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thisgardenofromance · 2 years ago

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I connected the entirety of OHSHC (anime dub) to the calendar :)

This took me too long <3

Alrighty! So what I'm gonna do first is show the calendar charts for when/if people come back to look at them and already understand what the mean, then I'm gonna specify what I mean by each day exactly by telling you the first scene of each day with time-codes under the cut (skipping the full day episodes because... duh), and then I'm gonna explain why (with sources)... It'll make sense if you read the whole post I promise.

So. On the calendar, the days will be listed as episode number and day number (E#:D#). These will be color-coded. Pink means that day definitely is that specific calendar date based on the information I have. Purple means we have some wiggle room. Green are national holidays (found on questionjapan.com and nippon.com).

E1:D1 - Haruhi looks into the fourth library and complains (1:20)

E1:D2 - Haruhi finds out her bag has been thrown in the fountain (17:05)

E2:D1 - Haruhi realizes she's late for the club (1:20)

E2:D2 - Kazugazaki teaches Haruhi to dance (8:30)

E2:D3 - Tamaki begins the Host party (12:20)

E3:D1 - The hosts hold a cherry blossom reception (1:20)

E3:D2 - Tamaki daydreams about a "feminized" Haruhi (7:10)

E3:D3 - First year students head down to their physical exams (11:10)

E4:D1 - The host club holds its "teary men" session (3:05)

E4:D2 - Tamaki discusses the merits of a lady manager (9:50)

E4:D3 - The hosts film the basketball scene of their movie (13:30)

E4:D4 - The girls fawn over the film to the host club (20:30)

E5:D1 - The twins play the "which one is Hikaru" game (2:10)

E5:D2 - The twins greet Haruhi in class (11:45)

E5:D3 - The twins play the "which one is Hikaru" game with switched hair colors (20:45)

E6:D1 - Shiro tells his music club teacher that he's quitting (1:20)

E6:D2 - Shiro watches Tamaki host veerrry closely (3:35)

E6:D3 - Honey and Haruhi sneak into the elementary school in disguise (11:55)

E6:D4 - Hina finds Shiro's piano recital (19:20)

E6:D5 - Shiro hosts in the club (21:10)

E8:D1 - The twins say the host club is going to the beach (1:20)

E8:D2 - The twins ask why they went to Okinawa (2:50)

E8:D3 - The hosts leave Okinawa (21:30)

E9:D1 - The Zuka club twirl their way into the gates for some reason (1:20)

E9:D2 - The Zuka club preform on stage (16:50)

E11:D1 - Kirimi walks through Ouran Academy's grounds in search of her brother (1:20)

E11:D2 - Nekozawa gives his oddly nonplatonic speech to Kuma-chan (12:00)

E11:D3 - The host club muse over Nekozawa's success/failure (20:45)

E12:D1 - The hosts spill tea on Usa-chan (1:20)

E12:D2 - Girls fawn over how cute Honey is despite his anguish (9:45)

E12:D3 - Honey paces the clubroom while everyone else watches warily (15:30)

E12:D4 - Renge explains a happy ending (20:00)

E14:D1 - The newspaper club discusses their dropping numbers (1:20)

E14:D2 - The newspaper club finds the host club playing games (13:30)

E15:D1 - Tamaki's phone call wakes the twins up (1:20)

E15:D2 - Kaoru wakes up on the floor (19:00)

E16:D1 - Haruhi and Arai recognize each other (1:20)

E16:D2 - Haruhi and Hikaru meet up for their date (10:00)

E16:D3 - Hikaru accepts Arai's watermelon (21:15)

E21:D1 - Kaoru thinks about his pumpkin carriage metaphor while tapping him pumpkin pencil against his mouth as one does (1:20)

E21:D2 - The twins tell the class rep the story of the clock tower witch (11:55)

E21:D3 - Haruhi and the twins look at the newspaper article about class 1A (20:40)

E22:D1 - Kasanoda's men wish him good morning (1:20)

E22:D2 - Tetsuya wonders if Kasanoda brought his umbrella with him to school (11:50)

E23:D1 - Kasanoda walks in on Haruhi changing (1:20)

E23:D2 - Kasanoda walks in during club hours and requests Haruhi (7:25)

Oh boy we made it to how you can fact check me!!! This is gonna be an entire brain-dump because I am dead

E1 - Aired 4/4/2006 (info found on imdb). Japanese school generally starts on Monday the second week of April (info found in an article from questionjapan.com), which was 4/3/2006, and various comments seem like it's early but not the first day, so we're setting the first day as the first airing to have a starting point!

