#edit: when “by only one person” i mean “by someone who has been hurt by him and will end up wanting revenge”

[winged-self-indulgence]

Why Do People Like Yanderes?

Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.

TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.

Introduction

If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).

It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.

Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?

Hybristophilia

‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ���a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):

“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”

In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.

However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:

Call Me Bob the Builder Because I Can Fix Them

If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.

Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.

(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)

After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”

But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.

Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.

The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.

The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.

Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?

The Allure of Obsession, or ‘Til Death Do Us Part (Literally)

It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.

PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.

But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.

In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.   

Attractiveness, or Okay but Have You Considered That They’re Hot Though?

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I mean what am I supposed to say here? They’re hot, what do you want from me?

No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.

This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.

So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.

When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.

While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.

Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.     

Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)

Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.

In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?

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If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”

Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.

Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.

Conclusion

In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.

Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below

REFERENCES

Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406

Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191

DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545

Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123

Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212

Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture

Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.

Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf

Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092

Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.

Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101

[why-are-you-still-awake]

Jealousy with the Naruto boys

A/n: I’ve seen this done multiple times so here’s my take on it :)

Warning/content: nothing :)

characters: Sasuke, Gaara, Sai

Sasuke Uchiha

☆ Sasuke claims to not be a jealous person, “he’s above that” as he puts it, but something about seeing you laughing and smiling with someone else makes him feel weird, insecure? No couldn’t be…. He likes to think that he’s just being overprotective and he’s not jealous, he believes he’s too good to be jealous and let’s be real, he’s far too prideful to admit he’s a little insecure. ☆

☆ One time when you guys were out in the Konoha market place, some person came up to you and started a casual conversation, but to Sasuke it seemed like this person was getting a little too close for comfort. So to solve this, he came up behind you and placed his arm over your shoulder giving the person a “can I help you?” Look, let’s say they didn’t stick around much longer. ☆

☆ If you try and bring up his jealous behavior, he’ll deny it adamantly. It’s not that he doesn’t trust you, he just doesn’t trust other people. If we’re being honest here, he’s deeply afraid of losing you, to him you’re the only person he has left. So even when he’s being a jealous prick, it comes from a place of love even if he doesn’t outright express it. ☆

Gaara

☆ He wouldn’t consider himself a jealous person by any means, he love you and you love him. He has no reason to be insecure or jealous, but even the kazekage struggles to be reasonable sometimes, he’s only human after all. He wouldn’t be very upfront about his feelings, if you noticed jealous behavior then you’d have to bring it up because he won’t talk about it first. ☆

☆ One time you were waiting for a council meeting to be over and you were in meeting room with him, it was very boring like watching paint dry would’ve been more entertaining. You soon notice a younger council member staring at you trying to get your attention and smiling at you, you politely smile back but then Gaara catches on to the silent interaction. He wraps his arm around your waist, pulling you closer while clearing his throat and continuing speaking. ☆

☆ If you ultimately decide to confront him about his momentary jealous behavior, he won’t deny it but will probably be very embarrassed he was caught doing something like that even if you reassure him that you’re not upset and may even find his jealous protectiveness attractive…..☆

☆ He didn’t know anything really about relationships do to growing up in Root, so you and to guide him and explain things basically. Some might’ve found It tiring but you found it endearing to an extent. He had never experienced jealousy before until he saw you talking to someone else who seemed to be pretty funny because you couldn’t stop laughing, he had a weird feeling in his chest and it made him feel *strange* he didn’t understand.☆

☆ He decided to try and get to the bottom of this weird feeling in his chest, so he decided to just outright tell you how he was feeling, you were kinda surprised, but after breaking through the momentary freeze and explained it to him. He was surprised, he never thought he’d be jealous, he trusted you, he knew you’d never do anything to hurt him. ☆

☆ There’s no really confronting him about jealous behavior because he’s very honest about how he’s feeling, he definitely forgets appropriate time and place sometimes when he says something, he’s unintentionally a good communicator because of how honest he is and won’t beat around the bush with how he feels. He loves you and wants you to know. ☆

A/n: I’ve never written for Sai before, so sorry if his part sucks. Thanks for reading, love u <3

Do not repost

Edit: thank you all who heart or reblogged or in someway interacted with this post, it means so much <33

[buckboi]

Angsty Little Coda to 7.6 because I couldn’t get the look on Margaret Buckley’s face out of my head but don’t worry it has a happy ending

*Now edited and on Ao3*

G / 1k / TW for bad parents

“Evan, have you got a moment?�� 

Five words from his mother and Buck falls off cloud nine and crashes back to nineteen years old.

But Chimney’s alive and okay. Maddie’s glowing beside him in her gown. Everyone’s chatting and eating the overpriced (but admittedly delicious) wedding cake. It feels like a family gathering, and Buck won’t cause a scene in front of his family.

“Yeah, sure,” he says. Tommy gives his hand a gentle squeeze. Says I’ll be right here with just his eyes. Buck squeezes back, and follows his mom into the corridor.

“Come here.” She pulls a tissue from her pocket with one hand, grabs his chin with the other and starts wiping away the soot Tommy had left on his face when they reunited. “So. What’s all this then?”

It’s a trap, he knows.

“What’s all what?” he deflects.

“All this.” She waves her hand at his face, then towards the hospital room where Tommy is visible through the glass door. “You’re an adult now, Evan. I thought you knew better than to upstage your sister on her wedding day.”

Oh great. Accused of doing exactly what he’s trying not to do. It would be funny if it wasn’t frustrating.

��Second wedding,” he mutters under his breath. Just because Maddie was happy to forgive her parents for missing the first one, doesn't mean Buck has to let it go too.

“Excuse me?”

“I said she knows,” he corrects. This is a happy day. Chim is alive. Maddie is beautiful. Tommy is waiting for him. Things are good. He’s not arguing with his mother. “Maddie. I told her about Tommy weeks ago. She was the first person I told, actually. And she told me to bring him to the wedding, if I wanted to. The only one here who seems to have a problem with it is you.”

His mom scoffs at that, and lets go of his face.

“I’m not homophobic.”

“I didn’t say you were.”

“I just don’t think it’s right, springing it on your father like that.” She tuts at him. Like he’s nineteen, fifteen, twelve, eight years old. He almost liked it when she was disappointed in him. At least she was paying attention. “He’s getting older. His heart.”

“You think me having a boyfriend is going to give dad a heart attack?” He laughs at the absurdity of it all. “Do you think we should get him outta that room before he realizes Hen and Karen are lesbians?”

“Evan.” How she manages to say his name with some much judgment when she’s the one who names him, he’ll never know. “It’s different. When you find out your own child has been lying to you for years. And all those girls you’d string along...”

She looks hurt, but not angry, which is its own kind of fucked up. It’s not fair. She doesn’t get to be sad about this.

Not when things are finally feeling good, and safe, and right. When Tommy feels right.

“I wasn’t lying.” It’s maybe more of the truth than she deserves.

“I don’t see how that can be true if you’re gay.”

“Well I’m bi, actually. And I only just-“ he scrubs a hand over his face, probably spreading the soot around worse. “It’s a recent development, okay? That’s why people didn’t know. ‘Cause it’s new. And Tommy and I are taking it slow.”

“I suppose that’s a first for you too, Evan?” she snipes and it’s goddamn unfair because who is she to ask him that? To judge his life when she’s never so much as pretended to take an interest in it?

He has options, now. He could storm off. He could say something worse. He could say something worse, something about dead children and how they can’t disappoint you like the ones who are still alive and then storm off.

She’s not worth it, says a voice in his head. It sounds a lot like Eddie, and Bobby; like Maddie, and Chim, and Hen, and Tommy.

Like someone who actually cares about him.

“Can we just… not?” he asks, and for a second Buck thinks she might actually refuse. Might force the point, but she lets out an unnecessarily weary sigh and nods. “Can’t we go back to the party, and enjoy what’s left of the day?”

“Of course. Why wouldn’t I want that?” Buck doesn’t even attempt to answer that one. “Just let me get you looking respectable again and we can go back.” She grabs at his face once more.

“Buck! Chim wants you back for a team photo,” Maddie says, bursting out of Chimney’s room in a cloud of tulle. Just in time to witness his humiliation. Great. “Aww, you’re wiping it off?” 

“Of course he is,” their mom says. She’s scratching at his face with the tissue. Speaking for him like he can’t answer on his own. “It’s your wedding, Maddie. I won’t let him show you and Howard up.”

Buck takes a deep breath and smiles thinly as his sister furrows her brows.

“Oh, well, Chim said he wanted a photo with your face all dirty.” She laughs sweetly, and grabs Buck’s arm. “He wants to capture every detail of the day.” 

“Oh,” Buck says eloquently as he lets his sister pull him back into Chimney’s room. “I’m sorry.”

“It’s alright,” she assures him.

“No it isn’t,” Chim cuts in from his bed. “Tommy, again. I want that photo!”

And Buck laughs, because it’s silly, and because he knows his family loves him. He asks, “Do we have to?” not because he doesn’t want to, but because it’s Maddie and Chim’s day, and he never wanted to steal their spotlight, even for a moment.

“Oh absolutely you do, Mister,” Maddie tells him, with just enough tease that he knows she wouldn’t force it if he protested. “Our wedding, our rules.”

