#don bluth university

[traditionalanimation]

CLASSES START JUNE 2023!! Now is your chance to learn from Master Animator Don Bluth for a full year! Classes are LIVE online. Only a couple seats remaining! http://www.donbluthuniversity.com 

[jknerd]

Rock-A-Doodle AU: First Look of the KING

First look to my AU of Don Bluth's "Rock-A-Doodle" human AU.

Chanticleer, real name Memphis Paisley, the Don Bluth's Universe's Elvis Presley^^

[a-little-ray-of-fantasy]

Kinda had in mind to make a kin list, and then I've found this meme, and things happened... :3

(I know I cheated a bit with Steven and Globby, but I DO relate to Steven, but I also didn't want to leave Globby out!)

(Also, is Steven in the "LGBTQ+ community" category or in the "mental illness" one? Yes.)

(Tagging anyone who sees this and wants to try it. ^^)

[swan2swan]

Jurassic World, as a franchise, has not had enough references to We're Back!: A Dinosaur's Story and I think we need to have this conversation.

[kabishkat19]

New “NextGen” series …

Time to vote on which Next Generation I will create

[brisbybraveheart]

Happy 4th of July!

[burgertimeatbreakfast]

[nature-and-music-art]

Movies like An American Tail, The Land Before Time, All Dogs Go To Heaven, and Anastasia have been staple stories in my childhood. I’ve gone back to re-watch these films recently and I was inspired to draw Chrissy and Eddie as if they were a part of a Don Bluth film. While not a perfect match to his style, I would say that this fan art is Don Bluth inspired.

Plot: Chrissy befriends a talking bat that she comes across one day while taking a walk in the forest. An unlikely friendship blooms between them and she soon finds out that there’s more to this little mammal than she realized. She learns that her animal companion was placed under a curse by the evil wizard Vecna, a creature not of this world. It’s up to Chrissy, Eddie, and a gang of outcasts to become the unlikely heroes to not only break the spell, but to save the town of Hawkins from Vecna’s clutches.

The original layout was going to be a VHS cover, but I didn’t like it, so I just went for a bright background instead.

[pixie-skull]

240th edit and this is for @little-bloodied-angel as a huge thank you for being a friend I can go to with recent very emotionally intense things in my personal life. As well this to offer your comfort in how things been in your own life too. I hope this gift helps you smile and show my thanks.

[ethancshawsblog]

https://www.deviantart.com/bluthian90/art/The-Great-Mouse-Pair-996094028 #adorable

#cute

#disney

#donbluth

#fievel

#flaversham

#olivia

#universal

#mousekewitz

#fievelxolivia

#anamericantail

#crossover

#greatmousedetective

#oliviaflaversham

#amblinentertainment

#crossoverfanart

#fievelmousekewitz

#mousecharacter https://www.deviantart.com/rudihnh https://archive.org/details/list-of-remastered-films/The+Great+Mouse+Detective+(1986).mp4

[sillyewe]

I participated in a Secret Santa event in the Fur Trade group in Fur Affinity. This alligator girl, Chompers, is a character of ColorVomit's and a perfect opportunity to hone my Don Bluth AU art style.

Each time I start a Don Bluth AU piece, I find myself spending a good chunk of time getting more reference images using a browser extension called Screenshot Youtube. The process involves me finding the highest quality footage, pausing at certain moments, and using the < > keys to skim through each frame. It's a time-consuming process, but it's worth it in the end.

This is my massive collection of screenshots, concept art, animation frames, etc. For easy access, they are sorted by series (movies, games, and even Disney films he has worked on). They may need further sorting so each character will be easier to find.

In the case of this piece, I mainly referenced Queen Ludmilla in her dragon form until I remembered King Gator (AKA The Big-Lipped Aligator). After adjusting her limbs to be more gator-like, she looked more like a Don Bluth character.

The art style is no easy feat, but it pays off well.

[mrdrhenwardhykle]

Explain the lore of a random animation

WOOAHHHHHHHHHHHHHHHHHHHOOOOOOOOOAAAAAAAA

Yes, I can do that right away, thank you.

I don't know if this is for anything in particular, but I'll start off with Dragon's Lair and if there's something else you want me to talk about like Space Ace, those scrapped games, or something else, go ahead 👍👍

(I'm so sorry for how long this is. And also this is just tying canon together with headcanon, so take it as you will)

Alright, before we begin, let's establish something. Even though he comes off as a very underrated character in the franchise, the games and its spin off material seems to do its best to establish the character of Mordroc (not to mention getting a lot more of a canon description and backstory than Dirk, Daphne, and Singe). It's mostly established through canon material that he is the main villain, as Singe and the other goons are just souls he owns (or the dark kingdom residents). Most of the levels and villains support this motive that he's just building up his power and kingdom.

