#donpachi

[boredtechnologist]

Ah, the glorious history of SHMUPs (shoot 'em ups)! Buckle up as we take a nostalgic trip through the evolution of this exhilarating genre.

Early Beginnings

The SHMUP genre's roots can be traced back to the late 1970s and early 1980s. The concept was simple yet addictive: control a spaceship or character and shoot waves of enemies while dodging their attacks.

Space Invaders (1978) by Taito was a groundbreaking title that laid the foundation. Its straightforward gameplay—defending the Earth from descending alien invaders—captivated players and became a cultural phenomenon. The success of "Space Invaders" sparked a wave of similar games and established the basic mechanics of SHMUPs.

Galaxian (1979) by Namco took the formula further by introducing more dynamic enemy patterns and colorful graphics. This was followed by Galaga (1981), which added new features like enemy formations and the ability to rescue captured fighters, enhancing both strategy and excitement.

The Golden Age

The early 1980s saw a surge of creativity and innovation in SHMUPs. Games became more complex, with varied enemy behaviors, power-ups, and improved graphics.

Xevious (1982) by Namco introduced a scrolling background and multi-layered gameplay, with enemies attacking from both the air and ground. This was a significant step towards the more complex SHMUPs of later years.

Gradius (1985) by Konami was another landmark title. It introduced the "power-up bar" system, where players could collect power-ups and choose their upgrades strategically. The game's intricate level design and memorable boss battles set a new standard for the genre.

R-Type (1987) by Irem pushed the envelope with its detailed graphics, unique power-up system, and iconic "force" orb that added a layer of tactical depth. Its challenging gameplay and creative enemy designs made it a classic.

The 16-bit Era

The late 1980s and early 1990s were a golden era for SHMUPs, with the arrival of 16-bit consoles like the Sega Genesis and Super Nintendo Entertainment System (SNES). These platforms allowed for more sophisticated graphics and sound, leading to some of the most beloved titles in the genre.

Thunder Force IV (1992) by Technosoft was a standout, featuring stunning visuals, a dynamic soundtrack, and fast-paced gameplay. Its multiple weapon systems and large, sprawling levels were a treat for SHMUP fans.

Axelay (1992) by Konami showcased the SNES's graphical capabilities with its Mode 7 effects, offering both vertical and horizontal scrolling levels. The game's innovative weapon system and detailed graphics made it a standout.

The Bullet Hell Revolution

The mid-90s brought a subgenre of SHMUPs known as "bullet hell" or "danmaku," characterized by overwhelming enemy fire patterns that required precise dodging and memorization.

DonPachi (1995) and DoDonPachi (1997) by Cave were pioneers of this style. They emphasized intricate bullet patterns, high difficulty, and scoring systems that rewarded skillful play. These games pushed players to their limits and became cult classics.

Modern SHMUPs: Nostalgia and Innovation

While SHMUPs have become more niche in the mainstream gaming market, they continue to thrive in arcades and among dedicated fans. Modern titles often blend retro aesthetics with contemporary design sensibilities.

Ikaruga (2001) by Treasure is a prime example. Its unique polarity-switching mechanic, where players can absorb bullets of the same color as their ship, added a strategic layer to the traditional SHMUP gameplay. The game's striking visuals and challenging gameplay earned it widespread acclaim.

Mushihimesama (2004) and other titles by Cave continue to push the boundaries of the bullet hell genre, with increasingly complex patterns and high production values.

The Indie Revival: A New Generation

In recent years, the indie game scene has embraced SHMUPs, bringing fresh ideas and styles to the genre. Games like Jamestown: Legend of the Lost Colony (2011) combine classic SHMUP mechanics with modern graphics and storytelling.

The accessibility of modern development tools has allowed small teams and solo developers to create innovative SHMUPs, ensuring that the genre remains vibrant and diverse.

