#ds9 theme

[ensign-spider]

bumbumbumbum

buuum bumbumbum

bumbumbumbum

buuuum bumbumbum bum bum

bumbumbumbum

buuum bumbumbum

bum

bum

bumbumbumbum

buuum buuum bumbum

(brrrrbrbrbrrr)

((● )

[star-trekster]

Have you ever danced with the devil

In the pale moonlight?

[hollis-art]

playing with my touys

and i would like to clarify that worf is standing on a box btw. he is miniscule (bonus picture. worf in a hot air balloon bc it is a very funny idea to me. he would hate it so much)

[lostyesterday]

I made the following graph because I was interested in which words show up most often in the titles of Star Trek episodes and movies:

I included episode titles from all twelve canon TV shows and all thirteen movies. I only counted nouns for the graph to avoid including boring words like “the” or “and”. I also counted plurals of a word as the same word (“stars” counts as “star”) and compound words where the singular word still carried the same meaning (“starship” counts as “star”). A complete list of episode/movie titles for each word listed in the graph is below the cut.

Time:

Amok Time (TOS)

The Time Trap (TAS)

The Naked Time (TNG)

Time Squared (TNG)

A Matter of Time (TNG)

Time’s Arrow (TNG)

Timescape (TNG)

Hard Time (DS9)

Children of Time (DS9)

A Time to Stand (DS9)

Time’s Orphan (DS9)

Time and Again (VOY)

Once Upon a Time (VOY)

Timeless (VOY)

Time Amok (PRO)

The Time Devouring Scavengers (PRO)

Star

Beyond the Furthest Star (TAS)

Starship Mine (TNG)

Starship Down (DS9)

Far Beyond the Stars (DS9)

North Star (ENT)

Battle at the Binary Stars (DIS)

The Brightest Star (Short Treks)

The Girl Who Made the Stars (Short Treks)

The Star Gazer (PIC)

The Stars at Night (Lower Decks)

Starstruck (PRO)

A Moral Star (PRO)

Man

The Man Trap (TOS)

Where No Man Has Gone Before (TOS)

The Schizoid Man (TNG)

The Measure of a Man (TNG)

Manhunt (TNG)

Tin Man (TNG)

Man of the People (TNG)

A Man Alone (DS9)

Our Man Bashir (DS9)

Inside Man (VOY)

Renaissance Man (VOY)

Magic to Make the Sanest Man Go Mad (DIS)

Home

The Voyage Home (movie)

Home Soil (TNG)

Homeward (TNG)

Move Along Home (DS9)

The Homecoming (DS9)

Homefront (DS9)

Homestead (VOY)

Home (ENT)

Far From Home (DIS)

Coming Home (DIS)

Child

Friday’s Child (TOS)

And the Children Shall Lead (TOS)

Plato’s Stepchildren (TOS)

The Child (TNG)

Galaxy’s Child (TNG)

Children of Time (DS9)

Child’s Play (VOY)

Children of the Comet (SNW)

Children of Mars (Short Treks)

Life

Half a Life (TNG)

The Quality of Life (TNG)

Life Support (DS9)

Lifesigns (VOY)

Real Life (VOY)

Life Line (VOY)

Life, Itself (DIS)

Eye

Wink of an Eye (TOS)

The Eye of the Beholder (TAS)

The Mind’s Eye (TNG)

Eye of the Beholder (TNG)

Eye of the Needle (VOY)

Blink of an Eye (VOY)

Kayshon, His Eyes Open (Lower Decks)

Light

The Lights of Zetar (TOS)

The Inner Light (TNG)

The Darkness and the Light (DS9)

By Inferno’s Light (DS9)

In the Pale Moonlight (DS9)

Point of Light (DIS)

Light and Shadows (DIS)

War

A Private Little War (TOS)

The Dogs of War (DS9)

Warlord (VOY)

Warhead (VOY)

The War Within, the War Without (DIS)

Under the Cloak of War (SNW)

Night

Night Terrors (TNG)

Wrongs Darker than Death or Night (DS9)

