#doo de doo

[neutrallyobsessed]

"And I would've gotten away with it too if it wasn't for you meddling prosecutors!"-Quercus Alba

[ghost-bxrd]

Just rewatched the scene in Gotham Knights where Dick tries to have a heart-to-heart with Jason on a rooftop and Jason, true to character, shoves him lightly because he doesn’t do emotions, thank you.

And Dick, the dramatic queen, pretends to fall off the roof.

Honestly honey, you out of everyone should know not to scare people with that 😭😂

[itsbetterthananal]

shane picking the mystery with the most alien potential ever and then being frustrated with ryan for saying it with his whole chest is so on brand

[godspeedmajortom]

I’m fascinated by how variations of Sea Power's “Want to Be Free (Remix)” provide a musical theme for death and endings that follows Harry and his foils throughout Disco Elysium.

The first place you hear it is as “The Field Autopsy” while inspecting the Hanged Man’s body. It's barely recognizable as the original song, though. It's sluggish and muddy and bilious. The piano melody has been lowered and sustained to an ominous funereal organ and combined with deep strings. A lilting viola line in the lush layers of the original "Want to Be Free" is isolated here and contrasts with the low organ, rising like the stench off a corpse. If you do the autopsy first thing as Kim suggests, Harry – freshly, grotesquely awakened from his apocalyptic bender – is not in a much better state than a corpse himself.

The music underscores a visceral scene of death and decay, our introduction to the Hanged Man, the first of Harry's foils. Both Harry and Lely are agents of state-sponsored violence as a cop and mercenary, respectively. They bear similar physical scars from the neglect of the systems they grew up in. They both desperately want to escape the horrorshow of their lives, using drugs and dark fantasies to cope with the terrible things they see and do but finding little more than self-destruction in the nihilism. The Bloated Corpse of a Drunk taking the Hanged Man's place in Harry's first night dream makes their connection explicit: you should be dead, Harry. This may as well have been you.

The next place you hear a variant of "Want to Be Free" is in the washerwoman's shack in the fishing village. “Live With Me” is wistful and melancholic. The gentle piano and cooing vocals evoke the wind and waves on the bay, an escape calling outside the salt-rimed shack. But this is a place of death, or at least its potential, as the return of the high viola from "The Field Autopsy" reminds us. This is where Ruby hid when Harry's arrival made her fear for her life, where she contemplated killing herself if things got even worse. This is where Harry can end up if no one vouches for him at the RCM tribunal finale, where his wounds will grow infected without medical care, where there is little left to do but return to drinking and wait to die.

But true to the song title, the shack also offers Harry the possibility of learning to with himself as he emerges from his bender. Here is a mirror free from the damage and trauma of attempting to destroy himself where he can reflect on who he was and who he wants to become. He can choose to keep or let go of his past coping/defense mechanisms like his facial hair and The Expression. He can choose to embrace or reject the self-defeating fantasy of fascism. The shack marks a midpoint of the game, when the hangover has worn off but before the case is closed. So "Live With Me" scores the balance between potential endings: abandonment or acceptance, relapse or recovery, death or life. Harry breathes in the sea air, breathes it back out, and takes another step.

I didn’t realize this until a recent replay, but “Live With Me” also plays when you visit the Working Class Woman to notify her of her husband’s death. Since this is an optional sidequest, I understand why they didn't create original music for it. But they didn't reuse "Rue de Saint-Gislaine", the song for the rest of the Capeside Apartments (including the Smoker on the Balcony's apartment when you talk to the Sunday Friend). The Working Class Husband is another mirror for Harry who has met his end, and "Live With Me" plays to mourn him.

Victor Méjean died from an accident while inebriated, a fate that also could have befallen Harry on a previous drinking binge. The striking thing about Victor's death is how easily he could have been overlooked and forgotten. He died at the end of a pier in a fenced off, abandoned part of town. His wife wasn't concerned about his days-long absence. It's only by virtue of Can Opening and Jamrock Shuffling that Harry will know about or find him. Victor literally and figuratively died slipping through the cracks – of the rotted boardwalk, yes, but also of any sort of social safety net. This is what happens to alcoholics in Revachol. This is what will happen to Harry if he continues drinking and hasn't built his own personal safety net with Kim or Cuno to prevent the RCM from abandoning him. As Harry informs Billie of her husband's death, it's only natural for him to think of his own possible endings, and the soundtrack reflects that.

