#each character is the main character in their own life.

[arrimorr]

Alright,

A base lore info about my setting.

Most of it was yapped away through the asks already, but I decided that it's still worth to organise this stuff in a coherent manner. This text also doesn't really touch on the character's arcs and their relationships with each other. This is more about the wider setting.

SHORT VERSION:

Tginf is a horror roadtrip game I'm planning to make. Embark on a terribly convoluted forest car ride with different local creatures hitchhiking your car.

EXTENDED VERSION:

The main character: You (are going to) play as the Nameless, a 20+ year old without a name, a concrete gender or any understanding of who they should become to avoid getting crushed by a closing in adult life.

The forest:

The forest they got unlucky to travel through is a strict eco system. Everything not useful to it gets digested by it. Literally slowly disintegrated to at least feed the soil. At least this process takes some time.

The feudals:

Luckily, the forest road is ruled by three higher beings, that can save the useless travelers and give each of them a useful (in their opinion) role to play.

The names of the feudals are: the Oxygen, the King of the road, the Mine.

You can easily envision their domains if you split the forest space in three layers. Everything thats above it, everything that is on the ground, and everything below it. Every forest entity that the Nameless encounter serves one of them.

Because their territories are literally stacked on top of each other, the three don't get along particularly well and have been in a territorial conflict for centuries. For feudals, acquiring new followers through picking up the stranded and lost is another way of getting new recources in it.

The specifics of each feudal and their individual followers:

The Oxygen:

The Oxygen is physically invincible and, because of that, she never had to rely on anyone in her existence. This had a big effect on her personality. Unlike the King of the Road and the Mine, she doesn't really NEED followers. She can create servants out of thin air, like she did with the Dummy*. She picks up the travelers for her own amusement, and because the King and the Mine are invested in collecting them.

Her followers are:

The Dummy,

the Diver,

the Time Seller.

* The Dummy was created as a jab at the King of the Road's second hand - the Knight.

* The Diver is there as a statement of ineffectiveness on the King's ruling manner. He does the same job his followers do, but with one important change added.

* The Time seller was made into a tiger, because the Oxygen wanted to see what would happen if she fully dehumanises somebody. She likes experimenting like that.

The King of the Road:

The King of the road is very physically fragile. He needs protection, and, despite his rather gentle demeanor, time made him paranoid and fixated on the idea of control. He collects the followers to avoid any new and unpredictable variables appearing in the forest.

Through trial and error, he came to a conclusion that love is the greatest source of loyalty and motivation, so he tampers with his followers' brains to make sure they love him and the work he gives them.

His followers are:

the Tennant,

the Radio host,

(Sorry, don't have a proper picture of her yet, since her main way of communication is...well...radio, and because I ran into Tumblr's picture per post limit, I decided to cut what I had of her imagery away)

the Knight.

*The Forest is full of eldritch, sentient and, most importantly, hungry places, such as the house, the radio tower and the grand lake. The King aims to station his followers in them, so they are in his area of control too. The Tennant and the Radio host view their designated places as if they are their marriage partners. They love them, they provide for them.

*The King also prefers to take his time before taking a new follower in. After all, the more he waits, the more the traveler gets digested by the forest, allowing the King to rebuild his new follower to his liking. Sadly, the opportunity to wait long enough rarely presents itself because of the Oxygen and the Mine interfering all the time, thus, the only follower he got to fully reconstruct from the state of blank meat was the Knight. This made him the most predictable and by extension the most trustworthy being in the forest to him.

The Mine:

About a year ago I watched a documentary about mine workers. A part of it was dedicated to the fact, that, in case of that particular mine, people should have been working inside of it 24/7, otherwise the tunnels were guaranteed to slowly become toxic. What caught my attention was the way they spoke about it. They said something along the lines of "otherwise she would start to suffocate". And that unexpected personification never left my mind ever since.

SO, the Mine in tginf sufferers from a constant lack of oxygen, and starts to gradually suffocate if there's is no one performing the maintenance work inside of her. The problem is - she is toxic, thus none of her followers live particularly long inside of her. Which places her in a constant struggle to get herself the new ones. She lets her followers out on the road only for one purpose - to promote the service to her to the new travelers. Followers like that are all called Pr agents. Out of the three feudals, the Mine is the most reliant on others to survive.

Her followers are, you won't believe it:

Pr agent 117, Pr agent 121, Pr agent 124/178 (the number changes depending on the story route)

( sorry (2) 😭 had to collage them bc of the picture count limitation)

*None of them lived long enough to meet the other.

I also made a voice claim post some time ago, you can check it out to feel the characters too

[requiemforthepoets]

you’re the only friend i need ⟢ OP81

PAIRINGS: oscar piastri x female!reader

SUMMARY: you and oscar were always two peas on a pod. people would often wonder how you, a troublesome kid in brighton, had managed to befriend the calm and reserve boy, oscar piastri. it was truly a wonder.

REMINDERS: this is purely fiction, the way how the character is portrayed in my story does not reflect the person that is portraying my character in real life. always separate fiction from reality, and do not repost or copy my work in any way.

WARNINGS: no use of y/n, angst, heavy feeling fic, implied main character death (mcd), unsaid feelings, mentions of disease (leukemia), mentions of wound and bleeding, googled medical stuff, medical inaccuracies, inaccurate info, reader is a bit of a troublemaker, fast paced-ish, there are unrealistic medical stuff, and minor typographical errors.

WORD COUNT: 12.3k

AUTHOR’S NOTE: this fic is pure angst, there is no happy ending for this one. so if this is not your cup of tea, it’s better you stop reading from here on out. there will be no other part of this fic, bc i’m don’t really know how to pen the rest of the fic (sorry ><), i’m satisfied with the ending of this one. this fic is a love child of me loving childhood nostalgia and coming-of-age genre, and it was also the vibe the i get whenever i hear ‘ribs’ by lorde, bc i SWEAR that song never fails to make me feel stuff +++ the childhood drink, i only had googled it, so if i have any australian reader here, pls feel free to correct me. your comments/reblogs is always appreciated, i hope that you’ll like this one! :)

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You and Oscar Piastri had always been inseparable, practically joined at the hip since the moment your parents introduced you as toddlers. Living right next door to each other in a quiet suburban neighborhood in Brighton, meant that your lives intertwined in a way that felt natural, as if you had always been destined to be a part of one another’s stories. Your parents, close friends long before either of you were born, often joked that it was inevitable that you two would end up being close. Whether it was playdates during the day or sleepovers at night, there was rarely a time when you and Oscar weren’t together.

Sleepovers were always your favorite. Your parents would bring you to Oscar's house with a hastily packed bag, and Nicole and Chris would always welcome you as if you were one of their own. Nicole always had snacks ready—popcorn, biscuits, and sometimes her famous chocolate cake, and how Chris would sometimes tease you both about staying up too late. You and Oscar never really did listen to him, though.

Once the lights were out and the world outside went quiet, you and Oscar would sneak flashlights under the covers, building forts out of blankets and couch cushions. Inside your makeshift castles, you would whisper to each other in the dark, sharing stories that veeted from spine-tingling ghost tales to ridiculous made-up adventures that had you both doubled over with laughter. It was not uncommon for you to laugh so hard your ribs hurt, clutching your sides as Oscar tried, and failed, to stifle his giggles so you would not wake his parents up.

Oscar, even as a kid, was calm and easygoing, which is a perfect counterbalance to your boundless energy and knack for trouble. He was steady, level-headed, and rarely got into trouble, whilst you had a knack for finding mischief, dragging Oscar along for the ride more than not—daring him to climb trees or riding bikes faster than you should’ve, to name a few.

Your parents, on more occasions than they could count, ended up at their wits end because of your antics. From sneaking out past curfew to explore the neighborhood to accidentally setting off store alarms because you thought it would be funny to hide in a display, you always found a way to test the limits of patience. More often than not, you did get caught—whether it was by a passing neighbor, security, or the occasional local police officer, you somehow always managed to land yourself in trouble—but never anything too serious.

It was usually enough to warrant a lecture from your own parents and a lot of head-shaking from Oscar’s. Despite it all, Nicole and Chris never seemed to hold it against you. They’re just kids, Nicole would say, a soft smile on her face. As long as you’re not doing anything dangerous, it’s fine. Chris would usually chime in on the conversation with a mock-serious, just don’t do drugs, alright? his tone was always lighthearted, but you knew they meant it. You would just laugh it off, promising to behave, even though everyone knew that promise would be short-lived.

Your bond with Oscar extended to his entire family. His younger sister—Hattie, Edie, and Mae, all adored you, looking up to you like the cool older sibling they didn’t have. You would play dress-up with them, let them braid your hair, and sometimes even join them for impromptu tea parties. They would giggle uncomfortably at your dramatic impressions of princesses and villains, their laughter echoing through the house. Nicole often remarked how good you were with them, and Chris would joke that you were training to be a babysitter.

Your home as well was equally a second home for Oscar. Your parents trusted him implicitly, often leaving him in charge when they needed someone to keep you grounded. He had this knack for calming you down whenever you’re in one of your hyperactive moods, his steady demeanor a much-needed anchor to your whirlwind of personality. Oscar often got praised by your parents, calling him the voice of reason in your friendship dynamic. But even they couldn’t stay mad for long when Oscar ended up being roped into your schemes. They would shake their heads and sigh, but deep down, they were glad you had someone like Oscar in your life—someone who did not just tolerate your chaos, but embraced it in his own quiet way.

Growing up with Oscar was more than just having a best friend, it was having a partner in every memory worth keeping. From lazy afternoons spent sprawled out on the grass, staring at the clouds, to winter nights curled up on the couch watching movies, every moment with Oscar felt like an adventure.

You had suddenly remembered that one time—it was the kind of night that felt alive, the air cool but not biting, sky’s a velvet canvas scattered with stars. You had been sitting on the edge of your bed, staring aimlessly at the analog clog, when the idea hit you—a reckless, wild idea that made your heart race with excitement. Sneaking out was not new to you, but this time, you wanted company. Specifically, you wanted Oscar.

Convincing him was not really easy. You had climbed through his bedroom window—something you had done far more time than you could count, and found him already half-asleep, wrapped in his favorite blanket with his hair sticking up at odd angles.

“What are you doing?” he mumbled groggily, squinting at you.

“Come on, we’re going out,” you whispered, a grin spreading across your face.

“Out where?” he asked, rubbing his eyes, though you could hear the reluctance in his voice. “It’s already late at night.”

“Just get dressed. Trust me, you’ll love it.” you smiled.

Oscar groaned, muttering something about how this was a terrible idea, but eventually, he swung his legs out of his bed and grabbed a hoodie. You knew that he would come around, he always did. By the time you reached the abandoned public pool, the chain-linked fence loomed in front of you, its weathered surface dotted with a big faded NO TRESPASSING sign.

He stopped in his tracks, crossing his arms. “You dragged me out of bed for this? We’re not getting in.”

“Oh have a little faith, would you,” you said, as you pull out a pair of heavy-duty bolt cutters.

He stared at you, blinking slowly. “You’re kidding.”

“Nope.” you replied, popping the p.

“You stole those, didn’t you?” Oscar questioned.

“Borrowed,” you corrected, grinning mischievously as you hefted the tool.

Oscar sighed, the kind of exasperated sigh he seemed to reserve exclusively for you. “You’re insane.”

“And you love it,” you teased, motioning for him to follow you.

You led him to the back of the pool area, where the bushes grew thick and wild, partially hiding the fence. Kneeling down, you positioned the bolt cutters against the rusted metal links and started to work. The snap of metal breaking was surprisingly loud in the quiet night, but you pressed on, ignoring Oscar’s whispered protest.

“This is such a bad idea,” he muttered, glancing over his shoulder as if expecting someone to appear. “If we get caught—”

“We won’t get caught,” you interrupted, voice calm but firm. “Relax, Osc. I’ve done this before.”

“That’s not exactly comforting,” he said, but voice softened when he saw the concentration on your face. “You’re weirdly good at that,” he admitted after a moment, watching as you expertly cut a hole big enough for the two of you to crawl through.

“Why thank you, my good sir,” you said, brushing the dirt off your hands as you stepped back to admire your work. “Now come on, ladies first.” you teased, to which he just rolled his eyes at you.

Oscar followed you through the gap in the fence, grumbling under his breath but too curious to stop. The pool stretched out in front of you, its surface shimmering faintly under the moonlight. Despite the place being abandoned, the water was crystal clear, a testament to whoever was still maintaining it.

“So this is your idea of fun in the middle of the night?” he asked, tone caught between disbelief and amusement.

“Yep.” you smiled.

Shaking his head, he trailed after you to one of the old sunbeds. You plopped down first, stretching out and tilting your head back to gaze at the stars. After a moment, he sat down beside you, arms resting on his knees. For a while, neither of you spoke. The night was so still that the faint rustle of leaves and the distant hum of crickets felt almost amplified. It was peaceful in a way that made the world beyond the fence feel far away and unimportant.

“You really come here a lot?” Oscar finally asked, breaking the silence.

“Yeah, but somehow, they found where I would sneak in and boarded it off.” you said softly. “It’s kind of my spot. No one bothers me here, and I can think peacefully.”

He glanced over at you, expression unreadable. “It’s nice,” he admitted, voice low.

“Told you,” you said with a small smirk, nudging him with your shoulder.

Oscar chuckled, shaking his head. “I still think you’re insane. But thanks for bringing me here.”

“See? You love it!” you teased again, but this time, your tone was gentle.

He didn’t argue back, just leaned back on his elbows and looked up at the stars. For all his initial protests, you could tell he was enjoying himself.

The quiet stillness of the night surrounded you as you sat on the sunbeds, gazing up at the sky. The stars seemed to shimmer more brightly than usual, scattered across the inky darkness like tiny diamonds. The gentle hum of crickets filled the silence, a soothing backdrop to your thoughts. You turned your head slightly, glancing at Oscar, who was leaning back, arms folded behind his head, and face relaxed but thoughtful.

