#dong-je?? jeong-sik??

[eremin0109]

The dinner meetings of Han Ki-wan, Do Hae-won and Lee Changjin must be really fucking entertaining from Changjin's point of view. It's just watching these two privileged fuckers silently lose their shit because their sons absolutely refuse to listen to them and the cheeky inspector that is the bane of their existence is unfortunately also the guy their sons want to fuck.

[chronomally]

"What if Park Jeong-je teams up with his mom?" Who he hates and can barely stand being in the same room as? Who is largely responsible for the psychological torture he's being putting himself through for the past 20 years?

[dangermousie]

Gotta say that the one thing that made me go ??? at the end were the various sentences.

Not the murder-adjacent ones because whatever, but the Dong Sik and Jeong Je ones.

A year in jail plus two of probation for moving a dead woman's chopped off fingers? When it was to catch a serial killer and where it didn't screw up trial and/or investigation (man wasn't tried since he offed himself but even if he did, it wouldn't have been because of the fingers as evidence but other stuff.) That's nuts.

But OK, fine, maybe Korea has super strict desecration of human remains laws.

But what on earth did JJ get three years for?

Driving while high 20+ years ago and accidentally running over a dead body on a dark rural dirt road where he might not have been able to spot it even if he was sober - how on earth does that get you 3 years? You can't even tack on extra for lengthy lies and concealment since he wasn't the one with the plan to hide the crime and actually didn't properly remember he was the one who did it for the bulk of the time even if he worried he was. And once he truly remembered, he cooperated to catch his own mother etc etc and didn't take a runner or try to conceal.

I mean, in some places the statute of limitations alone would have expired and caused no jail sentence but even without it, I am trying to figure out what he'd get 3 years for. Impaired driving two decades ago? Accidentally hitting a corpse? Being sorta but not really involved in hiding that he hit a corpse? Like WHAT. It makes no sense to me. Unless Korea has truly draconian laws on a lot of random stuff, between all of that and his mental impairment and his active cooperation, no way would it be 3 years in jail.

CONFUSED

[cottagehorror-lesbians-stuff]

lee yu-yeon is the laura palmer of manyang. meaning that everything revolves around her murder. everyone's life has been impacted by her murder in some capacity, and she made the town what it is when she died.

she made han gihwan's career, and provoked his downfall. she made lee dong-sik a policeman, a martyr, a scapegoat, a wanderer. she made han joowon come to the substation, and she made him meet lee dong-sik. she made kang jinmuk the perfect serial killer of the town, but she also led to his arrest. she made park jeong-je the enemy of his mother.

everything started and ended with her. she permeates the plot, the characters, the stories, the town... even though she is not the only tragedy, she is the original tragedy that gave birth to the very storyline of the show.

[jwdsmysaviours]

everyday my mind goes to the friendship Dong Sik, Jeong Je, and Ji Hwa had..and just how terribly it crumbled when the truth came out…

20+ years of friendship and it makes me think if Dong Sik would ever come to terms with Jeong Je, getting him proper help and taking care of him properly without sending him away…rarely acknowledging Jeong Je’s apologies while he helps him move out and into a new home, a new opportunity to live free

or if Ji Hwa stays up late at night, crying herself to sleep whenever she remembers the simpler times when she and Dong Sik defended Jeong Je from those bullies, and if she would now be able to fend off the bullies that are her doubts and insecurities when she sees Jeong Je three years later…embracing her best friend

Would Jeong Je try to divert his drawing skills to other animals?..those that remind him of his actual family, who he imagines still sit around in a circle..warm food and drinks in hands..He really wants to stop running away, and when Jae-Yi places a plate in front of him, with Ji Hoon giggling and patting him in the back…Ji Hwa’s smile that sparks hope..and Dong Sik’s hearty laugh…a rare Ju Won sitting beside him with a small smile as well..He finds himself wanting to be part of this in every lifetime

[cosmosbeelover]

The History of Korean Male Soloists from the 20th Century: Episode 3/?

The third episode of 'The History of Korean Male Soloists from the 20th Century' highlights prominent Korean musicians who achieved fame in the early 20th century, during the period of Japanese occupation.

The historical documentation related to these artists is frequently unreliable, largely due to the fact that their contributions occurred almost a century ago, before the Korean War, leading to the loss or unavailability of essential records.

Kim Saeng Ryeo (김생려; 金生麗)

Kim Saeng-ryeo is linked to the Yonhui Professional Orchestra (연희전문사중창단), founded in 1929, as discussed in Part 3. The Yonhui College Orchestra/Quartet, led by Hyun Je-myeong (현제명), held biannual concerts from 1930 for nearly a decade, showcasing emerging talent and reflecting the changing musical tastes of the colonial era. This orchestra was instrumental in the development of musicians such as Kim Seong-tae (김성태), Lee In-beom (이인범), Kim Saeng-ryeo (김생려), and Lim Dong-hyeok (임동혁).

Numerous types of orchestras exist, and I discovered a resource that provides a comprehensive overview of each, including philharmonic, symphony, chamber, opera, string, and wind orchestras, among others. This resource will cover a variety of orchestral forms.

Life and Career

Born on November 25th, 1912, in Yongbyon, North Pyongan Province, and passing away in Las Vegas on December 14th, 1995, at the age of 83, he was the only son among five siblings and married to dancer Kwon Ryeo-seong (권려성).  His father, a devout Christian and elder, introduced him to the church at an early age, fostering a particular fascination with the organ. Shortly after his birth, his father established a church in Bukcheong, where Kim Saeng-ryeo spent his formative years.

He played a crucial role in the establishment of the Seoul Philharmonic Orchestra and was instrumental in founding the Seoul Symphony Orchestra after Korea's liberation, thereby leaving a significant mark on the country's symphonic music scene. His early life unfolded in Anju, South Pyongan Province, and Bukcheong, South Hamgyong Province. Like other key figures in the early development of Western music in Korea, such as Hyeon Je-yeong (현제명),  Lee Heung- ryeol (이흥렬), and Gye Jeong-sik (계정식), Kim was raised in a Protestant household, which provided him with early access to Western musical traditions.

From a young age, he demonstrated exceptional skill in playing both the organ and harmonica. His journey with the violin began in elementary school, where he had already shown a unique aptitude for the organ and harmonica, often playing during his free time. His passion for music persisted even after starting school, as he would occasionally leave class to visit a church and immerse himself in musical experiences.

