#edit: made it less blue
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candyje11yfish · 1 month ago
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random character design 🦴
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luer-mirin · 30 days ago
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I really like putting dazai in rivers
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boinin · 1 year ago
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Second Selection: Team NagIsagi Blue Lock and Episode Nagi comparison (2/?)
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sysig · 2 years ago
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PinkBlueSpam anon I am still thinking of you *blows you a kiss 💕*
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true-blue-sonic · 1 year ago
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Chapters: 1/1 Fandom: Sonic the Hedgehog - All Media Types Rating: General Audiences Warnings: No Archive Warnings Apply Characters: Silver the Hedgehog Additional Tags: Angst, A little bit of hurt, inevitabilities and being unable to resist those, keeping your head up in the face of unsurmountable odds with all the weariness that follows, based on a piece of info from a new Sonic website that says Silver time-travels through portals Summary:
Protecting an era through time travel truly is a fickle thing, Silver has long learned. He travels back to the past through portals: beckoning him, telling him without words there is a crisis imminent for that era, and with him as the one necessary spanner in the works to ensure the beautiful world of the future he inhabits will come to be.
Some days he readily jumps inside of them.
Some days he is apprehensive.
And some days he just can’t make himself do it.
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physalian · 4 months ago
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How to Make Your Writing Less Stiff Part 3
Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.
Part 1
Part 2
1. Eliminating to-be verbs (passive voice)
Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.
There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.
My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.
She was standing /// She stood
He was running /// He ran
Also applicable in present tense, of which I’ve been stuck writing lately.
There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.
For once, it’s a cloudless night. /// For once, the stars shine clear.
Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).
Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.
He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.
2. Putting character descriptors in the wrong place
I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.
She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)
Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.
He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.
To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.
3. Lacking flow between sentences
Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.
Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.
From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.
Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.
This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.
4. Getting too specific with movement.
I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.
A ridiculous example:
Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.
Unless tying his shoes is a monumental achievement for this character, all readers would need is:
Jack shoves on his running shoes.
*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.
This also happens with multiple movements in succession.
Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.
Or
Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.
Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.
Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.
If you’re not writing something where the extra details service the character or the story at large, consider trimming it.
These are *suggestions* and writing is highly subjective. Hope this helps!
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lvrxly · 1 year ago
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singledad!Ghost who lives next door with his little boy, he asks you to babysit constantly due to his job and constant busy schedule full of who knows what, he doesn't trust anyone else to know what his kid needs and likes since he grew up around you.
"Thanks again for this y/n, I should be back around 9pm, please try and get him to bed before then," Ghost says frantically as he passes his son over to you along with his diaper bag and favorite blanket.
He had a date scheduled tonight with a lady he met through his best friend, John MacTavish. You nod and wave Simon goodbye, shutting the door with a sigh as you put his son down and watch him run towards the corner you have filled with toys just for him. What the hell were you doing...
── ⋆⋅☆⋅⋆ ──
singledad!Ghost who has to let himself into your house at 10pm because you weren't answering the door. He got back later than expected but still, he expected you to be up. But he freezes at the door, the key still in the lock as he stares at your couch.
The door clicks open as Simon uses the key that was poorly hidden under your doormat. He's told you to change the location countless times but you don't listen, you never do. With a soft sigh he is about to speak but freezes as his eyes land on your couch.
There you laid on your back, an arm falling off the couch and a leg propped up on the back cushion, snoring lightly. That position couldn't have been that comfortable. But that's not what made him freeze. It was how his son was laying on your chest, fast asleep with his favorite blanket draped over his back. You looked as if his son was your own.
Simon has been so dumb..You had been treating his son as your own all this time, and he never saw it. He also never had seen how much he loved how you looked with his son in your arms...
── ⋆⋅☆⋅⋆ ──
singledad!Ghost who drops his son off with his parents for the weekend, coming over to your house with a single rose and a bottle of champagne. It's not a date, he states, more of a friends hanging out without the ruckus of a little boy running around.
"No really, you're such a big help, I honestly don't know what I'd do without you. And he loves you a lot." Simon is more soft spoken than usual as he sits at your kitchen counter, twirling the rose between his fingertips. You're frantically searching your cabinets for those champagne glasses you got all those years ago that you've never used. You swear you still had them.
"It's no biggy. He's a good kid, a joy to have around and probably one of my only friends!" You laugh, sighing after you cant find those dumbass champagne glasses and grabbing two mugs out of the cabinet instead. Not quite what you'd normally drink something like champagne out of, but it would have to work.
"So I'm not considered a friend?" Simon says with a hurt tone, taking the mug with a raised brow and a laugh. He then looks down at the mug to which it read "Male Tears" in black lettering on the front. His shoulders shake in silent laughter.
"Eh, I kinda like your son more than you, he's less broody," You tease, pouring the champagne into each of your mugs. Your mug saying "Reading is Sexy" with blue lettering. You would be lying if you said you didn't have some questionable mug choices.
── ⋆⋅☆⋅⋆ ──
a/n: kinda wanna turn this into a fic...should I?
EDIT: FIC HAS BEEN POSTED <33
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bokutosbabe · 4 months ago
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Call It What You Want To
(soft launching with the bllk boys)
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a / n — i love soft launches and blue lock…so why not combine them?
content — fluff, cutesie stuff, bllk characters x fem! reader, pretty much gn! but i did use ‘she’ so just to be safe, + your faves if you want!!
synopsis — soft launches with the boyfies <3
✿.。. “ nobody’s heard from me for months , ” .。.✿
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is NEVER on social media. has accounts of course, but never posts on them. usually the most they do is repost things about soccer on their stories. so when they post these pictures as their first post EVER? it’s inevitable that their fans are going to go insane.
they preferred posting these pictures, neither of your faces showing. you’d both decided to keep your relationship “private but not secret” , if someone were to find out it was you in these photos? so be it. they would never dream of hiding you from the world.
°❀⋆.ೃ࿔*:・ RIN ITOSHI, barou shouei, sae itoshi, jinpachi ego
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they don't have many posts, but the ones they do have no less than a million likes each. their fans are adoring, so when they post a new photo, thousands of people get the notification and within seconds the post has 200k likes.
their fans are insane, and that's putting it lightly. they find your account within a minute all by looking at your phone case and finding your account.
the both of you wake up the next morning and find yourselves not only trending on twitter, but also with thousands of edits made of the two of you. AND A SHIP NAME??
so much for a soft launch.
°❀⋆.ೃ࿔*:・ YUKIMIYA KENYU(im biased), shido ryusei, MICHAEL KAISER, hyoma chigiri
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a chronic poster. i mean literal photo dumps GALORE. they had many fans, obviously with them being a famous soccer player, but also because of how 'real' they were. they would constantly post stories in the bathroom and ranting- all that fun stuff.
their fans had no indication that they'd been in a relationship at all. which was strange because due to their openness, their fans began thinking they deserved to know every little thing about them.
they just wanted to keep you their little secret for a little bit, so they posted these very inconspicuous photos and had the internet up in a frenzy.
soccerluver44: WHO IS THIS??
urmomshouse: no way
and thousands of comments just like that flooded their inbox.
this was fun, they thought. maybe for a little while longer they'd keep you their little secret. the thought crossed their mind as they pressed the 'your story' button, posting a photo of them sitting on the sink with your arms wrapped around them.
°❀⋆.ೃ࿔*:・ MEGURU BACHIRA, isagi yoichi, EITA OTOYA, oliver aiku
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not a constant poster, but definitely has a social media presence. they mostly post about their upcoming games and where to get tickets and watch. they definitely don't post about their personal life, so when people log on and see a soft launch??
the world goes into a state of shock. the comments are limited, so no one besides people they follow back (most of which who already knew of the relationship) are allowed to comment.
they did this on purpose. they saw no point in having strangers question them when the caption said it all
" spoiling my girl <3 "
°❀⋆.ೃ࿔*:・ REO MIKAGE, tabito karasu, jyubei aryu, DON LORENZO
✿.。. “ i'm doing better than i ever was ” .。.✿
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took myself to the computer version to do this since there's a photo limit on the mobile version.
hope yall liked it though, i've never done anything like this before!!
likes, comments, and reblogs are appreciated!!
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alfheimr · 7 months ago
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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes
i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:
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this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.
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the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.
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this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.
i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.
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for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.
note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!
note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!
with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?
the basic gist is that gradient maps replace the colors of an image based on their value.
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so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.
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these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!
you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.
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this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.
let's see how mithrun looks when we apply that first gradient map we looked at.
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gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:
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some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.
for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.
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here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.
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i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?
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i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.
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yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.
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i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.
i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.
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the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.
typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!
this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.
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let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.
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just dont look at my layers too hard. ok?
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cup-of-starlight-waters · 2 years ago
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Okay, let me tell you a story:
Once upon a time, there was a prose translation of the Pearl Poet’s Sir Gawain and the Green Knight. It was wonderfully charming and lyrical and perfect for use in a high school, and so a clever English teacher (as one did in the 70s) made a scan of the book for her students, saved it as a pdf, and printed copies off for her students every year. In true teacher tradition, she shared the file with her colleagues, and so for many years the students of the high school all studied Sir Gawain and the Green Knight from the same (very badly scanned) version of this wonderful prose translation.
In time, a new teacher became head of the English Department, and while he agreed that the prose translation was very wonderful he felt that the quality of the scan was much less so. Also in true teacher tradition, he then spent hours typing up the scan into a word processor, with a few typos here and there and a few places where he was genuinely just guessing wildly at what the scan actually said. This completed word document was much cleaner and easier for the students to read, and so of course he shared it with his colleagues, including his very new wide-eyed faculty member who was teaching British Literature for the first time (this was me).
