#each layer is adjusted to that one gif specifically

[laesas]

Gif Colouring Process | Ramking Set

There are various steps needed to adjust the colours of a gif. Good colouring can match tones of different shots, make colours look more true to life or cohesive, adjust so lighting is kinder to skintones and make scenes generally prettier to look at.

Because gifs allow for fewer colours than videos, it also involves prioritising which colours are needed in a scene and adjusting accordingly.

It can also be used for effects: subtle ones (like in like in gif 4: fading colours to highlight the focal characters in a photograph), or much more dramatic or stylised effects.

This is a tiny tiny glimpse of what gifmakers do when we refer to "colouring". 🖤

[anantaru]

ayato + a soul sucking blowjob

synopsis. ayato was tired, fatigued and frustrated. arriving home from work shortly after to get finally spoiled by you <3

cw. oral (male! receiving), flustered ayato, fem! reader

you can easily discern certain noises in your place, or specific emotions you feel when you hear them. serving as an illustration— look at when the quick chime of the door being unlocked sparks over your eardrums. what's more, you remember that it's like an unwinding lullaby to you, when ayato lastly arrives home after a long day at work.

the high-priced material of his shoes made a rhythmic click as he walked, which then echoed through the living room when the yashiro commissioner crossed the dinner table to walk towards the couch— nothing else in his mind other than the cloying anticipation to feel you in his arms.

each footfall was unevenly separated from the last and clearly indicating fatigue, no rhythm in them at all. you note that your boyfriend must be utterly tired from his long day, quite spent as he ultimately reaches over to greet you before adjusting his pants to sit down.

"how was your day?" you kindly ask, your smile rumbling with a welcoming affection as you place one hand on top of his muscular thigh, "everything ran smoothly... not to worry," the man assures you after a moment of hesitation.

if there was something entirely true about kamisato ayato— it's that his honesty towards his beloved would only include the details he deemed for you to be okay to know. you were aware of that and really didn't mind, although sometimes you wished you could smooth over the secrets he's forced to carry with himself and make it a little easier.

chewing briefly on his lower lip, ayato searches for your trace, his hands slowly slipping between your legs to rub over the inside of your thigh as he gently exhales through his parted mouth, the clouded sight on his face accentuating his immense attractiveness.

"you look tired, baby," you note, squeezing his thigh, a sensual chime melting on the tip of your tongue when you move as slowly as the petals of a flower opening, silently kissing his cheek before pointing towards the obvious tent in his trousers.

"or… do you want me to take care of this?"

"you— you mustn't trouble yourself with it, i—," ayato ponders out loud, glancing awkwardly to everywhere but your face.

he didn't even realize that he's gotten a little too excited to see you tonight. this hasn't happened in ages and only served as an additional indicator that there was more to the frustration inside of him than he originally let on.

swiftly, and with a touch of silk, you unravel every sharp edge of his strong bravado— and the tension rises beneath the layers of garments he wore, a slight hue of embarrassment catching onto his pale skin.

"i'm just so happy to finally see you, 'cannot control it, i apologize."

his pure admittance coupled with his flustered expressions burns into your heart like liquid gold as he laps over his lips softly when you smile back at him, ready to worship him as if you're born to savor this hallowed moment.

"don't apologize," you remind him, and in the split second that your hand feels over his bulge, every nerve in his body and brain was electrified— as the motion of your palm spoke of a movement coupled perfectly to itself, confident, focused and reverent, "i missed you too."

unhurriedly, you get yourself off the couch before settling in between his thighs, your hands coaxing out a shaky groan from him as you slid them over his legs before hooking your fingers into the waistband of his pants, freeing him shortly after. at the feeling of his bulging erection being met with the cold air of the room, ayato whimpers, yet what actually made him lose his mind was when you took him in your hand, his glossed pre glazing over your knuckles and sending him into a heady trance. 

he feels how his balls were tightening when you slant your lips forward to spit on his cock, his body starting to ready itself for your warm, wet mouth before you're slowly dragging your tongue over the slit, the feeling of ecstasy coming through him in a controlled wave of pleasure.

in this moment, ayato feels like all the relief in his life settled in his stomach and his worries died down, all the times he had dreamt of you the entire day when he was supposed to be actually focusing on work— not the memories of last night where he had you draped over the mattress, stuffed entirely with his cum. the memories of the night still left him in a tremble, and how utterly beautiful you looked claimed in such lewd manner.

your hand wraps around the base tight enough to heighten the feeling of pressure and bliss on him, a choked rumble coming from above you as ayato covers his face with one arm while the other settles on your head. your hand firmly palms around the base of his erection as you began to gave his tip a tentative lick, never focusing less on how he was reacting to you.

the more inches you decided to swallow, the more you cam into contact with a rich, masculine musk permeating on your tongue at the first taste of him— ugh, ayato tasted so good, and he always took such good care of himself that you cannot help yourself but rub your thighs together, hoping it's enough to pleasure yourself on your own.

to make him further lose his mind, you know what you had to do and proceeded to sweep your tongue across the head several more times until his eyes would turn bloodshot from the little droplets of tears hovering on his pretty lashes.

oh well, he must be so tired, fatigued and frustrated. at the same time, suffusing into the loss of his mind and the hotness of your lips softly pressing into his shaft.

he cannot wait until you take him in your mouth.

which then, naturally you did, yet slow, encouraged by the addictive taste of him filling your senses as you take more of his length into your mouth. you bob your head up and down, the heavy tip of his erection nudging in the back of your throat as you let him guide you up and down with his hand, working the first couple inches of his dripping dick against your tongue until you hit your limit.

for what you couldn't gather inside your wetness, you let your hand make up for the rest, finding a comforting pace as ayato grew so absorbed in watching you please him, it's almost as tasteful as feeling it in the first place.

just how obediently you let him feel around your mouth as his fingers slide through your hair— he hopes he manages to turn you soaked by the end of it, so he mustn't prepare you any further and can sink himself inside of you much quicker.

you lift your eyes to meet his delirious half-gaze before you hollow your cheeks, pulling back with a soft popping sound and a faint rush of adrenaline.

"you enjoying yourself?" you coo devilishly, then cock an eyebrow that destroyed all its softness within your triumphant gaze, "very much so," he smirks back.

boldly, he hides between the beautiful implications of a clouded expression hovering all over his facial features, when in reality, ayato has already planned out the entire night for you two.

©2024 anantaru do not repost, copy, translate, modify, claim as your own

[djarin]

hi i'm sorry to bother you but do you have any tips on giffing dark indoor scenes? yours always look so good!

hi there! not a bother at all :) i can definitely try to explain the steps i usually take under the cut!

this tutorial will assume that you already know the basic steps of gif-making — if you don't, there are lots of great tutorials floating around on this site that can help you out! :)

here's the gif i'll work with to explain my steps, the bottom being the original and the top being the coloured/brightened version.

before we start, a general tip i recommend keeping in mind: if you want to brighten a dark scene, you'll want to get your hands on the highest quality download you can find. 1080p is decent, but if your laptop can handle 2160p 4k hdr files* without sounding like it's about to explode, that'll get you even better results!

(*colouring hdr 4k files requires a different set of steps — the scene will appear washed-out on photoshop, so you need to make sure that you don't end up whitewashing anyone if you do choose to work with this type of file.)

since most of my downloads are 1080p, i'll use this type of file in this tutorial.

the first step of my gifmaking process with 1080p files is almost always the same no matter what scene i'm giffing. i make a brightness/contrast layer and set the blending mode to screen:

now my gif looks like this:

depending on the scene and how washed out it looks after this layer, i'll play around with the opacity. for this gif, i didn't touch the opacity at all. use your best judgement for this, because every scene is different!

i find that dark indoor scenes are usually tinted in yellow or green. one of my first goals is to try to fix the undertone of this scene before focusing on brightening it any further. i go to colour balance for this, and play around with the midtones, shadows, and highlights.

again, every scene is different, so the amount to which you use colour balance will differ, but for this specific scene, my goal was to neutralize the yellow. i focused particularly on the midtones and shadows of the colour balance layer, moving the scales to the opposite of the reds.

doing so will help with neutralizing the yellow. the only reason i moved the scales towards magenta and blue (therefore making it a bit more red than less) rather than green and yellow in shadows was because i wanted a darker contrast in the blacks. moving them to green and yellow made the overall scene more yellow since there were so many dark spots that shadows affected. (you'll see what i mean when you start experimenting with your own gif — this part of the process really just depends on your preferences!)

our gif might not look that much better yet, but it will soon! our best friend channel mixer is gonna help us out. for an in-depth post about how to use this adjustment layer, i recommend checking out this tutorial.

i'm someone who prefers to make more than one layer for the same adjustment layer for a reason i can't even explain (i just find that it helps me stay more organized). so don't think of this process like i can only use this layer once so i MUST fix it NOW. you can create multiple layers of the same adjustment layer, because every layer on top will affect the ones underneath it.

since my priority is getting rid of the yellow tint, i went to the Blue section of the channel mixer and increased it in all of the scales:

this step alone has helped us out so much, because look at our gif now!

not only does the background look less yellow, but so does izzy's skintone.

now i'm going to focus on trying to brighten the scene even more without destroying the quality. the levels layer can actually help out a lot with this.

the amount to which i move each toggle differs per scene, and i think experimenting depending on your gif works best for this layer.

side note: i prefer not to use the ink droppers on the side because the contrast in the result usually ends up feeling too strong for my preferences, but if you find that this works better for you, then go for it! basically, the first dropper with the black ink should be clicked before you select the darkest part of the scene that you can find, and vice versa for the third dropper with the white ink — click it, and then select the brightest part of your scene.

curves is the next layer that does fantastic work! unlike the levels layer, i do actually use the ink droppers for this. it's the same concept, with the first dropper being used on the darkest part of the scene, and the third dropper on the brightest.

try to think of curves as something that not only further brightens your scene, but also helps with the colour neutralizing process.

i grab the first dropper, then click the darkest parts of the gif that i can see. depending on the undertone of the blacks that you're clicking on, the tint of your gif might actually change significantly. this is why i prefer to click once, then undo the action if i don't like what it gives me. izzy's leather jacket was the sweet spot for this gif.

when i'm satisfied, i make another curves layer and use the third dropper to click the bright/white parts of the scene. for this gif in particular, the lights in the background were a good fit because they carried a yellow undertone — this meant that my curves layer actually helped to further neutralize the yellows in the scene as a whole!

(i manually dragged the curves graph upwards for the third dropper to make it brighter. i don't need to do this if the dropper does this for me automatically, but since the lights were pretty bright, it only changed the tone of the scene and didn't increase the brightness — hence the manual step.)

pat yourself on the back, because this is what our gif looks like now!

this is good, but it's not great — there's still just a bit too much yellow in the scene for my liking (sorry, i'm picky! :P)

i created another channel mixer layer and played with the toggles until i was satisfied:

ta-da! the gif as a whole is much less red/yellow now:

this is when i start fixing the colouring now — namely, his skin tone. selective colour will be your best friend here. i wanted to make his face just a tad brighter and less of a yellow-ish magenta shade, so i focused on the reds and yellows.

then, out of habit, i created another selective colour layer and took out more of the "yellow" in the whites to make them whiter, and increased the black (just by +1, since the contrast is pretty good enough already).

note: i switched to "absolute" for these two colours. basically, relative = less vibrant colour manipulation, and absolute = more vibrant/stronger colour manipulation. i prefer to stick to "relative" for fixing skin-tone since "absolute" can be a bit too strong for that.

our gif looks like this now!

his face looks brighter and much less yellow, so i'm satisfied!

this next step is not mandatory at all — again, i'm just picky and despise yellow-tinted scenes. i personally believe that indoor scenes that are yellow/green tinted make them look more dark than they actually are, so i do my best to get rid of these colours.

i also don't always do this, but for this gif, i just simply went to hue/saturation, selected the yellows from the drop-down menu and decreased its saturation.

be careful not to do this too much. depending on the quality of your download, this can significantly decrease your gif quality. i tend to worry less about this when i'm working with 2160p files, but again, those files require an entirely different set of steps when it comes to brightening/colouring.

since this was a 1080p file download (and one that was actually less than 1GB, oops, don't do that), i played it safe and decreased it by -39 only.

note: you also want to be cautious of colour-washing skintone when it comes to this step. i find that another selective colour layer can help perfect the skintone in case the yellow drains out of it too much, but skip the hue/saturation step if it's too difficult to work with — better to be safe than sorry.

anyway, this is the final gif!

that's usually what i do when it comes to colouring dark indoor scenes! i hope this tutorial makes sense, and if you have any further questions, don't hesitate to reach out! :)

[usergif]

HOW TO: Cross-Fade Multiple Gifs

Hi! In this tutorial, I'm going to go over how I typically do a fade transition that works with Video Timeline. Disclaimer: This tutorial assumes you have a basic understanding of gif-making in Photoshop and requires the use of keyframes.

Before I start, if you're wondering "why don't you just use the cross fade tool on the Timeline?" — this thing:

It doesn't work for me 🤷🏻‍♀️ Something happens when converting from Video Timeline back to Frame Animation (the converting everything into a smart object step) that completely negates the cross fade whenever I use it. I'm not sure why, but this is why I do fade transitions the way I'm about to explain.