Buck has no interest in protesting, instead he turns towards Tommy, who’d been a shockingly good sport about this. Buck’s sure he’s exhausted; probably desperate to get back to his apartment and shower off the day. Kinda wants to join him there if he’s being completely honest with himself.

“Well?” Tommy asks, interrupting his steamy fantasy.

Buck bites his lip like he's a teenager again.

“Hi.”

“H-“ Buck interrupts Tommy’s reply with his lips, far softer than before.

He’ll never ask how his mom reacted - whether she rolled her eyes, or pursed her lips or looked, even for a moment, proud of him - but Buck’s family cheers and jeers and whistles their support.

And he feels free.

[inaconstantstateofchange]

Who Builds Theseus' Ship?

This ties in to a greater discussion about Larian's changes to the game post-Full Release, and whether you consider those changes to be a good thing or a bad thing. Personally speaking, the quality-of-life and gameplay mechanics improvements were appreciated, while the direct changes to characters and especially characterization were not so much.

In such discussions, I often see people downplaying the actual changes to characterization that have been made thus far as "minor" things, but I often see one of the most glaring examples of a characterization change left out, because so many people aren't even aware of it ever happening:

Halsin.

For those who don't know, if you were romancing Halsin at the time of the original full release, and for almost four months afterward, if you took him with you to Act 3's orgy scene in Sharess's Caress, he would open up about a situation in his distant past. He would tell you about how he had briefly been "something between guest, prisoner, and consort" in a drow House, and been kept there for three years before escaping.

He stated that this was something that happened "a long time ago", when he was "a foolhardy young druid", which would mean it would likely have been between ages 100 and 245 — or at minimum 105 years ago, and at (likely) maximum 250 years ago. He closed the discussion with a line that really struck me, and that gave me such an appreciation for his character, and for the writers who had created it:

The passage of time has a strange way of polishing even the most arduous of memories into precious keepsakes.

As someone in their late-20s, with a number of traumatic events in my past, this resonated so much both with my experience of those events – once harrowing and haunting, now just simple happenings that do not affect me the way they once did – and as an inspirational message, that hurt would not necessarily linger forever.

Not only that, I really valued the insight it gave into Halsin's personality, further showing him to be someone who was deeply complex and meditative, always looking for meaning and something to take away or learn from any experience. It also served to showcase the likely reality of the relationship elves and druids both would have to the concepts of time and memory. (Another example of this is the experience of Shadowheart's father compared to her mother at the hands of the Sharrans.)

I started playing the game almost immediately upon its release in August, and was intrigued by Halsin from the start. He was someone who was kind and heartfelt, but also very settled in himself and with a simultaneously rigid and very flexible moral code. It was that complexity that drew me to him, and I appreciated the inclusion of a character distinct from the Origin companions, all at close to the lowest point of their lives.

It was to my surprise to find that this appreciation for his character and perspective on his Act 3 revelation was not unanimous. As it turned out, there was a vocal group of people claiming that this writing was problematic, and that Halsin clearly didn't even realize he was actually traumatized, and that Larian needed to fix it. Not everyone joining in with this crusade had even played the game.

And, ultimately, in a pattern they have continued to follow, Larian responded. They fixed it. At the end of November, as part of Patch 5, they uploaded an edited version of the scene with new dialogue, where the player could express this "reality" to Halsin, in one of the most gallingly patronizing statements I've ever seen.

Sounds traumatic. You may need to reflect on that.

(If someone said this to me after I had opened up to them about my trauma and my experience of it to them, we would not be maintaining a cordial relationship afterward.)

Halsin's new response to these dialogue options is a cringing, self-deprecating cascade of how the player is of course right, and he should have known better, and time could "prove to be a trickster on one's recollections" and that perhaps he had "lost perspective".

Quite frankly, it is a completely different character answering, and an almost directly opposing overall message about the role of time in healing, and the path forward when it comes to trauma. No more "one day these events will not hurt to recall the way they do now". In its stead: "only healing that looks a specific way and follows a specific path is acceptable - anything else and you are simply a poor fool lying to yourself."

The following quote is from a comment left on a video of Halsin's original dialogue in that scene, before the changes, and is just one example of how much that representation meant to more than just me to see:

That said, Halsin is trauma recovery goals for me absolutely. Being able to remember without actually being triggered? Being able to fully and freely engage HOW ID LIKE TO instead of being fettered by trauma responses? Goals. I don’t know if I’ll ever get there 100%, we don’t get elven lifetimes irl, but his level of healing brings me hope.

Ultimately, this post is not meant to argue that you should agree with me that one is better than the other. More so, I want to highlight that this existed — for many people, this was their experience of events and characters, and that is not so easily redacted. And I also want to just state, for the record, that Larian's way of approaching narrative and characterization changes to their full-release game has been incredibly frustrating. I did not agree, in August, to play an Early Access game with the inherent understanding that any potential narrative aspect might change at any time. I purchased a full-release game, and immersed myself in the story and the characters, to get to know them as the writers had originally presented.

And when Larian makes these changes based on fan feedback, they are explicitly making decisions about which fans matter, and specifically, which fans matter most. Rather than allowing everyone to experience the story they decided to tell, and draw from it what they take away, and let that spark discussion and engagement, they made the decision to defer to some fans over others, and prioritize their experience of the narrative — something that, no matter how well-intended, is always going to leave a bitter taste in my mouth.

[bu-blegh-ost]

Something just occured to me. Circling through each beautiful moment in the campaign, I noticed a pattern. Gillion never initiates hugs. Every time, no matter if he is the one consoling or the one being consoled, he never is the first person to offer an embrace. And I think it says something.

When Jay wants to hug Gill, she always asks first. She opens her arms as an invitation and always gives him a clear sign that she wants to be close to him. And any time she offers, anytime Gillion gets permission, any time he feels like he is allowed one, he clings to her desperately and fully, starved for it, finding himself unable to let go too quickly, savoring it like he isn't sure when he is going to be allowed to have another.

Chip's hugs are unprompted and usually done with just as much desperation. They are completely controlled by emotion, and are a form of a language that Chip uses when love and appreciation cannot be expressed by words anymore. Chip never asks for hugs, he takes them. He needs them, so he is scared to ask like Jay does, cause asking means risking to be denied. It is safer to steal it. In contrast Jay is still asking cause she is still afraid of taking love for granted.

But they both, in the end, ask for hugs and comfort in their own ways. Gillion doesn't. He wants it, he needs it so often, but he never dares to ask for it. Cause he still treats love as a reward that he needs to earn, that he is not allowed to ask for, that can't be had, unless he does something that makes him worthy of being loved. Affection and love is a currency and Gill was taught that he needs to fight for it. That it's something he should never dare to request on his own.

How many times on their journey did he need to feel someone else's body close to his, but his lips were sealed, suffering in silence, thinking he Has not done well enough to be given the privalage of being comforted? How many aches and worries did he swallow down and burried deep inside? How many old wounds is he trying to fill with every single hug he receives, when someone else offers it to him? When he dares to take it, when he grips their clothes in an iron grip, trying to make the best out of it before it's gone? Cause who knows when someone allows him to have that again?

The only person Gill ever hugged first was Edyn, the first time in Allport. It was done with the same ferocity of a hurt child, of a little boy who Has been going through hell and his sister is his only remedy. The only person that always lets him have love for free. The only one he knows he can hug for sure. One who for so many years has been the only source of comfort.

The rest of the world is uncertain and even with Chip and Jay, Gill still strives to fulfill the unsaid cryteria of when he is worthy of their affection.

But I know that with enough reassurance and care, he will be able to ask for love himself and start treating his crew as people he can fall back on. And just so you know, the moment in which Gillion is the first one to hug Chip or Jay is going to make me cry like a little baby.

_______

Edit: more thoughts occured

Did you notice that Jay always seems to match Gill and Chip when it comes to hugging? She never asks Chip for hugs and takes them the same way Chip does, no matter if she is the one seeking or offering comfort. And the same goes with Gill. Regardless of whether she is the one in the need of comfort or she is the one comforting, she always verbally communicates a desire to hug first. Like she kinda feels that this is what Gillion needs from her to accept it.

So maybe Jay is actually always trying to search for the most effective way to get a hug, to increase her chances. She believes she has to, cause she cannot take love for granted anymore, not after Ava's death. She took her for granted and now she is gone. So now Jay struggles to freely express her own desires and instead clings to all the ways that she thinks guarantee her the affection she needs, an act of desperation in its own right. A silent plea for acceptance.

Each Captain on this ship treats each embrace as a treasure to savor and protect. It's a result of their past and their fears, but also a proof of unyielding love they have for each other. It's beautiful and one day the same love that they still dread to take, will heal them.

[norrizzandpia]

Masterlist 1

- Disclaimer! All of these have happy endings, I am not one for sad endings lol

- More works on Masterlist 2 which you can find the link to on the pinned post on my blog

Lando Norris:

Reckless Driving

When McLaren thinks its funny to put Y/n in a sports-car with her boyfriend and a set of question cards. Spoiler Alert: She doesn’t!

The Infamous Stream

When Max streams and the chat goes wild for Lando and Y/n’s sappy love.