“So,” you started this time, breaking the silence. “How’s karting going for you?”

Oscar turned his head towards you, brow lifting slightly. “It’s going good,” he said, tone casual, but there was a spark in his eyes as he spoke. “I’ve got another competition coming up soon. You’d know all about it if you actually came to one for once.”

You rolled your eyes, smiling a little. “You know that karting isn’t my thing.”

“Not your thing,” he repeated, almost scoffing, though there was no malice in it. “You’ve been saying that for years. You’ve never even given it a chance.”

“I cheer for you in spirit,” you said, leaning back against the sunbed with a grin. “That counts, right?”

Oscar let out a soft laugh, shaking his head. “You’re impossible. But seriously, you should come sometime. It’s not just about the racing—you’d see what it’s all about. Besides, my family would love to have you there.”

“I know,” you said quietly, gaze drifting back to the stars. “But I don’t need to be there to know you’re amazing. I’m always proud of you, you know that.”

He smiled softened at your words, and for a moment, neither of you said anything. Then, as if something had been weighing on him, he spoke again.

“I’ve been meaning to tell you,” he began, voice a little hesitant, “I’m probably moving to the UK soon. There’s more opportunity there for racing. Better teams, better chances to make it in F1.”

The words hung in the air between you, and for a brief moment, you didn’t know to respond to Oscar. You felt a slight pinch in your chest, a dull ache you could not quite place. But as always, you pushed it aside, refusing to let it show.

“Oh, wow,” you said, turning to him with a smile that you hoped didn’t look forced. “So, you’re leaving me, huh?”

Oscar gave you a look—half amused, half exasperated. “I’m not leaving you,” he said firmly. “It’s just something I need to do.”

“Sure, sure,” you teased, poking his arm lightly. “Just don’t forget me when you’re already a big shot in F1, okay? Don’t pretend you don’t know me when I show up at one of your races, like, hey, remember me? The one dragged you into all her bad ideas?”

He laughed, shaking his head. “Like I could ever forget you. You’d probably try and break into the paddock if I didn’t let you in.”

“Exactly,” you said with a grin, though your chest still felt tight.

Oscar tilted his head, looking at you more seriously now. “What about you?” he asked. “What do you want to do? Where do you see yourself in a few years?”

You hesitated, staring back up at the sky as if the stars might have an answer for you. The truth was, you did not know at all. You never had. The thought of planning your life out like that felt daunting, like trying to catch smoke in your hands.

“Honestly, I don’t know,” you admitted finally, voice soft. “As cliché as it sounds, I guess I’ll just…go with the flow. See where life takes me.”

Oscar studied your face for a moment, gaze thoughtful. “That’s not a bad thing, you know,” he said. “Some people tend to spend their whole lives planning and never stop to actually live.”

You turned your head to him, surprised by his words. You know that Oscar was philosophical in some type of way, and it always surprises you, but there was something reassuring in the way he said it.

“Yeah,” you murmured, offering him a smile. “Maybe.”

You reached inside of your jacket and pulled out two juice boxes of sunshine punch. You tossed one to Oscar, who caught it with a raised eyebrow.

“Sunshine punch? Really?” he asked, tone teasing as he turned the box over in his hands.

“I know, I’m the best, aren’t I?” you replied, already poking the straw into yours and taking a sip.

Oscar gave you a small shake of his head but didn’t argue. He was not a fan of the drink, you both knew that early on, but he appreciated the gesture. He poked the straw in, took a small sip, and scrunched his nose lightly. You just laughed quietly to yourself, looking out at the pool.

The water glistened under the moonlight, a perfect reflection of the pale orb in the sky. Silence between you was comfortable, just the two of you simply drinking your juice boxes, watching the faint ripple of water and the shadows cast by the surrounding bushes. But then, a sharp flash of light broke through the calm, your heart jumped as the beam of a flashlight swept across the area. You then froze, juice box in hand, while Oscar turned to look at you, confused.

“Finish your juice box,” you whispered urgently, quickly sipping the last of your drink and tossing the empty juice box into a trash bin.

“What “ Oscar whispered back, voice incredulous. “Why?”

“Just do it!” you urged, voice tight as your eyes scanned the area for a hiding spot.

Lscar grumbled, not really happy that you were hurrying him with his juice box, but he drank it quickly. You were already moving, searching desperately for somewhere you and Oscar could hide, but there was nothing. No bushes dense enough, no shadows deep enough. The pool shimmered ominously in your peripheral vision as the flashlight beam drew closer.

“Hold your breath,” you whispered sharply, grabbing Oscar’s wrist.

“Wait, what—” he started, but you didn’t give Oscar the chance to finish.

You yanked him forward, making him drop the juice box to the ground, and without a second thought, you pushed him into the pool. The water was shockingly cold against your skin as you followed him in, the splash louder than you had hoped. You gestured quickly at Oscar, motioning for him to stay under and not make any movement. His expression was a mixture of disbelief and panic, but he nodded, holding his breath as the two of you sank just beneath the surface.

The water muffled everything���whistle of the night, rustle of leaves, even your own heartbeat pounding in your ears. Above you, the flashlight beam danced across the pool’s surface, light refracting and breaking into shimmering fragments underwater. You held your breath as tightly as you held onto the pool ladder near you, praying you wouldn’t need to come up too soon.

Bright light lingered near the spot where you and Oscar were submerged. You could feel the tension radiating off of Oscar, his body still beside yours. The seconds stretched into what felt like an eternity, every muscle in your body tensed. Finally, the light shifted, moving away from your side of the pool. You waited until the beam disappeared entirely before you tapped Oscar’s arm and motioned upward.

Breaking the surface as quietly as you could, you took in a deep gulp of air. The guard’s faint muttering was distant now, but there was no time to relax. Grabbing Oscar’s wrist again, you pulled him towards the swimming pool ladder, the two of you moving quickly but silently. Once out of the pool, you didn’t even wait to catch your breath.

“Run!” you hissed, tugging him along.

The security had heard the faint splashing as you climbed out and turned, his whistle piercing through the night. “Hey! Stop right there!”

You didn’t look back. Your feet pounded against the concrete as you made a dash for the gap in the fence, snatching up the bolt cutters on the way out. You could not risk leaving it behind, your father would definitely notice that they were missing. Oscar groaned behind you, clearly annoyed but following without hesitation. He was the last one through the gap, and just as you turned to grab his arm and pull him forward, the security’s shouts grew louder.

“Go, go, go!” you urged, practically dragging him by his hand as you sprinted down the street.

The sound of your shoes hitting the pavement echoed in the quiet street of your neighborhood, both your breathing still heavy from running, then noticed the way his right sleeve moved awkwardly against his arm. In the faint glow of a nearby streetlamp, you caught sight of a tear in his hoodie, a dark streak seeping through the fabric. Without thinking, you reached out and gently grabbed his arm, stopping him in his tracks.

“Wait, Osc, hold on,” you said, pulling his arm closer to inspect it.

Oscar blinked down at you in surprise. “Why? What’s wrong?”

“You’re bleeding,” you murmured, tugging the torn fabric back slightly to reveal a shallow but angry scratch on his skin. The blood was fresh, glinting under the light.

He tilted his head at the sight of it, his expression calm. “Huh? I didn’t even notice.”

“I’m so sorry, Osc!” you blurted out, guilt immediately rising in your chest. “It must’ve happened when we were going through the fence. I didn’t—”

“Hey, stop it,” he interrupted, tone firm but soft. “It’s not a big deal. Seriously.”

You hesitated, still holding his arm as if that would somehow make it better. Oscar shook his head, a faint smile tugging at the corners of his mouth. “Don’t apologize. It’s fine.”

Even though his words were reassuring, the sight of the wound made you feel uneasy. You let go of his arm reluctantly, murmuring a quiet apology one last time. Oscar just rolled his eyes, though there was no annoyance behind it.

“Come on, let’s get home before we freeze.” he smiled.

The two of you made your way to his house, the familiar sight of the front porch of his house coming into view. You slowed your steps as you approached, realizing that sneaking back inside was not going to work. Oscar’s soaked clothes clung to him, dripping water onto the pavement, and your own shoes squelched with each step. There was no hiding this from anyone.

Oscar gave you a pointed look. “You’re ringing the doorbell.”

You sighed but didn’t argue, stepping up to the door and pressing the doorbell. It wasn’t long before you heard soft footsteps from inside. The door creaked open, and Nicole stood there, face shifting from sleepy confusion to startled concern the moment she saw both you and Oscar.

“What on earth…?” she muttered, eyes scanning your drenched forms. She glanced behind you at the perfectly dry pavement and then back at you both, brow furrowing. “It didn’t rain tonight, what happened?”

You opened your mouth to explain, but she quickly ushered you both inside. “Come in, come in. You’re going to catch a cold standing out there like that.”

Once you were in the warmth of the house, she left for a moment and returned with two towels, handing one to you and the other to Oscar. You wrapped the towel around yourself, the fabric soaking up the cold water clinging to your skin.

“I’m so sorry,” you began, clutching the towel tightly. “It wasn’t my intention to get Oscar dragged into this.”

Nicole raised an eyebrow but didn’t interrupt, so you took it as a sign to continue. “We were just hanging out at the public pool, and when the security showed up, we didn’t have anywhere to hide, so we, uh, hid in the pool.”

At that, Nicole’s lips twitched, and then she laughed, a soft, warm sound that immediately eased the tension in your chest. “You two are really something else,” she said, shaking her head.

You blinked at her, surprised by her reaction. “You’re not mad?”

She smiled at you, expression fond. “No, of course I’m not mad. It’s just water. But next time, maybe pick a place where you won’t need to dive into a pool to avoid getting caught, hm?”

You nodded quickly, relieved. “I promise! And please don’t tell my parents.”

“Don’t worry, I won’t,” Nicole smiled again, waving a hand dismissively. “Dry yourselves off, and Oscar, make sure you clean that scratch on your arm before you head to bed.”

Oscar glanced at the tear in his hoodie and nodded. “Yeah, I got it mum.”

Nicole turned to head back upstairs, but she paused, looking over her shoulder. “Oh, and you can stay the night if you want,” she said to you. “It’s so late, and you’re already here.”

You shook your head politely. “Thank you, but I’ll head home.”

She nodded in understanding, giving you both one last look. “Alright then. Oscar, don’t forget to lock the front door and turn off the lights before you head to bed.”

With that, Nicole headed back upstairs, her footsteps soft on the carpeted stairs. You and Oscar were left standing in the entryway, still damp but no longer worried about the consequences.

Oscar glanced at you, lips twitching as if he were about to laugh. “Well, that went better than expected,” he said, running a hand through his wet hair.

“Yeah,” you said, tugging the towel tighter around your shoulders. “Your mum’s the best.”

As a compensation for the troubles you had caused Oscar and waking up his mother, you decided to patch up his wound. You know exactly where their first aid kit was kept, so you wasted no time in retrieving it from the cabinet under the sink. The house was quiet now, save for the faint creaks of the floorboards beneath your wet shoes as you moved. With the kit in hand, you motioned for Oscar to sit at the kitchen counter.

“Come and sit, take off your hoodie. I’ll patch up your wound, it’s the least I can do for causing troubles,” you said softly, gesturing to the torn and bloodstained fabric.

Oscar hesitated for a moment but eventually tugged the hoodie over the head, wincing slightly when his arm brushed against the sleeve. He tossed the hoodie onto the back of a chair and sat down, resting his injured arm on the counter.

You opened the first aid kit and pulled out a bottle of antiseptic, some cotton pads, and a bandage. Setting everything down neatly, you grabbed a damp cloth first to clean the dried blood off of his skin. The scratch was not deep, but it stretched across his arm in a jagged line, red and raw.

“Alright, this might sting a little,” you warned, soaking a cotton pad with antiseptic and dabbing it gently onto the wound.

Oscar sucked in a sharp breath, face scrunching up. “A little?” he muttered through gritted teeth. “Feels like you’re pouring fire on it.”

You couldn’t help but grin slightly at his reaction, though you kept your focus on his arm. Stop being dramatic, it’s not that bad.”

“Says the person not being burned alive right now,” he shot back, though his tone was light.

You rolled your eyes, pressing the cotton pad a little more carefully against the scratch. “If you keep moving, it’s going to take longer. Hold still.”

Oscar sighed and complied, sitting as still as he could while you worked. Once the wound was clean, you grabbed the fresh bandage and carefully wrapped it around his arm, making sure it was snug but not too tight.

“There,” you said, trying off the bandage and stepping back to inspect your handiwork. “All patched up!”

He glanced down at his arm and flexed it slightly, wincing a little. “Thanks, Doc,” he said with a small smile.

You began gathering the used cotton pads and other supplies, discarding them into the trash and returning the first aid kit to its usual spot. As you wiped your hands on the towel draped over your shoulders, Oscar leaned back in his chair, eyeing the fresh bandage.

“Think it’s gonna leave a scar?” he asked casually.

You paused for a moment, glancing at the scratch before shrugging. “Probably. But at least it’ll be a cool story.”

Oscar snorted. “Yeah, breaking into an abandoned pool and almost getting caught by security. Real cool.”

You smirked, folding the towel neatly and setting it aside. “You’ll thank me when you’re older and tell this to your kids. Your crazy aunt gave me this scar.’”

He laughed quietly, shaking his head. “Guess I’ll have to keep you around just for the stories, huh?”

You rolled your eyes but couldn’t suppress the small smile on your face. “Anyway, it’s late, or early, I guess. I should head home.”

Oscar stood up as you grabbed your jacket, which was still damp but less soaked than before. “I’ll walk you to the front door,” he offered.

The two of you made your way to the front door, house completely silent except for your footsteps. Oscar unlocked the door and held it open for you, the cool night air rushing in.

“Goodnight,” you said softly, stepping out onto the porch.