As teachers sometimes do, he moved on for greener (ie, better paying) pastures, leaving behind the word document, but not the original pdf scan. This of course meant that as I was attempting to verify whether a weird word was a typo or a genuine artifact of the original translation, I had no other version to compare it to. Being a good card-holding gen zillenial I of course turned to google, making good use of the super secret plagiarism-checking teacher technique “Quotation Marks”, with an astonishing result:
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By which I mean literally one result.
For my purposes, this was precisely what I needed: a very clean and crisp scan that allowed me to make corrections to my typed edition: a happily ever after, amen.
But beware, for deep within my soul a terrible Monster was stirring. Bane of procrastinators everywhere, my Curiosity had found a likely looking rabbit hole. See, this wonderfully clear and crisp scan was lacking in two rather important pieces of identifying information: the title of the book from which the scan was taken, and the name of the translator. The only identifying features were the section title “Precursors” (and no, that is not the title of the book, believe me I looked) and this little leaf-like motif by the page numbers:
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(Remember the leaf. This will be important later.)
We shall not dwell at length on the hours of internet research that ensued—how the sun slowly dipped behind the horizon, grading abandoned in shadows half-lit by the the blue glow of the computer screen—how google search after search racked up, until an email warning of “unusual activity on your account” flashed into momentary existence before being consigned immediately and with some prejudice to the digital void—how one third of the way through a “comprehensive but not exhaustive” list of Sir Gawain translators despair crept in until I was left in utter darkness, screen black and eyes staring dully at the wall.
Above all, let us not admit to the fact that such an afternoon occurred not once, not twice, but three times.
Suffice to say, many hours had been spent in fruitless pursuit before a new thought crept in: if this book was so mysterious, so obscure as to defeat the modern search engine, perhaps the answer lay not in the technologies of today, but the wisdom of the past. Fingers trembling, I pulled up the last blast email that had been sent to current and former faculty and staff, and began to compose an email to the timeless and indomitable woman who had taught English to me when I was a student, and who had, after nearly fifty years, retired from teaching just before I returned to my alma mater.
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After staring at the email for approximately five or so minutes, I winced, pressed send, and let my plea sail out into the void. I cannot adequately describe for you the instinctive reverence I possess towards this teacher; suffice to say that Ms English was and is a woman of remarkable character, as much a legend as an institution as a woman of flesh and blood whose enduring influence inspired countless students. There is not a student taught by Ms. English who does not have a story to tell about her, and her decline in her last years of teaching and eventual retirement in the face of COVID was the end of an era. She still remembers me, and every couple months one of her contemporaries and dear friends who still works as a guidance counsellor stops me in the hall to tell me that Ms. English says hello and that she is thrilled that I am teaching here—thrilled that I am teaching honors students—thrilled that I am now teaching the AP students. “Tell her I said hello back,” I always say, and smile.
Ms. English is a legend, and one does not expect legends to respond to you immediately. Who knows when a woman of her generation would next think to check her email? Who knows if she would remember?
The day after I sent the email I got this response:
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My friends, I was shaken. I was stunned. Imagine asking God a question and he turns to you and says, “Hold on one moment, let me check with my predecessor.”
The idea that even Ms. English had inherited this mysterious translation had never even occurred to me as a possibility, not when Ms. English had been a faculty member since the early days of the school. How wonderful, I thought to myself. What a great thing, that this translation is so obscure and mysterious that it defeats even Ms. English.
A few days later, Ms. English emailed me again:
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(I had, in fact searched through both the English office and the Annex—a dark, weirdly shaped concrete storage area containing a great deal of dust and many aging copies of various books—a few days prior. I had no luck, sadly.)
At last, though, I had a title and a description! I returned to my internet search, only to find to my dismay that there was no book that exactly matched the title. I found THE BRITISH TRADITION: POETRY, PROSE, AND DRAMA (which was not black and the table of contents I found did not include Sir Gawain) and THE ENGLISH TRADITION, a super early edition of the Prentice Hall textbooks we use today, which did have a black cover but there were absolutely zero images I could find of the table of contents or the interior and so I had no way of determining if it was the correct book short of laying out an unfortunate amount of cold hard cash for a potential dead end.
So I sighed, and relinquished my dreams of solving the mystery. Perhaps someday 30 years from now, I thought, I’ll be wandering through one of those mysterious bookshops filled with out of print books and I’ll pick up a book and there will be the translation, found out last!
So I sighed, and told the whole story to my colleagues for a laugh. I sent screenshots of Ms. English’s emails to my siblings who were also taught by her. I told the story to my Dad over dinner as my Great Adventure of the Week.
…my friends. I come by my rabbit-hole curiosity honestly, but my Dad is of a different generation of computer literacy and knows a few Deep Secrets that I have never learned. He asked me the title that Ms. English gave me, pulled up some mysterious catalogue site, and within ten minutes found a title card. There are apparently two copies available in libraries worldwide, one in Philadelphia and the other in British Columbia. I said, “sure, Dad,” and went upstairs. He texted me a link. Rolling my eyes, I opened it and looked at the description.
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Huh, I thought. Four volumes, just like Ms. English said. I wonder…
Armed with a slightly different title and a publisher, I looked up “The English Tradition: Fiction macmillan” and the first entry is an eBay sale that had picture of the interior and LO AND BEHOLD:
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THE LEAF. LOOK AT THE LEAF.
My dad found it! He found the book!!
Except for one teensy tiny problem which is that the cover of the book is uh a very bright green and not at all black like Ms. English said. Alas, it was a case of mistaken identity, because The English Tradition: Poetry does have a black cover, although it is the fiction volume which contains Sir Gawain and the Green Knight.
And so having found the book at last, I have decided to purchase it for the sum of $8, that ever after the origins of this translation may once more be known.
In this year of 2022 this adventure took place, as this post bears witness, the end, amen.
(Edit: See here for part 2!)
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chiiroptereh · 8 months ago
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Edit: thanks for all the notes, guys! I made some edits so that this is easier to read. If you like Bill and spec bio vibes, here's another one I made of some possible psychological instincts a Euclidean might possess. Lots of love :Dc
A study into 90% of Bill's organs
I went so overboard omg but I wanted to try underpainting :Dc See if you can guess what color was the base for each of em! Reasoning for design choices beneath the cut.
Teeth are retractable so as to not puncture the eye when not in use
Lashes are retractable because I couldn't figure out what else to do with them LOL they're pretty thick whiskers and so he'd have some trouble if they stayed in the way, but having them fully retracted would, I imagine, risk them getting stuck or the pores plugging with oil/dirt
Whether or not his tongue is forked varies in canon, just as his blood color does, so I just chose the ones I prefer! I do really like it when people give him blue blood but I think in subtler hues it can make him look a lil nauseous so it's easier for me to work with red
He cleans himself with his tongue because he's a gross little beast and can't just take a shower or something. Ok but really I just thought it was cute what are you a cop leave me alone
Every villain needs to be able to have claws it's like a rule somewhere I think
The second set of eyelids serve to protect the optic nerve but are mainly something I added partially for emoting purposes and partially because of how many times the animators do this thing where his lashes don't follow his lids and it drives me less insane to have a hc about it
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spectorgram · 6 months ago
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eyes wide open
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pairing: theodore nott x f! reader summary: you discover that there is so much more to theodore nott than you thought.  content: gryffindor! reader, semi-nsfw (characters are 18+) word count: 5.46k
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You have never spoken to Theodore Nott before. You’ve him around a lot, usually with Mattheo Riddle or Lorenzo Berkshire, and he is a regular on the quidditch team — a chaser — so you’d see him zoom by during matches. He’s also in a majority of your classes for this year, which lets you observe him from afar. But past that, you’ve never really had much to do with him beyond seeing him with Malfoy and witnessing how he stands quietly — with either a small smirk or a look of complete apathy on his face — while Malfoy and your friends argue back and forth. 
Having class with Theodore Nott has let you learn three things about him: he’s quiet, whip-sharp, and unbelievably handsome. You didn’t need classes with him to know the last one is a well-known fact; he’s constantly noted as one of the most attractive of your classmates. “Shame he’s a Slytherin,” Lavender Brown once said to you, which had made you roll your eyes and retort, “And what’s wrong with that?” It had gotten you into a big fight and you don’t think she’s spoken to you since, not that you’ve really wanted her to. 
“Are you sure you don’t want to come with us?” Ron asks you as he, Hermione, Harry, and Ginny stand at the entrance to the Gryffindor common room. “Mum would love to have you. She’s always banging on about what a lovely girl you are and how polite you were.”
“And I’m sure Fred would love to see you,” Ginny adds. 
You snort, “I’m really sure. But please give my regards to your mother and Fred.”
“Will do,” Ginny says with a two-finger salute. 
Your friends say their farewells as they leave through the portrait hall. You flop against the plush velvet of the couch, staring at the roaring fire. Your parents were on a months-long that brought them to see famous wizarding landmarks so you’re stuck at Hogwarts for the holiday. You’re a little disappointed that you won’t be with your family but another part of you is excited to be in the castle when it’s less populated. You’ll finally get to make your way through the massive pile of books you have at your bedside since you’re usually caught up in listening to and gossiping with your roommates. 
You head up to your room, empty except for you and your owl hooting in his cage. You wiggle your fingers inside, Ramses rubbing his feathery head against them. You grab the first book from the top of your pile, turning the leather-bound edition over in your hand. Hermione gifted it to you for your last birthday: William Shakespeare’s Romeo and Juliet. You shimmy into your gold and red striped sweater and tuck the book underneath your arm, walking down to the dining hall for dinner. 
