huge part of kabru’s character is him trying to figure out how to matter to people, or figuring out why people matter to others in general. it’s not to say he doesn’t matter to his friends or milsiril, but why else would he bother with all the manipulative people-pleasing? it would be less meaningful if he had ulterior motives like greed or power, but he plays into people's expectations/desires for a disastrously noble cause. he’s still actively living in his trauma as a deeply traumatized adult. it’s pure serendipity that laios can send him right back to his past and then pull him right out again. I don't think it's crazy to say kabru (correctly) projects a lot of shit on laios bc he doesn’t know how to deal with those injustices and barriers between people himself.

this is also why I believe kabru's beef with laios is as personal as it is strategic. we have to consider the trajectories of their character arcs (their big missions, respectively) in relation to one another as foils. if laios' love for falin can move mountains and do impossible things, kabru is subconsciously drawn to the magnitude of that love like a magnet. his response to cognitive dissonance is quite remarkable as well. at the root of his unbelievable capacity for understanding and curiosity is the deep wound of being unloved and unprotected. kabru does not avoid or run away from his fears, he quite literally keeps running toward them and follows it down to hell. he wants to identify the true source of his deepest wound.

to me, this omake connects his childhood curiosity to his search for love, almost as to ask “is there enough room for me to be loved?" and the same can be said for marcille's character arc/ backstory. her biracial heritage has caused her great existential pain and social isolation.

in dungeon meshi, the issues of protection and justice continue to be interpreted through love. if kabru were to go back in time and save utaya, he would’ve needed incomprehensible magic, a supernatural power to save himself, his mother, his hometown. in contrast, laios' mission to save falin is just one manifestation of the surreality of love, all of the impossibilities it permits. the touden party wade through invisible gulfs to save falin, but also each other. kabru doesn’t hate their story, he just can’t fathom it yet.

kabru is a skilled strategist and communicator. and does not listen to his heart or body until he’s absolutely forced to do it. he has insane goals and expectations for himself and will go to great measures for those goals. as cerebral and cold as he might seem, it’s critical to understand that his character arc is about love too. in my opinion, it’s almost as if he’s trying to change his reality in hopes of finding love. my favorite thing about kabru is that he has all the narrative makings of the perfect misunderstood villain who self-destructs at the end of the story. but kabru is too smart for that, too focused on the big-picture impacts and the historical trajectory of the cause. instead, kabru finds the wherewithal to stand down once he understands that laios is capable of loving humanity like he does, or that he could help him see the value in humanity at all.

to love is to understand, and then to surrender.

[laesas]

its funny how different opinions can be lol. I love between us. yes, the pacing could be better (they should already be together at this point) and the sidecouples take to much screentime. thought i still love it. The deep characters, the story, winteam, the chemie, bounprem...im already sad, that its gonna end soon.

Sure!

I still do enjoy aspects of it, enough that I'm definitely going to finish the show, and I agree that WinTeam have compelling chemistry and an interesting underlying storyline (albeit paced incorrectly). I never claimed to be offering an objective opinion on whether or not people should watch or enjoy the show.

I usually come out of even my most dearly beloved shows with some thoughts on script or pacing or tonal shifts or screentime balance between characters. I have opinions literally nobody asked for on details like framing and visual motifs even down to really minute details like camera movements or lens choices! It's my day-job to think about that kind of thing!

Maybe it's a fundamental difference in the way I consume media as someone working behind the scenes - it's no more or less correct than watching a show just to watch and enjoy it, rather than pick apart and analyse it - just different! And we've clearly come to slightly different conclusions on the show based on that.

Ultimately I'm just one person with one perspective. I'm glad that it's still enjoyable for you!

[whereserpentswalk]

People don't realize how liminal it is to be a time traveler. How you don't ever really feel like you're in the time you are. Even when you're in your own time, everything is off, your coat was something you bought in interwar France, the book you're reading on the train is from a bookstore you had to visit in Victorian London, even your necklace was given to you by a Neolithic shaman, from a culture the rest of the world can never know. You find yourself acting strange even when in the present, much less in the past you have to work in.