“Night,” Oscar replied, lingering in the doorway as you walked down the steps.

The streets were quiet as you made your way home, slipping into your yard and heading straight for the tool shed. You carefully returned the bolt cutter to its original place, making sure everything looked untouched. With that done, you grabbed the ladder that was leaning against the side of the house and quietly climbed up to your bedroom window. Halfway up, you paused and turned your head, glancing across to Oscar’s house, his bedroom window was lit dimly from the inside, and there he was, standing jusy behind the glass. Oscar noticed you looking and mouthed a goodnight, with a smile.

You smiled back and gave him a slight wave in return before turning back to your task. Pulling yourself through the open window, you landed softly on your bedroom floor, finally letting out a breath you had not realized that you were holding.

Years had passed since that night at the pool. Life, as it always did, moved forward, and the close bond you and Oscar had once shared slowly faded into memory. When Oscar left for the UK to pursue his racing career, you couldn’t help but feel a twinge of sadness, even as you supported him wholeheartedly. It was a bittersweet goodbye without an actual farewell—you didn’t get to see him before he left. Instead, you relied on Nicole to pass along your best wishes, trusting that she would tell him everything you could not.

Not long after Oscar’s departure, your own life took a drastic turn. Your parents had finally decided to move to Sydney for better work opportunities, a decision that uprooted you from the neighborhood you had ever called home. The weeks leading up to the move were a whirlwind of packing boxes, sorting through childhood memorabilia, and saying goodbyes to the people who had been part of your life for so long—the Piastris were among the hardest to leave behind. Nicole hugged you tightly, and Chris offered his usual kind words, and Oscar’s sisters promised to write, though you all knew how unlikely that was to happen.

When the moving day came, you left quietly. There wasn’t much time for sentimentality—just final glance at the house you grew up in before climbing into the car. Sydney will be a fresh start for your family—as how your parents had put it, but you could not shake the feeling that you were leaving a piece of you behind.

The transition to Sydney was not easy, but somehow, you managed. The city was bigger, busier, and an unfamiliar territory, yet you adapted, throwing yourself into a routine that kept your mind occupied. You rarely thought about the past, though every now and then, something would remind you of Oscar—a fleeting mention of his name in news and online articles, or a memory that surfaced at the most unexpected times.

Nine months after moving to Sydney, something changed yet again. What started as fatigue and unexplained bruises turned into something far more serious. One day, your parents rushed you to the hospital after you fainted at home. Series of tests were run, questions were asked, and finally, a doctor say you down with an expression that left no room for doubt.

Stage two leukemia.

The words hung in the air, heavy and unyielding. You felt entirely detached, as though they were speaking to someone else. Your parents’ reactions were immediate—your mother bursting into tears and your father was gripping your hand tightly. But you were just sitting there, silent and still. You didn’t cry. You didn’t scream. You didn’t ask why this was happening to you. Instead, you felt a strange sense of calmness wash over you, a quiet acceptance that settled over you like a blanket. Maybe it was shock, or maybe it was the realization that no amount of questioning or anger would change what was already done.

Later that night, after the initial flurry of doctors and paperwork, you sat with your parents in the sterile quiet of your hospital room. The fluorescent lights buzzed softly overhead, casting a pale glow on their worried faces. You looked at your parents, both were still trying to process what they had been told, and made a request.

“I don’t want anyone else to know,” you said firmly.

Your father frowned, forehead creasing deeply. “What do you mean? People will want to support you—”

“I mean it, dad,” you interrupted gently but resolutely. “Let’s keep this to ourselves. I don’t want anyone worrying about me.”

Your mother hesitated, voice breaking. “What about Nicole and Chris? They’re family to us—they’d want to know.”

You shook your head, your gaze steady. “No. Please. If they find out, they’ll tell Oscar, and I just don’t want him to worry. He’s got enough on his plate, he doesn’t need to hear about this.”

There was a long pause. Your parents exchanged a glance, the kind of silent conversation that only comes with years of partnership. Finally, your father sighed and nodded.

“Okay,” he said quietly. “If that’s what you want, we’ll respect it.”

“Thank you,” you murmured, leaning back against the pillows.

Just like that, the secret was sealed. Life shifted into a strange new rhythm—hospital visits, treatments, moments of hope, and days of despair. Through it all, you kept your diagnosis close to your chest, unwilling to burden anyone else with the weight of it.

It had been nearly a year of chemotherapy—long days of sitting in cold hospital rooms in silence, hooked up to IVs that dripped chemicals into your veins. Each session left you feeling more drained than the last, your body growing weaker as the fight dragged on. Still, you clung to the silver of hope that the treatments were doing something, anything, to slow down the disease. But hope has a way of unraveling.

Your latest round of tests came back, and the news was worse than you could have imagined. The chemotherapy was not working. Instead of improving, your condition had worsened, and now the doctors were delivering the words you had dreaded since the beginning.

Stage four.

You sat still inside the small consultation room, the sterile white walls closing in around you as the doctor explained your options. Words such as aggressive treatment and clinical trials floated in the air, but you were not really listening to what the doctor was saying. Your parents were, though—you could see the desperation in their faces as they clung to every word, searching for something to hold onto.

Later that night, at home, you lay in bed staring blankly at the ceiling with the weight of the diagnosis pressing down on your chest. You thought about the past years, about how much you had endured and how little had come from it. The endless cycle of nausea, fatigue, and pain had left you feeling like a shadow of yourself. What was the point of continuing if it wasn't even making you better?

The next morning, you asked your parents to sit down with you in the living room. They looked at you with concern, sensing that this conversation was different. You took a deep breath, steadying yourself before speaking.

“I want to stop the chemotherapy,” you said quietly but firmly.

Your mother’s eyes widened, a hand flying to her mouth. “What? No—you can’t mean that, honey. We’re fighting this, remember? You’ve been so strong—”

“I’ve been strong,” you whispered gently, meeting her gaze. “But I’m tired, mum. I’m so fucking tired. This treatment is no longer working on me. We all know damn well that it’s not working.”

Your father’s face was tense, his hands gripping the armrest of his chair. “The doctors said there are other options. Experimental treatments, new drugs—sweetheart, they haven’t given up on you, and neither should you.”

You sighed, trying to find the right words to make them understand. “I know you want me to keep fighting, and I love you for that. But this isn’t living anymore, every single day feels like a battle that I’m losing. I don’t want to spend whatever time I have left feeling like this.”

Tears welled up in your mother’s eyes as she reached for your hand. “There has to be something else that we can do. We can’t just stop.”

“I’m not giving up,” you said softly, squeezing her hand. “I’m just choosing a different path. The doctors mentioned alternatives, things that might help me feel better without the chemo. I want to try those instead, I want to focus on quality of life, not quantity.”

There was a long silence as your parents absorbed your words. Your father looked down at the floor, his jaw clenched, while your mother wiped at her tears. Finally, he spoke, voice low and strained.

“If this is what you want, okay, we’ll support you. But it’s not easy for us to accept.”

“I know,” you whispered, voice breaking. “I know it’s not easy. But this is what feels right for me.”

Your mother nodded through her tears, her grip on your hand tightening. “We’ll talk to the doctors tomorrow. We’ll figure out the alternatives.”

You leaned into your mother’s embrace, feeling a mix of relief and sorrow. It was not an easy decision, but it was yours, and for the first time in a long time, you felt like you could breathe.

You never thought that you would be back to where it all started. The sun was warm on your back as you stood in front of the old house, taking in the neighborhood that had once been so familiar. Everything seemed different now—houses, gardens, and even the way the air smelled, but the tree with the tyre swing still stood proudly in the front yard. The sight of it tugged at your chest, stirring a mix of nostalgia and longing. You remembered how you and Oscar used to spend hours climbing its sturdy branches, swinging so high on the tyre that your parents would often scold you to be careful.

You took a tentative step toward the tree, wondering if the names you and Oscar had carved into the bark were still there. You hadn’t really thought about that in years, but the memory was vivid of how the two of you had sat side by side, each clutching a small pocket knife that you were not supposed to have, giggling as you carefully etched your initials into the wood. Before you could reach the tree, a voice called out your name.

You turned around quickly, heart skipping a beat as you saw her—Nicole. Nicole just stood there, just as warm and welcoming as you remembered. Her face lit up in recognition, and before you could say anything, she crossed the distance between you and pulled you into a tight hug.

“Oh my goodness!” she exclaimed, arms wrapping around you with a familiar kind of affection that nearly brought tears to your eyes. “It’s been so long! Look at you—you’ve grown up so much.”

You smiled nervously as she pulled back, her hands still resting on your shoulders. “Hi, Mrs. P. It’s been a while.”

“Too long, my dear,” she said, voice tinged with both happiness and surprise. “I heard your family was back in town, but I didn’t think I’d run into you so soon! How are you? How are your parents?”

“They’re good,” you replied, voice steady despite the sudden nervousness creeping into your chest. “They’re inside, actually, talking to the realtor.”

Nicole nodded, eyes scanning your face with that same maternal kindness you remembered from your childhood. “And how are you, sweetheart? It’s been ages since I last saw you.”

Your throat tightened for a moment. She did not know. No one ever did, except your parents. You forced a small smile and nodded. “I’m doing okay. Just taking it one day at a time, you know?”

She smiled warmly, completely unaware of the weight behind your words. “That’s good to hear. It’s so nice to see you back, Brighton hasn’t been the same without you.”

You shifted slightly, glancing around the neighborhood before returning your gaze to her. “How’s everyone by the way? The whole family, especially the girls.”

“Oh they’re all doing great,” Nicole said brightly. “The girls are growing up so fast—you wouldn’t even recognize them! Then Oscar…”

At the mention of his name, your heart seemed to skip. You hadn’t thought about him in a very long time, and now, hearing his name felt both comforting and surreal.

“How’s Oscar?” you asked, trying to sound casual despite the flutter in your chest.

Nicole’s face lit up with pride. “Oh, he’s doing wonderfully! You wouldn’t believe it—he’s made it to F1! He was signed with McLaren.”

The words hit you like a burst of sunlight, flooding you with an overwhelming sense of happiness that you could not even describe. Your lips parted in surprise, and you felt your chest swell with pride.

“He did it?” you asked softly, almost in disbelief.

Nicole nodded, smile widening. “He did! It’s been such a journey for him, but he’s finally there. All those years of hard work have paid off.”

You felt tears prick at the corners of your eyes, but you quickly blinked them away, a wide grin spreading across your face. “I always knew he would make it. I never doubted it for a second.”

Nicole chuckled, her hand resting lightly on your arm. “He worked so hard for this, and I know he would love to see you. Oscar’s been so busy, especially with the races, but I’m sure that he’d be thrilled to know you’re back.”

You hesitated for a moment, the thought of seeing him again stirring a mix of emotions you were not quite ready to unpack. “That’s amazing,” you said finally, voice filled with genuine admiration. “I’m so proud of him.”

Nicole smiled knowingly, as if she could see just how much you meant it. “You should tell him that yourself sometime. I know that he’d love to hear it.”

You nodded, though you were not sure if you would.

You and your family are back yet again in Brighton. The day was unusually quiet, the kind of silence that made you feel every sound—rustle of leaves in the breeze, distant hum of cars passing by, faint creak of the porch beneath your weight. You were sitting there, knees pulled to your chest, gazing out at the familiar neighborhood that had shaped so many of your memories. It was strange to think that after today, this house, street, and view would no longer be yours.

Your parents were just inside the house, tying up loose ends with the realtor, discussing the final details of the sale. You had excused yourself, not wanting to be a part of it. The mere thought of walking through the now-empty rooms, stripped off the warmth and life they once held, felt too heavy. So you stayed outside, perched on the porch steps, letting the sights and sounds of Brighton seep into you one last time.

The air carried an unusual faint chill, and you hugged your arms around yourself as you scanned the street. It was still the same in many ways—neatly trimmed lawns, rows of houses with their uniform yet distinct façade. But it also felt different, as if time had moved on without you, leaving you as an observer rather than a participant. As your eyes wandered, something, or rather, someone had caught your attention. You straightened slightly, squinting to make sure that you were not imagining things. Walking down the sidewalk, with an easy familiar stride, was Oscar.

For a moment, you were struck by how much he had changed. He carried himself differently now, more confident, assured, as if the years away had molded him into someone who fully belonged in the world he had always dreamed of. But that was not what held your attention. Beside Oscar, her arm lightly brushing against his, was a girl. She was gorgeous in an effortless way that made it impossible to look away. Her hair shimmered in the sunlight, her laughter rang out softly as she spoke to Oscar, and her smile was the kind that lit up her whole face.

You felt it then—a sharp, unbidden pang in your chest. It was not jealousy, not exactly. It was something deeper, aching. You couldn’t tear your eyes away from them, from the way they walked together, so perfectly in sync, so natural. They looked so good together, like a pair that had been meant to find each other. And you? You just sat there, still and silent, feeling like an intruder on a moment that was not meant for you to see.

You hated the way how your mind began to spiral, unearthing old, buried feelings that you had tried so hard to forget and ignore. You thought you had moved past it, but now, sitting there, it was undeniable. You had loved Oscar, or at least something close to it. You never admitted it to anyone, not even to yourself. But it had always been there, in the way your heart quickened when he smiled at you, in a way you always wanted to make him laugh, in the way you looked for him in every crowded room.

But you never told him. How could you? He was Oscar—steady, kind, driven, and you were you. A troublemaker. Reckless. Always saying the wrong thing at the wrong time. You had convinced yourself a long time ago that someone like him could never feel the same way about you, that you were not the kind of person he would ever want.

But now, watching him with her, it only proved what you had always known deep down. They looked perfect together, in a way you could never imagine yourself fitting into his life. She had the kind of refinement and grace that seemed effortless, while you were rough around the edges and acting on impulsive decisions.

