#driving lessons burton

[jorichingsuk]

Details Presentation Burton Driving School

We founded Burton Driving School with one goal in mind: giving our students the best, most rewarding learning experience. Burton Driving School is located in Burton on Trent and reflects the vibrant energy of the area. Our passionate and skilled team members are here to help students achieve their goals.

9 Cascade Close,Burton on Trent,Staffordshire,DE14 1DX

07895879720

burtondriving@gmail.com

[danjaley]

Alice: Robert and Graham are well? And safely occupied?

Fiona: They’re outside with Alasdair. Er – they’re helping the McNeils and Captain Burton drive a flock of sheep away from the fortress.

Alice: Oh, never mind. I truly have worse things to worry about now. We should always try to learn our lessons. And I fear I’ll have to learn that you can lose a child entirely without the help of the military.

[marcmarcmomarc]

Kingdom Hearts IV predictions

Radiator Springs/Dinoco Rust-eze Racing Center/Fireball Beach/Thunder Hollow/Thomasville/Florida International Speedway (Cars)

Takes place after Cars 3.

Is visited by Sora.

It isn’t combat based. Missions include keeping up with McQueen’s top speed by racing down Radiator Springs’ main street, learning how to turn right to go left at Willy’s Butte, driving backwards with Mater, keeping up with Cruz’s top speed on Fireball Beach, avoiding pushy competitors with the Thunder Hollow challengers, and practicing with Cruz at Thomasville, culminating in the Piston Cup race at Florida International Speedway, where the objective is to win against Jackson Storm.

Sora enters the world as a custom-made car mixing a few real-life sports car models before visits to Luigi’s Casa Della Tires and Ramone’s House of Body Art end with him modified into a next-gen race car sponsored by Dinoco (with Tex’s blessing) and with Cruz’s number.

It’s set during Cruz’s first Piston Cup racing season, so McQueen still has Doc’s colors and spends the Florida race as Sora’s crew chief. Also, Ramone wears his “Saludos Amigos” body paint from the epilogue of Cars 3.

As Sora finishes his story, Mater is certainly unhappy with Xehanort’s actions forcing Sora’s hand. “That dad-gum Xehanort”, he says angrily. Extra points if Sora doesn’t get to the part where Xehanort is dead, then Sarge gets in his face and demands him to teach Xehanort a lesson when he gets back in a militaristic manner. “Is that understood,” Sarge yells. Then Sora tries to correct him, but gets cut off and asked again, “Is that understood,” and has to respond, “Sir, yes, sir!”

Of course, during the top speed races, Luigi is the one to signal the race to begin.

In the Radiator Springs race, Sora’s top speed is tracked by Sheriff’s speed radar, and on Fireball Beach, it’s via Cruz’s personal assistant, Hamilton.

If you fail the “Turn Right to go Left” mission, Sora goes flying into the bed of cacti, and Mater fishes him out.

“I don’t like to toot my own horn, but…” (HONKS TWICE) “Toot my own horn. That’s funny right there.” - Sir Tow Mater, beginning his backwards driving lesson, 2017

I know I’ll get hate for this, but Cars 2 elements are here. Heck, maybe Mater can’t be present most for the training because he’s busy with Finn and Holley. After all, does he still owe Holley a first date?

I wanted the player character in this world to be Kairi just so Storm can feel the embarrassment of losing to not one, but two “costume girls”.

The Piston Cup race is announced as a 500-lap race, but no game developer is that malicious to force the player to race 500 laps around an oval, so they’d take after the first Cars game and make it twelve laps with the sun slowly lowering throughout the race.

Starring the voices of:

Lori Alan as Millie

Carlos Alazraqui as Ronald

Cristela Alonzo as Cruz Ramirez

Eric Baudour as Noah Gocek

Brendan Blaber as Pileup

Ryan Blaney as Ryan “Inside” Laney

Jen Brown as Jambalaya Chimichanga

Burnie Burns as Herb Curbler

Corey Burton as Doc Hudson

Tiana Camacho as Airborne

Clifford Chapin as Dan Carcia

Tyler Coe as Bill

Will Collyer as Brick Yardley & Roscoe

Chris Cooper as Smokey

Bob Costas as Bob Cutlass

Django Craig as Superfly & Kurt

Andra Day as Sweet Tea

Robbie Daymond as Ernesto

Lea DeLaria as Miss Fritter

Aaron Dismuke as Will Rusch & Sudeep

Paul Dooley as Sarge

Jason Douglas as Junior “Midnight” Moon

Barbara Dunkelman as Cigalert

Kara Eberle as Laura Spinwell

Chase Elliott as Chase Racelott

Adam Ellis as Ed Truncan

Ray Evernham as Ray Reverham

Keith Ferguson as Lightning McQueen

Nathan Fillion as Sterling

Flynt Flossy as Paul Conrev

Gavin Free as Sheldon Shifter

Scott Frerichs as Jonas Carvers

Teresa Gallagher as Mater’s Computer

Grant George as Krzysztof

Blaine Gibson as Steve LaPage

Jessie James Grelle as APB

Christopher Guerrero as Run

Harvey Guillén as Gabriel

Todd Haberkorn as Junyi

A.J. Hamilton as Jackson Storm

Lewis Hamilton as Hamilton

Anna Hullum as Melissa Bernabrake

Bonnie Hunt as Sally Carrera

Garrett Hunter as Harvey Rodcap

Samantha Ireland as Liability

Jason Isaacs as Siddeley

Martin Jarvis as Finn McMissile

Lindsay Jones as High Impact

Michael Jones as J.D. McPillar

Corey Krueger as Rich Mixon

Nick Landis as Eric Braker

Larry the Cable Guy as Sir Tow Mater

Mick Lauer as Nick Shift

Jenifer Lewis as Flo

Yuri Lowenthal as Flip Dover

Miles Luna as Aaron Clocker

Joe MacDonald as Stephenson

Alex Mai as Todd

Michael Malconian as Jae

Wendie Malick as Louise “Barnstormer” Nash

Cheech Marin as Ramone

Aaron Marquis as Conrad Camber

Dustin Matthews as Fishtail & George New-Win

Jeremy Maxwell as Arvy Motorhome

Madeleine McGraw as Maddy McGear

Michel Michelis as Tomber

Emily Mortimer as Holley Shiftwell

Laraine Newman as Lizzie

Paul Newman as Doc Hudson

Jessica Nigri as Blind Spot

Richard Norman as J.P. Drive

Angel Oquendo as Bobby Swift & Aiden

Neath Oum as Spikey Fillups

Jason Pace as Faregame

Bryce Papenbrook as Shriram

Bob Peterson as Chick Hicks & Dr. Damage

Kyle Petty as Cal Weathers

Richard Petty as Strip “The King” Weathers

Kyle Phillips as Broadside

Connor Pickens as Chris Roamin’

Steve Purcell as Tractors

Guido Quaroni as Guido

Anairis Quiñones as Gale Beaufort

Jerome Ranft as Red

John Ratzenberger as Mack

Vanessa Redgrave as The Queen

Kevin Michael Richardson as River Scott

A.J. Riebli III as McQueen’s Biggest Fan

Zeno Robinson as Cam Spinner

Patrick Rodriguez as Taco

Jason Rose as Pat Traxson

Alejandro Saab as H.J. Hollis

Christopher Sabat as Prince Wheeliam

Anthony Sardinha as Jimbo

Ben Schwartz as Richie Gunzit

Tony Shalhoub as Luigi

Kerry Shawcross as Tim Treadless

Lloyd Sherr as Fillmore

Peter Sohn as Mr. Drippy

Gus Sorola as Hit

Shannon Spake as Shannon Spokes

Andrew Stanton as T-Bone

Daniel Suárez as Danny Swervez

Kaiji Tang as Pushover

Jen Taylor as Tailgate

Kyle Taylor as Barry DePedal

Maggie Tominey as Patty

Bubba Wallace as Bubba Wheelhouse

Michael Wallis as Sheriff

Darrell Waltrip as Darrell Cartrip

Howard Wang as Jim Reverick

Kerry Washington as Natalie Certain

Christopher Wehkamp as Tom W.

Humpy Wheeler as Tex Dinoco

Travis Willingham as Michael Rotor

Todd Womack as M Fast Fong

Back to index

[mask131]

You know... Almost every time I watched a movie based on a musical, without prior knowledge of said musical, I always felt there was something... wrong.

For example, Sweeney Todd or Into the Woods. I watched the movies before knowing they were based on actual stage musicals. And each time, for each of these movies, I felt that something was lacking or missing - in terms of plot logic, in terms of narrative drive, it felt like the story was there but there was missing something to make it all click. It wasn’t that I perceived something that stuck out or didn’t have its place in it, but for each of these movies I distinctly felt something... missing, a sort of lack, though I couldn’t put my finger on it. These movies just felt a bit... off. 

And each time, upong discovering and looking into the original musicals, I found what was going wrong. As in, elements presents in the musical not present or changed in the movie, for examples ; or answers to questions that are absent in the movies and yet plainly present in the musicals. It is so strange to see the movies and musical backwards, because when you look at the movies without prior knowledge of the material it is based on, when you mistake the movies as their own original piece - as I said, it feels off, it feels like its missing a beat despite having the full story, there is a distinct absence I felt without being able to tell what was missing. But when you consider them as adaptations, when you consider them compared to the musical, it suddenly becomes a whole, and it suddenly makes sense. It makes sense because you understand what is lacking or missing, and thus the movie doesn’t feel “off” anymore somehow...

I don’t know if I am clear, it is all very confusing. But for example: the characterization of Tim Burton’s Miss Lovett did confuse me when I watched the movie. I got who she was as a character, but some of the lines, some of the parts of her songs, felt strangely out of place compared to her character, it felt weird somehow... And by discovering the original incarnation of the character by Angela Lansbury, listening to how the songs were originally performed, it suddenly clicked, and I understood that the reason it felt off in the Tim Burton movie was because they changed the character, but kept the lines and songs from the musical - aka they kept lyrics and sentences that were originally designed for a different incarnation of the same character. 

Anyway, it is all very confusing, and I am very tired... But all that to say, my experiences with Sweeney Todd and Into the Woods clearly taught me a lesson: always check the original musical before looking at any screen adaptation. 

The only musical-to-cinema adaptation that didn’t have this feeling of “something is missing/something doesn’t click right” in it (at least the only one that I know of so far) was probably The Rocky Horror Picture Show X) 

[ottos-wahn]

i don't think we, as a society, talk enough about the scene at the piano in season 4, episode 22 (i'll be waving as you drive away part 2) of little house on the prairie, which is, in my opinion, one of the most romantic scenes in television history for so many reasons. it reminds me so much of the phone scene in it's a wonderful life, with its quiet intimacy, with the way you can really feel the longing between mary and adam, how they're sitting so close, but they can't quite touch. they're sort of hovering, being very careful with one another, until it becomes too much, and i just love the hesitation, the slow burn, the pining!!! but also it's the first time they really allow themselves to realize what they mean to one another.

it starts like any other lesson, with her doubting her ability to learn how to play piano because she's blind and his reassurance that she can do anything she wants to do; he offers to teach her, and his sitting so close to her isn't that unusual in this context (he sat right next to her and touched her hands when teaching her Braille earlier), but then the context changes when she admits that it isn't just her being blind that's dissuading her from learning how to play. there also isn't the time. and you can see his face fall, you can see the sadness on his face when she reminds him that her family is coming to take her home. because before this, they spent so much time together, and they always had so much more time to come. but for the first time, they're faced with the idea that they won't be together anymore. and we, the viewers, can see how her leaving is affecting him, but obviously she can't, so she tells him that she's scared. and she's scared explicitly because he won't be there to help her.

and for a moment, he's back in teacher mode and tells her she can't depend on him forever (which we, the viewers, obviously know isn't true), but this only lasts a moment, because he knows this isn't Mary's usual self-pity and self-deprecation. this isn't her usual way of trying to get out of something she finds too difficult, that she's too afraid to try, and she doesn't need tough love; this is a moment of real vulnerability, and, as if in effort to make her feel better, he reveals he'll be leaving too (which i genuinely believe that he would not have gone to winoka had she stayed at the burton school but i digress).

to which she responds that she's glad she's leaving, if he won't be there anymore.

and then we get The Moment, where, faced with both of their impending departures, they can't hold their feelings in anymore. and she laments, so quietly and gingerly, the fact she's never seen him. and he takes her hands and tells her to look at him. and he brings her hands to his face!!!! the way he closes his eyes and leans into her touch! her little smile! the way her voice cracks when she asks what color his hair is!!

the music swells and then it ebbs and we hear adam, his voice barely above a whisper, ask what she looks like. because, he tells her, he's never seen her, either. and she takes his hand and brings it to her face, and there are tears in her eyes! and she's holding his hands even as he caresses her face! and his fingers linger over her lips! and he laughs in disbelief at this revelation, that his feelings are requited!

but it's more than that for mary! because this is the first time she realizes that adam is also blind! that he actually does understand her!! and not only does he understand her, but all of his preaching, all of his lectures on how blind people are just as good as anyone else, how they can do anything they set their mind to, how important it is for her not to make excuses for herself, were not the condescensions of a sighted man, but lessons he wanted to share with her from his own years of struggling with himself and his blindness!! and that offers her hope, that she will also overcome her current struggles, and that she can achieve self-actualization just as he has! i don't think it's just love of adam that allows her to reconsider her dream of becoming a teacher, though obviously his support is helpful! but she moves to winoka without being engaged!

and it's also just so tender! the way they caress each other! how happy they are! and the new understanding they gain of one another through this scene!

it's the first time they're "seeing" each other, and it's also the first time they're seeing each other. and i wish so badly that tumblr was around when lhotp was airing because i want so many gifsets of this scene

[burtondrivingschool]

Another fantastic first time pass, huge congratulations to Muhammad for passing his driving test with just 5 minor faults! A fantastic effort and a great drive. Credit also to his instructor, Qasim, for helping Muhammad to become a safe and independent driver. Everyone at Burton Driving School would like to wish you the very best for the future. Safe driving for life!