The final version of the song you hear is “Burn, Baby, Burn” blasting from Sad FM on the boat ride to the Sea Fortress to find the Hanged Man's killer and Harry's last dark reflection: Dros, The Deserter. Dros shares Harry's penchant for clinging to political ideology to give meaning to his life and obsessing over women he can't be with. He lives in bitter isolation, refusing to move beyond the failures of the past, his personal shortcomings and the evils of the world alike. He's emblematic of yet another possible outcome for Harry: not literal death, but despair-induced stagnation that leaves one living like a ghost in the mortal realm.

By the time Harry gets in the boat to the island, his fate at the end of the game is set. The RCM (specifically Jean) has all they need to decide whether to accept or abandon their prodigal lieutenant-yefreitor. Should his former partners leave him, Harry can return to the shack and the circle of drunks who have also given up on life. Or he can return to the island, where he would take Dros' place as the creepy old man haunting the fortress, scaring children, and staring at the mainland with longing and resentment. But even if Harry returns with his unit to Jamrock, simply resuming his old life will not keep him from returning to the depths of despair. The RCM broke him; the RCM will not save him. Neither outcome helps Harry become a person he truly wants to live with.

"Want to be free/It will last forever/Eternally," croons the boombox on the boat. The lyrics echo the self destruction that Harry sought before the game's events: freedom forever from pain, the ultimate release of death. At least that's what the Ancient Reptilian Brain would see in those words. But there's tension in the lyrics as the desire for freedom and exhortations to "burn, baby, burn" repeat. The bridge offers an alternative vision of verdure not consumed by the disco inferno: "And the trees are green and overhanging/Feather-light, free, and everlasting." Perhaps a less moribund future exists for Harry, even if only in the next world, as a new person.

[sherbetlemonss]

The chair!! Give him the chair!! /ref

[sleepymaven]

The Bsd "Fyodor is Atsushi's Father" Theory:

My Not-so-Deep, Not-so-Serious Explanation on Why This Could Totally be Canon

Signed: A Sleep-Deprived Idiot

(Spoilers for the Entirety of Bungou Stray Dogs)

So... with Chapter 118 in bsd releasing, I have noticed a lot of Fyodor as Atsushi's father related things popping up and... I'm not mad about.

If anything, I'm happy the theory is getting more attention. People even seem to be taking it as canon fact, even if just jokingly.

Really, I believed the theory was plausible since it first was brought up in the fandom, but I never actually thought it would be canon because that just seemed too crazy. But those were the thoughts of a sweet summer child since the manga has gotten to the point where that might be the least crazy thing possible.

So, here I am at my keyboard yet again, ready to ramble about how, if this does somehow turn out to be canon, this might be actually rather predictable even to those who don't dive deep into the nitty-gritty lore.

Now, I won't ramble on and on endlessly about the book and Atsushi's ambiguous past and how he may be the book or a page from the book and yaddy-yadda. Instead, I'll focus on some key aspects of Atsushi's character design. First off...

His hair.

As I said, this is not all that serious or deep, so take my words with a grain of salt before you start bashing me or something for being ridiculous. You signed up for ridiculous when you started reading past the title.

Anyway, back to Atsushi's hair.

As we almost all know, Atsushi used to have a black streak in his hair that was later removed for unknown reasons, but he also has white hair.

Now, I could jokingly proclaim, "Hehe, biologically impossible Fyodor x Nikolai lovechild," and be done with it, but I am no clown, unlike Nikolai. No, I have a better, probably completely wrong, idea.

Most of us know that Fyodor has a thing for white-haired men.

Exhibit A: Every fucking member of the Decay of Angels

I rest my case.

Also, I feel the need to mention that 3 out of 6 of them have red-ish eyes while the other two have purple-ish/blue eyes. Just pointing out that little tidbit I noticed while finding pics for them.

So, it would make sense for Fyodor to pick and choose which attributes to give to his quote-on-quote "son" when he made him from the book, picking out certain traits he found appealing and pleasing to the eye.

(Also, yes, this could mean that Fyodor could have chose specific attributes that were similar to Nikolai. Boom, lovechild route.)

This could explain certain similarities between the characters who seemingly have no biological connection between one another. Their only connection then only being through Fyodor by just knowing him.

Got all that? Alright, next up...

His eyes.

Now, Atsushi's eyes are rather unique, even for the world of Bungou Stray Dogs. What also sticks out about them is the fact that they are pointed out and focused in from time to time.