E2 - It's still "early spring", the cherry blossoms are only buds, there's a slight sense of normalcy, the club has definitely been open for at least a week thanks to Kanako's shenanigans, and the party takes place in "one week", so the first day would have to be late in the week, likely the week of 4/10. Thanks to the fact that Haruhi's practice session with Kanako is directly the next day, the first one would have had to be Thursday, and the second would be Friday. The party could conceivably be the next Friday or Saturday, but I would really really hope it's Friday because Suzushima waits for Haruhi in his school uniform. Also Suzushima is going to England "next month" (May) which could technically be literally any day in the month...

E3 - So the cherry blossoms were blooming on the night of the party last episode, and they're still blooming for the flower-viewing reception. According to this article on japan-guide.com, after the cherry blossoms start legitimately blooming, you've got about a week. We're gonna assume the earlier the better considering the state they're in! On the day of the flower-viewing reception, physical exams are "the day after tomorrow". When they are back in the music room, Haruhi says "sorry I'm late guys" which means she wasn't with them, ergo it's a new day.

E4 - Renge arrives on the first day, crashes the club, and pronounces herself lady manager. She's transferring into class 1A "tomorrow" (which means two week days back-to-back), and then later she arrives to the club with cookies in her school uniform, so I assume that's the day she officially transferred. Renge has a crew flown in from LA to film the host club movie, which she doesn't have the idea for until she starts working on the hosts' characters. I used travelmath.com to calculate the flight time between Tokyo (as a major city in Japan) and LA, which came out to about a 12-hour flight, so we need a buffer day at least. The movie seems to be filmed on club time, so that's a week day, and then "several days later" the episode concludes, which could literally be anywhere between 4 and 9 days in colloquial terms.

E5 - I think it's pretty safe to say this takes place over three consecutive days just on how the episode is presented (one day fight and make-up). This definitely has to happen after the conclusion of the last episode thanks to Renge.

E6 - Ok ok ok ok ok so: most of the shenanigans have to take place over three days. Shiro greets the club on a costumed club day, he observes them on a non-costumed club day, and he goes back to the club... which could conceivably be on the same day as the observation, except that the club appears to have just opened and the teacher gave the kids a new piece for the day. On that third day, Hina is supposed to move to Germany at the end of the week, so the recital is probably that Friday to give Shiro more time to practice. And now... the incident. There was a date on that invitation that we as the audience get to read. I got so excited!! A concrete date I could place this one on!! Except it's September 3rd fucking September 3rd why does is say September 3rd fuck you bones what the fuck is this shit

Anyway Shiro hosts "10 days later". Interestingly, not for the first time thanks to the comment "I thought [Tamaki] would make it through without exploding this time".

E7 - School day. Post the conclusion of the last episode because Honey "felt threatened last episode" and before the next because that one hinges on the conclusion of this one, but otherwise there's absolutely nothing tying this one down.

E8 - Sometime after episode 7 they decide to go to the beach, then presumably the next weekend they spend one night in Okinawa. Since this ends up falling on the week of the twins' birthdays, I absolutely refuse to believe any of these days happen on June 9th because... come on. Do you think the twins would ever keep their mouths shut about their birthday???

E9 - This starts no later than Thursday due to the fact that the cultural expo lasts two days back-to-back (explicitly labeled). Of course, this is assuming Ouran has a five-day week, as many things on the calendar do, thanks to that same article from questionjapan.com I mentioned earlier.

E10 - It takes place over one day on a Sunday, thanks to Haruhi rejoicing that "there's no better time to hit the supermarket than a Sunday morning"

E11 - Kirimi shows up, the practice in the science room happens two days later because Haruhi says "she's made me read about fifty volumes of shojo manga over the last three days" (Kirimi's arrival, the day before, the day she says that). "Several days later" the hosts see Nekozawa hiding again.

E12 - Genuinely what the fuck why is Honey's toothache only three days long they definitely take longer than that sir??? Anyway it's explicitly in the title so three days it is! The bunny incident definitely happens the same day as the discovery of Honey's toothache (referenced as "earlier").