[girlyandunruly]

2022: Hard time balancing work with a well-lived life.

I felt overwhelmed constantly with how much responsibility I have and still trying to maintain our house chores, errands, cooking, exercising, my hobbies, trips and social life. After pandemic period I wanted to get back to “normal” but seems I can’t go back to who I was. The amount of planning and coordination it takes to do anything has been getting to me. I made too many plans, I traveled almost every month of the year (by plane) and a few months multiple times. Normally this would be fun, but going from not traveling at all for a year, to doing so many trips, it messed with the routine I had established. At the beginning of 2022 I had felt that so much time was wasted during the 2-year pandemic that I needed to catch up, but I over did it. So, for 2023 I’ll focus on not doing too much, only the necessary. I already said “No” to a friend inviting me to Arizona in March. That’s a start!

Though overwhelmed with preparations and airport madness, the moment I’m at my destination I forget all about the treacherous journey and have the best time. Memories that stay with me forever, even the bad ones are good lessons learned and make me laugh now. Travel recap:

JANUARY:

Spent a week in Vail working and snowboarding with Kevin.

FEBRUARY:

Kevin took me to Mexico (Holbox and Playa del Carmen) for my 37th birthday.

MARCH:

Birmingham, MI for Luka’s baby shower that my mom and I hosted.

APRIL:

I traveled to Fort Worth, TX to attend a conference where Barr Engineering was one of the sponsors and I attended as the only representative.

JUNE:

Poland road trip with my mom. Drove over 700 miles between Warsaw, Krakow, Auschwitz, Wroclaw, Poznan and Gdansk. Every town was adorable and Auschwitz was heartbreaking but a must see.

JULY:

Taos and Santa Fe, NM for 4th of July. 

Birmingham, MI for Demi’s 3rd birthday and meeting new nephew Luka.

AUGUST:

Portugal road trip for our 4 year wedding anniversary.

SEPTEMBER:

Rock climb with Mary at Redmond, OR.

OCTOBER:

Minneapolis, MN for work training where I did an ESG presentation.

Cabo, Mexico for Pearl and Owen’s wedding.

Scottsdale, AZ for Elizabeth and Jeff’s wedding.

NOVEMBER:

Nashville, TN for a conference where I was the only Barr Engineering representative.

Flagstaff, AZ for Thanksgiving with Kevin’s family: his dad, Justin and (very pregnant) Vanessa.

DECEMBER:

Houston for Christmas with the family. We had a flight back to Denver scheduled for Dec 26 on Southwest but after a winter storm a few days prior to the date, SW cancelled almost all of their flights. It was chaos, we couldn’t find a flight back on any airline until 3 days later so we decided last minute to rent a pickup truck and drive 15 hours from Houston to Denver. And so glad we did because SW kept cancelling flights days later and our luggage would probably be lost.

The times I wasn’t traveling but stayed in Denver were memorable:

   1. Danny Elfman’s music from the films of Tim Burton

   2. Marijuana Mansion tour for my birthday.

   3. Denver Derby was back, and I created a gnome themed hat!

   4. Hosted adorable girls tea party at Babe’s Tea Room.

   5. Had 90s nostalgia with Kate at the F.R.I.E.N.D.S set

   6. I hosted Elizabeth’s bachelorette celebration

   7. Best of all, our annoying neighbors got two adorable kittens this year and they started hanging out in our front yard a lot. They would come visit us every day that we started buying cat toys, catnip and snacks. After a few months, the cats now hangout inside the house and we consider ourselves co-owners.

We finished big renovations in the house:

The back parlor was completely renovated (floors, roof, ceilings, electrical, walls).

Front porch concrete and posts redone.

New front door.

The outside of the house repainted.

I think we are finally done with house upgrades. 2023 will be the first year of just regular maintenance and no more weekends of long hours at Home Depot.

Baby news!

My brother and Tracey had their healthy baby boy Luka on May 19, 2022.

Kevin’s brother Justin and Vanessa got pregnant with a boy, due in February 2023.

Last but not least WORLD CUP MADNESS. It was a bit strange to have World Cup games in November/December but it brought a lot of fun exciting times even though Netherlands ended up losing against Argentina. The dutch boys fought to the end, 2-2, going to penalty kicks -where they never win on penalties UGH the curse-  but the game was rated top 3 most exciting games of the WC. Watched probably 80% of all games, I even took days off from work to just watch games all day, can’t wait for Euro Cup! #futbolislife

We ended the New Years celebrating with Elizabeth and Jeff. And after-party with Dylan and Holly. Too much fun. Grateful for these friendships <3

Our 2022 Adventures recap video:

[mjdrivingschool]

Practical Driving Test Pass in Leeds on 18th December 2022 Congratulations to Jess Burton on passing the Practical Driving Test in Leeds following a course of Driving Lessons in Leeds with Lee of MJ Driving School Leeds Well Done Jess! Driving Lessons Leeds Driving Instructors Leeds Driving Schools Leeds Intensive Driving Courses Leeds Crash Courses Leeds Automatic Driving Lessons Leeds Best Driving Schools Leeds www.mjdrivingschool.co.uk #mjdrivingschoolleeds #drivinglessonsleeds #learntodriveleeds #crashcoursesleeds #leeds #locallyleeds #leedslife #leedsstudents #studentdiscountsleeds #nhsdiscounts #DVSA #intensivedrivingcoursesleeds #leedscommunity https://www.instagram.com/p/CmYjiCAMcGu/?igshid=NGJjMDIxMWI=

[horrorslashergirl]

A takeback on a raven. A Shadow Story

Authors Note: History is always interesting and everyone has one. Shall we take a glimpse at the infamous Boston Serial Killer?

Warning: 18+ because of sexual assault, abusive behaviour perhaps and some uestionable themes. Just putting the warning in case.

Words: 1.9k

It was autumn in Boston and the rain just stopped as the preteenagers exited the school, all glad for the ending of the program, looking forward to getting home for the weekend. Everything was peaceful until a little boy was pushed into a puddle from the rain, all his clothes getting wet and leaves sticking to his face.

He looked up at the group of boys laughing and smirking at his form, the books from his satchel fell out into the dirty ground, destroying the pristine white pages.

"Looks like the ugly raven fell off the tree." one of the boys, probably the leader mocked, kicking at the books and throwing them all around the ground covered by the amber leaves of autumn.

The little boy didn't say anything, but he avoided looking up at the aggressors, only for one of them to take his book from the ground and hit him upside the head with it.

"We are talking with you, crow. Hey! What's this?" he asked, opening the destroyed book and looking at the content inside, the group accompanying him and checking what the pages held.

They all began to laugh and the boy felt a heavy force on his head from the obnoxious and obscene sounds the group was making.

"Check this out, guys! Naked women!" the leader said, snorting at the images.

It was actually an anatomy book, very much detailed and nothing improper at all; it was educative, but the low-brains were too blind to actually see, probably couldn't even read the title of the book anyway.

Before they could throw any more insults, the teacher came by them, scolding the group and promising them that she will have a very nice discussion with their parents. The pre-teenagers scowled and looked down at the boy on the ground, rolling their eyes and starting to walk away.

"See you on Monday, pervert!" The leader yelled before stalking away after his group.

"I told you that you should away conflicts, especially with Henry." The female teacher told the boy, getting his books from the ground and handing them to the black-haired boy.

"I-I tried." he whispered, putting his belongings back in his leather satchel.

"Lucas, if you indeed tried you wouldn't have been here. Now, go home. You wouldn't want to be late for dinner." she quickly told him, then walked away, leaving Lucas alone, who slowly got up, whipping the dirt and leaves from his pale cheeks, which had a slight rosy tint.

He walked to the bus station, waiting for the next one since he missed the principal one. At last, this one wasn't crowded with his classmates and bullies, so he could sit in silence until he arrived home. On the long drive, he pulled out his books so that he could inspect them; indeed destroyed, but not completely, although he will have to get all the unwanted mess off and dry them.

He really hated this school, but not because he didn't want to learn or because of homework. The classmates and pretty much every kid was a Buffon, ignorant over the edge and it made him always wonder why he was learning among a wave of monkeys who couldn't distinguish tendons from bones.

"Last stop! We are here." the driver announced, getting off from the seat and exiting the vehicle to be met with the imposing view of his house that looked like something from a Tim Burton art book.

He opened the large gate to enter, stepping on the brick sidewalk and on the stairs to the large mahogany double doors, his tiny hand wrapping around the door handle and pushing the door open, only to be met with the face of his aunt, younger sister of his mother.

"You're late and oh my! You look horrible!" Aunt Mia said, her brown eyes widening and she grimaced at the dirty and disheveled look Lucas was sporting, not like he wanted to.

"Your mother is in the living room, having tea with the ladies of her literature club. If she sees you like this, she will go bonkers." Mia whispered to Lucas, narrowing her eyes at the boy.

"Get your clothes off right now. I just whipped the floorboards and cleaned the carpets. I don't want to see one spot of mud on them." Mia said with finality, moving with the tray of tea tools to the kitchen to refill them.

Lucas sighed, putting his satchel down and tugging on the black vest off, the white button-down came next, a shiver running down his spine at the coldness. He put his shoes neatly on the doormat and unbuckling the belt, tugging his khaki slacks down when he heard a scream.

His amber eyes looked up to see his older sister at the top of the main staircase, looking at him like she saw something repulsive.

"Mother!" Amelia yelled, making Lucas's eyes widen, knowing that this won't turn out to be good.

In a few seconds, not enough time for him to get his clothes and run upstairs to his room, his mother exited the livingroom stopping once her amber eyes laid on him, the other ladies peeking their heads from the living-room, curious and also hungry for something to gossip about later.

Everything happened in a flash of his mother's long black dress and a slap echoed in the gigantic victorian style house.

"You pervert! This is how you present yourself in front of so many ladies?!" Evelyn's booming voice meets Luca's ears, his cheek stinging from the slap, his tiny hand holding the red spot of skin.

He wasn't one to cry, he never cried, just looking down in shame as he heard his older sister snicker and his mother's friends whispering all kinds of things that he blocked from understanding; probably very judgemental comments.

Evelyn looked down at her son with a viper like glare, her amber eyes matching Lucas. He looked up and felt his legs tremble, so as quickly as possible he got his wet and dirty clothes off the floor and dashed upstairs to his room, avoiding his sister's smirking face at the embarrassing moment.

After cleaning himself up and getting dry clothes from his closet, Lucas looked into the mirror of his bedroom, making sure he was presentable, his raven black hair slicked back.

He grimaced at the color; the reason for why he was labeled as the raven or crow.

A knock at his door made him glance to see his aunt, Mia with her lips pulled into a thin line.

"You missed dinner, young man. Also tomorrow you have waltz classes, piano lessons and let's not forget about your homework and also Evelyn told me that tomorrow you will clean the attic. A reminder to never pull a stunt like that again. I saved you some dinner, but don't expect this to be a normal occurrence. You know how important punctuality is." Mia rambled and all Lucas did was listen, because what else was he supposed to do when you're surrounded by women.

He was the only male inside the house; Evelyn, his mother who reminded him of a witch from the fairytales, then his older sister Amelia who looked a lot like Evelyn and Mia, his aunt and younger sister of Evelyn who was responsible for cooking and cleaning, since she hasn't married a rich man like his father.

All Lucas know about his father was that he was rich as his mother stated and he was very fond of literature, one of the reasons the library of the house was mostly used by Lucas. Amelia was too busy following after Evelyn to actually open a book and read, at last, a paragraph.

Lucas followed Mia to the kitchen, sitting down at the table and eating the leftover boiled vegetables and cold steak of beef. He heard Evelyn and Mia talk outside the kitchen into the front entrance of the house.

After he was finished, he washed the dishes and was ready to head back to his bedroom or perhaps the library to find a book to take his mind of the events today.

He was meet with his mother and aunt, all put together, dresses perfectly without a wrinkle, make-up was neatly done to hide the aging and the hair? Not even a rebel lock out of place.

"Mother?" Lucas asked, making the women look at him.