A Timeless Genre

The history of SHMUPs is a testament to the genre's enduring appeal. From the simple yet addictive gameplay of "Space Invaders" to the intricate bullet patterns of "DoDonPachi," SHMUPs have continually evolved, challenging and delighting players for decades. The genre's focus on skill, reflexes, and high scores ensures it will always have a place in the hearts of gamers, both old and new.

[smbhax]

Warnings in Cave shmups DonPachi (1, 2) and DoDonPachi (3).

Source: - http://www.hardcoregaming101.net/donpachi/ - http://www.hardcoregaming101.net/dodonpachi/

Similar warnings in Cave's Mushihimesama: https://www.tumblr.com/smbhax/690729796443979776/warnings-at-the-beginning-of-mushihimesamas

[arcadeboxes]

DonPachi kit box

[fishyishy]

A3! Song Translation - Third Impact

TRANSLATION:

There is no shortage of rivals

Immediately lock on and assault

I won't let you get bored

We're facing each other

Don't assimilate into the past

Cut them apart, together

I'll give you one shot

Even if I have to be forceful

Whatever "we were like" doesn't matter

Let's just change only what lies ahead from now on

Everytime I repaint it, I feel it become an original piece with its unique charm

The Third Impact (oneXone)

Far away from what we've left behind

We're going beyond and moving forward

Can't stop now

Growing pain again

For some reason, the voice from that time is still ringing in my head

Growing pain again

We didn't make a single mistake that day

The downward swings have slowed down

Focus on the mistakes

A chance to get ahead

Keeping watch for the right opportunity

It's not about the appeal of momentum to start a gunfight

Shall we deliver some legit breaking news?

This time it's not just for show

We will be above the regression

Let's dance freely and go wild

The final scene we got was

the first one we drew

Let this be the proof (oneXone)

That there is no looking back

But by facing it, you can overcome the pain

From now on, engrave the future

(Don't ever lie to yourself

Give up you motherfucker

Shout it out to the world

You gotta break through the walls here we go)

(Yaah)

Don't ever let me down

(Yeah)

Did you ever get the feeling?

(Yeah, Don't ever let me down, Yeah)

(Did you ever get the feeling?)

Are you ready?

Everytime I repaint it, I feel it become an original piece with its unique charm

The Third Impact (oneXone)

Far away from what we've left behind

We're going beyond and moving forward

Can't stop now

Growing pain again

For some reason, the voice from that time is still ringing in my head

Growing pain again

We didn't make a single mistake that day

------------------------

ROMAJI:

Taikou ba toshite fusoku hanai

sokuza ni LOCK ON kyousyuu

taikutsu hasasenai

aitai shitendaro

kako ni douka shitenjanee

Ki ri sa keyomorotomo

ichigeki ku rawasete yaruze

Gouin demo ii

We were like nante dou demo ii kara

kono saki dakewo ka eteike

aji waina orijinaru toshite

nu ri ka eteiku tabi ni kanji ru

san do me no ita mi (oneXone)

o ite kita monowo haru kani

ko ete susu miyuku oretachi wa

mou to merarenai

Growing pain again

nanno inga kaano toki no koe ga atama ni hibi ite ru

Growing pain again

ano hi no oretachi wa hito tsumo machiga chainakatta daro

Shitabu rete suro surodoaun mo

yarakashini fo kasu shite

da shi nu ku chansu wo

koshitantan to nera tte

Donpachi hajimeru apiru ikioi idakejanee

maji no bureikingu nyuusu su o todo keshiyouka

konkai wa date janee

We will be datte kaiki no ue de

jiyuu ni odo ri kuru ttenze

saigo ni te nishita koukei wa

saisyou ni ega ita oretachi no

akashi tonareyo (oneXone)

fu ri kae rukoto hanai kedo

mu ki a ukotode ita miwo ko e

kore kara wo kizame

(Don't ever lie to yourself

Give up you motherfucker

Shout it out to the world

You gotta break through the walls here we go)

(Yaah)

Don't ever let me down

(Yeah)

Did you ever get the feeling?

