#e learning development

[stylus-22]

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[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[bronanlynch]

this is mobile suit gundam ms igloo to me, this is what I hear every time oliver may does his sad little monologues at the end of each episode

[kurokoros]

One fundamental writing flaw with S4 is that it simply holds the viewers hand too much and overexplains things. Which is total normal for an early draft of a written project! In early drafts you tend to overwrite and give information that isn't needed simply because you're putting all of the pieces together in your head at the same time you're putting them into the story. The Duffers clearly had more time to revise S1 than they did S4, and it shows in the sloppy writing and too long runtime.

Take, for example, S1E08: The Upside Down in comparison to S4E06: The Dive and S4E07: The Massacre at Hawkins Lab. Specifically, take the scenes paralleling Steve going back into the house to save Nancy and Jonathan in comparison to Nancy, Robin, and Eddie going into the Upside Down to save Steve.

To be clear, I think this was a fantastic parallel made by the Duffers (Steve is being mauled by bats when a bat is what he used to save Nancy and Jonathan. It's clever, if a little on the nose). They're very good at paralleling previous events and calling back to their own plot points. In general, as the show has gone on, I think they're much better at over-arching ideas and thematic parallels than they are at crafting individual scenes, but that's a different post.

S1E08: The Upside Down is very snappy when it comes to Steve going back into the house. He runs outside. He fumbles with his keys. And then he turns back to the house and:

There's no dialogue here. We don't need anything more than this shot to know that Steve is going to go back into the house. Joe Keery's acting and prior setup do all of the heavy lifting here. The last we saw of Steve before he came to the Byers' to apologize to Jonathan is him arguing with Tommy H and Carol, which ends with Tommy H telling Steve to "run away like [he] always [does]." Steve has to go back into the house. The narrative tells us as much. This single shot tells us that it isn't up for debate. It isn't even really a choice. Steve is going back into the house.

And it's not a surprise when less than a minute later Steve saves Nancy and Jonathan . We don't need to actually see him run back towards the house, or pick up the bat. He doesn't need to say anything to announce his presence. The scene doesn't need to halt to dramatically reveal that Steve came back.

S4E06: The Dive and S4E07: The Massacre at Hawkins Lab have the same general premise of characters making a choice to put themselves in danger to save someone else. Unlike the scene in S1, this scene is overdramatic, played with an edge of comedy, and it gives us too much information.

Steve is dragged underwater and then--we get about almost a minute worth of clips showing Nancy, Robin, and Eddie all jumping into the water. And it's all filled with characters yelling about what just happened, and quippy dialogue ("She said wait!" "Yeah, I heard her." "She's in charge!" "Are you kidding me? I made that shit up." / "[indistinct swearing] This is so stupid!") as each character dramatically dives into the lake one by one.

We don't need this information. We already know that Nancy and Robin are going to jump into the lake. We know that Eddie is going to jump into the lake because they put him on the boat in the first place, and if he was really a coward he would have stayed on shore with the kids.

It's Chekhov's gun logic in both scenes. Steve is told to "run away like [he] always [does]" and we, the audience, know he won't run away despite being given the chance. Eddie gets on the boat to go towards the potential danger and we, the audience, know he isn't going to be the only one that doesn't jump into the water to save Steve. We don't need to be explicitly told this. This is almost a minute worth of scenes that we don't need. We don't need to see Nancy, Robin, and Eddie jumping into the lake, just like we didn't need to see Steve run back into the house and pick up the bat.

What's even more pointless to me is the dramatic entrance the Nancy, Robin, and Eddie make upon saving Steve:

One of the bats it hit and goes flying, and then the camera does a slow pan up Nancy, with Robin and Eddie standing behind her just waiting for the directing cue for them to do something, but first Nancy needs to drop a one liner ("Hey there."). I was going to try and gif Steve coming back to save Jonathan and Nancy for a comparison to this shot, but I couldn't. Because when Steve goes back into the house it's fast paced, there's no pointless dramatic pauses, and the scene is simply too chaotic to actually clip anything halfway decent. And that's good! That's how you make an action scene have weight and realism (and yes, you do need a degree of realism in shows, even if those shows are about sci-fi monsters).

