#don't parent shame

[gingermintpepper]

“Your hair’s gotten longer.” 

It’s conscious effort that keeps him from tucking the strands behind his ear, from taking the knife at his hip and shearing it all off. He keeps his stance focused, attentive, there’s little else he can do when he’s taken so completely after his mother when it comes to his hair. His father scratches his chin, the clouds of his beard snaking about his finger like mist parting for mountain-peaks. Ares’ chin is still child-smooth. He can feel the tickle of his over-long fringe against his soft jaw. There’s no heart in his chest, but still he feels as though a pulse is lodged in his throat. 

Father sighs, put-upon, disappointed, and Ares feels a slight tremor start in his calves from holding himself so tense. “Well done, Ares. Go clean yourself up and get some rest. Phoebus will want to look you over later.” 

He should be ecstatic to be praised by his father. Over-the-moon with joy. There should be pride emanating from every pore of his body, the blood on his skin should be sweeter than ambrosia. 

Instead, he bows, manages a soft ‘thank you, Father’ around the lump in his throat and immediately flees the room. A mild ‘make sure to trim your hair’ hits the back of his head like a spear through the skull. He almost wishes the great door had slammed on his foot so he would have reason to feel this horrid in his retreat.  

Phoebus Apollo is waiting for him in his infirmary. 

He’s gilded as ever, gold from crown to heel. Perfect like the statues they carve of him in his temples. He has a smile for Ares when he sees him, a crinkle at the edges of his pretty eyes from the weight of his joy. Ares is waiting to see the crack in the marble, to see if that’s the chip that’ll reveal his fangs.

“Brother,” he greets, and his voice is warm - like the arms that embrace him, his voice is so warm, “Welcome back. I’ve heard you’ve done well.”  

There’s a tremble in Ares’ fingers he hadn’t noticed before. Strain from carrying his sword for so many days, a throb from wounds he hadn’t noticed he’d accrued. “Heard? There’s already gossip?” 

Phoebus blinks, disarming, demure, coquettish, “But of course,” and Phoebus’ voice is honey to Ares’ gravel, the juxtaposition is grating on his skin, “It’s Olympus. The gossip began long before you set your course.” Those warm hands lead him further into the room, bodily sits him on the chaise, pulls his helmet from his head. It’s all one, unbroken motion, “It’s summer alas, so I could not watch your war myself, but I hear it was quite the decisive victory.” 

A thousand thoughts run on horseback through his mind then. 

Did Father overhear some terrible slander that pre-emptively disappointed him? Was Ares’ victory merely a rumour, a bet his father hadn’t bothered to take? Was the gossip more enticing than the stark truth? That Ares wasn’t some child toddling about in the shadow of his sister, that his sword and spear weren’t merely for show - he’d think such a thing would warrant celebration. Not -

“Oh my,” Phoebus is in front of him, pleasant warmth more sticky heat with how close he’s pressed himself into Ares’ space. From this angle, Ares can see the multi-coloured flecks of his eyes, like shards of golden glass suspended in ichor. From this angle, with his hand so gently holding his hair, were Ares to blink too hard, he’d swear Phoebus looked just like his mother. “Your hair’s grown long again.” 

He pushes Phoebus off with such force that he bangs into the wall. It’s Phoebus, it won’t make even the impression of a scratch on him, but Ares wishes it would. Wishes he’d hit his shoulder or crack his neck or hit his head just hard enough for all that perfect, gilded gold to bleed. 

“I’m only here for you to heal me,” the tremble in his hand extends to his shoulder now. He flexes and unflexes his palm. Gods what he would give to just have a sword - “Don’t waste time with the pleasant-work.” 

Phoebus huffs, adjusts the fit of his himation, “...Only because we’re meant to be celebrating your victory.” He crosses the room in two great strides, his hair a swirling tempest behind him as he gathers his poultices and wraps. “The only reason I’ll not throw you from the window is because we are meant to be celebrating your victory.”  

There’s not enough acid in his tone for this to truly be a fight. Ares’ jaw clenches, he bites out a terse, “How benevolent.” 

“Aren’t I?” He’s got nectar and his sutures in hand, that focused look falling upon his face when he switches from overbearing busybody to Paeon of the Gods. “Now strip unfaltering Ares, let us see the measure of damage done to your indomitable flesh.” 

(Somewhere between the fifth set of stitches and the gentle frown that crosses Phoebus’ face when he notices the persistent tremble in his fingers, Ares pins his eyes to the far wall and asks, “What does it mean when Father says ‘well done’?” 