E13 - I don't know man the actual awake day happens for like a minute and a half. Week day??? If the entire episode was just a nebulous dream I probably wouldn't have even counted it on the timeline lol.

E14 - First of all, the newspaper club's story on the host club is supposed to be the very last story of the semester, so it's gotta be real close to the start of summer vacation. The first day is near the end of the week ("how many copies did we sell this week"), and the second day is the very next one ("tomorrow").

E15 - Explicitly stated by the twins, it starts three days into summer vacation, or 7/23/2006!! Japan's summer vacation starts on the 20th (found traveltips.usatoday.com and that same questionjapan.com article). Obviously, when Kaoru wakes up on the floor would be the very next day, or 7/24/2006.

E16 - Starts on the same day as the last episode (7/24/2006), Haruhi's date is "tomorrow" (7/25/2006), and the conclusion would be "the next day".

E17 - TAMAKI'S EXPO FLYER SAYS 8/27-8/31!!!! AHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA THIS IS THE KIND OF SHIT I WANTED FROM HINA'S STUPID INVATATION THANK YOU ANIMATORS FOR THIS CRUMB OF EASE. It's also the last day of summer vacation which would be the week of the 31st!! I can't guarantee which day of the week it would be though, because I would assume school starts up again on Monday, but I could be wrong? It doesn't make any fuckin sense to start school again on a Friday that year but hey man I don't make the rules.

E18 - Who even fuckin knows man. One school day, but there's literally weeks of unused space in the time slot this could fit so like close your eyes and pick a date :')

E19 - Singular day on the weekend. If I had to guess, it would be Sunday (just because Haruhi was planning to go to the supermarket), but no promises. Probably September.

E20 - I didn't include it on the calendar because it literally does not matter. The entire episode is a flashback, there's not a singular moment that takes place at the time of the rest of the anime <3

E21 - Starts the week before Halloween (10/23/2006). Final exams (2-3 days according to this Q&A that I picked and chose from) are almost happening, because clubs generally aren't in session during exam days. Haruhi and the twins skip on the club to help 1A plan, which means it's the same day. The tournament is explicitly stated to happen on Halloween night. The ending is... sometime soon after that?

E22 - Spread over two days: like Renge in the fourth episode, Kasanoda shows up while a costumed club day is in session, but sticks around after that. They're one after the other ("yesterday").

E23 - This obviously starts on the same day as the end of the last episode. Kasanoda refuses to eat dinner "again", but I can't guarantee that this is connected to Haruhi? I don't know, the language around her is all muddled, dude. It seems like it was originally intended to be on the exact same day as the start of the episode, because when Tetsuya talks about how he saw Kasanoda and Haruhi together, the sub says "today" (the scene wasn't in the manga so I couldn't check that :/ ), but the dub says "all the time". For why. Anyway, it seems like he visits as a guest the very next day but I don't have a direct quote for that one. This episode's timeframe is probably the most mindfucky out of the entire show T - T

Then in the conclusion it seems like it was supposed to be the same day but I can't guarantee it and also the roses are in full bloom in fucking November???? Whyyyyyyyyyyyyyy. Literally just put these episodes before the Halloween one literally just put them in September/early October literally all you had to do was air these episodes before Halloween and not reference the pumpkin carriage metaphor I fucking know you guys could do it you rearranged a whole bunch of other shit from the manga timeline why would you do this to me fuck you fuck you fuck youuuu

Also technically according to this article the roses could be blooming if they were in the very very very south of Japan but also that would have literally meant that the cherry blossoms would have been in full bloom in mid-March <3

E24 - Literally it's cold enough for falling leaves and kotatsu tables the very next episode FUCk you bones anyway it's one school day

E25 - The super super fun thing about this is that I could have placed the cultural festival on the weekend it's SUPPOSED to be on (gainjinpot.com and questionjapan.com) if literally just the Kasanoda episodes had come out before the Halloween episode <3 I am a ball of pure fury. Anyway, it starts the morning of and continues to sunset. We're gonna assume its Friday based on the next episode.

E26 - So this is day two of the cultural festival, or the "main fair". Since the festival is generally a one-day event held on Saturdays and this one is supposed to be the main one, we're gonna put this one on Saturday.