In the second grade, his fascination with music deepened when he encountered an amateur violinist, which inspired him to take up the violin. This pivotal moment marked a significant shift in his musical journey. After completing elementary school, he moved to Seoul to pursue further education, enrolling in the second high school, now known as Gyeongbok High School (경복고등학교; 景福高等學校), where he distinguished himself as a disciplined and diligent student.

While attending Gyeongseong Jeigo High School, he received violin lessons from Boots, the wife of a foreign doctor at Severance Hospital (세브란스병원). His serious commitment to violin studies intensified after meeting Gye Kye-sik, a returnee from Germany. He continued to practice diligently at Yonhui College (연희전문학교; 延禧專門學校) and, upon graduation, took on roles as an accompanist and conductor for the Gyeongseong Broadcasting Station Orchestra (조선방송협회(朝鮮放送協會). However, during the Gwangju Student Incident https://en.wikipedia.org/wiki/Gwangju_Student_Independence_Movement (광주 학생 독립 운동; 光州學生獨立運動), he actively participated in protests, which led to his pursuit by the Japanese police and subsequent suspension from school. He was only reinstated after submitting a written account of his actions, but he continued to face challenges, particularly from his Japanese teachers, ultimately graduating under difficult circumstances.

Throughout his academic evolution, his commitment to music remained steadfast. After finishing elementary school, he moved to Seoul to further his education, enrolling in Jeigobo (제이고보), now recognized as Gyeongbuk High School. His association with Kim Hyung-jun (김형준; 金亨俊), a violinist and conductor, facilitated his involvement with the Gyeongseong Central Orchestra (경성중앙관현악단; 京城中央管絃樂團) as a violinist. Upon graduating from Gyeongbuk High School, he encountered Gye Jeong-sik (계정식; 桂貞植), a returnee from Germany, who helped him strengthen his foundational skills in violin, leading to his participation as a second violinist in a string quartet directed by Gye Jeong -sik.

Despite familial opposition to his musical aspirations, he persevered and, after graduating from Gyeongbuk High School, gained admission to Yonhee College through the recommendation of Hyun Je-myeong (현 종양). There, he continued to engage in musical activities and was appointed as the second violinist in a string quartet under Gye Jeong-sik's (계정식; 桂貞植) leadership. Although he attempted to follow his father's wishes by applying to Severance Medical School, he was unsuccessful and instead enrolled in the liberal arts department at Yonhee College, where he benefited from diverse musical experiences and eventually became the head of the school band.

Under the mentorship of Hyun Je-myeong, who began his role in 1929, he collaborated with notable musicians such as Kwak Jeong- seon (곽정선), Kwak Jeong-sun (곽정선), and Kim Gwan (김관). In the early 1930s, he worked with Kim Seong-tae (김성태) (violin), Lee Yu-seon (이유선) (vocal), and Hwang Jae-gyeong (황재경) (flute) within the music department at Yonhee College, further advancing his musical skills. However, following a victorious sports match against Gyeongseong Medical School, which included Japanese students, he celebrated with the band members, leading to an incident that resulted in his indefinite suspension after being held accountable for the situation.

His time in Japan represented a transitional phase, but upon his return to Korea two years later, he re-enrolled at Yonhui College. There, he secured a position with the Gyeongseong Central Broadcasting Station Orchestra and supplemented his income by working as a violin accompanist for the prestigious Victor Records orchestra. Although he graduated in 1937, two years later than his classmates due to his studies abroad, he remained actively engaged in music, including performing violin solos during chapel services at the college.

Kim Saeng-ryeo's experience at Yeonjeon coincided with the return of Hyun Je-myeong from the United States, marking a high point for the Yeonjeon Music Club. During this vibrant period, he collaborated with notable musicians such as Kim Seong-tae, Jeong Hee-seok, Lee In-beom (이익), and Hwang Jae-gyeong. After completing his studies at Yeonjeon, he continued his career as an accompanist for both the Gyeongseong Broadcasting Station Orchestra and Victor Records.

Following the return of Hong Nan-pa (홍난파; 洪蘭坡) (April 10, 1898 – August 30, 1941) from the United States, who expanded the Gyeongseong Broadcasting Orchestra, Kim Saeng-ryeo assumed the role of conductor, fostering a strong musical partnership with Hong. During this time, he also developed a close relationship with Kim Seong-tae, visiting him to study harmony and composition. When Hong Nan-pa fell ill, Kim dedicated himself to supporting him, managing the broadcasting station's responsibilities in his absence and providing care until Hong's passing.

Hong Nan-pa's counsel became a guiding principle for him: “If you aspire to be a flower, abandon music. If you wish to be a seed that flourishes for future generations, persist in music.” This philosophy provided him with resilience and served as an enduring compass during challenging times.

In the 1940s, he adopted the name Kaneyama as part of a broader national integration initiative. Following the death of Hong Nan-pa, Kim Saeng-ryeo assumed leadership of the orchestra and invited Gye Jeong -sik.to conduct. However, when the broadcasting station attempted to replace Gye-sik with a Japanese conductor, the Korean members, led by Kim Saeng-ryeo, vehemently resisted. Ultimately, when their efforts were thwarted, he chose to resign and establish a private orchestra.

He demonstrated his violin prowess at the inaugural concert of the Joseon Symphony Orchestra and at an event organized by the Joseon Music Association in 1941. That same year, he performed a solo at the "Peninsula Entire Enlistment Song Recital," which marked the introduction of the conscription system. He also participated in the "Music Patriot Weekly Music Festival" at Bumin Hall (부민관; 府民館) alongside prominent musicians. In 1942, he became the conductor of the Kyungsung/Gyeongseong Welfare Chamber Orchestra (경성후생실내악단; 京城厚生室內樂團) and joined the National Mobilization Federation of Korea/ Music Popularization Corps (國民音樂普及挺身隊) in 1943, performing at various patriotic events, including the "Battleship Donation and Patriotic Chamber Symphony Night." As the first violinist of the Kim Saeng-ryeo String Quartet and later a representative of the Hwaseong Chamber Orchestra, he continued to perform at events that celebrated the conscription system and supported pro-Japanese organizations.

Bumin Hall (부민관; 府民館) in the early 1940s

In 1942-1943, he established the Husung Chamber Orchestra following his resignation from the broadcasting station, which subsequently toured across the nation. Notably, soprano Kim Cheon-ae, a founding member of the orchestra, performed "Bongseonhwa" (봉선화) during the tour, providing solace to audiences mourning their country's plight, which led to her being monitored by the Japanese authorities.

