#each character is the main character in their own life.

[wordswithkittywitch]

This was going to be one of the game mechanics in a video game I designed and then realised I lacked the skills to code.

The main mechanic was that you had a series of stats hidden from the player, and the only way you know they were changing was which options were available to click in dialogue.

Why that worked with the game under the cut.

The game was to be called "Medication", and the setting was you are a genuinely mentally ill person in a genuinely haunted ward with doctors who genuinely wanted to help you.

But whether or not the characters you were talking to were marked as people, ghosts, or hallucinations would depend on what medications you were taking. The goal of the game is to find out what happened to cause the hospital to be haunted while getting your meds adjusted to the point you were stable enough to leave. At the end of each in-game day you would speak to one particular psychiatrist who would ask you if you needed your meds adjusted. When you did, the hidden stats changed and you would go into the next day with the same NPCs marked as different types of people. (which is a much faster turnaround than real life but this is being made into a game) However, many of the medications would also have "side effects", which were mainly limiting which options you could take in dialogue. One medication might make ghosts be marked as ghosts more frequently, but it would only allow you to choose angry dialogue options. Some gave you low energy and you could do fewer actions in one day. One might mark all NPCs you had a positive relationship with as living patients and all NPCs you had a negative relationship with as ghosts. I think, based on my own experience with having my medication adjusted, one of them should just have a really annoying line of text added to the description of every action you take.

YOU ARE IN THE COMMON ROOM. YOU ARE NAUSEOUS. RETURN TO BED? >RETURN TO BED. YOU ARE NAUSEOUS. >WORK ON PUZZLE ALONE. YOU ARE NAUSEOUS. >APPROACH FRED (NURSE). YOU ARE NAUSEOUS.

Or, if you had several different side effects going on at the same time:

YOU ARE IN THE COMMON ROOM. YOU ARE NAUSEOUS. RETURN TO BED? >RETURN TO BED. YOU ARE NAUSEOUS. >WORK ON PUZZLE ALONE. YOU ARE NAUSEOUS. >APPROACH FRED (GHOST). YOU ARE NAUSEOUS.

[acid-ixx]

Hey, how are you? I hope I'm not bothering you.

I want to tell you that I love the way you write and I hope you are well and taking good care of yourself, that you drink water and sleep well.

I also just wanted to show some drawings I made of my version of the reader from the a&a series.

I was inspired by some other cool fanarts

The scars may not be very noticeable, but they are there, the one on the mouth was because I love Ezio Auditore (from Assassin's Creed) and I just felt like it looked great.

I hope you are well, remember to drink water.

P.S. Sorry for the Google Translate English, English is not my native language 👉👈 xD

— masterlist !

oh my god, they look so absolutely handsome here !! <33 thank you so much for sending this in, i appreciate it a lot. the scar on the mouth is actually brilliant i (might) just incorporate it into the fic. i love the entire composition, especially the second drawing with the finger guns, it reminds me of the brutus au, inspired by jinx so of course it's imperative that i mention it!!! you guys are honestly so creative with your very own portrayals of the main character, each unique trait is presented into the art very well.

i love how depressed they look in the second pic too 😭 that's probably them contemplating the current state of their life after another hour trying to ignore dick's incessant messages (i, too, would be sitting in a corner after my tears have dried up from crying while my phone buzzes off showing me another one of dick's desperate attempts at reconciliating an already irreparable relationship.

once again, thank you for sending this in! fortunately, this wasn't buried under a thousand asks.

[literaryvein-reblogs]

Hey there!

I have something I haven't worked on in almost a year and I hadn't written the chapters in order. As a result, I'm left with plot holes.

Do you have any tips on getting back to work after a long time and how to deal with plot holes?

Love your work, by the way :)

Writing Notes: Plot Holes

Plot Holes - inconsistencies or gaps in the storyline or character development.

They are formed when a narrative stops following its own logic.

Viewers and readers only have the details you’ve provided to immerse themselves in a believable world.

If you present a narrative without thinking through the implications of each plot point, you may create an unsatisfying and incomplete story, which can lose your audience quickly.

Types of Plot Holes

Plot holes betray your audience’s trust and can lower the quality of literature, film, or television shows. Examples of plot holes include:

Factual errors: Factual errors—like incorrect dates or wrong information—can lose your audience (especially in historical fiction). For example, if you’re writing a romance set during the Civil War and your hero escapes in a jet, that would be a factual error that would create a logical plothole for the audience.

Impossible events: Any occurrence that defies laws of physics or science is an impossible event—like a character who becomes a professional dancer overnight to win a big competition, or a person who can hold their breath underwater for 20 minutes to escape a monster. Impossible events remind audiences of real life logic, which can distract and remove them from the story. Of course, as the author, you can build a world where impossible things do occur and seem logical.

Illogical plot developments: Events that upset the flow of logic can create huge plot holes. If you’ve built a world without magic, a character cannot suddenly be capable of magic to get themselves out of a jam. An all-powerful bad guy bent on world destruction won’t suddenly have a change of heart or point of view for no apparent reason. Audiences want the narrative you’re weaving to track with the details you’ve provided. They want to know that they are emotionally investing in a story that is going to make sense and pay off.

Contradictions: Introducing a rule and then breaking it for convenience later on is an example of a contradictory plot problem and produces inconsistencies within your writing. For example, if you establish in the beginning of a book that characters cannot come back from the dead, but then you suddenly have a deceased character return for story purposes, that creates a big plot hole. Contradicting your own rules destabilizes your narrative, depriving audiences of the grounded sense of information that they need to immerse themselves fully.

Unresolved storylines: Even your subplots should have their own story arcs—too many loose ends can make a story feel incomplete. Leaving loose ends can also lower the stakes of your story, since there are no real consequences to anything that happens outside the main plot. For example, a character who is introduced with a storyline that conveniently influences the plot or protagonist but is forgotten about later would be an unresolved storyline.

Tips for Fixing Plot Holes

When you reach the end of the film or book you’re writing and suddenly discover major plot holes, it can take a lot of hard work to write yourself out of a jam. One of the easiest ways to fix plot holes you come across is to identify potential ones early on in your writing process (like during the outline or first draft) and prevent them from occurring in the first place.

However, it can be nearly impossible to anticipate every avenue for your narrative, and sometimes your story needs tweaking. Your job as a writer is to do as much as you can in order to tell the most complete, understandable story for your audience.

Here are some tips for doing just that:

Think things through. Spend time worldbuilding in order to give your story structure and somewhere real to live. Establish the rules and boundaries of your imaginary world and how everything exists within it. Figure out the power dynamics, setting, backstory of your narrative. Think about how you want your story to develop, the cause and effect of each plot point, and where you want your main character arcs to go. Keep track of those details as you write to keep your world consistent.

Research your topic. If you’re writing a book about a hospital, you should be aware of all the common medical terms and how to use them. If you’re writing a movie about airplane pilots, you should know everything you can about being and becoming one. Common advice is to “write what you know,” but you can expand on what you know by doing the proper research. Research from reputable sources is the best way to avoid factual errors and can save you the headache of having to rewrite with new or different information later.

Provide setup. By establishing certain guidelines for your universe, you, in turn, establish them for yourself as a writer. When an easy solution to an impossible problem comes out of nowhere, it’s considered an example of “deus ex machina,” and is generally frowned upon by critics and audiences. Provide proper setup of your world by describing earlier events and characters—enough information to foreshadow an occurrence later (so that it doesn’t seem unwarranted) but not so much you drown your readers or viewers in exposition.

Pay off the information you set up. As the creator, you must find the balance between giving your audience too much information and giving them little enough so they’re intrigued for more. You’re also responsible for making your readers or viewers understand why certain elements of a story are important. This is one of the purposes of the Chekhov’s gun plot device: If you’ve written a scene where a particular element or object is introduced at the beginning, that element or object needs to be used by the end of the story. Otherwise, your readers may feel like they’ve wasted their time or like the writer forgot about their own details. Introduce things and provide enough information so that it pays off in a satisfying way by the end of your story.

Take a break. If you find yourself drowning in illogical plot points, walk away from your writing. Sometimes, an author can be too close to their writing project in order to see it objectively. Revisiting your writing later with fresh eyes may offer you a different perspective or new strategy that could possibly help solve any issues you’ve come across.