OH MY GOD I FUCKIN DID IT!!!!!!!

#i need to go to bed #ouran high school host club #ohshc #canon resource #research notwithstanding typing all this shit up #literally took multiple hours <3 #why is life so hard #never talk to me again love you #i'm not proofreading this

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atla-genderbender · 10 months ago

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ATLA Gender Bender: "Aangi"

Aang -> Aangi

I have wondered where the name "Aang" originates from. It might actually be derived from the real name "Aangi". In any case, "Aangi" seems like the obvious choice for female Aang's name.

"Aangi" would have probably grown up at the Eastern Air Temple. She may have been frozen in ice while attempting to flee southward from the Eastern Air Temple.

I've been picturing Kiernan Shipka as the voice of "Aangi". Granted, I think Book 1 "Aangi" would sound more like Ikki, but by Book 3 she would sound like 12 year old Jinora.

OUTFITS:

1: Book 1 & 2 outfit

This outfit is designed to match the appearance of young Air nuns, shown in "The Rift".

For her hairstyle, I referred to several images, especially Erik Törner's "Tibetan girl in Shegar, Tibet" (see: www.flickr.com/photos/eriktorn…). I intended for Aangi's appearance to be symmetrical, and for her hair to be relatively short in Book 1, so that her hair could grow longer during the timeskip between Books 2 and 3. Unlike Ikki and Jinora, I wanted her hair to be tied in pigtails instead of buns. This allows her hair to be more expressive, and to flow freely in the wind. Her pigtails are meant to somewhat resemble the wings of a bird in flight. I also decided to have her pigtails tied underneath her ears. This is because Aang sometimes wears hats and other garments to hide his arrow. By tying her pigtails under her ears, this allows her hairstyle to be visible even when she has to hide her tattoo under a hat.

2: Book 1 & 2 undergarments

In real life, Buddhist nuns wear the same triple robe as the monks but with two additional layers, making it a "five-fold" robe (see: hayleyssilkroad.wordpress.com/…) These two additional layers are the sankakshika (undergarment, see: ia800908.us.archive.org/35/ite…) and udakasatika (bath robe, see: www.buddhanet.net/e-learning/h…).

The sankakshika "Aangi" wears in Books 1 and 2 is based on the sankakshika shown here: https://discourse.suttacentral.net/t/what-are-the-original-clothes-of-buddhist-nuns-sankacchika-video/23728/9. It extends from the chest to the navel, and is fastened by three brown, circular buttons found underneath the left armpit. Note that this is an undergarment, not a bath robe. She would not wear this while bathing or swimming, but would be seen wearing this during the Guru episode.

This undergarment would be destroyed by "Azulon"'s lightning in the Book 2 finale, forcing "Aangi" to replace it with an undergarment crafted from red Fire Nation cloth.

3: Aangi's Fire Nation disguise

4: Aangi's Fire Nation disguise, without headband

The three stray hairs on her forehead are a feature she shares with "Princess Zuka".

5: Book 3 outfit, with outer robes

Aang's Book 3 appearance is based on the Shaolin monks. As such, his female counterpart's appearance is based on the "Kung Fu Nuns of Nepal". In addition to their website and Facebook page, I referred to this image specifically: https://www.nbcnews.com/id/wbna49859526

"Aangi"'s robes feature the color red for two reasons. First, as an homage to the maroon robes worn by the "Kung Fu Nuns". It also makes sense as an in-universe explanation, as "Aangi" would have fashioned her new clothes during her stay in the Fire Nation, where most cloth is red.

By the end of Season 3, I think her hair would be much longer, and she would resemble a younger Yangchen.

6: Book 3 outfit, without outer robes

During the progress of the final fight with Ozai, "Aangi"s robes would burn away bit by bit, much like Aang's clothes. This costume would be visible in the middle of her fight with Firelord Ozai.

7: Book 3 outfit, Avatar State as seen in the finale

This undergarment replaces "Aangi"'s sankakshika. It provides similar coverage to Toph's bathing suit, and is somewhat similar to Katara's sarashi. This is how "Aangi" would appear by the end of her fight with Firelord Ozai.

8: Comics Aangi

This is a very similar costume to her Book 3 outfit.