"We're going out tonight, Lucas. There is an important event in town about new investors for the new hotel. We've got invitations." Evelyn said, fixing her fur coat and lipstick in the mirror by the front door.

Of course, they were out hunting new fresh meat or better said a new wallet to get their manicured hands onto.

"I'm no longer with Mr. Gladstone to tie me down so we don't have to worry about anything." Evelyn muttered and Lucas fought the urge to grimace and say something.

Mr. Gladstone as in his father; Evelyn's former husband, now deceased and a loving father as much as Lucas could remember.

The two ladies exited the house and closed the door behind them, not even saying goodbye to the little boy, leaving him in the darkness, save for the faint light coming from the chandelier above.

He sighed and decided to went straight to bed, not even in the mood to read anything. He was tired and not in the mood to do anything at all. He marched upstairs and sadly he had to pass his sisters' door that was wide open, more feminine voices coming from inside.

Amelia was with her friends, probably having a sleepover or just a gathering for doing make-up and their hair.

He tried to be discreet and quickly pass the door, so he won't be observed.

"Hey!"

No such luck.

He looked over his shoulder and saw one of Amelia's friends, long curly hair in a golden color following down her shoulder and mischievous sky blue eyes looked at him.

"You're Amelia's little brother, right?" she asked, making him slowly nod.

Amelia turned from her friends and grimaced once she saw Lucas.

"You again? Stop creeping out of the corners like that, pervert!" she yelled, bopping his nose pretty roughly and making it sting; a normal habit of hers.

"I'm going downstairs to get some snacks. It might take a while." Amelia said and walked out of her bedroom and downstairs to the kitchen.

Lucas was ready to bolt to his bedroom, but he was pushed inside his sister's room by the blonde; his amber eyes looking at the older girls who smirked or whispered to each other.

Lucas was only 10, while his sister was 17 as were the females in front of him.

"Umm...I need to go...My curfew is...." he shuttered, trying to excuse himself, but then he felt the blonde move behind him.

"Awww why in such a hurry? You're too big for a curfew." the girl whispered in his ear, making him blush and gulp down.

Before he could say anything else, he was pushed forward, two girls holding his arms and his eyes widened as he looked at the blonde, who snorted.

"Yell and we will tell that you tried to come upon us." the way she spoke, made the boy shake in fear, not used to what was happening. Sure, he was slapped and beaten up over his hands with a wooden spoon by his mother, but not this.

The blonde started to work on the belt that held his slacks; the gesture finally hitting on what they were planning. Lucas wasn't obvious to this kind of activity; he was very educated, but never indulged in them.

Another girl, a redhead closed and locked the door, giggling at Lucas's scared expression.

"This will stay between us all." the blonde whispered against Lucas's lips.

[iany0ung]

Luques Curtis

If you see Luques on the streets of Greenwich Village, you would not recognize his level of musicianship and musical success. When I first met him in 2017, this was surely the case. I was a freshman at Rutgers University, where my concentration was Jazz Studies: the constant buzz of excitement to learn and to be thrust into a world that I have never seen before was all that was on my mind. On the first day, there was a department-wide meeting in which they introduced the faculty and staff. Once the musical director (and my trombone professor) Conrad Herwig finished introducing the staff, he introduced the Graduate students- one of them being Luques Curtis. He simply grinned and waved at us, with no words to be said- not in a way that was stand-offish, but in a vulnerable and humble way. Conrad went on to say that Luques is a world class bassist that has many musical successes under his belt, which was the beginning of my understanding of the true status of this wonderful musician and human being.

The more that I researched Luques, the more starstruck I became.  Luques has been performing nationally and internationally with artists such as Eddie Palmieri, Ralph Peterson, Jr, Christian Scott, Gary Burton, and others. He is one of the owners and co-founders of independent jazz label Truth Revolution Records. He began playing the bass at 12 years old and attended the Greater Hartford Academy of the Arts and the Artists Collective, Inc. founded by Jackie McLean and Paul (PB) Brown. After high school, he earned a full scholarship to the prestigious Berklee College Of Music, where he studied with John Lockwood and Ron Mahdi. While in Boston, he was also able to work with great musicians such as Gary Burton, Ralph Peterson, Donald Harrison, Christian Scott, and Francisco Mela. Luques collaborated with his older brother Zaccai Curtis and formed a group called Insight. The group released their first album ‘A Genesis’ in 2006 and then also formed The Curtis Brothers and The Curtis Brothers Quartet. They have released multiple records with their groups on their record label Truth Revolution Records. (Wikipedia) 

*Here is a little fun fact- Luques went to Berklee at the same time as Eric Andre, where they have worked together.* 

In 2018 at Rutgers, I saw and played with Luques every Monday and Wednesday in the AM Jazz Ensemble, which was one of my favorite musical experiences in a jazz setting. Luques’ sound is representative of his personal characteristics- strong, yet humble and supportive. The woodiness of his instrument rang true, laying down a concrete foundation for the rhythm section and the band as a whole. Whenever he needed to shine and play solos he would show out, yet his ultimate role was being a team player. His time, sound, and musical choices on the bandstand feel as if he is musically stating, “I got you”. I can not speak enough on his ability to create an amazing foundation.

 In passing conversation and mini-lessons we had together, his demeanor was one of coolness and poise. He took his time thinking about what you asked him and answered questions with a sense of vulnerability and critical thinking. It felt as if you were his best friend for that moment in time, giving clear attention, critique, and support.  

On Wikipedia alone, there are over 60 well-praised recordings that Luques appeared on. The ones that have received the most critical acclaim are the Grammy-winning  works he has done with the great salsa icon Eddie Palmieri. The sound of Luques’ bass creates the classic drive that is found in traditional salsa, yet with a sound that is dark, cool, and not rushed, like the effortless power of a fast-flowing river, and the band is riding a pontoon boat on top, letting Luques’ sound drive the boat. 

Although his contributions to salsa music are very important to note, it is also imperative to recognize Luques’ amazing contributions to Latin jazz, straight-ahead jazz, and soul jazz. A couple of years back, I saw Luques play with trumpeter Christian Scott with some of my friends from Rutgers. We drove up and when we arrives, Luques got us a table for free. With the Blue Note being a small venue, there are very few bad viewing angles and every note and stage direction given by Scott and fellow bandmates was heard. There is virtually no room between the tables and the stage, which created an intimate experience between the audience and the artists, as if you were temporarily stepping into the musicians’ world. You could feel the energy radiating from the group even in the rests right before they played the songs. Although the type of music is vastly different from salsa, Luques’ role of creating a concrete foundation and being a team player is a constant. His sound and style stays essentially the same - yet it is NOT because that is all Luques Curtis can do - it is because it is the best thing to do. 

[fugandhi]

Why We Rise (A Meditation on Humanity)

by Adam Kenichi Wekarski

The time has come for me to write about Christopher Nolan’s Batman Trilogy (and why it is the most important cinematic franchise of our time). *Please purchase & view the franchise in it’s entirety prior to reading this independent essay. Spoilers are No Fun for Anyone. SUPPORT The STORYTELLERS*

Although it’s a story derived from a comic book, this is not a movie franchise to be taken lightly (or for granted for that matter). Christopher Nolan’s film, “Memento” was the first work he had accomplished that I had ever seen (back in the Blockbuster days - ahem, VHS RULES!) and it is still spinnin’ my mind after all this time. Christopher Nolan ALWAYS delivers some form of ground-breaking excellence in his work - his ‘Dark Knight’ Franchise is no exception.

When one thinks of Batman, it’s very easy to consider the various forms (literature, animation, cinema, video games, etc) of said character (God Bless You, Adam West! R.I.P., Good Sir!). SO many INCREDIBLE & [BEYOND] TALENTED folks have, not only performed as the character, but have helped in shaping this character’s Monumental & Positive Imprint on contemporary society (worldwide).

I still believe Christian Bale is one of the most under-appreciated performers of our time. I first saw him in the Dark Comedy, “American Psycho” (DUDE! Holy Smack-a-RONi! Totally Bonkers & Viciously frightening). I still can’t believe he did not receive an Academy Award nomination for that performance (for shame, HollyWould). As much as I love Tim Robbins (SHAWSHANK, BaBY!), Christian Bale is one of the greatest actors of all time (100% WITHOUT A DOUBT). He plays Bruce Wayne PERFECTLY (TOTALLY the BEST Bruce Wayne OF ALL TIME! DONE! NO ARGUMENT! END-ALL-BE-ALL..”..Been there, Done that - got the album, Bought the Tee-shirt..NEXT” (Ricky Gervais, The Office [UK]). CHRISTIAN BALE DESERVED AN ACADEMY AWARD FOR “The Dark Knight Rises” - I’M SAYING IT - HE DID SUCH A PERFECT PERFORMANCE in (Yeah ALL Caps) this entire franchise. I need to address that because so many folks seemed to be swept-up in their own distractions as viewers (Yeah we get it, he disguised his voice with a growl - get over it, ya’ll). He seems to be a good person (‘seems’ being the operative word) & I’ve read about his efforts in his life off-screen (You are a Good Man, Sir) when the cameras are not around. I have a belief that it’s good for people to appreciate those ‘moments-of-truth’ more often (just one person’s opinion, take it or leave it).

Speaking of ‘moments-of-truth’ - This story (spanning across three EPIC films) is the ultimate moment-of-truth for Sir Christopher Nolan (Why Not?; He actually is CBE apparently; Respect) and his AMAZING Production TEAM’s collective efforts. So many people put their well-being on the line to make these stories happen (some even, their lives, Rest in Peace) and I believe this franchise deserves ALL of the Success & Recognition & Praise (and honestly, Time) for the awe-inspiring efforts put forth (in regards to cinematic storytelling). This is a franchise for the fans (due to how well it honors the source material & simultaneously manages to elevate the art-form).

Bruce Wayne is one of the most important modern characters of our time. Not since the days of Jesus Christ, himself, has there even been someone who sparked a universal impact (sorry ‘Supes’ - You & Ol’ ‘Batsy’ are Tied in my book) upon average people worldwide. Granted - Bruce Wayne is NO Jesus (there can only be one), however, his life’s journey is a true Test of Faith, which is a universal lesson that I firmly believe Jesus Christ was attempting to spread in his message of good faith towards one another.

Bruce Wayne (played by Christian Bale & Gus Lewis, respectively), as it is now [mostly known], was born an heir to The Wayne Family, an age-old empire in modern society (Gotham City, U.S.A.). In Christopher Nolan’s particular take on this (now-classic) SuperHero story - Reality is the cinematic setting.

“Batman Begins” is Nolan’s homage to Richard Donner’s “Superman”, having been THE standard for comic book movies (since the late 1970’s if I’m not mistaken). Having obviously been a fan of Donner’s work (Gee, who isn’t?) - it’s an obvious source-of-influence for the first installment in Christopher Nolan’s Perfect Epic.

When I had first discovered the news that Christopher Nolan was Warner Bros. Studios’ choice for a brand new Batman reboot - I have to admit I was VERY optimistic. After having seen “Memento”, and his work with that incredible team - I was very, very optimistic that for ONCE the Batman universe was going to be actually depicted like it is in the comic books (at least the ‘80s Batman Comics - Hello Dark & Gritty Vibes). Considering the mental intensity of “Memento” (and how linear-storytelling-need-not-apply) - I was absolutely curious to see how well the story would finally be done on-screen (with all due respect to Tim Burton & Joel Schumacher & All previous efforts achieved in the known story-telling community). After all is said and done, this franchise is a ‘Grand Slam’.

Christopher Nolan’s version of Milton “Bill” Finger’s (Bob Kane took all of the credit for Bill’s work; for shame) story of Bruce Wayne/Batman is the most inspiring work I’ve seen achieved on the concept (and characters) to this day. With the initial tone set in the first film - we find a young Bruce Wayne as a child - simply playing in the Wayne family’s garden with his best (& childhood) friend (and one of the most important characters in the franchise): Rachel Dawes (played by Katie Holmes, Emma Lockhart, and Maggie Gyllenhaal, respectively). Bruce & Rachel establish the innocence of childhood (and of our main protagonist) with the playful phrase, “Finders Keepers” which is followed by young Bruce falling into an old dried-out well (which then traps him into a slight crevice, filled with Bats).

As we discover in this story, the symbol of Batman has a rather deeper meaning to Bruce Wayne than what had been initially expected (unless if you’re a fan of the comics). When the first film starts to take form, we find Bruce Wayne lost in the depths of ‘hell’ as an adult man. Having been an heir to a Family’s Kingdom (so-to-speak), Bruce Wayne had lost his Mother & Father; Martha & Thomas Wayne (SUCH Good People) at a tragically-early age, having their lives taken by a lost soul in the dark of night (a reality known, all-too-well, by our own collective experiences as a contemporary society).

Martha & Thomas Wayne establish the core values that help shape Bruce Wayne as an Individual. Their Leadership, their knowledge, their wisdom, their love (their faith). All of their finest attributes shine a light on how the community - the city of Gotham (and their actions as people) help shape said community. Without their Faith, Bruce Wayne’s immediate world probably wouldn’t have even been established for him (perhaps). It is that faith that is the driving force of this franchise, and the greatest tragedy of this film is, indeed, the blatant & cold-blooded murder of Martha & Thomas Wayne. Ya know, they were really good people in terms of their contributions to their household & community & their lives, and they truly cared about their impact on the world (in a greater sense).