I Can’t Help Falling In Love With You Pt. 2

What if love isn’t enough? What if the obstacles are too great and all the whirlwind romance ends up being is the right person, but wrong time?

Call Your Mom

Y/n’s struggle with mental health and the journey, accompanied by Lando and her best friends, she goes through in order to get better.

London Boy

In which she falls in love with a London boy as an American girl.

Flowers

After the Silverstone Grand Prix, Y/n wants to do something nice for her successful boyfriend, but she quickly finds out her kind gesture means a lot more to him than what she expected.

Used Pt. 2

A bet can do more harm than good.

She Doesn’t Know Who I Am Pt. 2

Lando’s in New York and no one knows who he is. Especially the girl who asks for his number.

Enemies To Lovers, Ya Know?

They’ve always hated each other. Always. Right?

Gentle

In which Y/n’s past is a little haunted, but Lando knows exactly how to make her understand that she is safe with him.

Spa

When a reality check causes Y/n to worry about him coming home to her every day for the rest of their lives.

The Softest Launch

He tried to be a secret, but the eyes never lie.

The Video Pt. 2

Y/n and Lando’s club dancing sends the F1 world into a frenzy.

Lando’s Biggest Fangirl Pt. 2 Pt. 3

His girlfriend. Lando’s biggest fangirl is his girlfriend.

I’m Sorry To Go

She’s not quite ready to have him leave just yet.

What Are You Doing Up?

She can’t go to sleep when he isn’t there.

Happy Birthday

It’s his favorite person’s birthday.

Lacy Pt. 2 (Oscar Ending) Pt. 2 (Lando Ending)

To the song “Lacy” by Olivia Rodrigo, that should be enough summarized.

I Love Your Body

It was the mirrors.

Boyfriend Lando

Where the chat goes crazy for Boyfriend Lando.

Longing Glances and Whispered Confessions Pt. 2

In which, in the darkness of the night, Lando Norris loves Y/n Fewtrell, only for the pain of their secrecy to plague them in the daylight.

Oscar Piastri:

*I also have another Oscar imagine under the Lando section. It is titled Lacy and has an Oscar ending, something you will see if you look at it. It is the second part to an imagine focused on reader loving Lando when he loves someone else. The Oscar ending was incredibly popular and one of my favorites to write! Hope you stumble across this and find that Lacy (Oscar’s Ending)*

Let Me Love You

A friendship where the lines are incredibly blurred is risky, but it’s even more risky to fall in love with a girl who won’t let anyone in romantically.

This Is About Oscar?! Pt. 2 Pt. 3

Y/n’s new song exposes a side of Oscar no one knew about.

I’ll Be The Fred To Your Daphne

He’ll always be the Fred to her Daphne, the peanut butter to her pb and j, and the salt to her pepper.

Best Friends To Benefits To Lovers

They’ve been dating for months after being the closest of friends for years. The question is, however, did they start out as best friends with benefits?

Hurt Me Once Pt. 2

In which they just miss the childhood best friends to lovers trope.

Let Me Help

She’s got a math test the next day and unfortunately, she can’t do math. However, her boyfriend can.

Loving You in the Shadows Pt. 2

They’ve been together for years. Well, they haven’t been together for years. Yet.

Cover It Up

That one piece of clothing was covering so much and Oscar just had to take it off.

She’s Missed You

In which Nicole and Chris welcome Oscar’s longtime girlfriend to live with them after he leaves, only to not tell him and have to update him when he shows up for a surprise visit.

Charles Leclerc:

Edits

When Carlos exposes Y/n watching edits of her boyfriend on Instagram. She’s incredibly embarrassed, but after an interesting conversation with the man himself, should she really be?

[darnell-la]

𝗔 𝗥𝗘𝗔𝗦𝗢𝗡 𝗧𝗢 𝗦𝗧𝗔𝗬 (ᴘᴀʀᴛ ᴛᴡᴏ)

pairing: the worst!logan howlett x wade’s goddaughter!reader

warning: ghosted, crying, mention of alcohol, Wade getting mad, fighting another mutant, SEXUAL ASSAULT, etc.

summary: Logan tried ignoring y/n, afraid something would happen to her like the rest of the people he cared about. That was until Wade told him about the man she was afraid of. The man who would do anything to hurt her.

After seeing the sight before him when he went to get y/n, he was crushed. That man needed to die, and Logan was going to make that happen.

follow our Instagram @ darnell.la so we can start posting random videos, photos, edits, and memes of the people we write about!

———

Logan has been away for thirty minutes, thinking about what he just got himself into, and what he’s gotten y/n into.

He truly believes that he is cursed and there’s no saving him. Even if he was cursed, it was just the devil's luck that everyone he loved died. Karma is also on the way for what he’s done.

He didn’t want you y/n to know what kind of person he was, even though that was just a one-time thing. He didn’t mean it, but he was just so angry. They killed his family, and he wasn’t just going to walk away.

Logan slowly got out of bed so he wouldn’t wake y/n up. He wanted her to get a good rest before she started her day.

Logan looked around the room until he found a mirror. He slowly walked up to it, getting a look of himself. He hasn’t looked at himself in the mirror since that day. He couldn’t deal with it.

He scanned his body, surprised at the work he’s got on him, even though he hadn’t gone to work until Wade picked him up.

The man smiled to himself, feeling great that he could look good for someone like someone. At her age, she might not want a sloppy Joe. She’d want a Logan Howlett, old but can fuck her on the wall.

The man soon stopped himself, feeling like he was smiling too early. What if y/n just wanted a one-night stand? What if the Wolverine she was crushing on is way different than him?

Does he deserve to settle down? Would the people's family members he’s killed accept this? Would you accept what he did?

Logan’s thoughts were all over the place. He could stay here. The man quickly put his clothes back on and left, making sure she didn’t wake up to the sight of him leaving.

A couple hours later, y/n woke up. She had almost forgotten what happened last night until she felt the dent right next to her, in her mattress.

Y/n smiled to herself, already missing his presence. He was so good at what he did. She felt safer than she’d ever felt. He truly is a hero.

It’s been a week since Logan has talked to y/n. Wade had given him a flip phone a few days ago with his hand y/n’s number in it for emergency contact, but he never reached out. Y/n did, but he hung up. He didn’t ignore it, he hung up.

Every day when y/n woke up, she looked straight at her phone, hoping Logan had texted or something, but he never did. Her smiles always faded and stayed faded for the rest of the day.

“Are you going to Max’s party tonight or no? I know you two don’t really — get along,” Y/n’s friend asked after she sat down at the cafeteria table she always sits at.

“Don’t want to, but I might have to,” she said, knowing Max would text her about it later today. “Why have to?” Carla, her friend asked, making y/n snap out of her memories of her and him.

“Oh, nothing, just- Because I want to party,” y/n switched how she presented herself so she wouldn't alarm her friend. She didn’t want anyone to worry. This was her problem. No one else.

Skip to the nighttime, y/n had gotten a text from Max, demanding her to show up at the party. She wanted to argue and tell him she was not coming, but she knew what would happen if she didn’t.

She’s exposed her, and while he did, he’d take whatever else he wanted from her. He was evil, but she was the only one who knew that.

As y/n got dressed, she got a call. She jumped on her bed to see who it was, hoping it was Logan, but it wasn’t. It was Wade. “Fuckin’ hell,” she sighed.

“What, Wade?” Y/n asked, annoyed. “So, how have you been?” Wade asked, starting a boring conversation, so y/n put him on speaker and continued. “Same old, Wade. What do you want?” She asked, making him giggle.

“Wanted to ask how you and Logan get along. Kinda needa make him some new friend, ain’t that right, peanut?” Wade talked to the man like a puppy.

“Wait, he’s with you? A-Are you on speaker?” She asked, feeling her heart pound. “No, of course not. Privacy matters,” the man spoke as he winked at Logan, totally on speaker.

“Oh, well — I don’t think me and him are going to work. Like friend wise,” y/n said. She wanted to be more than friends, but he ghosted her after they had sex. The best sex she’s had in her life. She can’t put that all behind her.

“What!? Why!?” He asked as Logan stood up quickly, wanting to say something, but Wade stopped him. “I-I don’t know,” y/n lied and Wade knew it. He hoped the man didn’t yell at her or make her cry.

“Look- I gotta go to a party, so, uh, please just- Don’t try to fix my life,” y/n said. “What are you talking about? Wait- Are you going over to his house again!? Y/n, we talked about this,” Wade got serious, and Logan has never seen that from him.

“You know him, Wade. I-If I don’t go, he’ll tell everyone and then I can’t live a normal life. That’s all I want. A normal life,” y/n’s eyes began to burn.

“It’s 2024, y/n — People will accept-“ Wade tried saying. “No, they won’t!” She yelled. Wade could hear the change in her tone, so he let it go. “I-I’ll call later,” she said before she hung up.

“The fuck was that about?” Logan asked. “It’s a long story that I can’t tell,” Wade said as he leaned back on the couch. “What!? But you had her on speaker when you told her she wasn’t. What’s the big deal about telling me when she’s not even here?”

“Look- It’s different, peanut. My baby girl has been through a lot, and it’s not to easy make this guy go away,” Wade grabbed the remote to his TV to turn it on and watch some kind of cartoon.