You swallowed hard, forcing yourself to look away, but it was already too late. The image of them, of Oscar, was already etched into your mind, and as you sat there, you chest heavy with an ache you couldn’t shake, you knew that saying goodbye to this house and street was not the hardest part of leaving Brighton.

The hardest part was letting go of something you never truly had.

You were standing by your family car, hands crossed to your chest, waiting for your parents to finish up inside when you heard someone call your name. Turning, you saw Nicole walking briskly towards you, face lighting up as she reached you. Before you could even say anything, she had already extended an invitation for you and your family to come over to their house for the afternoon.

You hesitated, glancing towards your parents who were just stepping out of the house. A quiet panic bubbled inside you, this was not what you were expecting, and you certainly were not in the mood to socialize. But you did not want to be rude, especially to Nicole who had always been warm and kind. So, with a quiet nod, you agreed.

The Piastri house hadn’t changed that much. The familiar scent of home cooking and the subtle hum of conversation greeted you the moment you stepped through the door. Your parents were warmly embraced by Nicole, their chatter filling up the air as if no time had passed since your last visit. You lingered near the entryway, unsure of where to place yourself, when you heard excited voices. Hattie, Edie, and Mae appeared out of nowhere, voices high-pitched with excitement as they spotted you.

Before you could even say a word, they wrapped you in a tight group hig, their arms squeezing you with an intensity that left you breathless. You tried to laugh it off, but it came out as a wheeze, your words muffled by the weight of their embrace.

“Alright, let her breathe!” Oscar’s voice cut through the chaos.

The three of them reluctantly stepped back, each of their faces flushed with excitement. You caught your breath, offering a weak smile as they began firing a series of questions at you in rapid succession.

“How have you been?”

“What are you up to these days?”

“How are you finding Sydney?”

The questions came at you like a tidal wave, and you barely managed to mumble a response before another question followed. It was overwhelming, too much all at once, and just when you felt yourself starting to falter, Oscar intervened again.

“Okay, that’s enough interrogation,” he said, tone light but firm as he stepped between you and his sisters. “Give her a minute to breathe, yeah?”

Relief washed over you, but it was short-lived. Now, it was just you and Oscar, and the silence between you felt louder than anything his sisters had said. You looked at him, unsure of what to really say or where to start, and in the end, you settled for the safest and simplest thing you could ever think of.

“Congratulations by the way,” you said, voice quieter than you intended. “On making it to F1.”

His lips curved into a smile, soft and genuine. “Thanks. It’s been a crazy few years.”

You nodded, really unsure of how to respond, and the silence threatened to stretch on uncomfortably. But then he added, “I’m back in Australia for the Grand Prix.”

“Oh, that’s amazing,” you said, meaning it. “I’m proud of you, Osc. Really.”

Oscar tilted his head slightly, a smile turning into a more playful one. “You still don’t watch the races, though, do you?”

You laughed softly, the sound surprising even you. “No. It’s still not my thing.”

“Figures,” he said, laughing along with you.

The moment felt almost normal, a small glimpse of the easy connection you used to share. But it was fleeting. Oscar shifted slightly, his expression changing as he turned towards the doorway.

“Oh, by the way,” he said, tone casual. “I want you to meet Lily, my girlfriend.”

Girlfriend.

Lily. There she was. She stepped into view, her presence effortless and magnetic. Up close, she was even more stunning than you had realized, her features flawless and her demeanor warm. She smiled at you, and it was not forced or polite, it was kind, genuine, disarmingly sweet, and most of all, welcoming.

“It’s so nice to finally meet you,” she said, extending a hand. Her voice was soft, yet it carried an ease that made you feel immediately out of place. “Oscar had told me so much about you.”

“All good things, I hope,” you shook her hand, offering a small smile in return. “It’s nice to meet you too.”

As she spoke, her kindness and charm were really undeniable, and you found yourself unable to summon any ill will towards her—it even made you feel bad for even thinking about something badly about Lily. She was lovely, perfect even, and though you wanted to find a reason to dislike her, you couldn’t. Lily was everything you were not—poised, polished, radiant.

The three of you stood there, exchanging conversations. You couldn’t help but take in the way Oscar looked at Lily—the softness in his eyes, the way his smile lingered when he spoke to her. It was clear how much she meant to him, and as much as it stung. You felt a lump rise in your throat, but you swallowed it down, forcing yourself to smile and nod along to the conversation.

It was going to be a very long day, and you just have to get through it. You reminded yourself that this was not about you—it never had been.

The Piastri household was buzzing with life as the afternoon was painted with golden hues. Inside, everyone seemed immersed in their own words. Your parents were deep in conversation with Nicole, their laughter and voices carrying through the air as they caught up on years of life. Hattie, Edie, and Mae were busy entertaining themselves, their giggles occasionally echoing from another room. Oscar and Lily sar close together, their connection evident in the way they talked and laughed, though they were kind enough to include you in the occasional exchange.

Observing what was happening around you, you can’t help but feel out of place, as though you were floating on the edges of a scene that didn’t belong to you anymore. You forced a polite smile, and excused yourself with a mumbled explanation about needing to grab something from the car. No one seemed to question it, and you slipped out of the house unnoticed.

As you closed the door behind you, you let out a breath that you hadn’t realized you had been holding. The tension that had coiled tight in your chest while you were inside slowly began to unwind. You stuffed your hand into your black leather jacket pockets and started down the quiet street, letting your feet guide you without much thought.

The familiar streets brought a wave of nostalgia, and as you walked, your mind wandered back to simpler days. Eventually, you found yourself wondering if that small family-owned store—one where you and Oscar used to visit after his karting victories, was still there. It felt like eons ago, but the memory was sharp and vivid—you and Oscar bursting through the shop’s door, with Oscar still giddy from the races, and celebrating his win with an ice cream as though it were the most important ritual in the world.

When you turned the corner, there it was. The modest storefront stood just as it had all those years ago, the paint already slightly faded but otherwise unchanged. The familiar bell above the door chimes as you step inside, and the scent of sweet, aged wood mixed with the faint aroma of candy hits you instantly. The store looked exactly the same. Shelves lined with old fashioned sweets, rows of snacks, and that unmistakable freezer filled with ice cream in the corner. Your eyes scanned the small shop, and behind the counter stood great old Uncle Roger, his face lighting up with recognition as he spotted you.

“Well, well,” he said, settling down a box he had been unpacking. “If it isn’t trouble itself!”

A wide grin spread across your face. “Hey Uncle Roger,” you greeted warmly. “You still remember me?”

He chuckled, stepping around the counter to stand in front of you. “Of course, I do! How could I forget the little rascal who used to hide in my back room to hide from the chaos she caused and would sometimes scare my customers away?”

You laughed, shaking your head. “I wasn’t that bad.”

“Oh, really?” he shot back, raising an eyebrow. “Need I remind you of the time you pulled that prank with the balloons and the flour? Or the time you locked that bou Tommy out of the store and wouldn’t let him back in?”

You laughed again. “Okay, maybe a little chaos.”

“And poor Oscar,” he continued, tone light. “You used to drag him into all your mischief. That boy was too patient for his own good.”

You softly chucked as you nodded. “Guilty as charged,” you admitted. “Though, to be fair, Oscar was a willing accomplice most of the time.”

Uncle Roger let out a hearty laugh, the sound filling the small shop. “That he was. Good kid, though, and look at him now—a big shot race. His folks must be over the moon.”

“They are,” you said, smiling faintly.

“And what about you?” Uncle Roger asked, rone softening as he studied you. “What have you been up to all these years? You look different. Grown up.”

You hesitated, not wanting to delve too deeply into everything. “Life has been…pretty interesting,” you replied vaguely. “Moved to Sydney, tried to figure things out. It’s been a ride, that’s for sure.”

He raised an eyebrow, clearly sensing there was more to the story, but he did not push. “Well, you’ve always been a fighter,” Uncle Roger said kindly. “I’m sure whatever it is, you’re handling it like a champ.”

You smiled at his words, though a part of you felt the weight of them in a way he could not even understand. “Thanks, Uncle Roger,” you said softly.

He grinned again, stepping back towards the counter. “Now, I assume you didn’t just come in here to reminisce. Let me guess—you’re here for the ice cream, aren’t you? Same flavor as always?”

You laughed, a genuine sound this time, and nodded. “It wouldn’t feel right to leave without it.”

“Coming right up,” he said, already moving to the freezer. “Some things never really change, do they?”

The hours slipped by without you even realizing it. Time seemed to pause within the walls of Uncle Roger’s store, the air filled with the nostalgic hum of its old ceiling fan and the occasional chime of the doorbell. You had taken it upon yourself to help behind the counter, ringing up purchases and chatting with customers as though you had been working at the store for years. It wasn’t part of the plan, but when Uncle Roger had laughed and handed you an apron, you could not resist.

“I’ve always wanted to work at a place like this,” you had told him earlier with a grin, and he’d chuckled. “Well, here’s your chance to experience it. Just don’t scare off the customers,” he’d teased before heading to the back to work on inventory.

Now, perched on a stool behind the counter, you twirled a lollipop between your fingers, its sugary sweetness lingering on your tongue. The small television mounted by the corner played a rerun of an old sitcom, the laughter track punctuating the quietness of the store. You glanced at the clock, realizing just how much time had passed since you had walked through the door, but you didn’t mind.

The familiar chime of the doorbell pulled your attention back to the counter, and you straightened instinctively. “Hello, welcome to Uncle Roger’s!” you greeted brightly, a practiced smile already in place.

When your eyes landed on the customer, your heart skipped. It was Oscar.

Oscar’s smile was warm and slightly amused as he approached the counter. “I had a feeling that you would be here,” he said, leaning casually against the edge of the counter, eyes flicking to the apron you wore, and his smile widened. “But I didn’t expect to find you working.”

You shrugged, trying to play it cool. “Well, it’s not everyday you get to live out a childhood dream. I figured, why not?”

He chuckled, shaking his head lightly. “Of course you would.”

He made his way to the drinks section, scanning the shelves before grabbing a couple of items. When he returned, he placed the drinks on the counter in front of you. You glanced at them as you reached for the scanner, hands immediately pausing when you recognized the brightly colored packaging.

It was a sunshine punch. Two juice boxes.

Your eyes flickered to Oscar briefly. “Sunshine punch, really?” you asked casually, though you couldn’t hide the slight surprise in your tone. “I thought you hated this stuff.”

He shrugged, expression unreadable. “Maybe my taste has changed,” he said simply.

You just hummed un acknowledgement, though you couldn’t help but wonder. From what you had remembered, he could barely stand the smell of it, let alone drink it. Then you wondered, maybe it was for Lily and him, you thought silently, and the thought of it tugged at something in your chest.

As you rang up the items, you kept your tone professional, if not, a bit playful. “Would you like to bag these?” you asked.

Oscar shook his head, a small grin tugging at the corner of his lips. “No bag, thanks. Gotta save the turtles, right?”

You laughed softly at that, handing him the total. “Fair point,” you said, watching as he counted out the cash. You handed him his change, slipping into a mockingly formal tone. “Thank you for shopping at Uncle Roger’s, please come again!”

The two of you burst into laughter at how silly you sounded, with your laughter filling the quiet store. It felt easy, natural—like stepping back into a moment frozen in time. But as the laughter faded, a sigh escaped your lips, unbidden.

Oscar laughed outright at that, shaking his head as he pocketed his change. “You sound way too serious. Are you sure you haven’t secretly been doing this for years?”

You chuckled, leaning your arms on the counter. “Hey, I’m just trying to be professional. Gotta make a good impression on the boss.”

“How about we go to that public pool that we used to go to as kids?” Oscar said as he lingered near the counter while you glanced back at him, processing his unexpected suggestion.

“The abandoned pool?” you repeated softly, a mix of surprise and curiosity in your voice.

It had been years since you had even thought about that place, let alone considered even going back there. The idea felt surreal.

“Yeah, it’s still around,” he said with a small shrug, tone casual, though there was a glint of something, maybe akin to nostalgia, in his eyes.

You hesitated for only a moment before nodding. “Yeah, sure. Alright, let’s go,” you agreed.

You head towards the back of the store, pushing open the swinging door to find Uncle Roger hunched over his clipboard, meticulously counting boxes.

“Hey Uncle Roger,” you called gently, not wanting to startle him.

He looked up from his work, expression softening when he saw you. “Finished already?”

You gave him an apologetic smile. “I think I’m going to clock out for the day. Oscar and I are heading out for a bit.”

Uncle Roger’s gaze flickered to the counter, where Oscar was waiting patiently. A wide grin spread across his face as he stepped out from behind the storage shelves.

“Well, now. Look who decided to stick around,” he said, tone warm and teasing. “And in my shop, no less. Oscar Piastri, the Formula 1 driver!”

Oscar laughed lightly, hands tucked into his pockets. “You make it sound way more impressive than it is, Uncle Roger,” he replied modestly.

“Nonsense,” Uncle Roger said with a wave of his hand. “I always knew you were destined for greatness the moment you sat in that kart. It’s good to see you, son.”

Oscar smiled, a faint blush coloring his cheeks. “It’s good to see you too.”

Uncle Roger’s attention turned back to you, eyes twinkling. “Having you two here today, it’s just like the old times,” he said with a wistful sigh. “You, running around causing trouble, and Oscar, trying to keep up.”

You chuckled, feeling a wave of warmth at his words. “Well, as you said, some things never really change,” you said lightly.

Uncle Roger patted your shoulder. “You’ve been a big help today, my dear. I’ve been meaning to start on that inventory for weeks, but I couldn’t leave the counter. I don’t know what I would’ve done without you.”

“Anytime,” you said earnestly. “I’ll visit whenever I’m back in Brighton, I promise.”

He nodded, expression softening even further. “I’ll hold you to that.”

Before leaving, you stepped forward to give him a hug, the kind of hug that lingered just long enough to let him know how much his kindness meant to you. You removed the apron and switched it for your black leather jacket. Oscar chimed in with a quick ‘take care, Uncle Roger,’ and you both made your way out of the store, the bell chiming softly behind you.