Any other sibling would mock before they gave a true response. Any other sibling would laugh and dismiss it, would say that praise is praise and any lingering ill feeling is just the worst of the war still fogging his mind. Phoebus does not answer immediately. He doesn’t make a single sound. The question settles like fetid water between them, unignorable, the scent right there on the tip of the tongue yet firmly unacknowledged. Ares closes his eyes and tries again to settle his squirming so he does not interfere with Phoebus’ work.  The metallic snip of scissors cutting thread breaks the silence. Phoebus bids him to sit up and slides his warm palms up his back until his fingers tangle gently in the ends of his hair. He twists the dark red strands until he’s gathered it all into a neat handful, holding it loosely as he switches his scissors for his shearing blade. “You should know it was not praise,” Phoebus says softly. The first of Ares cut hairs fall like viscera from his head. Phoebus treats each cutting with the sacredness of a blood-sacrifice. If he focused on the moment of tension right before the blade cuts though, Ares thinks he can imagine the agony of his sister’s sacred birth. “It is acknowledgement. Father thinks you’ve done well so he says ‘well done’.”

Gently, Phoebus releases him. Ruffles his head so all the extra hairs fall like red rain to the floor. Ares runs his fingers through the ends now curling against his ear. “Has he ever told you ‘well done’?” 

A laugh, warm and gilded, “No, and it would not make you feel better if he had.” 

Ares swallows down a thousand different questions. Phoebus wouldn’t answer them, he’s infuriating like that. Instead, he clenches his teeth, the phantom of Father’s dizzying tangle of grey cloud-hairs persistent in the corner of his eyes. “Cut it shorter.”

Phoebus doesn’t protest. He never seems to say a word when it really matters.)

[adustoflove]

I always think well if I dated a man, I wouldn't feel as insane. I wouldn't feel so awful or jealous. And then I remember why I came to the conclusion that I'm a lesbian. I just wouldn't care if it were a man. I just can't bring myself to care about men like that 😔😩😭

[shift-shaping]

very funny when someone who tries to tell you porn addiction is real is already marked with shinigami eyes. like oh really? i never would have guessed a transphobe would buy multiple strains of fundamentalist christian propaganda. anyway

like i cannot stress enough that porn addiction is a fake thing made up by fundamentalists to make you demonize sex. it is not a real thing. you can have all manner of compulsions, sure, but a porn compulsion is no more harmful than a compulsion to doomscrolling or washing your hands or brushing your teeth. which is to say, it's not great to have a compulsion at all, but a compulsion to pornography is not uniquely concerning in and off itself.

research on this subject is very clear that porn and porn consumption itself is not the issue. what causes distress and shame is the culture surrounding porn and the way our society demonizes people for normal sexual feelings.

porn is morally neutral. you are not a bad person for enjoying porn. the real-life porn industry is a shitshow, but there are many ways to enjoy pornography that are entirely harmless. support your favorite independent porn producers.

[rosalind-hawkins]

Fuck it, I'm just gonna share my big announcement today. I can't wait any longer.

I'm pregnant!

Yep, @hylianherald and I are expecting our first kidso to join our family in April/May 2025. ❤️

We're literally in the middle of moving this week, and it's been so rough without the aid of energy drinks or just caffeine in general, and on top of pregnancy symptoms.

ANYWAYS, I will be opening up pregnancy fic commissions soon, but there will only be a limited number of slots at a time, to keep me on track.

Fic commissions will be $5 for a 1000-1250 word fic.

So that I have a good sense of how many slots to open up, please vote below to lmk if you're interested.

[hauntingofhouses]

i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.

so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.

putting the rest under the cut because it ended up being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.

thus, when i refer to mizu as nonbinary, i am interpreting mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that when i say nonbinary, it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.

okay before i go deeper i'd just like to address some important things. first of all, this post is an analysis of canon, and thus everything i am arguing for is about my own interpretation of the show, and not some baseless projected headcanon i am projecting onto the character. please remember there is a difference between an interpretation (subjective; interpretations will differ from viewer to viewer, but ultimately it is firmly rooted in evidence taken from the source material) VS a headcanon (unrelated and often even contrary to what is presented in canon; opinions wildly differ and they cannot be argued for because there is no canonical evidence to back it up).

