I felt the swell of pure joy at watching her wave that wand around and my first thought was "this almost makes up for killing [spoiler]." Before the death scene happened. This show is turning me into a mentalist.
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i feel so much about delta you guys
red vs blue really looked at me and said here is our logic fragment. this is the logic man. he feels logic. he has a strong survival drive. but also he loved york enough to be willing to die with him.
sigma wanted so fucking bad to be human, to be whole, to chase what they came from and what they were. that he totally missed the fact that delta fucking made it. Delta was more than the Logic Fragment. He had his own bonds, his own wants, his own drive because of his relationship with York.
And in his attempt to become whole again, Sigma... completely undermined that. Made delta into the Logic Fragment again. just another fragment, not a person of his own.
do you ever think about how if sigma had slowed down and really tried to work with maine, that maybe things could have gone so so differently?
i think about that.
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Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?
Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?
Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.
Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?
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Mary watches from behind the slightly ajar door. Sirius is kissing Remus. Kissing him like he could die right this moment.
He’s never kissed her like that before.
Remus moves his hands down the other boy’s back and Mary watches, her heart breaking. She wants to storm in there and scream and shout at them. But she doesn’t. Instead she resigns herself to watching the boy she loves kiss the boy he loves. And there's a little bit of her brain that says "You were never good enough for him anyway". She thinks it's right.
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“Do maids dream?” FABIAN SEACASTER EHAY IS YOUR FUCKING ISSUE.
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My favorite part of MDE is when Tommy rides a motorcycle to chase Sergio and Paulie went "HAHA! GO GET HIM TOMMY!!"
He sounded so proud of him. So damn proud. I don't know that part is just stuck to my mind, I love it
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Why do people hate Ethan Winters???? The hell he went through for Mia in RE7??? The hell he went through for Rose in RE8?!? This man died like- the best father and husband ever. He looked out for his daughter and just fuck he loved her so much that it HURTS. He was gonna be there for her always if fucked up things didn't happen.
He's literally ideal marriage material. He's perfect. I need to hug him.
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no but like I’m actually ready to THROW HANDS with Williams over how Logan has been consistently treated this season. Logan babes get behind me I can FIGHT.
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Erin Strauss. Your death felt like a suicide. They ripped away your sobriety. They publicly humiliated you. They made you feel like you were at a confession chair. My darling, my poor sweetheart. I will never hate you.
I never could.
Your death was unfair and absolutely cruel.
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It means so much to me that Kate (Hawkeye) is one of the first people that gets "recruted".
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Gonna ask this to a few people that inspire me, but how do you take inspiration from things without feeling like whatever you make is just bad in comparison? Or like a downgraded version of the thing(s) that inspired you?
(If this is too negative feel free to delete/ignore, I'm sorry)
Oh gosh this is such an interesting question since, I dont think I really have feelings of thinking my version is bad? Or that I am just a copy?
I am honestly just grateful my work became as popular as it is in the first place haha- low expectations going in to begin with. That and, I am very aware my art style isnt as defined and polished as other peoples styles, but I have come to terms with this! And hey the improvement in my own artwork over the past year is a massive trip if you go back through some of my older stuff- I am improving, slowly.
I mean, 2AL started by complete accident, and was "inspired" from me wishing the Leos from OMO or MNMC would hug it out already- but if you were to compare 2AL to one of those, they are very different. Hell even comparing OMO and MNMC, same starting point, but still very different.
I think my only advice to other people trying to make an AU is to try and find some core theme/idea and work around that, rather than gather a bunch of little things from other sources you like into a big pile. Find some key message to start up a base with.
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Just finished the clone wars and hoooooo
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You know when you think about Grant Chapman and you suddenly want to scream until you can't talk because:
'Its breaking my heart to stay'
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Vessel's Messages (9/9/23)
So as a continuation of this post, here are the messages from today's show in Philly. The 1st message is incomplete but I have posted the beginning (again, see this post - it has been edited to the correct transcription).
Credits to @/sleepytoken on Instagram.
Anyways. A girl is crying.
(the girl is me)
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I already knew the things Calypso did to Odysseus but honestly just listening to Love In Paradise over and over really just finally had it click and I realize how much projection I've done onto Odysseus and how most of it is honestly true and could most likely be true
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i am legitimately crying what the fuck
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