How to Get Back Into Writing

When you first return to writing after a long hiatus, you should have a plan for building up your writing practice and getting creative juices flowing the way they once did. Here are some tips to get you back to the craft you love:

Read a lot. Nothing can jumpstart a return to writing quite like some inspiration. It doesn’t matter what you choose to read, but you may find more relatable inspiration in contemporary authors like Stephen King and Dan Brown than in classics from a past era.

Make a schedule to establish writing habits. Any published author will tell you that the secret to becoming a better writer is getting into a routine. In order to establish a writing groove, most authors write at the same time every day. Some aim for a specific word count or page count, while others simply write for a fixed amount of time. If you have a day job to balance, you can schedule your own writing session at any time of day. The key is to keep writing at the same time over a prolonged period.

Assign yourself creative writing exercises. If you want to build up your writing muscle after a long time away, you simply need practice. Creative writing prompts can be a great way to kickstart a writing practice.

Start a journal or digital document for story ideas. Nothing derails a return to writing quite like writer’s block. But you can stave this off by keeping a running list of novel, short story, and even nonfiction book ideas. The process will depend on how you work best. Maybe you prefer to jot down broad ideas, or perhaps you’re the type to sketch out ideas in great detail before you start the actual writing process. Either is fine; the main goal is to not find yourself staring at a blank page and unable to think of an idea.

Get ideas from real life. Your actual life is full of sources for writing projects. Base your main character on a family member or your best friend and use their real-life changes to guide your story’s character development. Use details about your hometown to build the world of your fictional story. Or, if you don’t want to invoke any person or place that’s too connected to you personally, take it upon yourself to do some people watching. Sit in cafes or libraries and see who comes in. You never know who might provide you with that spark of inspiration.

Comb through old writing projects. Revisit the works of your younger self and see if there’s an old work-in-progress that might be worth revisiting. Perhaps fresh eyes will give you a thousand ideas as to how to develop what’s currently on the page, or perhaps you’ll remember why you abandoned the project in the first place and turn your attention to a new book project instead.

Get ideas in unorthodox ways. If you’re still short on ideas, try random idea generation to get yourself going. For instance, pick up a great book you admire and start the first draft of your novel with the same first word. Or start your draft with a totally random word and then write a first line that puts that word in context. Try freewriting without an outline—but perhaps only as an exercise since it’s really hard to freewrite an entire book without meandering. Don’t be too precious about the story you make up. If it’s your first time back in several years, no one is expecting you to write a Pulitzer Prize winner.

Brush up your creative work as a content writer. Content writing tends to fall into two categories: marketing (particularly branding-based writing for the Internet) and technical writing that explains how to do something. Compared to fiction writing, there are a lot more paid jobs for content writers. If you can get one of these jobs, you can brush up on the mechanics of your writing—from grammar to syntax to clear explanations—and later apply that to your creative work. You can also rebuild your writing skills by blogging or just keeping a private diary.

Write for writing’s sake. The sobering reality is that most story ideas will not be published, much less end up on a bestseller list. So rather than invest a lot of time triangulating your writing for commercial appeal, be true to yourself. Write about what excites you, give it a strong point of view, and invest in the art of writing fiction for no other reason than that you love it.

Sources: 1 2 ⚜ More: Notes & References ⚜ Writing Resources PDFs

Plot Holes & Other Structural Issues

Structural Edit ⚜ Book Editing Checklist

Thanks so much for your kind words! Glad to hear you're getting back into writing. Hope these notes and tips help :)

[marchwardenofmordor]

Since people liked my post about the new Nosferatu film, I’m gonna go a little more in depth about some of the things that REALLY stood out to me

- The sound design of his voice and the blood drinking: a fucking genius choice. Each horrific rattling inhale before he speaks and the way he trails off at the end of his sentences because he’s manually breathing for the EXPRESS PURPOSE OF SPEAKING. That monotone is fucking perfect because he sound like the air is being squeezed out of him with each word. The monstrous gulping and slurping as he drinks blood is great because it sounds equal parts disgusting and sexual.

- I think, as a personification of shame, that he is SUPPOSED to make you want to crawl out of your own skin. The moaning, the nudity, the squelchy sounds… if you went to the cinema to see it, I think the idea was to make you blush and perhaps have a bit of a bodily reaction that would have you glancing around at other people in embarrassment. Not everybody is going to want him, but he will tap into the shame of witnessing something sexual in public. If we take the particular time period the film is set in, too, I think he’s supposed to have us clutching our pearls, making us collectively hearken back to the victorian attitudes towards sex and shame.

- You know what else is great about putting us in that mindset as an audience? It makes us remember that talking about sex and death are still considered shameful and taboo - the Victorian period really wasn’t that long ago, and some aspects of that history still casts its shadow of shame over us. But as ashamed as we are, we’re also curious creatures.

- Sex and death are very closely linked. Again, a little death being a term for an orgasm, the fact that indole is a chemical that both repels and attracts us (the scent is commonly used in perfumery, and in small amounts, smells alluring and seductive, like white florals, or the literal smell of sex, but in large concentrations smells fucking rancid, like rotting bodies). When we die, our brains release a rush of endorphins, etc. Dead bodies have a ‘sweet’ smell before they begin rotting - again, that’s probably indole, and would explain some of the subconscious urges of a necrophiliac.

- He is also called ‘death’ multiple times, and we know that a little fraction of his power is bringing ‘la petit mort’ (a little death / orgasm) to his victims.

- Even rats are symbolic here of sex, death and disease: we know terms like ‘multiplying like rats’ obviously, and how rats are symbolic of the plague (even though it was the fleas that caused it). The presence of the rats and the cries of townsfolk about ‘disease’ and ‘plague’ are less like the actual literal plague, and - considering that Orlok is ‘shame’ - more like a metaphorical miasma sweeping through victorian society, reinforcing ideas of shame and purity and what is or is not proper.

- Bodily fluids!! There are tears, there’s cum, considering the rats (again) there’s excrement (also on the walls of the cell in the asylum??), and with the Renfield-type character there’s also saliva. This isn’t just for shock/horror - the main fluid shown is blood, and in the mindset of a victorian christian (historically, blood transfusions could only really be shared between a man and a woman who were married because blood was a life-giving bodily fluid likened to the life-sowing fluid of semen), the idea of a blood-drinking monster was fucking horrific and blasphemous, sinful beyond measure.

- Orlok’s appearance and the treatment of the G*psies in the town (once more - “bringing shame to this inn!” Likening them to the vampire) is indicative of the xenophobia and prejudice towards Romani Jewish people of the time period, where white victorian christians feared Romani people as being ‘child-stealing’, ‘blood-drinking’ (again, look up Blood Libel) barbarians prone to SA (stereotypes which sadly persist today), but also fetishised them as mystics. (I did my university dissertation on ‘boho’ tattoos, cultural appropriation and the origins of the ‘boho’ aesthetic and why it is just ✨not it✨ but I won’t go into that in depth because my analysis was literally over 5000 words)

- I love that the message at the end was basically ‘the only way to kill your shame is to lay with it, to accept it and love it’ - which is honestly true. If you learn to accept uncomfortable aspects of yourself and face them, they no longer have any sort of power over you.

- The female protagonist is dressed all in white, indicative of her purity and chastity, and it’s interesting to see how her wardrobe gradually darkens throughout the film, showing her becoming quite monstrous herself in one particular scene where she rips open the top of her dress and demands Thomas to ‘take her’, up until the final scene, where she is stark naked and covered in blood. Honestly wicked. I love a good corruption. Her character is so symbolic of the struggle of someone who is deeply repressed and chastised for her desires. Desires which started innocently and then - through suppression in an oppressive society and household (her father discovering her naked and screaming at her for being sinful)- were twisted and given form as something monstrous that literally eats away at her and those around her, because she brings her shame wherever she goes, and in the end, even though she faces it and sets an example, it ultimately kills her to do so.

- Also notice how NOBODY fucking listens to her. And every time nobody listens to her, Orlok grows stronger as she grows angrier and more frustrated. They’re feeding him by ignoring her. It’s sad that they look at her in the end, and deem her ‘sacrifice’ as noble, only really paying attention to her once she is dead, with her shame laying on top of her, crushing her. This is the torment of the Victorian Woman, told that she must deal with her problems alone by the male characters.