ALSO please note that nonbinary is an umbrella term. this means that it applies to a vast range of gender identities. other identities that fall under the nonbinary umbrella include agender, bigender, genderfluid, and so on. however, it's my personal preference to use the term nonbinary as it is, simply because i'm not a fan of microlabels (more power to you if you do like them and find they suit you more though!).

also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.

the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.

which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.

anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no singular way to identify as anything, as everyone's views on gender, especially their own, is specific and personal to the individual.

so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading of the text. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.

me, personally, i view her as nonbinary but not necessarily or not always transmasc because i still believe femininity and womanhood is a very inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised racial identity, hates herself for being a racial Other. hates that she has no home in her homeland. thus it is important to note that these are not queer or feminist themes, but postcolonial ones.*

* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—

nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.

on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.

thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.

as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns for her, but this is a personal preference. i find it's easier to use in fanfic (singular they is confusing to write stories with, but again, that's just my feelings on it, and this is coming from someone who uses they/they pronouns). i also lean towards she/her because it's what the creators and all the official promotional copywriting of the show uses. and even though i am a "death to the author" enjoyer, i feel that when interpreting things that are left open-ended, it does help to look at the creators' take on things. also because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does, constantly.

also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my argument.

so anyway yeah that's my incredibly long rambling post.

TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.

[nonbinarylesbianherb]

I've seen many people say Alicent walking away from Aegon, as well as other scenes of her failing to comfort her kids is her "lacking empathy" or something along those lines

I've seen a lot of people say that empathy is a basic human trait, and that "anyone" would've gone to him and provided some form of comfort (e.g hugging, apologising, etc.)

NEED people to recognise that not everyone shows empathy the same way. That not everyone recieves empathy in the same way. There are many reasons to as why Alicent walked away, 1. Maybe she was worried she would only make things worse. 2. maybe she thought he preferred to be left alone.

We can see very clearly the emotions of pain on her face. She wants to help but doesn't know how, she's not really close with her children. So she doesn't know if her providing him comfort by hugging/her presence in the room with him would make things better or worse. E.g, myself- I love my friends and family dearly but sometimes when I'm grieving I need to be left alone and someone coming to talk/hug/be with me, regardless if their intention is to help, will honestly make things worse than better.

There is no one way to show empathy nor one way to receive empathy. I don't think it's fair for people to say this about Alicent when we don't know at all if it would've helped. In my opinion it's a very black and white view of something that is an extremely complex thing.

Grief isn't the same for everyone. Comfort from others isn't always the answer to grief. Grief can be shown in many forms.

It reminds me of how Helaena got a lot of hate after the b&c scene, and people saying she had no empathy/care for her children due to her reaction. Not everyone reacts the same to these things. If you would kick and scream that's valid, but people, like Helaena who would dissociate from shock and trauma are valid as well.

We're all completely different individuals, billions of us. We all experience things and show things different. Just because we may experience things differently, doesn't mean we are lacking of empathy.

In my opinion, the only people who fail to have empathy are the ones who cannot comprehend this.

[sukibenders]

The way people are becoming anti-children nowadays is really sad. And I'm not talking about people not wanting to have kids of their own, that's fine and something that shouldn't be shamed nor up to someone else to debate. No, I'm talking about the people who adamantly hate these little humans for simply existing, wanting to ban them from spaces due to them having emotional reactions that they are still learning to understand (you know, the kind of lessons that everyone had to learn and figure out at one point). It's gotten to the point where I've even seen these types of people genuinely support children being harmed and deny their hurt under the consensus of "Well then maybe they shouldn't be there," in your average public space. Like, imagine thinking hating on children, people who need assistance and guidance, is something to be proud of.

[winepresswrath]

Honestly I'm kinda hoping season 3 reveals Lestat tried to get the audience to say banishment during Claudia's sentencing too but couldn't manage it for whatever reason.

I would like that but I think it might be too much Lestat exoneration. as I say this I know I would cry so hard and enjoy it so much if they went there. My current guess is that Lestat was extremely peeved about both the attempted murder and the decades of estrangement so he did a little doublethink where he was both planning on saving her if he got the chance and sulking to himself about how if he didn't get the chance it was her fault for not listening and she wanted him dead anyway so why should he go to all this trouble when she'd never loved him and she's an adult now anyway she's perfectly ferocious in her own right if she can take him down how could she need him? she doesn't even want him. she hates him. Then he got abruptly smacked in the face by the fact that she's still his kid and she's looking to him for help and he's not helping. like I think he was trying for an out where everybody lived but at the end of the day saving Louis was his priority, and I don't think he fully processed that she was going to die for real until it happened. however with this show who knows! Season three needs to be here now.

[icy-book]

worm theology???

Hi anon! I hope you see this because I hit my post limit and had to queue it for the next day.

