#don't at me there are several examples for all of these

[bluebeads-art]

2024 November 21st

INTO THE LAKE WITH YOU, MUD CHILD

My part of a retroactive art trade with @anxiousapplepie ! "Retroactive" because I was already drawing this before we agreed to make it part of a trade, heheh.

I read this post about their Role!Swap AU, and, like, multiverse shenanigans? Check. Characters goofing off and having fun? Check. Several opportunities for slapstick humor? Check. Conclusion: I really wanted to draw it. Physical comedy is my specialty. :p

This thing is kinda all over the place composition wise (looking at you, relative sizes of speech bubbles) because there is Too Much going on in these panels and I Did Not plan ahead of time, lmao. This was supposed to be doodlier than it ended up being, so as a growing pain it's a funny jumble of consistency. One of these days I'll be able to doodle without getting carried away. 😂

More rambling and close-ups under the cut

This interaction in particular is what nudged me over the edge to draw this whole thing. I don't know what Fighter Mirabelle's malfunction is when it comes to the Siffrins, but it lets me make Sif the butt of a joke again, so yeehaw! His hat being catapulted out of frame made me laugh when I was thinking of what to do with the composition-complicating hat in question.

Also my personal take is Siffrin is 100% having the time of their life here. Making new(?) friends? Being involved in a fun group activity? Well worth inhaling some puddle water and having to go jump in The Lake to wash the mud off later.

Bonnie being so furious they changed art styles wasn't in my original plan, but I'm so glad I thought of it on a whim because it made me laugh Every Time I looked at their face. 😂

Time taken on this whole thing was 42 hours and 50 minutes. AND. I KNOW THAT SOUNDS BAD. IF YOU KNOW I'M TRYING TO SPEED UP MY ART PROCESS. But this project gets a special pass. This was the farthest out of my art comfort zone I've been in a while! 13 (mostly) full-body characters at various complicated angles, 2 backgrounds, learning to use CSP's perspective rulers, effects I'm not used to like water splashes, etc etc. I made progress on speeding up sketching & line art as well! Some of the lines you see are just extremely cleaned up sketch. I was able to let myself fudge things more too. For example, Mira's dress is a very "dude just trust me" simplification because I don't know how the clothes folds would work at that angle. ^^;;

So while there's still a handful of things I'm not happy with, it's worth it for the learning experience and perfectionism-busting progress! Also for the sake of drawing silliness, of course.

Oh, lastly; the KO sprite is the one from in-game, so it was made by insertdisc5 and not me.

[nadas-dirthalen]

Dragon Age: the Veilguard Was Packed with Lore — But Many of Us Overlooked It

— PART ONE —

Welcome back, friends and travellers. If you've been here a while, you'll know that I wrote 30,000 words of predictions in the week and a half before DA:tV released. But here's the most surprising thing—I was right, for the most part.

I spent my first Veilguard playthrough grinning (and then sobbing) at all the lore reveals. And here's the thing: I think most of us missed a lot of them, including even me.

So let's begin with...

Titans: Dark and Light, Compassion and Rage, the Eternal Hymn and its Endless Listeners (1/2)

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

Alright, pals. If you've been here a while, you know how this goes. I always start by listing what we're going to cover, like anyone who's never fully recovered from academia.

Today's Discussion:

What Veilguard (Re)Taught Us about the Titans

The Titans the first Shapers of the known world.

The Titans are beings of the Abyss.

The Titans are sleeping, dormant—but alive.

Dwarves are the Titans' children, created to tend them.

The Evanuris mined the Titans' bodies to create people.

The Titans—the Earth—fought back.

What Veilguard (Re)Taught Us about the Titans

The best thing about Dragon Age, as someone who loves the series to death, is that its worldbuilding is consistent, but also bears the unique quality that we, as players, are not aware of it all. Our protagonists in each game don't know everything; the people they learn from also don't know everything. We learn what we can through codices that are all biased and need an extra layer of decoding. This is a feature, not a bug.

It also means that we did not know how to understand the Titans before. Even my 30,000 words of theorycrafting, especially my piece all about the Titans, had elements of speculation. I had to check that speculation against other sources like the Chant of Light, which is a source that we REALLY did not know how to decode when it was revealed piece by piece in DAO, DA2, World of Thedas, and Inquisition.

Here, I'm going to break it all down, piece by piece.

The Titans were the first Shapers of the (known) world.

It is said in the Descent DLC that Titans are enormous beings whose singing shapes the world. Their existence predates much of Thedas, if not all of it. The Titans are called the first Shapers for this reason, and in Veilguard it is restated several times over that they did, indeed, shape the world—for instance, by Cole in Inquisition.

"Their ancient shapers were mountains drawn of all their wills, walking their memories into valleys of the world." —Cole dialogue.

Inquisition told us so much more about the Titans than just that, though. The Titans have a realm all their own, a counterpart to the Fade, mentioned over and again in the Chant of Light and referenced as a quest name in Inquisition.

Here lies the abyss: the well of all souls.

The Titans are beings of the Abyss.

Now, it's important that I mention right here that the Chant of Light has existed long before Inquisition. In fact, its tale is what opens DA:O as the game begins. Recently Eurogamer stated that BioWare has had a massive lore document for the 20+ years of its existence, and I believe that there is no truer example of this than in the Chant of Light itself.

The Abyss, for a long time, was a mystery to us. Inquisition cleared it up a lot—not only with its game content, but with World of Thedas' publication shortly thereafter.