PHASE 1: THE GIFS

1.1 – Determine how many frames you need. There are 3 things to remember here: 1) Ideally, each gif section should have the same amount of frames, so the transitions feel evenly spaced. 2) The gif's dimensions and total number of frames affect file size. Your final exported gif needs to be under 10MB (Tumblr's limit), so you should consider the total number of frames in relation to the size of your gif. My example gif is 540x540px and 60 frames total; final file size = 7.8MB. 3) Add 4 extra frames to each section to account for the cross-faded portion. (The reason I chose 4 specifically is because Video Timeline works in 0.03-second intervals. The typical duration of my fade transitions is 0.06 seconds — which, when converted back to frames, is 4 frames.) I knew 60 total frames would be a safe bet for a gif this size. Since I had 3 gif sections, each would be 20 frames. I added 4 additional frames, making each one 24 frames (before removing duplicates in the exporting process, which will be explained in Phase 3). You can make your transitions longer than 0.06, but I recommend keeping it to intervals of 0.03 due to the way Timeline works. Every 0.03 seconds = 2 frames, so use this when deciding how many extra frames you'll need.

1.2 – Import frames, crop, and resize. Do this as you normally would! If you need a tutorial for the basics, here's my tutorial. :)

1.3 – Move all gifs onto one document/canvas. Right-click the gif layer and select "Duplicate Layer:"

Then choose the appropriate document from the dropdown list:

Do this for each gif section so you can work on one document for the rest of the process.

1.4 – Put each gif into its own group. Select each layer and use the shortcut Command+G or right-click and select "Group from Layers." In Phase 2, we'll be putting the opacity keyframes on the groups instead of the individual layers.

1.5 – Arrange each gif's group on the Timeline. At the end of Gif 1, move backwards 6 times. Move the starting point of Gif 2 to this spot. At the end of Gif 2, move back 6 times and make this Gif 3's starting point. Here's how my gifs look arranged on the Timeline, animated so you can see the 6-space distance:

We'll be adding keyframes to these overlapping sections in Phase 2.

1.6 – Set up the last transition. At the very beginning of the Timeline, hit the forward button 6 times and click the scissors to divide the clip. Move the starting point of your gif to the newly trimmed beginning as shown below:

Then, move the original beginning chunk of Gif 1 — that tiny 0.06-second clip — to the end of the timeline above the rest of your layers, aligning its end with the end of Gif 3. Put it in a group like you did in Step 1.4:

Note: This screenshot shows my final workspace with the coloring layers in groups and the keyframes already placed.

1.7 – Color your gifs. Do this however you want, just keep all your adjustment layers and any other effects within their respective groups:

Duplicate the adjustment layers from Gif 1 and move them into the folder Gif 1 - Beginning (where your tiny 0.06-second clip is). Be sure the adjustment layers line up with the rest of the group so those adjustments don't affect your other gifs! You may want to trim the adjustment layers to match the duration of the clip or just move them so they start at the same spot as that clip.

PHASE 2: THE KEYFRAMES

2.1 – Place a 100% and 0% keyframe at the beginning of each gif's group. Drag the playhead (red vertical line) to the end of Gif 1. Expand the Gif 2 group to reveal the opacity keyframes on the left side of the Timeline panel, then place a keyframe by clicking the icon that looks like a stopwatch. This opacity keyframe is at 100% by default; leave it like that. Drag the playhead to the beginning of Gif 2 and drop another keyframe. While that new keyframe is highlighted yellow, go to the layers panel, make sure Gif 2's group is selected, and reduce the opacity to 0%.

Repeat these steps for each gif's beginning, including the tiny chunk we moved to the end! Here's a gif to show the process:

(Btw, if you click this gif, it should expand to full size so you can get a better look! I made it 1080px.)

PHASE 3: THE DUPLICATES

3.1 – Convert back to Frame Animation. If you're not sure how to do this, I've written out the steps here. But I recommend using an action in your general gif-making process to make this step a lot faster. The one I use is linked in my tutorial which I linked earlier!

3.2 – Delete duplicate frames. Remember, at the beginning I set out to make my final gif 60 frames total. With the keyframe animations, I now have 66 frames:

Palpatine's number 👎 Anyway, that means I have 6 duplicate frames. This is what the gif looks like without removing these duplicates:

Watch closely during the transitions; there's a tiny lag. It doesn't look smooth to me. It's the clones!! Here's why we have these duplicates:

For every 0.03-second long keyframe animation, you'll get 1 duplicate frame. Unfortunately, that's just how Video Timeline works with any kind of animated keyframe. Since our fade transition is 0.06 seconds, we have to get rid of 2 duplicate frames per transition section (2 x 3 transitions sections = 6 total duplicates. Ew, math!).

There's not really a way to avoid this step that I know of, but it's not a big deal in the long run. You just have to look at each transition section, eyeball the duplicate frames yourself, and delete them. It's usually the first frame where the fade starts and then two frames after that. I already deleted the duplicates from the first two transition sections, so here's how it's done for the last transition:

Side note: I set up keyboard shortcuts so I can quickly move forward and backward by one frame and delete frames. You can do this by going to Edit > Keyboard Shortcuts and editing these:

And now I have 60 frames like I originally said I would!

If you want the transition sections to be quicker, you can even decrease the frame delay for the 3 transition frames only — 0.03 or 0.04 might be up to your speed 🥁 but I don't usually do this since I'm fine with the way it looks already.

3.3 – Export. That's it!

I hope this tutorial is helpful. As always, if you have a specific question about this tutorial, feel free to send us an ask!

[spencerreidswhore187]

Night Shift

Spencer Reid x Reader

Summary: In the pursuit of an audacious art thief, Spencer Reid and you engage in a thrilling cat-and-mouse game.

Word Count: 1.2k

In the dimly lit room of the FBI's Behavioural Analysis Unit, Special Agent Spencer Reid meticulously studied the pattern of a notorious art thief. Known for their audacious heists, the thief had been stealing famous religious paintings, leaving behind little evidence but a trail of intrigue and frustration. As Spencer delved into the case, he couldn't shake the feeling that there was more to this thief than met the eye.

It was another morning at the BAU, and the team gathered around the large round table, ready to discuss their latest case. Spencer adjusted his glasses, flipping through the files and crime scene photos, attempting to find a connection that eluded even the most seasoned investigators.

"Alright, team," Hotch began, his voice steady and authoritative. "We've got a new case. The thief has struck again, stealing 'The Madonna with Child' from the St. Augustine Museum. Reid, what have you found so far?"

Spencer looked up from his notes, his mind racing with information. "The thief seems to be specifically targeting religious paintings. There's a pattern in the choice of artwork, and I'm working on identifying any potential religious or symbolic significance."

As the team continued to brainstorm and strategise, a mysterious figure lurked in the shadows, watching them from a distance. You, the infamous art thief, observed the investigation unfold with a mix of amusement and fascination. The challenge of outsmarting the brilliant minds of the FBI excited you, and you relished in the chase.

Over the course of the investigation, Spencer's intellect and determination began to catch your attention. You found yourself drawn to the enigmatic agent, intrigued by the way his mind worked. As the thefts continued, the cat-and-mouse game between you and Spencer intensified, each move more calculated than the last. Each heist brought the two of you closer, like chess players engaged in an intricate dance, each move calculated and deliberate. Spencer found himself captivated by the mystery that surrounded you, your motives, and the brilliant mind that orchestrated these audacious thefts.

One day, after another successful heist, you received a mysterious message. An encrypted note left at the scene of the crime, challenging you to a meeting. Intrigued, you decided to take the bait.

The moon cast a soft glow over the secluded park where the meeting was set to take place. Spencer stood in the shadows, his eyes scanning the area. Suddenly, you emerged from the darkness, your face obscured by a hood.

"Special Agent Reid," you greeted, your voice low. "Impressive. You managed to find me."

Spencer's gaze was unwavering as he replied, "I'm not here to arrest you. I want to understand why you're doing this. There has to be a reason behind the choice of these paintings."

You chuckled, the sound echoing in the quiet night. "Curiosity killed the cat, Agent Reid."

But Spencer wasn't deterred. He continued to engage you in conversation, unravelling the layers of your motives and the intricate web of your past. As the night wore on, an unexpected connection formed between you and Spencer, a bond that transcended the roles of detective and thief.

The echo of footsteps resonated through the quiet museum as you emerged from the shadows, your face still concealed by the hood of your cloak. Spencer's gaze met yours, and for a moment, time seemed to stand still.

"You're quite persistent, Reid," you remarked, your voice laced with a mixture of amusement and intrigue.

"I need to understand why," Spencer replied, his tone earnest. "There has to be more to this than just stealing paintings."

A spark of curiosity flickered in your eyes as you engaged in a battle of words, each probing the other's vulnerabilities. The conversation danced between danger and desire, the line between captor and captive becoming increasingly blurred.

The stolen artworks were not just random targets; they held a deeper meaning, a connection to your past that even you hadn't fully unravelled. Spencer, with his keen intellect, became the key to unlocking the mysteries that shrouded your motives.

The heists continued, each one revealing a layer of complexity in the relationship between the art thief and the profiler. Spencer found himself torn between duty and an inexplicable attraction that defied logic. You, in turn, struggled with the emotions that surfaced as you got to know the man behind the badge.

In the quiet moments between heists and investigations, there were stolen glances and fleeting touches. The air was charged with unspoken words, the tension simmering beneath the surface. A slow burn, like a fuse inching its way toward an inevitable explosion.

One night, after the recovery of yet another stolen masterpiece, Spencer found himself standing in front of you, the weight of the investigation heavy on his shoulders. "Why did you choose me?" he asked, his eyes searching for answers in the depths of yours.

You hesitated, the vulnerability in your gaze betraying the walls you had built. "Because you see beyond the surface. You see the person, not just the criminal.”

The admission hung in the air, a silent acknowledgement of the connection that had formed between you. As the investigation intensified, the line between right and wrong blurred further. Spencer found himself grappling with the realisation that the art thief he was chasing was not just a criminal but a complex individual with layers of pain and redemption.

In the midst of a high-stakes operation to recover a stolen painting, the unexpected happened. A moment of danger, a shared adrenaline-fuelled escape, and the realisation that the lines between love and justice had become indistinguishable. The slow burn ignited into a fiery passion that neither of you could deny.

The aftermath of the operation left you standing in the dimly lit room, surrounded by recovered artworks. Spencer approached you, his gaze intense yet tender. "I can't just let you go, but maybe there's another way. Join us, and work with the FBI. Help make amends for what you've done."

And so, the notorious art thief became an unexpected ally, a consultant to the BAU. The slow burn of your connection continued, navigating the complexities of love and redemption. Spencer and you found solace in each other's arms, the weight of the past gradually lifting as you embraced a future that defied expectations.

The dance between the art thief and the profiler had evolved into a love story, a journey that transcended the boundaries of law and order. As the days turned into months, the BAU faced new challenges, but with the strength of an unexpected bond, they confronted each obstacle together.

In the quiet moments, between stolen glances and whispered confessions, Spencer and you discovered that love, like art, was a masterpiece that took time to unfold, layer by layer, brushstroke by brushstroke, in the canvas of their intertwined lives.