Relief mingled with a touch of surprise as you nodded your head. “Alright then.”

When you arrived at the abandoned public pool, it was like stepping back in time—a time capsule. The cool air carried a faint scent of earth and old concrete, and the quiet hum of the town surrounded you. You immediately made your way to the part of the chain-link fence that you had cut through all those years ago. A crude, jagged hole that had somehow withstood the test of time. You crouched down to inspect it, your fingers brushing the edges of the worn out metal.

“I can’t believe that it’s still here,” you said softly, more to yourself than Oscar.

The faintest smile tugged at your lips when you noticed the hole had clearly become a regular entrance for others. “Looks like I set the blueprint for sneaking in, huh?”

Oscar chuckled behind you, voice warm. “Yeah, you’re a trendsetter,” he teased.

You ducked through the opening in the fence, Oscar following close behind. The pool area was almost unrecognizable, yet unmistakably the same. The once-pristine tiles were faded and cracked, the pool itself empty and hollow, walls were now layered with colorful graffiti—messages, drawings, and names scrawled over one another in a chaotic tapestry. Though the old sunbeds still lined the deck, many were now broken and rusted. The whole place felt frozen in time, yet irrevocably changed.

Your gaze landed on one particular sunbed, its white paint chipped and the straps slightly frayed. “Oh, that’s the one,” you murmured, walking over to it.

Dusting it off with your hands, you lowered yourself onto the sunbed, letting the weight of the moment settle over you. Above, the stars were scattered across the vast expanse of the night sky, their light faint but steady. The air was still, and for a while, it felt like the world beyond the place didn’t exist. Oscar settled down on the sunbed beside you, legs stretched out, and arms resting on his knees. Like you, his gaze was fixed on the sky. For a long time, neither of you spoke, the silence between you comfortable—familiar.

You were so lost in your thoughts, mind drifting through memories of this place, that you didn’t notice Oscar moving until you felt something brush against your hand. Turning your head, you saw him holding out a juice box of sunshine punch. The drink you thought that Oscar bought a shop were for someone else, turns out that it was for the two of you.

Your breath hitched slightly as your eyes darted from the juice box to his face. “You bought this for me?”

Oscar smiled, a little sheepishly. “For us,” he corrected. “Figured it’d be fitting.”

A soft laugh escaped you as you took the juice box from his hand, the cool surface pressing against your palm. “Thanks, Osc,” you murmured, voice barely above a whisper.

You popped the straw into the box, taking a slow sip. The familiar tangy-sweet flavor hit your tongue, and for a moment, you could almost imagine that you were back to being kids again—hanging out in the abandoned public pool, celebrating one of Oscar’s karting wins with ice cream from Uncle Roger’s, inciting chaos, and never ending laughter.

Breaking the stillness, Oscar’s voice came, quiet but steady. “How are you?”

It was a simple question that has an easy answer to it, but the question hung in the air, heavy despite its simplicity. You paused, gaze fixed on the sky above. After a moment, you decided to answer, keeping your tone light.

“I’m fine.”

Oscar turned his head towards you, his expression curious but patient, waiting for you to elaborate. You took another sip of your drink, stalling for time. Finally, you added, “you know, the usual. Just…life.”

It was not much of an answer to Oscar’s question, really, and you knew it. But it was the only answer that you were willing to give him. You’re glad that he didn’t push, though his eyes lingered on you for a moment longer before he looked back up the sky.

“Any plans?” he asked after a pause.

You exhaled softly, lips curving into the faintest of smiles. “Plans,” you repeated, as if testing the word. “I don’t know. Maybe I’ve stopped making them.”

Oscar’s brows furrowed slightly at your answer, and you felt his gaze on you again. You tilted your head back, eyes tracing the constellations.

“Plans are funny, you know?” you continued, voice thoughtful. “You make them, and then shit happens. Sometimes, you end up where you thought you’d be, and other times…” you trailed off, shrugging lightly.

Oscar tilted his head slightly, watching you.

You smiled faintly, letting out a soft laugh. “It’s like what I told you back then? Last time that we were here, on the exact same sunbeds we’re sitting on—wherever life takes me, right?”

He smiled at that, the memory lighting up his expression. “Wherever life takes you,” he repeated softly, as if testing the words in his own voice.

“You know…Lily’s amazing,” you said, tone light but sincere. “She’s a very lovely girl, Oscar. I mean, she’s gorgeous, obviously, but more than that. She’s kind, and has this certain warmth to her that makes it impossible not to like her.”

Oscar glanced at you, a small smile forming on his lips. “She really is,” he agreed softly, voice carrying a sense of pride.

You nodded, your own smile growing. “You two are like a perfect match. Yin and yang, you know? She really balances you out. You know that you’ve always been on the quieter side, but Lily brings out the best and talkative part of you.”

Oscar chuckled at your statement, eyes briefly meeting yours. “She definitely doesn’t let me stay quiet for long.”

You laughed softly, though your thoughts remained bittersweet. “I saw the way she looks at you,” you continued. “It’s so full of love. It’s the kind of look people dream of, you know? You’re really lucky to have her.”

His expression shifted slightly, as though he was not sure how to respond to the unexpected depth of your words. He gave a small nod, his smile turning a little shy.

“I’m proud of you, Oscar. Really.” you added, voice a little quieter now. “For finding someone like Lily. She’s good for you, and I’m happy knowing that she’ll be there for you.”

There was a pause before you continued on, tone suddenly turning more painful, though there was a weight beneath the lightness of it. “At least now I know that someone will be by your side when I’m gone.”

Oscar frowned slightly, he felt a little chill and was caught off guard by your words. “What do you mean by that?” he asked, confused.

You hesitated for a moment, quickly realizing how your words could have sounded. You forced a small laugh, hoping to brush it off. “I just mean, you know, since I had moved to Sydney,” you said, tone casual. “I’m not here anymore. I can’t be by your side like I used to back when we were kids.”

His expression softened, though he still seemed a little bit puzzled by your words. You just smiled softly, looking up again as you added, “but it’s okay. You’ve got Lily now, and she’s amazing. You’re in good hands.”

The walk back from the abandoned public pool was quiet. The kind of quiet that was not uncomfortable, but heavy with so many unspoken words. The sound of your boots scuffing against the pavement and the faint rustling of leaves in the cool night air were the only things breaking the silence. Your hand stayed inside the pockets of your black leather jacket, the smooth lining a small comfort against the cold night.

Oscar walked beside you, his own steps steady and unhurried. You could feel his presence, solid and familiar, yet neither of you made any effort to fill the stillness. There was nothing pressing to say, and perhaps, that was enough.

When you finally turned the corner leading back to your neighborhood, the headlights of your parent’s car came into view, cutting through the dim light of the street. Your parents were standing beside it, their postures relaxed but expectant, while Nicole leaned casually against the hood, arms crossed. As soon as they spotted you, your mother straightened up, relief softening her features.

“There you are!” she exclaimed, voice a mix of mild concern and amusement. “We were starting to wonder where you’d gone off to.”

Oscar was quick to answer, tone light and easy. “We were at Uncle Roger’s shop, just catching up.”

Your father nodded, a small smile tugging at his lips, while Nicole’s expression softened, her gaze flitting between you and Oscar. “It’s so good to see the two of you spending time together again,” she said warmly.

Your mother stepped forward, placing a gentle hand on your arm. “We should get going, sweetheart,” she said softly, eyes kind but tired.

The goodbyes came swiftly after that, each one carrying its own weight. Nicole pulled you into a tight embrace, warmth and familiar scent grounding you for a moment. “Take care of yourself, okay?” she said, voice quiet but firm.

When Nicole let go, it was Oscar’s turn. He stepped closer, arms wrapping around you with a firmness that caught you off guard. It was not one of those quick, polite hugs—it was the kind of embrace that lingered, as if he were trying to hold onto something fleeting.

“I’ll see you soon, okay?” he murmured, voice low and sincere. Then he pulled back just enough to meet your gaze, a small, boyish grin appearing on his face. “And you have to come to my race one of these days. No more excuses.”

You couldn’t help but laugh softly, shaking your head. “Alright, we’ll see,” you said lightly, though you both knew it was not a promise.

With that, you turned and walked towards the car. As you reach for the door handle, something makes you glance back over your shoulder. Oscar was still standing there, hands tucked into his pockets, watching you with an unreadable expression. You gave him a soft smile, lifting your hand in a casual salute. He returned the gesture, a faint smile playing on his lips.

Sliding into the backseat of the car, you buckle your seatbelt as your father starts the car. The low rumble of the engine filled the silence, and as the car began to pull away, you could not resist a one last look at Oscar through the rearview mirror. Oscar was still standing there, framed by the faint glow of the streetlights, his figure growing smaller and smaller until he disappeared from the view entirely.

You did not look back again, you never looked back. But something in you stirred—a quiet, unshakable feeling that this night, this moment, would never come again. Neither of you could have known that this would be the very last time you would see each other. The very last time Oscar would ever see you.

[cece693]

You're Just Jealous of Me

pairing: the salvatore brothers x male reader tags: reader knows he's manipulative and a slut, you just don't care tbh, Elena has an aneurysm from not being the main character, the brothers know they're getting played, you're just that hot/beautiful/perfect for them to give you up, Elena bashing, no incest

"I can't believe you." Elena exclaimed, her eyes growing misty as you were getting ready to head out with Damon on a date. It hadn't even been a week since they broke up (something about her needing stability or some other bullshit) and you didn't care. All that mattered was getting through yet another 'poor me' moment without killing her and making it seem like an accident.

Seriously, what did your sister expect? That Damon was going to stay single for the rest of his days until she made a fucking choice between him and Stefan? Perhaps some of her betrayal stemmed from the fact that Stefan had also rejected her ass and had made it clear he didn't feel anything for her anymore. So now poor Elena had no one while you played with both brothers.

And it wasn't even 'playing' per se if they knew about the whole situation. You could fuck any of them, and they'll be fine with it—a thing you made clear to them when this whole thing started. You liked both brothers, but having to choose just one was unfair—they both had traits that attracted you, and if you couldn't have both, then you'll settle for nothing. Like eager children they agreed. The arrangement was abnormal to others, but for you it worked—you dated both brothers, they still hated each other (entertaining fights arising from their competitiveness on who you liked more, who was 'rocking' your world, etc.) Simple really.

"Save the tears for the pillow, sister. I’m really not in the mood—nor will I ever be—to entertain your pity parties." Pulling on one of Damon’s leather jackets, you smirked. You were a sight to behold—not only would Damon be eager to rip the clothes off you, but half the population would, too.

It was fun stirring the pot, watching Damon bare his teeth at anyone who thought they stood a chance. Jealousy was his kryptonite, and while a part of you hated targeting one of his insecurities, you always reassured him in bed of your devotion, loyalty, and love.

Yes, because at the end of the day, you loved both Salvatore brothers. This wasn't just some passing fantasy, nor was it some revenge scheme against your sister (though you did love tormenting her with the fact that you were dating the two). You were willing to throw away your human life to become a vampire—to spend eternity by their side.

"Why are you doing this to me? What have I ever done to cause this!" Now there was the Elena you knew all too well—the one who constantly placed themselves as the victim, putting blame unto you because who could ever hate a girl who lost her parents?

You let out a humorless laugh, crossing your arms over your chest. “You really want to go there?” you snap, not bothering to hide the derision in your voice. “Fine. For starters, you’ve always made Jeremy and me feel like shit, and the few times you did act like a decent human being were just so you didn’t look like a total bitch.”

“That’s not true!” she protests, anger tightening her features.

“It is, Elena,” you spit back. “When our parents died, you didn’t do a damn thing to help us cope. You were so wrapped up in your own grief, your own fucking melodrama, that you never once checked on Jeremy or me—unless, of course, it was to nag us about how we were coping. When Jeremy started doing drugs, you freaked the fuck out. Not because you cared, but because you were afraid of how it might make you look. God forbid anyone sees that the 'perfect' Elena Gilbert can’t keep her family together or help her brother kick his drug habit.”

She flinches, but you weren't done. Oh, no. You were just beginning to go down the list of why you hated her ass. "Then, when I began to hook up with Damon, you acted like I was the cause of our parents death—no, that's on you because Elena couldn't help herself and got drunk, needing a ride home at midnight. Sleeping with Damon was like I'd personally betray you."

Her cheeks flush crimson. “Well, you did! You—”

“I did what, Elena?” You take a step forward, towering over her. “I moved on? Found something that might actually make me happy? Meanwhile, you’ve been stringing both Damon and Stefan along for God knows how long. You made your choice—you dumped Damon, tried getting back with Stefan, when he told you to fuck off, you tried going back to Damon and he said the same thing. So now you’re standing here, arms crossed, lip trembling, trying to put the blame on me because you lost your backup plan.”

Her lips press into a thin line, eyes brimming with tears. But you’ve seen this act before—she’ll blink prettily, glance away like a wounded animal, and wait for you to console her. Only this time, you won't.

“You are an asshole,” she hisses, eyes narrowed into slits. “He was mine first.”

That makes you laugh, a harsh sound echoing off the hallway walls. “Right...possessive much? People aren’t property, Elena. He’s not a damn handbag you lend out when it suits you. If Damon wants to be with me, that’s his call. And if I want to keep him, that’s mine.”

She trembles, either from anger or heartbreak—you can’t tell, and frankly, you don’t care. “Why would you do this?” she asks again, her voice cracking. “What have I ever done—”

You rolled your eyes so hard you got a slight headache. "Did you even listen to me? I have every reason to hate you, so does Jeremy and the rest of Mystic Falls. Those who continue to stand by you are either stupid or hope they'll get some attention from your desperate ass. I'm done. I’m done letting you guilt-trip me. I’m done tiptoeing around your precious feelings. I’m fucking over it, Elena.”