In 1944, the Husung Chamber Orchestra relocated to Xingjing, Manchuria, where its members integrated into the Xingjing Symphony Orchestra. As liberation approached in 1945, he returned to Korea at the behest of Hyun Je-myeong to reestablish the Husung Orchestra, coinciding with the country's liberation. He took on the role of conductor for the newly formed Goryeo Symphony Orchestra in 1945, having previously been an active violinist during the Japanese colonial era. Following liberation, at Hyun Je-myeong's request, Kim Saeng-ryeo mobilized efforts to assemble around 50 musicians in the fall of 1945, successfully founding the Goryeo Symphony Orchestra under conductor Gye Jeong -sik., marking the inception of Korea's first orchestra post-liberation.

‘Bongsunga’ (봉선화) sheet music by Kim Hyung-jun, composed by Hong Nan-pa (100 Years of Our Western Music)

He subsequently departed from the Goryeo Symphony Orchestra. In 1946, he co-established the Seoul Music Club (서울음악동호회), recognized as the first chamber orchestra formed post-liberation of Korea, alongside Lee Jae-ok (이재옥), Jeong Hoon-mo (정훈모), Lee In-hyeong (이인형), Ahn Seong-gyo (안성교), Oh Byeong-do (오병도), and Jeon Bong-cho (전봉초). This initiative served as a foundation for the eventual formation of the Seoul Symphony Orchestra, where he assumed the role of conductor and later founded the Kim Saeng-ryeo Quartet in 1947, collaborating with Lee Yong-cheol (이용철), Choi Gyu-yeong (최규영), and Kim Jun-deok (김준덕). He was also a member of the Seoul Orchestra, alongside Jo Bong-deok (조봉덕), Lee Gyu-su, and Kim Soon-deok (김순덕). In 1947, he took the initiative to establish and manage the Seoul Symphony Orchestra, which was the precursor to the Seoul City Symphony Orchestra (서울시립교향악단; Seoul Philharmonic orchestra ,─市立交響樂團) founded in 1948, drawing from the Korea Symphony Orchestra (고려교향악단; 高麗交響樂團) and the Seoul Orchestra, and made his conducting debut at the inaugural concert held in February of the following year.

1950s picture of the Seoul Symphony Orchestra

Kim Saeng-ryeo embarked on his professional journey as a conductor through a prestigious invitation extended by the U.S. State Department. This opportunity allowed him to immerse himself in the world of classical music, where he had the privilege of studying under some of the most esteemed maestros of the time, including the legendary Leonard Bernstein and the renowned Eugene Ormandy. These formative experiences not only honed his skills but also enriched his understanding of orchestral dynamics and interpretation. As his conducting career progressed, Kim Saeng-ryeo showcased his exceptional talent by leading prominent orchestras, such as the Boston Symphony Orchestra and the Philadelphia Philharmonic. His performances on international stages garnered acclaim and recognition, establishing him as a significant figure in the global classical music scene.

Upon returning to Korea, Kim Saeng-ryeo was instrumental in founding the Seoul City Symphony Orchestra in November 1958. His vision and commitment were key in defining the orchestra's character, and he assumed the roles of permanent conductor and representative. Initially, he played as the first violinist when the orchestra commenced its activities in January of that year. The inaugural concert was conducted by Kim Seong-tae, and soon after, the orchestra began regular performances under the direction of German conductor Rolph Jacobi, who served as an advisor to the Central Broadcasting Station. However, following Jacobi's unexpected departure to Germany, Kim Saeng-ryeo took over as conductor for a concert in Daegu, marking the beginning of his conducting career.

In October 1995, Kim received a distinguished invitation to conduct at the Korean Symphony Orchestra's 50th anniversary concert, he performed from a wheelchair and received enthusiastic response from the audience.

Under Kim's direction, the orchestra not only expanded its repertoire but also undertook extensive tours throughout Southeast Asia, performing in nations such as Vietnam, Hong Kong, and Taiwan. These tours highlighted the orchestra's talent and promoted cultural exchange, enhancing the appreciation of classical music in the region. Kim played a crucial role in negotiating the orchestra's establishment with the Seoul Metropolitan Government, ensuring a strong foundation for its operations and performances. His dedication to the orchestra's development established it as a significant entity in Korea's cultural scene, quickly gaining popularity among audiences, who often displayed overwhelming enthusiasm during performances. Notable works conducted by him included Kim Seong-tae's "Capriccio," Schubert's "Unfinished Symphony," and Ravel's "Bolero Dance" at various concerts.

Throughout his tenure, Kim Saeng-ryeo conducted a series of notable performances that left a lasting impact on the Korean music scene. Among these were Puccini's "Tosca," which he conducted in October 1958, and the double bill of Leoncavallo's "Pagliacci" and Mascagni's "Cavalleria Rusticana" in June 1959. These productions were significant not only for their artistic merit but also for their role in introducing Western operatic traditions to Korean audiences. In November of the same year, he conducted Bizet's "Carmen" at the National Theatre of Korea, further solidifying his reputation as a conductor capable of delivering powerful and emotive performances.

Photo 1 -> Kim Saeng-ryeo 1972 Photo 2 -> Newspaper clipping published in June 25th 1972

Despite successfully navigating numerous challenges to develop the orchestra, the onset of the Korean War compelled him to abandon his ambitions for the ensemble, leading to a three-month period of hiding under communist rule until Seoul was recaptured on September 28. Ultimately, the Seoul Symphony Orchestra was disbanded after its 23rd regular concert due to the war. At its formation, the orchestra included a wide array of musicians, featuring first and second violinists, violists, cellists, and various woodwind and brass players. Among the distinguished members were Kim Saeng-ryeo and Jo Bong-deok on first violin, alongside a diverse group of instrumentalists such as flutists, oboists, clarinettists, and trumpeters. The ensemble also incorporated percussionists and a pianist, creating a rich auditory experience that defined the orchestra's performances during its short yet significant existence.