Not only is the Abyss referred to in many elven codices, but we go there. The key locations of the Descent DLC—the Forgotten Caverns, Bastion of the Pure, and the Wellspring—are in a region called the Uncharted Abyss.

Now, with Harding, we go deeper into the Deep Roads than the average dweller. The same is true in that instance: venture down far enough, and we reach a Titan's heart.

We find a Titan's heart there. But the Titan does not wake—none have before DA:tV, and even then, they have not fully woken. Because, for as long as we have known...

The Titans are sleeping, dormant—but alive.

"It's singing. A they that's an it that's asleep, but still making music." — Cole dialogue.

There is so much Cole dialogue in Inquisition that speaks on the sleeping Titans, on their old songs that once sang the same, on how they will never wake up, that it would be folly to try and post every codex here. Suffice it to say: Cole knows of the Titans, knows of their songs, and knows they are asleep. He is one of the pathways to our knowledge of the Titans in Inquisition, and his words are peppered throughout the game.

The Chant of Light also makes reference to a mountainous Maker, who oft speaks about a forgotten mountain. When Andraste meets the Maker "in darkness unbroken," specifically, these words are used:

The Maker Appears to Andraste (7) Eyes sorrow-blinded, in darkness unbroken There 'pon the mountain, a voice answered my call. "Heart that is broken, beats still unceasing, An ocean of sorrow does nobody drown. — Andraste 1:7

Heart that is broken, beats still unceasing — a being who has been broken, but whose heart still beats. We can hear that, in the Descent DLC.

Veilguard confirms that both sources are true through Harding, her personal quest, and the codices for the Dwarven people.

Records that exist outside of Orzammar mention "great sleeping Titans" and "the First Ancestors." — Codex Entry: Harding's Notes: Orzammar and Titans

Harding's experiences in Veilguard, in this way, serve to prove Cole right. That is a deliberate narrative choice: BioWare's way of saying, Yes, this is true. Yes, you should take Cole's take on Titans as correct.

We also know, from Cole, that this state of being is permanent. Not only are the Titans asleep, but they don't know how to wake.

Songs screaming far away. It wants to wake up but can't remember how. No one should be here. — Cole dialogue.

This becomes crucial information in Veilguard, and central to the main plot. It serves as the backdrop for what actually matters most to the characters living in Thedas right now, which is...

Dwarves are the Titans' children, created to tend them.

By now, a lot of people have seen this reveal in the art book: the dwarves were created to tend to their Titan hosts/makers. But we knew this before—we just didn't know it in context, and therefore we did not believe it to be objectively true of Thedas.

In truth, we've known about the elves and the dwarves' origin since the Chant of Light came out in full with World of Thedas volume 2.

At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities. — Threnodies 5:5

I talk about it in more depth in my Chant of Light dissection, but what this verse says in context is that the dwarves (the Maker's second children) are beings crafted by the maker: bodies made of lyrium, souls made of the same "dream and idea, hope and fear" as the original spirits.

This concept has already been massively hinted toward with both Valta (who has become The Oracle in DA:tV) and Dagna, who both connect to isatunoll during Descent and Inquisition's base game, respectively.

We've known about the Evanuris' horrible crimes since before Inquisition, as well, for the same reason and from the same verses in the Chant of Light.

Until, at last, some of the firstborn said: "Our Father has abandoned us for these lesser things. We have power over heaven. Let us rule over earth as well And become greater gods than our Father." (8) The demons appeared to the children of earth in dreams And named themselves gods, demanding fealty. — Threnodies 5

With the context given to us by Trespasser and Veilguard, we know without a doubt that the Evanuris are those "jealous spirits" that comprise the Maker's first children.

And just like the Chant describes, they sought to conquer the earth: the realm of the Titans.

The Evanuris mined the Titans' bodies to create people.

Trespasser taught us so much of what we needed to know about the Evanuris' and Titans' conflicts. Its codices in the Deep Roads outline how it was Mythal, specifically, creating some of the first elves in the coffins found in that zone. The Temple of Solasan features coffins of the exact same kind.

Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris. — Codex: Torn Notebook in the Deep Roads, Section 3

My (updated) translation: Isatunoll Mythal gives you dreams Lyrium within Becomes Solas evanuris Little stone boy You give nothing to the Titan (anymore) Forever, forever.

Trespasser reveals that Mythal mined the bodies of slain titans and rendered their demesne unto the People: she conquered Titans and used their bodies for her own ends. The hints about these actions, however, are not exclusive to Trespasser, nor to Solasan. These seeds were planted all the way back at the Temple of Mythal.

Elgar'nan, Wrath and Thunder, Give us glory. Give us victory, over the Earth that shakes our cities. Strike the usurpers with your lightning. Burn the ground under your gaze. Bring Winged Death against those who throw down our work. Elgar'nan, help us tame the land.

This codex to Elgar'nan makes reference to Elgar'nan giving victory over the Earth (capital-E, the Titans). Trespasser would follow this up with much context—that it was Mythal who was first known to have slain Titans, "rendering their demesne unto the People."

I theorized that Mythal's mining of Titans for lyrium to make elvhen bodies was what angered the Titans, based on codices in Trespasser and the Temple of Solasan. (I go into much more depth there!) Veilguard confirms this theory in Solas' Memory #4: A Memory of Manifestation.