Just then, Damon appears in the doorway, that trademark smirk on his face. “Ready?” he asks, taking in the tension between you two. His gaze flicks to the tears glistening in her eyes before returning to you. “I’m guessing we’re skipping the family therapy session?”

“Therapy? More like the mandatory guilt trip, which I’ve politely declined.”

Elena’s voice wavers, “Damon, how can you just—”

He cuts her off with a raised hand, posture casual but his eyes dangerously dark. “Stop, Elena. What we had is over. You made that choice before, remember? I’m done letting you waltz in and out of my life whenever it’s convenient for you.” You can practically feel the hatred radiating off her in waves. She’s not used to being shut down, especially not by Damon, the semi-reformed bad boy who once hung on her every word. It must sting. Oh, well. Her loss.

“As much as I loved talking to you, sister, I do believe we're running late. Don't wait up and please, if you're going to continue crying, leave my room. Keep wallowing if you want. Hell, cry yourself a fucking river. Just don’t stain my carpet.” Without another glance at Elena, you brush past Damon, and he steps aside for you to lead. He follows, closing the door behind you both, leaving your sister alone in her silence.

You descend the porch steps and greet the night air with a sigh of relief, reveling in the silence that isn’t tainted by Elena’s incessant whining. Damon slips an arm around your shoulders, guiding you toward his car parked beneath a streetlamp. His touch is warm, confident—like he’s proud of the chaos you’ve left behind.

“She’ll get over it,” he says, glancing at you with one of those trademark smirks that used to make Elena weak at the knees. Now, it just fuels your own sense of dark satisfaction.

“She’d better,” you mutter. “I’m not putting up with her drama anymore. If she wants to play the victim, she can do it alone. I’ve got better things to do.”

Damon’s grin widens. “That’s the spirit. So, where are we headed, anyway? We never actually nailed down the specifics.”

You shrug, placing an arm around his waist and snuggling closer to his side. “Anywhere but here. Got a craving for something stiff—drink or otherwise.” The innuendo doesn’t slip past him. His eyes flash with interest, and you can’t deny that thrill you get from watching Damon Salvatore light up over you instead of your sister.

“Sounds like the Grill for starters,” he suggests with a casual tilt of his head. “They might have a halfway decent bourbon I can drown myself in. As for the ‘otherwise,’ well…” He lets the sentence hang, the possibility of later events sparking arousal for the both of you.

You’re about to respond when you spot Stefan leaning against Damon's Camaro. Typical. Even without super-hearing, you know he’s probably caught every word you exchanged with Elena. Damned vampires. "What are you doing here?" Damon was the first who spoke, hand tightening over your body. As if he was a child preventing his favorite toy to be taken away from him.

"Nothing, really. I was just walking around the neighborhood and saw your car parked. But now that I see you're here with my boyfriend, I guess I have time to join you two at the grill."

"Our boyfriend."

You simply laugh at Stefan’s innocent tone, shaking your head at the absurdity of it all. Just a few minutes ago, you were telling off Elena and storming out of the house. Now you’re pinned between two vampires—both of whom are technically yours, and you are theirs. Welcome to the wonderful, fucked-up world of Mystic Falls.

“‘Our’ boyfriend,” you echo, looking from Stefan to Damon. “Are you two seriously going to argue semantics right now? Pick a damn fight over who saw me first?” A scoff escapes you as you shrug off Damon’s possessive grip just enough to stand on your own. You’re not some chew toy they get to tug-of-war over.

Stefan cocks a brow, his expression cool but laced with a hint of smugness. “I’m not here to fight,” he says, his gaze flicking to Damon. “Just wanted to make sure I wasn’t excluded. Last time I checked, this was a joint arrangement.”

Damon’s jaw clenches. Clearly, he remembers crashing your date with Stefan last week—and how you’d had to smooth over the tension in ways that involved very little clothing and a lot of apologizing on his part. “We’re not excluding you, Saint Stefan. But we do have plans that don’t involve your pensive brooding.”

Stefan straightens, crossing his arms over his chest. “Oh, so your plan is to get drunk at the Grill and then…whatever else…” He waves a hand dismissively, “doesn’t appeal to me?” He tilts his head in mock curiosity. “You sure about that?”

You snort. “Children, please. If you both really wanted to rip each other’s heads off, you’d have done it ages ago. Let’s just go. All this talk is making my head hurt.”

Damon lets out a dramatic sigh, rolling his eyes. “Fine. But if Stefan starts preaching about morality or—God forbid—Elena, I’m leaving him to pay the tab.”

Stefan’s smirk grows. “I’d pick a better conversation starter than Elena, trust me.”

You give an unimpressed half-smile. “Don’t even mention her name. As far as I’m concerned, she doesn’t exist unless she’s blocking my path to a stiff drink.”

That shuts both of them up. They exchange a quick glance—some silent vampire communication or whatever—then Damon jerks his head toward the passenger door. “Shotgun’s yours,” he says to you, ever the gentleman when it comes to seating. To Stefan, he adds begrudgingly, “Guess you can squeeze into the back...or the trunk.”

Stefan’s lip twitches like he’s fighting off a retort, but he says nothing. Instead, he silently moves to the rear door. You can’t help but grin. It’s absurd that they both share you yet still bicker like five-year-olds over the smallest shit. But hey, maybe that’s part of the charm.

Once inside Damon’s Camaro, you sink into the leather seat, adjusting your legs as you feel Stefan’s presence behind you. The tension is thick—crackling with desire, frustration, and that constant competition. You kind of love it. Damon revs the engine, and the car peels away from the curb.

“Any chance we can make this a quick pit stop at the Grill?” you say, your gaze shifting between them. “I need something to eat, maybe a drink or two, but I’m not really in the mood to fraternize with the entire damn town.”

Damon flicks you a sidelong glance. “Someone’s impatient. Looking to skip straight to dessert, sweetheart?”

A grin tugs at your lips. “I’d just rather not get cornered by whichever idiot wants the latest gossip on Elena’s meltdown.”

Stefan leans forward, resting his forearms on the front seats. “We can be in and out in under thirty minutes. Grab some wings, maybe a bourbon—or three—and leave.” He lowers his voice suggestively. “After that, I wouldn’t mind some privacy.”

Damon makes a sound of reluctant agreement. “Deal. But don’t whine when you realize your tolerance is way lower than mine, Brother.”

Stefan just smirks. “Don’t worry about me, Damon. Worry about yourself.”

The quick banter settles into a charged silence as the lights of Mystic Falls blur by. The neon sign of the Grill soon comes into view, and Damon maneuvers into a parking spot with practiced ease.

“Let’s get this over with,” you mutter, pushing the car door open. “I’m not about to waste my entire night entertaining half-drunk townspeople.”

Stepping onto the sidewalk, you can already see a few familiar faces through the window—Caroline, Matt, maybe Tyler. You can’t be bothered to care. The only drama you want tonight is the kind that ends in moans, not tears. And if Elena hasn’t slithered over here yet, you might just get your way.

Damon slides an arm around your waist possessively again, and Stefan eyes the gesture with an annoyance that’s as old as time. You sigh inwardly. No matter how many times you remind them you belong to both, they still can’t help but try to stake their separate claims. Vampire pride, maybe.

As you head inside, the ambient chatter and smell of bar food envelop you. A few heads turn—this is Mystic Falls, after all, and you’re making a very public entrance with both Salvatores. Let them stare. Let them talk.

“Your usual table?” Damon asks, raising an eyebrow.

“Yes,” you say. “Let’s just grab a seat and order. I’m fucking starving.”

The three of you slip into a booth. Damon slides in beside you, Stefan on the opposite side. A cute server looks mildly flustered as she hands out menus. You can see her eyes flick between Damon and Stefan, likely recalling the messy history each has with Elena. If she notices you’re with them in a more intimate sense, she doesn’t comment. Probably for the best.

“So,” Damon says, flipping open the menu, “bourbon and wings? Or do we want to start with something stronger?”

Stefan doesn’t bother with the menu. “I’ll have what you’re having,” he says with a forced casualness, drumming his fingers on the table. He’s clearly aware eyes are on you three. You can practically feel the tension rolling off him—like he’s waiting for the next potential disaster.

You roll your eyes at the both of them. “Bourbon’s fine. Then if someone pisses me off, we can move on to whiskey shots until I forget this entire night.”

Damon flashes that trademark smirk. “You, pissed off? Shocking.”

Stefan snorts, finally cracking a faint smile. “I’m sure we’ll manage to avoid any drama.”

A short, barking laugh leaves you. “In this town? With the three of us in the same damn booth? Doubtful.”

But you push aside the building dread. Because at least you’re here on your terms, Elena’s sob story is miles away, and you have both Salvatores at your side—bickering, sure, but ultimately yours. And that realization, twisted as it might be, makes a satisfied grin curl your lips. With a raised brow, you signal the server for your order. Let the vultures talk, let Elena sulk. You’ve got bigger, better things to do tonight—and two vampires to do them with.

“Bring on the bourbon,” you say, leaning back. “I’ve got all fucking night.”

[askagamedev]

A follow up to your answer about veilguard (was really hoping you would touch on that one). Why do game companies that have a “bad” release always seem to start from the bottom of the pyramid when it comes to restructuring and recouping losses? Why fire low level devs who did their best with what they had, when the companies have people in senior positions making hundreds of thousands of dollars (if not more) that they could just cut from? Why do the trenches always get the punishment first?

The short answer is because shit rolls downhill. For a longer and more nuanced answer, there's multiple factors to consider.

The main issue is that the company is trying to cut costs immediately. This is usually for two major reasons:

Reassure investors to keep them from dumping the stock and driving down the company's value

Save as much money as they can from their current stockpile for other projects still in development.

If the company goes under because it can't make payroll company-wide, everybody is doomed regardless. A gecko will sacrifice its tail in order to escape with its life. A crab will tear its own claw off to survive. A company will always cut staff to keep itself afloat.

The next factor is that each major experience level up a dev attains tends to be a geometric difference in productivity. [A large task that would take a junior dev two months to complete might take a mid-level dev one month and a senior dev only a week or two]. This is why senior devs are entrusted with the bigger and more critical tasks. Further, the typical quality of work that a senior dev produces is much higher than what you'd get from a mid-level or a junior. I'm a senior dev and I cost the team a large amount of money to keep, but paying for just me is still significantly cheaper than paying a pair of mid-level designers or three/four juniors.

The next factor is that most big layoffs come after a project has shipped. This is because a given project is at its maximum headcount right before it ships - you need all hands on deck during full production, building and validating all of the content in the game. There needs to be other projects in development to pay for those people after the game launches. If the game launches well, a significant portion of the team can stay on to do post-launch content and the others can join in-progress projects at the studio or at other studios owned by the publisher. In the case of a bad launch the post-launch content gets cancelled because there just aren't enough players to make building the post-launch content financially viable and the people who were supposed to build it have no new project to pay for their salaries.

There's also the factor of how projects have different needs at different times. You always need a core team to get a project off the ground - engineering who can put together the foundations of the game, design that can prototype and build core gameplay, art that can establish a new visual standard for a new game. But you likely don't need an army of designers to build content for a game that doesn't have any core gameplay yet, gameplay engineers to flesh out systems that haven't been designed yet, artists to model and skin characters that haven't been concepted yet, or QA to test content that hasn't been built yet. You need those folks when you're in production and all of the groundwork has been laid.

These are the nominal reasons why job cuts always start from the bottom - the juniors and mid-levels have the least to do when a game gets cancelled or a bad launch happens and the cost to keep them all adds up significantly. The fact that it also shields decisionmakers and middle managers is, of course, also in there. This is also why I never offer or expect loyalty to or from an employer, especially a large publicly-traded one. They will never sacrifice their own survival (or even advantage) to keep me, so I should never expect more than a business relationship from them that could end at any time.

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[literaryvein-reblogs]

How to write diva like characters, like blingy, dramatic, cool asf characters. I feel we don't talk about socialites and PPL like these but I do wanna put them as a main character

Writing Ideas: Diva Characters

a list of related tropes

The Beautiful Elite: They aren't just beautiful looking. In addition to being healthy and fit, with beautiful skin and hair, their whole life is beautiful. They are more fashionable than anyone else, more sophisticated and charming than anyone else, and are usually both rich and socially powerful. Their clothes are all way too expensive for you to ever own. They live in an elegantly furnished Big Fancy House that is so clean and well organized they look like they are Living in a Furniture Store. They get to hobnob with famous people so much that they may casually refer to them on a First-Name Basis. To a certain degree, this is Truth in Television. In most societies, wealth and attractiveness are highly correlated; the wealthy have much greater access to resources for improving their own appearance, through fitness classes, plastic surgery, healthy food, cosmetics, hairstyling, wardrobe, etc. Moreover, attractive people often have better access to social, financial, and material success, whether through marriage or professional opportunities. And even beyond all that, the very standards of beauty itself, especially feminine beauty, are customarily centered around a demonstration of wealth.

Cosmopolitan Council: The one trait that ties everyone together is that they are all in possession of skill, authority or money, and in excessive amounts. The members will probably be heavily accessorized with gaudy jewelry or a scar to prove their moral alignment. In short, the implication is that each and every member has a varied and storied past… which we very likely won't learn.

Non-Idle Rich: A rich character does a job involving public service (often a cop, soldier, or doctor) despite obviously not needing the pay. Instead, they do the work to help people or for personal satisfaction — or to avoid boredom. They will often have conflict with both their family — who wonder what they're doing down in the muck with the "common people" — and their work peers — who class them sight unseen as a dilettante after thrills. They spend all their time proving themselves.

Socialite: Cultured and rich, and knows how to handle any social situation (or at least upper-class ones).

Socially Scored Society: A setting where everyone's reputation is ranked/scored, and it affects their quality of life.

The Diva: The strong, dark, beautiful woman. She's often a go-getter, chasing stardom, wealth, or just recognition for her talents. If she becomes an Idol, she's not constrained by the pressures of always appearing youthful, innocent, and approachable.