Full List of the members at the time of its founding of Seoul Symphony Orchestra were as follows: . 1st Violin (제1 바이���린): Kim Saeng-ryeo (김생려), Jo Bong-deok (조봉덕; 趙鳳德), Lee Gyu-su (이규수; 李奎秀), Kim Soon-deok (김순덕; 金順德), Lee Gye-seong (이계성; 李桂成), Baek Hae-je (백해제; 白海帝), Lee In-hwan (이인환; 李仁煥), Heo Sang (허상; 許湘), Lee Sung-tae (이숭태; 李崇泰), Shin Sang-cheol (신상철; 申相徹), Kim Hae-ryong (김해룡; 金海龍). . 2nd Violins (제2 바이올린): Lee Jae-ok (이재옥; 李在玉), Nam Chang-hyun (남창현; 南昌鉉), Jo Gyu-won (조규원; 趙奎元), Choi Ho-won (최호원; 崔豪源), Moon In-yeon (문인연; 文麟連), Lee Dong-hee (이동희; 李東熙), Kim Seon-hwa (김선화; 金善化), Jeon Chang-jae (전창재; 全昌宰), Jeon Oh-bok (전오복; 全五福), Park Jun-hwang (박준황; 朴俊晃). . Violas (비올라): Ahn Seong-gyo (안성교; 安聖敎), Lim Chun-ok (임춘옥; 林春沃), Lee Yeong-don (이영돈; 李泳敦), Lee Jae-man (이재만; 李裁晩). . Cello (첼로): Jeon Bong-cho (전봉초; 全鳳楚), Woo Dal-hyeong (우달형; 禹達亨), Lee In-gyu (이인규; 李寅圭), Park Guk-rok (박국록; 朴國錄), Kim Jong-myeong (김종명; 金鍾明), Lee Jeong-eon (이정언; 李禎彦), Yoo Jeong-yong (유정용; 劉廷鏞). . Flute (플루트): Oh Byeong-do (오병도; 吳炳道), Lee Gi-yoon (이기윤; 李基潤), Hong Su-man (홍수만; 洪壽萬). . Oboe (오보에): Lee Byeong-woo (이병우; 李炳祐). . Clarinet (클라리넷): Hong Gwang-eun (홍광은; 洪光銀), Kim Seong-hun (김성훈; 金成勳). . Bass (파곳): Kim Yeong-gyu (김영규; 金英圭), Na Moon (나문; 羅文). . Horn (혼): Jeong Hoe-gap (정회갑; 鄭回甲), Kim Jong-sun (김종순; 金宗純), Kim Yun-seong (김윤성; 金潤成), and Hyeon Su-so (현수소; 玄壽瀟). . Trumpets (트럼펫): Kim Jong-dae (김종대; 金鍾大), Park Ju-doo (박주두; 朴柱斗), and Kim Man-bok (김만복; 金萬福). . Timpani (팀파니): Han In-hang (한인항; 韓麟恒). . Battery/ Baeteoli (배터리): Kwon Yong-jin (권용진; 權龍鎭), Han Seong-jin (한성진; 韓聖振). . Piano (피아노): Lee In-hye (이인형; 李仁亨). . Conductor/Arrangement (지휘·편곡): Jacobi (쟈코���), Kim Seong-tae (김성태; 金聖泰). . Vocalists (성악): Kim Cheon-ae (김천애; 金天愛), Kim Hye-ran (김혜란; 金惠蘭), Lee In-beom (이인범; 李仁範), Kim Hyeong-no (김형노; 金炯魯).

The Symphony Orchestra of Seoul City gave a concert in Hong Kong on April 20, 1947. (Photo by: Universal History Archive/Universal Images Group via Getty Images)

Following the recapture of Seoul during the Second Battle of Seoul in 1950, the establishment of the Seoul Symphony Orchestra was initiated alongside the formation of the Naval Military Training Band, which served as the precursor to the Seoul Metropolitan Symphony Orchestra. This endeavour marked a significant cultural development in a time of conflict.

In his role as conductor, he assembled musicians and sought support from the Navy to create the Navy Military Band. Despite the ongoing war, this ensemble was unique in its provision of employment for musicians and opportunities for music enthusiasts to enjoy performances. He maintained his leadership of the band throughout the duration of the war, ensuring its continued presence in the musical landscape.

As a founding member of the Korean Musicians Association established on November 8, 1949, he played a pivotal role in the organization of the Naval Military Music Band in October 1950, where he served as captain. Following the appointment of all 120 members of the Naval Cultural Promotion Corps as civilian naval officers, the band held its inaugural concert in November 1950 at Sigong Hall, celebrating both the Navy's fifth anniversary and the recapture of Seoul. The band, which returned to Seoul in 1953, became influential in the performance scene, showcasing significant works and ultimately evolving into the Seoul Symphony Orchestra, which was later restructured into the Seoul Metropolitan Symphony Orchestra in 1960.

The main characters Patty Kim (김혜자; 金惠子) (left) and Kwak Gyu-seok (곽규석) (Right) at the premiere of the musical 'Saljjagi Obseye' (��짜기 옵세아이) by the Yegreen Orchestra in 1966. [Joongang Photo]

Kim was appointed as the first conductor of the Seoul City Symphony Orchestra, a role he maintained until 1961. Initially optimistic about fostering a vibrant symphony orchestra movement, his ambitions were thwarted by the political turmoil surrounding the April 19 Student Revolution in 1960 and the May 16 Military Coup in 1961. These events culminated in his resignation, prompted by legal disputes involving current and former orchestra members. Nevertheless, during his tenure, Kim Saeng-ryeo actively guided the orchestra, undertaking performances both domestically and internationally, including tours throughout Southeast Asia, thereby establishing a significant foundation for the orchestral movement in Korea.

In January 1962, Kim assumed the role of director for the Yegreen Orchestra, which was founded with the guiding principle of "Remembering the Past and Yesterday for Tomorrow." By September of that year, the orchestra had successfully staged five performances of the "Chuseok Play," showcasing a variety of musical selections. After the orchestra's dissolution, the exact timing of which is uncertain, Kim established the Arirang Folk Arts Troupe, which toured extensively across the United States, Canada, Europe, and other regions, playing a vital role in the dissemination of South Korean culture.

In the same year, Kim also held several significant positions, including head of the music department at Kyunghee University, representative of the Yegreen Orchestra, and artistic member and commander of the Naval Military Music Band. His diverse engagements in these organizations, along with his role in representing the Seoul Metropolitan Symphony Orchestra, highlighted his prominent influence in the South Korean music landscape during this era.

1967 Yegreen Orchestra ‘Kkotnim, Kkotnim, Kkotnim’ (꽃님, 꽃님, 꽃님). The middle of the second row is Na Yeong-su (나영수), and next to him on the left is Hwang Ik-pyeong (황익평), Moon Hye-ran (문혜란), Lim Yeong-ung (임영웅), Park Yong-gu (박용구), Choi Chang-kwon (최창권), and Kwak Gyu-seok (곽규석) (Fry Boy). The man sitting in the middle of the front row is Hwang Un-heon (황운헌) (Chief of the Literature Department).

In 1962, he travelled to the United States to pursue studies in conducting, and by 1971, he had taken on a professorship in the Department of Music at Hanyang University. He returned to the United States in 1976, where he held the position of permanent conductor for the Southern California Philharmonic Orchestra until 1992.