And the problem with S4 is that every single scene is like this. The writing holds your hand through every shot. The directing is lacking. Every scene feels like it's 30 seconds to a minute too long. And the show feels like it's trying to be a Marvel movie, rather than Stranger Things.

[shuckstruck]

shout out to the dm of my dnd game always. we got lore today that dragonkin (dragonborn/kobolds/dragons) believe the soul is made of three parts.

I’m stupid gay about the world building in our dnd game so im just talking out loud about it rn but for the soul you’ve got:

1.) your hoard (i.e. your stuff) and your body (which makes sense to me. I forget the dm’s exact wording, but i see the connection cause like. it’s Yours. the hoard is an extension of the self too)

2.) your ancestral memory/where you go when you sleep

3.) the person you are when you’re awake

[nyxofdemons]

i think the best way i can articulate why this episode is my favorite of the whole show so far is that it was so emotionally gratifying i don't even care about the pacing issues

[runningatypufullspeed]

WOULD YOU GUYS LIKE TO SEE MY FUGLY UGLY ASS ALLEGORY OF THE CAVE X FAHRENHEIT 451 CROSSOVER DRAWING THAT I WAS FORCED TO DO FOR SCHOOL….. ITS SO UGLY AND MONTAG IS

WHITE.

AND THE HOUNDS ARE DISGUSTING THE COLORING IS SO SHITTY AND MILDRED …. Well ok she looks alright kindof but the COLORING ….. SKETCH WAS BETTER but do you guys. Do you still want to see it…….,,,,,,

ALSO NO OFFENSE TO WHITE PEOPLE PLEASE I LOVE YOU GUYS 🫶😁👍 within reason

[theanonymousninja247]

✨ Star Friends ✨

When I found out that @chessman-protocols boy Crit liked Astronomy, let’s just say I was beyond estatic and immediately planned this little comic. Here’s to my boy Vincent doing his best to make friends with folks who share similar interests 😅💙

Funny enough, I didn’t realize I put this in Vincent character’s until I looked at the whole thing, but Vincent very much shares the lack of stranger danger the way I did/ I do to this day. To quote one of my past managers I’m “abnormally friendly” or whatever

I can’t tell you how many times even as a small child (drove my parents nuts) that I saw a cool person with whatever connecting factor and I just straight up walked to them and was like “Ok cool. We’re friends now.” And nobody’s really stopped me? So apparently I have friends now. 😆

Vincent however is just a wholesome baby boy who doesn’t realize he’s actually an intimidating hunk of a turtle and randomly walking up to strangers and not saying anything can be taken the wrong way.

Like I said, he’s trying his best. He wasn’t exactly the most socialized if you can’t tell, but he does love dearly and is certainly a boone of a friend to have once you get past the inevitable social awkwardness. He’s loyal to put because he really doesn’t know better, and I adore him for that. Anyway, dunno if Crit knows any ASL or not, but either way Vincent is just excited to meet somebody else who likes space ✨🌌 💙

[helliixns]

Honestly what I now desperately need is Stolas talking to Asmodeus and/or Fizzie and as a result making Stolas take a good hard look at how he himself has treated Blitzø and every other imp he’s ever dealt with

[youploger]

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[theinsaneapp]

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[pandemichub]

[daisybell-on-a-carousel]

They are trying to convince me Jason was always reckless and angry and impulse and tbh that fact is worse than them killing him

[madxscientist]

"higher education" is so fucking snobby dude... my distaste for academia and the educational system as a whole is just further amplified

[liebevalentine]

hey angels, does anyone here who writes in 3 or 4 languages have any tips on how not to get everything mixed and tangled up in your head as you expand your vocabulary and start writing more complex sentences?