(Yeah, Don't ever let me down, Yeah)

(Did you ever get the feeling?)

Are you ready?

aji waina orijinaru toshite

nu ri ka eteiku tabi ni kanji ru

san do me no ita mi (oneXone)

o ite kita monowo haru kani

ko ete susu miyuku oretachi wa

mou to merarenai

Growing pain again

nanno inga kaano toki no koe ga atama ni hibi ite ru

Growing pain again

ano hi no oretachi hahito tsumo machiga chainakatta daro

----------------------------------------

*msg for kanji !

god i love akigumi

[silyabeeodess]

It’s hardly a coincidence: If you play as a Majin and get the extra kids, the trend follows: Naname, Donpachi, Kyus, and Juso.  

[rapidprototypingproject]

Bullet Hell Summary

After looking at 5 different bullet hells, both old and modern, I think at the heart of this genre, a bullet hell is defined by the short, mechanically intensive core loops that occur when dodging enemies and their projectiles. This is a constant in all 5 games that I looked at, and a game wouldn't be a bullet hell without it.

Where games start to stand out, such as The Binding of Issac, Brotato, and Enter the Gungeon, is what other mechanics and formulas they add onto this constant to change the experience.

In all the games i looked at with these additional formulas, they all combined really well with being a bullet hell, especially rougelikes. Of course adding all these extra mechanics detracts from the bullet hell gameplay itself, so if you wanted a more pure experience you might prefer Batsugan or DonPachi instead.

However, these pure bullet hells really don't have anything special between them- I feel this is what make games like Batsugan unsuccessful, the biggest difference between it and similar games is the difficulty.

I don't think anything stands out and doesn't work in bullet hells. If I had to say one thing: the incredible difficulty of some bullet hells can be offputting to casual players, however this just comes with the concept of a bullet hell and is hard to fix. Brotato does have accessability options to make the game easier by slowing down enemies and their projectiles, so its not an impossible problem to revise.

[whatatravestymusing]

Today, I'm thinking about the game Zero Gunner 2, an omnidirectional shoot 'em up, developed by Psikyo. It's one of those cases where every single aspect of the game really speaks to me. For one thing, it has my absolute favorite aesthetic style of shmups, which is everything being some sort of overdesigned robot. As much as I like Mushihimesama and Twinklestar Sprites, there's just something I like about the mechanical designs of Zero Gunner, Donpachi, and Raiden. Skeleton Realm would call it a "shmup, classic style", at least in terms of looks.

I say in terms of looks because what really got me hooked on Zero Gunner 2 was its controls. You play as a helicopter and as you move you stay in the same direction and you need to hold a button to rotate your helicopter. I have never played anything like it. It adds a layer of engagement to the movement and to the memorization of patterns. The helicopters you pick (of which there are 3) each of a different ancillary attack the may function independent of the direction your ship is facing. It is definitely the core of the game.

Polygonal Dreamcast games also fill me with a warmth I have a hard time describing. Zero Gunner 2, the backgrounds to Marvel vs Capcom 2 and Capcom vs SNK 2, Soul Blade, Skies of Arcadia. This extends to the other 6th gen consoles as well, but the Dreamcast has the best track record of colorful, interesting looking games. Gamecube comes *this* close, but the licensed games hold it back overall.

But what really prompted me to think about Zero Gunner 2 was Matthew Matosis' Meta Microvideos (https://youtu.be/PGv4ixLllWo) and how he discusses some pieces of media can be more appreciated the more media you engage with. I don't think I would like Zero Gunner 2 if I haven't been playing shmups for years before hand. Similarly, I love the Atelier franchise because of how fresh it felt compared to other JRPGs I've been playing for years. Especially compared to Trails of Cold Steel, which I really, really detest.