Edit: Also because the film is German in origin, I’d recommend looking up the ‘Nachzehrer’ creature - a ghoulish vampire-esque creature that would rise from the grave to drag its victims into death with it through various means, known to devour its own funeral shroud, rendering it naked. Fun fact: it was said that if a corpse was clutching its left thumb in its right hand with the left eye open (I think? It’s been a while since I researched it), it would rise as a Nachzehrer. They are also thought to be able to drain their victim’s life force remotely. The threat was said to be particularly great if the living gave the Nachzehrer a personal affectation - in the case of Orlok, it would be Thomas giving him the locket containing Ellen’s hair.

[moonyinpisces]

Hey I probably totally could’ve just left this as a comment on ao3 but I’ve had the browser closed for about a few hours at the point after reading the newest update (and I’m kinda afraid to reopen it back to the fic,) with 30 minutes immediately proceeding reading it spent laying exactly where I had been up into the ceiling and simply reflecting. It hasn’t left my mind since.

Oh. My. God.

Whenever this fic updates, for the last like 5 chapters I somehow unknowingly have this sudden compulsion to go and see if it had updated recently, and just happen to have this thought occur on the exact day or day after you update again. Never in my life have a read a fic so so so so good that I have a sneaking suspicion that the universe itself is somehow leading me back to read it.

Ever since I was lucky enough to happen to find a rec of it somewhere updated around the 7th chapter (and proceeded to spend the entire day, from around 10am to 8pm reading the entire posted story, only breaking for a single microwaved meal and completely forgetting to ever bake my bread dough I had prepared before knowing my life would be altered) I have genuinely held more thought for this fic than anything else I’ve ever read.

I have laughed aloud. I have exclaimed and yelled at them through the goddamn screen. I have genuinely sobbed more times than I’d like to ever admit (a bit more for these for the last few, and for this most recent update…… 😬😬😬 let’s just say it was a rough time in a wonderful brilliant way.) Never before has a fic affected me so so so so so so so so so much.

Speaking of the fic itself, mentioned appallingly late in my message of absolute adoration for your writing, I think it is the most well written piece of media that I have ever read. Yes, that genuinely includes the original Good Omens book, which ranks at a close second. Every single character you write is absolutely three dimensional and genuinely sososososos interesting, like an entire world of their own. One of my favorite things is your imagined progression of characters like Adam from when we see them in the show to this current timeline. Older Adam’s personality just seems so…. right?)??????? And of course, our main duo and their evolution throughout the course of the story. The in-depth progression of their characters, relationship, and understanding (both of themselves, each other, and the readers understanding of each of them) is absolutely stunning.

Actually, that might be an understatement. I could use a near infinite amount of words: jaw-dropping, beautiful, stellar- but none of them would be able to truly express how absolutely wordless and indescribable (perhaps the closest one could say would be ineffable?) the absolute wonderfulnessnof your ability in that regard is. That, combined with your absolutely intricately woven plot constantly leaves me both simultaneously shattered and forfilled and joyous and devastated at every twist and turn.

That combined with your word choice and structural ability? You not only know how to weave marvelous concepts and ideas but write and execute them absolutely flawlessly.I remember after the last update with Things Kinda Beginnjng To Fall Apart in chapter 19 where as times gets more choppy and everything gets more distorted, the small details leading up to the bigger ones worked perfectly to create slight confusion yet not outright “wait this is wrong” before things seemed to click, just eerily getting more and more off. Do you know how smooth that transition has to be for me to not outright stop to question when Aziraphale says to Crowley “you should get a car” and Crowley’s like “Nuh uh, death traps” and just feel extremely uneasy and yet have absolutely no waver in continuing to lead??? And all ending up to Dogs grave and where everything super MEGA wrong and so much time is gone and kwcwlcwivekckdck!???????! I know I’m just reciting your OWN plot back to you but point is THE WIRITJNG WAS GENUINELY SOSOSOSO AMAZING

What really made me really finally write this after the hours spent reflecting on this fic was the most recent update. I have genuinely been unable to stop thinking about it since the last update, and I just. My heart is broken and yet I’m the lightest I’ve ever been with the ending, even if I’m still recovering from the rest. My heart genuinely broke slowly more and more as I realized Aziraphale was Highkey RIGHT and reflecting more and more while reading about how even though Crowley doing everything to save him in the end it’s just kinda spending the little ttime they have apart and???))) I totally understand him and his desperation but at the same time I wanted to SHAKE him just like I imagine Aziraphale kinda wanted to at times to open up his eyes from the tunnel vision!!!!

The gloves??????????? And the market????? And the COTTAGE?!)))!?????? I know I’m just causing things that have happened but every single thing that happens in this chapter is just so major and so so so sososos evocative and I can literally visualize literally everything in my head which is so hard to do sometimes with my autism. And I can see it all sososossososo clearly which is genuinely something I can never do.

I cannot describe to you the tenseness and despair and bitter sweetness (however one would experience/react to bittersweetness? Not sure of the word) that I felt as the time slowly ticked down in the very final stretch, when they finally were able to just spend the time they had left together OTGHETER (not to mention Aziraphale KNOWING that he will come back!!!!!!!!!!!!!!!!!) that I felt leading up to the midnight bell. I genuinely had my phone in one hand and the collar of my shirt bunched up in the other to continue to wipe away the constant watery tears that threatened and blurred my eyes to prevent me from reading (which I refused to let deter me even for a SECOND) as they said their goodbyes before MURIEL COMES IN WITH THE (metaphorical) STEEL CHAIR!!!!!!!!!!

And the sudden shift wasn’t jarring in any bad way and I literally started pumping my fist in the air in an empty room and cheering YEAHHH LETS GOGOGOOOOOO LET S FUCKING GOOOOOOOOOOOOOO when Muriel came in for the win. And the shift to hope? To joy? To the familiar lightheartedness and determination that they’d lacked in the face of something so grave for so long???????? You have set things up for the absolute most rewarding turn and fight back to the finish that I’ve ever read. After chapters of setting up the stakes, of making everything (in the best way) so incredibly hopeless and dark and dreary and unbeatable and intimate and lovely, the catharsis of the relief of FINALLY having their fate in their hands again and that fighting chance (quite literally now) has been one of the most amazing feelings ever.

I am being literally so genuine when I say I don’t even think I felt this strongly watching the final fifteen in the actual for the first time. I’m so so so so excited and ready for the next update and to be able to finally cheer for them again as a kickass team, a group, a group of the two of them (+Muriel my beloved) to save the goddamn universe AGAIN!!!!!! I’m so so so excited for some straight up action (as much as I’ve absolutely enjoyed getting my heart ripped out and stomped on for the last few chapters, and the decisive business and bold decisions before those) and genuinely can’t wait to see what these upcoming final two chapters bring 🫶🫶🫶 thank you sososossooso much for writing that absolutely wonderful piece that will haunt me for years to come and be solidified as one of the best works I’ve read not just in fanfiction, but ever.

oh my god. sorry i've been sitting on this several days, i actually read it pretty much immediately and have been routinely rereading it over and over this entire week. from the bottom of my heart, thank you SO much for your kind words and for your enjoyment of hdwtotl. you taking the time out of your day to write this just to let me know you're enjoying the story is unreal, i cannot express enough how much i appreciate you and probably the nicest words i've ever heard from anyone regarding my writing. the fact that this feels like a faithful continuation of the canon is nothing less than an honor. i really feel like all the sleepless nights and weekends full of writing and rewrite after rewrite have all been made worth it :'-)

normally i would answer this privately, but i'm a bit selfish and want this to forever be available to read on my blog whenever i want to <3 never hesitate to shoot me a message

[tigreblvnc]

Hey Suo!

Favourite BSD character so far?

(since anon is not on I have to use my main acc so. I hope you do not mind lol)

Here we are.

I was waiting for the opportunity to respond to our last exchanges (1) (2) in the same post and to be far enough into the anime to have a clear opinion on my position. So, my favorite BSD character so far.

Bungou Stray Dogs spoilers until season 4:

— Ougai Mori.

At first, he seemed weak and ignorant in his doctor outfit, searching for his little girl on the streets. However, even if you didn't recognize his voice from his initial interaction with Higuchi, it was clear that this character would play an important role in the plot.

It's his first interaction with Atsushi that left a huge impression on me. I really love characters who appear vulnerable but aren't at all. This seemingly insignificant behavior often conceals a powerful character who knows far more than they let on.

What I like about Ougai Mori is that he's a leader with a profoundly personal moral code. He's wise but also merciless. He peacefully gazes at the view from the top of his tower, yet he can order his men to provoke a massacre below. I shared the scene where Chuuya finally joins the Port Mafia after hearing Ougai's explanation of what it means to be a leader. It reflects the harsh reality of leadership: sacrifice and devotion.