Like what I’m doing? Consider leaving me a donation via Ko-Fi.

#aang #atla #atla genderbender #genderbend #genderswap #rule 63 #my art #avatar the last airbender #my headcanons

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fitzrove · 2 years ago

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Society has moved past the need for "together in the afterlife<33" endings to Elisabeth. Like, if that's your takeaway, why would you produce the show oabfösbgödlf

It's not a story about love, it's a twisted mockery of a love story. Lucheni's narration - because it was always supposed to be that and only that!!!! He is not an objective source of information and that is 900% the point!! - uses the conventions of a love story to make a point. Seeing what happens should horrify the audience, and if it doesnt horrify the audience, the audience should think about it a bit and be horrified upon realising that they've been made to root for something horrible (a relationship that kills and destroys) and possibly even find it sweet or comforting. Goes for Elisatod and Todolf both. Lucheni makes a big old romance or seduction narrative - something we're societally wired to enjoy and root for - stand for a lifelong fascination with death. He's the OG romanticiser. But, at the end, it doesn't work if the audience isn't shown the tangible effects and end results of that narrative, which to me are

Elisabeth's cruelty, bitterness and brokenness throughout act 2 and how she TANGIBLY harms other people in the course of her pursuit of freedom (this could also start in act 1 already, with Milch). In this we can root for her, but the audience should never forget the price paid. It's not that she's evil - far from it - we should almost see her selfishness as the only coping mechanism she has in her situation and be drawn to deeply understand and care for her and hope against hope that she'll reach happiness somehow. Which makes it even more tragic that it does still harm others, and EVEN MORE tragic, awful and uncomfortable that happiness slips from her grasp and she's literally joyful that she's DYING

Elisabeth's death as a "ruined" ending to the show. There's a kiss and the music swells triumphantly, still in keeping with Lucheni's pretense that this is a grand love story, but the audience should be left feeling empty and horrified after it ends. I don't care if it's bad for marketing ajfkdkkf. Tod should PUT HER ON THE FLOOR or otherwise show that after the charade is over, she's dead and her imaginary boyfriend can't save her or accompany her because he's an empty husk that doesn't exist unless she's there to imagine him - or, if Tod is a more real figure, that he doesn't care, or can't care. He cares during her life because she pertains to his fate-assigned task, but afterwards, there's literally no way for him to and no reason to. She's gone to a place he can never know about or follow her to. Or he's just done. I think it's a very grave mistake when the show is directed to have a genuinely triumphant-seeming ending. Death is not REALLY happiness, death is not really freedom, even though Lucheni spends the entire show gaslighting us to think that. If Elisabeth has a happy ending, it becomes a show that legit encourages suicide in a way that no amount of todolf flirting or Mayerling kissing can. (I see people wonder about whether todolf romanticises suicide, but in staged productions, it literally never does. It can't, because Tod never is outright tender with Rudolf, or is implied to stay with Rudolf after Mayerling. At least in European prods - idk if this happens in some of the Asian prods, I don't watch them because I don't like what I've seen of the way zuka, toho or koreabeth are directed ajdkkdkf. I can't believe homophobia is protecting todolf from the romanticisation treatment but I think it is 💀).

Overall.......... like, vbw please, less KKOG and more alle fragen sind gestellt. If you want a sparkly elegant princess love story with lots of drama, banger music and don't mind if there's no actual criticism or metacommentary, just go watch Anastasia 💀 (i mean that one does also have historical criticism, but it's just COMMUNISM BAD, aristocracy GOOD lol. Ajdkkdfb if Elisabeth was written by Lucheni, Anastasia was written by dowager empress Maria Feodorovna lmao)

#rant XD #musicals #theatre #elisabeth #analysis #meta #also please i know someone is gonna want to say 'but my brain go brrr when i see them kiss' i know. its the point #but in the words of aris sas - theatre shouldnt be pleasing or make you feel happy all the time. and imo the best works don't....#also i'm just an angry gay person on the internet and there's probably at least half a million ppl in europe who disagree XD dont put too #much stock in my opinion

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ramram192 · 5 months ago

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"Mm..hwahaha. What a fantastic day to be in Crossroads again."