A/N: Thank you for reading ◡̈

[dailyhatsune]

hi! not exactly a request but i do wanna ask, whats your process when you're rendering more paint like art? (if that makes sense, English isnt my first language so apologies hdskhsjdbd) i really love how you use the colors and im curious how you do it :0

i’ve been meaning to answer this one for a while so here’s how i painted miku in today’s post (put under the read more because yeah prepare for a long post

i’d also like to preface this by saying that i never follow a set way of doing things, so in terms of what my personal process is like, these are only broad strokes of what i do! sometimes i’ll combine or skip parts entirely, depending on how i feel. also, this is not a tutorial, just how i do things, so please don’t treat it like one :’D this will read like the ‘how to draw an owl’ picture if you do

first, like every artist, i sketch. more specifically, i’m getting an idea of what i want to paint later on. this could be how a scene is set up or in this case, how a character is posed. here i’m not concerned about details or getting everything perfectly, i’m only planning how the thing will be composed. maybe a lot of canvas size changing, or adjusting what miku’s doing (note how busted miku’s right hand looks from all the transforming!) however, i still have to be concerned with how clear the sketch will be to future me, because the sketch won’t be any good if i can’t read what miku’s doing

after that, i lay down a flat gray under the sketch, mainly focusing on giving miku a clear silhouette. this is also a good time to make adjustments to the composition on the fly if i suddenly feel like something can be improved upon, like shortening miku’s left arm from the sketch!

after painting a flat silhouette, i start shading in grayscale, focusing only on lighting. i usually do it in two passes, one for the lightest and darkest tones i’ll use (not black and white) and then a second for midtones to blend them better with the base gray but i forgot to screenshot the result of the first pass 🗿 nevertheless, here is where i can start adding some amount of details. i’m not including any extra accessories yet, just focusing on the base design of the outfit and the character herself (for anyone wanting to draw characters from That Gacha Game, this is how i personally make the process more bearable for myself.) i still use the dark gray to separate where certain details (like the facial features and fingers) begin and end, mainly to make colouring more bearable later.

now here’s where i get the Good Colours. it’s a cheat lol. i put a gradient map layer over the grayscale painting so that there’s a little bit of color to start. some gradient maps can be applied as is, some need the layer settings adjusted to make it look good. this one, for example, is a (free) gradient map set from the csp assets store that needs you to set the layer opacity to 20% and to set the blending mode to color to achieve this result. in general, i tend to pick which gradient map i want to use based on vibes, or basically whether i want the work to be warmer or cooler, colour-wise. but this does do quite a bit of lifting for the colors in my stuff.

and then, finally, i add the colours. i add flat base colours in an overlay layer. at this stage, i’ve made the character silhouette clear enough that i don’t need to refer to the sketch anymore for what miku looks like. also, the gradient map layer does its magic by making the shading a bit more vibrant than it would’ve been without it. after that i paint over with a new layer to add details like the lace.

and then i put some extra shading on top. basically this is where the ‘better lighting’ happens. again, this isn’t a tutorial, so i’m not here to say what each part of the lighting is, but i’ve labeled which layers do which job. in other works where the lighting within a scene is more defined (from a window, from a small crack in the walls, etc) the glow dodge layer may be more opaque and sharper, but since this isn’t a work with that, the lighting was applied using an airbrush. the linear burn layer is also there to make the whole thing darker so the glow dodge doesn’t end up oversaturating miku. i also usually match the lights to the vibe i want, and use a complementary color for the shadows. so here you can see i have warm colors on the glow dodge layer, but light purple on both the linear burn and multiply layer.

and that’s it for the character—here’s a gif showing how each layer adds to miku! (sorry it’s so toasty)

as for the background, depending on the complexity, it may go through a similar process, or if i can settle with flat image backgrounds, i just go for that. it’s ok to use external image materials. i didn’t have a background in mind for this miku in specific, so i got some default csp materials and threw together something

and that’s about a rough overview of what my process for more finished works looks like! again, art is a fluid process so i never specifically stick to certain steps all the time, and you shouldn’t either. i can probably answer why i’d pick this colour over another in one particular work, but it’s something that kinda has to be learned on a grander scale. i think everyone can already feel what colors work with what atmosphere or what setting, even if they can’t immediately explain why. colors and composition do take some level of experimentation to find what works best!

[skypiea]

Hi! I've finally organized my PNGTuber commissions ^^ These are very fun to make, so I hope I'll get the chance to make some fun ones for y'all. Information and pricing below! If you have any questions about specifics or clarification, or are interested, please reach out to me through DM!

If you commission a PNGTuber from me, you'll receive a .save file compatible with the free program PNGtuber+ (specifically the most recent release, 1.4.5, but should work with some older releases). Loading this file in the program will load up the finished avatar with pre-linked and positioned pieces layered appropriately. You'll be able to adjust specifics such as FPS, bounciness, blink chance, etc. to your liking. They can easily be used with OBS and set up to use for Twitch or Discord streams, or just enjoyed as fun, bouncy, animated pieces of art.

The base price of a PNGTuber commission is $45 USD. This includes:

A waist up figure (examples 1 & 2) or full small & simple figure (example 3), rendered either in a lineless or a clean lined style, with simple shading.

A maximum of 10 separately layered objects. For reference, example 2 contains only 8 layers (3 eye states, 2 head states, body, ruffle, and additional ball.) Additional layers can also be used for alternate costumes/special mode changes. Each additional separately layered object beyond the initial 10 will cost $3 USD.

1 piece of simple animation. Animated pieces continue to cycle through their frames of animation regardless of sound input, and extend beyond blinking and the simple left-right or up-down movement of the program. For example, the flapping wings in example 1 and the rotating katamari in example 3. Simple animation includes color changing/glowing, tail wagging, wing flapping, and things along those lines. Each additional piece of simple animation beyond the initial one will cost $8 USD.

Complete control and unlimited revision throughout the process until you're satisfied with the finished product ^^

Thanks for taking a look!

[arabellas]

do you have a coloring tutorial? your gifs are so nice and vibrant, how do you do it? :)

hi, here's a simple basic coloring tutorial that I use pretty much for all of my gifsets:

I won't get into the basics of making a gif as this is just a coloring tutorial, but here is my gif after I just crop and resize it:

and here it is after I sharpen it:

sharpen can affect the depth of shadows in a gif, so I do this before I add any coloring, but I know some people color first and only then sharpen, so both ways work!

alright, ready for some fun coloring? let's go!

before adding any adjustment layers, I suggest creating a new group, so all of your coloring changes can neatly sit in one place.

I always start with levels and curves, they often help to make the overall gif more natural if the lighting is too yellow, too dark, etc., it's a very useful guide, especially if you're new to gifmaking. so, let's start by clicking on the levels icon, a new adjustment layer should appear over your gif layers:

the next step is to click on each of these little icons (I usually only use the top and bottom ones) and to select the lightest and the darkest parts of your gif. pick the top one, select the darkest part and then pick bottom one and pick the lightest part, you should see some changes on your gif, sometimes they're subtle, sometimes they're very obvious:

in my gif the lightest part is somewhere near her shoulder where the light hits, the darkest part is her sunglasses (if there are a lot of dark/light parts, I just click around and see whichever looks more subtle. for example, I tried the part on top of her head where the light hit, but it made the gifset too blue because the lighting is yellowish, but since the whole scene is not very yellow, it looked weird so I'm sticking with her shoulder, it just simply looks better overall):

and then I do the same thing with the curve adjustment layer, selecting the darkest and lightest part of my gif just like I did with the levels layer:

while this is a good guide for beginners, it doesn't always fix all the problems. it can be quite harsh, so I recommend setting the opacity to a lower percentage and if it looks a little weird, sliding the arrows to one side and another with each color until it looks better to you:

like I said, it's a good guide but manual work is often needed, don't be afraid to mess around with the settings. for this gif I set levels layer opacity to 60% and curves to 37%.

moving on, I'm adding a selective color adjustment layer to fix how the skintone looks with red and yellow colors. it differs with each scene, sometimes the skin is too yellow and orange, so I add more cyan and less yellow but in this case I chose these settings and I set the opacity of this layer to 35%:

I want to mention that with poc it's very important not to mess around too much with their skin tone and not to white-wash and orange-wash them, there are quite a lot of tutorials on how to avoid doing that.

the next layer I add is exposure, I want to brighten my gif a little bit. you can do that by selecting either brightness or exposure layer like I did:

the scene I'm working with is pretty bright, so I'm not adding too much of exposure, here are my settings:

next up, I want to deepen the shadows a little bit, so I use a gradient map for that:

I use black and white gradient and set the opacity to 10%:

moving on, color balance is another great trick to make the gif look more smooth with one consistent color overall:

if I'm working with scenes that have a lot of green/yellow in them and I want to get rid of that, this is a quick way to slide the arrow to the opposite color and soften it a little bit by adding another color. I usually like to add more magenta to midtones and make the gif have a little bit of a pink look. here are my settings for this specific gif and the opacity of this layer is set to 30%:

and here's what difference it made to the gif:

as you can see, the colors outside the circle are less green on her skin and hair. it's all coming together nicely!

let's move on to the background colors. I add another selective color layer and I'm gonna play with the colors I want to enhance the most. in this case it's green grass and her blue clothes. here are my settings for these colors:

and finally, to enhance the vibrant coloring even more, I like to add one final hue/saturation layer:

here I like to add more saturation to the colors we're focusing on in the background and add around +20 of saturation. I did this to green, cyan and blue colors:

and that's it! here is the finished gif compared to the completely raw one:

this coloring tutorial is very basic, but it works for most scenes I work with, I just sometimes focus on other colors, add more or less layers but the overall process is very similar.

I encourage to mess around with all the settings and see which ones look the most pleasing to your eye. let me know if you have any questions :)

[eddiediaaz]

hello your gifs are really wonderful!~ <3 do you have any tutorials to follow or tips for black and white gifs? i can't get the black and white gifs i generate to look okay. thank you so much for whatever you can provide!

thank you!! i don't really have a tutorial for this, but i do pretty much always follow the same steps for my black and white gifs: i use a black and white method first (there are 2 main methods that i use), and then i add contrast and brightening layers (that's when we go from a dull b&w to a nice b&w)

BLACK AND WHITE

this will be your base black and white layer. i use either a gradient map layer, or a black & white layer, whatever looks best for the specific gif. the black & white layer offers more flexibility to change each color tone directly in one layer: playing with the red and yellow sliders will help make skintones darker or lighter as needed, same with other colors present in the gif. the gradient map layer usually gives a more contrasted look, and you can play with the gradient slider to make the gif brighter, but you'll have to use a selective color layer under the gradient map to edit each color as needed (especially reds and yellows, it's usually what i do).

it's possible to achieve similar results with both base black and white methods, it just depends on your preferences and the base gif itself really. (more under the cut)

EXPOSURE & BRIGHTNESS

once you're satisfied with the black and white look so far, you can adjust the gif's brightness with your preferred method. just make sure the brightening layers are UNDER the b&w layer. i usually do a combination of these layers: exposure, curves, levels. when using gradient map i'll also use a selective color layer to edit the reds/yellows (and sometimes blacks) a little to balance the skintone(s). i always prefer brightening a gif after applying the black and white effect, while keeping these layers under the b&w layer.

CONTRAST & FINAL TOUCH

at this point, you could stop there or you may want to add more contrast on top of everything if you need, or even reduce the contrast, or go back and edit each color channel. also make sure the black and white effect didn't affect someone's skintone: sometimes it makes a skintone too dark or too pale compared to something in color.

for the gradient map method, i've added a brightness/contrast layer on top of the gradient map and brightening layers. i've also went back to the selective color layer below the gradient map to play with the white sliders so the curtains are not just bright white without any details to them when contrast is added.

for the black & white method it's quite similar, on top of the black & white layer i have: brightness/contrast and another black & white layer with its blend mode set to soft light and its opacity set to 20% (a neat trick to introduce subtle contrast). i've also added a selective color layer under the black & white to add some deepness to the black values by playing with the black slider of the blacks tab, as well as reducing the bright whiteness in the curtains.

SHARPENING

one last thing to keep in mind: your sharpening method may need to be tweaked a little when using black and white. sometimes it enhances details, so your usual sharpening would be too strong, and sometimes it's the opposite. just make sure you aren't over sharpening and you're good to go.

i hope that helped a little!

[backslashdelta]

How To Gif: Glass Shatter Effect

By popular demand (ie, 7 people who voted in this poll), here is a tutorial on how to do the glass shatter effect I used to create the first gif in this set.

I use Photoshop CC 2015 (yes I know it's old) for my gifmaking, but you should be able to apply everything to newer versions of Photoshop. For this tutorial I'll be assuming you know the gifmaking basics, but if not, I would recommend this tutorial, which is the process I use to make gifs. Note that this particular process involves saving all of the frames, importing those frames into Photoshop, and then using an action to convert to a smart object.

Keep reading below the cut to learn how to do this effect!

Before I could start making this gif, I needed three things; the two scenes that I wanted to use, and a video of the glass shattering effect. I already knew the scenes I wanted, so then I took to YouTube to find a video which I can't for the life of me find again (edit: thanks to add1ctedt0you in the replies for linking this video!), but it looked like this:

Something like this is what you want. Ideally the green part would be entirely white, but as long as there are two clearly different colours you can usually work with it.

This looks a lot slower than the gif that I made, but that's not because of the frame rate - which is exactly the same above as in the final gif - it's just because there are extra frames in this slower one that I cut out. In the video I used, the glass shattering happened very slowly. I didn't want that, so I ended up skipping several frames when I loaded the frames into Photoshop before using my gifmaking action. I just did this by manually selecting one frame, skipping the next several before selecting another frame, and repeating this until I had selected 60 frames.

After using my gif action, I had a smart object of the glass shatter effect that looked like this:

That's a much better speed! It still wasn't quite where I needed it to be though. I needed this in black and white, so I slapped a hue/saturation adjustment on the smart object and set the saturation all the way down to -100.

Okay great, I could start putting the gif together now.

First, I made a copy of the glass shatter smart object, because I'll need that later. Then, I pulled in frames from the scene that I wanted to appear in the hole after the glass shatters, and I used those to create a new smart object with my gif action (we'll call it Scene-bg). I pulled Scene-bg into the same window as the glass shatter objects. Then I created a new smart object by combining one of the glass shatter objects with Scene-bg, which I did by selecting both layers right clicking, and selecting "Convert to Smart Object".

I renamed this smart object to Shatter-fg. I opened it by clicking on the little icon next to the layer name in the layers window here:

The most important thing here is that the shatter effect object should be the top layer, and I set the mode to "lighten". This will make sure that the lightest colour of either this layer and the layer behind it is displayed; that means that anywhere that's white in our shatter animation will still show up, but anywhere that's black we'll see what's in the layer(s) behind it.