“Woah, and — The fuck did you do to make her not wanna be friends? God, you’re so fuckin’ hard to deal with. Always lashing out like the big ole beast you are,” Wade rolled his eyes.

“I didn’t do anything — I just left before I could hurt her,” he said. “What?” Wade looked up at the man who was standing in front of him. He was confused until it finally dinged in his head.

“Y’all fucked!?” Wade jumped on his couch as he shouted. “Oh god,” Logan rolled his eyes as he walked back to the small couch he’s always on and flopped down.

“You do! You dirty little gribble. God fuckin- Fuck! You’re a fuckin’ dumbass,” Wade couldn’t stop rambling. “Heard that before,” Logan said as he grabbed his half-empty beer before chugging it down, thinking about how much of an asshole he is.

“You can’t just fuck a girl- Especially a college girl, then leave! You like- Dude, you broke her heart!” Wade grabbed his head, stressed that Logan could fuck up this bad.

“Well, clearly I didn’t even she was heading over to another man’s house that she’s clearly not supposed to be with,” he was jealous. Once she mentioned a dude, Logan’s blood boiled. She moved on so fast.

“You dumb bitch — He’s abusive! He’s making her go over there!” Wade yelled at the man. “What?” Logan asked as he placed his bottle down. “Why would she go over there if he’s abusive?”

“Oh, well maybe because he’s a mutant, and would kill her if she didn’t. Or expose her which I think she’d rather die than let people know she’s one too,” Wade said then covered his mouth. He fucked up.

“She’s a mutant?” Logan asked with a soft voice. One of his worries was that she’d never understand him, or die years before he would somehow grow old.

“Fuck it, let’s go. I got the Wolverine now so we have a ninety-nine point ninety percent of winning, but that point 1 percent can fuck us,”

Wade and Logan quickly rushed out of the apartment and rushed over to Max’s house, not knowing there was going to be a huge party.

“Who the fuck is this kid?” Logan asked as they got out of Wade’s car. “He ain’t no kid — Bro has been awhile for almost as long as you. He just looks like he’s in his late twenties,”

“He’s a strong mutant or what?” Logan asked, not really caring what he was. He was still going to kill him for doing the things Wade told him he’d done. He’s sick.

Wade told the story of how y/n came back up bleeding everywhere. Even from her legs. The sick man has been trying to trap her with kids for the past couple of years after he found out she was a mutant himself.

He wanted to rule, and he needed a family to do that. Y/n was one of the strongest mutants he’s seen, and he’s one of the strongest mutants Y/n has seen. She’s too afraid to fight him. He made sure of that.

“You call y/n?” Logan asked as he pulled his flip phone out. “Yeah, but she’s not answering,” Wade said as the two walked towards the home and inside, ears instantly ringing from how loud the music was. “She ain’t answering me either,” Logan said.

Y/n was currently in Max’s room, laid out and drugged. Some days he’d want a fight while the others, he just wanted it to be relaxing.

Y/n could barely move, but she could see everything clearly. Even though her head was spinning, she could see Logan calling her phone.

It was so close. Her hands were so close to it, but her body was weak.

“Who’s this?” Max asked as he picked up her phone, making her sigh. “Hm?” he turned the phone to her face, showing the calling picture being Logan when he was knocked out the night that had sex.

“No one,” y/n got out with a struggle. “No one, huh? Well, that looks like the Wolverine, and last time I checked, he died,” Max said before he hung up and tossed her phone to the side.

“Don’t make me ask again, y/n,” Max threatened as he looked down at her. “N-No one,” she said, not wanting to put Logan in danger after he clearly wanted nothing to do with her.

Max laughed low as he took his shirt off and leaned over her body, his waist coming up and between her legs to spread her enough for him.

“Once I find out who he is, I’m going to kill him — Slowly,” Max added as her head moved side to side, begging him not to. “And I see he’s shirtless — On your sheets, so I’m going to do all of it in front of you while I show him who you belong,”

Y/n sobbed at the thought of him hurting someone because of her, again. He was evil.

“She’s not down here,” Logan said, feeling his heart raise. “Upstairs,” Wade spoke before running up the stairs to search every single room. The house was big, but that was their least concern.

“Always so tight for me. You sure you don’t want this? If you just give in, we could have a perfect and happy family,” he was insane, and she wanted no part of it.

“Y/n!” Logan’s voice could be heard down the hall. Max looked up, knowing he’d heard that voice before. “Y/n!?” He yelled again, making Max look down at her with a smirk.

“So, that is the Wolverine? Fuuck, y/n — You really outdid yourself. You think getting with another mutant will keep him alive?” Max slapped the girl across her face before pulling out and throwing her off of his bed.

Y/n struggled but moved her panties back in place before curling up on the floor. She didn’t know what was going to happen. She couldn’t watch.

Max fixed himself up and looked at the door, waiting for it to burst open until it did. There he was — with a friend.

“Deadpool and the Wolverine — Well, isn’t this new,” Max said, but Logan wasn’t focused on him. The man was looking around for y/n until his eyes landed on her. She was in her bra and panties. What Wade said was right…

“You young son of a bitch,” Logan had charged at him, and though Max hasn’t gone against a mutant like Logan, he was lasting a long time. A little too long which scared y/n.

“Let’s get outta here,” Wade picked y/n up to her feet but she instantly fell down. “Fuck- Did he drug you?” He asked and earned a nod. “Fuck!” He said, about to pick her up until he was tackled.

Logan was on the ground, head spinning from the beating he just took from Max, but he wasn’t done. Logan went to charge at the man with his claws out until he saw y/n, still laid out on the floor.

“Y/n?” Logan ran up to the girl, quickly trying to pull her up. “We need to go,” he said but noticed her body was slumped. “He fuckin’ drugged you?” Logan asked, earning a nod just like Wade.

It took everything for Logan not to attack Max. He had other things to do, and Wade handled Max just fine for now with his jokes and fake yells.

Logan was able to sneak out without Max noticing. Some people at the party looked at the man carrying her but paid no attention to it. They only double-checked because she was half-naked.

He made it out of the party and into Wade’s car. He was thinking about driving off until Wade was thrown through the third-floor glass, right next to the car.

“God- Fuck! Fuck, that motherfuckers strong,” Wade groaned as he got up, cracking his leg and arms back in the right spot. He looked to the side to see Logan and y/n lying in the back of his car.

“Get on the car motherfucker!” Logan yelled on the driver's side right before Wade jumped through the passenger side window that was rolled down.

As Logan stomped on the metal and took off, he looked back seeing Max standing in his room that he threw Wade out of.

Y/n was currently sound asleep next to Logan. They’re back at Wade’s apartment. Logan had taken her to bed so she could rest. She didn’t need to go to school tomorrow. He didn’t want her out anywhere until they dealt with Max.

“Next time we see him, we end him,” Logan said, laying on his bed and looking up at Wade who was standing in the door frame. Wade came to say the same. Y/n didn’t need to live a life like this just to be normal.

“All he is, is you without the claws. He regenerates, is fast, grunts a lot, and growls,” Wade had to say something funny. “If we give him around all, we’ve got a chance,”

ᴘᴀʀᴛ ᴏɴᴇ

[badscienceman]

I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.

[byfulcrums]

Maybe they would have been able to save Anakin together, but that doesn't mean he wouldn't have fallen if she had stayed

The Council 'betraying' her was definitely something that made him distrust it even more, yes. But if that hadn't happened, there's still literally everything else. His mother's death and Rako Hardeen, for example. Palpatine's influence is still there, regardless of Ahsoka staying or not

The thing about Anakin, is that he chose the path he went down. And he would have still chosen it with Ahsoka at the Temple. Anakin, as he is right now, would have tried to spare her, by bringing her to his side. But it wouldn't have worked, because she would've refused

Anakin killed everyone he grew up with. He tried to kill Obi-Wan too. He almost choked Padmé to death, and she was the one he was trying to save in the first place. The Dark Side clouds your vision, makes you do things you never would've done before. And that includes murdering your own family. If he truly needed to, and especially if Palpatine made him believe that Ahsoka ""betrayed"" him too, he would do another murder attempt

If Ahsoka stayed, it wouldn't have changed much, because Palpatine's influence is still there. She, like everyone else, wouldn't be able to see what he's been truly doing to Anakin, and therefore she couldn't have helped him. Palpatine is, like, really fucking smart. He would've found another way to make Anakin fall even if Ahsoka was with him. And, most importantly, he would have found a way to separate them so he could get to him

And a last thing: they broke pieces of his mask, not all of it. They didn't evenly cut through that helmet thingy, they just broke enough of it to be able to see his eye. They don't even see his mouth!

Ahsoka and Obi-Wan would have been able to make Anakin be seen. But it was only Luke, who actually removed it from his head without even breaking it, who could bring him back to the light

dunno who needs to hear this, but if ahsoka hadn't left she wouldn't have saved anakin, she would have just died

[octahyde]

Groomer in the TWST Fandom

The post in question is going around again, and as someone who was groomed in online fandoms in high school it makes me absolutely fucking livid that they got away with it the first time.

(Please note that I got Doom’s consent before posting this because it indirectly involves them.)

@_snooboots on twitter has publicly groomed minors.