I have no idea if this is a commonly used term or just something my parents made up that I picked up from them, but worm theology essentially refers to a specific style of teaching that's really focused on the idea that we're all sinners who should be grateful for the grace that God has given us.

The name comes from sermons of this type essentially being "We are all miserable little worms who should be grateful that God hasn't crushed us underfoot"

To me, it's feels very guilt-trippy, and honestly very Victorian. It's very different to most of the kinds of preaching I grew up with which didn't demean us?

Most sermons that are worm theology are not this obvious but pretty much any reference to the idea that we are sinners redeemed by the grace of God stems from worm theology, even if that's not the main compontent

[icannotgetoverbirds]

Share to save a dandruff-haver's sanity

i am making this post because all my life i have been told my dandruff was my fault for not washing my hair correctly and shamed for having "poor hygiene" as a result - this is probably where the bfrbs started tbh.

SO. There are two main types of dandruff!

Dry scalp flakes: these are white and itty bitty! you can probably solve this with a good hair and skincare routine. HOWEVER unless they are bothering you it is absolutely not necessary for any kind of health reason (afaik! disclaimer! i am not a doctor! this is not actionable medical advice nor should you take me anywhere near as seriously as a dermatologist). IS NOT CAUSED BY POOR HYGIENE.

Fungal dandruff: Bigger, yellowish, possibly oily/greasy flakes! Caused by your genetics going Oops All Yeast! Generally requires a prescription antifungal treatment from a dermatologist! ALSO NOT CAUSED BY POOR HYGIENE.

Either way, if you have dandruff, a dermatologist is the one you want to consult if it's bothering you! and frankly, even if it was a hygiene issue, nobody deserves to be shamed for that!!!!! especially considering that there are plenty of people who struggle to shower regularly due to circumstances beyond their control!

AND FOR CHRIST'S SAKE STOP SHAMING PEOPLE WITH DANDRUFF!!!!

[goldkirk]

I'm so proud of myself about finances in the past couple months. I still struggle with money but I did enough meditation and journaling and practicing about it to make myself able to actually face my loans and credit cards and savings and bills and start really truly organizing and addressing them for the first time in years instead of just flying by the seat of my pants.

Like. This is a huge deal for me. I've felt like I'm in deadly danger every time I've tried to think about money for years and years. I'm finally able to look it in the face and stare it down and start to organize and plan on purpose instead of just keeping up with the minimum to stay afloat. I'm so proud of myself.

It's still a refrain of "GUILT (funny link)" every time I think about money but I'm able to actually make spreadsheets and face the numbers and monthly tracking again, and even make a new full budget which I haven't been able to do in ages.

still feel guilt, overwhelm, and helplessness, but no longer feel as much deep elemental shame and terror. that's progress baby

[technicallydelightfulpenguin]

I don't feel ashamed for calling the Motherfucker and Proshitter 'artist' CreathingShitmera.

[wonder-worker]

"The newly widowed Elizabeth (Woodville) was exceptionally vulnerable. Several of the trustees responsible for her jointure refused to hand over the manors that were meant to sustain her in her widowhood. Moreover, her brother-in-law, Edward Grey, had seized estates that her son Thomas should have inherited from his paternal grandfather, while her mother-in-law’s new young husband, Sir John Bourchier, had prevailed on Lady Ferrers to settle her principal properties on them jointly for life, ensuring that Thomas would have to wait far longer for this inheritance too. Rivers and Scales were pardoned in July 1461 and swiftly moved into the Yorkist establishment, which perhaps explains the success of the chancery suits Elizabeth launched to regain her jointure. Her son’s inheritance proved harder to recover. By 1463, Rivers was often in (Edward IV's) company and on his council, but Elizabeth needed someone with much stronger influence over the King. She turned to a distant kinsman, William, Lord Hastings, the King’s chamberlain. Hastings drove a very hard bargain for his aid but it was probably amid these negotiations that the King’s desire for Elizabeth was kindled."

-J.L. Laynesmith, "Elizabeth Woodville: the Knight's Widow", Later Plantagenet and Wars of the Roses Consorts: Power, Influence, and Dynasty

[imminent-danger-came]

I love reading your tags- especially when theres just even MORE info dumping there.

The least favorite character ask made me giggle a bit, "This character that appeared for a single episode is actually pretty cool. And this character is really awesome in this particular context. But ALSO I really like this character with very little actual screentime."