You remember meeting a eunuch in 10th century China, and having him be one of the only people smart and observant enough to realize you were from a diffrent time. You could talk honestly with him, though still you couldn't reveal too much about your time. And it was still so strange hearing him talk casually about work and mention plotting assassinations. You're not allowed to but you still visit him sometimes.

You remember that the few times you were allowed to tell someone everything it was tragic. You knew a young woman who lived in Pompeii, who you had gotten close to, a few days before she would inevitably die. On your last day there you looked into her eyes, knowing soon they'd be stone and ash, that the beauty of her hair would be washed away by burning magma. And you hugged her, and told her that you wanted her to be safe, and told her she was wonderful and that you wanted her to be comfortable and happy. And you let her tongue know the joy of 21st century chocolate, and her eyes see the beauty of animation, knowing she deserved to have those joys, knowing it wouldn't matter soon. And you hugged her the last time, and told her she deserved happiness. And when you left without taking her it was like you were killing her yourself.

You want to take home everyone you're attached to. There's a college student you befriended in eighteen fifties Boston. And you can't help but see him try to solve problems you know humanity is centuries away from solving. And you just want to tell him. And it's not just that, the way he talked about the books and plays he likes, his sense of humor. There's so many people you want him to meet.

You feel the same way about a young woman you met on a viking age longship. She tells stories to her fellow warriors and traders, stories that will never fully get written down, stories that she tells so uniquely and so well. She has so many great ideas. You want so dearly to take her to somewhere she can share her stories, or where she can take classes with other writers, where she can be somewhere safe instead of being out at sea. She'll talk about wanting to be able to do something, or meet people, and you know you're so close to being able to take her, but you never can, unless she accidently finds out way too much then you can't.

You remember the longship that you met that young storyteller on. You were there before, two years ago for you, ten years later for the people on it. The young woman who told you stories wasn't there ten years later, you had been told why then but you only realize now, her uncle, who ran the ship, had been one of the first people to convert to Christianity in his nation. He killed her, either for not converting or for sleeping with women, you're not sure, but he killed her, and bragged about it when you met him ten years later.

You talk to the storyteller on the longship, ask her about the myths you're there to ask her about, the myths that she loves to tell. You look into her eyes knowing it's probably less then a year until her uncle takes her life. You ask her if you think that those who die of murder go to Valhalla. She tells you she hopes not, she doesn't see Valhalla as a gift but as a duty, she hopes for herself to go to Hel, where she wouldn't have to fight anymore. You slip and admit you're talking about her, telling her that you hope that's where she goes when she's killed. You hope to yourself you'll be forced to take her to the twenty first century, you're tempted even to make it worse, you want to have ruined her enough to be able to save her.

[theoutcastrogue]

That said, the D&D 3.5 Paladin was bad. It was badly designed, it had bad rules, and in conjunction with the other notoriously bad rule, alignment, it could cause havoc.

Now personally, I never had ANY problems with it in my tabletop games. I played paladins and loved it, and I loved it when other people played paladins, and it was great. But that's because, collectively as a group, we took ONE look at that terrible rule where the paladin's code of conduct prevents them from associating with Evil characters or "someone who consistently offends her moral code", and immediately went, "that's stupid, we ain't doing that, it would ruin the game".

We also didn't love the concept of alignment as a cosmic force, and didn't care for Usually Evil Goblins and Always Evil anything. And when a class's signature ability fully depends on whether creatures are capital E Evil, well that affects storytelling, doesn't it? But we all saw it the same way, and we were happily able to change it without any disagreements. In the end we had a Paladin… similar to 5e now that I think of it: completely ignore the Code's association clause, tailor the Code to personal stance or a specific Order, Detect only fiends and undead and the like, Smite anything you want, Fall only if you really fuck up, and never presume that just because you haven't Fallen yet everything you've ever done is justified and correct and anyone who disagrees with you is objectively wrong.