Solas: I have the Fade. Besides, this talk of taking on a solid form. When you took the glowing stone to build your body, did the earth not shake? Mythal: The lyrium gives us the strength we had when we were of the Fade. We are the best of physical and spirit.

Mythal's crime was what took the war with the Titans in a new, darker direction. It was what would set off the chain of events that would change the very nature of the world—and it was foreshadowed, back in Inquisition, by Cole.

The Titans—the Earth—fought back.

"They made bodies from the earth, and the earth was afraid. It fought back, but they made it forget." — Cole dialogue.

In this post, I theorized that it was Solas' creation itself that caused the first Titan to "go red." That is to say, to change its nature and fight back. I used codices from Trespasser and Solasan to get there, as well as one paragraph from World of Thedas and this codex on Fen'Harel that describe the Forgotten Ones as "beings of terror, malice, spite, and pestilence."

Thinking about those words, and specifically terror, I read the codex in the secret Deep Roads room in Trespasser with fresh perspective.

For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire. The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic. Terror, heart-pounding, ice-cold, as the last of the spells is cast.

Terror. The first of the turned Titans. The fire/plant/ice imagery also caught my eye, and when I went back to Solasan to check, there were many hints that this was, indeed, where Terror came into being. (For more, go look at the most recently linked post in this section!)

Huge implications for Solas aside, what this codex taught me is that Titans' natures could change. This was confirmed in Veilguard many times over, yes—but my point here is that Inquisition taught this to me, just a few days before I gained the context of Veilguard. This was never a retcon! However, this lore plays exactly to BioWare's rules: we did not have the full context, and so almost no one read that Deep Roads codex as it was meant to be interpreted—including me, the first few times I read it!

It was only when I'd seen the achievement icons before Veilguard's release that it all clicked for me. All of the lore of Inquisition and everything before it made sense. That was never a bug, never a retcon, but a genius twist on BioWare's behalf: one that almost no one guessed at for an entire decade.

One that changes everything.

Titans, we know for certain now, behave as spirits. Obscure hints in World of Thedas, Inquisition, and the previous games have been confirmed in Veilguard. This new understanding changes not just the Titans, not just the dwarves, but reframes everything we know about the entire history of Thedas and how its magic system works.

______

Thank you for reading! It means a lot when people engage with these. And don't worry: I'm not nearly through with them. It's taken me a while to compile everything, but with more of Veilguard added to the wiki every day, it's a lot easier to compile things for these posts!

(Immense thanks to the wiki staff, of course. <3)

Up Next: Titans and Spirits are far more similar than we think, and it means everything.

[riddlerosehearts]

sorry in advance for the lengthy comment but this post gave me some thoughts that i hope you don't mind me sharing! i'll be honest, i did still have disney plus until recently and was holding off on cancelling it because i was sharing my account with several of my friends. but then bob iger's greedy ass decided to start charging a fee for sharing your password AND hiked up the price of the subscription so i finally cancelled because my friends and i can all easily pirate stuff and i do not plan on resubbing just for the twst anime!! bob iger also recently admitted that they raised the price of the regular disney plus subscription specifically because advertisers have been getting more interested in streaming so they wanted to try and push people to move to the cheaper ad-supported plan. there's a bunch of old shows they don't even bother to put on there. it's not worth it and if anyone wanted to learn how to torrent i'd be happy to try and show them how easy it is.

however the main thing i wanted to say is that this post reminded me of how when tangled the series was still coming out, it released on the disneyNOW site and if you had disney channel through a TV provider you could watch it on there as soon as it came out. so there were people in the fandom who would screen record it and then upload it on google drive or mega and post the link to it in the tags every time an episode came out so people who didn't have a way to legally watch it could still see it and discuss the new episode with everyone else ASAP. of course the situation here is a bit different since we're asking people to NOT watch the twst anime legally if they can help it, but this has me thinking maybe it'd be good if the twst fandom could make a similar effort to share pirated episodes of the anime for people who might not know how to get them or might not be able to do so on their own for whatever reason. or, if someone still had disney plus because for example their parents are paying for it and they aren't able to make the choice to cancel it, then they could screen record it and share it if they knew how. personally whenever i need to download anime torrents i get them from nyaa.si and i already know i will be checking there as early as possible for the twst anime episodes, so there's a chance that i could upload them and share them--but google drive and mega both have such small storage limits for free users, i probably wouldn't be able to keep every episode uploaded in one place.

Ok but NO MATTER WHAT

I NEED YALL to pirate this

idc if Disney is on the pressure list

DO NOT PAY MONEY TO DISNEY JUST BC YOU WANNA SEE THESE ANIME BOYS

PALESTINIANS ARE STILL SUFFERING AND BEING KILLED

[petermorwood]

I first read this book when I was about ten years old - a senior cousin's copy - and finding a scan on the Comic Book Plus website let me refresh memories long ago consigned to the furthest recesses of the Mind Palace (or in my case, Untidy Mind Attic).

Its stories are fairly typical Ripping Yarns, but I'd forgotten just how Keen On Sport "The Champion" was. The title alone should have warned me, because there are six annuals on the website, all full of Hearty, Keen and Sporty goings-on.

I've posted more than once that Organised Sport was at the bottom of any list of Things I Liked To Do. In particular I detested the compulsory variety inflicted at Big School, which started happening when I was about eleven and made recollections of Jim's jolly-good-stuff annual increasingly sour.