With such care, they made important choices (that had an effect on everyone in Gotham, regardless of outlook). Choices that made a necessary difference in, not only their home, but in their overall world. Gotham may be fictional, but I will let the fantasy play and I will acknowledge the tremendous amount of detail put into these stories that went unnoticed in the initial ‘life’ of this franchise’s release. Having said that - Unless if memory serves inaccurate, this film received a lot of unwarranted criticism for the realistic depiction of modern violence (due to the UNGodly public shooting(s) that have been taking place in our country; I acknowledge the real-life tragedies, but also acknowledge the importance of artistic vision). I say unwarranted due to the fact that Christopher Nolan managed to hold up a mirror and we need to pay close attention (and look beyond the glamour & simulated violence), and this was accomplished well-before Todd Phillips’ incredible film “Joker” had been produced (which drew plenty of inspiration from Nolan’s signature style and Heath Ledger’s actual development of said character; Joker’s Journal).

At the core of this story is Faith.

Faith is what was instilled in Martha & Thomas Wayne (and their lessons with Bruce as a boy). Alfred Pennyworth (played Beautifully by Sir Michael Caine in a Nomination-worthy performance for Best Supporting Actor in my humble opinion) is the reinforcement to protect the Wayne Family’s Honor & Good Name. On the surface, Mr. Pennyworth is Bruce Wayne’s Butler, however, when he’s not maintaining the Wayne fortune, he is ‘the guiding light’ (no pun intended) in Bruce Wayne’s Journey (despite the efforts of various opposition). While Rutger Hauer (rest his soul; “BLIND FURY”!!! YES!) had set the tone for what was to come later in young Bruce Wayne’s life (at the funeral for Martha & Thomas Wayne) - it becomes abundantly clear that Bruce Wayne has quite the journey ahead of him in his life (with plenty of whom have pre-developed plans & agendas to seize Wayne Enterprises for their own gain).

Bruce Wayne, born of a Mother & Father, heir to “the throne” (as it were), and thriving billionaire, one day decides to leave it all behind. It’s a moment of internal crisis for our protagonist due to the severely traumatic act of witnessing the death of his own parents (while almost being murdered himself). I know a lot of people think Kal-El (aka ‘Superman’, aka ‘Clark Kent’) is the end-all be-all of Superheroes (myself included), however, after a retrospective look back at Christopher Nolan’s Dark Knight Trilogy it becomes abundantly clear just how much credit this franchise did NOT receive from the critics & the artistic community (Hi, Academy. I’m lookin’ at ya’ll). Despite the worldwide acclaim, I believe this franchise was well ahead of it’s time in terms of the most important aspect of the entire achievement - The Story.

This is a franchise fully-devoted to the story and that is a significant contributor to the success of this version of Batman. I grew up watching old reruns on TV of Adam West & Burt Ward going around and ‘CLEANING-SOME-CLOCKS’ as it were (POW! ZAM! KLAM! CHOWDAH!), and I always hold that version near-and-dear to my heart because I still think the early 1960’s version of Batman was really fun & really awesome & an absolute delight. Plain & simple. ..Granted - as time continued and the characterization of Bruce Wayne (and his alter-ego “Batman”; His Armor; His Protective Shield) had advanced & developed into a new ground (conceptually-speaking). The core values of who Bruce Wayne is, where he comes from, and Why he does [what he does] did not truly become profoundly-realized for me until I’d say when the Animated series (1990’s! DUDE still one of the best Animated Series I’ve ever seen; like ‘a fine wine of cartoons’). “The Mask of The Phantasm” is still one of the best Batman stories I’ve ever seen - Such an incredible origin story for Bruce Wayne - and definitely one of the best animated, full-length features I had ever seen as a kid (Not to discount Tim Burton’s gothic-induced-dream-like version of the knight’s tale).

With Christopher Nolan’s contribution to the overall storyline of Batman - we truly have a Masterpiece Trilogy before us (as audience members). Nolan’s take on Batman is truly like no other (even surpassing efforts that preceded the franchise) in that he actually provides a glimpse into what it would look like if the fantasy actually became a reality. Christopher Nolan achieves that goal (Ten-fold) with this trilogy.

In the first film - what we know about Batman becomes hyper-realized with the emphasis on Bruce Wayne’s life in modern-day America (Gotham City being the quintessential metropolitan All-American city). An America that has succumbed to an overall tone of darkness & hopelessness (with the reality of tangible corruption & streets of truly deadly conditions) which has reached a pinnacle-of-suffering for the good people of Gotham (and perhaps, rippled outward into the rest of the world).

Jim Gordon (played PERFECTLY by Gary Oldman, one of the finest performing actors ever to be on screen), a symbol of Gotham’s defeated Law Enforcement, patrols the streets of Gotham City each night. Jim Gordon is one of the key individuals that Bruce Wayne reaches out towards (in his pre-Knight regalia) in the first stages of ‘Batman Begins’. Jim Gordon was the person who wrapped the coat around (a young) Bruce Wayne’s shoulders after his parents had been needlessly-murdered right before his very eyes. Jim Gordon was the one who kneeled to Bruce’s level, acknowledged his loss, and gave him that moment of kindness & warmth & honest-to-God decency. He acknowledged Bruce’s sorrow & loss with grace. He gave him a moment of simple human decency & kindness for the sake of kindness itself.

Jim Gordon’s kind gesture is merely a moment in time, which made all the difference for a young kid who just needed someone to simply be there for him. A moment that showed Bruce Wayne that Goodness & Human Decency can & does still exist in the world despite a traumatically-life-changing tragedy. Jim Gordon’s simple, nearly effortless act, is a sign that people Do honor good faith (and people who truly deserve it) and the good Do get rewarded.

I really like the character Bruce Wayne. I think he’s a better character than most that I’ve ever seen, especially since he actually has character. It’s a shame that people can not see beyond the surface to find the deeper meaning of this story. Bruce Wayne’s [incredible] journey takes place all over the world. When we find him in ‘..Begins’, he is locked up in the ominous mountains of Bhutan. His home now a desolate wasteland of an existence due to his loss. His tragedy (despite Jim Gordon’s act of kindness) had lead him astray and brought him across the other part of the world (only to discover what it truly means to suffer in poverty & hunger & pain & strife & darkness without any means of comfort). As the story unfolds, it becomes clear that Bruce’s path is the ‘path-of-most-resistance.’ Rather than succumb to a frivolous, meaningless, and hollow existence - Bruce Wayne took the path rarely taken. He chose his own path, to earn his own personal truth, his own story to be lived & known (and eventually discovered by Gotham City).

When Bruce meets an unusual individual by the name of ‘Ducard’ (aka Ra’s al Ghul; aka Liam Neeson; Also played simultaneously by the honorable Ken Watanabe, respectively) in his own ‘personal hell’, Ducard feeds into Bruce’s fall from the path of grace (and his spiritual confusion). Ra’s al Ghul/Ducard is only interested in one thing: controlling Bruce Wayne. As Ra’s al Ghul is the quintessential ‘Handler’, or ‘Hypnotist’ of Bruce Wayne in the training period for Bruce Wayne’s spiritual journey - it becomes evident with each effort from Wayne that Ra’s al Ghul represents The Devil (aka ‘The Prince of Darkness’, ‘Satan’, ‘Lucifer’; The ‘Shadow Side’ of Saturn; See “Yikes!”; See “YOWZA”; See “Hide Yo Kids, Hide Yo Wife”; No Disrespect To The Coven; See Not My Lord; See God Protect Me).

From the moment we first-see Ra’s al Ghul - he is shrouded in darkness - lurking in the shadows within each unseen corner of the world - the proverbial serpent of the shadows (so-to-say). In a manner of speaking, Ra’s al Ghul is merely one of many faces throughout the story that showcase the forces of darkness in this particular cinematic legacy (from the depths of darkness, here to possess the living). Ra’s al Ghul attempts to indoctrinate Bruce Wayne (in Bad Faith) in the Bhutanese abyss; a wasteland for the damned (and where the death of hope thrives amidst the stone-prison-walls). Despite Ra’s al Ghul’s efforts - Bruce Wayne not only proves to be the most-prominent under-study of the cult (while being initiated into a secret society; a clandestine fraternity; a subversive order of assassins following an ancient practice (unknown & unseen by the blissful light of day).

Bruce Wayne’s prominence during his training cycle with ‘The League of Shadows’ (an appropriate title) shows us that he surpasses even Ra’s al Ghul’s expectations: showing how the student becomes the teacher (by upholding an authentic approach to having a Personal Moral Code & Justice & Ethical Values). Bruce Wayne is not only faster, stronger, and smarter than Ra’s al Ghul - Bruce Wayne is also wiser. Due to Wayne’s parents (and his friendships) he truly is ‘the shining example’ of true justice that Ra’s al Ghul has yet to achieve in life (due to his obsessive wrath).

Having destroyed the League of Shadows’ initiation grounds & temple of darkness - Bruce Wayne LITERALLY SAVES RA’S AL GHUL’S LIFE. ‘True Colors’ does not even begin to define such a moment for our protagonist (that’s a true sign of Mercy).

Despite Bruce Wayne saving Ra’s al Ghul’s life, afterwards the dude STILL tries to come back and kill Bruce AND Gotham City (Showing how The Devil has No Mercy for Anything, Anyone, or Anywhere and is just flat-out unwilling to acknowledge when something good actually does happen). Granted, at the end of “Batman Begins” we discover how Martha and Thomas Wayne were murdered as a direct result of Ra’s al Ghul & The League of Shadows (and their hatred for all things Gotham City & Western Civilization). It’s a diabolical reveal that the devil holds nothing sacred in the sanctity of human life. The devil will literally kill an angel after having been saved by said angel. In fact, Bruce Wayne’s own personal brush with death is (tragically) a common concern of not only Alfred, but Lucius Fox (played exquisitely by one Morgan Freeman), a former Board-Member & former colleague of Thomas Wayne (prior to his passing).

Bruce shows us that good people typically make a lot of good friends and have good people looking out for one’s best interest (no matter their walk of life). The most awe-inspiring truth of Bruce Wayne/Batman is that his ‘best interest’ is preserving & honoring the good faith of his community and the people in his life (including his ancestors, mind-you, as well as the herculean guidance of one Alfred Pennyworth). Without friends - life goes nowhere - that’s a universal truth. Bruce Wayne nearly died so many times in this trilogy and I don’t think people appreciate that aspect of these movies. This is an individual who literally put his life on the line to save the soul of the city he loves (wanting nothing other than a good, normal, & happy life). I know people only fixate on ‘the How’, but I think ‘the Why’ is the most important element of Bruce Wayne’s fictional example.

Bruce Wayne (as all of us) exists for a reason. His life (albeit fictional) does have an important purpose in the grand scheme of things (as one puts it).

Of course, this reason is emphasized (more & more) by his best friend, Rachel Dawes (among others). It’s a shame that Katie Holmes did not portray Rachel Dawes in both of the first two films, however, I found it to be very impressive [just] how smoothly Maggie Gyllenhaal performed as the character. It’s one of the rare instances in which a character is portrayed by two different performers who both managed to bring an equal amount of dignity & respect to said character. Katie Holmes & Maggie Gyllenhaal should both be applauded for their contributions & performance(s) as the grown-up portrayal of Rachel Dawes.

Rachel Dawes is the positive-female-influence in Bruce Wayne’s life (complimentary to that of Alfred Pennyworth’s positive-male-influence; or non-gender-specific-neutral-influence? Sure, why not) that is necessary to develop his respect & honor towards women (which is a necessary element of chivalry). Chivalry is not dead in America: The examples set before us can be found within our own real-life society (I shall go into that more later..).

More important than Rachel Dawes’ positive influence on Bruce Wayne is her genuine friendship (since their childhood). Rachel is not interested in taking advantage of Bruce or using him for her own personal gain. Rachel Dawes genuinely cares about Bruce Wayne and how well the quality of his life (as well as the life of the community) have grown. Rachel Dawes shows Bruce what is occurring in the streets of Gotham on a daily basis. Rachel is living, breathing, working, and seeing what has become of Gotham City - a limping giant of a once-prominent-city (Modern-Day America in a nutshell). Rachel Dawes reminds Bruce Wayne of the importance of Good People Taking Ownership of One’s Community. She reminds him that life is not only about one’s own personal pain, but alas, the collective pain of which a community must endure & resolve (as a said community) with good faith; “It’s not about who you are underneath, it’s what you do that defines you.”

In the second act of Nolan’s Cinematic Epic, “The Dark Knight” - Bruce Wayne encounters the tangible result of Newton’s Third Law: for every action there is an equal (or greater) reaction; hence ‘The Joker’ (played enormously by the late Heath Ledger; Rest in Peace).