Night (VOY)

Two Days and Two Nights (ENT)

A Night in Sickbay (ENT)

The Stars at Night (Lower Decks)

Game

The Gamesters of Triskelion (TOS)

The Game (TNG)

Armageddon Game (DS9)

The Killing Game (VOY)

Endgame (VOY)

The Least Dangerous Game (Lower Decks)

Shadow

Shadowplay (DS9)

In Purgatory’s Shadow (DS9)

Shadows and Symbols (DS9)

Shadows of P’Jem (ENT)

Light and Shadows (DIS)

Through the Valley of Shadows (DIS)

Mirror

Mirror Mirror (TOS)

Shattered Mirror (DS9)

In the Mirror, Darkly (ENT)

Mirrors (DIS)

The Mirror Universe (PRO)

Enemy

The Enemy Within (TOS)

The Enemy (TNG)

Face of the Enemy (TNG)

Silent Enemy (ENT)

Behind Enemy Lines (PRO)

Battle

Let that Be Your Last Battlefield (TOS)

The Battle (TNG)

Battle Lines (DS9)

Nor the Battle to the Strong (DS9)

Battle at the Binary Stars (DIS)

Mind

Dagger of the Mind (TOS)

The Mind’s Eye (TNG)

Frame of Mind (TNG)

Mining the Mind’s Mines (Lower Decks)

Mindwalk (PRO)

Blood

Bloodlines (TNG)

Blood Oath (DS9)

Ties of Blood and Water (DS9)

Blood Fever (VOY)

Flesh and Blood (VOY)

World

For the World is Hollow and I Have Touched the Sky (TOS)

The Best of Both Worlds (TNG)

Strange New World (ENT)

All the World’s a Stage (PRO)

Strange New Worlds (SNW)

Ship

Ship in a Bottle (TNG)

Starship Mine (TNG)

Starship Down (DS9)

The Ship (DS9)

One Little Ship (DS9)

Day

Day of the Dove (TOS)

Data’s Day (TNG)

Day of Honor (VOY)

Thirty Days (VOY)

Two Days and Two Nights (ENT)

[theydjarin]

Star Trek Deep Space Nine: Crossroads of Time (SNES, 1995)

[mcspirkevents]

Here are the sign-ups for the Star Trek Polyship Calendar

Rules are listed in the calendar! Here are some quick things though.

All poly ships are welcomed in the calendar. While the host is a Mcspirk blog, you do not have to draw just Mcspirk! So long as it's a Star Trek poly ship, it's allowed. QPRs are welcomed!

The goal is to have the calendar done in time for 2025, however if it's not then everything will be pushed back, and the new goal will be 2026.

All fanart must be sfw.

More information will be given after each month is taken.

Other than that please reblog so plenty of people see it! This event is to cheer on all of the star trek poly ships!

[autistic-bashir]

david bowie weyoun because no one told me no

[various-things]

:D

I offered to take a couple of requests for angst edits in a reblog of this post, and this edit is in reply to an ask from the post's OP, @dontunderestimatemypoison for "Bashir and Garak" + "maybe one is injured". It's set to "Summer Skin" by Death Cab for Cutie.

[boomboxwithlegs]

Wish we had an episode where Keiko joins kira and jadzia in king Arthur's court and holosuite shinnageans happen

[not-equippedforthis]

why am i crying over space children. jake going against his father's orders just to teach nog how to read im bawling my eyes out. sisko being so proud of him at the end. oh my god.

[andyoullhearitagain]

[star-trekster]

Windows DS9 Skins, collected from internet archive-themeworld

[maybeasunflower]

Star Trek theme tunes: worst to best

Star Trek’s many TV series each have an opening sequence that attempts to set up the viewer for the show ahead. A good theme tune delivers a high-quality piece of music that encapsulates the show’s essence — and it is on this basis that I’ve ranked the themes. What isn’t included in my ranking is anything about the graphics that accompany the music, nor the show itself. Naturally, these are all purely my personal opinions, so there can be no argument.

Let’s get started!