Students are scattered around the Great Hall, some chattering with their friends while others eat silently. The ceiling has shifted to depict a clear night sky, floating candles casting an orange glow. You spot Mattheo Riddle alone at the Slytherin tables but the way he keeps looking to the door makes you assume he’s waiting for a friend. You settle down on a bench all to yourself, piling your plate with the mouthwatering selections available to you. 
You rest your chin on your fist, cracking open the play. You get only a few pages in when you hear a familiar low voice. “All alone, little lion?” His eyes examine you and you suddenly feel too exposed despite your layers. 
You come face-to-face with Theodore Nott and his sea blue eyes. He regards you coolly and you ask, “Can I help you, Nott?”
He points at your copy of Romeo and Juliet. “Where’d you get that?”
You furrow your brow in confusion. Why in Godric’s name is Theodore Nott of all people interested in a Muggle book. You respond, “Hermione gave it to me. Why?”
“It’s hard to find Muggle books here,” he says. His eyes linger on the play. “Think I could borrow it when you’re finished?”
Your brain stalls, questions floating around your head. “Sure,” you finally answer. He nods and neither of you say anything more. The quiet that falls between you two makes you tense and you say, “Is that all, Nott?”
He considers and then says, “I think so.” He heads to the Slytherin tables without another word, sitting beside Mattheo, who’s been watching on keenly. You catch his stare and he smirks, raising a hand in a casual wave. Theodore smacks his shoulder and pulls Mattheo’s hand down. 
You sigh, shake your head in disbelief, and go back to reading the play.
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It’s been a few days since your encounter with Theodore, but the interaction sticks with you. Every time you open up the play, you’re reminded of it and your curiosity returns tenfold. 
It’s odd being at school when it’s this empty. You’ve managed to occupy yourself by playing Wizard’s Chess with some fifth years, helping Professor Flitwick organize his classroom and the Frog Choir’s practice room, and working on knitting gifts to give you friends when they return. 
You’re sitting in the Gryffindor common room, working on Harry’s scarf, when you spill a cup of tea one of the house elves had made for you. Cursing, you move your knitting out of the way and survey the damage to your sweatshirt. With a groan, you gather your things and bring them to your dorm, blotting out the growing stain with water and letting it dry over the edge of the bathtub. 
You slip into a forest green sweater and throw a brown corduroy jacket over it. You grab your copy of Romeo and Juliet and head down to the Black Lake. The cold breezes nip at your cheek and carries the scent of pine trees, which you inhale gratefully. You plop yourself underneath a tree on the shore of the lake, reclining against the trunk and cracking open the book.  
You’re not even a page in when you hear a familiar voice call your name. Your hold on your book tightens but you peer up, watching Theodore approach. He’s in a dark wool overcoat and similarly dark trousers, hands tucked into his coat pockets. His strides are leisurely and long, reaching you in only a handful of steps. 
He stands tall in front of you, shadow cast long in the afternoon sun. His gaze roams over you and he says, “Isn’t wearing green considered treacherous for you?”
You’re confused for a second before you follow his line of sight and glance down at your own sweater. Right. You reply, “No more than it would be for you to wear red.”
The corner of his lip twitches up in a small, half-smile and he says, “High treason then.”
You echo your words from earlier in the week: “Can I help you, Nott?”
He ignores your question, instead choosing to tip his chin at your book. “What part are you at?”
“Mercutio’s died in his duel with Tybalt.”
He nods and recites, “‘A plague o’ both your houses. They have made worms’ meat of me: I have it, and soundly too: your houses.’”
You don’t bother to hide your surprise. “You’ve read it?”
“Haven’t most people?”
“Sure, most people know the story but they don’t usually read it. 
“I’ve read it a couple of times,” he admits. He adds, “My mother’s favorite book.”
“I see. Is that why you want to borrow it from me?”
“Yeah.”
Silence falls between the pair of you. Distantly, there’s a cry of crows. Theodore is still standing above you, gazing down, and you squirm a little. He then says, “I always liked Benvolio.”
You’re reminded that Theodore’s half-Italian in the way he says ‘Benvolio,’ accent smooth and lilting. It suddenly feels a little too warm under your coat but you ignore it. You instead blurt out, “Of course you would. You’re kind of like him.” 
Theodore raises one eyebrow and you feel your face heat even more, embarrassed, and you hope he doesn’t take it as a bad thing. He doesn’t seem offended though and asks, “Oh, how so?”
“I mean,” you say, “you are— well, you seem like the most reasonable of your friends. A mediator of some sort.” 
“That sounds about right,” he says. “You remind me of Juliet.”
“Really? Why’s that?” You’re not sure if you should take it as a good thing or not.
“Well, she has a solid set of beliefs and stands up for them. She knows herself; she tells her parents that she doesn’t want to marry Paris, not just because she’s in love with Romeo but also because she knows she’ll be unhappy. What is it she says? ‘Now, by Saint Peter’s Church, and Peter too, he shall not make me there a joyful bride! I wonder at this haste, that I must wed ere he that should be husband comes to woo.’”
Theodore’s mouth lifts in a tiny, lopsided smile again and he says, “Plus, she’s the one most of the guys fawn over, right?”
You’re left to gape at him in shock and awe, processing what he just said as he turns and walks back to the castle along the shore, just outside the gentle lapping of the water. You watch his retreating figure, watch as he grows smaller and smaller and eventually disappears. 
You don’t get much reading done, the book remaining open in your lap and your eyes fixed on the spot where Theodore once stood.
You sit there until the top curve of the sun is just peeking out over the horizon and you stand, still a tad dazed, and make your long walk back to Hogwarts. 
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It’s just past one in the morning and you can’t sleep, tossing and turning fitfully. Theodore Nott and his long shadow and his blue eyes keep appearing behind your eyelids, no matter how much you try to shove the thoughts out. You want to bang your head on one of the wooden poles holding up the canopy of your four-poster bed, but you opt for sliding on your slippers and going down to the kitchens to see if the house elves have any leftover brownies from dinner. Maybe they could warm up a mug of hot cocoa for you too.
You shuffle through the hallway, the chill of the castle waking you up. You rub your hands along your arms, wishing you had worn something over your pajamas. Since it’s break, restrictions about when and where students could go are essentially non-existent. You pass Filch, who scowls at you, clearly aggrieved that he can’t punish you for being out of bed, and Nearly-Headless Nick, who greets you cheerfully and questions you as to why you’re up at such a time. “Can’t sleep,” you explain. “I’m checking if the elves have any midnight snacks for me.”
He chuckles, “An excellent reason but don’t stay up too late, or you’ll wind up like me!” He laughs hard at his joke and you can’t help but giggle, bidding him a goodnight as you descend into the basement. 
You nearly run right into Theodore as you approach the kitchens. You jump at least a foot, clasping your hands over your chest. “Merlin’s beard, you scared me!”
“Could say the same for you,” he says. “Nice pajamas.”
You forgot you were in a tank top and shorts. You cross your arms and say, “You seem awfully fixated on my clothes, Nott.” You try to look as threatening as you can but the slight tremble to your body takes away any effect.
Theodore rolls his eyes and slides the robe he donned over his striped pajamas off, holding it out to you. When you don’t take it, he just throws it over your shoulders, the weight comfortable and warm. You say, “You keep popping up out of nowhere. Are you stalking me or something?”
He snorts, “You would never know if I was. But no, Mattheo’s snoring kept me up. I figured I should take advantage of my insomnia and grab some brownies from dessert.”
“Great minds think alike then,” you say. 
You and Theodore walk down the corridor towards the kitchen when he asks, “Have you finished the book?”
“No, didn’t get a lot of reading done after you left.”
“Did I distract you that much?” He looks smug, smirking, and it’s your turn to roll your eyes.
“In your dreams.”
“Yeah,” he says. “When do you think you’ll finish?”
“Bloody hell, you’re impatient,” you groan, rubbing your temples. You’re not sure what possesses you, if it’s your sleep-deprived brain or something else but you suggest, “How about this? You grab brownies and cocoa for us and I’ll get the damn book and we’ll meet in the Clock Tower and read it together.”
Theodore considers it for a moment before he says, “Alright. I’ll meet you there in fifteen.”
“Perfect.” You scurry back to the Gryffindor dorms. Nearly-Headless Nick queries as to where your snacks are but you don’t answer, moving swiftly. You enter your dorm room, only pausing for a moment to catch your breath. Your heart is pounding but you can’t tell if it’s from the journey or from the thought of sitting alone in the Clock Tower with Theodore Nott. You don’t let yourself dwell on it and you pick up Romeo and Juliet and climb the stairs to the Clock Tower. 
Theodore has beaten you there, already sitting up against the glass of the clock. The frost on the glass obstructs some of the moonbeams streaming in but it’s just enough light to read. In the moonlight, Theodore’s hair looks lighter and more burnt golden than brown. He takes a sip of his cocoa and holds out a ceramic mug to you as you settle next to him. You accept it gratefully, plucking a brownie from the plate between you two. 
You flip through the play to find where you left off, the page dog-earred. Theodore makes a sound at the back of his throat. “What?”
“Don’t you have a bookmark or something?”
“No. Leave my marking choices out of it.”
He snickers and leans over you to get a better look at the text. Your shoulders brush and you’re all too aware that he smells of chocolate and sandalwood. His smell is clean and distinct; his robe smells like that too. 
As you two begin to read, Theodore tells you to turn back or move forward. You eventually figure out a rhythm, knowing exactly when to do so. You’re about ten minutes into reading when you feel Theodore’s gaze on you. You remain still, wondering if he’ll stop but when he doesn’t you mumble, “Stop doing that.”