Basically, there were 2 options in 3.5. You either houseruled and/or handwaved things, and in matters of alignment interpretations erred on the side of "what makes the game go",

OR, you played with Rules As Written, and filled the forums with questions like "should the paladin fall?" (one such thread per week, conservatively), "we got into a fight over the Paladin, what to do?", "is it Evil to pick pockets? because we have a Paladin in the party", "the Assassin uses poison, shouldn't that offend my moral code?", and shit like that. Just... pointless strife, all the time. Again, never happened to me, but I was appalled to read about it, over and over and over.

People got intense with 3.5 Paladins (both pro and against) because it was BADLY DESIGNED and had BAD RULES. Its mechanics forced narrative choices on the entire table, and the only way to make it frictionless was having a party where no one wishes to explore a character's bad side ever, no one does things that aren't bad but WotC branded Evil™ in this or that splatbook, and everyone magically agrees all the time on "what is right and what is wrong" and "what is Lawful and what is Chaotic", which is simply impossible. The most subjective thing in the world (ethics!) was presented as an objective cosmic force, and how you interpreted it would determine how much damage the Paladin deals in combat, and whether the Paladin could keep associating with the party, and if the Paladin is still a Paladin. And all that in a game, let's not forget, whose basic, fundamental premise is "kill things and take their stuff". I'm sorry, this is tremendously stupid. It's the WORST design.

I know that for some people it worked as written, and good for them, but for the many many people it didn't work, well it's obvious why.

[joelsmochi]

honeypie - joel miller

summary: part 2 to honey (can be read as a standalone, doesn’t have much to do with the original plot!) warnings: not proofread, 18+, slight angst?, age gap (everyone is legal!!!!!), bickering/arguing, double date trope womp womp, degradation, dubcon, creampie, joel is a smidge misogynistic insecure and possessive wc: 2.6k a/n: this is mainly just some self indulgent yet rushed storytelling (so sorry, i wrote it in an hour because i was bored at work lol)! i wanna write a part 3 and actually include the beekeeping a little more but i have nooo idea how i’m gonna do it but we WILL get there one day babes!!! until then, enjoy this fluffy angsty sex 😽!!!💓

series masterlist | main masterlist

-

“If you guys are gonna bang when I’m in the house the least you could do is be quiet!” You heard Sarah shout from the other side of Joel’s bedroom door after banging on it.

Joel grimaced, his body tensing beneath you but you were almost oblivious to the complaints of your best friend. Almost.

You didn’t let up on your movements or noises whatsoever and as much as Joel loved those sweet little moans spewing from you as you humped against him, he loved his privacy much more especially when it came to his daughter.

You shook your head profusely when he attempted to get you to stop, insisting on how you were almost there.

“Soclosesoclosesoclose—just w-wait, I’m cu—fuck. Ahh, fuck, I’m cumming. Oh yes! Yesyesyesyesyes! Ohh—oh, my God—“

Joel covered your mouth with a clammy hand, feeling torn from his mixed feelings of lust and embarrassment.

Going downstairs didn’t help him feel any better either, especially when Sarah began berating you both, not that he blamed her for it.

“Call it payback for all the times I let you and your boyfriend have sex in my bed,” you retorted.

“In your bed?!” Joel mumbled to himself.

“Yeah yeah, could have at least waited until I was gone,” Sarah muttered.

“Sorry, Sar,” you hummed, “your dad is just really hot.”

She scoffed, rolling her eyes. “Come on, man.”

“I didn’t even know you were home,” Joel complained. “You’ve been with Jared or whatever his name is all week.”

Sarah’s squinted her eyes, annoyed by the lack of care from her father. “Alex. His name is Alex dad—see, I hate this!”

“Oh, by the way, Sarah,” you said, pattering behind the kitchen counter, “wouldn’t use the open jar of honey if I were you.”

“UGH! EW! Fucking ew!”

♡

“Other than the obvious,” Sarah mumbled, “how’s my dad taking care of you?”