Then I threw some adjustment layers between them to get the colouring I wanted. I used a curves layer, a hue/saturation layer, and I also added text with an outer glow layer effect. Here's what the layer order looked like and the settings I used for each layer:

After this process, Shatter-fg looked like this:

Okay nice, this is starting to look like something! I saved this and went back to the main file with the other glass shatter object.

I needed to invert that other glass shatter object. There's a weird quirk with the version of Photoshop that I use where it doesn't like it when I apply specifically an invert adjustment to a smart object (it appears correctly when editing, but not on export) so I did this by creating a new smart object which included a separate invert layer, but if you have a newer version of Photoshop you can probably just apply the invert adjustment directly. Just note that you'll need to do one of these options; it won't work if you add a separate adjustment layer in the main file, it needs to be applied specifically to the smart object (which we'll now be calling Shatter-bg). It looked like this after I inverted it:

Once that's done, I made sure Shatter-fg was the layer directly above Shatter-bg, and set the mode of Shatter-fg to "darken" and Shatter-bg to "lighten". Since Shatter-fg is set to darken, it will be visible only when it is darker than the layer behind it. By setting Shatter-bg to lighten, I've guaranteed that the layer behind it will always be lighter (ie, white) in the places we want Shatter-fg to be visible, and will be black otherwise. Once I update those settings, this is what the gif looked like:

This is all there is to the glass shatter effect itself. Next I pulled in frames from the second scene to fill in the black areas. This layer needed to go below both glass shatter layers, so that it only shows through where the black. Then I added adjustment layers and some text. I used curves, hue/saturation, and vibrance adjustment layers, and I also added the "archer" text below the glass shatter layers so that it would be hidden to reveal the "prey" text. The other text I added above all of the layers, since I wanted this to be visible all the time. Here is the layer order and all of the settings I used for each of the layers:

I also grouped Shatter-bg and Shatter-fg and shifted them on the timeline so there would be some time to see the background gif before the shatter effect starts.

And that's all! Then it''s just a matter of exporting the finished product:

This is the first gifmaking tutorial I've ever made, so I hope I was able to be reasonably coherent and helpful! I'd love to hear if you make anything by following these steps, or even if you just feel like you've learned something reading through this. And if you have any outstanding questions, feel free to reply or send me an ask and I'd be happy to answer!

[spacecolonie]

i adore your paintings so muchhh would you happen to have any other tips or tutorials for your process? anything from thumbnailing all the way to final render

Thank you 😭♥ I appreciate that a lot!! To start with I've got my advice tag (both new and veeery old stuff lol), & my youtube has a couple of speedpaints on it, one with commentary including process, brushes etc

In terms of general stuff about how I approach painting, I tend to tailor the method to the desired outcome. I talk about it more in depth on this post here, I also link to some references & tutorials that I really enjoy/recommend!

Besides that though, I guess I can do a little walkthrough of the Whisper & Tangle painting I uploaded a few months ago, since I tried something new with it that I pseudo integrated into my workflow & could be fun to talk about? 🤔

SO yes, I do always thumbnail when I'm doing a bigger painting, and they're definitely not pretty LOL. I usually use the colour fill lasso just to block in basic shapes and values with a gradient map slapped on the top -- I ended up swapping the values around in the end because it let me use the fireflies as the sole light source, making it more character focused! Then it's the usual process of resketching it all & flatting in the base colours (I also added Whisper's wisps hehe), then adding shading:

This is how I usually approach it, w/ all the shading layers clipped to the original flats to preserve editing. Multiply, screen & overlay are the most common layer modes I use while doing this, and if I'm ever struggling I'll sometimes add a gradient map too in order to unify awkward colours etc. The new thing I tried for this painting was doing what's often nicknamed as a 'clown pass' -- which is using hard edged shapes to create an easily-accessible selection mask for each part:

It looks Super funny but I actually found it very helpful, and I ended up using it to select & cut out all of their body parts onto seperate layers, which were then alpha locked. It meant I could go ham w/ large or textured brushes, smudges etc without worrying about losing those edges, or accidentally over-rendering and screwing up the anatomy in the process!!

I've kept doing something similar since, though it's a bit more dialed back; mainly using the lasso select to chop it up directly and preserve specific/necessary edges, grouping up similar body parts on a single layer etc.

After doing all that, I sat down and started rendering. The background was all blocked in & detailed with a hard round brush and these amazing brushes from Devin Elle Kurtz. There isn't anything super insightful that I think I could type on how I render, but I do have that speedpaint I mentioned earlier that'll probably shed more light. It's just a lot of eyedropping & painting, rinse and repeat

When rendering is done I usually add a concoction of adjustment layers, as well as an overlay w/ a noise texture on it. I also sharpen it all after doing so! These are the ones that I ended up adding for this painting:

The dupe & blur is a fun thing that doesn't always work, but it looks super neat when the painting itself calls for it, especially when paired w/ that noise texture. It can make stuff look like an old/low quality photograph or recording -- here's another example w/ a shadow and amy doodle I posted a few months ago:

That's about it for this painting, the majority of the time spent on it was honestly me rendering those damn leaves 🥲 Very tedious but worth it & it was a really good learning experience. I'm not sure if any of this will prove useful but thank you so much for sending in the ask, & if you (or anyone else reading this) wants a similar breakdown for a different painting of mine, please do let me know and I'll try my best to do one!! 🥺💞

[emilyssky]

Chapter 8: Maybe

PAIRING: Lee Know! X fem!reader

GENRE(S): college au, smut, angst

WARNINGS: Mentions of violence and abuse, depression, self-harm, eating disorders etc.. mentions of blood, swearing, smoking, smut [ dirty talk, oral; giving and receiving, choking, spanking, praising, degradation, pet names, sometimes Minho is a dick :)

SUMMARY: "Do you remember what you told me the first time we met?"  

"What?"

"You said; Always leave people a little better than you found them" he looked at the floor with a small smile for a few seconds and then his eyes found mine. "You really annoyed me when we first met. I envied your optimism and excitement for life. But each time I saw you, I felt a certain thrill. You made me angry, you made me laugh., you made me feel everything. Something about you made me feel a little more alive each time. I know I fucked up and I know I'm an asshole but I'm also brutally in love with you."    

Minho's POV:

I run a hand through my sweaty hair, in attempt to fix it but it's pointless, I need a shower. I love this feeling though. The sweat running down your forehead, the air leaving your lungs, the sound of your heart beating filling your ears. Mornings like these are my favorite, especially now that most of the students are gone cause of the winter break and the studio is almost empty, and I have basically the whole place to myself. I have been coming to dance more and more in the past few weeks and I admit that it did start because of her but coming here again made me realize just how much I've missed it. So now it's something that I do for myself, watching her is a plus. I gulp down half of my water bottle and pull my phone out of my pocket. I have 2 missed calls from Chan. I know that he's been suspecting something for a few days now, he's not stupid but I've been avoiding him only because I know that he's gonna go all protective over his best friend and I don't really wanna deal with a talk like that right now. He is, however, one of the closest people to me and I can't really avoid him much longer. I send him a quick text, telling him that I'll come over and put my phone back in my pocket. I adjust the strap of my dance bag as I continue to walk until I hear the all-too-familiar song playing and freeze. She has 10 specific songs that she uses, so it's easy for me to know whenever she's here. I smile to myself and turn to the opposite hall without even thinking. I stop at the door and scoot a bit to the left so she won't see me. From where I'm standing I see her from the side, her hair is in a high ponytail with a few loose curls escaping and falling down her face and neck. She's dressed in a black sweater and black boodie shorts that hug her ass perfectly. I let my eyes travel from the curve of it down to her long, toned legs and can't help but lick my lips at the sight. She usually hides her body underneath layer and layer of clothes way too big for her, so this is a rare sight that I only get to see when I'm secretly watching her practice every Monday, Tuesday, and Saturday morning, maybe Friday night if I'm lucky. It's something I look forward to after my practice. I won't ever say it out loud though, I wouldn't ever admit how I can stand hours behind the thick glass, watching her body move to the music. Watching the way her long curly hair moves when she turns on her toes or how delicate her hand movements look even from far away. She reminds me of a bird when she dances. It's like her feet don't even touch the ground with hands as delicate and light as wings and her movements so perfectly blended together, that it's mesmerizing. She is fascinating to me in so many ways, until she opens her mouth. Fuck, she can make my eyes roll all the way to the back of my head. She's challenging me in a way that I never expected and how much I'm drawn to her is something I'm not ready to admit yet. Being a dick to her didn't work, she's not the type of girl that bites her tongue, but avoiding her didn't work either. Not to mention how fucking hard it was. Her presence alone is enough to light up a whole fucking room. She carries a certain light with her that annoys me to no end, mostly because she reminds me so much of my sister that sometimes I let my walls down without even realizing it. Both hold the same light in their eyes and that vibrating smile. She reminds me of myself as well. The side of me I lost. The passion in her eyes, the energy she carries, and the determination that she has. In her eyes, I see so many things. Things that I desperately wanna forget. Things I avoid facing and run away from. I see judgment in her eyes. They're like a mirror and all I can see is my shitty ass self. I don't stand there much longer. With everything that's happening between me and her, my head is all over the place. I don't know what I want or what I am doing even but I can't seem to stay away from her. But I have to, I know I have to. I don't want her to get involved with my mess.

I reach the frat in only 10 minutes and Felix is the one to open the door.

"Hey" He offers me a bright smile. That kid is such a joy to be around.

"Hey man," I pat his shoulder. "Is Chan here?"

His nods. "He's in his room."

"How's Hyujin?" I ask out of curiosity. Hyunjin and I have an interesting type of relationship, I guess you would say. He's one of the very, very few people that can bring me to my limits in an incredibly short amount of time and have a smile on his face while doing it, so torturing his annoying ass in many different ways has become a new form of entertainment for me.

His eyes widen slightly.

"Y/n left in a hurry yesterday because something happened with Hyunjin." I clarify.

"Oh," He relaxes. "He's trying." He drags out the words.

"A woman?" I smile sympathetically.

He sighs. "Yeah"

"It'll get better." I try to comfort him.

"I hope so."

I gave him one last sympathetic look and jogged up the stairs. I knocked on Chan's door twice before opening it, not waiting for him to answer.

"I have arrived," I announce.

"I have noticed." He chuckles back. He's sitting on his bed with his laptop on his legs.

I drop my bag beside the door and take a seat on the bed. "Are you working?"

"Just some touch-ups," He says and closes the laptop, putting it beside him. "Were you at the dance studio?"

"I worked with Changbin a bit, we finished Seungmin's part, and then I went to the dance studio," I explain, even though I know why he's asking.

He nods several times and takes a deep breath through his nose, kinda like he's preparing himself for what he's about to say. "Um listen-"

"I know what you're about to say." I stop him. "And there's no reason for us to talk about this." I try to avoid the conversation before he starts talking cause I know that he will not stop.

He rubs the back of his neck awkwardly. "Minho, I'm not stupid nor blind."

"But you are wrong. It's not like that-" I begin to say but he's the one to cut me off now.

"Minho" He gives me a knowing look. "She's my best friend."

"I know." I sigh, giving up, and letting him talk.

"And you're one of my best friends as well." He adds.

"I know." I run a hand through my hair not knowing what to do with my hands.

"What I'm trying to say is that I know her and I know you."

I rest my head against the wall and focus my eyes on the wall in front of me. I really don't wanna be having this conversation. I haven't even figured shit out myself. But one thing I can never do is lie to Chan.

"Nothing has happened between us." I honestly say.

"I see the way you look at her and I see the ways you guys talk and tease each other." He lifts a brow. "I haven't seen you like that with any other girl, and I've known you for what? Almost three years now?" He laughs and I can feel a small amount of weight leaving my shoulders knowing that he's not ready to cut my dick off.

I fight a smile and shake my head. "No honestly, nothing's up. She's just fun to tease."

He leans closer and puts a hand on my shoulder. "Listen you've been through a lot of shit and there are times when she's around that I can see a genuine smile on your lips, even when you're trying to hide it. You're dancing and you're not locked up in your room. I'm happy to see you like this, making progress. She has that effect on people, you know. She's such a bright person." His smile falls slightly. "But Y/n has also been through a lot. She has had ups and downs with her mental health ever since I met her but the past year she's been struggling, especially after her last relationship."