Example:

(Fucking gorgeous eyes he has, btw)

To break down the colors of his eyes... While in normal lighting in the anime, they appear to be normally purple and yellow with just a hint of green in it, but under the full moon (as seen here) we can see that his eyes are a light green-yellow at the bottom and purple on the top that fades into blue.

(There are also a few times where his eyes also change while using his ability. Like when they turn almost fully yellow.)

I want to point out the colors of his eyes and the fact that they change due to certain circumstances (i.e: using his ability, being under the full moon), which is clearly not normal in their world seeing as how other ability users don't seem to do that at all.

(Edit here: I actually would like to mention that, in the manga, Nikolai's eyes also change color. The green one sometimes will change to match his normal eye whenever he uncovers it. I saw a theory talking about how it might change depending on whether or not he is lying at the time, which is pretty neat. More Atsushi and Nikolai parallels.)

Now, this might seem like a bit of a stretch just like the rest of this post, but the colors used for his eyes are similar to the eye colors of people Fyodor knows, though they are different shades.

Purple like Fukuchi. Green and blue from Nikolai.

Fyodor's eyes are also a shade of purple, kind of, so... Yeah, that works too, but Fukuchi's shade of eyes are closer to Atsushi's.

Yeah, that's all I can think of now and this is already way too long (if I start talking about Atsushi's mysterious past, I'm going to make this a mile long. Maybe later tho), so I'm ending it here for now.

Alright, bye ya'll.

[staincastle]

⠀⠀⠀★ rina's message is here! random gif icons

[thes-hitoverlord]

The official Cartoon Network of Brazil

[algrenion]

you guys might have heard about the incredible footage released recently of what might be a newborn great white shark, which would be a historic moment in photographic history and for marine biology (really, nobody has caught a newborn great white on camera before!)

but have you paused on the momennt it looks at the camera like this and become enchanted and enamoured with how silly and whimsical of a creature it is?

i literally cant stop thinking about this image

[stargureisu]

Kula Diamond, Frozone, Snow Miser and Cirno for Cyan

Ranni the Witch, Frankelda, Hatbox Ghost and Phantasma for Indigo 💙💙

Next is purple 💜💜

[2chaotic4u]

uhm uhmubuhh hi :) i decided i wanted to cover sun's face in kisses so here

another version without the kissies!

hope y'all dca fans like this one uhh YAYYAAA:) (im gonna try to make a moon version soon enough!!)

[ny000mdraws]

The Maximal Prophecy

A TFP AU comic (sorta?) focusing on Maximal lore. I also just realized I never posted the Maximal backstory on here so TLDR: they were the Autobots that were on Earth when the Predacon clones invaded. They are all presumed dead.

[thoughtfulfangirling]

My sister is watching spop and the other night I watched the episode "Pulse."

You know the one. Where if Catra were any slower than she is, Glimmer would have straight up murdered her. I was giggling like a maniac and flailing a bit. Both my niece and nephew yelled at me to calm down lmao. But I just cannot sit still and quiet watching Glimmer be the fucking badass she is.

And it just strikes me again how much Catra is determined to think as little of Glimmer as possible. She was in real fear there under Glimmer's rampage but it still took Double Trouble remarking they didn't know Glimmer had it in her for Catra to actually consider that yeah, Glimmer did something hardcore.

And Catra right notes that it marks tension among the friends.

Because Adora and especially Bow have been what's kept Glimmer in check to avoid tarnishing her hands for the sake of protecting her people, but they'd been leaving her behind. Proving to her she can only take her own counsel if she doesn't want to be left on a cushioned throne.

So they're not there to tell her she shouldn't murder the person who took her mother from her and has been terrorizing her people for so long.

And for real. Glimmer was aiming to fucking murder in this episode. But Catra is just really effing fast.

And I looooove Glimmer for that Hehehehe

[flamcitwo-png]

I LOVE THEM

[muxas-world]

"Why people use the canon of the book to justify their ships on iwtv" because in rollin's mouth they are doing the books and in the books these couples have their main relationship which ara canon (they all hang out with each other yes their biggest link in each one are armandaniel and loustad) if you don't like it, ignore it but some of yoy like to say that "i don't fight over ships" and at the same time need to correct everyone who wants to talk about relationships

[cuando-fingi-quererte]

Quitemonos la máscara a lo Scooby-Doo.

Quiero lo que no me muestras.

Tus demonios y tus monstruos.

Lo que piensas cuando te quedas en silencio.

En todas las dudas en las que has caído.

Porque siempre estamos un poco fuera de lugar pero sonriendo.