You wore a bright smile and looked away from your reflection momentarily. Joel was… Joel. Rough around the edges but he was a genuine person, confident in the external reality but a little insecure. Not unbearably insecure though, just enough to make you know he was trying his best.

He wasn’t the most romantic but you figured it was just from him being out of the game for so long and you knew you could train him to be more romantic if it was needed.

He didn’t push you aside or make attempts to subtly suggest you needed to leave after sex either; he’d pout real big and give you those gorgeous puppy dog eyes until you held him. He loved making you laugh.

But it definitely still felt like just sex rather than a relationship. You weren’t particularly complaining, but you weren’t bragging about it either.

“Good,” you answered.

Sarah could tell from your tone how honest it was. Good meant great, happy, damn near perfect.

“Good. I’m glad,” she said. “I was worried he’d be like one of those incels that get real creepy and pervy after thirty-five.”

“No, no, he’s great,” you reiterated. “He’s very funny. Smart. He asks me to tan in my bikini while he’s working on the hive or the yard.”

You watched from the corner of your makeup coated eye how tightly she grimaced.

“Images. In head. Don’t want them there,” she dramatized.

“I have to hear every last detail about you and Al up to where he’s shoving your cervix into your stomach. You can deal with a little sexiness from us,” you said.

“It’s just so weird,” she whined.

“Do you want me to stop seeing him?” You asked.

You had slowly began to worry about how this would affect your best friend over time, you knew it was a weird situation. You had no issue cutting Joel off if it meant Sarah got to be happy. There were other men in the world, there weren’t other Sarah’s.

“No, God! No. It’s just not as simple as I was expecting. You know?” She explained kindly.

“Totally! I’d be weirded out if you were hooking up with my dad while I was across the hall. I’m not blaming you there, or anywhere for that matter. Just know you come first.”

“Well, yeah, who else is going to wax your back hair and not judge you for it?” She teased.

You rolled your eyes at her.

“Lots of men with weird fetishes.”

♡

“Can’t believe I agreed to this,” Joel huffed.

He adjusted the waistband of his jeans making his shoulder briefly flare. You let your mind wander while Joel complained about the double date you had arranged with Sarah and Alex. You were currently waiting in the parking lot for them to arrive.

“It’ll be fun. You’ll get to meet Alex and see he is a respectable man and you and I get to pretend we’re a couple for a few hours.”

“Pretend?” Joel questioned. “W-what do you mean pretend? Are we not together?”

“Uh, no?” You said.

Joel didn’t appreciate your amused reaction and questioned you a little more.

“You never asked me to be your girlfriend— you haven’t even taken me on a date,” you explained. “Did you really think that conversation wasn’t necessary?”

“So if we’re not together then what is this?”

You sucked your teeth before simply saying, “Sex.”

Once the four of you were inside Sarah and her boyfriend felt the tension between the two of you.

You watched Joel punch in all of your names into the keypad before pressing ‘start game’.

“So Alex, what do you do for work?” Joel asked.

“Oh, well right now I’m working at a café downtown, but I’m majoring in political science to become a lawyer.”

“A lawyer?” Joel sounded impressed.

“Lawyers are great at communicating,” you antagonized. “They know what questions are… Important to ask.”

Joel rolled his eyes and motioned between you and the bowling balls. “Just go. Good God.”

“Dad, what did you do?” Sarah asked.

“Why do you assume it’s my fault?” He defended.

“Girl, what did he do?” She asked you.

Shrugging, you said, “I don’t know. Since Joel thinks he’s so great at communicating, maybe he should answer. I’m gonna go bowl.”

“Hope you gutter!” Joel shouted after you walked away. “She told me I needed to ask her to be my girlfriend.”

“You thought she was your girlfriend?!” Sarah said with wide eyes.

“Well… Yeah? Do I really need to verbally ask her that?”

“That’s why I got a strike, bitch,” you said while slapping the back of Joel’s head.

Sarah and Alex awkwardly stood up so that he could pretend to teach Sarah how to bowl properly. But the bickering between you and Joel didn’t end there.