(i need to question myself why do i make a oc for lost temple always)

bday,.. September 2nd

girlboss magician npc

number 1# zuka's hater (e)

somehow like apples

#roblox #phighting!#phighting oc #inspired by lord pwn (i think so)??#change her skin tone #bc the ermthe white one looks ugly so

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lithugraph · 2 years ago

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Tagged by: @rinn-e thank you!!

Rules: Post the last seven sentences from one of your WIPs! i’m not going to say it has to be the absolute last seven sentences you’ve written - just from something you’re still working on.

I currently have two WIPs -- the next chapter of The Book Smuggler and my first foray into the Star Wars fandom with a Bad Batch fic that I may either leave as a one-shot or continue. So here's the last lines from each:

The Book Smuggler - Ch. 13

Zukas smirked, arching an eyebrow. "A rebel priest?"

"I'm not a priest," Tauras said quietly.

No Escape

The man sent him an indulgent smile. "That's right. You sustained quite a fall. The headaches you're experiencing are part of the healing process, I'm afraid. But let me assure you...the worst is behind you now."

Tagging: @chessna2, @doomspiral, @morgenlich, @puella-peanut, @a-study-in-dante, and anyone else who sees this and wants to do it....no obligation of course ;)

#tag game #hetalia #the bad batch #my fic

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tsuminiochiiru · 7 months ago

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CD Sales & Autographs at the venue

Fans who purchase the CD at the venue can get e-ZUKA’s autograph after the show. Numbered tickets will be given out on a first-come, first-served basis. CDs will be sold in a separate line from the other goods, and can only be paid for in cash. See the website for full details.

View On WordPress

#autograph #e-ZUKA #飯塚昌明 #featured #goods #iizuka masaaki #let&039;s get started

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only4dagossip · 1 month ago

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Anonnn, eu sou brasileira ☝️🇧🇷😭

Como boa brasileira, amo fofocas 🫣 (não sei se você sabe, mas as maiores páginas de fofoca da internet - isto é, com mais engajamento- são páginas brasileiras).

E eu adoro sua conta. 😘

eu seiii eu sigo imensas contas zukas para saber as fofocas dos mcs😭😭😭

obrigada amor💗💗💗

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xsinnerm · 3 months ago

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Brasileiros

Yah sao muitos e verdade e aos poucos querem conquistar portugal... mas se continuarem com a merda vai correr muito mal, mas muito, portugal ja vos esta a começar a complicar a vida com mais democracia e papeladas e entretanto vamos ser nos portugueses, e nos nao vai ser papelada!!

Agora virem para o nosso pais se acharem os maiores e que sao voçes que mandam, nos não vamos admitir e quando nos chateamos e ai choram, alem das confuçoes que andam ja a arranjar durante a noite (facadas na rua, discotecas e bares), agora ate durante o dia lojas e restaurantes a reclamarem dos brasileiros, chegam e pensam que estao no brasil... pensam que nao existe a puta de regras caralho!!!

Tuga tem muita paciencia mas ela termina e hoje foi por 1 unha que nao perdi a postura e nao arrebentei com a cara da merda do zuka!!

mas portugal e pequeno e facilmente voltarei a encontrar o boneco e ai garanto que vai chorar!

#xsinnerm

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the-former-scientist · 3 months ago

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My breaths are growing shaky. You know what else is shaky?? Biograft's idle animation! Ahahahaha. I don't know how much longer I can take this. My mind is in a constant state of frenzy. Frenzy? More like phrenzy hahahahahaha. I can't look at every day things without thinking of PHIGHTING!. The colors red, green and blue? That must be an RGB trio refernece ahahahahhahahaha I am going insane. Today I saw a black truck and immediately thought "Wow! Omg is that zuka's truck from phighting?" It's impossible for my rotted brain to think of anything other than PHIGHTING!. Hahahaha you know what else is rotting? Subspace!! Ahahahahahaha. I need phighting alpha i need it right now I can't go much longer without it. Every time I hear someone talk it's just the phighting talk sound effects. Speaking of the phighting talk sound effects, I once saw someone playing a keytar and I immediately thought "Oh my sfoth is that dom and valk flipside music?!?!!??!?!?!?!?!" I seriously need some support at this point. Support? That's a reference to the PHIGHTING! [ALPHA] support characters oh my gods! When i look up atthe skhy the only thing i see is stargazzer rcoket. Phightihg phighting phighting I need PHIGHTING! [ALPHA] now. I see the color green and pink and i think omg! VIne staf! and Shurkin pgithgin.g I nmedd phgithing help the only thing ican thgink about is phgihtigng helphm e whenever i see a katana ithink of bOmg!Is that katan hitgmae phighting ojnrobloxx??/ HTelp me i donmt feel good ahgughfdihu someone g et medkkti I donot nfeel ok,ay someoNpelease nature prevailsme i needheadling i neend heelaing inead khealigjn i cna hear the flipside msuic playgin in my gmiind over and ovetr agisajn i'mm going insa,ne soen o e ple,as e help m e phgithingp hgoiting phightng phgitning phjgitning.