“Doing what?”
“Staring.” “Does it bother you?”
“It feels like you can see into my soul.”
“You didn’t answer my question. Does it bother you?”
You pause. “I don’t… I don’t know.” A beat. “Why are you?”
“Why am I what?”
“Staring at me.”
His voice drops, somehow deeper than you have ever heard it. “Because I like to.”
Your head whips to him but no words leave your mouth. He regards you carefully and asks again, “Does that bother you?”
You hesitate. Then, “No, it doesn’t.”
He hums and you think he’ll do… something but he just ducks his head back down to read and you let out of the breath you didn’t know you were holding, disappointment pooling in your stomach. You don’t know what you wanted him to do. You don’t know why you’re disappointed. 
You two read until your eyes grow heavy. You struggle to keep your lids open, head jolting up when you realize you’re drifting off. Theodore taps your shoulder and says, “We can stop here. Pick up another time.”
“Yeah,” you murmur, standing and stretching. You stifle a yawn and remember you have his robe on. You begin to take it off but he says, “Keep it. You can give it back tomorrow.”
“Tomorrow?”
“Yeah, tomorrow. Same time, same place?”
“Okay.”
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It doesn’t take you long to finish the play with Theodore only two days later. You noticed that Theodore read slower than before, telling you multiple times per session to go back a couple of pages. 
Your eyes follow the last line: For never was a story of more woe / Than this of Juliet and her Romeo, and you close the book with a dull thump. You sit in silence with Theodore, listening to the clock hand turn to the next minute. You stay like that for a while. You sip on the spiced hot chocolate the house elves prepared for you. You share sugar cookies with Theodore that are shaped like snowflakes. 
“So,” you start, breaking the silence, “this is your mother’s favorite book?”
He nods. “I think she read it a lot when her parents arranged for her to marry my father.”
“Oh.” You don’t know what else to say, adding lamely, “I’m sorry.”
“It’s okay.”
Silence. 
“Can I ask you something?” you ask.
“Yeah.”
“Why did you stay here over break?”
He stiffens, expression unreadable. He glances over at you and finally sighs. “My father’s trial is happening right around now. My family doesn’t want any of the kids around this so…” He motions to the Clock Tower, adding, “My siblings are either at their own schools or with my grandmother.”
Your heart aches at the frown on his face and you bite the inside of your cheek, unsure of how to proceed. You’re thankful when Theodore moves on. “What about you?”
“Oh, my parents are on a sight-seeing cruise so they’re not home. I got a postcard today, though, they’re in Japan now.”
“I’ve never been. How’s it look?”
“Pretty. They said their tour guide told them the best time to come is when the cherry blossoms bloom. I would like to go.”
“We’ll go together then.” 
He says it with a finality that makes you shy. “When?” is all you can ask. 
“Someday.”
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You haven’t seen Theodore in a couple of days, an odd thing to try and get used to when you’ve just adjusted to him popping up wherever you are. You assume that he’s done with you now that you finished Romeo and Juliet. 
It all makes your heart sink.
You’re alone in the common room, wrapping up your gifts for your friends. You stack Harry’s scarf on top of Hermione’s mittens, Ron’s socks, and Ginny’s hat, and you lean against the couch with a huff. 
You think about the spare red yarn sitting in your room. You think there’s just enough to make another scarf. 
Theodore’s face flashes in your mind’s eye and you run a hand down your face in frustration. Whatever weird thing you had with Theodore is over. He’s probably out with Mattheo at the Three Broomsticks or something. You’ve seen them there before along with Enzo, Blaise, Draco, and Pansy as well as just with each other, usually flirting with girls there.
You didn’t used to think much of it — just scoffed along with Ron and Hermione — but now the thought makes your stomach churn. 
You think about the extra yarn in your room again and you almost can’t believe that, despite his disappearing act, you’ve decided you’ll knit a scarf for Theodore Nott.
Almost.
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You’re greeted with a delicious Sunday roast for dinner on Christmas Eve: tender roasted beef, warm Yorkshire puddings, fluffy mashed potatoes, and a side of jus from the beef. You sit by yourself once again, the loneliness threatening to swallow you whole as you plate your dinner. 
Theodore seats himself right across from you and places a parcel wrapped in brown paper in front of you. You look at it in confusion and he says, “Open it.”
“What is it?”
“Christmas present.”
You raise a brow. “You got me a present?”
“Yes, now open it.”
“Shouldn’t I wait until tom—” The sharp look he gives you makes you set your fork aside and tug on the string of the bow. There are two books inside. The first is a copy of Shakespeare’s Macbeth, similarly leather-bound like Romeo and Juliet, and the second one is an ornately-decorated collector’s edition of Romeo and Juliet. 
Your jaw falls open and you whisper, “Theodore…”
He says, “Figured that we can read Macbeth together. It’s a personal favorite of mine.”
Your fingers trace the golden embossment of Romeo and Juliet, swooping down to follow the curve of the ‘J.’ “Where did you even get this?”
“Sent a lot of letters and had Mattheo help me pull strings at Flourish and Blotts.”
Your face is on fire but you grin at Theodore and say, “Thank you so much.”
“Happy Christmas,” he says and you catch the pink at the tips of his ears.
“I actually have something for you too,” you say and his eyebrows shoot up in surprise. “I’ll get it to you after dinner.”
“I’ll come with,” he says and you nod. You wonder if he’ll get up but he stays put, taking a plate and serving himself dinner. 
You two talk quietly in between bites and something dawns on you halfway through. “Where’s Mattheo?” You look over your shoulder and can’t find the other Slytherin boy.
Theodore smirks. “Might’ve slipped him a couple of galleons to leave us alone.” Your cheeks heat pleasantly. 
You two finish dinner after that and Theodore walks you to the Fat Lady’s portrait. She eyes him suspiciously, glaring at you. “You know students from other Houses aren’t permitted in the Gryffindor dorm.”
You disregard her and give her the password. Begrudgingly and with one last glower at you and Theodore, the portrait swings open and you step inside. Theodore peers around the common room and says, “Never been in here before.”
“Some Gryffindor girl hasn’t taken you back with her?” you ask but you instantly regret your teasing words. The thought of Theodore with someone else (Lavender Brown comes to mind and you scowl internally) makes you queasy.
“Can’t say that it’s happened,” he says, shooting you a cocky smirk. “You’d be the first.”
“I’m honored. Wait right here.”
Theodore flops on the couch and sighs in satisfaction. “So much more comfortable than Slytherin’s.”
“Yeah?” you ask as you retreat up the stairs. He shouts after you that Slytherin’s couches, while not wholly terrible, are stiff whereas your common room’s are plush and cushy.
Theodore’s scarf, knit in a red cashmere, lays innocuously on your bed. You’re abruptly self-conscious of it; Theodore got you two beautiful and likely expensive books and you knit him a measly scarf in colors that aren’t his House’s. 
Merlin, you think, what if he hates it?  Only one way to find out, you suppose. With a deep breath, you pick it up and hide it behind your back. You peek into the common room, where Theodore lounges on the couch, his figure long and relaxed. His shirt has ridden up a little and you spy a sliver of the toned muscle of his stomach. 
“Close your eyes,” you say. You watch his eyes shut, unfairly long lashes brushing his cheekbone. You creep into the room, halting in front of him. The flames dancing in the fireplace are the only excuse you can come up with for why you’re so warm. “Hold out your hands.”
He sits up straight and does as he’s told. You say, “It’s not wrapped.”
“That’s alright.”
You inhale, exhale, and gingerly place the scarf in his hands. He opens his eyes and inspects the scarf, rubbing the knit yarn in between his fingers. You hold your breath.
His face breaks into the biggest grin you’ve ever seen on him. He looks—
He looks beautiful. He’s always handsome, yes, but he’s beautiful here.
“This is really nice. You make it yourself?”
You hum in affirmation and he loops it around his neck, standing and spinning around playfully. “How do I look?”
“I think red’s definitely your color,” you tell him, your own cheeks hurting from how widely you’re beaming. 
Theodore takes a step closer, his shoes nearly knocking into yours. The glee in his expression morphs slowly into something different. It’s not anything bad, but it’s somehow more intense and softer than before. “Thank you,” he says.
“You’re welcome. Thank you again for the books.”
“You’re welcome.”
The fireplace crackles, embers spitting.
You’re not sure who moves first. Your mouths crash against each other like waves against a bluff, all lips and teeth and tongue. Your hands are everywhere, in his hair, clutching his shoulders, cupping his face. His hands are just as frantic, grabbing at your waist and hips, squeezing you tight against him. 
You two come up for air but you don’t surface for long. Despite the way he’s worked up, he’s careful in unwinding the scarf from his neck and draping it over a nearby arm chair. Then, he’s on you again, pulling you flush against him. 
He guides you to his lap as he sits back on the couch, lips never leaving yours. You straddle his thighs, tugging lighty at his curls. He moans into your mouth. Your hips move against his. His fingers, long and cold, creep under your shirt and send a shiver down your spine. 
His mouth only leaves yours to latch onto your neck, sucking and licking and nipping. You whine and push yourself against him harder, your hands clumsily trying to undo the buttons of his shirt. He helps you, flinging it off his shoulders, and pulling your own off your torso. 
“Fuck,” he groans, chest heaving as he takes in the view of you. He’s staring at you like you’re some sort of goddess. “Fuck, you’re beautiful, amorina.”