The Joker is the response to Bruce Wayne’s actions in the first act, and in every way, he is Bruce Wayne’s exact opposite (albeit opposites, their life paths are balancing on the same proverbial axis of existence). Bruce Wayne is a reflection of light while The Joker is a product of darkness (Negative Energy, Pessimism, Hate, Evil, Unhappiness, Pain, Suffering, Misery, Torment, Violence, & Trauma). While Batman is the answer to corrupt forces in Gotham City - The Joker is the reaction to The Bat-Man.

The Joker is the continuation of opposing forces attempting to infiltrate Bruce Wayne’s life & community (as would a specter in the shadows, a spider in the darkest reaches of lunacy; a.k.a. the absence of faith, the inversion of angels; i.e. Demons, Demonic Entities, Dark Deities, etc). The Joker represents everything evil in society - everything sick, everything sad, everything hurt. To The Joker (and the fools before him) - society is an infestation, a plague, a result of toxicity & corruption (especially the light of which darkness cannot fathom). Batman is the antithesis to Joker’s Chaos. Batman is the collective honor & balance of civility & justice & good faith quantified into one symbolic rogue.

Heath Ledger’s performance of Joker was nothing short of awe-inspiring artistry & workmanship (WorkPERSONship?). His passing was a needless tragedy and although his performance garnered him numerous accolades - I wish he did not have to die in order to attain it (It should have been him accepting the award - it should have been him). Without a doubt, an equal to Joaquin Phoenix’s performance (if not Superior) - I still acknowledge Heath Ledger’s ground-breaking performance as a perfect triumph of Acting (although I think the character is absolutely distorted on all accounts; despite Joker’s persuasive wit).

Many people like to compare Joaquin Phoenix & Heath Ledger’s performance(s) as The Joker (folks compare everything in life), and I think both performances stand strongly on equal ground. Total Perfection. No doubt about it - and one kinda goes with the other if you were to align the vision side-by-side. Of course I love me some Jack Nicholson in Tim Burton’s “Batman” - I think he gave an undeniably frightening & charismatic performance just as Ledger & Phoenix (proof of the character’s universal & artistic appeal). Although Heath Ledger’s performance shall always be praised as a definitive milestone in Acting on Film - I still think the character is a twisted f**k (pardon my American).

Not only does Joker attempt to destroy Bruce Wayne’s personal Faith, but also everyone he cares about in his life, and everyone in the entire city of Gotham, USA. The pitiful tragedy of Joker’s existence is the sad truth that he lacks good faith in not only himself, but the people of Gotham, and the one individual who is genuinely trying to make a good difference in the world: Bruce Wayne.

It is a tragedy & a disgrace to humankind that Rachel Dawes & Harvey Dent (played by the Always-Excellent Aaron Eckhart) died in vain (as Thomas & Martha before them). It’s a sin that the Joker did what he did to everyone in Gotham City. It’s unGodly that so many human beings had to lose their lives, needlessly, just because of one individual’s own loss of innocence, and more specific, his loss of personal faith in his life (and in the world, of which, we live). The reason why Joker is dangerous is because he is the quintessential ‘mass shooter.’ He is the terrorist. He is the result of a society that has forgotten him. He is the reason why so many people struggle & suffer in contemporary society - not because he caused it, but because he fed into it - preying on the life force of humanity & destroying the efforts of truly good people who kept striving to save the soul of humanity (within the framework of a struggling eco-system).

If Bruce Wayne did not have friends he would have been dead in the first act of the story - that is a fact. When Dr. Jonathan (Not ‘Frasier’) Crane (aka ‘The Scarecrow’) had attacked Batman (in ‘Begins’) with the weaponized hallucinogens, Bruce Wayne was almost killed. If it was not for Alfred Pennyworth & Lucius Fox, Bruce would have been dead in the streets of Gotham. The consistent importance of Friendship is quite evident when thinking of Bruce Wayne’s network of acquaintances (both in ‘high’ & ‘low’ places) in the city of Gotham. This also applies in the opposite, with Bruce becoming an important (and powerful) friend to certain individuals of Gotham City (in return).

Friendship is a universal quality of humanity that should be cherished & honored. Friendship, like everything, requires effort. Bruce Wayne’s life requires effort even though he is a “billionaire playboy” - he still has struggles just like anyone else, and he shares the struggle with his friends (since they became a sort of surrogate family; more like extended-family; legal & spiritual guardians). Bruce Wayne is a fictional example that no one is free from life’s struggle and life’s personal challenges & lessons (no matter the ‘advantages’ or ‘upbringing’). It’s a sign of brilliance on behalf of the conceptual team behind the vision of The Dark Knight Trilogy. I know a lot of people focus on the action sequences and the drama of the theatrical dance of Light & Dark play out on screen in the form of the Batman & the Joker, but beneath the surface is a sincere sociological & political commentary (and spiritual message).

The Light & The Dark (i.e. Positive & Negative, God & Lucifer, Heaven & Hell, Angels & Demons, the Good & the Bad vibes, The Upward Infinity & The Downward Spiral, etc, etc, etc): it is at the fundamental core of our collective balance of existence; Life as we know it to be. It is my humble understanding that the eternal balance is a necessary process, it requires effort on both sides. Both Light & Dark must cooperate to preserve the equinox-of-existence (just one person’s opinion based off of observation & objective analysis, take it or leave it).

The death of Bruce Wayne’s best friend, Rachel Dawes, was not only a tragedy in Bruce’s life, it was a tragedy for innocence. She was so angelic & kind & giving & honorable & brave - her Faith is what helped Bruce remember his childhood innocence (before he was robbed of said innocence), and her last words (which were concealed from Bruce due to desperate-times-call-for-desperate-measures; see Alfred Pennyworth), she continued to spread the message of Good Faith in Humanity despite the fact that she was needlessly murdered. A defining attribute of Rachel Dawes’ character is one-in-the-same as Martha and Thomas Wayne - the Belief & Faith in Humanity despite the monumental heartache & loss (and yes, trauma & death).

If one recalls the time in the first act when Alfred was bringing Bruce Wayne back from the mountains of Bhutan - Alfred briefly mentions how Bruce Wayne’s ancestors’ tireless efforts to keep their community alive (even at the worst of times) nearly made them bankrupt. It was their tireless dedication (their faith) that paved the way to set a foundation for future generations to prosper (while honoring the efforts of said ancestors). Although their example did not improve Gotham’s economic prosperity overnight, the murder of Martha & Thomas Wayne set the wealthy of Gotham into action (as the story goes).

Bruce Wayne comes from a long lineage of helpers. Helpful People who are Good. People who want to see the best results out of humanity’s efforts (as a whole). People who believe in the power of the individual, and the social end-result of one individual’s tireless faith (and life choices).

Although Bruce Wayne’s ancestors are not the focal point of Batman, they are his bloodline & family’s history which in it’s own right deserves to be honored & respected (I know this is a fictional character, but roll with me here, people HahaHA).

Yes, “The Dark Knight” consists of nothing short of complete Mayhem, and YES, The Joker may make ya pee a little bit (just a little), and maybe even laugh (the writing is pretty damn genius in my humble opinion). I acknowledge that “The Dark Knight” should have been nominated for Best Picture (Double that for “The Dark Knight Rises”), and I acknowledge that Christian Bale should have been nominated for Best Actor his final performance as Bruce Wayne/Batman (I think he was snubbed, but hey I’m not in the Academy, so what do I know, right? HahaHA).

Speaking of “The Dark Knight Rises”, I still believe it’s the best Batman movie of all time. I understand (and have heard) many folks say “The Dark Knight” was a better movie, however, I believe (on the contrary) that not only is the third act of Christopher Nolan’s masterpiece a testament of cinematic storytelling - it is a testament to just how AWESOME we are when we perform at our best. When we work together, we are at our best (as a country, and as a people).

“The Dark Knight Rises”, at it’s core, is a cyclical nod to everything that was established in the first act of the trilogy (a perfect Full Circle), and of course, is the conclusion of Batman. Every lesson in Bruce Wayne’s life, every struggle, every enemy, every friend - every aspect of Bruce Wayne’s life is interwoven with Gotham City (and the people of Gotham) as he & his friends defend Gotham City (and everyone in it). In “The Dark Knight Rises”, Bruce Wayne has become a Hermit; locked away, half man, half mythos, in an air of mystery & fascination (among the ones who still speak of the elusive figure; a fading memory of a silent guardian). And as a hermit, Bruce has become deeply reclusive due to the Joker’s killing spree in Gotham City nearly a decade prior (while exploiting the sick minds & lost souls who stand for nothing [and truly fall for anything]).

While an average person would possibly accept Bruce Wayne’s physically-defeated, emotionally-scarred,  and spiritually-damaged condition - Alfred Pennyworth (God Bless ‘em) does what any individual of Good Faith would do - he encourages Bruce. He sees Bruce as a human being, not as a symbol. He cares about Bruce Wayne’s life, his well-being, his overall fulfillment, and Bruce’s personal happiness. He chose to honor the pact he made with Thomas Wayne to protect the family fortune (most importantly, Bruce). Alfred Pennyworth has his own fascinating & rich history from his own backstory (having been a soldier in his younger years). Fact of the matter is, Alfred never stopped being a soldier at heart. He is True Blue; a true man of the cause; a true Englishman, a true American, and overall a true HUMAN BEING. He is a True Believer of preserving all that is sacred & righteous in our world. He is a Saint and he is a blessing (in contrast to Ra’s al Ghul’s curse-like presence; working in Bad Faith; a destructive force; almost the polar opposite of Alfred).

One thing I love about the final film in Nolan’s titanic, artistic, commercial, & cinematic effort is just how well the Production had managed to pull off the third act (having so many characters and SO much exposition) especially considering the factors that most wouldn’t even consider (i.e. Budget, Lights, Sound, Wardrobe, Set Design, making sure everyone’s hitting their marks, making sure all the stunt-work is safe, making sure it’s all coordinated to the “T” - the amount of brain-storming, conceptualization, the marketing, the pre-production, the principal photography, the post-production, etc etc etc). Movies that require so much of the cast & crew do not always work well, but Warner Bros. & Nolan’s Team somehow managed to actually pull it off. They did what no one else could do - they made Batman real. Christian Bale made Bruce Wayne real. He made Bruce Wayne truly Human (even if just for a moment).

In this day & age (with everything that just happened very recently in our very own United States of America) - one could find a jaw-dropping parallel to what happened when ‘Bane’ came to Gotham City (played ferociously by the envelope-pushing Tom Hardy; see “Bronson”, so gnarly) to what had happened to our own U.S. Capitol.

Bane is the darkness (cloaked with brute force) that feeds off of the fear of humanity. Bane is a product of The League of Shadows (with Hardy’s vocal performance being a nod to UK & Ireland Bare-Knuckle-Boxing Champion, Bartley “King of The Gypsies” Gorman), and was actually ex-communicated from the league (so the story goes) by Ra’s al Ghul (himself). Word around the campfire is that Bane is a force of nature (more destructive than known before) and will stop at nothing to ‘fulfill the destiny of Ra’s al Ghul.’ Bane is a result of fringe-Cult-Mind-Control-Indoctrination (a life devoid of pure faith & free-will entirely; typically due to some possible form of sincere trauma and/or loss and governing authority; aka The Darkness).

The legend of Bane is more rumor than fact. He is just as elusive as Batman, and just as evil as Joker (if not more). Bane’s physicality brings Bruce Wayne to his knees in the third act of Nolan’s 3-piece work-of-art, while also providing all of the intellectually-driven rationale (totally psychotic) behind his Madness & Apocalyptic ambitions. Bane is a real-life-threat to Bruce Wayne & Gotham City (and The American Way). Bane represents the overall threat to our way of life (as a humanity). Bane is everything wrong with world leaders & corrupt forces (cultivated into the most toxic physical form); like a deranged & disfigured Churchill who lumbers about (as a lion in a den) in the underground infrastructure of Gotham City’s sewage system (almost as a warped, drug-induced, Shakespearean Emperor). Bane is a deadly force of nature, fueled entirely by the sickness of bad faith; coerced into his own psychosis by probably the most complex & frightening character of the entire series - Talia al Ghul (a.k.a. ‘Miranda Tate’, played unnervingly-well by one Marion Cotillard [the child played by Joey King, respectively]; her performance sends chills up the spine upon numerous viewings).

While introducing Batman & Gotham’s new enemies, some of Bruce’s new friends in the final (and most epic) installment of Christopher Nolan’s Batman storyline are Officer [Robin] John Blake (played exceptionally by Joseph Gordon-Levitt) and a Wild-Card-Femme-Fatale character by the name of Selina Kyle (a.k.a. ‘Catwoman’, performed very well by Anne Hathaway). Joseph Gordon-Levitt shines as young Patrol Officer Blake - also having been an orphan, like Bruce Wayne, and a true believer in the purpose of Bruce Wayne (Batman) in Gotham City. Unlike Bruce, however, Robin is not a billionaire & Robin was not born into a life of privilege. Despite his brief backstory, Robin Blake, like Bruce Wayne, has Faith in Humanity. It’s why he puts on the uniform (speculative subtext). He does not have the luxury to become Batman, so just as Jim Gordon does - He works with what is given to him. He applies himself within the structure already established within Gotham (despite the restrictions & limitations of said structures of society). He, like ‘Serpico’ before him (see Al Pacino) is a regular Cop who just wants to do what the Law is supposed to do: To Protect & To Serve the good people of Gotham City.