A lot of the stories are pure sport, but several others have their sporting angle jammed into action-adventure yarns of completely non-sport-related genres, often with all the subtlety of a square peg put into a round hole with a sledgehammer.

For instance, "Rockfist Rogan of the RAF", hero of World War Two air-combat stories, was better known in his story universe as a boxer than as a fighter pilot.

Despite this, illustrations of aircraft were spot-on - as here, a Mosquito FB Mk VI with Dornier Do.217s overhead and a nosed-over Typhoon Ib in the background, or Spitfire Mk IXs defending B-24 Liberators against Messerschmitt Me.163 rocket fighters (though from the text description they should have been Me.262 jets. Oh well.)

If readers of "The Champion" were anything like readers of the war comics I used to read, the editor would have got a lot of disapproving letters if those illustrations weren't accurate. I might have sent one myself about the Messerschmitt error.

At least I might have done if I'd been of letter-writing age, rather than not yet born...

The Rogan stories aren't the only example of Sport In Unexpected Places. There's "Cap' Dan, the Sporting Pirate" (snrk), "The Racing Rajah", "The Sporting Mountie", "Johnny Fleetfoot the Redskin Winger" (rolleyes) and "Kog's Amazon Marathon", which reads like "Apocalypto" remade with a cast of Keen and Sporty English schoolboys.

And, thanks to how language and attitudes have changed, one story nearly sent a spray of tea across my monitor.

I don't think either the title or the plot would work very well today...

:->

[zeddylux]

The Vi hate in season one always drove me absolutely crazy mostly because I don't think people were really taking into account the gravity of the situations she faced. For example during the bridge scene in season one when Jinx killed Marcus I saw so many takes that were somewhere along the lines of "oh she chose to help Cait instead of her sister" or "Vi really should have said something to make Jinx feel better" and I'm just like dawg. Jinx just BLEW UP A FUCKING BRIDGE. She just killed SEVERAL people. Ya'll were acting like they just met up on a college campus and Vi stood her up for lunch or something. I wish the series got into her alcohol abuse and trauma more because holy shit. Just because she doesn't show her PTSD like other characters doesn't mean it doesn't exist. Not everyone reacts to trauma the same way. If I needed several drinks just WATCHING all the shit that happened to her imagine just for a moment experiencing it.

[includedisco]

As writers, let's ask each other for help with our problems instead of normalizing "the struggle of being a writer"

Being a writer comes with so, so many struggles and we've all shared them here on Tumblr several times. Few examples include, the constant hunger for validation, writers block, grammar, lack of inspiration, lack etc.

Today I want to say that the community does exist for us to get help from each other. If none of the many blogs on here touch directly on the problems you're facing, you can, for example, leave questions under those blog posts or do a blog post of your own where you HONESTLY & FREELY outline your issues without any reservation or shame.

My writing life changed yesterday, few days after I did a blog post where I confessed my weaknesses as a fanfic writer. A fellow writer was sweet enough for leave some VERY USEFUL tips for me in the comments. They changed my writing life for ever I tell you. The advice didn't solve all my problems but it certainly solved some and, who doesn't want less problems?

Someone else always know something you don't and vice versa, let's open up and reach out to help each other through the hurdles of writing.

Thank you sm again for your writing advice @a-couple-of-no-good-weeks. I hope you don't mind that I mentioned you here ☺️ I'm just so grateful

[cosmic-vacuum]

Introduction.

Heard someone online say this— "The right DIRECTION is actually more important than HARD WORK itself."

The first step to "working smart" is also stepping in the right direction.

Hard work directed towards unproductive and degenerative activities is equivalent to stalemate in the specific field if not further degradation.

HOW SO, DO WE STEP IN THE RIGHT DIRECTION?

Step 1: Have a talk with yourself about what you really wish to do.

My talks before starting this usually ended up in tears.

I've been failing in life altogether for over two years now and all the cumulative criticism combined with regrets and embarrassments fueled defense mechanisms and avoidance techniques to develop inside me.

The talk was obviously hard, but finally I've opened myself to opinion and change recently— this in itself is the greatest change a human being can have.

It wasn't easy, of course.

I was supposed to fight down my own behaviour and impulsive reflexes to understand words and opinions of the other people around me whilst not being swayed completely by them or even rejecting them completely.

This is one of those things easier said than done.

It was talking to myself more that led to this.

The only person who can reach the inner voice of your consciousness is you. This voice is the most truthful and genuine guide you can find, only, you must know to separate it from words materialised by intrusive thoughts.

Sit with yourself, talk to yourself, ask yourself what you want to do.

It may take a while, but you will surely get response when you try to connect to your inner self.

Step 2: Get into what you wish to accomplish— know more.

Reasearch about your goal. We can't start into something we barely know about.

2024 is a great year to live in but only for the seekers.

You'll find everything you need to know about anything online today, all you need to have is the desire to see.

This is the first step to "Smart Work" too.

[Smart work: works only when applied with hard work. It's not the other way around— you can not replace hard work by smart work]

We will be revisiting this several times in times ahead so don't worry if there are unanswered questions [you can always comment or dm them to me].

Step 3: This is probably the TRUEST of all advise I've heard growing up– You're the average of the five people you listen to everyday.

I have personally seen so many people change for the worse on having bad company surrounding them.

It's easier for people yo pick up bad behaviours rather than good ones so no matter how selfish it would make you feel, cross out bad influences from your life

If you happen to be someone mostly at home and in presence of parents or siblings (like me), try to make firstly, your pwn mind your best companion. When there's problems, talk about it to your own self.