You melt under his gaze. His ocean blue eyes are a little glazed and his mouth is kiss-swollen and ajar. Godric, he’s one to talk. You lean in closer, tracing his jaw and letting your hand trail down his neck, his chest, down to his stomach. You graze the top of his trousers and lightly scrap your nails over the skin just above. He hisses, hips bucking, and before you can say anything to him, he’s yanking you down for a kiss. 
It’s slower, no less passionate but less frenzied, and you only break apart to whisper, “Bedroom, Nott.” 
He doesn’t say another word, springing from the couch, grabbing the scarf you made him, and dragging you up to your dorm. As soon as he’s inside, he sets the scarf on your bedside table and pushes you down onto the mattress, climbing on after you. 
You squeal as he peppers kisses along your neck. “Theo,” he murmurs against the skin of your collarbone. “Call me Theo.”
“Okay,” you say, testing it out. “Theo.” His hips slot against yours once more and you cant your up. He slips a hand down your pants and when he presses his palm against you, you whine, “Theo!”
Another rumbling moan, “Amorina, you don’t know what you do to me.” Another long, hard kiss. Your hands move to unbutton his trousers. 
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You don’t care how sweaty and sticky you are as you lay panting against Theo’s chest, feeling the way it rises and falls in rapid succession. You listen to his racing heartbeat and he places a sweet kiss to the top of your head. 
As you two catch your breath, Theo says, “I think Juliet should have gone with Benvolio.”
You look at him like he’s crazy. “That’s really what you’re thinking about?”
He winks at you. “Of course not. I’ve been thinking about it since we finished the book.”
You slap his chest playfully and ask the obvious question: “Why do you think so?” 
“Well, you said I’m like Benvolio and I told you you remind me of Juliet.”
“Huh?” You think for a couple of seconds and then it clicks. “Oh!” You take in Theo’s half-lidded eyes staring at you. “Oh…” 
He dips down to kiss you again.
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Over the break, you’ve expanded on what you know about Theodore Nott. One, he’s quiet because he’s thoughtful, always observing, always analyzing, and storing away information for whatever purpose he’d like to use it for. 
Two, he’s whip-sharp — you see it in the way he can quote Shakespeare plays like second-nature; in how he easily banters with you, always coming back with a swift reply and a cheeky smile. 
Lastly, he’s unbelievably handsome. You knew this before but it’s different now. You admire the way he holds himself with an unflagging confidence, how he has these rare full-bellied laughs that make you crave the sound. But you think he’s most handsome when you sit together, cloistered away in the Clock Tower, reading Romeo and Juliet and now Macbeth together. You’re so close, you can smell the peppermint on his breath from the candy canes the house elves snuck you. You can see all the shades of blue in his eyes. You can count the beauty marks on his face. 
This close, you can lean over and kiss him and delight in the way your heart thrums when he reciprocates, cradling your face and coaxing you into him. 
You spend the majority of the rest of the break wrapped up in Theo’s arms. By the last day, you’re sure you have snuck each other into your dorms more times than either of you can count. You hang out a few times with Mattheo, who turns out to be not as bad as your friends make him out to be. He’s sharp and quick-witted like Theo with a tendency towards the dramatics that makes you laugh. 
You’re sitting at the same spot underneath the tree at the Black Lake, Theo relaxing between your legs. He’s swaddled in the same black overcoat you saw him in before, only this time, the red scarf you knit is starkly bright against the coat. You card your fingers through his soft curls, ducking to peck his forehead. He tilts his head upwards and smiles boyishly at you and it makes you giggle, planting a kiss on his mouth. He brings your hand down to his lips, kissing each fingertip.
You relish the quiet with him, knowing that tomorrow will be a flurry of activity with students and faculty returning from winter holiday. It makes you sigh, the thought of leaving the little world you and Theo have created. Your relationship is only a couple of days old and you can’t deny that you’re anxious about your friends coming back. 
As if sensing your nervousness, Theo sits up and spins around to face you. You attempt to plaster on a reassuring smile but it’s wobbly and uneasy. He cradles your face with one hand, thumb stroking your cheekbone. “What’s wrong, cara mia?”
“I don’t know,” you mumble. He tilts his head, raising an eyebrow with an expression that tells you he knows you’re lying. “What are we going to do when everyone comes back?”
“What do you mean?”
“Theo, our friends all despise each other.”
He replies, “So? Just because they don’t like each other doesn’t mean we can’t.” He kisses the back of your hand. “And I happen to like you very much.”
You smile weakly at him. “I know, and I like you very much as well. It’s just…” You can picture the dawning horror on Ron’s face and the grimaces on Hermione and Harry’s. 
Theo’s mouth turns downward and he asks, “Why do you care what they think?”
“Don’t you care what your friends think?”
“No,” he says firmly, adding, “Plus, Mattheo likes you so who’s to say everyone else won’t?”
“Theo…”
He repeats, “Why do you care?”
“I just don’t want anything to ruin this, ruin us.”
“They can only ruin it if we let them and we won’t.”
“You don’t know that for sure! We’re still in the early stages of our relationship.”
“Do you not have faith that we’ll stay together?” he asks.
“I do! It’s—” You sigh in frustration, brow furrowed. “I just want to preserve what we have without outside influence. Please, can we just wait a little to tell everyone?”
You wish you didn’t see the way Theo’s expression falters, hurt passing across briefly before he wipes it away.  He’s studying your face, eyes dark and unreadable but he nods. “Fine. But you have to promise me that it’s just for a little while.”
“I promise.”
“Alright. I’ll tell Mattheo not to open his big mouth.”
“Thank you, Theo,” you say. This time, you reach for his hand and peck his knuckles. His shoulders lose their tension and he bends towards you, mouth ghosting against your neck. You squeal and giggle and you feel him smile against your skin.
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author's note: at long last, the theo nott fic i teased months ago... this fic was supposed to be a lot longer but i when i went back to college and hit a major writer's block, it just languished. i'm proud of what i've written, which is why i want to post it, but please excuse the kind of abrupt end. there is a potential continuation in the future <3
2K notes · View notes
itadorey · 1 year ago
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𝐚𝐥𝐥 𝐭𝐨 𝐲𝐨𝐮
𝐬𝐦𝐮𝐭. 𝐦𝐢𝐧𝐨𝐫𝐬 𝐝𝐧𝐢
pairing: geto suguru x f!reader summary: moments between you and geto, and how you inevitably ended up in his bed. genre: smut, college au, ends in fluff, geto is whipped tbh notes/warnings: mdni, vaginal sex, squirting, creampie, praise kink!, mentions of womanizer gojo bc it makes me giggle, somewhat flirty geto, flirty gojo, shoko smokes, mentions of alcohol, first time posting smut pls be nice it's mid at best. rushed and barely edited!! yes this is a repost oops. wc: ~4.9k
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i.
if someone had told you five months ago that you would eventually end up in geto suguru's bed, you would've laughed in their face.
the names geto suguru and gojo satoru were notorious across your campus, and yet you had never interacted with them before you met ieiri shoko. gojo satoru was known for his flirtatious tendencies, and with a simple smile and a flash of his bright, blue eyes he was able to get most people fall for him. he had no shortage of admirers or flings, and he took great pride in the fact that none of his short-lived romances had ever ended badly.
geto suguru, on the other hand, had rarely been seen pursuing anyone. there were rumors, of course, of the lucky individuals that had gotten to spend the night with him, but geto had never taken it upon himself to confirm or deny any of them.
you couldn't care less about either one of their love lives, but no matter what classes you took and no matter who you sat next to, they always became a topic of conversation.
"so, are you going?"
you looked up from your notes to see your seatmate— mika, you think her name was— looking at you curiously. you gave her a puzzled look, earning an exasperated one in return before she leaned in.
"to the party tonight?" she whispered conspiratorially. "you know, the one gojo and geto are hosting?"
"no," you replied, turning back to your notes in hopes of ending the conversation. the truth was that you were attending, you were just hoping to get in, get tipsy, and leave before anything interesting could happen. in addition to being attractive, gojo satoru was also loaded, and that usually meant that he supplied all the alcohol at his parties without demanding some sort of payment from anyone who attended. as a broke college student, who were you to turn down free alcohol?
"you should," mika continued, a soft giggle leaving her lips as she jotted down some notes. "i heard geto will actually be there this time. something about it being in his honor."
your nose scrunched at her soft sigh, and she gave you a look of disbelief when you remained unimpressed with her news.
"you know, he barely shows up to these things, even though he lives there," she pressed on, biting her lip as she giggles.
"look," you said, not unkindly. "i'm gonna be honest with you; i could not care less about either one of them."
mika huffed before turning away, and you sighed in relief when she made no effort to continue the conversation. you looked away when you hear a snort coming from your left, and you raised your gaze to meet a pair of tired, brown eyes.
"not a fan of gojo and geto?" the girl asked, earning an amused laugh from you.
"i wouldn't know," you replied truthfully, shrugging casually. "never met 'em."
you watched as the girl barked out a laugh at your response, holding out a hand for you to shake. "i like you. i'm ieiri shoko."
you gave her your name as you shook her hand, your conversation coming to an abrupt end when your professor walked in. you smiled to yourself when the lecture eventually ended, watching as mika hurried out of class after giving you an unimpressed look.
"so, are you really not going to the party?" shoko asked, falling into step with you as you left the building. you watched as she pulled out a pack of cigarettes, placing one between her lips before offering one to you. you shook you head lightly as she patted her pants pockets. "you wouldn't happen to have a lighter, would you?"
"of course i'm going," you replied, rummaging through your backpack for your lighter. you handed it to her with a smirk, earning a raised eyebrow in return as she lights the stick between her lips. "i'd be an idiot not to. i just wanted mika to stop talking."