Sno wrote a thread calling out another user, which I am seeing go around again. The thread has plenty of issues (in certain areas they can have legal action taken against them for cyberstalking, speaking from direct experience), but there’s one in particular that sticks out to me.

The most pressing and disturbing part, however, is that they tagged children in uncensored pornographic images.

(as you can see based on the first screenshot, the censorship in the second and third images were added by me.)

After posting several screenshots, many of which had sexual images along with this literal pornography, Sno ends it with tagging several minors (and one adult):

Note that Sno is 19. Also note that the youngest user tagged is fourteen years old, a literal middle schooler.

Though 16 and 19 may not seem like a major age difference where grooming can take place (in many contexts it isn’t!), there are still cases where it can be. Case in point: I started being groomed by a 19 year old online when I was 16, and it lead to horrible, horrible things happening to me once I turned 18.

The amount of similarities this thread has to my own experiences with being groomed at that age is, point blank, extremely fucking uncomfortable. Though mine was in a slightly different context (it being sent as a “joke���), it was still being told Look How Bad This Porn is. Likewise, if Sno really cared, they would have taken 10 seconds to censor the screenshots before posting, like how I did.

Again, it’s important to note: these images were originally posted on a private account where minors could not access them. They were only made publicly and exposed to children when Sno reposted them.

When called out for sending porn to real life minors, they chose to double down:

Apparently tagging children in a twitter thread with graphic, uncensored pornography because “they asked” is “the right thing”. (Note also that they admit they had also exposed these kids to this prior on a locked account, which is very Normal behavior and opens up the possibility that this isn’t the first time they’ve “called someone out” doing this, but that’s just speculation.)

And again, I would like to reiterate, which Sno themself corroborates in these screenshots: these images were originally posted on a locked account, where only adults Doom knew were allowed in. Sno was the one who posted these images publicly.

I’ve been angry and hurt by this since this thread was first posted. Doom deliberately kept these images away from children. In contrast, this person sent the images to children whom would never see them otherwise to “call them out”. Sno absolutely should not or have gotten away with this.

(Also, as a footnote: do not use this post to start some proshipper vs anti tribalism bullshit. While I’m not that anon, I do absolutely hate both sides equally and both do this kind of thing on a regular basis.)

(EDIT: not that it means much at this point but it was pointed out that I was kinda uhhhh a huge hypocrite with the original screenshot of the thread! That’s been censored now too.)

[coff33andb00ks]

20 Oscar

20: pressing the other’s hand against their cheek

warnings: author doesn't understand the meaning of the word "short" and (badly written) descriptions of a wreck during a race (no injuries)

driver + number = drabble/short fic <3

Piastri just doesn't give a fuck.

Oscar is just too chill.

Does he ever show emotion except when he's laughing at Lando?

You try to stay out of comments. Hell, you try to stay off social media, it's nothing but a cesspool of people with too much time on their hands and not enough brain cells to comprehend more than the surface level of what they're shown. But sometimes you like it, because there are creative people who put out beautifully edited videos of your boyfriend. Sometimes you show them to him, enjoying his giggling while he watches and shakes his head over someone finding him attractive enough to warrant a thirty second video set to a Rihanna song.

But the comments about his emotionless black cat behavior hurt. He's so much more than how he portrays himself. He's vibrant and so full of life, and you will forever appreciate the people who see beyond his social anxiety and notice his amazing sense of humor, his passion for racing and life. They'll never know the real him and will probably never understand why you fell in love with him.

Him. The sweet and shy guy who'd come to your defense when a rude customer had been berating you over a wrong order. His voice had cut over her yelling, calm and measured, and after your manager had kicked out the irrationally angry woman it had been Oscar that had approached you to check on you, frowning when he saw your tears. His gentle tone had calmed you, his respectful stance had won your admiration, and his calling the woman a fucking cunt had made you smile.

You wish you could defend him as he continues to defend you. When a video questioning how a nobody like you had bagged a formula one rookie had gone somewhat viral he'd taken to twitter and unleashed such a beautifully worded rant that people were still quoting it more than a year later.

It's come to my attention that some so-called fans are referring to my girlfriend as a nobody. Allow me to introduce her to you. She's funny, she's brilliant, she's beautiful. She's every word you can think of to describe the perfect person and she's so much more. She shines light in the darkest corners of my soul. Her eyes are a map of my universe. When you look at us together, know that I am constantly trying to be worthy of the love she gives me, and know that if you speak ill of her you will never have my respect but you will have my disgust.

You would never ever doubt his love for you. Not that you ever had but that had cemented it. You could never come to his defense in such a way. If you even tried you'd be sneered at for being a try hard.

And really, you didn't need to. Because the one thing Oscar did not give a fuck about was anyone's opinion. Only a handful of people mattered enough to him for him to care what they thought. You were blessed to be included on that list.

You love him so much that for a while it scared you, having never fallen into the this one person is my moon and stars mindset. But now you understand. He didn't just hang them, he is your moon and stars. Your one and only and if for some reason this doesn't end in forever you'll be ruined for any other man.

It was still a shock, though, when you felt your heart stop beating as you watched his car careen towards the barrier. The front wing clipped Max's rear tire and you can't breathe, watching in slow motion as the brightly colored car tips and lifts into the air. There is nothing but absolute silence around you in the McLaren garage and you're frozen, staring at the monitor while his car flips and rolls, carbon fiber flying in every direction when it lands upside down, his helmet just visible as it slides to a stop at the safety fence.

Silence. Then pandemonium. Your world has just flipped and spun and you can't breathe, ears straining to hear him but you can only hear the crackle of the radio when Zak and Tom try to get him to respond.

Then, finally, his voice. Shaken and scared. "Are they okay? Please tell me they're okay."

Of course he'd ask after the others involved. You can finally breathe but it hurts, not knowing that he's okay. And you can't do anything but wait, heart barely beating until he's finally out, he's moving, he's giving the fans a thumbs up as he's put on the stretcher. You still can't do a thing and you've never felt more useless than you do while you're waiting just inside the medical center with Zak and Lando, who'd come to wait during the red flag.

Then the most beautiful words you've ever heard.

"He's okay."

There's more after that, about him being transported to the local hospital for a complete check, the possibility of a concussion but he's okay. And you're allowed to go see him while the ambulance is readied.

He's sitting up, looking a little pale but he's not hurt, he's in one piece, and when he sees you he gasps. You try to be gentle when you embrace him, but he steals your breath, holding you so tightly it hurts, his face pressed into your neck.

"They won't tell me - are Max and George okay?" His voice is strained and you feel his tears.

"They're fine, my love," you promise.

"I didn't mean for it to happen, I don't know what I did. I was going good and then I was upside down." His voice shakes and cracks and he's trembling, one hand fisting in your shirt. You reach for the other.

"Shh shh... It's okay my love," you whisper, your tears finally spilling when he guides your hand up, holding it to his cheek as he lets out a shaky breath. "Everyone's okay, you're okay."

His eyes meet yours and your world rights itself.

[highseas-swede]

Aziraphale and Trauma

[Just a note that I initially wrote this in response to this post: https://www.tumblr.com/theangelyouknew/732357015604756480?source=share&ref=_tumblr which is full of insightful info. I'm reposting my response here with some minor edits so it's easier to find in tags.]

This is something I actually find interesting within the fandom, because there seems to be this weird divide in fandom when it comes to Aziraphale.

See, I love Aziraphale. I think he's an amazing and well nuanced character, but a lot of the time fandom boils him down into this really simple version of himself. This happens both with people who dislike him and claim he's a bad person as well as with those who want to soften him up and make him more palatable. Aziraphale isn't the only one who has trouble with black and white thinking here!

Things like Coffee Theory remove Aziraphale's agency because the thought of Aziraphale doing something to hurt Crowley deliberately is something they can't stomach. If Aziraphale is acting under some kind of major magical influence, it means that it's possible to brush over the fact that he can - and has - hurt Crowley in the past and it certainly hasn't always been accidental.

There's a lot of Psychology I could touch on here, but it's honestly such a complicated topic that I don't really feel I can do it justice attached to a completely different topic.

But one thing I do want to touch on a bit is how Aziraphale asserts control in his own life via his connection with Crowley, and that touches on something equally complicated, which is something that's probably hard to understand.

Abuse victims are often manipulative.

I don't mean this at all as some kind of slight or insult. I've been an abuse victim myself and it's one reason I know it's true.

Fandom talks a lot about Crowley's trauma and he's got loads, to be sure. I think of that meme about "this bad boy can fit a lot of trauma" and it's very true. I've even seen people mention that Aziraphale has a different kind of Trauma than Crowley, which is also true.

What I haven't seen is someone addressing that the type of religious trauma is a form of CPTSD. CPTSD or "Complex PTSD" is a very specific form of PTSD. PTSD is characterized as being the result of a traumatic event - Crowley's fall, for example, is a good example of PTSD and I can go into that at some point. CPTSD is different because it's not a singular event, it's the result of being in a constant high stress situation. A lot of abuse victims - especially those abused by parental figures or significant others - have this form of PTSD.