In this sense, it connects with one of the reasons why I like Blue Lock: it's a story about characters willing to abandon their closest allies when they are no longer useful, all in the name of moving forward and protecting what they believe is right.

I also want to share this scene:

Although Fukuzawa and Ougai were raised by the same man, they have completely different approaches to managing their respective organizations. It's not a simple dichotomy. It's nuanced: each fights for their own interests, their family, and, on a larger scale, the city they love. Yet, in the end, one cannot exist without the other. They embody a balance in Yokohama that reminds me of the interplay between day and night. Heaven and hell. Life and death.

Regarding the BSD kin assignment test, it's clear that our results often reflect our favorite characters. It also highlights how we tend to identify with and grow attached to characters who share similarities with us.

In my case, I appreciate all the characters I got for one reason or another:

Ougai Mori → Leadership, wisdom, the ability to make harsh decisions for the greater good, and a knack for concealing his true intentions.

Kunikida Doppo → Loyalty, a strong desire to protect, very firm personal values, knowledgeable, tough on the outside but soft inside.

Francis Fitzgerald → A love of luxury, exuberance, delusions of grandeur, and ultimately learning to develop a personal ethic.

Osamu Dazai → Speaks in riddles, knows far more than he appears to, loves to challenge and tease others, yet remains reliable.

Chuuya Nakahara → Big anger issues, a short temper, loud, and a gifted child.

As for your resemblance to Fyodor, he seems to embody the epitome of an extremely unhealthy INFJ. I'll elaborate on this topic in a dedicated post. But this Fyodor reminds me a lot of Geto in Jujutsu Kaisen. Wanting to eliminate an entire population for a noble cause.

All this to say that Ougai is my favorite character so far lol. His voice suits him perfectly, emanating years of experience while still being capable of playful interactions with others.

TIGREBLVNC 2025 | BUNGOU STRAY DOGS ANALYSIS x OUGAI MORI.

[scriptlgbt]

I'm writing a story with a Black trans man mc, I want to subvert the "angry, aggressive Black man" trope so he's fairly shy and awkward but becomes more confident as the story progresses. However, I'm worried this falls into a trope of trans men being weak or "girly". Any tips on still being able to subvert the first trope without falling into the second one?

@writingwithcolor has covered the intersection of Blackness and gender before, and may have some posts that can help as a jumping off point.

[seasideoranges]

y'all i gotta be honest for a sec, the "atla wouldnt change much if aang wasnt there, in fact it might be better" and "the atla finale wouldnt change much if aang wasnt there to fight ozai" debates is the funniest thing ive seen come out of this fandom

[hulloitsdani]

What do u think Kiran is

How do u think the order sees kiran

*slowly sits up in my chair*

I think Kiran is a very normal person. This is someone you and I have met before. Be that from the other side of grocery store cashier, waiting in the same elevator, or walking by on a crosswalk. Kiran is a civilian from our world trying to roll with the punches of being warped somewhere completely alien. And you can see it in how they conduct themselves.

I always have a lot of fun writing Kiran’s dialogue because their casual modern speech almost feels like a dialect in comparison to the more formal fantasy tone everyone else speaks with. An “ain’t” will never exit Alfonse’s mouth, you know? And there’s a difference in “Do you have gold?” vs “You got gold?” To me, this gives Kiran an air of unfamiliarity to anyone they interact with. Let’s use Grima as an example, because it doesn’t sound like this grammatical change would make much of difference until Kiran has the audacity to hit Grima with a bro mid sentence. But that’s just how they talk. And as sweet and friendly as they are, there’s always moments like that to remind that no one has the cultural context to fully understand Kiran. Except for the audience, who can realize that Kiran let the customer service voice drop to talk to Grima like he’s an actual person.

And that’s just about how they talk! This view is only emphasized by every other thing about them! They’re a lovable goof, which is normal chill person behavior in the audience’s eyes but feels REALLY ODD to the characters of FE’s medieval fantasy war setting. There is this air of unknown about them that the more socially perceptive will pick up on and will try to come to a conclusion about. Example, I imagine Soren would interpret a lot of this as a dangerous and deeply annoying lack of intelligence from someone he has the displeasure of sharing a tactics table with. Or looping back to the Grima example, he would totally think Kiran has greedy ulterior motives behind that pleasant facade. It takes a lot of work for those types to realize that the discrepancy present isn’t really any of those things. But I also wouldn’t be too surprised if Kiran doesn’t try to directly prove any of those assumptions wrong unless they have to.

Why? Well now it’s time for the implications! Oh how we love the implications.

Because the Summoner is a different story. No one has any fucking clue what that is.

I can tell you what Kiran has pieced together so far. Summoning people from across time and space is apparently not easy. It’s not some school of magical study that some mage could pull off with enough time and research. Trust, Eitri tried. It’s a lot of complex moving parts. For example, the contracts. The contracts Kiran automatically binds their summoned to don’t even compare to the ones Veronica used in book 1. They are far more intense and infinitely harder to break. The only way out of them is if Kiran wills it so. Not even death is an option, because Kiran can come in for the revive. If they had to guess, it’s an older, more completed version of the art. Something lost to time. But no matter the case, Kiran has the ability to take full control of whoever they manage to summon. From a lowly farmer to the divine. And their power only grows.

In a similar vein, if there was any character to canonically see the hud, I think it would be Kiran. It’s genuinely part of their power set. I have previously described Kiran as the party mage until Veronica shows up to be the actual mage, but it would be way more accurate to call them a mystic/seer. They see the map, everyone’s stats, and is doing a fast amount of math to give the combat forecast. Then, upon processing all this information their enemies couldn’t dream of having at their disposal, Kiran can telepathically communicate any change in plans to anyone under contract. Kiran is not inherently some great tactician the moment they touch ground in Askr; they simply can do things no one else can. They’re learning the actual tactics part on the fly. This makes them simultaneously the largest ace up the Order’s sleeve and potentially its biggest liability. If they fall, it could cause a whole system cascade. By that same token, some of the biggest threats the Order has faced are the ones who do their research and rightfully target Kiran.

Now. Thinking critically about all that. That’s downright terrifying. A ridiculous amount of power has been dropped callously into Kiran’s lap and they have to work extremely hard to be moral with it. It’s terrifyingly easy not to be. It would actively take less effort to ‘take the reins’ as it were. But in order to be able to sleep at night ever again, they go the extra mile to not invalidate the will of their summoned. To take over like that. To make a colony of worker bees out of people. Because oh dear god they just summoned a child and the fact that they could easily force them to fight and die for them, only to be revived and do it all over again, is HAUNTING. No. No the Order has an in house orphanage now. This kid is getting adopted and cared for god damnit or Kiran might just pop a blood vessel. And sure that child is going to be a child and there will never be a world where they get along with everyone else, but that’s just going to need be a problem they address when they get there and not an excuse to use Hubris; the power set. Now replace the word child with everyone they ever summoned and you have the wider philosophy they apply to the entire Order.

They’re hyper aware of the power imbalance. They hate it with every bone in their body. They work really hard to correct it in whatever way they can.

So Kiran might not jump on the opportunity to correct those who think lesser of them. It’s… oddly comforting to know someone is keeping a critical eye on them. Holding them accountable. Especially since so much of the order just thinks of them as this quirky yet well meaning host. And, really, what can they even do about that? They have gone over the contract with every hero they summon and despite that they still choose to stay. So, what, do they try to inspire more mistrust? The problem with that they would have to actually do acts that intentionally inspire mistrust. And even if that was successful they can’t just waste the extra man power because every other month there’s some new divine asshole who wants them all dead. And if they fail that means they have to start their life from square one and god they can’t do that again so—

Just breathe Kiran.

It’s fine. You’re fine. Just breathe.

You have work to do.

[lynzishell]

Character Introductions

We have a lot of new-ish faces in this part of my story, and that’s because we’re getting to know Atlas, Asher, and Lex’s friend group! They’re all going to be sticking around for a bit, whether they’ll be background characters or take on more important roles remains to be seen. Either way, I thought it would be a good idea to take a minute to officially introduce them all and tell you how they all know each other.

Now, I say “new-ish” faces because all of these characters were in The Past arc in the last part of my story. Some of them had dialogue, but most were just milling about in the background. The important thing to know is that they’ve all been friends for years and have become a pretty tight-knit little group.