In October 1995, he received a distinguished invitation to conduct at the Korean Symphony Orchestra's 50th anniversary concert, performing from a wheelchair and receiving an enthusiastic response from the audience. His impact on the Korean symphonic scene was significant; he established the Seoul Symphony Orchestra Association and the Seoul Symphony Orchestra, while also enhancing Korean music through his leadership of the Yegreen Orchestra, his role with the Arts Council, and his teaching at Kyunghee University. His achievements were acknowledged with numerous awards, including the Swedish Red Cross Medal and the Seoul City Cultural Award. Kim passed away due to diabetes-related complications at Sunrise Hospital in Las Vegas, USA, on December 14, 1995, at the age of 83.

Activities and Achievements

Kim Saeng-ryeo's career in music began in 1939 when he served as the conductor for the Seoul Central Broadcasting Station Orchestra. He played a pivotal role in establishing several orchestras, including the Seoul Welfare Chamber Orchestra in 1942, where he was a violinist, and the Goryeo Symphony Orchestra in 1945, for which he was the founding conductor. His influence continued with the founding of the Seoul City Symphony Orchestra in 1948, where he also held the position of conductor. By 1950, he became the Permanent Conductor of the Philadelphia Symphony Orchestra in the United States, while also commanding the Naval Music Band (해군정훈음악대; 海軍政訓音樂隊).

The 14th Program of the Korea Symphony Orchestra (1947)

Throughout his career, Kim received numerous accolades for his contributions to music. Notable awards include the Prime Minister's Cultural Medal in 1948, the Merit Award from the Swedish Red Cross in 1951, and the Seoul City Cultural Award in 1955. His international recognition was further solidified with the Greek Theatre Arts Medal in 1964 and the Republic of Korea National Academy of Arts Award in 1974, among others. These honours reflect his significant impact on the cultural landscape both in Korea and abroad.

In addition to his conducting roles, Kim was actively involved in various artistic initiatives. He conducted the Danwood Symphony Orchestra during the Bergsha Music Festival in 1953 and led the Arirang Folk Art Troupe on tours in the United States and worldwide in 1964. His collaboration with prominent orchestras, such as the Ormandy and Boston Symphony Orchestra in 1968, showcased his versatility. Notably, he celebrated the 500th regular concert of the Seoul City Symphony Orchestra in 1994, marking a significant milestone in his enduring legacy within the music community.

Seoul City Orchestra "Kim Saeng- ryeo's Reminiscence" Concert

Seoul City Orchestra "Kim Saeng-ryeo Reminiscence" Concert 11th Sejong Centre for the Performing Arts - Reporter Ryu Yun-jong

The "Emperor" of 44 years ago has been revived as today's "Emperor." The Seoul City Orchestra's regular concert, held at 7:30 PM on the 11th in the Sejong Center for the Performing Arts Main Hall, will be a meaningful stage with the subtitle "Kim Saeng-ryeo Reminiscence." It is a place to commemorate the first anniversary of the death of the late Kim Saeng-ryeo, the founder of the Seoul City Orchestra, and to honor his achievements and will. In this concert, Kim Won-mo (professor at Dankook University) will be the guest conductor and Baek Nak-ho (chairman of the Korea Music Association) will perform Beethoven's Piano Concerto No. 5 "Emperor."

서울시립교향악단 제 545회 정기연주회 "김생려 회상" [1996] Seoul City Symphony Orchestra 545th Regular Concert "Kim Saeng-ryeo Reminiscence" [1996]

Although it is a collaboration stage between a veteran pianist and a mid-career conductor that anyone would know by name, their meeting that day holds special meaning. In the midst of the smoke of the 1952 war, Baek Nak-ho (백낙호) performed "Emperor" with the Naval Music Band, the predecessor of the Seoul Philharmonic Orchestra, under the direction of Kim Saeng-ryeo in Busan, where he was a refugee. Professor Kim Won-mo (김원모) is Kim Saeng-ryeo's second son. He arranged Tchaikovsky's Symphony No. 6 "Pathetique," which his father enjoyed conducting, as the second half of the concert.

Baek Nak-ho (백낙호) recalled, "During the three years of my refuge in Busan, I spent my time with Kim Saeng-ryeo in the Naval Music Band, and we built a friendship as seniors and juniors."

At the concert, Lim Won-sik (임원식; 林元植) (Professor Emeritus of Chugye University for the Arts), who played a leading role in the founding of the National Symphony Orchestra (now the KBS Symphony Orchestra) in 1957 and competed with the Seoul Philharmonic Orchestra in good faith, will share his memories of the deceased in the form of reminiscences.

-------------------------------------------------------

Part 2 will be coming out soon!

[tortibomb]

Dong Sik’s confrontation with Jeong Je followed by Dong Sik’s confrontation with Joo Won. You can’t do this to me. 😢

[welcometothejunglebitch6138474]

On paper HJW looks like he's had a better life than LDS. By all accounts Dong sik has had more losses in his life but he's always had someone who supported and loved him (Jeong-je, Nam Sang-Bae, Jihwa, Jihoon, Minjeong, Jae-yi, his sister, his parents, and even Minjook (ew)) but before LDS, Joowon has never known or experienced love. I think HJW's mom loved him but he's never had any kind of real love in his life because of her addiction, before LDS and the Manyang crew. I can't imagine how alone he must've felt growing up with nothing and no one. He's just so important to me.

[teacups-and-saucers]

interesting how the only 2 people kang jin mook wanted to kill but couldn't ended up dying from car accidents. yoon mi hye dies from a car accident a year before the events of beyond evil, and though yu yeon was able to run away from jin mook initially, the double whammy car accidents by jeong je and gi hwan ended up taking her life.

interesting as well how jin mook and dong sik somehow mirrored each other. they both spent 20 years looking for someone who ended up dying in a car accident. the only difference is jin mook looked for mi hye to kill her. dong sik looked for yu yeon to save her.

[papaya2000s]

Master List:

The posts listed below are all my own, except for the fanfics, which include original links to the sources where I discovered them, giving credit to the respective creators and writers of their work.

Old Korean Movies:

Emergency Act 19 (긴급조치 19호) - (08/08/2024)

Let's Meet at Walker hill (워커힐에서 만납시다) - Coming Soon!

Crossroads of Youth (청춘의 십자로) - Coming Soon!

The History of Korean Acts - 1900s-Now:

History of Korean music over the past century.

The History of Korean Male Groups (Rewrite):

Part 1 - (13/08/2024)

Part 2 - (21/08/2024)

Part 3 - (29/08/2024)

Part 4 - (29/08/2024)

Part 5 - (15/09/2024)

Part 6 - In the Works!