The sudden anger that spreads through my body even at the mention of her ex shocks me a bit, remembering all the things she admitted to me that Chan doesn't know about. That time at the party when I caught them fighting in the kitchen, I acted out of instinct. When I saw her against the counter with her eyes full of hidden fear I didn't even think about it, all I knew is that I had to take her away from him. It's something that I have done more times than I can count for my mother and my sister. My anger at the beginning was towards her cause she was one of the millions of women that chose to stay silent but the growing protectiveness I feel toward her now is a feeling I can't quite figure out. The night she opened up to me about him, I stayed up, debating whether or not I would go and beat the shit out of him until he physically couldn't walk. I think that was the night I realized how much power she has over me. She has changed since I met her a year ago. I don't know what about her is different but something is. I can tell cause I've memorized every single thing about her and searched for her around campus. That night hunted me. I remember everything I felt, the heaviness in my chest and the absolute numbness that had taken over my emotions. She came out of nowhere, and I remember thinking that her voice was so annoying that I just wanted her to leave. I wanted to be alone. But she stayed and would not stop talking. Her eyes; big, bright, and full of light. A shade of green, I've never seen. Her eyes that night stared at mine and I felt annoyed, judged, and fascinated at the same time. The more I looked at her the more mesmerized I became by her. Her resemblance to my sister was amazing, in every way. The way she spoke and moved was so unique yet familiar. Simply drawing. If I'm being honest, I had made my decisions and owned my mistakes. I was at peace knowing it was finally time to give up. But just like that, she stood there, like a mirror in front of me. A reminder. A clear reflection of what I had become and all the things I could be. She spoke with so much passion about life that I got jealous. Never in my life have I met anyone like her. After she left I stayed there, in the same spot for at least an hour, her words being the only thing on my mind. I realized that; that was kind of like my second chance, a reality check. She came to offer me a second chance in life. And as much as I hated her being there at the time, as much as her words were cutting through me like a fucking knife, I needed it. I picked myself up. Piece after piece and even though life's still shit, her words were a constant motivation to keep moving, and at the end of the day; I'm still here. Alive. Well, kinda.

"My point is," he continues."Whatever you do, be careful." He kept his face natural, with his usual half smile but I could hear the hidden warning in his tone. I nod my head not knowing how to reply. I don't wanna say anything. I don't wanna talk about her.

"Alright, I'll go take a shower and then you can jump in afterward, cause no offense but you stink mate." He makes a face.

"Shut up. " I roll my eyes.

He grabs some clothes. "You could join me if you want, to save water and all." He smirks.

I grab the nearest pillow and throw it at him, which he easily avoids and disappears into the bathroom laughing.

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Y/n's POV:

I was practicing in the studio when Felix called me.

"He could come and stay with us for a few days." I offer, not really knowing what to say or do to help.

"I don't think it will make any difference," Felix says. "I think he just wants to be alone right now."

"I can understand that" I mutter. Jackson was my first real relationship and that heartbreaking feeling that weighed on my chest months even after our break is one that I don't wish upon anyone. Even though I know that what we had was not love, I still loved him.

"It's just hard seeing him like that." he sighs.

"I know." My heart tightens at how sad Felix sounds. He cares deeply about people, especially when it comes to his friends. He, Chan, and Hyunjin are like brothers so seeing Hyunjin in pain must be hard for him. "I can come over later, maybe we can watch a movie or something. It will help him get his mind off of her." I offer.

"Yeah sure, that sounds nice."

"I'll be there around 8."

"Okay"

"Bye Felix."

I've been practicing all morning and my feet are honestly killing me. After I came home I took a shower, trying to relax my sore muscles and I've been laying in my bed ever since. I've been switching between Netflix and my book for the past few hours until I finally decided to get ready. Today is one of those days that I would want nothing more than to bury myself under my sheets and not talk or see anyone and it sucks. I take a breath, leaving the comfort of my bed to start getting dressed. I don't do much, I throw on a pair of jeans and a hoodie, deciding to bury myself under the thick clothing. I don't bother with makeup or my hair besides running my fingers through them a bit and I'm out of the door. I wrap my arms around my body and fasten my walk to the frat house. I somehow thought that I'd d be fine with just my hoodie, completely forgetting the fact that it's almost Christmas and it's freezing. At least the frat is only about 15 minutes away from our apartment. I reach the door and press the doorbell. Once, twice and as I'm about to press it for the third time, the cold air pushing me to my limits, the door opens and I freeze as I come face to face with his big, brown eyes. 

Close. He's standing so close.

"Fuck," I curse, placing my hand over my heart. "You scared me."

He opens the door a bit more, leaning into the doorway. "Lovely to see you too, angel."

My heart flatters at the sight of his smile but I push the thought away and my way through the door. "Stop calling me that."  I take my shoes off.

"Why? Do you like it that much?" His smile grows along with my annoyance. I'm annoyed cause in fact I think I kind of do. Or mostly I like what it does to me, the way it makes me feel. Then again maybe I like the fact that he cares enough to have a specific nickname for me. Not that I would know if he uses it with other women as well..

"What are you even doing here?" I walk to the stairs, searching for any sight of my friends.

"I happen to have friends who live here." He follows me.

"Funny." I reach the top of the stairs and turn to him. Why is he even following me? Where's everyone? I look around the first floor.

"I am." He chuckles, standing right in front of me with his arms crossed over his chest. The sleeves of his black hoodie are lifted up to his elbow. He has such nice hands, I think to myself.

"You are a lot of things." I mumble under my breath, peeling my eyes away from his body. Heat starts rising inside me. He's standing too close to me, with a stupid grin on his face, and none else around us. My walls are shaking, starting to slowly tear down in moments like this, where I could have a playful, simple conversation with him without burning anger building inside of me at the audacity of his cruel words. But I don't let myself relax too much, it's a matter of time before he snaps back on me.

"Oh, you have no idea." He breathes out, lowering his voice and head. He takes a few steps closer to me. What is he doing? My mind starts spinning, and all the possible things I can say or do run through my head but instead, I take a step to the left, pulling away for him.

"You smell." I say quickly and turn around and down the hall, not giving him a chance to say anything back.

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"Hey," I wrap my hands around him, bringing him into a tight hug. His hair is still a bit dump for his shower and the scent of his caramel body wash immediately hits my nose. "how are you doing?"

"Fine." He mumbles in the crook of my neck. "I just want everyone to stop treating me like I'm made of glass."

"We're just worried about you Hyunjin." Felix says, laying on his stomach on Hyunjin's bed. Huynjin releases me and throws himself beside Felix.

"All of you guys have been through a breakup. I guess it's my time." His eyes are still a bit bloodshot, probably from last night. Felix told me that he wouldn't stop crying. When I broke up with Jackson both Felix and Hyunjin were over at my apartment every single day, trying to make me feel better, in every way they could. There were times when I wouldn't even get out of bed so they would stay in bed with me and we would watch stupid reality shows and old Disney movies. They were there for me so now that Hyunjin's going through the same thing I wanna be there for him as much as I can as well.

"You know what?" I place my hands on my hips. "I think you did enough mopping over her cheating ass. It's time to get your mind off her." I try to brighten the mood.

Both Felix and Hyunjin give me questioning looks. "What do you mean?" Hyunjin's eyebrows frown. His face is so puffy from crying that he looks incredibly cute.

"Get up." I pull him by the hand off the bed. "Let's go downstairs, make some drinks and snacks, and watch a fun movie." I open the door, dragging Hyunjin with me. Felix follows, giggling.

I release him as soon as we enter the kitchen, his shoulders fall and he takes a seat on a stool. I pull my phone out of my pocket, I'm gonna need some help.

"You're literally in my house, why are you calling me?" Chan picks up immediately.

"Come downstairs, now." I say and hang up.

"Y/n, I don't know If I'm-"

"No," I lift my finger. "4 days after I broke up with Jackson you showed up at my door. Remember what I did?"

"You tried to slam the door in my face." He wipes his nose with his sleeve.

"But you didn't leave me alone." I circle the counter to stand in front of him. "You sat with me in my bed as I cried my heart out and you didn't say a word." I push a piece of his blonde hair that's falling in his eyes back. His eyes begin to fill with tears and his full lips turn into a thin line. I know that face. "Please don't cry." I wrap my arms around him, panicking.

"It's not my fault, why did you have to get all emotional and shit..." He mumbles in my chest.

Felix lets out a laugh from his leaning position across the counter. "You guys are so dramatic." He shakes his head. "I'll get started on the drinks and leave you two emotionally damaged people to bond over making snacks."

"What's going on?" Chan walks into the kitchen with Minho following right behind. 

"We're bonding." Hyunjin says, not lifting his head from my chest.

I giggle giving him one last squeeze before releasing him. "Okay enough with the crying, let's make some brownies." I clap my hands together.

"What are we doing exactly?" Minho asks, confusion written all over his face.

"We're making drinks and snacks, and then we're watching a movie to cheer Hyunjin up."  Felix walks over to them. "Wanna help with the drinks?" He asks Chan.

"Yeah, sure." He immediately accepts, knowing he's not really good at cooking.

"You can go too, I'm sure you wouldn't wanna spend time making brownies with me." Hyunjin gets off the stool and glares at Minho on his way to the fridge. I look between them dumbfounded. Have I missed something?

Minho takes a few steps further into the kitchen, slowly approaching the end of the counter, with his hands crossed. "Stop being dramatic." He rolls his eyes.

"You told me that I'm the most annoying person you've ever met." Hyunjin narrows his eyes.

My jaw falls open. "Minho!" I gasp.

He takes a breath. "I was joking obviously. You're clearly not THE most annoying person, have you met Changbin?" I wanna laugh at his terrible attempt to fix what he said to Hyunjin but I bite my lip to hold it and pull out a bowl to start mixing the ingredients.

"Whatever, you can stay, only cause I'm a nice person unlike you." A small smile dances on Hyunjin's lips. " I'll go look for a pan." He turns to me.

"Okay, I'll start mixing the wet ingredients." I nod, getting the sugar and a cup to measure everything in.

He nods back and walks to the small pantry that they have beside the kitchen. He stops behind Minho. "I know you like me, you can stop this enemies-to-lovers thing." He says close to his ear and Minho flinches.

I let out a laugh, that quickly disappears the minute I realize that we're alone in the kitchen. The pantry where Hyunjin went to look for a pan is just across the hall, but knowing Hyunjin it will take him more than 5 minutes to actually locate the pans. I focus my eyes on the bowl in front of me as I pour the butter over the sugar and begin mixing them, while Minho stands silently at the opposite side of the counter. I know for a fact that he will not even try to start a conversation or do anything to make this uncomfortable silence go away so I force myself to stay focused on my task and ignore him. The butter begins to blend smoothly with the sugar, which is a sign to put the eggs in. From the corner of my eye, I see him move. I straighten my back, not wanting to appear as intimidating as I am by his presence. He stops to my right, close enough for me to smell Chan's body wash; so he must have taken a shower here. I wait for him to say something, anything but he stays silent, simply observing. The side of my face feels like it's on fire from his intense staring and I being to grow uncomfortable.

"Um, can you bring the eggs?" I clear my throat but neither his body nor his eyes move. I shift my balance from one foot to another, my hand moving faster as I feel my anxiety peeking. I sigh, realizing that he's not going to help me at all so I stop mixing and turn to the fridge but before I have the time to take a single step, he moves past me, his shoulder brushing mine. I focus my eyes back on the bowl as he moves silently to the fridge and back. His movements remind me of a cat's. Soundless, precise, and confident, executed with a look of boredom all over their face.

"How many do we need?" For some reason the way he said 'we' made a smile almost appear on my lips.

"Um," I think about how many pieces will be enough for all of us to eat. " about 3."  I say and reach for an egg.

"Let me." He takes it from my hand, in a surprisingly gentle way, almost as gentle as his tone. He seems to be in a good mood, a good mood for him at least and I begin to wonder why. He cracks 2 of the eggs inside the bowl and I mix them with the rest of the ingredients.

"Do you bake a lot?" He suddenly asks. My hand slows down for a second, caught by surprise by his sudden question. I don't think that he's ever asked me a simple question like this.

"Um, yeah." I hesitantly answer.

"Hm," He nods, breaking the third egg. "It looks like you know what you're doing."

I shrug pouring the flour into the mixture. "I bake a lot when I'm stressed."

"Which is often I'm guessing." He smirks.

I try not to smile at his comment but my face warms up either way. His energy is oddly positive. He shifts his weight, leaning towards me and observing my moves. The way that my body is drawn to his is ridiculous and the thoughts that go through my head make everything worst. Silence takes over us once again and my eyes flicked to the door every 10 seconds, silently hoping for Hyunjin to finally come.

I hear him chuckle under his breath.

"What?" I turn to him.

He leans into the counter with both of his hands and shakes his half-wet hair out of his eyes. I swallow; fuck he's attractive.

He half-smiles, in such a boyish way. "Do I make you uncomfortable?"

I look back down. "No." I lie

He leans back close to me, placing his hand next to my hip to my left trapping me like he did yesterday. I hold my breath as he looks over my shoulder, his chin almost touching it.

"I love making you nervous." His breath tickles my neck and chills spread down my spine and arms. He dips his finger into the mixture and brings it to his lips. My eyes follow the way his finger disappears into his mouth, his full lips sucking on it in a way that makes my legs grow closer.

His eyes lighten up. "Shit, this is good." He dips his finger again.

I let out a breath, relieved to see his attention turn to the brownies. "Really?"

"Yeah, try some." He takes some more on his finger and brings it to my lips.

I freeze. "No thanks." I awkwardly smile.

He frowns. "You made it, you have to try. " He pushes his finger closer to my lips.

"Minho, said no." I say a little louder, grabbing his wrist. I feel him stiffen, his eyes fall to my grip and then back to my eyes. My stomach drops. I dip the finger of my other hand into the mixture and drag it across his cheek, distracting him. His eyes widen, clearly not expecting that and I can't help but I laugh at his face.