Selina Kyle, on the other hand, is on a path between The Light & The Dark (on a sort of ‘spiritual tight-rope’ between the two paths). Selina’s life path is one of constant survival and constant running. As a ‘Cat Burglar’, Selina Kyle is a flat-out Crook. Her tough exterior conceals what truly is underneath her mask - a person who, too, has faith in humanity (proof that the ones who wander are not lost). Unfortunately for Bruce Wayne, as previously-mentioned, ‘Desperate Times Call For Desperate Measures’ - and Selina Kyle’s desperation put Bruce directly into the hands of Bane & The League of Shadows (at a truly disturbing moment in the film). While forces of The League of Shadows’ (combined with a few of Wayne Enterprises’ own ‘bad seeds’, i.e. Daggett, Stryver, etc) disseminate chaos throughout the plot of “The Dark Knight Rises” (by destroying the city of Gotham and exiling Bruce Wayne across the world into a pit of hell) - all of the friends Bruce Wayne has made start to band together to organize a resistance with the surviving members of local (and once-established) authorities. The honor, the people, the community of Gotham City, and the overall driving spirit - the collective faith of the city (as a whole) had been damn-near destroyed entirely in this film. The resistance was born from those of whom are still faithful to their city and the rights of every individual who resides within.

Between the clandestine operations of Robin & his fellow law enforcement officers (all trapped underneath Gotham due to The League’s devastating terrorist attack), the United States Federal Government (and necessary agencies) & Wayne Enterprises (with ‘Miranda Tate’, Lucius Fox, etc), and the awe-inspiring action-sequences in this grand finale - there is no denial that the final installment of The Dark Knight Trilogy is the most realistic & visceral revolutionary epic set in modern-day America. It’s funny when one stops to think that this was all originally based off of a comic book character published by Detective Comics in the late 1930’s. It’s astonishing to think of just how far this fantasy story has evolved throughout the years.

Bruce Wayne is more than a comic book character. Bruce Wayne is a symbol of humanity. That is his ‘superpower’ - his Humanity. He is more than just a person fighting crime to honor his family’s faith & heritage - he is honoring the faith of humanity as it stands today. After all of the corruption & loss & trauma - Bruce Wayne never lost faith in what we have in life (even after losing so many loved ones and frequently having his own life in harm’s way). As he strives to defeat the darkness of Gotham (by striking fear into the hearts of those who prey upon the fearful), the force of darkness continues to rise to attempt to destroy & defeat The Light (Futility at it’s finest).

The greatest villain of all, Batman’s most incredible threat throughout the entire trilogy is actually Talia Al Ghul (Ra’s al Ghul’s daughter & heir to The League of Shadows; the true leader of the cult). She is the one who almost destroys Gotham City (if it wasn’t for Bruce Wayne and everyone who stepped up to do what was right to defend the city).

Although Talia does not fight Batman physically - she is the only villain who ever slept with Batman & exploited him with complete intimacy (seducing Bruce Wayne in a seemingly romantic moment in the film). Talia (still known as “Miranda” by this point in the story), appears innocent & sweet upon first glance, however with multiple viewings of the film, one begins to understand the disturbing nature of what Miranda/Talia is and is Not saying in Bruce Wayne’s presence (a brief glimmer of her spiritual void). Talia al Ghul truly is Ra’s al Ghul’s daughter and her light has been completely stamped out by the fact that she, not Bane, was the one who came out from the pit of hell (as it is revealed in the climax of this epic conclusion). The Devil lurks in many forms - in this particular case, Talia al Ghul displays the darkness as it exists in feminine form. Marion Cotillard was the most over-looked performance of the series (in my personal opinion) and I think as much as Tom Hardy does not get enough credit for his, at times, somewhat Macbethian performance (albeit not as flamboyant as Joker, but even more deadly) - I believe Talia al Ghul is the greatest threat to Gotham City in this trilogy (sorry, fellas).

While magnifying the character of Talia al Ghul, one must acknowledge her natural ability to be a ‘Wolf-in-Sheep’s-Clothing.’ She is the deadliest threat to Humanity due to her belief in a necessary demise of Gotham (seeing Gotham City as a hotbed of hypocrisy & imperialism). Talia al Ghul has no problem burning the barrel over a few bad apples (if that makes sense). While Talia is the CEO of Wayne Enterprises, she was also simultaneously dictating every strategy for The League of Shadows behind closed doors. She is the ‘Queen’, ‘The Head of The Serpent’, The Leader of ‘The Hive.’ She is the quintessential ‘Wicked Witch’, The ‘Bad Girl’, the ‘Goddess’, Kali, Baphomet, etc etc etc). She is an individual, born into a pit of darkness, and exposed to a potentially-life-shattering amount of trauma (based off of the staggering display of complete psychosis; albeit tremendously stealthy & downplayed under her facade of congeniality).

Talia al Ghul is the mastermind who inherited the crown from Ra’s al Ghul’s ‘throne’ (if that makes sense). She is a product of trauma, suffering, & loneliness, but more importantly, a severely sick individual who needs some serious mental & emotional help (more than Joker & Harley Quinn combined) and is the deadliest foe of all (due to her intellect & internalized rage & female fury & her knowledge of all things Gotham & Bruce Wayne/Batman). Talia al Ghul, like Batman, is a force of nature; especially due to her complete cutthroat tactics and inversion of personal Faith in Humanity. Talia al Ghul initially comes across as a meek & angelic person, responsible for the credibility & success of Wayne Enterprises. Her entire life, however, has been dedicated towards the infiltration of Gotham City, USA, and she is the only character in the film who is truly superior to Bruce Wayne in terms of sheer will-power (He caught up to her in the end though). What saves Bruce Wayne is his network of friends (Alfred, Jim Gordon, Lucius, Robin, Selina, etc), in addition to his mind, body, & spirit (once they attain alignment).

I don’t know what others have said, but I think Robin & Catwoman were actually done brilliantly in “The Dark Knight Rises.” Robin was a pleasant surprise for me as a viewer (truth be told; although I thought Ryan Gosling (GOS!) would have made an amazing Robin in ‘The Dark Knight Rises’; much respect for Joseph Gordon-Levitt), and Selina Kyle/Catwoman is fascinating due to her being the wild card of the last film (that truly helped level the playing-field; Girl-Power).

Catwoman, unlike Batman & Robin, is a big question mark throughout the majority of the last film. Her presence is just as elusive & threatening as Talia’s, however, Catwoman (unlike Talia al Ghul), underneath it all, is a Good Person trapped in a bad situation. That is a common thread in this storyline - Good people being in bad places (i.e. Jim Gordon, Lucius Fox, Rachel Dawes, Harvey Dent, etc). On the flip side of the coin - there are plenty of bad folks in good places amidst Gotham’s corrupt forces (i.e. Dr. Crane/Scarecrow, Carmine Falcone, Judge Faden, Detective Ramirez, Detective Wuertz, etc). It’s a reality known all too well in our modern society.

When one observes the overall arc of Bruce Wayne’s transformational life experiences in Nolan’s Comic Book Epic - I have to reiterate the notion of duality consistently interwoven within each one of these films. Light & Dark - Good & Evil - Positive & Negative - the eternal dance - it is the driving force of this franchise (as Bruce is the quintessential “Light Worker” - not that I’m soliciting ‘New Age’ [or ‘Old Age’ for that matter] ideologies, just a matter-of-saying). Bruce Wayne symbolizes The Light of God found in human form (at the very core and most-primary form of what Natives call, “The Great Spirit”, respectively), of which must seize the day to tame the night. Bruce is the epitome of a Capricorn/Aquarius cusp (Western Astrology/Zodiac) - in full force - bringing the water to those who are thirsty, bringing food to those who are starving, and healing the suffering of a people by means of very serious mental, physical, and Yes, Spiritual Work & Seriously Visionary Goals. Bruce Wayne is the Light while Bane is the Darkness of Humanity (the brute force, the inversion of light); the absence of faith. Although he does indeed have an inherent belief within his bones (and muscles reminiscent of mountains), Bane is still dependent on man-made ideologies & approaches (entirely based in the material world). The League of Shadows are attempting to summon the fires from hell in order to bring the dark prince into Heaven to seize the light (again, futility) to fulfill the devil’s ultimate lie (talk about a God-Complex..Oh me, Oh my) of Superiority (‘Can’t we all just get along?’).

When examining Talia al Ghul’s presence as a double-agent mastermind - her reveal is one of the most important plot twists of the series. Talia being a hidden “mole” within the resistance of Gotham City during The League of Shadows’ Hostile Takeover sets off Martial Law in Gotham - which sparks an uprising in the city that eventually saves Gotham (due to the efforts of a network of people who utilized adaptability & effective methods of coordination & action). Bane is to Batman as Talia is to Catwoman (just as Harvey is to Rachel; Duality; Gemini, Twins). What’s so incredible about Selina Kyle is her purpose in the story as a symbol that people CAN & DO redeem themselves despite having a checkered past (something a good amount of folks have in this day-and-age, myself included). Although the clandestine efforts of Gotham’s resistance had been futile due to the fact that Talia al Ghul was hiding in plain sight (a stroke of genius on the writing), Selina Kyle was the defining individual that tipped the scale in favor for Gotham City (and more importantly, Humanity as a Whole). She had an opportunity to leave Gotham and have a clean slate, but she had a personal moment-of-crisis... That’s because she has a soul, and in her soul, she knows, by faith & intuition, that humanity needed her help (one could speculate). She went back & risked her life (God bless her), which was a full circle nod, of which, echoed the sentiment originally planted within the first film: The moment when Rachel Dawes asked a younger Bruce Wayne, “..What chance does Gotham have if the good people do nothing?”  (Edmund Burke; ‘Thoughts on the Cause of the Present Discontents’ [1770], regarding the nepotism of a monarchy).

Talia al Ghul is a highly-complex character (next to Bruce Wayne) in the series due to the potential life she may have lead as an orphan born in the pit of hell (shot in the jaw-dropping landscape of Jodhpur, Rajasthan, India). She is also the most tragic due to the fact that she literally has an opportunity to leave her life of pain & suffering behind to be with Bruce Wayne, but succumbs to the ‘Shadow Side.’ ...You know something is ‘rotten in the state of Denmark’ when she would rather destroy the world than have a ‘happily ever after’ with Bruce Wayne. Her spirit fell back into the proverbial pit of despair & darkness (without ‘The Light’) that she had escaped from (in a metaphoric sense). Bane, like Scarecrow before him, is merely a pawn in the worldwide game of Chess (‘all the world is a stage...’). The tragedy of Talia is that she is someone who was born into darkness and literally had to pay for the sins of her father (as her mother did, tragically).

Talia al Ghul is the most heart-breaking villain of the trilogy simply due to her life being a complete tragedy. One begins to ponder if she had a romantic evening with Bruce Wayne simply because she had felt the cold winter of loneliness for too long, or if she desperately (just for a moment) wanted to be one with God’s Light & a person’s gentle embrace (although I don’t know I might be wrong - she was probably like “Hey, it’s either Scary-Ass Bane or six-pack abs Bruce Wayne. HMMM. Let’s tip the scale on that one - HAhaHa, I digress). Regardless of reasoning - Talia al Ghul’s complexity is probably no match for the intense unhappiness she carries with her. It’s no surprise due to the fact that her mother’s absolutely unGodly demise (so sad) was the catalyst that sparked her mission from Hell (with her hound-of-hell on a leash, aka Bane). As much as I may condemn Talia al Ghul & Bane - I want to reason with them. I want to listen to them and I want to let them know that America is not a bad place, and we are not a bad people. I want to find a common ground, and extend the olive branch (as the saying goes) in order to help heal their pain & misconceptions of Americans and Humanity (as a whole), without having to give my (or anyone else’s) life in the process.

I have a belief that if Talia al Ghul was given a fair & ample opportunity to have a better life in America - she would have taken it (if she had not been so deeply-programmed with hate). I have the understanding & more concrete belief that it is due to her life-long journey of trauma-based-indoctrination as the main culprit as to why she simply won’t cease & desist from committing further acts of wrath upon Humanity. Talia al Ghul could have put just as much effort into the healing as the killing (but she fell back into that spiritual pit). I know why she hates. She hates because she weeps, deep down inside in her soul at night (when no one is around), for her trauma & her unbearable internal pain. She hates because she is repeating the pattern of trauma that may or may not have been applied to her mind, body, and worst of all - her soul. She hates because she had hatred put into her (since being a small, innocent child) and she put that hatred out into the world (a severe lack of comfort, love, care, family, and yes - Faith). Although symbols of lightness, darkness, duality, and representations of sins & faith are all spread across this monumental achievement in film (without having to shove a Cross in someone’s face) - at the very core of this film is, again, the importance of faith in humanity despite our individual & collective tragedies (and shared injustice). The importance of striving, no matter the odds, no matter the pain, no matter how dark the night.