11: Enterprise

“It’s been a long road…” are five words that launched a lot of strong feelings — and rightly so. The jarring mismatch between everything about this song and everything Enterprise was about relegates this theme to the bottom of the heap. The opening graphics are spot-on for the show’s premise — but I never got to watch them because I needed to skip the music, and that makes me madder.

If you want to know what could have been, search YouTube for “Star Trek: Enterprise Opening Credits with Archer’s Theme”. That music is perfect for the show: slow, dramatic, building up for the big reveal. Then finish weeping / gnashing your teeth and come back here.

This theme also meant that we can never have a Star Trek theme with words again, ever, because we have been all primed to hate such things because of Enterprise — and that’s sad.

Imagine if we’d had a good theme with words that we could all sing at appropriate and inappropriate occasions.

10: The Animated Series

You’d forgotten about this series, hadn’t you? I will confess I haven’t watched any episodes (unlike the other ST series), but that doesn’t me having an opinion about the theme music. The jaunty theme music. The theme music that speaks of hijinks and hilarious consequences. The theme with super precise drumming — the perfect accompaniment as we join our hero sipping a cocktail in his usual bar by the beach.

Wait, this show is about space exploration?

9: Discovery

Open with Those Four Notes (good), wistful hunting call horns (good), build up to a climax (good), and then… umm…

What follows musically reminds me of Fringe (a great show that also involved Alex Kurtzman and Robert Orci as creators). Fringe was a show about the discovery of new scientific things (and the consequences thereof)— but Discovery is not. The stories of Discovery revolve around battling against various things. The main theme (minimalist repeated eighth note patterns with a slow-moving melody) simply doesn’t speak to premise of the show. It ends with the ascending “Star Trek motif”, but it just feels like something bolted on to end things.

This is a theme based on the title, not on the events in the show.

8: The Original Series

I’m going to get some flak for this, but I don’t care. Yes, The Original Series is sacred. Yes, this theme gave us Those Four Notes right at the start. Yes, it gave us the classic opening words. Yes, we must remember TV was different back then when judging TOS. But I’m ranking the music, and so that’s all that matters.

This is a show about exploring strange new worlds and going boldly. The music is not that. The music is about going somewhere on holiday in your 1960s convertible, or possibly going home from work for the weekly comedic capers. It’s not going boldly anywhere, it’s not exploring new worlds, and that’s final.

… I am going to get so much flak for this.

7: Picard

This is a theme unlike any other, but this a series unlike other, so that’s OK. The wistful main melody on solo cello works for the show and its premise. The theme then gets musically developed by other instruments in a musically satisfyingly way.

However, two-thirds (!) of the title graphics are consumed by the 137 producers, supervising producers, co-executive producers, executive producers, and producing producers — and it feels the music had to be extended by a good 30 seconds to cover them all. Like Discovery, it ends with ends with the ascending “Star Trek motif”, but it (just about) feels musically connected to what came before.

Overall, I am left with a very neutral opinion. There’s nothing that bad about this music, but nothing that makes it stand out.

It’s boringly OK.

6: Strange New Worlds

After the classic opening words, the dramatic bass line/repetitive strings/drums kick in, the music builds, everything’s set up for the main melody…. and what’s that? Well, you can’t hear that melody because the orchestration that gives it insufficient body, and the sound mix gives the accompanying dramatic bass line/repetitive strings/drums far too much prominence.

The overall structure is good — repeat the main melody with some extra oomph, transition to the B melody, build to a climax with some block chords, then bring every down nicely with the hunting horn call. It ticks all the boxes on (manuscript) paper — but the orchestration and mix just means I can’t enjoy it properly.

Give the melody some more body, turn the volume down on the rhythm section, and this theme would jump up a lot of places.

5: Deep Space 9

DS9 isn’t about going boldly anywhere, but it is still about dealing with dramatic, important things. The music has a stately beauty that reflects both those things. The opening lonely horn illustrates the emptiness of space, before being joined by more horns to build drama. Then the main melody kicks in over a minimal accompaniment, raising the hairs on the back of my neck. There’s a pedal note that sustains through most of the opening — so that when the bass finally moves, it makes for a dramatic conclusion.