Another thing established through the games is that the castle is likely very infamous, and it's often implied (more so little details and once in the comics) that knights have been set out before Dirk. So then why do you not see bones and armor of past knights littering every once of the castle? There's 3 explanations for this.

1. You do actually see knights, one being the Black Knight(Phantom Knight?) and the invisible armored figure in the floor-tile level. Despite his ghostly implication, the Phantom Knight has a lot of once-human qualities; like his figure, his voice, and still having a horse. You can easily assume because of this, that these were once knights for the actual kingdom on the other side of the land.

2. In the lava level, you are introduced to the Lava/Mud-Men, who are fairly strange creatures- but don't seem to actually be aggressive towards Dirk at all. While they do cause and appear in deaths, their intent is not to cause them. In the first and most prominent death they're seen in, they work together to push Dirk into a geyser full of mud. As soon as they emerge from it, you can see all 4 smile, with brand-new one frowning in the middle that so happens to be wearing Dirk's helmet (Aka they were once people). In the second death, Dirk falls into a tide and is pulled to the edge of the river. From the side, you can see the mud-men gather and watch him as he goes down in a concerned manner.

And finally 3. Apparently it's cannon that if you get cut, stabbed, slashed, or electrocuted in the DL universe, you have a 90% chance of blipping from existence. It's fully established with enemies, but you do see it happen to Dirk a couple times in his deaths- so it's just an overall thing instead of just working on the enemies.

So yeah, the Lair itself has this function and motive behind it. You can probably assume the majority of the characters were caught and forced to reproduce in the dungeon (Giddygoons), were once people (Knight characters, and Mud-Med), or was brought as an egg and raised (Lizard King, and probably Singe)-as a ploy to build up the support of the 'dark kingdom' and its riches.

Anyways, let's talk about the other half of the story before I forget. From across the land, the real kingdom resides. From a distance their rulers bare no prominent issues. However, on the inside, the castle and its staff 'suffers' because of the princess not putting enough heart into her land. Princess Daphne is a unique individual, often stepping out of the boundaries expected for a young lady at the time (also showing more than what would be allowed in a dress + wearing heels before women were allowed to). Her mother, despite being past a point of having an adult child, resents this behavior and always looks out to correct it. However, from Daphne's perspective, she was raised to do something she never had a passion or attention span for, and often fancied herself for the lives outside of royalty. She was corrected constantly no matter what, and often scolded by her piers with the phrase 'A good princess is seen and not heard'.

Eventually, Mordroc's dark castle eventually caused a major issue for the kingdom's people, and a neighboring kingdom generously transferred one of their best knights to subdue the issue. Dirk, or 'Dirk the Daring' was born in raised in a far-off and small village by his two parents on their farm. His parents were not that well off despite the farm, but were very humble with what they had nonetheless. When Dirk was very young, his family's previous home was taken down to some freak accident with him in the middle of it. Because of this, the parents found that he was suffering from Noise/Damage-Induced Hearing loss. As the boy had no outward sources to recover at the time, he began to lose his motive, voice, and personality. After seeing this decline, his parents invested almost every last penny with physical trainers, signing classes, and medics to restore the boy to his former glory. This paid off well down the line, as Dirk was able to enhance his natural instinct, skills, and graduated quickly from squire to local knight because of it. Through his pay through quests and journeys, he funded it all back to his parents and moved on from any kingdom that needed his assistance.

Once the transfer came through, Daphne's overall confidence was gained back again as she finally had someone to talk to without being scolded or told to act feminine. It wasn't a love at first sight thing, but rather two friends who supported each other well and didn't mind if the other had something to vent or talk about. The kingdom suspected something before they did, as there would be a point where you couldn't see one without the other tagging along. Sooner or later, the friendship broke-and was kept in private due to how they expected others to react to two different classes coming together.

The Queen eventually found out about it and embarrassingly announced it to her people to throw shame towards it. Because of this, the Queen did everything in her power to split the two up. Despite scheduling multiple useless meetings and suitor dates appointments for Daphne, and threatening and isolating Dirk- even to the point of greatly lessening his pay-nothing seemed to prevail. Even as she grew even more desperate, she frequently sent Dirk out on su1c1de missions-becoming the more impatient as he finished each one- unscathed.