“I thought it was obvious,” Joel told you. “I have you over all the time. We fuck. We laugh. Did I really need to ask?”

“So what would have happened if I pissed you off and you were to say ‘it’s not like you’re my girlfriend’?”

“I do not sound like that!” Joel scoffed. “And I would never do that to you, you know that. I just kinda figured you were mine, you know?”

You squinted at his unearned possession over you, feigning offense and scoffing obnoxiously.

“Yours? I’m not your property, Joel. You don’t get to claim me.”

“Oh yeah? And what are you goin’ to do about it? Fuck some other loser?”

You grinned, and immediately he regretted his words.

“That’s exactly what I’ll do,” you whispered.

Alex and Sarah sat back down and you asked if they wanted anything to eat or drink before walking away to go to the bar.

“Hi, what can I get for ya?” The boy at the counter asked.

“How old are you?”

“Nineteen, why?”

“You see the older man on lane twelve?”

He looked and then nodded.

“Well, I wanna make jealous so if you could just smile and pretend to flirt with me I’ll give you ten bucks,” you explained with a sly smirk.

“Fifteen,” he negotiated.

“Ugh, fine. Can I get two lemonades, a beer, and a water please?”

“That’s not coming out of my tip, is it?” He questioned whilst punching the order into his screen.

“It will if you don’t start looking at my boobs,” you said through your faux smile.

You leaned onto the counter and gave the employee a clear view of your cleavage, which he seemed to appreciate very much.

But Joel wasn’t only focused on the teenage boy behind the counter, he noticed the numerous men gawking at your short shorts that showed off too much of your ass with you bent over the counter the way you were.

“Dad,” Sarah’s voice brought him back to reality. “Your turn.”

By the time Joel managed to spare you had returned with everyone’s drinks and Joel didn’t give you the satisfying reaction of jealousy like you’d hoped.

Wondering if you went too far, you drank a bit of Joel’s beer to imprint a lip gloss stain for Joel to taste in between sips. Something you noticed he loved to do over the past few weeks whenever he made you coffee or tea. You never finished your drinks and Joel always lined his mouth up with your lip print to taste you every chance he got.

And as you gave him the cheap plastic cup that held his beer, you watched as he habitually sipped right where your lips had been. Occasionally licking the rim of the cup before taking his next swig.

A couple of games later, you and Sarah managed to team up against the boys and kick their asses each and every frame. They sulked while you two gloated from the ending of the final game all the way back to the cars.

“Okay, okay. We get it, girls rule, boys lose,” Alex said.

“It’s boys drool,” Sarah corrected before turning to hug her father who placed a kiss on her forehead. “Night, dad. I’m gonna stay at Alex’s.”

“Okay, babygirl. Call me tomorrow.”

“Oh, and word of advice,” Sarah whispered after you got into Joel’s car. “Girls like what boys consider pointless communication. Take her out a few times, make her feel special, and ask her to be your girlfriend. She really likes you, she’s just making you earn it.”

Joel softly smiled and nodded. “Mmkay. Thanks.”

Once he got in the car he didn’t acknowledge you in the least bit, finally free to punish you for letting those men get a free show.

“Not a word?” You nudged his arm as he drove. “You could ask me now.”

He snickered, the most noise he’s made in the last ten minutes.

“You don’t get to just fucking claim me, Joel!”

Joel sped up before pulling into a rest area.

“Come’ere,” he hoarsely demanded.

He unclipped his seatbelt and began undoing his belt and jeans.

“Don’t get all fuckin’ shy on me now, girl. Come on.”

You hesitated but unbuckled your seatbelt and climbed into his lap; he moved his seat all the way back and pushed his jeans low enough for his cock to spring up and slap his belly.

Instinctively you reached for it, but he removed your hand from his hardening length and held your wrists tightly behind your back with one hand. Using his other hand to grab your face by your cheeks he forced you to look into his cold eyes.

“Do you not want to be with me?” His voice strained as he asked that, a hint of hurt glaring in his dark eyes.