You‘re absolutely right though! Characters whose only purpose is to fill a particular role are chosen really well too! Like the Host Girl; sure, she doesn’t really have a personality or anything, but she doesn’t NEED to have one. As you said, she‘s collateral damage. She gives us more insight to Wukong, she shows us just how ruthless he can be. He‘s willing to kill the epitome of innocence: A child. A defenseless little girl with a cutesy voice, who was just in the wrong place, at the wrong time.

(It‘s also worth a mention that, contrary to Wukong, she revealed a softer side of Macaque. Not to the extent the fandom built it up, but in an arguably more meaningful way. He‘s worried/feels bad for a total stranger. Even if it was only a concerned look, she once again gave us a deeper insight to a member of the main cast.)

And the characters with less focus either have really genuine interactions (Yellow Tusk with Azure) that just endear you to them, or they drop a banger line (like the Jade Emperor) before their purpose is fulfilled.

Nothing wrong with being a plot device if it‘s done well!

This wasn‘t really much of an ask rather than me rambling. Sorry.

I welcome rambles in my ask box! Half of you that show up in my ask box could just write your own analysis posts.

And you're also totally right! There isn't anything wrong with characters that are there just to function as plot devices. Sometimes a child is there just to be a child, and that's all they need to be. I think I feel this way about Megapolis (a name for the city that hasn't even been mentioned in show). Like it's a city filled with innocent people, it's MK & the Gang's home, and that's all it kinda needs to be tbh. LMK has to be extremely tight with what it chooses to focus on because of time constraints, and it does that well. When it comes down to it, focusing on the characters/plot is more important than focusing on the setting (which I think debatably wouldn't contribute much anyways—like we don't need more of a reason to care about the city, you know?).

I have this same opinion when it comes to the Demon Bull Family, which may be an unpopular take, but the truth is that a lot of their development happened off-screen. After ROTSQ and until we see them again in 3x06, it's clear that there have been positive changes between Red Son and his parents. I think I've seen some folk want Red Son to cut off his parents entirely, but that kinda goes against the core of his character. Part of Red Son's appeal for me is his complete devotion to his family despite their flaws (saving them in ROTSQ and EYD, attempting to save them in 4x09). Red Son and Princess Iron Fan only ever wanted world domination because that's what DBK wanted, and after that failed—they gave up. They hit the bricks. Red Son then started a food business with his dad (jealous of MK and Pigsy's noodle shop mayhaps?), and I think it's telling that DBK would even agree to do that to begin with. DBK and PIF's disregard of Red Son may not be acknowledged in the way people want, and I get that, but it's not that it didn't happen. I'd say there's another jump in their development between the end of 3x14 and the beginning of 4x09, where the fact that DBK calls out for Red Son as he gets taken away shows a closeness between them that we hadn't seen before. It's also clear that DBK has grown past the person who only wanted to create the world in his own image, chastising Azure Lion:

Demon Bull King: "How many times must you be struck down chasing this same foolish dream?"

(4x09 Roast of the Monkie Kids)

-

(Plus "This pursuit of yours has warped your mind brother—it is the only reason I could imagine that you would have the nerve to assault my home and harm my family!" echoing PIF in 1x10 "Come to your senses, this power has poisoned your mind!"; Azure unreasonably considers DBK a traitor like DBK had unreasonably considered Red Son a traitor, etc.)

DBK, unlike plenty of other antagonists in LMK (Spider Queen, LBD, and Azure specifically), learned to stop and accept the world as it was. He failed as a conqueror, but he still had his family, and he could try and not fail as a father for his "half-baked son"—or that's how I interpret DBK anyhow.

((I also want to bring up the fact that DBK didn't dare use the Samadhi Fire ring he had to power himself up with Red Son's furnace in AHIB. Like, even the Mr. Bull King has some restraint—there are prices too great to pay for the world, hence why he gave up on world domination after 1x10, when he almost killed his wife and son.))

To me it makes the Demon Bull Family feel like characters that exist outside of MK & the Gang, and can grow/change even when they're not on screen with our main characters, and I think that's cool. We also legitimately didn't have time for anything else.

[illnessfaker]

cishets are crazy, i can't imagine openly proclaiming that your boyfriend fills the gap in your life that your absent father left as part of your announcement that you're getting engaged

[readyforsomeslapstick]

alright, taking bets on who is holding the flashlight at the end of Ep8

I've got my money on two candidates:

either the one person who was in the Biddle house that we haven't heard from, and who was sold as a villain from the start.

or the one person who willingly walked into the Biddle house but whose plans got massively derailed by Harold's sudden appearance.

it's either Allison, the ex-girlfriend, or Nathan Bratt himself.

If I'm wrong, then Disney needs new writers.