The History of Korean Girl Groups (Rewrite):

A preview on what groups will be mentioned down below. This series will be coming out in the later part of next year.

Coming Soon!

Korean Soloists from the 20th Centaury:

Enjoy the history of some of famous Korean performers that lived in the 20th centaury that have been lost with time.

Female:

Yun Sim Deok/ (Rewrite 1, 2) - (29/04/2024)

Lee Ari Su - (05/03/2024)

Kim So Hee - (05/10/2024)

Park Nok Ju - Coming Soon!

Lee Hwa Jung Seon - Coming Soon!

Jeon Hae Nam - (13/10/2024)

Male:

Kim In Sik - (21/09/2024)

Choi Nam Seon - Coming Soon!

Lee Eun-sang - (27/09/2024)

Hyun Je Myeong - Coming Soon!

Lim Dong Hyeok - Coming Soon!

Kim Saeng Ryeo (Part 1, 2) - (11,16/12/2024)

Lee In Beom - Coming Soon!

Kim Seong Tae - Coming Soon!

Jeong Jeong Ryeol - Coming Soon!

Im Bang Ul - Coming Soon!

Han Seong Jun - Coming Soon!

Kim Min Ik - Coming Soon!

Photo Collection of Kisaeng's:

All photos below have been AI enhanced for a more clear viewing (there may be some errors in the pictures).

Part 1 - (17/07/2024)

Part 2 - (17/07/2024)

Part 3 - (17/07/2024)

Part 4 - (21/07/2024)

Part 5 - (21/07/2024)

Part 6 Finale - (24/07/2024)

Women considered to be the most beautiful in Korean History:

More than a century ago, a remarkable group of women known as Kisaengs captivated the elite with their captivating performances, without ever compromising their dignity.

These extraordinary women, often referred to as the celebrities of their era, were renowned for their beauty and talent, as evidenced by historical records that ranked the most enchanting kisaengs of that time!

Part 1 - Oh San-wol (오산월) - (11/07/2024)

Part 2 - Jang Yeon Hong (장연홍) (1) - (14/07/2024)

Part 3 - Jang Yeon Hong (장연홍) (2) - (16/07/2024)

Part 4 - Coming Soon!

The Birth of Korean Girl Groups Preview:

A preview on what girl groups I'll be posting in my series on 'The History of Korean girl groups'.

Part 1 - 1900s-1945 - (28/04/2024)

Part 2 - 1950s - 1960s - (28/04/2024)

Part 3 - 1960s - 1962 - (28/04/2024)

Part 4 - 1963 - 1965 - (28/04/2024)

Part 5 - 1965- 1966 - (28/04/2024)

Part 6 - 1967-1960s - (28/04/2024)

Part 7 - 1970-1972 - (02/05/2024)

Part 8 - 1974 - 1981 - (09/05/2024)

Part 9 - 1983 - 1987 - (09/05/2024)

Part 10 - 1989 - 1997 - (09/05/2024)

Part 11 - 1997 - (09/05/2024)

Part 12 Final - 1998 - 2000s - (09/05/2024)

Michael Jackson & Friends Korea, Seoul:

S.E.S: Part 1 and Part 2

H.O.T: Coming Soon!

H.O.T Kangta - Atlantis: The Lost Empire 2001

H.O.T Kangta - Dreams and Faith - (27/07/2024)

Ensign O'Toole - TV Series 1962-1963

Summary & Ep 1-12 - (26/10/2024)

Ep 13-32 - In the Work!

Korean Albums:

Season 1 will be about the 80s as it's one of my favourite music decades.

Episode 1 - (13/11/2024)

Episode 2 - (15/11/2024)

Episode 3 - (23/11/2034)

[dangermousie]

Why the FUCK did Jeong-je hit Yu Yeon with the car (which I assume caused her death.)

Was he having a psychotic break and lost control of the car or heard voices saying she needed to be offed/saw her as a deer/whatever? And if so, he doesn't seem like a psycho murderer type or even a terrible person, why on earth didn't he admit it as he saw his BFF get falsely accused, go nuts etc etc? Like you don't get much in prison for what is at most a manslaughter and he seems to be desperately miserable as is.

But also how did the serial killer get ahold of the corpse to chop off fingers and bury her in the walls?

Man, all of Dong Sik's "friends" are awful - he'd be better off making friends with literal drug dealers and mobsters.

[citrinekay]

ok looks like the "Han Joo-won is a stupid nepotism baby who isn't intelligent enough to be a cop without his Father's support" crowd is at it again on my post, so it's a good time to remind everyone of some actual facts of the show and the character, not just unsupported personal preferences infantilizing him and taking away his agency 💃

Joo-won is a top graduate of the KNPU, the police academy of Korea that is on par with some of the most prestigious universities in the country. Did his father help him get admitted? Probably yes but his father didn't also do all of his courses, and pass his exams to earn him honor and rank of lieutenant upon graduation. He also attended UK Westminster under school and Eton College during his time in England according the scriptbook, so there's no question as to his academic intelligence.

Joo-won correctly deduces that the illegal immigrants Foreign Affairs was investigating were being murdered by a serial killer, not a gang, when no one else in his department had pieced that together. He then examines old cases with similar MO's and uncovers Yu-yeon's case, which no one else had looked at in 20 years.

After coming to the realization that Dong-sik is not the killer, he correctly deduces that Dong-sik placed Min-jeong's fingers on the bench and thus knows who the real killer is.

He correctly deduces that Busan and Jin-mook's ex-wife are important to his psychopathy and motivations. He may have even gotten Jin-mook to confess if it hadn't been for a death certificate and some fishing line.

He correctly deduces that Jin-mook was killed by someone in the police force in an attempt to cover up another crime. He also suspects that Jeong-je and Chief Nam have some knowledge or involvement, a fact that Dong-sik himself had not even concluded yet.

After admitting that his father could be involved, he again correctly deduces that Han Ki-hwan will want to meet with Lee Chang-jin in private and may reveal some details about the crime, thus securing the recording of Han Ki-hwan's confession. Let's bear in mind that Han Ki-hwan is a smart guy who knows how to cover his ass and he may not have exposed himself as Yu-yeon's killer if it wasn't for Joo-won.

And again, Joo-won correctly deduces from Jung Cheol-mun's text that Dong-sik is about to be framed for murder and goes to the house in his stead to prevent that from happening.