🐾 — I can’t believe I just read through this whole thing

#ooc qna #phighting ask blog #medkit ask blog

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mypickleoperapeanut · 10 months ago

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"Ritmo e grazia nel Gala 'All Beats to Dance' che incanta la Fortezza da Basso di Firenze"

All Beats to Dance è il tema scelto per la coinvolgente kermesse del 23/24 e 25 febbraio 2024, nell'affascinante Fortezza da Basso di Firenze.

Un straordinario evento che vede la completa partecipazione del vasto e variegato mondo della danza.

"All Beats to Dance – The Gala" è anche il titolo dello spettacolo clou nel cuore di questa celebrazione artistica e organizzativa, dove la maestria di Francesco Volpe ha dato vita ad un coinvolgente spettacolo tenutosi sul palco della Sala della Ronda nella serata di sabato 24 febbraio 2024.

Questa bellissima priposta ha visto la partecipazione di prestigiose stelle del panorama della danza, sia italiane che internazionali.

Al centro dell'attenzione, il duo composto dall'étoile di fama mondiale della Scala, Nicoletta Manni, e dal primo ballerino scaligero Timofej Adrijashenko, i quali hanno interpretato "Luminous", un pezzo su musiche di Max Richter, mostrando una complicità e un'intesa scenica di raro impatto emotivo.

La loro performance ha trascinato il pubblico in un viaggio attraverso emozioni dense ed evocative, sottolineate dalla maestria compositiva di Richter.

Non sono mancate poi le esibizioni di Luisa Ieluzzi e Danilo Notaro, entrambi étoile del prestigioso Teatro San Carlo di Napoli, che hanno interpretato "Don Quixotte", dimostrando una maestria tecnica e un'espressività che hanno rievocato l'essenza e lo spirito della narrazione originale.

La serata ha visto anche la partecipazione di sedici straordinari ballerini dell'Aterballetto, i quali hanno offerto una vibrante interpretazione della "Rapsodia in Blue" di Gershwin, unendo la loro elegante tecnica di danza contemporanea alla energia e al swing inconfondibile dell'opera di Gershwin.

Il pubblico ha anche accolto con calore Ana Sophia Scheller, stella dapprima a San Francisco e poi a Kiev, Alejandro Virelles Gonzalez, principal dello Staatsoper di Berlino, e Daniil Simkin, stella dell'American Ballet Theatre di New York e dello Staatsballet di Berlino, che hanno arricchito ulteriormente l’evento con le loro prestigiose presenze.

I Fresh’N’ Clean, ballerini di Popping noti al grande pubblico per la loro partecipazione al programma Tú Sí Que Vales, hanno portato una ventata di freschezza e originalità, conquistando i presenti con le loro dinamiche performance.

Erika Zuka e Yari Paolone hanno toccato il cuore del pubblico con "Get Over It", una performance emotivamente carica, frutto della coreografia di Stefano Santarelli e accompagnata dalle note immortali degli Eagles.

Questa coppia di danza sportiva, classificatasi tra le prime 25 coppie a livello mondiale e campione d'Italia in carica, ha arricchito lo spettacolo con un tocco di passione e tecnica impeccabile.

Travolgente anche l'esibizione di Danilo Simkin dell'American Ballet Theatre.

In conclusione, "All Beats to Dance – The Gala" è stato uno spettacolo di rara bellezza e intensità, capace di entusiasmare e commuovere un pubblico vasto ed eterogeneo presente, un evento sicuramente di elevato livello nella proposta culturale internazionale.

Riccardo Rescio

Firenze 25 febbraio 2024

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