“Of course I want to be with you,” you answered.

“I don’t play games,” he said, gripping your wrists even tighter. “Don’t fucking—“ A soft smack landed upon your cheek. “Don’t fucking do what you did tonight ever again. Get on your knees.”

He slightly shoved you back as he loosened his grip on your hands and face; you submissively sank to the rough carpeted floor of the car and he wasted no time pulling your hair into a makeshift ponytail and shoving his fat dick into your wet mouth.

He tasted so fucking good, the mix of his clean flesh and salty precum like honey dripping onto your tongue. Your eyes rolled back and you moaned along his shaft as you eagerly bobbed your already hazy head up and down.

Joel’s hips rolled up in pleasure, gurgling out helpless moans as your nose rubbed the wiry hairs along the base of his shaft. Despite the aching and soreness, you loved having your throat full of Joel.

You took initiative and pushed against his hand, nonverbally telling him to make you suffer, and he shamelessly did so.

He couldn’t tell if the slick that was coating his balls was your spit or tears and he didn’t give a fuck. If you were going to show some loser teenager your tits and some loser bachelors your ass the least you could give him was some fucking remorse, right?

Joel felt powerful, in charge in ways he never experienced before. Your flooded eyes looked into his and saw how contorted his face was, so even if he was the one telling you what to do you knew you had him wrapped around your finger.

“Give me that fuckin’ throat, baby,” he moaned. “Oh, fuck! That throat is so fucking tight—mnh. God…damn baby. Feels so fucking good.”

He smacked your wet cheeks as encouragement before slowly pulling you off of his dick; you coughed at the gust of oxygen that flooded your lungs, giggling as he smacked his fat tip against your puffy mouth.

“Look at you, baby,” he whispered. “So pretty when my cock shuts that smart fuckin’ mouth a’yours up.”

“You love my fucking mouth,” you smugly said as you climbed into his lap.

“I do, but I think you forget what it’s supposed to be used for,” he whispered.

“You can stuff my mouth all you want, I’m still gonna give you a reason to use it.”

An eyebrow of his cocked up and a grin spread across his face at your confidence.

“Take your pants off,” he instructed seductively. His rough hands ran up your arms and back while you did what he said. “There you go,” he moaned when you slid down on his wet cock. “You’re such a good fucking slut for me, honey.”

“Just—just ask me, and I’ll s-say yes!” You shakily moaned as you relentlessly bounced on his dick.

Joel gripped your neck and began fucking into you from below, pushing deeper than he needed to, definitely bruising your cervix.

“You know you belong to me. All that fucking shit about claiming you and how I don’t own you, fuck was that?”

“Joe—elll, ugh!” You screamed into his chest, not sure if you were cumming or if your cunt was just overwhelmed with sensitivity. “Just ask, just ask baby I promise I’ll be good I’ll never misbehave again.”

He popped your ass and chuckled cruelly when you flinched and moaned. “Be my girlfriend, babydoll. Hmm? I want you to be my girl. You’re already my slut. Will you be my girl, babydoll?”

Your eyes gawked up at him and you couldn’t suppress the smile that tugged against your lips.

“Yes! Yes, yes, baby! Oh fuck, oh fuck!”

“Say it,” he begged. “Say you’re mine.”

“I’m yours I’m yours I’m yours I’m yours Joel! Fuckfuckyes I’m yours! I belong to you! I fucking belong to you!”

Joel felt the familiar deep stretch in the peak of his belly at your cries. He listened to you submit to him, let him claim you as his, ultimately marking his territory as he began to cum inside of your warm cunt.

“Thaaaat’s my good girl,” Joel growled as he fucked the last of his spend into you.

“Fuck,” you exhaled, climbing off of him. “You’re such an ass.”

He chuckled at this, the softness in his laughter coaxing a giggle from you.

“You love me,” he mumbled.

“Mmm, not quite,” you said as confidently as your tired body would allow.

“Oh, honeypie… You’ll get there soon enough.”