Does Joo-won abuse his authority and use nepotism in his favor? YES ABSOLUTELY. This is not a post supporting all of Joo-won's choices or overlooking the fact that what he did to Lee Guem-hwa was fucked up. My point is that, as viewers who have intimate knowledge of Dong-sik's actions and the truth of who the killer is before Joo-won does, it's easy to sit here and laugh at him getting led on a wild goose chase by Dong-sik (who, keep in mind, spends the first few episodes acting like a straight-up lunatic). He had no reason to suspect Jin-mook, a guy who managed to fool everyone for years INCLUDING DONG-SIK. The problem, in my opinion, is Joo-won's methodology and myopia (two things that afflicts plenty of other cops in the show not just Joo-won) not his intelligence. I'd even argue to say that Joo-won becomes an even better cop without his father's influence or the nepotism, not a worse one. He's learned from his mistakes and can stand on his own as an inspector. And, if it wasn't for him, Han Ki-hwan might have gotten away with everything.

[themthistles]

BEYOND EVIL TIMELINE

for writers, rewatchers and curious people

It’s hard to keep track of the dates in Beyond Evil with all the plot twists, reveals, intentional omission of information and the narrative jumping back and forth. Having to go through the entire drama to figure out its timeline can be a pain. So I put it together in one post.

note: some info is taken from script book 3 translated by yeoyuo on twitter. however if dates found in the book are weird/questionable, i won't include them and if they happen to contradict confirmed dates in the actual drama, i will prioritize drama dates

Order:

year day.month | event (time)

if there's no confirmed date/month then there'll be ? instead of a number

Name abbreviations:

DS: Dong Sik JW: Ju Won JY: Jae Yi JH: Ji Hwa OJH: Oh Ji Hoon MJ: Min Jeong YY: Yu Yeon BJS: Bang Ju Seon LGH: Lee Geum Hwa JJ: Jeong Je NSB: Nam Sang Bae CGG: Cho Gil Goo HGY: Hwang Gwang Young KJM: Kang Jin Mook DHW: Do Hae Won HKH: Han Ki Hwan LCJ: Lee Chang Jin JCM: Jung Cheol Mun

1985

| DS & JH meet at the taekwondo academy

1988

| DS & JJ become friends

1998

?.?

| JJ's father dies and leaves the deer farm to him

2000

?.2

| JH, JJ, DS & YY graduate Munju-si Gwanghyo High School

?.?

| JJ & YY start dating

15.10

| KJM murders BJS & cuts off YY's fingers

| YY runs away while KJM is dragging BJS's body into the reeds

| HKH hits YY with his car

| JJ runs over YY’s body, believes he killed her, calls DHW (3.40 a.m.)

| DHW comes, calls LCJ to get rid of the body and JJ's car

| While LCJ is moving the car KJM takes YY's body and DS's guitar pick that JJ dropped

| KJM places guitar pick at BJS's body to frame JJ, places YY's fingers in front of DS's house

| DS's mother finds YY’s fingers (5 a.m.)

| BJS's body is found

16.10

| DHW forges the forensic report with JCM's help, CGG gives it to NSB

| DS is arrested

22.10

| JJ provides an alibi for DS, DS is released

23.10

| DHW comes to DS's house, threatens to make JJ take back his statement

?.11

| JJ leaves to ‘study in the States’

?.11

| JH leaves town with LCJ*

?.11

| DS enlists in the military

2001

15.1

| JJ is admitted to Hansong Mental Hospital for alcohol induced psychosis (remains there for 4 years)

?.2

| KJM gets keys to the deer farm from DHW

10.4

| JW’s mother commits suicide

16.4

| HKH closes YY & BJS's cases

?.9

JW is sent away to study in the UK (Westminster Under School)

2002

?.?

| JH divorces LCJ

2003

?.1

| DS’s father dies. DS’s mother has a mental breakdown

?.1

| DS is discharged, holds a funeral for his father

2004

?.11

| JH graduates Central Police School (unit 167)

2006

?.?

| JH & OJH's father dies, their mother remarries

?.9

| JW enrolls at Eton College

2007

?.11

| DS graduates Central Police School (unit 206)

20.8

| JY’s father gets into a car accident and goes into a coma

2008

?.11

| JJ graduates Central Police School (unit 224)

2009

?.?

| JW comes back to South Korea

2010

?.7

| JH is transferred to Violent Crimes Department

?.?

| JY’s father dies

3.11

| KJM murders JY’s mother

?.?

| Hyuk becomes JW’s live-in tutor

2011

?.5

| DS is transferred to Violent Crimes Department

2012

?.2

| JY graduates Munju-si Gwanghyo High School

2013

?.2

| JW graduates Seoul International High School

2014

?.2

| OJH graduates Seoul Hanlin Arts High School

2015

?.5

| DS is transferred to Seoul

2017

23.2

| JW graduates Police University

?.3

| JW begins working for Department of Foreign Affairs

21.11

| Lee Sang Yeop is murdered

| Culprit shoots DS in the leg, DS kills him

?.11

| NSB takes the blame for the incident & is transferred to Manyang Substation

2018

?.1-12

| DS takes leave of work

?.? (summer)

| JY & DS become friends

29.7

| Jin Hwa Rim's body is discovered

2019

16.3

| Wi Sun Hui's body is discovered

?.8

| OJH graduates Central Police School (unit 297)

15.11

| Yeo Chun Ok's body is discovered

2020

?.1

| JW figures out a connection between murders, begins investigating, identifies DS as the prime suspect, his team doesn't believe him

?.?

| JW sets up a sting operation using LGH

20.3

| KJM murders LGH (5.22 p.m.)

11.10

| JW arrives in Manyang

18.10

| DS & JW become partners

| JW gets invited to Manyang Substation get together, comes to JY's shop for the first time, meets JH, JY & JJ

19.10

| DS & JW find LGH’s body

23.10

| MJ runs away from Manyang Substation, JJ meets her and takes her home (7 p.m.)

| KJM strangles and buries MJ (8 p.m.)

| OJH comes to the store, OJH & KJM leave together (8.33 p.m.)

| DS finds and steals MJ’s fingers, phone, towel and LGH’s phone, hides them (9 p.m.)

| DS comes back to JY’s shop (9.40 p.m.)

24.10

| DS places MJ’s fingers in front of KJM’s house

| DS & JW discover MJ’s fingers (5 a.m.)

| DS returns YY & PJS files

| JW & DS are questioned

25.10

| NSB erases footage of DS placing MJ’s fingers (1-2 a.m.)

| DS leaves LGH’s phone on mount Simju (7 a.m.)