If you'd like to know more about each of them, then proceed below the cut:

Preferred Name/Nickname(s): Evan Gender/Pronouns: Nonbinary, They/Them Sexuality: Queer

Traits: Genius, Geek, Creative, Perfectionist, Outgoing, Morning Sim Personality Archetypes: Sage & Artist Career: Video Game Level Designer at Rainy Day Entertainment

Important Details: Evan is probably the most recognizable atp. They were one of the first people Asher met on his first day at Rainy Day, and the two of them have worked closely ever since. They have amazing compatibility and have developed a pretty close friendship over the years. As far as the rest of the group, Evan has known them since they started at Rainy Day about a year before Asher did. The only one they knew prior to that is Charlee.

They tend to get stuck in the details, but it makes them very good at what they do. They’re extroverted and very sweet, but often clueless when it comes to certain social cues. It’s nearly impossible for them to hide what they’re thinking or feeling, which can be either annoying or refreshing depending on the situation.

Preferred Name/Nickname(s): Charlee, Peanut (inside joke – only Evan calls her this) Gender/Pronouns: Cis woman, She/Her Sexuality: Bisexual

Traits: Good, Geek, Bookworm, Vegetarian, Goofball Personality Archetypes: Sage & Jester Career: Manages a local bookstore

Important Details: Often found with her nose buried in a sci-fi book, or on the computer going down random rabbit holes about some conspiracy theory or another. Absolutely believes in aliens, ghosts, vampires, and time travel. Full of useless facts, puns, and pranks.

Charlee grew up next door to Evan, and the two of them have been best friends since childhood. However, she didn’t meet anyone else until the day she met Blaire. At the time, she had just started working part-time at the bookstore and Blair was visiting while on a book tour. The two unexpectedly hit it off, and Charlee was later introduced to Lex and Tess… only to find out that Lex worked with her best friend! And the rest is history.

Preferred Name/Nickname(s): Blair Gender/Pronouns: Cis woman, She/Her Sexuality: Lesbian

Traits: Self-Assured, Creative, Bookworm, Noncommittal, Dance Machine, Muser Personality Archetypes: Artist & Lover Career: Author – Writes mystery novels

Important Details: In the middle of a long series of mystery novels and becoming quite famous. When she’s not writing, Blair has a passion for dancing and kick boxing. She is blunt and flirtatious and would do literally anything for her friends and family. She lost a sibling unexpectedly at twenty years old, and it changed her entire outlook on life. She’s regularly championing for her friends to follow their dreams (including Atlas and Asher), and she’s the first person most of them are likely to call if they’re ever in trouble.

Blair used to date Tess and is currently dating Lex. She met Lex at a queer speed dating event when she first moved to San Myshuno. They didn’t hit it off romantically at first and remained just friends until a few years ago.

Preferred Name/Nickname(s): Tess Gender/Pronouns: Cis woman, She/Her Sexuality: Lesbian

Traits: Art Lover, Creative, Perfectionist, Neat, Loyal Personality Archetypes: Artist & Caregiver Career: Financial Analyst for a big corporation in Uptown (fun fact: the same corporation Dawn worked at when she first met Phoenix)

Important Details: Tess is good at her job, but she hates it. She has a passion for photography, and Blair is constantly trying to talk her into taking the leap to open her own studio, but she’s afraid of letting go of the perceived stability/security that comes with her corporate job. Maybe she’ll do it one day, but today is not that day.

Tess and Blair used to date, but they quickly realized it wasn’t going to work out since Tess prefers exclusive romantic relationships, and Blair very much does not. However, the two have remained very good friends. Through Blair, she met Lex and the rest of the Rainy Day crew.

Preferred Name/Nickname(s): Jensen or Jay, Jenny (Ash is the only person that gets away with calling him this) Gender/Pronouns: Cis man, He/Him Sexuality: Bisexual

Traits: Outgoing, Geek, ADHD, Loyal, Music Lover, Gregarious Personality Archetypes: Jester & Lover Career: Video Game Developer at Rainy Day Entertainment (will likely be promoted to replace Atlas as Lead Developer)

Important Details: Jensen is only one in the group that was friends with Atlas before anyone else. The two of them have worked side-by-side for nearly ten years… though both of them are usually wearing headphones… but they do chat a fair amount and are pretty good friends.

Jensen is super laid back and can get along with pretty much anyone. Once Lex and Evan started inviting him out with the group, he clicked with everyone else instantly. Aside from Atlas, he gets along most with Charlee, Blair, and Kamryn… and apparently, he’s hooking up with Charlee now… I didn’t see that coming, but I love that for them.

Preferred Name/Nickname(s): Kamryn, Kam Gender/Pronouns: Cis woman, She/Her Sexuality: Pansexual

Traits: Self-Assured, High Maintenance, Music Lover, Dog Lover, Materialistic, Night Owl Personality Archetypes: Hero & Sinister (interesting combo ??) Career: Video Game Character Design and Animation at Rainy Day Entertainment

Important Details: While she enjoys her job, Kamryn’s passion is music. She produces House music and DJ’s regularly at various local and out-of-town clubs. Blair and her often butt heads on whether she should leave her job to pursue music full-time. From Kam’s perspective, her day job pays the bills and allows her to make the music she wants to make, the way she wants to make it, without the pressure of needing to make money from it.

When she met Ash, she was so happy to finally meet another Dog Lover! They’re always talking about their dogs and sharing photos. Maybe when Ash gets another dog, one that actually lives with him in the city, they can take their dogs on play dates!

Preferred Name/Nickname(s): Aubree, Bree Gender/Pronouns: Cis woman, She/Her Sexuality: Bisexual

Traits: Creative, Loves the Outdoors, Foodie, Vegetarian, Cheerful, Observant, Mediator, Compassionate, Morning Sim Personality Archetypes: Artist & Jester Career: Video Game Architect at Rainy Day Entertainment

Important Details: Aubree is amazing!!! Next to Atlas, she’s the most introverted of the group. She’s one of those people that is really quiet, she just kinda sits back and listens, but then when she speaks, she says the most insightful things.

She hates conflict and avoids it at all costs, but she’s great helping others navigate it and find a middle ground. She has a unique ability to see and understand others’ perspectives and is usually the first person everyone wants to come to for advice.

Lex has adored her since she first met her, and immediately befriended her. It took her a while to feel comfortable with the group, but now they’re all like family to her.

Her and Atlas are interesting together... I feel like if he opened up to her, she'd have great advice for him... but they rarely talk. In fact, what he likes most about her is that she's one of the few people willing to just sit in comfortable silence... and vice versa.

[ozcarma]

Does anyone else feel like the incinerator gun chair room from Zero Time Dilemma would have better fit C Team instead of D Team

[silviakundera]

another snippet from the Grand Princess novel. I am going to be SO ANNOYING about this. (spoilers for their first life! )

Although he didn’t want to admit it, Pei Wenxuan still remembered that at the beginning of their marriage, when he lifted Li Rong’s veil, she raised her head and looked up at him with embarrassment and curiosity. Then, when they exchanged cups of wine, she said in a frank manner: “Wenxuan, no matter how we came to be together, having become husband and wife, I still want to live with you for the rest of my life.” At that time, he also seriously thought that he would live with Li Rong, have children and live peacefully for the rest of their lives.

That was, until Li Rong found out that he liked Qin Zhenzhen.

In truth, he didn’t even know what kind of feelings there were between him and Qin Zhenzhen, whether it was love or merely responsibility. They grew up together as children, and he only had her in his heart and hoped to live with Qin Zhenzhen for the rest of his life, but he could not do so.

Later on, Qin Zhenzhen married Li Rong’s brother, Crown Prince Li Chuan.

As Crown Prince, Li Chuan was a good Crown Prince but not a good husband. He married for political reasons, so although he was just the Crown Prince at the time, he already had a Princess Consort and four concubines. Qin Zhenzhen had a mild temperament and was unfamiliar with Palace affairs. If not for the Crown Prince’s favor and Pei Wenxuan’s help, she would have been long buried in the schemes of the Eastern Palace.

He helped her. Li Rong naturally knew about it, but she didn’t mention it at first. Later on, when he secretly rescued Qin Zhenzhen at a palace banquet and almost was exposed, Li Rong could only step in and help him with arrangements.