Everything you've experienced adds to how you view art, that's something I need to keep in mind.

[vgadvisor]

[arcadebroke]

[aaronkraten]

Today Forever 

2-25-21

my arcade 

* Photos Credit -  Spencer Good 

[maddogofshimano]

Has anyone tried to translate or make a Donpachi and Union guide/video? I haven't found anything about them yet and it's really confusing how it works because they seemed connected to each other.

Not that I've personally seen! Probably because Donpachi is a little niche and strictly a gameplay thing lol. By Union I'm assuming you mean 連合, the group you join up with: in broad strokes they're fighting alongside you in real time during it and you're all working as a team to beat the opposing union

The rggo website does have several guides up which are helpful even through google translate that might clear some things up, and I could put together at least an overview of the whole thing. I will 100% admit that I am not a particularly active donpachi player and I don't know some of the intricacies but I know enough to be a moderately useful team member

Here's those guides:

General Guide Setting up your formation Tactics during Donpachi Top Offense and Defense Donpachi Cards

The character suggestions in the guide are WILDLY out of date, so if you've got anyone in the top 20 on offense or defense those are the cards to slap together, which have unfortunately just gotten power crept to hell by the KSR cards

Here's my teams which are serviceable at the A-S rank stuff I'm in

If you have any specific questions I'm happy to answer them too!

[oldgamemags]

Magazine advert for ‘DonPachi’ and ‘Shin Megami Tensei: Devil Summoner’ on the Saturn. @Atlus_jp 

[stevethefishdotnet]

Donpachi game flyer (chirashi) for the Sega Saturn

Here’s a flyer for the game that started this great shmup series.

[kazuyatatsujin]

✨DonPachi ✨ 🐝Cave🐝 DonPachi first release for Playstation. Only available in Japan. Developed by Cave and published by Atlus in 1996. Far away best home conversion. Mint condition, includes regcard and spinecard. You can play in Yoko(320x240), Yoko(240x240), Tate(Yoko) and Tate.

[cc-ichigo-kurosaki]

Anonymous said // May 9 · 2 days ago

I KNOW YOU!!! You're Donpatch!!

Hey it's nice to meet ya! I've always wanted to meet the sidekick of legendary warrior who fought against the Hair Hunt Empire!! I'd love to see your Wig Out technic in action!

(cc) Ichigo: Don-what now? I don’t know what the hell you’re on about, Hair Hunt Empire? Are you making this up?

(mun) Kenta: Don’t you remember? You were in Jump Ultimate Stars with him, you know that DS crossover game? -google images him- this guy?

(cc) Ichigo: First, that was years ago! And that just looks like an orange Sonic the Hedgehog with Super Saiyan eyebrows… it doesn’t resemble me at all!

[rapidprototypingproject]

Research: DonPachi

After looking at Brotato, I was worried that more modern Bullet Hell games weren't really focused on the bullet hell mechanics. I wanted to look at another older bulet hell to analyze the base mechanics and loops of a bullet hell more closely.

DonPachi is another bullet hell intially released for arcades like Batusgan, so I thought this was a good choice:

Naturally the gameplay loop is incredibly similar to Batsugan:

Analyze all enemies and projectiles on screen

Maneuver to safety

Repeat

And again you're doing this multiple times a second to avoid taking damage.

Another part of both game's loops i didn't consider were the bomb items. In DonPachi using one give you much bigger and stronger weapons for a brief time allowing you to get out of tough situations. However, finishing a level with bombs remaining will grant you bonus score so its up to the player to make a decision to use a bomb every time they run through the core loop.

As for what makes DonPachi unique, what seperates it from something similar like Batsugan is its combo meter, or "Get Point System", shown in the top left underneath your score. Hitting or destroying things rapidly builds a combo, similar to fighting games, which acts like a score multiplier. Trying to keep the combo alive can slightly change the player's actions in game, giving DonPachi some uniqueness.