"You're dead." His tongue pokes the inside of his cheek with a straight face.

He takes some more of the mixture and I turn around about to run but his hand sneaks around my waist pulling me back. My back hits his chest and I feel his finger spreading the brownie dough all over my cheek.

I bring my hands up to cover my face but he fights me with his free hand. "Minho, stop! " I try to sound annoyed but I giggle instead.

"You started it. " He laughs back and I swear it is one of the most lovely sounds I've ever heard. Even if I can't see him from my position, I can picture the smile on his face.

I kinda wish I could freeze this moment as well.

"Can you guys stop playing with my breakup brownies? " Hyunjin groans, finally entering the kitchen with 3 different pans in his hands. We both freeze but Minho's the one that moves away first. Almost too fast and sharper than I would like as if he hadn't realized what was happening until it was interrupted. His face drops any emotions that previously held and he goes to grab the pans from Hyunjin.

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"Hyunjin let's just start the movie. The brownies will be ready in a few minutes." Felix groans but Hyunjin shakes his head. Everyone has taken a seat on the large couch in the living room. Felix and Chan made Margaritas for all of us and after a lot of fighting, we decided to watch 'The Conjuring'. We were just about to start the movie but Hyujin refuses to watch anything until his brownies are ready.

"I said no." He stands his ground.

I give Felix a sympathetic look, knowing that Hyunjin is slowly bringing him to his limit, and get up. "Fine, I'll go check on the brownies." I walk back into the kitchen and kneel in front of the oven, checking if the brownies are ready. They could use a little more baking but I pull them out anyway.

"Hello, love" Kai, one of the other boys that live here enters the kitchen. There are 5 guys in total in the Frat, Hyunjin, Chan, Felix, Kai, and Jace. Kai is the one I like the most after the boys cause Jace can be a bit of an ass.

"Hi, Kai." I smile at him.

"What's going on? Are you guys having a movie night?" It's not often that either of them is home but whenever they are, they always stay locked up in their rooms. Kai sometimes comes downstairs to say hi to me or Emma and maybe hang out a bit with us so I'm definitely closer to him. He's quite tall, with messy blonde hair and the most perfect dimples I have ever seen.

"Yep." I begin to cut the brownies into squares.

"Fuck, they look delicious." He leans over the pan. "Can I have some?"

"Y/n." Both of our heads snap to the doorway where Minho is standing. His gaze moves between Kai and me. He must have a fucking radar or something. "Do you need any help?"

"Um-"

"Hey, man." Kai greeds Minho as he approaches the counter.

"How you've been Kai?" He pats Kai's back with a nod and walks past him to stand right beside me. Oh, so they know each other.

"Busy." he lets out a breathy laugh. "I'm happy that the semester's over."

Minho gives him an understanding nod and then copies Kai's previous position, leaning over my shoulder, and looking at the brownies. "They look good." He drags out in a low voice. I realize what he's doing and I have to stop the smile that threatens to form on my lips. He only seems to care about me whenever another person's involved. It does bother me but at the same time, I can't really stop myself from craving his attention in any way that I get it. I know it sounds weird but I want him to look at me, I want his eyes to search the room for me and I want him to be disappointed when I'm not there.

I take a breath and put a soft smile on my lips. I cut a small piece of brownie and move away from Minho's grip. "Here," I turn to Kai. "Try some."

He opens his mouth, taking the brownie from between my fingers with his lips. My back is completely turned to Minho, but I see Kai's eyes flicker behind me for a second.

"Oh, my god." He groans with his mouth full.

"How is it?" I place all the pieces on a large plate.

"It's incredible." He nods his head, with his eyes closed.

"What about me?" Minho puts his elbows on the counter, bringing his face right in front of mine. "I wanna try too." 

"You have hands." I take the plate in my hands and turn around, avoiding to look his way, while Kai's trying to hold his laughter but he's failing. "I'll see you around Kai." I exit the kitchen.

"Fucking finally," Hyunjin yells as I put the plate in the middle of the coffee table and I fall back to my seat beside Chan.

"I know that he's heartbroken and all but I swear I'm gonna murder him." Felix leans behind Chan's back and whispers to me. I cover my mouth with my hand trying to hold my laughter, Hyunjin can be too much when he's not in a good mood but if Felix has reached his limits the situation's bad. My laugh is cut short when I feel someone sitting beside me.

"You're not seating here." I lean a bit closer to whisper to him while keeping my eyes forward and the small smile on my lips that tries to hide the panic of Minho staying beside me for almost 2 hours. "I wanna watch the movie."

"None's stopping you, angel." Minho lifts both of his eyebrows at me before taking a brownie from the plate and popping it into his mouth.

"Okay, now we can begin the movie." Hyunjin takes 4 brownies and leans back, happily.

Felix shakes his head and presses play. I sigh and grab the blanket from the back of the couch, unfolding it.

"Are you cold?" Minho asks, without looking at me.

"She can't watch a movie without a blanket or something to cover her. " Chan explains. "She's weird like that."

"Shut up." I bring the blanket up to my shoulders. "Pass me my margarita."

I hold my hand out but he shakes his head. "Nope. No alcohol for you."

"What? Why?" I frown.

He shoots me a glare. "I think you know why."

I drop my hand, understanding. He takes a brownie from the plate and holds it out to me but I shake my head, as always.

"Then no alcohol." he shrugs.

"Guys, shut up ." Hyunjin turns up the volume. "The movie's starting."

I sigh once again and bury myself under the blanket, forcing my eyes on the tv. This is gonna be a long movie.

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Minho's hand has been resting on the back of the couch for 25 minutes straight, and the right side of his body is so close to me, that his thigh is brushing mine every now and then, so it's hard to focus on anything else. He, on the other hand, is perfectly still, completely invested in the movie. I can't help but let my eyes flicker to him every few minutes and the more I do the more I realize that he has the most perfect side profile. Everything from his now completely dry hair to his long black eyelashes that stand tall over his huge eyes to his perfectly straight nose to the curve of his full lips. His face holds no expression. He occasionally lets his lips turn into a small smile when a funny scene comes up or his eyebrows frown when something intrigues him. He doesn't smile that often, he doesn't show much emotion in general and I wonder if it's because we're not that close yet for him to open up or if that's the way he is as a person. From what Chan has told me, Minho is really closed off and it takes time for him to open up to someone. The memories of our talks make their way through my mind yet again, almost causing me to smile. I loved the way he talked; as if I wasn't even there, as if he was talking to himself, letting out all of his thoughts. I loved those moments. It was the first time that I felt understood, in a way. I've been hiding a lot of things, too ashamed to admit the real story of my childhood, the toxic and abusive relationship I stayed in for almost a year, or the sides of myself that even I am disgusted by. The mess that I grew up to be, even though I swore to myself that I would be different. I'm so grateful that I found Chan. It was a time when I really needed someone to be there for me, and he didn't hesitate a second. He was there every time. Through me screaming and yelling, crying, falling classes, not leaving my room or eating anything for days. He had the patience that none had with me growing up. He stayed by my side, waiting, allowing me to take my time but never leaving. I have opened up to him about a lot but still, even from him, I keep things. There are times when I feel like shit. I sit with all these people that are almost like family to me and present myself as someone I'm not, allowing only the side of myself that's not messed up, damaged, or fucked to be seen. So when Minho opened up to me about his childhood, I felt like I wasn't alone in a way. Maybe it was the alcohol but he didn't hide that side of him from me and that made me not wanna hide mine either.

I hadn't realized how long I'd been staring at him, drowning in my thoughts until his eyes turned to mine, and I almost choked. He looked back at the screen with a small smile and moved a bit closer to me. Thank fucking god that the lights are almost off cause I'm pretty sure I look like a tomato. I feel the hand that he has resting behind me, inching closer until his fingers brush my shoulder. A wave of chills runs through my whole body, but I try not to show any emotion on my face. He laughs under his breath and removes his hand from behind me, but just as I'm about to finally let out a breath of relief, I feel his hand moving to my thigh under the blanket and when his hand grips my thigh, I clear my throat.

What is he doing?

"What?" Chan turns to me.

"Nothing." I quickly brushed him off. "Can you pass me some water?" He grabs a bottle of water from the table and gives it to me.

"Thanks" I bring it to my mouth. I can feel Minho's eyes on me, as I'm gulping down the water. I finish almost the whole bottle and give it back to Chan. His fingers start moving upwards and he leans back. His touch is so foreign yet so relieving in a way. Like I've been starving for ages and he just offered me food. He has never touched me in such a way and my skin starts to feel hot under his hand.

"Thirsty?" He whispers in my ear.

Jesus.

I fight a smile by pushing my lips together, but when his fingers inch closer to my core, I shallow so hard that it's almost audible. My legs move closer together, almost closing his hand between them but he moves it closer and closer to where I suddenly need him to. I bite my lip finally squeezing my thighs together, trying to bring his fingers even closer. He lets out a bearly audible laugh and tightens his grip. I let out a breath in frustration, suddenly grateful for how loud the movie is.

"Patience angel." I don't look at him but I bet his lips are in a smug ass grin.

God, I haven't been touched in that way for so long that I've forgotten how it feels, the burning in my lower belly or the aching between my legs.

"I told you not to call me that." The nickname sparks something inside me I place my hand on his thigh as well, turning to look at him. His smile slowly drops and my hand moves higher. Now it's my time to smile. Deep breaths are coming in and out of his nose. His hand rests on my thigh, not moving.

"Stop." He growls under his breath.

"No, you stop." I whisper to his ear, cupping his crotch. "I'm not a doll you can play with whenever you like." He draws his tongue over his bottom lip and then takes it between his teeth.

I wanna do that.

I tighten my hand around his dick, feeling him twitch in my palm. He turns to look at me, his eyes shifting under the dime lights, it's like they sparked, and with each second passing, they challenged me more and more. His gaze dropped to my lips and my heart started pouting in my chest, as he leaned forward. I immediately pulled my hand away and turned to my previous position, facing the tv.

"That's what I thought." He smirked and returned to his previous position as well, with his hand behind my head.

I stayed quiet for the rest of the movie, too stunned about what happened. Every time I'm near him, it's like my body has a mind of its own. He makes me act like a completely different person. I get overwhelmed and every time I need more and more. As the movie was playing, I slowly came to the realization of how much I am actually attracted to him. I haven't allowed myself to recognize my feelings for him, too caught up in everything that has been happening but it's easy for me to also realize how stupid it is of me to have any actual feelings for someone like him. Minho only likes to tease and annoy me, simply entertaining his own needs, so I force myself to stop thinking that it's anything more than that.

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"That was a fucking good movie." Felix stretches his hands. I blink several times, realizing that the movie has finished.

"Hyunjin fell asleep," Chan whispers with a grin across his face and everyone's head snaps to Hyunjin.

"Aww" I lift myself off of the couch and grab my phone to snap a picture of his sleeping face.

"I'll take him upstairs." Chan gets up and I begin to clean the coffee table.

"I'll help," Felix says. We gather everything and take the plates and glasses back to the kitchen.

"Are you staying here?" Felix asks while loading the dishwasher.

I shake my head "I think I'll head home in a few."

"I'll drive you." Minho walks into the kitchen, engaging in our conversation out of nowhere. This dude is everywhere, I swear.

"I can walk thanks." I offer him a tight smile.

"Y/n." Felix says in a scolding tone. "It's past midnight. It's better if Minho drives you."

"I'll be fine." I stand my ground.

Minho makes eye contact with me from the other side of the island. "I'm driving you home." He states and leaves the kitchen.

Felix takes a look over his shoulder to make sure he's gone and then gives me a knowing smile.

"No, stop." I defend immediately.

He lifts his hands. "I didn't say anything."

"Shut up, I know what you're thinking." I narrow my eyes.

"You're going to fuck at some point." He shrugs. "Bet."

"Felix! " I squeal, looking around to see if anyone has heard him.

"Just sayin'."

"I'm going home, bye." I raise my voice on purpose and he laughs. I make my way back to the living room to put my shoes on.

"You wanna go now?" Minho asks from the couch.

"I said I'll walk."

"Stop being so fucking stubborn," He grabs his phone from the coffee table and walks to me. "It's late and I have a car."

"Who says that I wanna be in a car with you?"

He lifts his eyebrows, almost like he's challenging me. "You got into Jeongin's car."

There we go.

"Jeongin's fun to be around." I shoot and his face breaks into a grin.

He says bye to Chan and walks up to me until only I'm able to hear him. "I can be plenty of fun." His voice drops. "Grab your stuff, I'll be waiting outside." He puts his shoes on in a swift motion and walks out the door.

I smile to myself, 'cause despite what I said, I really wanna be in a car with him. I walk back to the couch. "Bye Chan." I wrap my arms around his shoulders from the back.

"Bye, princess." He kisses my arm.

When I step out of the house the cold air hits me immediately, forcing me to lift my hands and wrap them around my upper body for support. Minho's leaning against his car, a cigarette between his lips. I've never really found smoking attractive but there's something about the way he does it, that it does seem, kinda attractive, I guess.

"So Jeongin's fun huh?" He blows out some smoke.