It's magical, trust me.

This takes time to get a hang of but it's magical.

Other than that, fill your ears with podcasts or perhaps you tube videos of people who are wise and/or related to your specific goal.

[I will be sharing a list of thr best podcasts to hear for personal growth later in a separate post.]

Step 4: Have a proper plan.

How you spend your minutes, hours, days, months and therefore the years becomes how you ultimately spend your life.

A— Take either a calendar or just draw out the months which compose your selected "two month" time.

B— Write your goal on a piece of paper and formulate a monthly procedure to achieve it.

If this goal is some sort of skill development for example, divide the procedure into the two months and then further down to weeks. Then, divide the workload per day of the week.

This is also applicable for students preparing for some or the other sort of examination or are just studying in general.

C— People who wish to upgrade their personalities will be part of a more active process which will run alongside the daily log posts.

WHAT NEXT?

Once we've got all we wish to change outlined, we can step into finally starting the process.

This turned out to be longer than I expected so I'll keep it till here. Anything else we need to do will follow in the following posts.

If we wish, we can.

[check out the blog to join the journey]

[noperopesaredope]

I've Finally Figured Out Why Curly's Skin-Thing Frustrates Me

I was talking to someone earlier about how people sometimes refer to Curly as "corpse-like" and why that might be offensive to burn victims, and I was trying to explain why some people might think that way. I think after that conversation, I was finally able to articulate what frustrated me about Curly's burn situation. He doesn't look like he actually has burn scars.

Here are some real life 3rd degree burn scars (sorry if some of them have a before and after photo, they were the best I could get):

Here's also a diagram of burn severity just as extra stuff:

They appear very different from Curly's scars. They are more...wrinkly doesn't seem like the right word? They do not seem to have straight lines that flow in a specific pattern, and are more vein-like than anything. A lot of them also have a more regular skin tone. Whether pink or not, they are not the shade of deep crimson red that Curly's are. They overall look completely different in many ways. One might argue that different types of burns and different degrees cause different scarring, and I agree with that. In fact, having looked into burn scarring a bit more, I believe that Curly's scars may be 4th degree or higher, as it went past the skin.

Let's look at a few:

I have found an example of a real world burn survivor with some similarities to Curly:

(Honestly really liked this video, especially since it taught me a bit more about burn survivors when I first watched it a few years ago)

He, like Curly, had a disfigured mouth and eyes and whatnot. It shows that some of Curly's injuries are realistic, such as his mouth and probably his eyelid. However, his burns still look very different. All of them look much more similar to each other than they do to Curly.

In general, I have not yet found an example of burn scarring that looks similar to IRL scarring. I believe that's one aspect of this, but there is a second, bigger part. The big issue here isn't just that Curly doesn't look like he has burn scars, but that he does look similar to one of those medical textbook muscle diagrams.

His burns are a lot more fleshy and have a certain pattern to them that regular burns (even the most severe ones) don't. They follow lines across the body and take on a certain shape, whereas usually burn scars aren't quite like that. In face, the look a lot like the actual muscle structure:

(The bandages looking a bit like bones certainly doesn't help with that)

On top of it all (and this has always drove me insane), he is specifically described as having no skin. Even the most severe burn survivors have something. They have skin, or at least some sort of layer between the muscles and the outside.

According to all my research (and trust me, I tried), it is physically impossible to live without skin. You will die.

To me, Curly doesn't appear to have actual burn scars or even look like he was burned. Hell, before I knew anything about the game, I never would have guessed he had been burned. Instead, he looks more like his skin was peeled off, not burnt off.

A metaphor I used while talking to the other person is that Curly is like seeing a character who supposedly broke their spine, but then you learn that their entire spine actually disintegrated into nothing and they have literally no spinal cord. And you're like "wtf how is this bitch still alive" because you can live with a damaged spine but you cannot live with zero spine at all.

People don't think of him as a burn victim because there are no burn scars. In fact, I often forget he's a burn victim because he doesn't appear to have any actual burn wounds. Like, all his wounds don't look like burns of any kind. They look more like those medical textbooks. Thus, people see him as "corpse-like" because no living person with burn scars looks like him (at least, not that I can find). Because he literally looks more like a diagram of muscle structure than he does a burn victim. His design is unrealistic in a way that make people horrified.

He literally, in every possible way has no skin.

And that is why so many people are freaked out by him.

[canmom]

you must have this many dead friends to ride

it's TDOR (well, it was). unable to sleep, i read through all the deaths reported in the 2022-23 trans murder report (a year out of date, I don't think they've released this year's one yet.)