[iskratempestmadness]

What would the Baki men do with easily distracted s/o? Like, when the Baki men could be talking about something and their s/o instead gets up and start chasing a cat before stopping to look at a bunch of butterflies or something like that?

Baki:

• just uh?!?!

• he feels a little awkward, even though he understands that the problem is not with him

• You make him doubt that he is a good storyteller. Like, are you even interested or not?

• will talk to you about it. Well, it's obviously not great.

• tries to attract your attention in every possible way during the conversation.

• But his patience is not eternal. So sometimes, when you get distracted while he's telling another story, he can stop telling it and sit with pouting lips, because "Hey, aren't you interested at all?! I'm actually trying, I'm crucifying here... "

• later you'll have to apologize to him and use all your concentration for this

• gradually, he will understand how to attract your attention during a conversation and learn how to use it.

Hanayama:

• he talks so little, do you want him to be silent in principle? ...

• it hurts him, he is so little social, he tries to communicate with you and be interesting to you, but you can't just concentrate on what he tells you

• but later he will see how it happens and when you communicate with your friends or with Chiharu

• So he'll just accept that this is your "highlight," so to speak, and try to live with it.

• but he found a use for it! In the company, he focuses on you. If a person starts telling a story, then you can easily tell if it's interesting or not. You are a filter of unnecessary information for him.

• he will probably retell conversations, stories, gossip that he heard in the company of your ( more than your) friends. It will certainly be a test for him, but it will also pump him up great in terms of conversation.

Katsumi:

• ...

• difficult

• he needs attention in principle, especially when he tells something... And you...

• for a while, he may think that you are mocking him. He tells you something about karate and somewhere in the middle of the story he realizes that you have already been distracted by a butterfly ...

• and it annoys him. God, you had the task of just listening and you didn't do it!

• probably his irritation will begin to decrease as soon as he realizes that you communicate with everyone like that.

• probably discuss it with you. After all, it's not normal that you're constantly distracted, and it's okay if you get distracted with him, but if you get distracted in a situation where there may be consequences for you?

• Even though he is still a little annoyed, he will try to control you. Especially when you find yourself in a company. Like, "Yes, yes, yes, it's very interesting! What do you think about it? "So he's deliberately putting you in awkward situations.

• and it helps!

Jack:

• mmmm

• he is tolerant in this regard, but not without surprise

• he can understand that talking to him can be boring, like it's normal for him

• but he is surprised that you are just as inattentive in communicating with others.

• most likely, he will just accept it. He understands that people are different and the fact that you are distracted is just your peculiarity.

• also tells you the conversations that take place in the company. But somewhat more generally, because he doesn't really listen to it either.

• he will find topics that will be of interest to you and will often use them to give you information. Like "... this is a new fact that scientists have discovered about dolphins. And I was also asked to tell you that the T-shirt you need will arrive in a week. "That's about it.

• also probably consults with a specialist regarding you (probably with Kureha) and applies his advice on you.

Retsu:

• also very tolerant

• But unlike Jack, he sometimes gets annoyed about it.

• "How can you be so inconsiderate! It's disrespectful and irresponsible! You're not a child! " Retsu's thoughts of the year, instead of listening to him, you stared at a cluster of bugs.

• And he will try many methods to make you less distracted. He will consult with Kureha about this.

• will probably also put you in awkward situations. " ... It's funny! What do you say? " He says, turning his head in your direction, knowing that you have been looking at the fish in the aquarium for about 5 minutes. Oh, how used he was to that expression. A mixture of surprise and confusion, followed by condemnation and mild irritation.

• "I'm sorry, honey, but it was necessary" His thoughts in almost every similar situation.

• He tries to be patient. Truth. But sometimes it's just beyond his strength.

• But eventually he'll wean you off it... He really hopes so...

Shibukawa:

• ...

• YES, HE'S A FUCKING WIZARD!!!

• In absolutely any situation when you start to get distracted and he understands it... literally a second... And you're already listening to him.

• as if on click. No matter how much you are attracted to a bug or sparrows, eventually your attention will focus on it.