"He is actually." I keep my face straight and when I reach him I take his cigarette and bring it to my lips, but before I have a chance to take a hit he snaps it back.

"Not a chance."

"Why not?" I pout.

"Dancers don't smoke."

"That's bullshit." I scoff. "Besides, you're a dancer."

His eyes light up. "Fine. If you want it, come and get it." He takes a long drag and leans forward, holding the smoke in his mouth. His action is unexpected, sparking excitement inside me. 

"No thank you." I bring my lips to a tight line, understanding what he meant. He laughs and blows out the smoke. "Can we go? I'm cold." I shiver, causing his eyes to trail down my body, probably noticing that I don't have a jacket on and I shift under his gaze feeling uncomfortable. I hate it when people look that intensely at my body.

"Sure." He throws the cigarette on the ground, stepping on it. He unlocks the car and I let out a sigh of relief, once I'm inside.

He starts the car.

"Seatbelt," He says, exactly like he did the last time I was in his car. I reach for the seatbelt and put it on. 

The corner of his mouth lifts. "Good girl." 

My body tenses up. "Stop with the pet names." I manage to say.

He smirks." You love them."

"I don't"

"I can see the way your body reacts every time I call you something, you know." His eyes flicker to me.

"I hate you." I shake my head, not having anything to say back. I don't really know how to speak to him when he's like this. I don't know how we went from fighting to flirting, but I can't help this weird feeling that I shouldn't let myself enjoy it too much. This is dangerous territory. The thin line between playful fighting and flirting, and I'm not really sure if I should cross it or not.

He rests his head back. "Sure you do."

The dime light from the street lights falls on him perfectly. One hand gripping the wheel and the other resting on the closed window. Even the way he's driving is attractive and I let myself study him a bit more. I try to focus on the small details I notice about him, like the way his hands handle the wheel or the way his eyes move around the streets, alarmed yet relaxed in a way. I notice that as he focuses on the road, his lips pout slightly and his eyebrows frown.

"You're staring again." He says with a completely straight face and my eyes snap back to the road.

 "So, how do you know Kai?

His question takes me by surprise. "Um, I've seen him around the frat." He simply nods. "Checking out the competition?" I tease.

His teeth make an appearance. "There's no competition angel."

"You're so full of yourself." I scoff

He shrugs with a smile. "I'm just confident. I grew up having to fight for everything I've ever wanted. That made me rely on myself and myself only and soon I realized that if I try hard enough I can get anything I want."

This conversation took a huge turn and I find myself staring again, remembering everything he told me that night. "I'm the exact opposite." I turn to the road. "I'm one of those people who no matter how hard they try will always fail and I've reached a point where I've failed so many times that it makes me believe that maybe, I'm just not enough."

He keeps his eyes on the road. "You're more than enough. All of us are. There are always gonna be people that are going to make you feel like that, parents, friends, lovers, even yourself. But in the end, there's no such thing as being enough for anything. You're simply you. And that's more than enough."

I stare at his side profile as I let his words sink in and my heart warms. "How do you do that?" I honestly ask.

"How do I do what?" He glances at me only for a second.

"You're so confusing. How can you act like a complete dick one second and the next talk to me like that?"

At that, he laughs. "That's how I'll get you to be obsessed with me."

It's kinda working.

"No. That's how you'll get me to murder you."

He laughs again. He looks so different when he laughs. There's something addictive to the sight and for some reason, I wanna make him laugh again.

"I have a question. " I say.

His face twitches with interest. "If you ask one, I'll ask on."

"Deal." I fight a smile and clear my throat. I don't know when I'll ever get a chance like this again, so I think deeply. "Why did you quit dancing and turned to music?" There are so many things I wanna ask him. Like what he thinks about me, if he's ever been in love or his dreams about the future. I wanna get to know everything about him but I don't wanna push him. It seems like he's thinking about it cause he's biting the inside of his cheek, something I've seen him do before.

"I just couldn't." He finally said after 23 seconds of silence, which I counted out of anxiety that maybe I pushed him too far with my question. He takes a deep breath, preparing himself. "I was in a shitty place and I was a fucked up mess. I couldn't dance anymore cause I had nothing to express. Growing up I found myself going to the dance studio as an escape. All the anger and fear and absolute sadness I would hold inside, I would release through dancing. But at some point in my life, it became too much and I grew completely...numb, in a way. I couldn't dance anymore cause I wasn't able to feel anything. I was bearly alive."

I watch him carefully, the urge to simply touch him out of sympathy growing by the second. I wonder how much pain he holds inside. I'm dying to get to know him.

"Jisung was the one that introduced me to music." He continues. " He came into my life when I thought that I was done. If I didn't have him I probably wouldn't be alive right now. He was studying in Rome, forced by his parents into a career that he didn't want. He was suffering from depression and anxiety and couldn't do it anymore, so he left and came here."

I would have never imagined that such a bright person would have such a hard backstory, but then again the kindest people are the ones that have suffered the most. "How did you guys meet?"

He smiles just a little. "At a party, a frat party actually. It was my first year in college, as a dance major along with my sister. I was drunk, and got in a fight with some dude after I tried to fuck his girl."

I scranch my nose in diguast. "You're an ass."

"I didn't know." He rolls his eyes. "Plus she was the one that was rubbing her ass on my dick the whole night."

His vulgar words disturb me. "Continue." I clear my throat.

"Anyway, I passed out on the bathroom floor, completely wasted, and somehow the next day I woke up on a couch at an apartment I didn't know. Jisung took me to his and Seungmin's place. I will not go into detail but after that, he somehow became my best friend."

"Wait, they were living together?" I ask.

He nods. "Yeah, they were friends for years and when Jisung dropped out Seungmin offered him to come and live with him."

I feel like I'm missing something. "How old are you?" I turn to him.

He looks at me with a smirk. "I'm 25."

What?

My eyes widen. "How the fuck are you 25?"

He laughs at my shocked expression. "I told you, I was a dance major for 2 years until I switched. Jisung started studying music and it pulled me in immediately. Then in my second year, Chan started collecting us like Pokemon and now here we are."

I shake my head. "Wow." There's so much I still don't know about these boys. Each and every one of them has his own story yet somehow Chan managed to bring 5 different people together through music.

"My turn." He says.

"Your turn has to wait." I smile as he reaches my apartment complex. He stops the car and I remove my seatbelt. I try to open the door but it's locked.

"Unlock the car." I turn to meet his gaze. He's leaning against his car door, keeping one hand on the wheel.

"I'll ask my question first." His voice echoes through the car.

I bit my lip, fully understanding the situation that I'm in right now. Trapped in his car, with his eyes and full attention on me. "Fine, ask away."

He focuses on my face, searching and studying. "Are you still in love with him?"

I stiffen, knowing exactly who he's talking about. Even though he's the only one who knows about me and Jackson, the times that we've actually talked about it are few. In any other case, I would have avoided any question about him but it's something this specific question that made me straighten my back. "No," I say with full honesty. "And I don't think I was ever truly in love with him if I'm being honest."

"You weren't," He says, his voice strong and stable. "What you had, what he gave you, wasn't love." He spits the last words as if it's a joke.

"Maybe it's the love I deserved." My voice drops lower, almost to a whisper.

His head snapped in my direction and I immediately lower my head, suddenly not brave enough to look him in the eye.

"Look at me." He demands.

I shake my head. I can't, I feel too exposed right now. More than I've ever had in front of anyone other than Jackson or Chan.

His hand finds my jaw and grips it tightly, turning my head to him. His eyes are burning but the muscles on his face are relaxed. He leans closer, and my heart starts beating faster.

"I really hope I could prove you wrong." His thumb brushes my cheek.

Freeze, freeze, freeze. I wish I could freeze this moment. Make it last.

I hold my breath. " Why can't you?"

His eyes shift as he tilts his head to the side. His hand moves to the side of my face, brushing some of the stray hairs away, pushing them behind my ear. I feel myself leaning into his touch.

"Cause you deserve better than I can offer you."

The words feel heavy, in my heart, in my chest, and in my stomach so I drop my eyes, nodding several times. Somehow I knew that that was gonna be the case. From the moment I first saw him, I somehow knew that he carried a lot with him and as much as my feelings are pushing me towards him, I'm not in a place where I can get involved with someone that can't offer me all of him.

"I get it." I pull away from his touch.

"Y/n.." He sighs.

I grab my bag and open the door. He tries to grab my wrist. "No," I shake my head. "Stop confusing me." I sharply say. "I won't do this back and forth again. You either want something or you don't. So since you don't, please leave me alone." I get out of his car, my legs move as fast as they can up the stairs to my apartment and the moment I slam the door shut, the tears make their way down my cheeks silently.

[aenslem]

a very foking detailed GIF tutorial you asked for and how I color my gifs

However, I color them individually, so there will be explanation of tools I choose instead of showing what settings I used for this specific gif in this tutorial.

I will go through entire process of how I create gifs, the process of gifmaking can be different for others and there is no obligation of how to create a gif. Basically, do it however you like and enjoy the process.

this is part I, part II is here\in reblogs.

First, you will need to prepare everything, you choose the moment you want to gif and make screencaps. I use mpv player to create them, here is a great tutorial on how to install it. So I won't go over it, just follow it and or use another player which allows to make screencaps, such as kmplayer.

Once you make screencaps go to photoshop - file - scripts - load files into stack - browse - select screencaps and upload them.

At this point I will also add that I use keyboard shortcuts a lot, you can set them up to your preference, that is much easier for me and might be for you too, and I am so used to them that I forget where are some settings. You can do it from edit - keyboard shortcuts, you may set up anything there.

You will have all screencaps uploaded into one file. Once I have it I change canvas/image size, I also remove 10 pixels from each side, because I hate that some files have that weird black line which looks awful on gifs. But that's up to you. Use proper dimensions for tumblr, that is important since your gifs will look 'not good' when you upload them. I will go with 540x500px this time. (correct dimensions for tumblr are 540px for big gifs, 268px for two gifs along each other and 177-178-177px for the three gifs together)

Go to images - image size (crtl+alt+i) and change the size.

After that I make animation, because without it we would not be able to convert all the screencaps into smart filters. Go to windows - timeline

you will have something like this by default

click on create frame animation - then on 4 horizontal lines which will open menu - make frames from layers

click on convert to video timeline (that 3 horizontal lines and 1 vertical line or whatever it is, right under the first layer) you will get something like this.

now, this will be animated. If you choose convert to video timeline right away it will not be animated.

Now, select all the layers - filters - convert to smart filters

You will have something like this, and if you play it - it will be animated anyway. That way you can edit ALL the screencaps at once.

I usually start with sharpening, settings may change according to the files I have, for some you will need more sharpening, for some less. I go with filters - sharpen - smart sharpen and usually that's enough

but I sometimes add more sharpening, just change radius to 0,2. So, repeat the action.

You will have it like this

and at any point of making gif you will be able to change settings for it, if after coloring it will look not as good as you wanted to.

I will not go into a lot of details about coloring for this gif, because does not matter how good the coloring on this gif will be, it won't work as good on another gif.

There is no right way to start coloring, you may start with curves, levels or selective colors depending on the screencaps you want to edit.

Well, this time I did start with layer - new adjustment layer - curves. (yeah, i guess by the end of the day we all do lmao) (Always use 'layer - new adjustment layer'. That's the only thing I suggest to remember when you color. ) Just to brighten gif a little bit, but you also can change colors with it.

those are not settings I used for this gif!

Curves have option to edit colors, just press RGB and you will see options for RED, GREEN, BLUE. Upper slider adds the said color, the slider at the bottom removes it. That's a great tool if you have a very red\yellow\blue\green scene, with those settings and moving sliders here and there you will be able to add the color you want, for red scene I suggest to use more green and blue, as well as for yellows but with less green. Just move them to see what fits your gif better.

there are also eyedrop tools which will help you to edit picture, with the first one you need to find the darkest part of your gif and click, it will adjust your picture according to it. If there's too much red, it will make it bluer, etc. The middle one is the one I use the most out of them, cos it changes the midtones, it's great if you have very yellow picture, just press the yellow part and it will make it bluer\greenish, depends on the picture, and then you can adjust it to make it look better. And the last one you can use to lighten picture as well, just find the brightest part of the picture and press it. It will adjust other colors accordingly.

I like to play with settings, I could add more darkness to the gif by levels, by selective colors making dark colors even darker, but sometimes I just use layer - new adjustment layer - black & white. Putting it on soft light blending mode and changing opacity. Idk, I like the effect :D Also, by using these, you will be able to darken part or lighten specific colors

so yeah, play around and figure out what is the best way for you.

after that I used layer - new adjustment layer - selective colors. I think this is one of my favorite tools out there, I love it, I usually end up with 30 selective color layers if I make a super complex gif :D

You can change colors with it, make them more vibrant, or less.

for each color you will have 'cyan, magenta, yellow and black' and by dragging sliders you can change colors, make them darker or lighter for the lovers of those paster gifs :D

But don't worry, that's not where I will go with the gif, so it will look better, i promise.

You know how much I love making blue even more blue. So I go with more selective color layers to enhance it.