That day, they were sitting in the carriage on their way home, and Li Rong was silent. He was a little panicked at that time and wanted to explain, but he didn’t know what to explain because he felt that no matter what Li Rong said, she would be right.

Then, Li Rong returned home and after entering the bedchambers, she walked to the table and poured tea for herself. She turned her back to him and asked: “Do you like her?”

Pei Wenxuan stood at the door. He actually intended to say no, but he felt that it would not be completely truthful, so he replied honestly: “I can’t forget her.”

“What is your relationship with her?”

Li Rong held the cup of tea and looked very calm. Pei Wenxuan still told her the truth, their engagement when they were young because they were childhood sweethearts. After his family had fallen, the Qin family annulled the engagement, and Qin Zhenzhen was forced to marry into the Eastern Palace…

“I just wanted to help her,” He said in a low voice, “No other intentions. She’s the Crown Prince’s Side Consort now. There’s nothing else I can do.”

After he had spoken, Li Rong didn’t speak for a long time. That silence became a deeply engraved impression of that night for Pei Wenxuan.

He saw that Li Rong kept drinking water, one cup after another. After a while, Li Rong seemed to calm down. She turned her head, stared at him and only asked: “Will you betray me?”

“No.” He answered immediately. He looked at her, “You’re my wife.”

“I’m not your wife.”

Li Rong looked at him with a serious expression: “I’m just your ally.”

These words stunned Pei Wenxuan. Li Rong turned and looked out the window and calmly continued: “In this marriage, you and I had no choice and only did it for power. Truthfully speaking, there’s not one bit of love between us. You have someone in your heart, and I have someone in my heart. It’s just that we didn’t make it clear before and had some misunderstandings. Now that it’s clear, it doesn’t matter.”

“It’s not a big deal either,” Li Rong laughed, her tears seemed like they could fall at any time, “Why didn’t you say so sooner?”

Pei Wenxuan stared blankly at her. He wanted to deny it, but he felt that Li Rong wasn’t wrong either. There was no such love between him and Li Rong because it was impossible for a person to truly love two people at the same time. He already had Qin Zhenzhen in his heart, so how could he make room for Li Rong?

Seeing that he still had not spoken, Li Rong lowered her head and softly said: “If you make it clear, then it won’t be a problem. We will live as we have in the future, but I hope Pei daren remembers this in his heart:

I’m not your wife, and you’re not my husband. I don’t care who is in your heart, and you don’t need to care about who I am with. You and I will have our own lives, and we will each have our own happiness.”

“As long as Pei daren promises me,” Li Rong looked at him, her eyes sharp as a hawk, “You and I are allies, so we must never betray one another.”

That evening, it also rained.

Just like now, the rain was pouring down.

[dervampireprince]

I just rewatched moonknight and your audios are literally the only thing keeping me alive in that somewhat dead fandom THANK YOU 😭😭🙏

i do feel adrift making moon knight stuff still so thank you

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[acaciapines]

guys what if i told you ive been thinking about dess and actually i think dess/chara might be able to work out in the drkau...like ive been doing some thinking into dess and her reasons and why she does what she does and how she cares about people and im starting to nail down the role i want asriel to play, and. and.

guys i think dess is actually going to be able to change. i think dess figures out how to change but asriel never does....

[potionwine]

Oooh, you’ve also seen Nirvana in Fire?!? That was SO good. And as inspiration for PF?? That, explains some things, dang! It works

My friend. My dear. My lovely Cimi—

WHAT in the world—

Have I seen the drama that bloody changed my life; my favourite comfort c-drama; the series that I rewatch yearly the way I rewatch lotr every Christmastime; that exquisite story with the most incredible breadth and variety of characters with impeccable character work and amazing themes and an ending that respects its viewers which however tragic is thoroughly earned and identity porn and politics and pride and grief, god, so much grief—and an Emperor who is shakespearean in his tragedy and—

Okay. Okay, no, you could not have known, tis a failure of my part if I have not spoken enough about it—I probably mostly reply to other people's posts as they liveblog their watching but. BUT. God when I saw your ask it felt like you came up to me to remark "hey wow so you also ship PF?" that's how gobsmacked I was lol!!!

I have dragged everyone in my life into watching this show! I have mutuals on here who can testify to my introducing them to it omg. I just checked and the earliest NIF post I reblogged was in 2016 so I have been watching it every year since 2016 hahaha!!! Although it's pretty complex chinese, and since so much of the show is made up of characters sitting around talking the intricate plot into existence, it's not really a beginner-friendly c-drama either!!!

NOW I DIDN'T KNOW YOU'VE WATCHED IT TOO???!!!

I. have. been. going. UTTERLY MENTAL. at the lack of anyone with whom I could talk about it? OR SO I THOUGHT. So many times I thought of going into our discord to be like "has anyone ever heard of NIF because hhhhhhh the phoenixflare resonance" or like "so is anyone into TGCF perhaps perchance mayhap???"——because heh. hehehehe. heheheh??? My fic is practically a NIF/TGCF mashup, it's a Lin Shu+Xie Lian!Joshua Rosfield & Jingyan+Hua Cheng!Dion Lesage——and I CANNOT TELL YOU HOW MANY TIMES I wanted to ask god please does anyone else see my vision please god does anyone?? but no one would even understand the references, and I couldn't even ask in areas (asian fandom) where there would be a higher chance of people knowing what crack I'm on because asian fandom is all about that...you know...that I loathe—and I have been in pain and I thought right well fine I'm writing the fic anyway it's fine if I have no one to scream about it with because I'm writing it and then I'll find fellow competence porn+politics enjoyers if they find my fic and—and.

God. What an earth-shattering message to receive in my askbox! You are some sort of miracle <3

Do you see it??? Do you see it? A boy who burned to death in an inferno as an innocent betrayed youth in a catastrophic event caused by his own family, his father slain, his entire clan (and all the troops under his banner) wiped out or scattered. A boy reborn after extensive and horrific injuries after an agonisingly long period of recovery: a ghost who crawled his way out of the gates of hell, the last of his broken once-noble house.

That boy's transformation into his new identity of Mei Changsu/Margrace. His off-screen discovery of the truth that led to Meiling/Phoenix Gate and his continued on-screen quest to learn more. His determination to hold the true culprits accountable at immense personal cost and suffering. His dogged persistence despite incredible odds and visibly failing health. Being surrounded by people who love him and want to protect him, and himself constantly undermining their efforts because his goals are more important than his health. (Because in truth he knows perfectly well that he won't survive, but he can make a difference while he is alive.)

Something that amuses me hugely is how Lin Shu and Joshua literally both come back as 宗���? I love it so much! They come back with the same title! Both of them come back as clan leaders of an organisation that obeys their every command! Margrace is the 不死鳥教団の宗主(=leader of the cult of the undying bird) and Mei Changsu is 江左盟的宗主(=leader of the Jiangzuo alliance).

AND. Hooooo yea this PF fic is just JingSu at this point because oh, a handsome, principled, prideful, and stubborn prince who is a decorated warrior famed for his numerous military accomplishments and the man who is essential to the success of Lin Shu's/Joshua's plans? The resurrected boy barging into his prince's life: no matter how insane it is to choose your side, still "I choose you, Your Highness Prince Jing"??? The fact that the undervalued prince has a history with our secretive ghost protagonist? And (arguably) frequently thought about and missed the bright boy he knew once upon a time in happier days—"I know you," says Dion Lesage without a shadow of a doubt, extremely normal of him to instantly recognise a dead boy he met 20 years ago?

Mutual admiration of each other's integrity and capabilities? Reciprocal faith and remembrance? The foundation of deep respect and enduring friendship, their shared goals and shared family??? I froth at the mouth. JingSu are cousins, PF are stepsiblings by their parents' marriage. Each pair is bound by destiny and by choice—other people have made choices that permanently entangled each pair's lives together forevermore (Joshua+Dion and Jingyan+Xiaoshu), and the choice they themselves personally made to choose each other—

DO YOU SEE THE VISION.

How difficult it is to pursue justice when everyone involved is family and how impossible it is for Lin Shu the nigh-extinguished Chiyan fire for Joshua, the guttering flame, to indict Jingyan's father the Emperor of Liang Dion's father the Emperor of Sanbreque of his crimes against Joshua's family without opening old wounds and hurting many loved ones in the process including Dion himself. The people directly responsible for the tragedies are related to the protagonists in one way or another! If Lin Shu Joshua ever wants resolution for his grief unending, he has to strike at his beloved's father, and plot meticulously to avoid all of the dangers of attacking such a powerful enemy.