"i guess i'll see you there," shoko mused, placing your lighter back into the palm of your hand as you came to a crosswalk. "look for me when you get there, yeah? you seem like good company."
you nodded your head as she waved, walking off in the opposite direction you were headed toward. you made it through the rest of your day without incident, making sure to grab an early dinner before taking a quick shower and lying down.
a quick glance at your clock let you know that it was nearing eight, and you sighed loudly before standing up and walking over to your closet to pick out your outfit. you took your time getting ready, music blasting as you finally slipped on your shoes and ordered a ride.
by the time you arrived at the party, it was in full swing. you could feel the bass thumping from where you stood on the sidewalk, and you quickly made your way to the front door in an attempt to escape form the cold wind.
you made a beeline towards the kitchen, resolving to get a drink first before looking for shoko. you hummed along to the song that was playing as you grabbed a cheap plastic cup, pouring yourself whatever what in the bottle closest to you. you slowly made your way out of the kitchen, raising the cup to your lips before catching sight of mika. you jolted lightly, placing your cup on the nearest table when you saw her turn your way before you ducked into a hallway.
a quiet grunt left your lips when you collided against something hard, and you felt yourself tilting backwards before a strong set of hands landed on your waist to steady you.
"woah there, are you okay?"
you glanced up to see geto suguru standing in front of you, an amused smile on his face as he studied you. you shot another glance into the main room, sighing in relief when you realized mika was no longer visible.
"yeah," you mumbled, straightening up and facing geto once more. "i'm good."
it was silent for a few seconds as geto followed your previous line of sight, his hands still resting comfortably on your waist. he turned back when you tapped his shoulder awkwardly, and you were met with the same amused smile still present on his face. he hummed in acknowledgement, looking down at you curiously as you leaned back slightly.
"you can let go now."
"my apologies," geto replied smoothly, his hands lingering for a few seconds before he pulled away. "just wanted to make sure you were okay. i'm—"
"i see you've met geto."
you peeked behind geto's broad frame to see shoko leaning against the wall across from you, and you watched as a look of mild surprise crossed geto's face.
"you two know each other?" he asked, earning nods from the two of you in return. the surprise on his face melted away into a charming smile, and he held his hand out for you to shake. "the pleasure is all mine."
you shook his hand lightly, nodding at him before turning back to shoko. you handed her your lighter wordlessly, and she gave you a grin before beckoning for you to follow her. the two of you exited out the back door, making your way towards the bordering fence as geto followed.
"i haven't seen you around before," geto commented casually, earning a suspicious look from shoko as he attempted to make conversation with you. he gave her a lopsided smile, tilting his head towards you briefly as shoko scoffed at him.
"don't go out much," you mumbled, giving him a dull look at you shrugged.
"why? overprotective boyfriend?" geto asked, earning an amused look from you at his boldness. you chuckled lightly, shaking your head as you crossed your arms.
"more like an overly comfy bed," you retorted, watching as he nodded at your words.
"i'm sure mine is comfier. i can show you, if you'd like," he responded slyly, a handsome smile on his face as he leaned in slightly.
"nah, i'm good."
geto blinked once, twice, three times at your words, staring at you in confusion as shoko's laughter rang in his head.
"what?" he asked dumbly, straightening up when shoko clapped him on the shoulder.
"i'm good," you repeated, giving him a small smile. "thanks for the offer but i'm here for the booze, not the guys."
"i've never seen this happen before," shoko breathed, stomping out her cigarette as her eyes lit up. "oh my god, i have to find satoru."
you watched shoko as she darted away, geto's eyes still on you as he composed himself. he shoved his hands into his pockets before backing away, still reeling from your rejection as you gave him one last look.
"i'm gonna go look for shoko," you mumbled, giving him a small wave before following after her. geto watched as you moved further and further away, his curiosity peaking as he waited for you to turn back and send him one last look. it never came, and he felt his stomach twist in disappointment.
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ii.
"wanna grab lunch?" shoko asked, packing her stuff up as class ended. you nodded wordlessly, zipping your backpack up before slinging it over your shoulder.
"what did you have in mind?" you asked, heading towards the door.
"what about onigiri?"
you and shoko looked up to see geto by the door, his eyes on you as gojo stood beside him waving enthusiastically. a defeated sigh escaped shoko's mouth, and she hooked her arm with yours as she pulled you towards the two boys.
"only if you pay," shoko mumbled, not even having the energy to argue against geto. he gave her an innocent smile as gojo slung an arm over shoko's shoulders, effectively pulling her away from you as he shot you a curious gaze.
"have we met before? you look familiar," gojo asked, his eyebrows furrowing as he looked at you over his sunglasses. you opened your mouth to respond, stopping when he suddenly snapped his fingers. "i know! i've seen you in my dreams."
a surprised laugh left your lips as shoko groaned, and you grinned at gojo as you started walking.
"i totally haven't heard that one before," you commented, saying your name as gojo laughed.
"gojo satoru, but you can call me any time," he said, winking at you as you shook your head with a smile. you missed the way gojo stuck his tongue out at geto.
"don't get your hopes up," you replied, earning an exaggerated pout from gojo. you looked to your side when geto fell into step next to you, giving him a friendly nod as the two of you followed after gojo and shoko. you snorted as you noticed shoko's bored look, the occasional hum coming from her lips as gojo talked her ear off.
"how was class?"
you hummed when you heard geto speak, turning to look at him as he repeated his question.
"your class," he said quietly, glancing at you before turning back to look at his friends. "how was it?"
"it went well," you responded, eyeing him for a few seconds before following his gaze. "a little confusing, but shoko is crazy smart."
"she wants to be a doctor, y'know," geto said softly, a proud smile tugging at his lips. you glanced at him briefly, your eyes softening at the look on his face. "she's the smartest one out of all of us."
"i'm sure she'll be the best doctor," you said honestly. "if she ever quits smoking."
geto laughed at your comment, nodding in agreement as you came to a stop. you joined shoko at a table, nodding absentmindedly as gojo announced that he and geto would go grab the food.
"so?" shoko asked as soon as they were out of sight.
"so what?" you questioned, giving her a confused look.
"now that you've met geto and gojo," shoko began, waving a hand in the direction they had disappeared. "are you a fan?"
"they're not the worst," you admitted, receiving an amused hum in return. "they're huge flirts, but they're okay once you get past that."
shoko nodded in satisfaction just at the two boys reappeared, sliding into the empty seats next to you. you listened closely as gojo rattled off the different kinds they had gotten. you perked up when you heard your favorite ingredient, and you shyly asked if you could have that one.
gojo gave you a funny look before turning to shoko, mumbling something to her as geto held his hand out, the onigiri in hand. you thanked him with a smile, the four of you eating silently as you basked in the sun.
the silence was broken when gojo's phone went off, and his eyes widened briefly before he scarfed down the rest of his food and stood up.
"well we have to get to class," he proclaimed, tugging geto out of his seat before walking away. he paused briefly, sending you one last smile before waving. "it was nice to meet you! we should do this again, but it should just be me and you next time."
you rolled your eyes at his words, briefly catching the hard look on geto's face as you waved them off and turned back to look at shoko. she had the same funny look on her face that gojo did earlier as she looked at the two boys, humming thoughtfully before turning to you.
"you know, that's geto's favorite filling too," she commented, motioning towards your discarded wrapper with a tilt of her head. your eyebrows raised slightly, missing the insinuation behind her words as she sighed. "he always gets the same filling and refuses to eat anything else. i didn't think he'd actually give it to you."
you remained quiet after her statement, picking up the trash before tossing it into the bin next to your table. "there's a first time for everything, i guess."
"who knows," shoko mused, giving you a playful look as she stood up. "maybe he likes you."
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iii.
shoko quickly became a constant in your life, and with her came gojo and geto.
"we're a package deal!" gojo had said when you made a comment about seeing them every single day. "you either get all of us, or none of us."
you couldn't find it in yourself to complain, especially not when the three of them turned out to be good friends. once you got used to the flirting, gojo was kind and funny, always knowing how to cheer you up. shoko was as blunt and honest as ever, and with her help, you were able to raise your grade in the classes the two of you shared.
geto was a different story. unlike gojo, he had never flirted with you after that night at the party, and you couldn't help but feel a little disappointed about it as you spent more time with him.
no one knew how, but you and geto quickly became study buddies. he was more serious than gojo, helping you stay focused, but less strict than shoko, who liked to use tough love to help you retain information. the two of you spent many afternoons at the library, sometimes joined by shoko or gojo, but mostly alone.
you quickly learned that geto was smart, almost frighteningly so, and he had a natural talent for teaching. his voice was soft and pleasant, his tone patient as you asked him to explain concepts you couldn't quite grasp. your study sessions usually ended in dinners together, grabbing whatever you could get from the university's food court.
he was also caring, always making sure to walk you home if your studying ran late. this often resulted in teasing looks from gojo, a pout on his face as he made kissy noises whenever the two of you would leave him behind. he always made sure you walked on the inner side of the sidewalk and he wouldn't leave you alone until he was sure your door was locked, and as the days dragged on, you found yourself becoming more and more attracted to geto suguru.
"you don't get it!" you complained, flopping onto your bed as shoko flipped through a magazine. "he's so— ugh."
"so ugh?" shoko repeated teasingly, watching as you tilted your head back to look at her.
"shoko!" you whined, throwing an arm over your eyes as you huffed. "i thought he was just a flirt. i didn't know he was this charming."
"this is hilarious," shoko commented, ignoring your glare. "remember when you turned him down?"