You do not have to use just one, and you won't be able to make it with just one sometimes. So add as many as you like to get the result you want.

next is one of my favorites - layers - adjustment layers - levels

with it you can darken colors or lighten them, there's also auto, as well as on curves, which will find the most suitable settings for your picture.

I hardly ever change the middle slider, cos

nope.

so, we are at this part of the gif by dragging sliders.

next one I used is layers - adjustment layers - color balance. right now I will stop adding directory, this tutorial is already long enough, so most of the things are there in layers - adjustment layers.

Absolutely love it, most of settings do the same things but a little differently, this one changes colors but also entire picture, not just part of it. You have shadows, midtones and highlights

Each of them is really great when you have a yellow\red\blue\green picture to edit. And each of them has 3 sliders cyan\magenta\yellow.

You see, if you drags sliders the other way it will make picture more yellow.

END OF PART I

since tumblr

[zer05trange]

Roaring Sea

VIII. Blue Velvet Pouch

⋆｡°✩ (childe x fem!reader)✩°｡⋆

⋆｡°✩ premise: A few years later, you spend a few quiet moments in your new home, before setting off in the frosty air of your nation's winter.

⋆｡°✩warnings: none!

⋆｡°✩ series masterlist

There's beauty in silence. Not a complete silence, but a welcoming quietness that looms around a home. Specifically, the silence of the morning. 

You stand in your kitchen, your new kitchen, in solitude and silence. The lack of sound only amplifies your other senses, and the croissants you pulled out of your oven are filling your large home with their scent. 

It’s taking some harsh adjusting to, but your new living space has become a home to you. It’s large, much bigger than the humble apartment above your bakery. It overlooks all of Snezhnaya, each window displaying a gorgeous view of your nation. It is way fancier than any house you’ve been in, and you imagine that the rest of the houses by it are as nice too. The other houses, of course, belong to the remaining harbingers. 

You’re thankful that in the few years you’ve lived here, you haven’t met most of your neighbors. Not that they have any interest in you, but they’re part of the reason why you were so hesitant to move in. 

“Good morning,” You hear from outside the oversized room. Ajax makes his way down the elegant staircase and into the kitchen, dressed to fit the cold weather outside. 

“Where are you going?” You ask as he makes his way closer to you, puzzled at how clothed he is this early in the morning. 

“I have to finish some paperwork,” He sighs as he stands right next to you and picks up a croissant.

“You just got back, though,” You sip on your warm drink, bumping your hip into his, “You gonna be back by tonight?”

“Yeah, are you checking in with the bakery today?” He asks.

“Mhm, I need to make sure our new manager has everything under control,” You respond, biting into your own pastry. 

“I’ll be back before you’re home, then,” He responds, taking your free hand and fiddling with the ring on your finger. You look up at him with a tired smile, unashamedly admiring him as you put down your food. He smiles back, his closed lips holding a mouthful of bread. 

“You know, if I could,” He swallows, “I’d stay here all day with you, all week even.” 

“Sappy,” You roll your eyes, and turn to refill your drink. He grabs your arm and twirls you back around, pulling you closer to his chest. You grunt from the force of your cheek hitting his coated chest, causing him to pull away from you for a moment. 

“What? Is my жена already tired of me?” He asks, in a joking tone. 

“No, your жена hasn’t woken up yet,” You look up at him, with your eyebags on display. He laughs at your comment, and you have no idea where he gets that energy that early.

You can’t help but smile at the man through your tiredness, though. You reach up to place a kiss on his lips, and you can feel him smile before he returns the favor. You stay like that for a moment, before you feel the heat of his lips disappear.

“I have to go,” He pulls away from you. You nod, looking up at him once again. You straighten his thick scarlet scarf that drooped down below his neck, before kissing him one last time. He heads toward the front door of your large house, his heavy boots clanking against the expensive floor with each step. He says goodbye, I love you, and a promise to come home alive, all three being a daily occurrence in his morning routine. 

You finish your breakfast before heading upstairs to your shared bedroom, ready to get dressed for the day. You pass through your bedroom and into your closet, putting at least three layers on to protect yourself from the nation’s frost. After donning your final coat, you head back to your bedroom. A glimmer catches your eye, and you turn your head.

A small velvet pouch sits on the made bed. The exact same blue bag Ajax had given you the first night you met him. You walk over to it, sitting on your bed beside it. You pick it up and hold it in your hands before opening it. Inside, you pull out a small press-dried glaze lily, a necklace with a beautifully shaped cor lapis charm, and a folded piece of paper. You open the paper, and it’s clear to be a written letter from Ajax.

Лисичка, 

You know apologies are not my strongest suit, but I would like to say I’m sorry for leaving you alone in our home for months at a time, and not being here as much as I want. 

As I’m writing this, I’m waiting for my ship on Liyue harbor, and I cannot get you out of my mind. What a wonderful woman I’ve married! One that lets me be away from her for work, but is ready to accept me back the moment I’m home. One that forgave me on a harbor very much like the one I’m on, when I messed up in what I thought was an unforgivable mistake. One that has so much love to give, and one that accepts the crazy and undying love coming from myself. 

I was talking to Mr. Zhongli, and he helped me pick out this necklace for you. The glaze lily I picked for myself. It reminds me of the night when you gave into my annoying ways, and let me spend time with you. 

I'm not good with word, but I guess what I’m trying to say is that you are everything to me. Anything and everything. And I couldn’t be more grateful that you let me into your busy life with open arms. I promise to love you more and more with each letter I write, each expedition, and each day.

– Ajax

You fold the letter back up, not realizing a spare tear escaped from your left eye. Doesn’t he know what he does to you? You let yourself sit and soak in the letter’s contents for a moment, before realizing that it’s best to leave soon for the bakery.

You have one more thing to do, and that is to put on the gorgeous golden necklace. You carefully place the flower and letter back into the pouch before putting it into your pocket. You head downstairs and out the door, where the coldness of Snezhnaya seems more forgiving to you this morning.

 ⋆｡°✩translation: жена wife

⋆｡°✩a/n: Thank y'all so much for reading!! I hope to start writing another chapter story soon <3 and my request box is open as of right now!! I hope yall enjoyed reading this as much as I enjoyed writing it!

⋆｡°✩tag list: @inlovewithlondonn @zamorazz @ay4tou @kur0melon @boomie-123 @esthelily @i-simp-for-giyuu @itsflowerdomethings @whatamidoing89 @luvrkise @ninjaartsimping

[lopeirce]

do you think you could please do a tutorial for your greys anatomy edit (kinda similar to your brittana edits) i'm shocked if no one has ever asked you before for tutorials (and if you do i'd love to see them) your edits are so gorg and you're incredibly talented !

Totally! Bare with me, this is my first tutorial in like 8 years. Haha. I'll show you how I made this one:

For reference, I use Photoshop CS5. (My computer hates the newer versions. It'll run three different video editing softwares but hates photoshop. Idk lol.)

Okay, first you want to make 2 gifs with the same amount of frames. That's important. And then you want to convert them to a smart object.

So we have these two gifs.

Now, depending on what you're doing, you can do this next step now or you can color your gifs how you like, save them separately and then reopen them with all the coloring on them. Sometimes I do this if I'm working with a lot of effects but since these two gifs have the same coloring, we're going right click on one of them (it doesn't matter which one tbh) and you're going to select "duplicate layer"

A little box will pop up and this is where you're going to select the project name that you want to essentially paste this gif on top of.

Set the top gif to Screen.

The first thing I usually do is sharpen them. So I use Smart Sharpen and Unsharp Mask with these settings:

With Unsharp Mask, you have to tweak them depending on the gif, quality, what effect you're going for, etc.

Then we add some basic coloring:

Now, I have a base for specific shows because all shows are colored different. Grey's is more blue toned whereas Glee is more yellow toned. However, since coloring is a bitch sometimes, I'll add a PSD that I use ALOT. You can download it here.

So now that we've sharpened and added some coloring, this is what we have (separately):

This is what it looks like after I set it to Screen (and I moved the top gif a little to the right.)

Obviously, we need to get rid of those lines and make it so that each gif is more visible.

So now we blend.

On the top gif, you're going to add a layer mask to that gif. So with that top gif selected, you're going to select the mask button that looks like this:

Select your brush tool and use a soft brush to erase what you want from the background of each gif. (Make sure to repeat the previous steps to get a layer mask on the bottom gif.)

I have this now, after using the brush tool.

As you can see, it's very blue and I wasn't feeling blue for this gif so we want to change blue color. That's where the Selective Color comes in.

We're going to get rid of that cyan tone. So you're going to add adjustment layer and select Selective Color.

All I did for this one was adjust the cyan tones in the drop down box.

Now we have a pretty purple tone!

Now, we're going to add a light grey squareish box this to outline.

Set the blending mode to exclusion. To get the bar (and we'll do this again with the text) you're going to select the FX icon.

Select Color Overlay. A box will popup. You're going to set the blending mode to Color and then select whatever color you want the bar to be. (If it comes out with too much white, adjust the color of the bar itself to a darker shade.)

Lastly, we're going to add our text. For this gif I used Magnolia Script and Montserrat.

To get the purple effect on the "The Story" text, you're going to do the same thing you just did for the bar.

Voila! I hope this helped. If you need any further assistance, I'm always happy to help!

[kimeoshi]

HEY YOU

Um...

Hi hope you're having a a wonderful day

I just wanted to ask since you're a digital artist... how do you color your art?? Because I'm a traditional artist trying to become a digital artist but I have no clue how to color my work (I made the mistake of using 'fill' on ibis paint before realizing oh wait that's not how digital artists color their work dummy) like I know base color and all that but the layers... how... How color? Line art no fun...

*cries*

I have no idea what I'm doing 😭

Don't feel pressured to answer this or anything, just thought to ask you since your art is so CRUNCHY I LOVE IT

Hello there!! I hope you're having a nice day as well

Sure! I'm very happy you like my art and as I also started as a traditional artist, I'm glad to entail some tips! :]

Base colors:

After finishing the lineart (can be sketch too), I use the Magic Wand tool and click it on outside of the lineart. This will give you a silhouette, but in the wrong space. Therefore, we have to go to 'Selection -> Inverse selection', after, you can proceed to use the fill tool on a separate new layer, beneath the lineart.

(Advanced tip: if you use Clip Studio Paint (CSP), there's an asset called 'Erase Along Edge'. Set your lineart layer to a reference layer (light house icon) and you can continue to erase and adjust the silhouette more easily with this eraser!)

Next, make a folder, clip it down to the silhouette, within this folder, add separate layers for each base color. This will help you manage your colors more effectively.

Shading:

This is extremely tricky and I cannot give a standardized process for this, but I'll attempt to do so. There are much better ways to do this I'm sure, the one I entail on forward is a bit time consuming (but it might only be a personal thing as I tend to over-render)

My method:

For a simplified method, skip all the purple colored parts of text.

We are going to continue working here:

I fill a separate layer with all black, and set the layer to color mode. This is to help us see the values better. Should we play around with contrast, brightness, focus points etc.

Then, with a layer, set to multiply mode, I begin shading shadows. Can be grey for now.

After I'm done, I use a layer to block out bright parts, with white. It makes it very dramatic, bless. (You can use different colors for this of course, I just keep this specifically very bright.)

Additionally, make a separate layer, use it for reflection lights with a lightish gray.

Adjust, add, tweak layers to ensure your overall image meets your expectations, including background. Most of the times, I even additionally paint a complete image by blocking out bigger shapes (messy and undefined) to see how the values should match in this stage.

Simplified demonstration:

We'll come back to these layers later.

Hide the previous black color layer. We now have colors again, but it's all so muddy.

Therefore, we alpha lock our previous layers of shading, and fill it over with colors. Unsatisfied by any colors? Use the Hue/Saturation/Brightness sliders or add a new correction layer. Important thing to note that you can use other colors than this purple/blue one in the image below for the multiply layer.

I use correction layers unapologetically. My favourite is Tone Curve + Gradient Map.

Naturally, I have a lot more layers than this in the demonstrated picture, such as Overlay layers to emphasize focus points or further darkening parts with multiply layers, etc. I do most of the hard work during rendering stage! Excuse me for the low effort rubber duck also hahah. Here's a closer example for what I usually do:

All we got left to do is Rendering (painting over mistakes) and Effects. I cannot give much advice on Rendering, it's pretty much the same as in traditional art.

Effects:

I sometimes leave little speckles/sparkles over my art to make it more detailed.

After, there can be correction layers, simply to adjust the final look.

I usually save the image as png or jpg (or in CSP case, merge all visible layers to a new layer) and add noise.

Sometimes, when I just want to post a sketch I add a 3d effect but in Photoshop. It helps a bit in faking extra details.

That's the end of my process! I hope this proved of help, and I wish you a smooth journey :D In the future, I can post timeline speed paints, if there is interest.

My other related threads are this (on my process) and this (on mindset and learning).

You can see me working in action through gifs here. (The gifs include extra planning stages (mentioned in the previous 'on my process' thread, but they follow the same principles I mentioned.)

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Another note: it is possible to get a cracked version of CSP, which I won't entail because of account safety reasons, but if you research it, a pointer I can give is that the distributor's name starts with 'o'.