27.10

| JW is questioned about LGH’s phone found the night before

28.10

| JW gets footage of DS on mount Simju, finds blood in DS’s basement

| DS is arrested

29.10

| JY's shop is searched because of JW

| JY eggs JW

| JW figures out that JY's mother is one of the victims

| JW visits DS in jail

30.10

| KJM comes to visitation room to see DS

| JJ provides an alibi for DS, DS is released

| Basement confrontation

31.10

| JW tells the reporters about serial murders

| Basement confrontation part TWO

| HKH discredits JW's statement

1.11

| DHW's rally fight

| DS, JW & LCJ are arrested, DS agrees to settle

2.11

| Basement confrontation part THREE

| KJM asks JW to conduct his own investigation

| DS & JW go to KJM's house

| JW questions JY

3.11

| Dash cam footage is leaked, OJH arrested

| DS sends a message to KJM from MJ’s phone

4.11

| JJ turns himself in

| JY sends two more messages to KJM from MJ's phone

5.11

| KJM leaves JY a note with the location where her mother is supposed to be, JY goes there, calls DS

| DS tells JW everything

| KJM is arrested

6.11

| MJ’s funeral

| KJM requests to be questioned by DS & JW

?.11

| JW & DS go to Busan

10.11

| LCJ gives KJM a fishing line (5 a.m.)

| KJM commits suicide

| NSB comes over to see KJM, JY comes to kill KJM, sees NSB

21.11

| JJ & DS are promoted

?.12

| JW & JY are in Busan

| NSB is looking for JY

2021

5.1

| JW acquires dash cam footage showing JY on the night of KJM's death

31.1

| JW blackmails JY with the dash cam footage

2.2

| JW returns to Manyang substation

| JY turns herself in

3.2

| JW plants a fishing line & report in NSB's safe (2.50-3 a.m.)

| Bodies discovered at the deer farm

| DS finds YY's body in his basement

| NSB is arrested

4.2

| DS figures out what happened and confronts JW at his apartment

5.2

| NSB is released, JW bugs & follows him

| NSB goes to meet HKH, then LCJ

| LCJ murders NSB

?.2

| NSB's funeral

| DS & JJ go to the house NSB bought (Chungcheong Province)

| NSB's wake at JY's shop, JY tells JW where to find DS

?.2

| JW goes to find DS, asks to work together

| JW, DS, JH, JY, OJH & JJ team up to investigate NSB's death

13.2

| JY & OJH tail HGY

| JJ gets CGG's phone records

| JW questions HKH in his office

| DS, JY & JW question CGG in JY's shop

| DS & JW confront DHW & JCM at a restaurant, JJ is taken away in an ambulance

15.2

| JJ remembers what happened 21 years ago

| Basement confrontation part FOUR

| HKH is nominated for Commissioner General

16.2

| HKH asks DS to work for him at Inspection Inquiry in Seoul

26.2

| DS & JW stage an arrest at HKH's hearing

| JW bugs HKH's car

| LCJ is arrested, released by JW, goes to meet up with HKH

| JY, JH, DS & JW tail HKH & LCJ

27.2

| JW hears HKH admit that he killed YY (12 a.m.)

| Some type of angsty homosexual rain event

5.3

| DHW sends JJ away to a mental hospital

| DS visits his mother at the nursing home

| Soup time

7.3

| JCM is murdered

| HKH & LCJ attempt to frame DS, JW figures it out & goes to JCM's house alone, tries to take the blame

8.3

| LCJ is arrested

| JW & JY get JJ out of the mental hospital

| JW arrests JJ

9.3

| DHW arrest warrant is issued

| LCJ gives up HKH

| JW releases the recording

| Confrontation at HKH’s house, HKH is arrested

| JW arrests DS

2022

5.2

| Manyang Reunion

*there's no actual confirmed date for when Ji Hwa leaves Manyang but november of 2000 is when it probably happened (could also be december but november more likely)

Birthdays

24.3.1981 ◦ Ji Hwa

30.5.1981 ◦ Dong Sik & Yu Yeon

16.11.1981 ◦ Jeong Je

17.6.1993 ◦ Jae Yi

13.8.1994 ◦ Ju Won

14.7.1995 ◦ Ji Hoon

10/11.7.2000 ◦ Min Jeong

I will update the post if there are more relevant dates to add. If you notice a mistake or some wording seems confusing, please tell me and I'll fix it.

here's the google doc for ease of use

[boxoftheskyking]

I get why people call lee dong-sik the poor little meow meow or sad wet rat of a man

But I argue that park jeong-je is poorer, littler, meower, sadder, wetter, and rattier

[mizldrizl]

How old is each character in Beyond Evil?

According to the official Beyond Evil web page:

Lee Dong Sik: 40

Han Joo Won: 27

Park Jung Je: 40

Yoo Jae Yi: 28

Oh Ji Hwa: 40

Nam Sang Bae: 59

Hwang Gwang Young: 34

Cho Gil Gu: 52

Oh Ji Hoon: 26

Do Hae Won: 65

Kang Jin Mook: 45

Kang Min Jung: 21

Lee Chang Jin: 49

Han Ki Hwan: 58

Kwon Hyuk: 34

I read the character information on the web page for the first time just now, and there was some interesting stuff there, such as:

Jung Je became a police officer after seeing Dong Sik and Ji Hwa trying to be one.

Ji Hwa was a Korean national Taekwondo athlete in middle school and high school. She became a police officer because she wanted to beat up bad guys "legally."

Nam Sang Bae was never married. His first love was Han Jeong Im, Jae Yi's mother. His original plan was to ask her out after successfully becoming a police officer, but it was too late; she was marrying Jae Yi's father.

The Oh siblings' father died when Ji Hoon was 12, and their mother remarried and left them. Since then, he and Ji Hwa have lived together.

Han Ki Hwan's father and grandfather were also police officers.

[gillianthecat]

omg they are IN LOVE. that right there was as good as a confession. that was Dong Sik asking "do you love me?" and Joo Won's smile saying yes.

actual conversation: "What are you doing?" "What do you mean? If you sinned, you should pay for your sins, Lieutenant Han Joo Won." [Title emphasized to identify him as his own person, an officer of justice, not as his father's son.] And then the smile. And, in concert, turns to stare down the dad.

So I guess they did not plan this out ahead of time (these men still need to work on their communication skills) but Dong Sik still completely trusted that Joo Won would go along with it. Because it is an excellent plan to ruin his father, and because Joo Won does truly believe justice applies even to himself.

I'm giving it the shippy romantic read, because that's fun, but this scene is just as powerful interpreted completely platonically.

And it is echoing Jae Yi's conversation with Jeong Je only minutes before, supporting my point that she's the moral center of it all.