"he just wanted to hook up," you murmured, sighing softly before sitting up. "now that i've gotten to know him, i'm thinking i should've said yes when i had the chance."
"and who says you don't have a chance now?"
"he doesn't flirt with me!" you exclaim. when you see shoko raise her eyebrow, you elaborate. "he was flirting that night at the party because he was interested. he doesn't say anything that even remotely implies his interest in me anymore. the only one who flirts is gojo!"
"oh, geto definitely has an interest," shoko muttered, earning a curious glance from you. "look, he gives you his favorite foods, tutors you, and even walks you home. i've never seen him do that for anyone else. he wont even tutor satoru! and that's his best friend. if anything, you caught his interest when you turned him down."
shoko's eyes widened in panic when you pouted sadly, your expression falling as you took in her words.
"so he's only interested in me because i'm a challenge?" you asked quietly, earning a frustrated sigh from shoko.
"yes," she answered, getting a sad look from you. "but not in the way you think. he's never had anyone turn him down before you. and then he got to know you and he liked you. i don't think he wants to 'just hook up with you'. he wants to be with you."
"but what if—"
"trust me on this," shoko interrupted. you bit your lip hesitantly before nodding your head. "i think you should start the flirting. if he sees you're interested, then he'll reciprocate. i'm sure of it."
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iv.
you felt a vague sense of deja vu as you stepped into gojo and geto's shared house once again, loud music playing as you weaved your way through the crowd.
you were on high alert as you looked for shoko, yet you still jumped when you felt a heavy arm wrap around your shoulders.
"hey!" gojo shouted, leaning in close to make sure you heard him over the loud music. "when did you get here?"
"a minute ago," you responded flatly, the faint smell of alcohol filling your nostrils as gojo hugged you. he giggled softly and you rolled your eyes with a smile, knowing he was probably already tipsy.
"who are you looking for?" he asked, wiggling his eyebrows as he gave you a sultry look. "suguru?"
"no!" you denied, feeling your cheeks grow warm at the name. you averted your gaze, missing the way gojo's smile grew at your reaction. he guided you through the crowd and into the kitchen, coming to a stop when you saw shoko and geto leaning against the fridge.
"look who i found!" gojo proclaimed, pushing you in front of shoko and geto. shoko crowed your name with a smile, and you smiled back at her before glancing at geto. you froze slightly when you saw the way his eyes were trailing over your figure, taking in your outfit before his eyes settled on your face. there was a lazy smirk on his face as he nodded his head at you.
"hey," he greeted, his normal volume almost quiet in the loud room.
"hi," you replied, earning a groan from shoko. she walked forward, grasping gojo's arm before tugging him away.
"we're going outside," she announced, frowning when a noise of protest left gojo's lips. she flicked his forehead before glancing at you and geto, and a look of understanding fell across his face before he shut his mouth and followed after her without hesitation.
"you know," geto started, sighing as gojo disappears from sight. "something tells me they're not going outside."
"i feel compelled to agree," you grumbled, earning a chuckle from geto.
"i didn't think you were gonna come," he commented casually, turning to face you as you grabbed a bottle of water.
"oh you know," you said, shrugging half-heartedly as you took a sip. geto's eyes focused on your lips. "i go out occasionally."
"occasionally? why? got an overprotective boyfriend or something?" geto asked, his tone teasing as he repeats the same words he spoke when you first met. you grinned in response, putting your water bottle down on the counter as you crept closer to him.
"no, more like an overly comfy bed," you responded, your heart racing when he leaned down.
"i'm sure mine is comfier. i can show you, if you'd like."
"i would," you said, biting your lip when geto’s eyes widened. he paused briefly before slipping his hand into yours, pulling you out of the kitchen.
neither one of you noticed the way gojo and shoko exchanged a smug look as he led you upstairs.
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v.
all of those previous interactions with geto suguru culminated into the position you find yourself in now: in his bed.
a gasp leaves your lips as geto's hands trail underneath your shirt, pulling the fabric up and over your head with one hand as he fondles your breast with the other.
your hands tangle in his hair, pulling him closer as you give him a bruising kiss, feeling his hands slip behind your back to unhook your bra. a hiss leaves your lips as the cool air hits your nipples, and he immediately takes one into his mouth, warm tongue laving over your hardened nipple as you moan.
your hands tug at his shirt, and he separates himself from you briefly to take it off and toss it off to the side, his fingers immediately going down to his belt to undo it. your own hands tug at your pants, pulling your underwear along with it as you kick them off the bed.
geto freezes when he sees you sprawled on his bed, and he licks his lips before reaching our and grabbing your thighs, pulling you flush against his own before dipping a finger in between your folds.
"so wet and i haven't even touched you," he murmurs, enjoying the way you squirm at his touch. "all this for me?"
"yeah," you breathe, biting your lips when you notice geto's eyes darken. "all for you. i need you, geto."
"suguru," he corrects, fingers swirling around your clit as you gasp. "say it."
"need you, suguru," you whimper, watching him with rapt attention as he pumps himself a few times.
"are you sure?" he asks, watching the way you squeeze your eyes shut when the head of his cock brushes against your folds.
"i'm ready. i need you. i can take you."
geto breathes in sharply at your words, his eyes trained on your cunt as he pushes in slowly. you're perfect for him, your warm walls pulling him in as your face scrunches up with pleasure. a soft moan leaves your lips as he circles your clit, burying himself even further into you until his balls rest against your ass.
he remains still for a moment, getting used to feeling of you squeezing him until you start moving your hips against him.
"please move, suguru," you whine, your voice soft and needy in his ears.
"anything for you," he whispers, lowering himself down to kiss you as he intertwines a hand with yours. he swallows your moans as he pulls out, leaving only the tip in before thrusting into you at a harsher pace.
"feels good, suguru," you moan against his lips, your hand squeezing him as he picks up his pace.
"you feel so good, sweetheart," he whispers against your lips. "you're so tight. look at you, taking me so well."
you moan at his words, your cunt clenching around him as he praises you.
"been thinking about this since the night i met you," he confesses, burying his face into the crook of your neck. he lets go of your hand to grab your legs, placing them onto his shoulders as his thrusts get deeper. "i knew this pretty pussy would be perfect for me."
your hands grab at the bedsheets as he keeps a steady rhythms, and geto finds himself fascinated by the way your breasts bounce every time he thrusts into you. he watches as you arch after a particularly deep thrust, and he makes sure to repeat the motion, enjoying the way you mewl as he reaches the deepest parts inside of you.
"suguru!" you cry out, your legs trembling as his fingers tease your clit. "i-i'm close!"
"cum for me," he whispers, eyes focused on your face as you spasm around his cock. you moan softly as he keeps thrusting, helping you ride out your high before he pulls out. you're flipped onto your stomach before you can react, your legs trembling as you try to keep yourself up on all fours.
"do you think you can do that again for me, sweetheart," geto whispers into your ear, his lips trailing down the side of your neck as you nod. "lie down for me, yeah?"
you're squirming as you obey, your face down on the sheets as geto looms over you. his usual half-bun is messy and loose from your earlier tugging, and you can feel the long strands of silky hair tickling your shoulders. his hand feels heavy as it rests on the back of your neck, keeping you in place as the tip of his dick brushes against your clit. a breathy moan leaves your lips, and he smirks as he watches you, stilling momentarily before you feel the head of his cock prod at your folds once again.
you wiggle your hips in an effort to get him to move, whining softly as you try to turn back and look at him. he chuckles lowly, fingers brushing your hair away from your shoulder before he leans down to press a teasing kiss against it. he complies anyways, groaning as he sinks into you and enjoying the way your cunt seems to suck him in.
he wonders if you know that he could never possibly deny you anything.
"harder, suguru," you beg, clenching around him as he grinds into you. "please."
it isn't long until he gives in, rutting into you like it's the only thing he's good for, his balls slapping against your clit with each stroke and sending you into a state of frenzied euphoria. you can feel his hand pushing you down, your back arching obscenely as his other hand creeps between your thighs, skilled fingers expertly nudging at your clit.
"suguru, pleasepleaseplease," you gasp, wiggling your hips to try and get him to go faster. "more, please, i—"
geto knows. he knows exactly what your trying to tell him as he speeds up, the wet sounds of your cunt only spurring him on. there's a creamy ring at the base of his cock, and geto grabs at the fat of your ass in an attempt to stop himself from cumming right then and there.
"suguru!" you squeal, trembling underneath him. "i'm cumming!"
geto grins when you gush all over him, clear liquid spattering all over his abs and thighs, coating his dick and making it easier for him to slip in and out of you. he stills for a brief moment, a low grunt leaving him as he empties himself into you. you whimper softly when he pulls out, and he grabs your chin to tilt your face toward him, pressing a bruising kiss to your lips before leaning back.
"look at you, you did so good for me, gushing all prettily around my cock," he murmurs. he watches as you clench around nothing, his cum dripping down to your clit when you hear his words. he reaches forward to gather it all up, purposely teasing your clit to hear you moan once again.
he makes no complaint when you roll over and grab his hand, licking his fingers clean before wrapping your arms around his neck and pulling him down onto you. the two of you exchange lazy kisses before he rolls over, pulling you onto his chest before giving you a soft look.
"i like you," he says quietly, squeezing your waist as he gives you another kiss. "you know that, right?"
"mhm," you mumble tiredly. "i kinda guessed."
you press another kiss to his lips before resting your head on his chest. "i like you too."
"good," he chuckles, burying his face into your hair. "we should probably get cleaned up."
"yeah," you agree, making no move to get up. the two of you lay in silence for a few minutes, almost drifting off to sleep before you hear a loud knock on the door.