Later seasons brought a new version that tried to punch up the excitement a notch by increasing the speed of the main melody and adding some more texture to the accompaniment — but at the cost of the stately beauty that is this theme’s best feature. Let’s ignore it.

The title sequence is about 30 seconds too long, which means the beauty has faded somewhat by the end. (Yes, the opening for Strange New Worlds is a similar length, but the music doesn’t kick in until after 30+ seconds).

Overall, a solid piece of music that aligns well with the show’s premise.

4: Lower Decks

Lower Decks is a show that is both 100% serious and 100% affectionate parody. It does everything any other Star Trek TV series does, while turning it up 11 in order to skewer those things. Musically, that’s a tough premise for a theme tune.

So what happens? We open with Those Four Notes, followed by hunting horn calls, then a dramatic main theme on trumpet that’s repeated on all the strings — followed by gear-changing chords into the real main theme. A theme that gets a full-bore orchestra with a melody on brass that descends like someone resigned to not doing first contact (no hopeful ascending motifs here!). Then a solid build-up brings it to a satisfying conclusion.

Like the show, this theme works both seriously and as affectionate parody.

3: Voyager

The show has a tension between “let’s get home as soon as possible” and “ooh, new alien planet to explore” — and the music reflects that.

The theme opens with muted trumpets on a lonely motif (plus timpani) at the start to bring a sense of the dramatic, but without wanting to shout too loudly about it in this unknown part of the galaxy. The main theme on the horns is repeated with added texture and followed by a B melody on strings. Both bring a sense of the long journey ahead, with an ebb and flow throughout.

A slow build-up is then followed by a gentle climb back down — then a rapid (and musically seamless) build up to an emphatic restatement of the opening motif, ringing out to remind us this isn’t just about skulking back to Earth.

Voyager may be headed for home, but it’s still boldly going new places.

2: The Next Generation

Whatever you feel about Star Trek: The Motion Picture, we can all thank it for this music. TNG opens with Those Four Notes on something ethereal, followed by the best delivery of the classic opening words (sorry Anson Mount!) with a hunting call on horns underneath—then we’re into music about exploring strange new worlds and going boldly. It’s going on an adventure — journeying to places unknown to find things unknown.

Structurally, it’s simpler than other themes: after the main melody on brass, we get the string-heavy B melody twice, then back to a shortened version of the main melody to end. However, the post-words music only takes up half the opening, and those two melodies have enough going on to sustain our interest.

You’re left excited about what’s going to happen this week— because we’re exploring, damnit.

1: Prodigy

Four chords build tension, launching into drums+ostinato that tell you right away that exciting things will be Going Down.

Dramatic trombone and bells set up a musical cadence that gets resolved into the start of the heart-stirring main melody soaring out on horns clearly over the accompaniment (take note, SNW). The main melody repeats with added trumpets, and transitions into the drum-less B melody on lush strings that tells you it’s also about the journey. Then bridge into a repeat with everything turned up a notch.

Things get a little chaotic for a moment (what else do you expect with this crew?), but it’s OK, because we’re back to those dramatic trombone and bells (plus friends) to bookend things and lead us into a final resolution… that leaves just enough going on afterwards to accompany Those Four Notes, as though that was the plan all along. Then spike the ending so there’s no doubt we’re done.

Perfect.

[kalmakai]

I wish I could watch ds9 for the very first time over and over and over and over and over and over and over and o

[amandaoftherosemire]

I really appreciate that Lower Decks takes the music seriously. Even though it's an animated series, the music is as beautifully composed and orchestrated as any other series. The main theme is evocative of The Next Generation theme, which makes sense since it's a TNG spinoff, but it's not derivative. And there are leitmotifs that make frequent appearances (triumphal theme, tendi's orion theme). They don't skimp and it makes me so happy.

I would kill for someone who actually knows what they're talking about to analyze this. Music theory side of tumblr? You guys got any Lower Deckers?