A good way to see the difference is in comparing how they relate to their trauma. When Crowley thinks he's lost Aziraphale in S1, it sends him into a spiral. But importantly we see that this traumatic event is causing Crowley to go back to another traumatic event in time, triggering his memories of his fall. This emphasizes how much Crowley's fall defines his trauma. We rarely see him experiencing trauma at the hands of Hell, as he's mostly allowed freedom to handle his job on earth the way he wants.

https://cptsdfoundation.org/ defines CPTSD as "the results of ongoing, inescapable, relational trauma. Unlike Post-Traumatic Stress Disorder (PTSD), Complex PTSD typically involves being hurt by another person. These hurts are ongoing, repeated, and often involving a betrayal and loss of safety."

In humans, this is caused by having no sense of safety in key moments of development. It strips away sense of self, sense of worth and really any agency. We even see the angels using direct gaslighting tactics on Aziraphale in S2, which I'm surprised doesn't get mentioned more often: When they come to the bookshop looking for Gabriel, they mention Gabriel and then almost immediately when Aziraphale asks "you were looking for Gabriel", Uriel outright says a line that goes something like "Did we say we were looking for Gabriel?", leading Aziraphale to fumble and try to remember if they did, in fact, say that at some point (they did).

So, one big thing to know about CPTSD and this kind of abuse related trauma is that learning to lie and be manipulative is often what people have to do to survive. Children with abusive parents will learn how to be manipulative in order to get what they need or avoid losing things they need.

We see this with Aziraphale, time and time again. He could just ASK Crowley for things he wants. A lot of people point out that he could ask and that Crowley would probably give in to him most of the time anyway. But that's not how it works in an abusive home. Instead, Aziraphale maneuvers Crowley into situations where Crowley is forced to give him what he needs or wants.

His lack of agency, as a result of his CPTSD, is also why he needs to be worked into making decisions that he already knows - or at least suspects - are right. That's why they have their little dance every time Crowley has to talk Aziraphale into something by finding the right way to frame it so it makes sense with Aziraphale's strict rule structure. These rules exist as a defensive mechanism too. Having rules makes it easier to figure out how to avoid being hurt and Aziraphale cannot simply step outside the rules because it's Not Safe. Not even with someone he trusts as much as Crowley.

The entire apology dance scene stands out for a few reasons. Everything Aziraphale does in the entire scene is an act that allows him to take control of the situation. He's already won, so to speak, because Crowley is back and Crowley is going to do what he wants. The apology is unnecessary on every level.

This post talks about how uncomfortable Crowley has to be sharing a space with Gabriel. Gabriel is with the abusive team, whether or not he was directly involved with Crowley's fall. Crowley also harbors a severe distress and mistrust of Gabriel because of Gabriel's attempts to destroy Aziraphale, the most important person to Crowley. But it's worth noting that Aziraphale is uncomfortable too.

Another good indicator of how stressed Aziraphale is with all this is that he doesn't eat ANYTHING when Gabriel is in the shop. The only food he consumes in modern era is when he's in the Bentley which is a "safe" space. Gabriel constantly hounded Aziraphale over eating and despite offering Gabriel hot chocolate, we don't see him partaking himself. He does briefly drink to demonstrate how "drinking tea" works for Muriel, but he doesn't seem to drink from his cup at all after demonstrating.

The bookshop is also Aziraphale's safe space, his ONLY safe space - Crowley still technically has the Bentley, and honestly I feel like Aziraphale wanting to borrow the Bentley is actually partially because he needs to get away from Gabriel and the Bentley is the only place that feels safe for him at the moment. Shax ruins any illusion of safety for him, but Aziraphale is much more enthused for his trip in ep3 and a fair amount of it is because he's not trapped with Gabriel.

A small note here, as a thought occurs to me. Aziraphale asserting that the Bentley is "our car" is probably mostly for himself. He's trying to realign his thinking to make the Bentley an acceptable "safe space" for himself prior to the trip.

There is a very different relationship dynamic when it comes to Gabriel and Aziraphale because Gabriel is the constant source of Aziraphale's trauma. He's Aziraphale's superior, the one he has to report to, the one who passes down his missions and his punishments. When Aziraphale takes Gabriel in, he's just invited his former abuser of over 6000 years into his safe haven. This is a hugely uncomfortable thing for an abuse survivor.

Worst of all, because Jim is, for all intents and purposes, NOT Gabriel, Aziraphale can't bring himself to lash out at his former abuser the way he wants to.

That brings us back to this apology scene.

There are two major things going on here and both of them are bad and hurtful toward Crowley. They're also both intensely unfair. I love Aziraphale but this was definitely a dick move.

Firstly: Aziraphale is using Crowley to reassert a sense of control over the situation because he is spiraling. He can't assert control over his life and his shop, which is one thing that he falls back on heavily, and that leaves him scrambling to find somewhere where he can control his situation. He makes Crowley go through this whole unnecessary apology and dance routine because it makes him feel like he has control over SOMETHING in his life right now.

Secondly: Aziraphale is also enacting his own trauma on Crowley. He's treating Crowley the way Heaven treats him. This is a direct parallel to the way Crowley terrorizes his house plants because he can't do anything to the people who actually caused his trauma. This is, obviously, wildly unfair of Aziraphale to do - and I'm fairly sure there are other small moments where Aziraphale does this in a mild way, I'd have to rewatch again.

These are both behaviors common in CPTSD caused by environments that apply this constant state of stress.

I'm not going to say it's right, or that Aziraphale isn't being a bit of a bastard in this moment - he absolutely is - but this behavior does have some obvious triggers that might be easy to overlook. It's just important to understand that Aziraphale is falling into self-preservation habits that are actively detrimental to his relationship with Crowley. It's not just the manipulation, he's also hiding things and lying to Crowley when he really shouldn't be - both things often necessary in abusive environments - but he's doing it because that's the method that he's created that works with his abusive relationship in Heaven and he's falling back on it because he feels unsafe. The trouble is, this survival tactic does not work with Crowley and actively makes things worse because it shuts down open communication entirely.

[stardustprompts]

vengeful  -  v.e. schwab  sentence starters change tenses/pronouns as needed !!  some lines have been edited for clarity / length / ease of roleplaying  tw :  death , violence , language , mental health

‘what a fucking cliche.’

‘envy really doesn’t suit you.’

‘don’t you turn that knife on me unless you plan to use it…’

‘you should have let it go.’

‘you can’t just do that to me!’

‘you’ve been gone for hours.’

‘you never said I had to play fair.’

‘that’s a risk I’m willing to take.’

‘you look like a narc.’

‘it feels like dying.’

‘people have an idea of pain. they think they know what it is, how it feels, but that’s just an idea. it’s a very different thing when it becomes concrete.’

‘I did this. I did this to you.’

‘I am alive because of you.’

‘you think I’m playing god? fine, you play, (name). you decide, right now, who should live. us, or them?’

‘it’s a big world. you’re not the only one with talents.’

‘isn’t it silly to lie when we both know the truth?’

‘I think sometimes you make the easiest choice instead of the right one.’

‘make me the villain of that night, (name). wash you hands of any blame.’

‘a promise you can’t keep is just another lie.’

‘I don’t want you to save me. I want to save myself.’

‘I warned you when we met, I wasn’t a good person.’

‘killing me won’t bring her back either.’

‘think hard. we all have to live with our choices.’

‘the next time you point a gun at someone, make sure you’re ready to pull the trigger.’

‘we survived. that's what makes us so powerful.’

‘blood is always family, but family doesn’t always have to be blood.’

‘not all family is blood, right? sometimes we have to find a new one. sometimes we get lucky, and they find us.’

‘this isn’t a stupid game. it’s my life.’

‘are you used to getting what you want?’

‘hasn’t it occurred to you that I can protect myself?’

‘in this world, in my world, people get hurt. they die.’

‘people die in every world. I’m not going anywhere.’

‘you want to be more, (name)? prove it.’

‘they may think they’re kings but we’re the power behind the throne.’

‘i’m not a fucking coat, (name). you don’t get to check me at the door.’

‘where I go, you go. we’re in this together. step for step.’

‘did you always know that you had what it took to end a life?’

‘I thought it would be hard, but in that moment, nothing was easier.’

‘you were never one to dwell on the past. I loved that about you, the way things always just rolled off.’

‘every end is a new beginning.’

‘I underestimated you once. I don’t intend to do so again.’

‘the only difference between us is that you naively insist on preserving what I know should be destroyed.’

‘I played god once and it did not end well.’

‘oh no, it will never work between us.’

‘sorry, didn’t mean to interrupt, you just looked sad.’

‘while I admire how far you’ve come, the fact is, you’re tracking mud into my home.’

‘we can’t shape our past. only our future.’

‘don’t you ever wonder if it’s our fault?’

‘life is more than an equation. a person is more than the sum of their parts.’

‘normal is overrated.’

‘A\a magician doesn’t reveal his secrets.’

‘every power has its limits.’

‘we don’t decide who lives and who dies.’

‘now who’s letting their ideals cloud their judgement?’

‘how quickly we devolve. people become animals the moment they are caged.’

‘if you were superhuman, what would your power be?’

‘ignorance is only bliss if you want to get caught.’

‘i’m still here, still doing what I can, because I want to keep people safe.’

‘never underestimate a woman.’

‘I thought I could save him. I tried. but it didn’t work.’

‘power belongs to those who take it.’

‘sharks come swimming when you make a splash.’