• How can this be explained? Easy. Experience. This person has lived for a sufficient number of years and has seen a lot of people, so he knows how to interest certain personalities.

• probably suffered from it before. So this may also be the answer.

• However, the fact remains, he knows how to make you listen.

• BUT... Still, there is a but... And it lies in the fact that you can and listen to him, but you don't listen to others. Like, in a conversation with friends, there is a very small chance that you are attentive and this bothers him.

• and he learned how to deal with it... He's trying to learn.

• DEFINITELY making fun of you about it

• For example, he can tell you that while you were distracted by the caterpillar during a conversation with your friend, he told you that he bought his sister a car, although in fact your friend barely raised money for a hoodie for his sister. Something like that.

Yujiro:

• Don't test his patience

• you just don't have to do it

• We all know how this will end

• but you did it anyway

• while he was telling you about how to choose the right whiskey, you looked at the frog (where did it come from?...) ...

• And what happened was expected.

• He didn't use force on you, he just scolded you, but that was enough

• But now you're listening to him carefully.

• but not everyone else. As before, you ignore half of the conversation with your friends.

• and he doesn't like it. I'll say more, it annoys him. Of course, who would like to retell a story for another person.

• besides, he doesn't listen either...

• it seems to me that he won't do anything about it, despite his irritation. Like he understands you. For him, too, a lot of people are boring and dialogue with them is clearly worse than watching butterflies fly.

[macguffinandco]

Hi - we're on Tumblr now!

I'm sorry, who are you?

We're @sashasienna​ and @jonnywaistcoat​, and we make tabletop RPGs as MacGuffin & Co.!

Tabletop what-nows?

Immersive storytelling games where you and your friends can dive into weird worlds, play fascinating characters and have harrowing adventures!

What, like Dungeons & Dragons?

*sigh* Yeah. Like Dungeons & Dragons

Ok, so what have you made?

Well, we've got a collection of system neutral micro-settings called Odd Jobs - it's eleven small and fascinating worlds to play games in, each with a campaign you can play through in a month. They're not designed for any particular system, so you can play them with whatever game you like!

Oh, and it won the 2022 UK Games Expo award for Best Adventure and was nominated for Ennie Product of the Year. Just sayin'.

We've just released a tarot-themed magical river game called Upriver, Downriver with our dear friend Ella Watts, in which you play the crew of a ship sailing the Great River, either travelling upriver to the mythical Source with it's magic and revelation; or downriver towards the unending Sea with it's freedom and horizon.

We have KER-SPLAT! - a high-chaos, full nonsense cartoon RPG we wrote with Ross Barlow, where the players can't die and the GM can't stop them in a hilarious cascade of silly jokes. Also, not to brag, but this is the funniest RPG rulebook you'll ever read.

We also have smaller games, such as Zero Void - a no-prep one-shot zine game, where you play a bunch of desperate space criminals trying to escape a space station before the law arrives.

Is there any way to keep up with what you do?

Well, following our Tumblr is a great start. We also have a monthly mailing list you can sign up to from our website that will keep you updated on what we do.

We also have a Patreon.

What was that? You're mumbling!

Yeah, like all creators trying to eke out a living, we have a Patreon. If you sign up you get behind -the-scenes updates, small or prototype games, RPG resources, new micro-settings and our monthly TTRPG Gamesmasterclass, where we use our 35(!) combined years of GMing experience to help you run the best games ever.

But what if I want to see your faces?

Then I have great news! We stream boardgames and RPGs every Sunday at twitch.tv/macguffinandco! Jonny also streams videogames every Friday at twitch.tv/jonnywaistcoat, and Sasha steams their Jane Austen Bookclub every Monday at twitch.tv/sashasienna

Sounds cool - where can I find out more?

macguffinandcompany.com, baby!

Wait, so why are you on Tumblr?

Because social media is a nightmare hellscape and it's weirdly the chillest one left. We are on other social sites as well - you can follow us on Twitter, Instagram and Facebook - but this is our favourite.