I believe the BEST moment in the entire story was the moment Bruce Wayne climbed out of the pit to save his people. He could have easily died a painful & shameful death in that ancient prison (while watching his city & country being destroyed by an insane fringe cult; a militia of madness; a false liberation). A lot of people seem to overlook just how incredible & truly powerful that moment is in “The Dark Knight Rises.” Tom Conti (a perfect performance of an apathetic mentor-like figure; complimented brilliantly by one Uri Gavriel as the exiled Medical Doctor of a Monarch) & Christian Bale’s overall dynamic in the entire pit sequence was a masterful stroke of storytelling (tying back to the first film, putting Bruce Wayne back where he first began). It’s fascinating to find Bruce Wayne, with a severely-injured body, having to rebuild himself and strengthening his spirit to rise out of the pit of despair - the pit of personal hell, the unforgiving pit of Time (Capricorn; Saturn; Kronos; “The Task-Master”, “The Reaper”; Reward or Punishment; Karma; The Lord of The Rings). The moment of truth comes when Bruce Wayne discovers (through numerous attempts) that it is his spirit that must rise to seize the light - without vanity, without any fancy gadgets, technology, tricks up his sleeve, or any clever contraption (or vehicle) to assist him in the process. This was a moment for Bruce Wayne and Bruce Wayne alone. This is what we call our moment to “Shine” as an individual being...  our independent spirit. Bruce Wayne had to learn what it meant to climb out of the pit of hell and abandon his fear (as the child in the legend had done; Talia al Ghul).

The pit can represent many things to many different people. The eye of the beholder truly does apply to this (as well as any) story. For the individual to think & feel for one’s self - and to also believe in one’s self. The pit can be a literal prison - or it could be a wealthy kingdom. I know (from personal experience) the feeling of being at the pit of one’s own existence. I know what it means to be a prisoner trapped in one’s own body (due to unwanted pain & suffering & hidden trauma). I’ve learned the plight of humanity and the experience of suffering in the night (I’m just like everybody else). I have been there. I have known the darkness. I have known what it means to “dance with the devil under the pale moonlight” (as the expression goes). I’ve known what it means to defend the innocent from evil, thrusting myself into danger to save family members from toxic masculinity & extreme violence (since being a little boy). I have known the darkness, which is why I kept searching for my own personal truths & answers (which ended the day I had a near-death experience & literally saw The Light of God; 100% Serious). I have known all of these things, but I also know that the people who put that hurt into me had that same hurt (if not worse) put into them...  That’s the paradox of trauma. The original source goes so far back it’s pointless to trace - which is why I look FORWARD in Life. I no longer dwell in the weight of one’s misery & spiritual darkness - I seize the light by choosing a good life (to fulfill my own purpose).

At the risk of my own humiliation & embarrassment (and at the delight of those of whom feel actual glee out of my personal struggles & suffering; God knows who you are), I can acknowledge that I am someone who has lived “in the darkness” before. I have known what it means to suffer and toil without the light of God in my life. I have abandoned my own belief in God before, and my own personal Faith before... it’s not something I am particularly proud of, and although I have survived various life experiences that made me plunge into the pessimistic side of life (having been mentally, physically, and yes - Sexually-Abused in my early childhood) - I reach out (in spirit) to anyone who may be reading my words, who has possibly fallen from the good grace of God (especially due to what has happened in our country). I, too, know what it is to lose faith in God & The True Light (as opposed to the Man-Made light). I know what it’s like to suffer & hate “The Believers” (my trauma came from a so-called “believer”).

You know, stories are more powerful than one may ever think (as well as Family, Friendship, Fun, and Faith). I have lived in my own personal hell before - I have ‘had it all’ and then lost EVERYTHING the following year. I have rebuilt my life SO many times (too many damn times), and I’ve learned one ultimate truth that I MUST share with everyone who is (and will be) alive to read these words...

..There IS A GOD. THERE IS A LIGHT. It may not be visible because we cannot see what lies beyond the veil of existence, but I assure you - Everyone is Alive for a REASON (and Individual Purpose). Women may have the divine gift of giving Life (RESPECT!), but we ALL have the gift of giving LIGHT (each in our own unique way). We all have a way to help heal and put something good into the world, despite our shared pain & trauma, as a people. We all deserve to be happy and have a decent opportunity for a healthy & happy existence (ESPECIALLY with our modern-day world; unless if folks start committing crimes and harming others and whatnot). I believe we are all at our best when we cooperate & coexist with one another (despite our individual differences). The Light does not need to shine out The Darkness just as The Darkness shall never overthrow The Light. We can live in a spiritual Harmony. We do not have to walk the same path. We do not have to share the same spiritual beliefs. I just think we CAN share this world (as I believe we are truly alive in what is known as the Garden of Eden).

We do not have to destroy ourselves to prosper. We can live among one another (with dignity & respect & honor). I’m not always happy to see that people willingly practice certain principles & “values”, but who am I to judge? That’s why God is here... It’s a tough lesson to accept, but it’s true. I should not judge someone just because they worship darkness - because at the end of the day that’s between them and their purpose in life - not mine. I have walked the line, but I never learned from others shouting in my face - I learned from listening & civility & patience & yes - Faith. That’s the purpose of the light - not to drown out the dark, but to work together (as Santa Clause & Krampus do), as a balance of necessary elements that will always be present in our own reality. We, as a contemporary society, have lost touch with the natural way of the world (well, a good amount of folks anyhow). We, as a humanity, have become so vain that we do not even know which way is Up & Down anymore - which way is truly Left & Right. We, as the soul of humanity, have suffered in the darkness for far too long (due to those who wish to control our individual light). We, as a country, MUST help one another climb out of our collective pit of despair - our sociological prison (cultivated through the last aeon), our ‘darkness.’ It has happened before and it can happen again - and to all of my fellow beings of whom shall always carry within us, The Light of Goodness, the love of God, and the wisdom of The Light - I say to thee: RISE.

I give Christopher Nolan’s Dark Knight Trilogy a PERFECT 10 out of 10! The most inspiring superhero franchise of all time (in my opinion). Bruce Wayne & Gotham City show us that Chivalry is NOT dead in The United States of America (despite our challenges). Christopher Nolan’s Cinematic Achievement is victorious in it’s final conclusion: Gotham City IS worth Saving, as our very own Humanity - and Yes - We can all have a better way of life without having to sacrifice our own lives in the process. We can rise to fulfill our individual & collective destiny (as decent human beings) and have, not the life we need, but the one we DESERVE.

*This is dedicated in loving memory to everyone who has lived & died in service of The Light..✝️

“I see a beautiful city... and a brilliant people, rising from this abyss... I see the lives, for which I lay down my life: peaceful, useful, prosperous, and happy... I see that I hold a sanctuary in their hearts, and in the hearts of their descendents (generations hence)... It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known...”

[citylightsbooks]

Exclusive Interview with Sheree Renée Thomas, Author of Nine Bar Blues

One of our booksellers, Caitlyn Wild, had the amazing opportunity to conduct this longform interview with author Sheree Renée Thomas. Her newest book is Nine Bar Blues: Stories from an Ancient Future, published by Third Man Books. Sheree is celebrating her book along with her Third Man “label mates” Alison Mosshart and Robert Gordon (who also have new books out) in our City Lights LIVE events series on Wednesday, October 21.

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Caitlyn: This book is gorgeous on the inside AND the outside. This is one of my favorite covers of 2020, have to say. As I'm gazing wistfully at it here I see the subtitle, "Stories from an Ancient Future". Could you speak about what that phrase holds and conjures for you? Sheree Renée Thomas: Thank you! I wanted the cover for Nine Bar Blues to offer a visual clue to some of the characters, natural (and unnatural) landscapes, and themes in the stories. Third Man Books did a wonderful job of creating that sense of wonder and the verdant richness (cicadas, Egyptian gods, the moon, aliens, vines!) I was hoping for. 

The subtitle, “Stories from an Ancient Future” is my riff on the idea that if humanity continues onward, we’ll someday reach a point where even our imagined futures are ancient. Some of the stories in the collection are set in the near future, alternate futures, the present, and the past. What would life be like if you existed in an ancient future? If time is relative, there is always a place where we can look back at ourselves (or our imagined selves) and see the grand sweep of time. What things remains the same, what falls away, is erased and remade again? The ancient future contains some of the wisdom of our past and some of our hopes for the future. It also contains our mistakes and fears. Will we be better off then, in this imagined future? Perhaps, at least I hope so. But that depends on what we carry with us and how well we learn from the lessons of the past. For me, it’s a blending of Ray Bradbury’s Martian Chronicles and the West African philosophy of Sankofa. 

The story that really stayed with me in this collection was "Head Static". It put me in an altered state! I felt like I was watching the earth as it was being created, the deep gods and archetypes of our psyches emerging from the hum of the universe before my eyes, but in reverse. In short, I loved it! Could you tell us about the inception of the character in that story, Claire, and explain how she came to be in your mind and then on the page? That makes me so happy because Claire was one of those characters whose journey really haunted me. When I began writing her, I knew who she was but not why she was, or rather, how she had come to feel the way she did. Music became a way of thinking about the things that people share in common, around the world, throughout time. It is one of our greatest forms of expression. And music contains our deepest thoughts and observations on the world. But our culture is so obsessed with the cult of celebrity, in search of the next great thing. We worship youth and novelty, often at youth’s expense. There’s this constant drive for innovation and acceleration, while holding onto the dream of an endless life span. At what cost? To what end? Writing “Head Static” was a way for me to think about some of these ideas while exploring that deep musical connection. On October 21 we are excited to host you and two of your fellow Third Man Books authors, Alison Mosshart and Robert Gordon. Third Man also publishes another of my favorites, Janaka Stucky. As a reader I'm consistently enraptured with the authors and books they publish. I'm curious as to what the Third Man experience is like from the author's side? It’s been pretty exciting! First of all, if you ever get a chance to visit Third Man Records, go immediately because the space is just amazing. I don’t know how to describe it. It’s like a cross between Tim Burton and Ed Wood with a little Willy Wonka mixed in there? Fantastic design throughout and um, Jack White. Yeah, Jack White! Working with Chet Weise and the Third Man Books/Records team has been as close as my non-musical self has ever been to being in a rock band! There is a lot of good energy, great ideas, and collaboration, and the team is insanely supportive and creative. Between the kickass writers—poets, fiction writers, creative nonfiction—there’s a great deal of talent to just vibe with and connect. My fellow press mates are always working on new wonders, the kind of work that impacts the world—and that’s inspiring.

You are the first Black author to receive a World Fantasy Award for the groundbreaking collection you edited, Dark Matter: A Century of Speculative Fiction from the African Diaspora, which was published in 2000. (HELL YES). In another interview, you said you were inspired to put the book together because you were shocked it didn't exist yet. In 2020, is there a book you are shocked that has yet to be published? What books that have come along since 2001 are you glad about? There is at least one marvelous book that I do hope to see in the world before I roll out, and there are a couple of others that seem like their time has come, industry-wise, so we shall see. Back in ’98 when I was thinking on what would eventually become the first volume of Dark Matter: A Century of Speculative Fiction from the African Diaspora, I didn’t set out to create a groundbreaking project. I literally was just looking for more Black speculative fiction to read for fun, and when I didn’t find it in the bookstores, its absence puzzled me. With as many different anthologies that make up the genre, I was surprised that it hadn’t been done before. I’m really grateful I had the chance (and the courage) to do it. It’s been quite a journey! Since that first volume and the second one, Dark Matter: Reading the Bones, that came out in 2004, there have been many, many wonderful amazing books that pretty much put away the old arguments about Black writers not reading or writing this work. One book that I reviewed around the time I was working on the anthology was Nalo Hopkinson’s Brown Girl in the Ring. That novel felt like a game changer to me, because Nalo’s writing got us all so excited about the cultures and worlds we had not seen often in science fiction. She achieved this in a magical way that, while offering all the things we love about speculative fiction, rang true with a rootedness in Afrodiasporic culture. It didn’t feel like she was translating to us. Her writing, storytelling, and world building felt natural and true to itself. Today you could have a whole library of Black speculative fiction (and the scholarship that examines it), and that is beyond thrilling for me.

 Between the diverse works of N.K. Jemisin, Andrea Hairston, Tananarive Due, P. Djèlí Clark—they cover a lot of imaginative ground--and a ton of exciting YA authors I cannot even begin to name, readers have a lot of new work and new voices to explore. It’s just an exciting time.

Finally, if you owned a bookstore or small press, what would it be called and what would your bestseller or focus be? I’ve been jotting down bookstore names for years! Here are a few:  Beloved Books (this was invented during my Toni Morrison phase), focusing on the books people can’t stop discussing and all of our childhood favorites, too.  Echo Tree Books (named after one of my favorite short story writers and poets, Henry Dumas, featuring all fantasy, science fiction, horror, and such).