I'm not quite sure why i felt i should do this. if it's a gesture for the victims... well, if someone murders me one day, i don't think it will mean much one way or another if someone in faraway country reads a brief two sentence report that a 30-35 year old trans woman with 'other' occupation was found tied up with burn marks or something. nevertheless, it is the time of year for this ritual.

most of the deaths are reported in central and south american countries, largely due to reporting bias, though there's more reporting now from countries like India and Pakistan - almost nothing from east asia though, probably due to language barriers. it's hard to draw much of a conclusion about anything since many of the reports don't say much, the stats are subject to extreme sampling bias, etc etc. but the general types of story are: "her partner murdered her", "she was killed by gunmen on the street/in her house", "there was an argument and the other person decided to kill her over it", "the mob killed her for extortion reasons", 'her body was found in some awful condition", "the cops killed her" (including Tortugita, who they shot 57 times at the 'cop city' protest), and of course good old "explicitly anti trans hate crime" (which covers Brianna Ghey, the one death from my country, and several from the US).

my murdered sisters are in most cases very young. younger than me.

the statistician in my brain wants me to acknowledge that i don't know the degree that trans women are specifically subject to murder for being trans women or by abusive partners etc, and how much it's "just" about being poor and racialised and living in a place where paramilitaries, gangs etc routinely murder people. sex work is a dangerous line of work for many reasons, but it's also going to be the case that a lot of us are sex workers so even if we were all equally likely to be murdered, a huge number of the dead would be sex workers, just as many of them were beauticians.

but honestly, even bearing that in mind, a whole lot of sex workers were killed.

there is something particularly ghoulish in talking so drily about death statistics; the website uses the painful phrase 'concerning trend' in regards to the demographics of people killed (overwhelmingly trans women, sex workers and not white), as if a perfectly proportional series of murders would be less 'concerning' somehow, but what exactly are you supposed to say? it is of course a window into who a society is comfortable getting rid of, but we already knew that. there's a reason that a sex worker is the go-to plot-inciting murder victim in fiction.

collating death reports like this... in part it is done as a matter of political advocacy, saying 'look, we are being murdered by the hundreds [multiplied by some nebulous but significant underreporting factor]'. but of course, if that's our goal, we are holding our deaths up against, for example, the tens of, likely hundreds of thousands of people killed by violence in Gaza, Sudan and Ukraine in the last year - events which have already divided the world into people who can't stop it, and people who can but don't care to. and what do we want done about it? to beg the state to come down and apply its monopoly on violence more stringently? often the police are the ones killing trans women.

so what remains is ritual. we light candles, and read out the names of strangers who nevertheless have this one important thing in common with us, the ~global community~ of trannies and such - this was a person who refused to take the awful role they were given, asserted their own will to change their body, managed to live a life at least partly on their own terms, and then got killed over it.

but we don't have time to tell the life story, no time to describe the mess of relationships and aspirations that drive a life; there is no time to imagine what feelings we shared, what they enjoyed, what stories we might have laughed about if we'd known each other...

we have time for 'found dead in a car'.

if that.

in my country, we face a very different threat distribution - i don't really expect anyone i know to get murdered (though it's not impossible, there are people I'm close to who have been viciously attacked and there was little to do to stop the attacker coming back), but I'm sure Fall won't be the last of my friends to die by suicide. if we are 'fighting like hell for the living', our project here is more about trying to build lives that are worth living for, and weathering whatever fashy deluge is coming down the political pipes. what does fighting like hell even mean here? i think i used to think i knew.

but this night at least, I'm remembering my friend Fall, who we lost back in 2022. I made this page about her, and the feelings that came up from her death, with writing from friends who knew her better than me. I'd be grateful if you read it and helped some part of her memory live on. (apparently they wrote a little memorial for her in the recent translation of Shōnen Note: Boy Soprano which she worked on.)

I never got to ask what Fall thought of all these TDoR rituals - it's one of many things I didn't get to talk to her about and I bet she'd give me something unexpected to think about, formed some ingenious connection. or maybe she didn't think much of it! but it's as good a reason to think of her as any. she was awesome, she should have been given a much better hand by this world, and it is more shit for not having her in it.

I bet the friends of any of the 321 people on that list, and everyone on this year's list, would be able to say something pretty similar.

entropy always gets its way. but I'll hold onto what I can of her, my fragment of her ghost, for as long as we can. i guess that's the point of the ritual. hold onto our ghosts. tell each other that, one day, they'll stop accumulating so fast.

[thetriggereffect]

Nothing About the Stargate Is Intelligent

Don't get me wrong, I love all three Stargate shows, and I regard them as some of the best science fiction on television.

But the Stargate itself is a mass of technobabble whose operation is not just ridiculous, but impossible. And I don't mean technically, I mean logistically.

A standard Milky Way Stargate has 39 glyphs. Each glyph represents a constellation. A standard Stargate address involves seven of these glyphs-- six of them identify the location in three dimensional space, and the seventh is the point of origin.

This is several entirely distinct flavors of stupid.

Constellations are not points. One of the stars in Orion's belt, for example, is more than a thousand light years from either of the others.

Even if this weren't the case, the Stargates are millions of years old. Stellar drift has changed the constellations in the ~10,000 years that mankind has been aware of them.

You only need three points to identify a location in three dimensional space. Requiring a second position for each axis does nothing except for drastically limit the locations that can be addressed.

If every address requires the same seventh symbol at a given gate, there's no reason not to make the gate automatically supply it.

If you can identify the point of origin with a single glyph, why can't you identify the destination with one? (There is actually a bit in the original movie where Daniel tells the natives, "we're from here" and shows the symbol that corresponds to earth and they get it.)

Also, if the point of origin is one symbol.... there can be a maximum of 39 total gates. There is no such limit in the shows.

Of course, there is also the magic eight-symbol address that somehow, despite being made up of coordinates in the milky way galaxy, points to the Pegasus Galaxy. Or the nine-symbol address that can only be dialed from one gate (that apparently isn't even in the right place, affecting its ability to dial), which points to Destiny, which doesn't even have a fixed location.

And while we're on the subject of Destiny, how does THAT gate work? If the glyphs on a gate are constellations, how does that work on a ship that moves between galaxies?