The Prima Donna: An overbearing, egotistical entertainer.

Hidden Heart of Gold: Someone is mean, has become famous for it, and is proud of it, so when they do something nice, they keep it secret.

No Fame, No Wealth, No Service: Places that only let in celebrities.

Old Money: Families that have been wealthy for many generations, and maintain their lifestyle through stewardship of an existing family fortune.

The Sheltered Aristocrat: A character who has lived a life surrounded by luxury and pomp and shielded from the everyday trivialities and mundane issues which the lower classes have to contend with. They see themselves as pure and untainted by the hardships of the outside world, but their Ivory Tower worldview is based on books and tutoring, so they are in for a rude awakening when they leave the castle.

You Are the New Trend: A famous person has his mannerisms copied by everyone.

Examples

Brave New World is one of the most famous examples. A Dystopia where everyone is raised to be a Stepford Smiler, and everyone looks twenty years old (except the Epsilons, the lowest caste; they are barely human).

F. Scott Fitzgerald was fond of The Beautiful Elite trope: Dick and Nicole Diver appear to be Beautiful Elite at the beginning of Tender Is the Night. But deconstructed it in The Great Gatsby, a classic novel that starts off by showing all the glamor of the rich, then revealing the ugly truths behind why some of them are this way. The Beautiful and Damned also starts out with this in play until the main couple's awful life choices start catching up with them.

Elizabeth Roffe in Sidney Sheldon's Bloodline. Despite being able to simply sell her shares of her family's company, she decided to run the company.

George R. R. Martin's A Song of Ice and Fire: House Lannister is the richest and most glamorous of the Great Houses. They are tall, beautiful and golden-haired. Jamie and Cersei Lannister are regarded as some of the most dashing and beautiful members of the nobility. The expected physical perfection of the Lannisters is part of why Tyrion Lannister, a deformed dwarf, is so reviled by much of his own family.

The Park family in Parasite live in a large, isolated house in the middle of densely packed Seoul to symbolize how sheltered they are from the real world. They casually spend large amounts of money with no real thought, as exemplified by how they ask for "ram-don" — which combines two full servings of instant noodles — topped with expensive sirloin steak for a snack. They serve as Foils to the poor Kims, who are of such modest means that they have to fold pizza boxes to try and make ends meet.

Pride and Prejudice's Lady Catherine de Bourgh is a widow of Blue Blood with a vast fortune and huge income. She's nosy, haughty, and extremely meddlesome. She thinks everybody will do what pleases her.

Sleeping Beauty (1959): As a baby, Princess Aurora is given the gift of beauty by the good fairies, as grows up into a lovely young woman.

Darling (1965) is about Diana Scott, a beauteous model from Swinging Sixties London, who gets into multiple romantic entanglements, attends high-profile charity galas, and flies around the world for various jobs. However, her personal unfulfillment, amorality, and disillusionment with the jet set are running themes, and the film ends with her stuck in a marriage to an Italian prince.

Soul (2020): Dorothea is a downplayed example. She's framed as the height of jazz performers, and definitely has sway over who plays and how in her band. She's quick to hire, fire, and challenge her bandmates to keep up. Her experience in the field also gives Joe the advice he needs to hear about the difference between chasing the dream and living it.

The Great Gatsby: Tom Buchanan and Daisy come from old money and high society. It's put in contrast with Jay Gatsby, who is Nouveau Riche and must engage in Conspicuous Consumption to appear to fit in.

Sources: 1 2 ⚜ More: References ⚜ Writing Resources PDFs

Here are some tropes and examples you can use as inspiration. You can find more in the sources linked above. Choose which ones you would like to incorporate in your story. Hope this helps with your writing!

[pigswithwings]

ok i want to talk about the symbolism in here bc even though its one of my simpler pieces i put at least a little bit of thought in2 it !!

so the main focus is a math concept, it's a graph of an asymptotic function. the idea behind asymptotic lines is that they approach a specific number/value but will never reach it; ergo, they will be constantly moving towards something but it will infinitely be out of reach. so with this piece there is the theme of distance, both between the two halves of the function (red and blue lines) and between each half of the function and the asymptotes (not pictured). the graph background i've drawn relates to mirage's distance from everything in life as well as her struggle to find a purpose in life. she may approach finding hope (approaching the asymptote), but ultimately she is barred from reaching it due to her nihilism. similarly, she is distanced (separated, as the function is divided by the asymptote) from both her own desires and the things in her life such as school. the asymptotic function represents the (self-made) barrier between mirage and the rest of the world.

secondly the stationery & school supplies. i often think about how mirage is a schoolgirl and has to deal with the stresses of being in class, having homework, having to navigate a social life at school, and how draining it must be for a girl who's already so tired of everything. so i imagine that school must already be a huge struggle, and that's why she has to rationalize it as not mattering. nothing matters, so school doesn't matter, so it doesn't matter if she fails in all her classes. but analysis of mirage aside, i use the red pens in this image (seen in the top left, top right, and bottom left corners) to emphasize mirage's struggles in life. red pens are known for being used to mark mistakes, errors, and other things being done wrong on a student's work. so by having red pens be literally connected to mirage and physically surrounding her, i attempt to convey her lowered self-worth. mirage viewing all of human intelligence as a mistake implies that she also believes this about herself - *she* is a mistake. so the red pens are only fitting. also i like drawing pens and pencils because i am objectum 🫶

speaking of mirage herself, i'm pretty proud of the way i've drawn her here. she's got her tie undone, her sleeves rolled up, she's sitting in a not-exactly-ladylike position and i wanted to make her feel more casual or even more vulnerable. i haven't drawn her lens/eye/light source/whatever you call it half out of convenience and half because i wanted the artwork to continue feeling hazy and abstract and impersonal. i like the dichotomy between the small details of mirage's arm and the denial of giving her an "eye" or a "face". can't quite put it into words but that feels similar to how mirage attempts to be vulnerable with the player character but still feels incredibly distant.

not too much to say about the grouped-up objects in the fourth quadrant (lower right). did you know the paper is in morse code? i considered putting more code on her notebook and notecards as well, but i felt as though that would make the piece more cluttered and it would lose its dreamy air (the separation of colours helps with this a lot). i would've also marked up mirage's writing with red pen to emphasize her percieved "failure" in life but i realized that would make the morse code much harder to see. so thats it really 👍 i like talking about my own art & its very fun to think about mirage

asymptotic - infinite distance (part of an art trade with @b1ttersweet-dreams !!)

[bombasticsalt]

MadoHomu: Madoka and Homura aren't an opposites attract ship

One thing that I feel like most Madoka Magicka copycats and (some fans) seem to misinterpret when it comes to making Homura-esque characters is the assumption that Homura is the opposite of a what a magical girl is and that's just not true. The idea that if Madoka is the ideal magical girl then Homura is the opposite feels so black and white and doesn't do Homura's character justice. Homura fits this standard of a magical girl to a tee, she's loyal and determined, she can be extremely kind and she would sacrifice herself and her own sanity for the people she loves, for the world she loves. The subversion is that instead of this being a good thing it's a bad thing it's bad that Homura would sacrifice her sanity to save Madoka it's bad that she would rewrite the universe and break a part of the law of cycles just so the people she loves can be happy. Homura is a good magical girl and that's what makes her a 'bad' person. Homura like most of the other magical girls is a magical girl that belongs in a universe like Sailor moon (I have never seen sailor moon). Because shes would be the perfect person for a wholesome magical girl show but she's not, that's the tragedy that's the subversion. The situation and the universe she's stuck in is actively against her. In the most simple way I can explain it think of two paintings that are exactly the same except for you invert the colors, technically it's still the same painting sure some of the colors blending might not work the same way it did before but it's still the same. Homura and Madoka are two sides of the same coin, Madoka is the god who so loved the world that she sacrificed her life for it and Homura is the demon who so loved her god and her people that she sacrificed the universe where magical girls could be at peace for it. Love is their main motivator love for humanity, love for each other, it caused Madoka's greatest good and Homura's greatest evil.

[nicnevans]

Hey! GW2 fandom!

I'm semi-new here, though (since you guys seem friendly) a few of my screenshots and doodles have done the rounds so my characters might not be entirely unfamiliar to you. Anyway, I want more GW2 on my dash! with some caveats due to being New TM I'm looking for folks to follow who;

post a fair bit of GW2; other games and fandoms in the mix is fine, I myself am pretty multifandom over here (I don't have the braincells to separate everything out lmao)

have a spoiler-tagging system I can reference; I've just finished HoT and I'm absolutely not rushing through GW2's storyline (experience has taught me that the best way to enjoy an MMO is slowly) If you don't have a spoiler tagging system but still wanna chat, that's also great! hmu I wanna interact and meet the fandom! I just don't wanna hit a spoiler for content that, to most other people, is ancient lmao

I'm especially interested in seeing fanworks, whether you're a creator of them or a chronic reblogger. I miss the good old days of tumblr when my dash was 90% peoples' fanart and OCs and everyone hyping each other up 🥺

A bit about me (and my characters)

I'm not a single-fandom blog. My blog runs mostly on a queue, and in that queue goes basically everything I enjoy with anything cool that crosses my dash in between.

I'm a Millennial TM. I make Millennial TM jokes (puns) like my life depends on it. I'm sorry. I can't change.

I post art over on @ilmhist sometimes. Doodles and portraits and such. (That's also the blog I like/follow from.)

I have... a lot of OCs. A lot. My OC page is packed and in a constant state of "oh god I still need to write so-and-so's bio..."

idk how to play GW2 I'm just here for the blorbosis, I'm certifiably Bad At It and I die constantly. This has become a character trait for my comm, it's a running joke at this point that he never walks away from a fight under his own strength, he's always getting carried or dragged out when it's all said and done.

I'm... kind of obsessed with sylvari. I support everyone who has brainrot for the other races and I'd love to hear thoughts on them, I just have none, it's all plant people all time in my one singular braincell.

(pictured above, left to right: Duilliche (main comm), Callainn, Lusanaisig, Dreaghann)

These lil guys are my current pride and joy. Lus and Drea are twins, but all four of them awoke during different times of the same day, and (mostly) had connected Dreams. Cal is the odd one out in this, she never got a Wyld Hunt and her calling in life is much more mundane than the others, but she sort of gets swept along with them anyway. Her running gag is that, for one reason or another, she never seems to make it to the Big Climactic Fight at the end of any given journey. Dill is very much in the wrong genre and should have been a Disney prince. He even sings. He also has a godawful sense of direction and if left in charge of Leading The Group, he will blithely lead the group in circles for hours. As is evident, they're season-coded. Autumn, winter, spring, summer. I thought it was a fun idea for a group of sylvari sharing a plotline :>

This post is getting really long. Okay, so, intro done, like/reblog/comment/something if you post GW2 and I can avoid spoilers if I follow you, if I can't avoid spoilers if i follow you feel free to drop me a message or something if you want?

[year2000electronics]

Since we’re talking about danganronpa I will give my own personal recount of how it affected my life because it’s horrible and embarrassing.

So you know the whole “fujoshi-to-transmasc” pipeline? I kind of had the opposite. As a queer kid who didn’t realize I was queer I ended up preconditioned to hate romance because I would only see terrible straight romance where it was just “main guy and main girl” with no substance for why these two would like each other. I was under the impression that I hated romance as a whole when it turns out I just hated badly done romance. This lead to me discovering shipping as a child on the internet and immediately hating it, especially gay shipping. In my mind, I was thinking “why would you LIE about the character’s sexualities in order to write a romance when romance already SUCKS”

I held this belief religiously for several years until I was around 14 I think. At this point I came across a pairing that just made so much sense that these characters would actually be queer “For Real” that I decided I would make an adjustment to my personally held code of honor: I would halt my fury for gay shipping only if it was Textually Supported that these two could be queer and into each other. Over a few years this gradually transitioned into a general appreciation for certain pairings, to realizing I was queer, to enthusiastically participating in pairings, to realizing I was a guy (queer 2).

What was this ship that was so earth-shattering to me that it knocked the bizarre internalized homophobia out of me? Well you see, in the year 2012, a normal boy woke up on a beach and encountered a Very Strange Guy with strong beliefs on the nature of hope…

oh my fucking god (positive)

[yuripira4e]

Rather than devotion, I would argue It’s a matter of how much they take their relationship for granted. To me, because Spock was not often forced into random relationships with little emotional pull for the fans but he would act as if was his true love (cough Kirk), and just his general personality Spock is always shown as the “straight man” of the duo and this diligent, straight laced “Vulcan” way he is makes it that much more interesting when he will unadhere to any morals or beliefs for Kirk and no one else. Really our only example of someone he should be willing to do that for was T’Pring who he straight up doesn’t know and dislikes in regular canon. He’s consistent in his small acts of love and it adds up so wholly and fully and it is truly peak devotion. He would never disregard how meaningful their relationship is because he understands the weight of his actions and giving up his strict set of morals and makes his decisions to solemnly. But Kirk wouldn’t either. If anyone asked Spock is undoubtedly his best friend, his right hand, and the person he cares the most for. He shows this constantly with his actions (if we’re talking devotion let’s talk blowing up his entire ship, risking his career and life, and his just unrivaled desperation to get Spock back and make him remember him). However he’s also this charismatic, intelligent but impulsive, and not generally law abiding character. He’s forced into relationships constantly that the writers couldn’t write with the formula “he chooses Spock over them” because that would have been really too gay for that time period. Yet it didn’t stop him from doing it anyways. His wants and beliefs change so much and he loves so freely everything and everyone around him that it’s harder to see his devotion for Spock when it’s not so pronounced as “he would do this thing only for him” (minus the whole giving up his entire life for him snd never leaving when things got difficult part thing) but it’s also what Spock loves about him. Kirk wouldn’t be Kirk if he wasn’t willing to do whatever to save everyone he could and didn’t fall in love with the universe around him in ways Spock was always still learning to do and appreciate. Kirk takes his unfiltered love for everything around him for granted sometimes and the relationships it’s earned him. For main example, Spock. Kirk does choose women or adventure or whatever over Spock sometimes, never maliciously or even really genuinely because he always does choose Spock in the end, but the second he looses any connection or respect from Spock he’s right back where he belongs and wants to be. He takes their bond for granted sometimes because he truly acts like he couldn’t imagine it ever withering and no matter how down bad he is for the new woman he barely knows, he knows it couldn’t hold a candle and he doesn’t expect it to. (More angsty if you believe he just hadn’t really realized his own feelings and always thought of Spock’s love as a baseline for all his needs and his romantic pursuits as what he was supposed to add onto his life). He shows his love in big actions, with the same small ones as Spock littered through out. He thinks about him all the time and would disregard that love for life just for his love for him. His thought processes in some of the novels are crazy he’s truly never not thinking about Spock or if he isn’t he never questions their relationship or if he’d ever need to choose someone over Spock. Because simply put, he wouldn’t and everyone knows that. Neither are more devoted, they’re equally insane about each other. Anything Spock would do for Kirk, he would do 10x over in every universe, but their priorities and thought processes are different.