(Of course, I acknowledge the critical difference in Jingyan's versus Dion's feelings about their respective fathers.)

Now if only Joshua had done the famous blizzard scene with Dion instead of letting him go off to carry out his ill-advised coup—"Xiao Jingyan! You stand where you are! If I don't stop you today, what are you going to do? What do you think you can possibly accomplish if you charge in to challenge imperial power like this? Do you think you can simply force the Emperor [to do what you want/change his mind about Anabella Wei Zheng]? You have honour and valour but why do you just not have brains! How many more people must be hurt, you tell me!"

Anyway Joshy doesn't have the insufferable smugness of Xiaoshu but he does absolutely have Xiaoshu's pride, the sort of pride that is not just personal pride but familial pride too (after all Joshua comes from extremely prestigious lineage)—just look at how he speaks to Ultima in every scene, his lordly manner. Joshua I think has more Consort Jing to him, and Consort Jing is only my favourite character in all of NIF, in a drama where I love every character to bits—steel in softness, ever gentle ever polite yet not to be bullied and not to be underestimated and also extremely perceptive and learned and patient. Extra sweet bonus that Consort Jing is also a healer. Elegant, restrained, and very repressed. Who knows the depths of Joshua's Consort Jing's grief and loss?

But you know, Jingyan, near the end he is completely in charge—the prince who was always a great and respected general on the battlefield is now more than that, he's directly taking responsibility for all of his people as their future ruler—that means thinking on multiple fronts and exerting control over all of the key governing officials, not merely his military officers. He's leading with confidence, and there's that little scene where he apologises to Xiaoshu for taking action on several plans without consulting him, and Xiaoshu says no, this is the way it should be, this is the correct state of affairs: you are the crown prince, and this is rightfully your arena. You lead, you decide, you command.

Jingyan now sees clearly, he's found out and accepted the truths of his father's role in the atrocity at Meiling and everything that happened back then. He rightly perceives the failings of his family and seeks to redress past wrongs and avoid repetition of past mistakes, he weeds his court of the corrupt and the cowardly, he's become the best possible version of himself: stronger than ever, not just a powerful wartime commander-in-chief but an inspiring leader in the imperial court, careful, thoughtful and politically up-to-speed, finally stable in his sense of self instead of being permanently stuck as that angry and lost and hurting child. He has renewed purpose, he possesses hope for the future, he is able to dedicate himself fully to what he truly believes to be right and act in furtherance of righteous causes—

Critically, this is the man he becomes only because Xiaoshu came back into his life to shake it up. Without Xiaoshu he wouldn't even have the opportunity or means or knowledge. The radiant and fiery boy who Jingyan missed all his life came back to save him. From the outsider prince without contacts or support within the imperial court->to the crown prince who has the court subdued within the palm of his hand. From his pitiful existence as a neglected, unfavoured prince, his lowkey constant simmering resentment, his half-dutiful half-forced obedience of paternal orders that chafe at his conscience->into the steadfast and self-assured prince who is capable of fighting for the betterment of his country and the rallying point for virtuous officials who share those aspirations. The drama shows the audience that Jingyan is unquestionably ready to assume rulership, and together with the person he loves most, they achieve their goals, they save each other and their country (by arresting its downward slide due to the rotten state of its governance).

It's just a strong headcanon of mine (albeit one that I can absolutely present extensive arguments for) but to me Joshua Rosfield is the one and only character able to perform that same abovementioned function for Dion Lesage. Catalyst, turning point, spark that ignites the fire—whatever you call it, this is salvation. It is beautifully poetic that both Lin Shu and Joshua are characterised by fire. They are the fires of change that burn away the old life: before their arrival, the two war princes exist in a state of wearying routine, long-suffering and almost hopeless. Both Jingyan and Dion are shackled by their stations and duties, both are unloved sons with virtually no chance of their circumstances improving without drastic action, and both are trapped in precarious situations where they are subject to the whims of their father (if their imperial fathers turn on them, it will result in irrevocable loss of their status).

Dion's position is weak in the Oriflamme imperial court—pretty sure this point isn't up for debate, since no one ever speaks up in support of him despite the obvious injustice of his ill-treatment. His degree of influence in the court is much, much, so much less than any reasonable person might expect someone who is literally Bahamut and crown prince to have. The Council of Elders and other officials stand by haplessly while he is progressively stripped of power in favour of Olivier. Nobody defends him, nobody objects. (Or maybe some did, and were eliminated.) Even Dion himself submits to the abuse despite inherently superior abilities. Career politicians know which direction the winds blow—they don't defy their Empress, meaning they are either her cronies or too fearful of her to make themselves a target by any raising any opposition. Added to that is the implication that Dion was often away for long periods—and as Xiaoshu explicitly tells Jingyan in the drama, the crown prince cannot leave the imperial capital untended because that is the surest way to lose power. Dion may be Sanbreque's mightiest weapon and revered by the populace, but in practice his political sway is almost negligible. He is not able to leverage himself effectively.

Don't get me wrong, for these reasons I extra extra love the canon portrayal of J*** obeying Joshua against her wishes and T****** obeying Dion against his wishes—I absolutely think their obedience is, to them, the truest and highest and final demonstration of their love and understanding of their respective masters. And both Joshua and Dion expected no less from them. [I've not typed the names out just in case the search function ends up capturing the post and putting it in their tags, not because I hate those characters; I just don't want to be uncivil within fandom.]

But the very point here is that, you know, sometimes you aren't supposed to leave someone just because they say so. Sometimes it is the worst possible course of action to obey someone just because they command it. Sometimes it is undesirable at best and disastrous at worst to support someone's every decision out of unchanging (if uncharitable, one might even say unthinking) loyalty. That is a fundamentally unequal relationship, and while beautiful in its own way, is also uniquely doomed. The truth is, Joshua was always going to pull that trigger, and Dion was always going to pull that trigger: the master was always going to sever the relationship. Those pairs were doomed as soon as they began, because one party can only ever say yes, and yes means the end, you see? That is The End, that is the final break. By their very subordinate nature and by their established personalities within the game, "yes" is the one and only answer J*** and T****** can ever or will ever give. Their master will say, "Leave me", meaning it is over, and they will reply, "Yes, I obey". Because this is the only answer that proves their devotion, leaving them totally incapable of changing the script. Both J*** and T****** knew it and played their parts to perfection, and my heart hurts for them.

In NIF terms, I reckon J*** is Gong Yu, and T****** is Lie Zhanying. Zhanying will follow Jingyan to the end, whatever it may be—in fact in one episode he explicitly says so, and his loyalty is never in doubt. He will go to his death if Jingyan orders it. He will always support Jingyan's decisions. He and the rest of Jingyan's men have been following Jingyan even when the prince was out of favour and cold-shouldered and constantly dispatched to safeguard the country's frontiers—inconvenient places where comfort is low and the environment harsh. Jingyan's favoured brothers live in the lap of luxury within their palaces (like Olivier), while Jingyan himself (like Dion) has always been at war. And as with Zhanying, T****** will never be able to change this status quo on behalf of Jingyan (Dion). For all his boundless dedication to his lord, Zhanying will never be able to improve his prince's standing in the court, never be able to secure more political power for his prince (unless his prince decides to revolt/coup), never be able to make his prince's father love or prize his prince.

It is not a problem of character or willpower or desire. It is, simply put, a problem of power. It is a problem of class. The servant rises as their master rises, and falls as their master falls. In other words, the servant's status is determined by their master's status. Zhanying is Jingyan's deputy. When Jingyan's status was elevated, Zhanying naturally also assumed commandership over more troop divisions because those were allocated to the prince by the Liang Emperor. (There is no doubt in my mind that T******'s status as second-in-command is because of Prince Dion. He's too young to have earned that position by gradual promotion through meritorious accomplishment. Unless you're telling me that the knights dragoon don't have a single officer above age 30.) Zhanying is invaluable to Prince Jing in security, in warcraft, and in a variety of generic daily tasks. However, he is part of the rigid imperial system and lower in the hierarchy. He may persuade his lord, but he cannot order him. He may disagree, but he cannot defy. He may privately despise the Emperor/Empress, but he cannot show it and cannot act on it (literally treason). His role is to follow and obey. If he does not perform that role for whatever reason, he fundamentally negates his utility to his lord.