How does dialing even work? The whole spinny thing is just our gate, because we don't have a DHD, but, like... why does spinning it even work? And how is it that, by the end of the show, we've developed the technology to build our own gates, but we're still dialing the main gate with the equivalent of a hotwire?

That's not even getting into the physics of the "wormhole" itself, or, rather, the lack thereof.

An incoming wormhole spits out a vortex that, in a violation of all known laws of physics, completely destroys everything it comes into contact with.

Unless it's the iris, which is just really close to the event horizon.

Or you just bury it, but that seems to have only worked the once.

The iris that we built, because the ancients who created them didn't seem to think anyone would need to be able to lock the goddamn door (until they got to the Pegasus Galaxy).

The iris that nonetheless seems to be completely integrated into the gate so seamlessly that you can't see the mechanism or where the parts go when not in use.

Wormhole travel is one-way. Except, of course, for radio waves.

It is an explicit plot point in several episodes that an object passing through a stargate is de-materialized as it passes through the event horizon, and is not re-materialized until (and unless) the entire object passes through.

Which begs the question-- how can you step through? Once your front foot is through the horizon, it can't bear weight. How is your back foot lifted up?

[fragilefirstchance]

I actually have thoughts about this! I think Ford is a specific type of character.

First of all: Let's talk about fanon!

Something I think that a lot of us forget when we're doing fan analysis is just how caricaturized all blorbos are in canon. This is true of any work of media: the characters aren't real people, they're figments who only exist as we see them on-screen.

Fanon is kind of like those AI image sharpeners that take a blurred photo and make it look like a person's face: yeah, technically that is an accurate way you can interpret the blur, but there are hundreds of faces that would be just as accurate, and not only are they all very different from each other, they don't even agree on the most basic and obvious traits. The same blurry headshot could be a scowling white woman with a square jaw or a smiling black man with sharp features. In a similar way, when we see a character become stressed because they just saw a mouse in a cage, we could say they're scared of mice, or morally opposed to pets, or that they have cage-based trauma - any option that works is plausible.

I think that there are characters who are good characters, characters who are uniquely good subjects for fanon, and a ven diagram between the two. For example, a lot of kids' shows from the nineties are bad, but they managed to produce a really fun and rich fandom. Meanwhile, some really beautiful and culturally important stories don't leave a lot of room for fan works because they've already said what they need to say. I think the absolute best works for fandom are the ones that are objectively good stories, but have really simplified characters: Undertale might be the best example of this, because every single character suggests a rich and beautiful personality while only being on screen for a relatively short time.

So that leads me to part two: Ford!

I think Ford fills a particular fandom niche that was empty for a lot of us.

He's extremely traumatized, and the more we learn about him, the more traumatized he is. He's kind of pushing the limits of what's acceptable from a kids' show, to be honest.

He canonically has a lot of difficulty making friends; this is partly because he's quirky and seemingly neurodivergent, but partly because he has poor social skills. He's not a cartoony, Eeyore-style "has trouble making friends but we love him anyway" character, either; there are tangible, in-story examples of him failing to make friends.

He behaves badly sometimes. This is actually my favorite trait of his - anyone who reads my fanfiction knows how much I love giving people with real flaws a chance to find love and be treated with respect. Most characters have a flaw to overcome, but in his worst moments, Ford actually lashes out and hurts others in a tangible way and not just a child-friendly way. Showrunners don't always like to show that sort of thing.

It is very, very easy to read some severe mental health symptoms into his behavior. Bill is a literal character, but he's also a pretty good metaphor: you can use him to explain hallucinations, dissociative fugues, sudden mood swings, manic episodes, severe depression, paranoia - the list goes on and on.

(That last one is really important. There's a pretty damn big difference between a good metaphor for mental illness and a thoughtful portrayal of that mental illness in a story. It's kind of like how many of us were so starved for queer representation growing up that we read queer metaphors into everything. Well, there still isn't good mental illness representation in most media, so we'll take the metaphors we can get. Ford is a really good metaphor even as he's presented, and there are a lot of holes in his narrative where personality disorder symptoms, manic episodes, delusions, etc. can slot in easily.)

None of those traits make a good Disney character. They only really work because he spends so little time on-screen; the books were only possible because of Gravity Falls's massive commercial success. So, he's a very rare example of a character who's from a light-hearted, positive, optimistic show aimed at children, but who has all of the template features necessary for us to read him as deeply broken in some ways that aren't sanitized or socially acceptable.

So, there are dozens and dozens of Ford AUs in which we project very specific experiences, traumas, and symptom sets into this one man.

How many Ford AUs out there are reflections of our own insecurities, traumas, and just general unresolved issues? Is that, like, his whole purpose in the wider multiverse of alternate Gravity Falls characters? 'Cause I KNOW it isn't just me

[tuiyla]

Gleeful Paintbox Project 2.4: Inspire ↳ glee (almost) sweeps at bingo, inspired by @winestained-dresses template + rework of (x)

[firestorm09890]

Penny stardewvalley makes me so sad because she's SO sensitive to, like, basically everything you tell her (telling her that you can't stand children while two children are nearby is a pretty lousy move but -1500 friendship?? being a jerk to other characters' faces typically loses you about 50 points, and if you choose the option labeled "creepy" and ask Leah for a kiss in her 2 heart event she physically hits you and kicks you out of her house but that's only -100 friendship…) and so if you want to befriend her it's a whole lot of lying and tiptoeing around her feelings (2 hearts: George was right but saying that makes her feel bad. 6 hearts: her food sucks but even if you try to be polite about it she feels like a failure; only a bald-faced lie pleases her. 8 hearts: saying you don't want to be tied down with a family loses you a little bit of friendship and she's only happy if you say you want kids) and I can't help but think she's a product of her environment. She lives in a trailer with only her mother, who gets drunk every night and has something of a temper. Penny's like a skittish rescue animal who won’t even come out from hiding under something unless you leave her lots of treats

[naamahdarling]

You know what? You know what I think?