Haint Blue Books (so I can paint every single wall the most stunning shades of blue, focusing on excellent fiction and world folklore with tons of poetry because sometimes, sadly, people be sleeping on the poetry, lol. Don’t sleep on the poets!).  And my favorite, All Y’all Books (Southern lit and more! Plus a healthy selection of regional lit from other parts). 

I love the last one the best because I can just hear folks saying, “You know you can get it at All Y’all Books!” or asking, “Where did you get that?” “Girl, at All Y’all’s Books. They have out of print and rare books, too!”  Authors can say, “I’m going to be reading at All Y’all’s Books.” You can’t help but smile when you say that!

[burtondrivingschool]

Huge congrats to Taib for a fantastic pass with just 4 driving faults! A fantastic effort and an immense amount of hard work. Everyone at Burton Driving School would like to wish you the very best for the future! Safe driving for life! www.burtondrivingschool.co.uk

[straightupstrangetimes]

13 Not-So-Scary Movies to Get You in the Halloween Spirit!

Contributed by Kris Rustic, host of Obscure Anomalies podcast

Halloween is around the corner. Everywhere you look a horror movie is playing. For me, I love it. There is just something about being scared while knowing full well you are safe. But not everyone is into that sort of thing. My wife is one, so I tried to find lists of not-so-scary movies but was having trouble coming up with one, so I decided to write my own.

Please keep in mind, I did try to keep the list more kid and family friendly.

13. HOCUS POCUS

300 years have passed since the Sanderson sisters were executed for practicing dark witchcraft. Returning to life, thanks to a combination of a spell spoken before their demise and the accidental actions of Max, the new-kid-in-town, the sisters have but one night to secure their continuing existence. With the help of his younger sister Dani, his high school crush Allison, and a magical cat, it is up to Max to save the children of Salem.

A must see on any Halloween movie list. Full of light-hearted humour, this film is loved by people of all ages.

Watch it: Amazon Rent or Buy

12. CASPER (1995)

Furious that her late father only willed her his gloomy-looking mansion rather than his millions, Carrigan Crittenden makes a plan to burn the place to the ground. That is, until she finds a map leading to a treasure hidden under the house. But when she enters the rickety mansion to seek her claim, she is frightened away by the mansions ghostly inhabitants. Determined to get her hands on this hidden fortune, Crittenden hires afterlife therapist Dr. James Harvey to exorcise the ghosts from the mansion. Harvey and his daughter Kat move in and soon Kat befriends Casper, the ghost of a young boy, who is “the friendly ghost.” But not so friendly are Casper’s uncles--Stretch, Fatso and Stinkie--who are determined to drive all “fleshies” away. It is up to Harvey and Kat to help the ghosts cross over to the other side.

I may get some flack putting Casper this high up on the list, but hey, to each their own. Casper is a fun little film filled with the right amount of supernatural scares placed inside a package that every age can enjoy.

Watch it: Starz; Amazon Rent or Buy

11. THE WITCHES

While staying at a hotel in England with his grandmother, Helga, young Luke inadvertently spies on a convention of witches. The Grand High Witch reveals a plan to turn all children into mice through a magical formula. When they find that Luke has overheard, the witches test the formula on him. Now, with the help of his grandmother and new friend Bruno Jenkins, Luke the mouse must fight back against the evil witches.

Based on the book of the same name, The Witches is a classic. This may be one of the more frightening films on the list but is still children-friendly. Besides, who doesn’t want to save the world as a mouse.

Watch it: Amazon Rent or Buy

10. THE MONSTER SQUAD

The Monster Squad is a club of friends who idolize the classic monster-movies, especially their non-human stars. One day, Dracula, the Mummy, Frankenstein’s Monster, and other classic horror icons, all of which the club idolize, arrive in town in search of a magic amulet to destroy all the good in the world. It is up to the five friends to save the amulet from destruction and use it to cast the monsters into limbo.

One part The Goonies, one part Ghostbusters, and one part Abbott and Costello Meet Frankenstein, the Monster Squad is a true cult classic that was way ahead of its time.

Watch for yourself and find out if the “Wolfman has nards.”

Watch it: Amazon Rent or Buy

9. BEETLEJUICE

Adam and Barbara are like every other happily married couple -- who just happen to also be dead! Before they died, Adam and Barbara had spent their vacation to decorate and make the house their own, that is, until the fatal car crash. Unfortunately, a new family is moving in, and not quietly as they make plans to redecorate the house with the help of an interior designer. Adam and Barbara try to scare them out, but end up becoming the main attraction to the money making family. They call upon Beetlejuice to help, but Beetlejuice has more in mind than just helping.

While having a special place in my heart for taking place in Connecticut, Beetlejuice is an all around classic starting Michael Keaton and a young Winona Ryder.

Watch it:: Amazon Rent or Buy

8. PARANORMAN

Norman Babcock has the ability to speak with the dead -- and he often prefers their company to that of the living. Norman learns from his estranged uncle that a centuries-old witch’s curse on their town is real and about to come true -- and only Norman can stop it. When zombies rise from their graves, Norman and his ragtag team must summon all their courage and compassion to the limit to save his fellow townspeople. Taking place in the fictional town of Blithe Hollow, this stop-motion film is a beautiful take on the Salem Witch Trials.

I have to admit, I slept on this movie when it first came out. I had no interest in it at all, but then I watched it and became an instant favourite. The humour is a little more blue for a “children’s” movie, but the lesson learned in the end is valuable for all involved. Did I mention it is also well known for being the first mainstream animated film with an openly gay character?

Watch it: Sadly it is not available for streaming on Amazon, Netflix, or Hulu at this time, due to licensing agreements

7. FRANKENWEENIE

Young Victor Frankenstein is a science nerd and an outsider at school, but he does have one friend, his dog Sparky. Sadly, tragedy strikes, taking Sparky away from Victor. Heartbroken, Victor is given an idea of how to bring Sparky back to life. The experiment is a success and everything goes fine, that is, until his fellow students learn of his secret and use it to resurrect their beloved lost pets. Frankenweenie is a heartwarming tale of a boy and his dog, and the lengths we would go to keep our beloved friend.

I consider Frankenweenie to be the sister movie to ParaNorman. Both are stop motion and came out in the same year. The difference is Frankenweenie takes you back to the classic universal horror icons in a brand-new way. Did I mention it is in black and white and has that classic monster movie feel?

watch it: Rent on Youtube

6. NIGHTMARE BEFORE CHRISTMAS

What happens to the Pumpkin King when he tires of being just that, the King of Halloween. Jack Skellington is bored of the same annual routine of scaring the people of the real world. One day, he stumbles upon Christmastown, full of bright colours and warm spirits, bringing a new lease to Jack’s life. He plots to bring Christmas under his control, only to find that the best-laid plans of mice and skeleton can go awry.

Originally I intended only one movie per director, but I don’t think you can begin to discuss family friendly Halloween without Tim Burton, especially because you cannot have a Halloween list without Nightmare Before Christmas. In all fairness, this is the perfect movie to finish out the year with.

Watch it: Amazon Rent or Buy

5. COCO

Miguel dream of becoming a musician, just like his idol, Ernesto de la Cruz. The problem, his family has a generations-old ban on music. Desperate to prove his talent, Miguel steals Ernesto’s guitar and finds himself in the colourful Land of the Dead. With the help of a charming trickster named Héctor and Miguel’s dog Dante, Miguel must find his way back home, meanwhile learning the truth about his family’s past.

All bite. Coco is a Dia de los Muertos movie. I know some of you will complain that it is not a Halloween movie. Truth is, the spirit of Dia de los Muertos and Halloween are close enough for me to warrant inclusion into the list. The scenery and background is gorgeous, the story will tug at the heartstrings, and you will get to learn a little about the culture behind Dia de los Muertos, even if a bit Disneytized.

Watch it: Netflix

4. HALLOWEENTOWN

On Halloween, while Marnie is arguing with her mother Gwen, the kids’ grandmother Aggie comes to visit. Aggie wants to start Marnie’s witch training before her 13th birthday or Marnie will lose her powers forever. But there is another reason for Aggie’s visit. Something dark and evil is growing in Halloweentown, and Aggie wants help to defeat it. While Aggie and Gwen are arguing, Aggie uses magic, which Marnie observes. After Aggie leaves to return to Halloweentown, Marnie, Dylan and, unknown to Marnie and Dylan, Sophie follow her onto the return bus. Soon afterwards, Gwen follows the children to Halloweentown. While there, Aggie and Gwen are attacked by the dark force. Marnie, Dylan and Sophie have to race to get the ingredients to activate Merlin’s Wand to stop the evil and save Halloweentown.

A classic made for TV Disney movie, this film (and all sequels) are a perfect Halloween movie for all ages, and albeit a little cheesy at times. But who doesn’t love the occasional cheesy movie?

3. SCOOBY DOO AND THE WITCH’S GHOST

When the Master Gang Scooby meet a famous horror writer Ben Ravencroft (who may or may not be based off of Stephen King) during their last mystery, he invites them to his small hometown of Oakhaven, Massachusetts to join in the annual Autumn Fest. Ravencroft tells the Mystery Gang about the history of his ancestor, Sarah Ravencroft, who happened to be an evil witch and is supposedly haunting the town of Oakhaven. The gang decides to help the town and solve the mystery of the Witch’s Ghost.

This was tough to pick. We have Scooby Doo and the Ghoul School, Scooby Doo and Zombie Island, I mean honestly any Scooby Doo movie could fit. But I picked Witch’s Ghost for three simple reasons: takes place during the fall, witches, and the Hex Girls, a fictional all-female Goth Rock Band.

Watch it: Amazon Prime, Boomerang Channel on Amazon

2. MONSTER HOUSE

13-year-old DJ is obsessed with his creepy neighbour, Nebbercracker, and his eerie house. After all, rumours of his past have run rampant in the town. But one day, DJ and his friends witness the house come to life. Unable to find an adult that will believe him, and with Halloween vastly approaching, it is up to DJ and his friends to find a way to destroy the house before innocent trick-or-treaters meet their end.

At times, this film is a little on the frightening side, at least for the younger ones. The characters are well thought out and put together. While the animation is not ground breaking, it looks great and fits the movie perfectly. A perfect film for those looking for a fun, clean movie this Halloween.

Watch it: Amazon Rent or Buy

1. GOOSEBUMPS 2: HAUNTED HALLOWEEN

While collecting junk from an abandoned house, best friends Sonny and Sam come across an unpublished “Goosebumps” book. Opening it, they release Slappy, a mischievous talking dummy. Hoping to start a family, Slappy kidnaps Sonny’s mother and brings fourth all of his ghoulish friends (creatures and monsters from the Goosebumps novels) to life, just in time for Halloween. The sleepy town becomes overrun with monsters, witches, and other mysterious creatures. It is up to Sonny, his sister Sarah, and Sam to save their town, his mother, and foil Slappy’s plans.

Goosebumps (2015) is a pure nostalgia ride with a brand new feel and Goosebumps 2: Haunted Halloween is no different. Trading in some of the humor for a little more horror feel, the movie has a little bit to offer for everyone.

Watch it: Netflix

The truth of the matter is, this list is not perfect and may never be complete, but it is a great starting point to the ever growing list of the Not-So-Scary Halloween movies. I feel in writing this, I have left so many great films off, so I have a list of some runner up films that just barely missed being on my top 13.

RUNNER UPS

HOTEL TRANSYLVANIA

Dracula and the classic horror monsters are afraid of humans. In an attempt to take a vacation away from humanity, Dracula operates a hotel way off in the woods. One day, a brave human makes his way to the castle, where the human and Dracula’s daughter “Zing”.

ADDAMS FAMILY (1991)

A man claiming to be Uncle Fester, the missing brother of Gomez Addams shows up at the Addam’s household. The family is thrilled, however Morticia begins to suspect the man is a fraud as he cannot recall details of Fester’s life. With the help of a lawyer, Fester manages to get the Addams evicted from the home. Can the Addam’s family save Uncle Fester? Can they get their home back?

DOUBLE DOUBLE TOIL AND TROUBLE

The Farmer family is in debt and might lose their house. The Farmer Twins discover the somebody mean and shrewd is responsible for all the family problems. The determined twins try to trick at their evil aunt out of her magic moonstone to save their family home.

THE ADVENTURES OF ICHABOD AND MR. TOAD

Two animated adaptations of classic literature adapted by Disney make up this film, which is the only reason it made the runner up list as Mr. Toad, while good, has nothing to do with Halloween. However, in the “Legend of Sleepy Hollow” the gangly schoolmaster, Ichabod Crane, falls for the beautiful Katrina Van Tassel. Caught in a love triangle with Katrina and Brom Bones, Ichabod fears the local legend of the Headless Horseman. Is the legend more truth than lore?

ALVIN AND THE CHIPMUNKS MEET THE WOLFMAN

Alvin loves monsters and monster movies, though he is terrified of them. Stuck with Werewolves on the mind, he believes his next door neighbour is one. Reluctantly, Simon helps Alvin investigate the neighbour. Meanwhile Theodore is bitten by a strange dog, and finds his inner “inner monster” and starts behaving like a werewolf himself.

Did I miss your favourite Not-So-Scary Halloween movie? Let me know what it is in the comments below.

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