Ergo, endgame Jingyan is only possible because his true equal and soulmate, his real zhiji, came back to challenge the status quo. In fact, came back to challenge him. It is not merely the fact that this person understands him above all, it is also the fact that this person has the ability to act on that understanding. Jingyan is technically also Xiaoshu's prince, master, and eventual Emperor—so where is the difference?

The difference is, Lin Shu is comparable in nobility. Lin Shu is the cousin of princes and the incumbent Emperor's nephew, Lin Shu was raised amongst the imperial household, and played and studied and fought and hung out with them as peers of roughly equal rank. In this respect Joshua actually outstrips Lin Shu: Joshua is a prince by blood, and had Rosaria not fallen (especially if Sylvestre had not risen to the throne), would have been higher status than Dion. It's a massive pet peeve of mine that so many fans in XVI fandom don't seem to realise that Joshua was crown prince? Everybody knows Dion is crown prince, but do they realise Joshua is the original? In the English version prologue, the knights do call him "prince" and "your highness". The Rosarian throne is Joshua's by right of birth. At the time of their meeting as children, Joshua outranked Dion. They were equals as Dominants of their nation, but Dion back then was the child of a Cardinal and not the child of Sanbreque's ruler at that time; i.e. he was not a prince and not in line for the Sanbrequois throne.

The other wonderful similarity is Lin Shu's and Joshua's statuses as outsiders to the system when they reintroduce themselves to Jingyan/Dion. As Jingyan's strategist, Lin Shu has more leeway with regards to making his prince listen to him and take his advice. But importantly, he is now Mei Changsu, and that means he is able to play outside of the system. The imperial system effectively cast him out when it killed him. The strict codes of imperial conduct no longer chain him as they chain those confined within its structure. As a free agent unlike Zhanying, he has the right and privilege of choosing his own master. That includes the right to leave or to change his mind. And although the prince's strategist is supposed to be subordinate too, Xiaoshu would never truly be subordinate in the same fashion no matter how many times he bows his head, because at his core he is still high nobility and it still shines through despite everything. His manners are still perfect. He still navigates life with the easy expectation that people will serve him. He grabs the Duchess' hand and yells at Prince Jing and gloats at Marquis Ning. It's all the little ways that remind the audience, over and over, that this man was raised as a posh lordling. You can remove the boy from the upper class but you can't remove the upper class from the boy. It's the same with Joshua. His manners are still court-perfect. He still moves through life accepting that he will be served. He may bow his head to Dion and call him "your highness" but he also takes the liberty of throwing himself at Dion for a hug. Because to him, the prince is not some lofty and untouchable figure to be addressed with unfailing deference, he's just a friend.

(I know T****** is minor nobility, to be honest Zhanying definitely is too. The deputies of high level royals aren't going to be commoners. But I don't think I have to explain the gulf between ruling class/a close blood relative of the monarch versus lower nobility.)

Joshua too is an outsider that isn't beholden to Sanbreque's Emperor in the way that all of Dion and his knights owe their fealty. Again in this respect Joshua has it better than Xiaoshu—Joshua is his own sovereign master, and that should impact his perspective, his sense of self, and therefore his behaviour with others and how he navigates the world.

Gong Yu... I think anyone who's watched NIF will know exactly why I say that J***'s counterpart is Gong Yu lol. I think the s/h/u/a/t/e/s want her counterpart to be Princess (Duchess) Nihuang and they certainly produce fanwork in that vein, and I respect them for it because fans be doing what they love and hooray for that. But..... she's Gong Yu.

For all these reasons I am utterly obsessed with a Joshua that pushes back at Dion. The person able to challenge the status quo and challenge Dion. An equal who listens to Dion's absurd speech in the palace at Twinside and calls utter bullshit, who says, "A matter for the imperial family? are you joking? that's my mother, that's my younger brother. an imperial matter for you to resolve? say rather, our family, OUR problem to resolve. You don't get to go off half-cooked to arrest or kill my mother without actual political strategies, notwithstanding your military capability to launch a coup. And also, what about your dad? However much I love you, my darling Dion, we have to talk about the way that you insist on poor little meow meowing your awful father because my dear old mum didn't do Phoenix Gate alone and she for sure didn't immaculately conceive Olivier."

Endgame Dion isn't satisfactory in several glaring ways and it annoys me hugely that even unto the end he never grapples with and confronts the truth of his father instead of the idealised version that lives in his head. It's a little bizarre how Dion's arc is often praised by fans, since it feels very incomplete to me. Or, well, fine, perhaps just unsatisfying (since XVI simply isn't his story). His deep-seated need to be loved by his father prevents him from seeing anything clearly, which is so ironic for the only character to possess a third eye in canon? His honour and his might have been squandered in service to a selfish, uncaring, and objectively bad monarch, yet despite how earnestly Dion wants to be a good prince to his people he seems wholly incapable of recognising this fact? His mind repeatedly shies away from his father's shortcomings. In one scene he calls his father out for words befitting a tyrant, yet ultimately he persists in the belief that his father simply needs to be saved from Anabella's evil influence as if Sylvestre Lesage isn't a 50-year-old adult man who schemed his way to the throne and killed a woman's whole family and happily married that woman to beget legitimate offspring with her.

Soooo....... I've just spoiled the whole plot of my fic but it's really just NIF nonsense as usual and that is actually extremely predictable of me. But honestly the spoiling is not a big deal, because as with NIF, fundamentally my story is not meant to be plot-twisty and suspenseful—the real storytelling skill of the NIF drama is that the audience should be able to quickly grasp the overarching plot with no difficulty because the pleasure of this particular type of story is to watch the protagonist achieve their heart's desire, step by delicious step. The objective of this type of story is to properly pay off what it promises. NIF=the wronged protagonist seeks justice. We already know Lin Shu will obtain justice by the end of the tale, what we are here to enjoy is the journey! Same really for IEM I reckon; by the end of chapter 1 Joshua's goals should be really obvious, and since my little fic will have the happy ending tag because I only ever write happy endings, the audience basically knows he'll succeed—it's very much a journey not destination kind of story.

Ooof the post is crazy long and took me 3 nights to compose an answer and I haven't even managed to go into any TGCF elements but that work mainly contributes to characterisation instead of plot. One of the craziest XVI scenes was the Hideaway's sickbay after Twinside, the genuine regret Joshua expressed and how he blamed himself for not reaching out to Dion sooner; now the Empire and her prince lie in ruins etc. Surely he remembers this is the country that destroyed his own? Surely??? What kind of person, robbed of home and throne, can find it in himself to respond with so much empathy and kindness? Sanbreque has now experienced pretty much the same tragedy they inflicted on Rosaria two decades ago, and isn't that just the funniest parody of divine retribution? Instead of viewing this as Sanbreque's just deserts, Joshua Rosfield pities them and wishes he could have helped them avert this disaster.

!!!!!!!!!!!!!!!!!!!!!

Wonderfully Xie Lian-coded. Something something someone who has been through the worst and nevertheless chooses goodness and kindness. Someone who intimately understands the ugliest and lowest depths that people sink to, yet refuse to lose themselves in that temptation even when vengeance would seem perfectly justified.

You've known for a long time now that I love a Joshua who is very similar to his mother. This is why lol. It's about that delicious, delicious contrasting foil. It is the difference between Jun Wu & Xie Lian, as it is the difference between Anabella & Joshua. That the indestructible integrity we see from Xie Lian or Joshua didn't come easy, they weren't born perfect, their ethics were tested and forged and earned through suffering the likes of which most people will never know. The person that they have each become is the sum of their choices actively made. In the canon of TGCF and XVI, both of these ex-crown-princes live on in disgrace, in circumstances best described as reduced and humiliating, their respective kingdoms fallen, their wealth and glory spent—but they are better and braver human beings than everyone around them, they are beautiful and noble souls, quiet and unacknowledged, and only Hua Cheng and Dion truly see and fully understand that (and therefore cannot help but love them utterly).

I've a few more thoughts regarding Joshua swirling around as captured in other Xie Lian posts: here, here, here, and here. Not sure if you know TGCF or are into it as well, but just leaving links to those posts here for my own benefit too. I've been gravitating towards phoenixflare comparisons in various hualian meta posts since early 2024 so clearly these concepts have been stewing in my head for some duration, but I haven't fully teased out what it is about these two ships that gives me that niggling sense of connecting similarities.

^ Whereas I clearly know exactly what it is about JingSu that makes me point and holler "THEM!"