I think that if we lived as we were meant to, in larger intimate ("extended family") groups and with more shared labor and time to do it (UBI NOW) people like me would not feel so useless and burdensome because there would be people around to help and to do what neurodivergent people can't while making valuable space for the neurodivergent to do what they ARE good at.

The way we live right now, all right, the way we live right now forces units of two adults to be able to do EVERYTHING or PAY to have someone come do it for them. I have to do the housework. I have to do it! But I am having to do a million different things and most of them I am not good at. I suck at them.

I wouldn't feel like shit, okay, if I had more than one other person around who was not a child and who could do the things I can't, like do the yard and cook and do repairs and basic maintenance; and someone else to split everything else that I like but is too much for me. It would free me to do what I am good at and enjoy. Cleaning, as in the sink and toilet, the windows, the blinds. Taking out trash. Folding, hanging, and sorting laundry.

But because all the shit I can do often relies on other shit being done first, and I can't do or have trouble doing those things, the shit I can do often can't be done. And even the shit I can do, I can't do ALL of it. So I can't keep up, and things get very bad.

We aren't meant to live like this. We are not meant to live like this.

That thought hurts so much because being able to flee the birth family is integral to survival for so many people. I'm so afraid that living in larger family groups would create more opportunities for, say, queer kids to be isolated, rejected, bullied, and abused. But if we gave people enough money to survive, and stopped considering children the property of their parents with no system in place to help them escape bad situations except a system that is often just as bad, just different.

I'm aware that communes and collectives aren't all that successful and are kind of a joke. I don't mean that. I mean a fundamental shift to multigenerational families where taking in "strays" (which my family did) is also normalized so people escaping abuse into existing households was accepted, with these families centered in maybe a couple of different larger residences so not everyone has to buy and maintain their own fucking washing machine and vacuum cleaner, and so people can benefit from large group meals that yield leftovers, and so child and elder care can also be centralized.

Then disabled people and the neurodivergent and sick and injured people, and pregnant people, and grieving people, would not have to either labor through all those stressors or consign themselves to living off an unlivable pittance or being put under legal guardianship.

I'm not saying anything new. People live like this in other parts of the world and maybe it sucks and I am wrong. But I'm just really mad right now because I can either do laundry or clean the sink but not both, and I really think we could improve society somewhat by making it so I did not have to choose one without sacrificing the other.

[leandra-kinard]

Okay, but... nothing you said was invalidated by my addition? I agree with you and explicitly said so that calling out that toxic kind of behavior is perfectly valid. And I also mentioned that some things that have been said very much went into a super toxic direction (like the examples you listed of beating Tommy with a hammer etc.). That shit is vile and deserves being called out, I am 1000% in agreement with that!

However, over the course of the past several months I have also seen some conclusion jumping from our side - and I'm explicitly counting at as 'our'/my side because I'm no longer a buddie shipper but an endgame Bucktommy shipper now. With all the vile attacks happening, I feel like there has been some generalization or assumption of not always correct intentions in the more harmless cases of shipping.

Don't get me wrong, I frequently roll my eyes at the Buddies too, especially the ones who still believe it's happening - "Buddie canon, confirmed!!"

But I also DO feel like some of it is generalizing what, in many other cases, is simply an expression of preference, of wishes to be seen in one's own queer experience etc.

So I'm just saying it's not wrong per se to say "Man, I really wish they could have gone this route. I really wanted just one time to see such a story being covered instead of characters who are established queer from the start, because a later coming out matters too."

That's all I'm saying.

the more and more time i spend on tumblr and come across insane Buddie takes and behavior, the more and more i am convinced that the small, vocal, toxic subsection of shippers who don't know how to behave are, how shall i say it?

homophobic

they don't seem to actually like gay men. the situation with richard siken is an example of that. what they appear to like is their made-up version of what gay men are like and what they do. there's no concept of nuance or an actual understanding of queerness that informs their ship.

and i don't think you do need to understand it. sometimes you can just enjoy something without looking into it differently. but if you're going to be out on main talking about Buddie this and Buddie that, then you absolutely need to do the bare minimum and inform yourself on gay culture and gay issues so you don't, you know, go after a gay poet because you didn't like his tone.

sorry, there's a reason gay men of his demographic don't take shit. it's because they took so much shit that a large percentage of them died. the ones that survived don't owe you a tone when you act like an idiot.

the internet is free. wikipedia is free.

use a search engine and educate yourself, just a tiny little bit, and stop fetishizing while holding onto homophobic attitudes

[uncanny-tranny]

You know, I think many people understand the idea that disability can be a social problem, even construct, in that as more visibility man lead to more accommodations and even educate (regardless of accuracy), but not that disability can still disable regardless of society. Many people understand the idea of a social construct so long as there is still a consise understanding of the social construct, with little wriggle room for nuance and discussion.