Don't get me started on how Spock is so much more devoted to their relationship than Kirk is.

[pricklyjim]

Hey I was re-reading the pages of your shattered unity comic AND IM LOVING IT SO MUCH AUGHHHH

Maybe I’m reading it all wrong, but I love how the power dynamics are changed between this and other MegOp universes

Usually Megatron may be stronger, but he’s usually on equal or lesser footing to Optimus in some way

But in your comic? He holds all the cards, he can get everything he wants… and we see he’s an evil bastard with how he uses that power

Meanwhile Orion is fighting an uphill battle, trying to hold his ideals firm even as Megatron tries to break him down and tempt him away. It really captures the cores of these characters even if they’re in a different dynamic!

It’s just so goooooooood….

And even if I’m wrong in my current interpretation (we’re only three pages in after all lol) the art and dialogue are just… so damn good.

thank you!! and Technically they both own equal territories, and power, but the main differences in their power dynamic is Orion doesn’t wish to start a full on war with Megatron, He doesn’t want to cause unnecessary death and destruction.

Megatron gets a sense of this, he knows Orion has extremely strong opinions when it comes to the preservation of life, and even though they are one equal footing he uses this to his advantage to scare Orion into thinking he is on better footing and it works.

not because he is stronger, but because he is always presenting himself with as much power as he can muster, He’s very good at making people believe he’s capable of so much more destruction then he is.

And since They’ve never gotten to know each other before this, Orion wouldn’t be able to distinguish if he’s bluffing or not, I mean, come on- if your past idol- the guy who inspired the very notion of ruling with peace and equality suddenly starting making heads roll, I’d be shitting my pants to be in the same room with him.

Orion is terrified of the fact that the guy he’s co-running the planet with, might destroy not only the chance at new found freedom, but half the freaking planet as well-

and why wouldn’t he believe him? Megatron’s resume when it comes to violence decisions and actions is quite impressive after all.

so it basically boils down to this-

two political leaders who play the worlds most fucked up game of chicken- one of them is farming aura points and other is dealing with the actual responsibilities of leadership and being responsible for so many lives.

both are equally strong in their own ways, both in battle and metal chess and both are equally determined to win the game of chicken.

[deus-and-the-machina]

imagining mcyters as dacha characters is so wild so I have been thinking about some of the hc/life series folks with the hsr types... its mostly pearl haha

Traffic life Pearl: physical hunt, a single target dps who wants to stack the bleed debuff with her own kit and the help of supports. She marks one target and connects them, then with her ult reduces her own hp that reduces the enemies too, proportional to how much hp she has and how much bleed has stacked. if she's healed it won't effect the enemy. weapon is double sickles.

Empires Pearl: imaginary destruction, a bounce attack focused dps, each of her animations switches to a different weapon. swings with sword in her basic, uses a bow in her skill, in her ult she boards a chariot pulled by a duckling that charges into the enemy. the center enemy will always receive a set amount of damage but the enemies to the side are dependent on the randomness of the bounce mechanic.

S9/alien/janitor pearl: quantum erudition, a sub dps who places a spore stack on enemies she attacks. she starts in her secret agent form but when the spore stacks activate with her ult she switches to janitor form to "clean up" the stacks. she reshuffles them like herta's ult does, with the biggest stacks on the biggest target and lets the main dps do more damage. The stacks only disappear once pearl attacks so the main dps should ideally go first

Last Life Cleo: fire nihility. a support who focuses on inflicting a burn DoT and activating them with her ult "forest fire". Allies who hit enemies inflicted with her DoT help increase it but also become hurt themselves. They themselves do not receive a DoT, just flat damage

[scriptlgbt]

I'm writing a story with a Black trans man mc, I want to subvert the "angry, aggressive Black man" trope so he's fairly shy and awkward but becomes more confident as the story progresses. However, I'm worried this falls into a trope of trans men being weak or "girly". Any tips on still being able to subvert the first trope without falling into the second one?

@writingwithcolor has covered the intersection of Blackness and gender before, and may have some posts that can help as a jumping off point.

[kamechan98]

YES!!!

I am so fucking sick of love triangels in general, I think they’re one of the lowest form of attempting relationship and character drama just for the sake of it. It’s like ‘we have nothing else we can think of that might develop the relationship between two characters before they get together so we’ll introduce a third character so we can draw it out even more just for the drama. Especially since 9 times out of 10 it’s painfully obvious which characters are going to end up together anyway so it always feels like a huge waste of time.

In the case of Vassago and Stolas as a pair, they have literally never interacted. For all we know they don’t even know each other (save for Vassago knowing of him) so there’s no ground to stand on in terms of them being a potential couple. Plus, as stated above, it would dismiss and minimize everything we’ve been through with these two:

Stolas saving Blitzø from being executed, attempting to sacrifice his own life for him,

Blitzø admitting that Stolas is his heart (if only to himself),

Blitzø trying and do everything he can to support and help Stolas losing everything,

Blitzø saving Stolas in turn from Andrealphus

Their dramatic kiss

Blitzø trying to comfort and be there for Stolas after Octavia cuts him out of her life

Their dance at the end of Sinsmas

I could go on but you see my point

I know a lot of shows will do that thing of drawing out a couple getting together for as long as possible and will throw in other potential candidates for being a love interest for one or both parties, but I always see this as cheap and telling that the only reason you don’t have a couple get together and stay together, letting us watch them grow and develop as a couple and as people, is because you want us to keep watching and be more invested in the drama of watching the main couple finally getting together. But in my experience it has the opposite effect and will just make your audience more and more frustrated with you and the show.

I don’t want to see a Will-They Won’t-They season for Stolas and Blitzø, we’ve already had that! Now give me them going on real genuine dates, being cute and affectionate with each other, fighting over differences but making up in the end like adults, having cute banter like an old married couple despite barely having gotten together but act like they’ve been dating for years.

That’s what I want!

Also, normalize friendships in shows! I understand wanting to see for LGBT representation in media, or that shipping in general is fun, but can we please stop acting is if having friends isn’t an option anymore? And Stolas has no friends outside of Blitzø so please give him more love from different people and in different ways, please and thank you!

Why must my favorite HB YouTuber post a video talking about the Stolas, Blitz, and Vassago love triangle headcanon, I can seemingly never escape.

Please don't act like it's a good idea, especially after the events of Mastermind and Sinsmas. IT'S NOT.

"Oh Blitz and Stolas can have a bit of a breakup, and explore other people."

THEY HAD A BREAK-UP!

"Oh they can spend some time apart during their breakup to see if they still want the other."

OH YES, LETS MAKE THIS FUCKING DUET ABSOLUTELY MEANINGLESS.

"Maybe they can explore other people."

STOLAS DID EXPLORE OTHER PEOPLE, AND THE MEMORY WAS SO FUCKING TRAUMATIC FOR BLITZ THAT IT'S IN THIS FUCKING MEMORY REEL.

Blitz is not strong enough for a love triangle! This man is a fucking bitch baby, he can't HANDLE IT!

Also...

Blitz has ZERO intentions of exploring other people when THIS IS HIS DREAM.

I... PLEASE STOP WITH THIS HEADCANON I FUCKING CAN'T.

Why can't Vassago just be a friend to Stolas, please? FFS Stolas has no friends! The closest he has to a friend is Blitz, but they might as well be fucking married by now at this point, since they live and work together.

[seasideoranges]

y'all i gotta be honest for a sec, the "atla wouldnt change much if aang wasnt there, in fact it might be better" and "the atla finale wouldnt change much if aang wasnt there to fight ozai" debates is the funniest thing ive seen come out of this fandom

[hulloitsdani]

What do u think Kiran is

How do u think the order sees kiran

*slowly sits up in my chair*

I think Kiran is a very normal person. This is someone you and I have met before. Be that from the other side of grocery store cashier, waiting in the same elevator, or walking by on a crosswalk. Kiran is a civilian from our world trying to roll with the punches of being warped somewhere completely alien. And you can see it in how they conduct themselves.

I always have a lot of fun writing Kiran’s dialogue because their casual modern speech almost feels like a dialect in comparison to the more formal fantasy tone everyone else speaks with. An “ain’t” will never exit Alfonse’s mouth, you know? And there’s a difference in “Do you have gold?” vs “You got gold?” To me, this gives Kiran an air of unfamiliarity to anyone they interact with. Let’s use Grima as an example, because it doesn’t sound like this grammatical change would make much of difference until Kiran has the audacity to hit Grima with a bro mid sentence. But that’s just how they talk. And as sweet and friendly as they are, there’s always moments like that to remind that no one has the cultural context to fully understand Kiran. Except for the audience, who can realize that Kiran let the customer service voice drop to talk to Grima like he’s an actual person.

And that’s just about how they talk! This view is only emphasized by every other thing about them! They’re a lovable goof, which is normal chill person behavior in the audience’s eyes but feels REALLY ODD to the characters of FE’s medieval fantasy war setting. There is this air of unknown about them that the more socially perceptive will pick up on and will try to come to a conclusion about. Example, I imagine Soren would interpret a lot of this as a dangerous and deeply annoying lack of intelligence from someone he has the displeasure of sharing a tactics table with. Or looping back to the Grima example, he would totally think Kiran has greedy ulterior motives behind that pleasant facade. It takes a lot of work for those types to realize that the discrepancy present isn’t really any of those things. But I also wouldn’t be too surprised if Kiran doesn’t try to directly prove any of those assumptions wrong unless they have to.

Why? Well now it’s time for the implications! Oh how we love the implications.

Because the Summoner is a different story. No one has any fucking clue what that is.

I can tell you what Kiran has pieced together so far. Summoning people from across time and space is apparently not easy. It’s not some school of magical study that some mage could pull off with enough time and research. Trust, Eitri tried. It’s a lot of complex moving parts. For example, the contracts. The contracts Kiran automatically binds their summoned to don’t even compare to the ones Veronica used in book 1. They are far more intense and infinitely harder to break. The only way out of them is if Kiran wills it so. Not even death is an option, because Kiran can come in for the revive. If they had to guess, it’s an older, more completed version of the art. Something lost to time. But no matter the case, Kiran has the ability to take full control of whoever they manage to summon. From a lowly farmer to the divine. And their power only grows.

In a similar vein, if there was any character to canonically see the hud, I think it would be Kiran. It’s genuinely part of their power set. I have previously described Kiran as the party mage until Veronica shows up to be the actual mage, but it would be way more accurate to call them a mystic/seer. They see the map, everyone’s stats, and is doing a fast amount of math to give the combat forecast. Then, upon processing all this information their enemies couldn’t dream of having at their disposal, Kiran can telepathically communicate any change in plans to anyone under contract. Kiran is not inherently some great tactician the moment they touch ground in Askr; they simply can do things no one else can. They’re learning the actual tactics part on the fly. This makes them simultaneously the largest ace up the Order’s sleeve and potentially its biggest liability. If they fall, it could cause a whole system cascade. By that same token, some of the biggest threats the Order has faced are the ones who do their research and rightfully target Kiran.

Now. Thinking critically about all that. That’s downright terrifying. A ridiculous amount of power has been dropped callously into Kiran’s lap and they have to work extremely hard to be moral with it. It’s terrifyingly easy not to be. It would actively take less effort to ‘take the reins’ as it were. But in order to be able to sleep at night ever again, they go the extra mile to not invalidate the will of their summoned. To take over like that. To make a colony of worker bees out of people. Because oh dear god they just summoned a child and the fact that they could easily force them to fight and die for them, only to be revived and do it all over again, is HAUNTING. No. No the Order has an in house orphanage now. This kid is getting adopted and cared for god damnit or Kiran might just pop a blood vessel. And sure that child is going to be a child and there will never be a world where they get along with everyone else, but that’s just going to need be a problem they address when they get there and not an excuse to use Hubris; the power set. Now replace the word child with everyone they ever summoned and you have the wider philosophy they apply to the entire Order.

They’re hyper aware of the power imbalance. They hate it with every bone in their body. They work really hard to correct it in whatever way they can.

So Kiran might not jump on the opportunity to correct those who think lesser of them. It’s… oddly comforting to know someone is keeping a critical eye on them. Holding them accountable. Especially since so much of the order just thinks of them as this quirky yet well meaning host. And, really, what can they even do about that? They have gone over the contract with every hero they summon and despite that they still choose to stay. So, what, do they try to inspire more mistrust? The problem with that they would have to actually do acts that intentionally inspire mistrust. And even if that was successful they can’t just waste the extra man power because every other month there’s some new divine asshole who wants them all dead. And if they fail that means they have to start their life from square one and god they can’t do that again so—

Just breathe Kiran.

It’s fine. You’re fine. Just breathe.

You have work to do.