‘that’s quite a talent you have there.’

‘I only hope you’re ready to do the right thing,’

‘you help me, and I’ll help you.’

‘everything’s got a limit. you should find yours.’

‘I don’t feel anything.’

‘oh, sorry, if you thought this was a girl’s-night-out kind of thing where we get drunk and bond, I’ll have to pass.’

‘why settle for one weapon when you can have an arsenal?’

‘the life I had is gone. there’s no getting it back.’

‘the life I had is gone. there’s no getting it back. i’d rather make a new one. a better one.’

‘I thought you were done with hiding.’

‘people can see an awful lot, and believe none of it.’

‘why sit around sulking when you could hurt the people who hurt you?’

‘let’s talk about revenge.’

‘there are limits. I can’t stop nature. can't change it’s course.’

‘whatever’s happened to you, however you’re hurt, you’ve done it to yourself.’

‘oh, I like to think I have a great deal of nerve.’

‘if you had a damn bit of sense you would have run.’

'knowledge may be power, but money buys both.’

‘sometimes subtlety is overrated.’

‘when people stay in the dark, it’s easier to make them disappear.’

‘I don’t want to survive, I want to thrive.’

‘what now? you gonna throw yourself a fucking party?’

‘if I didn’t know any better, I’d think you had something against me.’

‘if I wanted you dead, you would be.’

‘whatever you’ve heard, it’s probably true.’

‘is there anyone who doesn’t want to kill you?’

‘how many excuses will you find to vindicate your own stubbornness?’

‘careful is a calculated risk. and I’m very good at making those.’

‘the truth is, there will always be someone stronger than you.’

‘you do what you can. you fight, and you win, until you don’t.’

‘once upon a time, power was determined by linage—- the age of blood. then it was determined by money—- the age of gold. but I think it’s time for a new age. the age of power itself.’

‘let me guess, I’m either with you or against you?’

‘you always preferred being predator to prey.’

‘we just have to lie low until it’s over, and then—’

‘when this is over, you and I are going to have words.’

‘it appears that we are evenly matched.’

‘it always comes down to this, doesn’t it? to us.’

[libraincarnate]

astrology notes: 5 🌷💐🌸

quick note: i'm absolutely not an astrologer. these are just a collection of some observations, thoughts, theories, and personal experiences. with that being said, i'm still learning along the way & i may come back to edit this post to make corrections. above all this is just for fun. lastly, keep in mind that i’m not reading your birth chart and i know nothing about you. these are just some possibilities that may or may not apply to you. enjoy!

◦ libra in the 11th house: the popular friend, everyone always wants to hang out with you, getting invited places. playful flirting with your friends. friends could have a crush on you. hmm, perhaps friends with benefits? they make every one of their friends feel included. this placement screams social awareness. they know how to behave & present themselves in various social gatherings, from informal to upper class events. if you’re a guy, you might have a lot of female friends. with libra being about fairness/justice & easily seeing things from different perspectives, these qualities are also beneficial in the 11th house which relates to debates & politics as well.

◦ chiron in the 8th house: experiencing financial problems like not profiting from your investments, difficulty getting loans, employment instability affecting your income, or randomly losing money. if you have cancer here it could indicate having conflict with your mom regarding money.

◦ mars dominant: action movies being one of your favorite movie genres.

◦ sags may feel uncomfortable being home all day, may feel the need to go out at least once even if only for 2 seconds.

◦ harsh mars-mercury aspects: speaking loudly, a rough or rude way of speaking, people often telling you to lower your voice, not being aware when you're talking loudly, playing music loud, noisy eater. can make you impatient and want to get things done immediately, otherwise you can get annoyed quickly.

harsh mars-uranus aspects: slamming doors, dropping things instead of placing them down, dragging a chair instead of picking it up, hard for you to do things quietly. can get mad out of nowhere. extra controlling cause you’re always fighting to keep things under control.

^ both aspects above can make someone loud, noisy, aggressive, impatient, and impulsive.

◦ has anybody with stelliums in a sign noticed they know/attract a lot of people with that sun sign? maybe most of the people you know/attract have that sun sign or perhaps they have that sign’s ruling planet as their dominant planet. for example, if you have a pisces stellium you may know or attract a lot of people with their sun in pisces or people who are neptune dominant.

◦ you might notice that the sign which asteroid eros (433) is in is associated with the body part you find attractive. for example, if you have eros in aries you might be attracted to the eyes, taurus - the voice, libra - the butt.

◦ pluto-risng or saturn-rising aspects: you probably look mean/serious or have been told you look intimidating. that’s not a bad thing though & you may have that defined high fashion model face. something that makes others look at you a little longer.

◦ capricorns: don’t like admitting they’ve had their heart broken (especially capricorn moons). you know how there’s some people who will continuously forgive a person who has hurt/mistreated them (i’m not talking about real abuse) but they decide to stay with them or keep them in their lives? yeah they aren’t capricorns lol. it usually only takes one person to trigger that straight forward and low tolerance for games/disrespect type of attitude when it comes to their relationships. or they’ve always been like that. they may be more merciful to family.   ◦ i would like to take this time to personally thank geminis & sags for being so damn funny. thank you guys so much. 😘

◦ last but not least, people with difficult placements such as pluto, chiron, or saturn in the 4th house: i don’t even need to say anything. *gives you one of the flowers from the picture above*

if you read this until the end i hope you enjoyed it & thank you so much for reading. ♥︎♥︎♥︎, those hearts are for you. 

[jamiebluewind]

Eclipse the kitten update

(please don't glitch tumblr it's the tenth time I've tried!!!)

Previous post

Welp! Winter's boy has a respiratory infection. It was causing him to wheeze so to the vet we went! Luckily it wasn't a diaphram issue (which had us worried because of his umbilical hernia). His hernia also came up normal on his x-rays.

(X-rays left out because might bother people, but I can send them on request)

He's on meds several times a day and taking them like a champ, but had to be put in a pen with limited free playtime (because nothing will stop Mr Indestructible from running around the house with all the grace of a car with no breaks). We DID get a reply after just a week from a really nice person who was going to give us one (shocked us let me tell ya because it was BIG dog sized). Unfortunately, they left it outside for us to pick up and someone else just... took it. Right out of their yard. And since all we had was a small cat carrier to keep him in (which was kinda cruel for more than a day or two tops), we ordered a cat playpen that we got for a decent price. We kept looking until it got here, but no luck. Still! It's a nice playpen and we have it set up so he doesn't have to jump if he doesn't want to (plus more vertical to enjoy later on). Sarah's mom also let us borrow her water fountain!

We went to a new vet as ours was booked up (and he had already been wheezing a day). Everyone basically fell in love with him instantly. He left with a little toy from the tech, they gave Winter a jar of honey (one of the people in the office has bees and they wanted to give her something for caring about a kitten that most wouldn't have despite him having a treatable condition), and they've been checking in on how he is recovering (very well since I first typed this actually). He's basically got an entire vet office wrapped around his little paw.

Also, the non-profit we're taking him to for his surgery had a cancelation and his got moved up to the 12th! Counting down the days yall.

Because I gotta kinda mention it, this hit us where it hurts. Between the vet visit and testing, the pen, and the estimated cost for the surgery and followup, it's gonna cost us more than $2k (as long as nothing ELSE goes wrong). We're lucky that we're all super careful with our money, but there's only so much we can save up with three people below the poverty line. Still worth it though. I mean, look at this doofus

He is so stubborn that we can't leave scratch posts upright because he keeps doing THIS! XD

I'm linking Winter's paypal, but I 1000% understand if you can't help out. Still, a reblog and a word or three mean a LOT to all of us so if you got a minute, I'd love some new post additions to show Winter.

(Truth be told, the only reason all the updates are posted on my tumblr is because I'm the longest winded out of the three of us and I take like 5 billion pictures. XD )

Speaking of, there WOULD be a bonus pic of him and his sister (Melanite, aka Miel) playing under my chair as my cat (Danny) looks on from a safe place, but tumblr kept glitching when I added it.

Edit: surgery update

[queer-n-here]

u already kno wassup !!!!

eldritch abomination reader who has come to originally destroy the world, but was enchanted by their 'one', ( aka sigma, atsushi, and mushitaro or someone of ur choice ) and instead devotes their entire time stalking and invading their lovers mind, pulling them into the readers all devouring aura.

( ur honor they are madly in love ) they dont quite have a proper form but has slowly been constructing one bc their lovers coworkers/friends don't believe they exist "you always go out on dates with this mysterious person and you always rant and rave about them, but not once have we seen them. are you just making them up or something?"

so eventually reader finally constructs the perfect form and comes to their workplace to get them for their date ( that involves tentacles, mind fucks, and breeding ) . Reader basically envokes primal fear in everyone and will kill anyone who hurts what is theirs ♡. major weird ask but it is a random and specific Need i have

~ 🕸

Long time no see 🕸️ bro! Btw, thank you, this just made my writer's block evaporate.

Is it weird that I totally loved every single part of this?

Also, I had no fucking idea what an eldritch abomination is, so I did some research bout them!

This ended up becoming 100% fluff, hope you like it!