"hey!" gojo's voice is loud through the door. "congrats on the sex!"
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ty for reading <3 !!
4K notes · View notes
irisposts · 29 days ago
Text
Bloodlines
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summary | daemond needs to marry and you're at the top of his list.
pairing | daemond targaryen x (f)cousin!reader
wordcount | 1k
warnings | 18+, MINORS DNI!, very light smut
edited.
You never expected your cousin to be here with you on your island of Valyria, much less dining at your table and feasting on your food. You watch as he takes another forkful, his plate nearly empty. He wipes his mouth with a cloth.
You barely touch your meal. The room feels small and intimate despite its grandeur. Heavy stone walls adorned with ancient Valyrian tapestries tell tales of dragons and conquest. While a large chandelier made of dragon bone casts a warm, golden glow across the table. The open doors allow a gentle breeze to drift in from the beach, the sound of waves crashing against the shore tightening the knot in your stomach.
You glance back at Daemon. He hasn’t changed much, though his silver-white hair is now cut short. The last time you saw him, it had fallen past his shoulders, but you find yourself liking this look more. It frames his sharp features, and the dangerous glint in his eyes.
Daemon is dressed in deep, shadowy leathers, perfectly tailored to his lean form. You watch the silver clasps and embroidered dragons shimmer subtly in the low light.
Your own attire feels too revealing under his gaze. The soft, flowing fabric of your gown clings to you, draping in ways that accentuate every curve. Deep hues of blue and green—house colors—wrap around you like a second skin. The slight chill of the evening makes your exposed shoulders prickle beneath his watchful eyes.
“Is there something on your mind?” Daemon’s voice cuts through the air. Casual as he leans back in his chair, swirling his wine. “Cousin?”
You push your plate outward. Your attendant immediately steps forward to clear it.
“Leave us,” you command, your voice steady. The servant quickly departs, leaving only the two of you.
You tilt your head, studying him for a moment, memories swirling. “It’s been quite some time since I last saw you.”
“Three, four years,” he replies with a lazy shrug, “give or take.”
You look away, a warmth growing across your cheeks. “Hm.” You lean back slightly, your fingers brushing against the smooth wood of the table. “You haven’t changed at all.”
Daemon’s eyes sharpen, trailing over you in a way that makes the air you breathe feel heavier. “You have.”
A heavy silence settles in. The moment stretching out as his gaze lingers over you. 
“All grown up now,” he muses, his voice low, almost teasing. He takes another sip of his wine, his eyes never leaving yours.
You chew your lip for a moment, holding back your retort. “You didn’t come here just to visit after four years. A Valyrian steel dagger, no less. A fine gift, even for you.”
Daemon chuckles, the sound rich. “Can’t a man visit his family without suspicion?”
“You?” You raise an eyebrow, the corners of your lips pulling into a wry smile. “Never.”
His amusement deepens as he stands, his movements fluid, every step deliberate. He paces slowly around the table, fingers gliding across its surface. As he walks, his gaze briefly flicks upward to the ceiling. There lingering, is a painting of Valaryian lovers entwined beneath dragon wings.
“You always did see through the masks people wear. I admired that about you.”
He stops in front of you, his hand lifting as if to touch your chin, but you tilt your head away.
Your voice is steady as you speak. “What do you want, Daemon?”
He lowers his hand, though the smile doesn’t fade. “I must marry.”
A small grin tugs at your lips. “I’ve heard the rumors about you and Rhaenyra. If they’re true, why not her?”
Daemon’s smirk widens, amusement flickering in his eyes as he looks back at the ceiling. “Rumors,” he says softly, “are often more fun than the truth.”
His eyes lock onto yours, sharper now. “But you and I both know what strengthens Valyria.”
“Keeping the bloodline pure?” you offer, your voice firm but tinged with curiosity.
His silence answers you.
“Hm.” The sound escapes your lips as you push your chair back and rise. Standing so close, you feel the heat radiating from him, his breath fanning your face. 
Your hand presses against his chest, feeling the steady rhythm of his heart beneath his armor-like clothing. His hand finds your waist, gripping you with a possessive firmness. “What if I have eyes for another?” you ask, your voice barely a whisper-- the challenge clear.
Daemon’s dark chuckle sends shivers down your spine as he leans in close, his breath brushing against your ear. “Vezof rȳbagon skoros iā rūmu zirȳ rōvon,” he whispers in Valyrian, his voice like silk and steel combined.
Don’t forget what I did to you four years ago.
He pulls back just enough to meet your gaze, his lips almost touching yours, his eyes burning with the same fire you’ve tried to suppress for years.
Your heart pounds as you feel the weight of his words. You remember how he deflowered you—rocking into you like a piston, kissing your lips, biting at your skin—setting your body on fire. The memory fades.
You meet his gaze head-on, your lips parting as you murmur in Valyrian, “Nyke gīmigon lo ao gīmigon…”
I could never forget.
His eyes darken, the grip on your waist tightening. Daemon’s other hand finds the curve of your neck, his touch slow and deliberate, gliding down to the material of your sleeve. With a smooth motion, he slides it off your shoulder, your bare skin to the cool air.
Your eyes flicker from his lips back to his intense gaze, the air between you electric. You feel the steady rhythm between your thighs quicken as his fingers slide down from your chest. Daemon hitches up the material of your gown. His fingers make their way between your thighs. The pads of his fingertips brush against you and you fall forward onto his shoulder. 
You breathe harshly. His fingers are cool and should be foreign. But the way they sink into you, you know it’s all too familiar. You let out a moan as he stills.
The hand on your waist moves up to your shoulder and then to your chin. He holds you, bringing your face to look at him.
“Nyke jaelā ao.” 
I want you.
You let out a soft moan as his fingers spread inside you.  “Ērīninna nyke.” 
Then take me.
Without hesitation, he closes the distance. His lips capture yours in a kiss that ignites every spark between you, consuming you both in a fire that’s been smoldering for far too long.
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binniesoob · 2 years ago
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this wasn't supposed to make me cry.
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drewmeows · 2 months ago
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i am once again thinking about cowboy/lumberjack/farmer/general blue collar worker logan and the sweet young thing that is his boss' daughter...
cw: explicit smut MDNI, unprotected piv, creampie, implied virginity loss, implied age gap, afab reader wears a dress, logan refers to her as 'princess' 'sweetheart', wrote this on my phone and did not edit it amen, if i missed any tags please lmk!
wc: 693 words
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"This is so- fuck- so wrong, sweetheart..." His guttural grunt made your eyes flutter shut and a shudder run down your spine and straight to your pussy, "Ruinin' ya like this, what would your daddy think, huh?"
You couldn't reply even if you wanted to, to try to convince Logan this only felt right, and who gives a shit what anyone else thinks. Instead your mind was a puddle at your feet. Or it would be, but he had you hiked onto the wall of the barn, your legs wrapped around his waist.
Your sundress was pushed up and over your tits so his hands could roughly grope them when he had the chance.
You simply rested your sweaty forehead on his shoulder, clutching his arms tightly as he rutted up into you. "Lo- Logan!" A squeal wrought from your chest as he shifted slightly, pulling you down further on his cock as one of his hands abandoned your tit to rub tight circles on your swollen clit.
Just as you went to beg for more he hit the gummy spot inside you that had your vision spanned with black dots. Logan grinned at you, feeling how awfully close to the edge he'd brought you.
"Better princess? Tha' the spot that's gonna make my sweet girl come?" You could only marvel at how not out of breath he sounded, almost unaffected by your damn near literal roll in the hay that unless you didn't have his cock throbbing inside of you and feel how taut his muscles were, you'd think this was just another day for him.
You nodded and pulled your head back, a whine caught in your throat at the debauched look of his hair tousled and flannel pushed down his shoulders. You dipped in for a kiss and Logan pulled back, a mischievous look on his face, "What's that, sweetheart? Gotta use your- ngh- words."
"Fuck! Want a kiss, please, please-" You continue to beg, wanton moans and cries slipping from your lips before he finally captures your mouth with his.
It's wet and barely louder than the slick sounds of your cunt as he fucks up into you at that same breakneck speed. Before Logan even goes to break the kiss, your high hits.
A keening noise rises high in your throat, met by Logan's grunt as you gush around him. He reared back, desperate to see your orgasm contort your face with pleasure.
All through it, he continues to rut into you, keeping that oh so steady pace that had you whimpering with overstimulation. Your nails dug deep enough into his biceps to draw blood, the feeling causing his eyes to roll slightly.
"Keep doin' that n squeezing me like that, and I'm gonna cum, princess," He spoke it as if it was a threat but all you heard was salvation. You nodded and looked him right in the eyes.
With a hand moving up to grip the back of his head of hair, "Wan' you to fill me up, please, Lo? Please- I need it-" A soft gasp escaping your lips once more as tears filled your eyes, pain and pleasure mixing in all the overwhelming new feelings.
It seemed that was all the permission he needed, a hoarse groan your only warning before he buried himself deep and came inside your cunt, warming you from the inside out as heat burns your cheeks.
Logan pants against your shoulder, small and inconsequential murmurs of praise falling from his mouth as you struggle to gain the ability to breathe much less speak again.
Hours later when you've come back around to your senses while picking a splinter of wood from the barn out of your back, you'll look back on this moment and wonder why it took you so damn long to finally make a move on your father's worker.
Because as you slip down from his waist and let your dress fall down to your knees- which are weak as jelly, wavering underneath you- and Logan's arm slides around your waist with a reserved smile, propping you up against him, you swear you can feel yourself falling anyways.
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