Contents: Eldritch abomination reader who sees Atsushi and goes heart eyes

Warnings: Fluff, powerful reader, mind manipulation, shit ton of stuff that doesn't fully make sense but whatever, it's Atsushi even if I haven't mentioned his name (because I felt like the Eldritch would be like 'that's too simple a name for me to address my love with')

EDIT: Soooo, I may have confused myself on what an Eldritch horror is 😅 I kind of imagine smth like Dormamu from Dr. Strange tbh hehehe

You had arrived at that small universe to satisfy your thirst of destruction, to watch it crumble under your power as faces of fear and misery looked up at you, their lives at your mercy. And yet, you found yourself thinking of that vision less and less.

It was not going as you had expected.

Nowadays, you were focused more on that boy that you had started watching. His house was located quite close to the woods you had chosen as your home.

You were everywhere, and always watching everything, but you needed a headquarters of sorts to concentrate your power for it to be more effective, and that was why you had chosen the woods.

You had expected him to be the first of your victims, yet now you found yourself growing less and less fond of that idea. He was not meant to be killed. He was meant to be taken care of.

Not only was he so incredibly small and three-dimensional (like most of these 'humans') he was also wonderfully precious, like a small-sized treasure that slowly began meaning everything to you.

So after months of watching him, you finally gave into your desire of meeting him in person. You changed your form to the one with the simplest dimensions, not wanting to make him lose his mind the way you did others.

He had stepped out of his house to gather firewood, that little thing. When he saw you, he dropped it all, stumbling backwards and attempting to run.

You were not pleased.

You guided the trees of the forest to block his way, and when he had no way left to escape, you spoke to him in the language he would comprehend.

"Do not be afraid." You said, your voice low and guttural. "I do not stand before you with intentions to harm."

He had fallen to the floor in his attempt to scramble away from you, and now he looked up at you with fear in his eyes.

It was not an expression you wanted to see on him.

So you eased into his mind, calming his small brain with the likeness of a sedative. His breath grew steadier, and his eyes returned to their normal size. His instincts were clouded now, and he could not help but be drawn to you, standing up and stepping closer.

"Closer," You told him, and he obeyed. He did not need your words, you could control him fully if you wanted.

But some part of you was reluctant to do it. You wanted him to... Like you? Perhaps, you yourself were not entirely sure yet.

You moved closer, wrapping your form around him, encasing him into yourself, away from the rest of his world, where he would be the safest.

You let him be curious, freeing the part of his mind that you knew would ask questions... You wanted him to know you.

"What are you?" He asked, his eyes wide again as he turned to look at all of you.

"I have many names," You said. "But you will be able to use none of them; they are too powerful."

His wide eyes reflected the kaleidoscope of colours of your form, and you felt his brain grow appreciative of your form.

Pride. It was an emotion beneath you, and yet you could not help the swelling of colours in your form when you saw that he liked it.

"Then... What should I call you?" He asked, looking as though he was still unsure who he was talking to.

"Anything," You presented before him a makeshift form. It was a mirror image of his own, something he could look at while talking and not feel awkward.

He gasped. His fear had long since been subdued by your charm, and he did not hesitate to reach forward and his doppelgänger's shoulder.

"Wow," He whispered, and your colours became brighter again.

Later, when returned back to his house, his senses finally returned to him, and he realised the danger he was stepping into.

And yet, could he resist the urge to go back to you? Not when you had so easily planted it in his head. Hence, after resisting for a whole day, he returned to you the very next.

You let him look for you in the forest, hiding in a dimension his eyes could not perceive. You let him run around, growing more and more desperate when you wouldn't show yourself, calling out to you, but unsure of how to do so since you hadn't told him what to call you.

When he collapsed, tired, on the bank of a small lake in the woods, tears dripping from his eyes as he sobbed, you decided that your game had lasted long enough.

And so you showed yourself, making it look as if you had emerged from the lake itself. He looked up with a gasp, eyes wide and wet as an ecstatic expression broke through his face. His arms rose, reaching for your form.

You let him touch you; today you had taken a four dimensional form, and it was way easier for him to get wrapped up between your colours.

"I thought... I thought you l-left," He said, sniffing.

"I would never," Was all you said, and yet his face lit up. It was not your doing, you had already relaxed your control of his mind when he had entered the forest.

Weeks passed, and his human mind slowly developed romantic feelings for you. You perceived them, and yet never expressed it. He would be the one to tell you, and on his own accord.

You waited, but not for long. Soon, he brought you flowers, handing them to you as his cheeks flushed, looking away and shivering slightly. You wrapped around him; humans got cold painfully easily.

He froze in your embrace, he had learnt some of your ways to show affection. His blush spread gradually, and his muttered confession felt like something with even more power than you.

Joy. Yet another emotion beneath you, but when it came to him, you were reduced to a mere human teenager. You cared not of status or immortality anymore. Destruction of his world? You had long since abandoned that plan. This was his home, and you'd protect it with your life.

You would protect him with your life.

A month passed, and he visited you everyday, bringing with him small presents of the like you knew humans appreciated. You took them all, preserving them with your power so they would never spoil and hide them away in the most complex dimension you could find.

And every time he visited, you gave him the thing you thought was best: a little bit of your own immortality. He did not know yet; you did it without his knowledge. But you did not think he would mind if he found out.

Now he sat on a tree branch as you watched him, leaning against the trunk for balance. You had lifted him up there, and he was speaking of the view. You could not help but move upwards, closer to him.

He watched you, a smile on his face as you changed forms again.

Being three-dimensional was difficult for you. Not only did it weaken your power incredibly, it also could not store your abilities. The closest you could reach was four-dimensional, and that itself took its toll on you.

And yet you were always four-dimensional with him, knowing that this was how he could see and touch you best.

You sat on the branch next to him, wrapping around his small frame.

There was a comfortable silence, and you slowly lulled his brain, sending him to sleep.

You loved it when he was defenseless, when all his safety was you, when the only one that he trusted was you, and not his human friends.

It was another one of those days where you were watching him as he went about his day, keeping him safe from any danger that might come his way.

He was talking with his friends, and they appeared to be teasing him.

"Come on, you've never even shown us a picture..." One of them said, sitting so close to your human that you had the urge to crush her insides. "Or even told us their name!"

He flushed slightly, not knowing how to respond. "W-well, their name is... Very complex."

"A nickname, then," Another said, wrapped in bandages and leaning back casually against the couch. "Or what? You just call them 'honey bun sweety pie'?

They laughed, and you bristled. Your human was getting flustered, and no one but you was allowed to see that expression on his face.

You took shape immediately, condensing your power so much you felt its strain. To make it three-dimensional was like trying to contain the ocean in a glass jar, and yet you attempted your fullest, anger fueling your movements.

You appeared on the doorstep of the building, your speed phenomenal as you climbed its small staircase and appeared at the door of the room your human and his friends sat in.

You pushed open the door, and stepped in. They all looked up, and his eyes widened.

Your power needed your three-dimensional vessel to be big, and you were as tall as 6'8", your shoulders wide and arms thick with what looked like muscle but was actually energy. Your hair was a light brown, and covering your body was what seemed to their eyes a suit.

He recognised you immediately; one glance at your multi-coloured eyes and he knew. This was you, the one he loved.

You walked up to him, throwing him a well-practiced wink as you greeted him the way you had seen lovers greet each other, leaning down to place a kiss on his cheek.

"I came to pick you up," You said to him, your voice low as you ignored everyone else in the room. "Your work has almost ended now, right?"

A long-haired man lowered his glasses to look at you. "And who are you?"

You could not help but grow irritated, and you triggered fear in the minds of everyone in the room but the one who was yours.

"He's..." Your human seemed breathless. "He's my b-boyfriend."

One of the humans, the insignificant ones, whistled as he stood up. He was scared, you had made sure of it, but was putting up a front.

"Damn, Atsushi," He said, taking in your carefully constructed human form. "He's biiiig."

Your human blushed, his cheeks reddening in that way you did not want them to see.

"I don't see why you didn't show us his picture before," A female said, her house quivering slightly. "He's not bad looking at all. Not that I thought you were, just so you know."

You looked at her, sending her your appreciation for praising you in front of your human by tickling the part of her brain responsible for pleasure.

She squirmed in her seat, her eyes slightly wide.

You turned back to what was yours, holding out your hand. "Shall we head home?"

His blush spread; he still hadn't managed to take his eyes off you. "O-okay..."

He let you take him away, his cold hand clasped in yours. You put on a burst of speed, and the two of you were back in your forest.

The moment you two were alone, he took your face in his hands, his eyes shining.

"You look..." He could not go on, but you knew what he meant.

Another burst of pride. He made you feel things you had never thought significant before.

You leaned down and kissed him, pressing his plump red lips against yours and, unknown to him, transferring more immortality to him.

He responded in the affirmative, letting you wrap your arms around his waist and bring him closer.

You opened up dimensionally, creating a fourteen-dimensional barrier around you two, freeing your power and protecting him at the same time. A part of you still remained three-dimensional before him, embracing him and kissing his lips.

When you pulled away, his eyes were slightly moist.

"I love you," He whispered, and you smiled.

Your love was such that it could not be put into words he would comprehend, and yet you did not want him to think that you did not reciprocate his feelings.

"I love you, too," You put energy into the phrase, making sure he felt the intensity of your feelings.