The desperation grew outside of her morals, as she feared nothing more than her bloodline not carrying through the kingdom- or having to suffer a 'peasant' being a prince. At once, she called for a meeting in private with Mordroc, who was infamously known amongst the kingdom. The Queen made a deal he couldn't refuse, as she requested for him to separate Dirk and Daphne to allow for kingdoms and suitors to throw their hat in the ring of claiming and marrying daphne. For his reward, Modroc was offered to be announced 'redeemed' amongst the kingdom-and offered a place as the royal mange (Local Mange-Mordroc is seen/supported in some scrapped spinoff material). Mordroc agreed, with intention of either a. corrupting the castle from the inside and claiming the entire land or b. having the plan backfire a little and either have a disfigured princess and/or knight(s) to add to his kingdom's collection (as interpreted by the fact that writers don't seem sure if Mordroc and Singe are in it for catching Daphne or Dirk-and can't seem to make up their minds) (Also a handful of the deaths show Dirk getting captured, so it could be a double motive thing-as supported by the Phantom Knight paragraph)

Taking it way too far, Mordroc sent out his biggest Drake Dragon to retrieve Daphne, allowing for one of his goons to announce to neighboring villages and kingdoms to send their best to save her. While waiting for Daphne's safe return, the Queen ordered her men to blindly do what they can to subdue Dirk from going out to have her. Eventually, the kingdoms lost a good amount of men trying, which began to worry the Queen of her daughter's safety. Her desperation overcame her and she sent out the majority of her men- having none of them come back. Unintentionally, she got rid of what was keeping Dirk out of the way, so he immediately went out to save his princess.

After barley succeeding- Dirk was able to slay the Drake and save Daphne. She eventually caught on to what went on, and denounced her role as princess because of how twisted and uncaring her royal family has shown to be thus far. Dirk purposed at some point during this period of transfer, and they agreed to live in his hut and live off of what pure vigilantism would bring. While this did have a steady decline in pay compared to what they had before, they eventually made little successes as the years passed by; having only a few kids of their own, but becoming a safe and open home to adopt children with unsafe, abusive, neglectful, or non-supporting households. (Aka, why they didn't age much between 1 & 2, and why Daphne's body isn't hormonally wrecked from having 10+ kids)

The fact that they were building up a family of their own with no apparent regrets leaving the kingdom upset the Queen greatly. She became desperate once more, asking Mordroc to help once more with no further elaboration. After being upset from the last 'deal' not paying off at all and costing him most of his goons, Mordroc took it his own way and decided to split the two by marrying Daphne for himself. When they were least expecting it (likely when Dirk was out of uniform), he took Daphne and disappeared with her across time. Mordroc placed the beginning of a banshee spell on her, which is further inflicted on the subject by mourning what is lost (aka why he rips her from her time to one where Dirk and their kids aren't alive) and the placement of a sacred wedding ring (you may recall that this also supports the habit of Mordroc mutating and disfiguring all of his subjects)

The Queen being behind this is also supported by a couple things in the first scene of DL2

If it just happened, why did she hear about it. It's the 1400's. Are we really going to pretend like doves are that fast?

Also if she did hear about it, it would likely be from Dirk asking her to take care of the kids. She literally neglects the kids for the majority of her screen time, and just focuses on killing the one guy who can save her daughter.

Without an ounce of explanation, she targets Dirk for staying back and not leaving an unstable hut full of children (in the middle of a dark forest) who just lost their mom. The game and attraction show that her intention isn't to help him or get him out-but she literally breaks into their home to traumatize a bunch of kids by trampling their house-their dinner- and yelling at and murdering their father right in front of them. This could just be a ploy to just get rid of him while Mordroc is executing the other half of the plan (Okay-you can also say that the majority of the villains are voiced by the same guy also as evidence, but that also extends out to the time machine so... eh? 🤷)

(Uh-yeah. The little DL lore 'expert' here; I have no idea how to explain why Mordroc's mother gave birth to a time machine, or even how a time machine gave birth to Mordroc. There's literally nothing that alludes to the time machine being once-human. Honestly I don't think he was supposed to talk originally-but then they just had to explain partially why a wizard and a guy from the 1400's can time travel. No other material seems to talk about the time machine brother. Dirk just acts like he doesn't hear it- and maybe I don't either because its literal existence makes no lick of sense)

Mmmmm. I don't know how to end this honestly because there's two endings to DL 2. One is the normal one where Dirk breaks the curse and places it on Mordroc; instantly turning him into an indistinguishable mass having to be put out of his misery. But in the directors cut I have no Idea what happens because Daphne's curse only goes as far as knocking her out and turning her purple once- and then Mordroc just screams as the ring is flung onto him. I don't know if 'Director's Cut' is the director setting the bar to how far Mordroc would go or not, but overall the first ending doesn't seem out of place or character at all. The full release even calls that ending 'Full Mordroc'-but I still have no clue what that means because it literally lessens his pay-off and motive. Maybe they didn't want him to die in the end to open for a #3-idk.

Anyways, that's about it.

Thank you so much for asking that was fun to write!!!!

Anyways, hope that was alright.

[bvthemeparks38]

Fievel Mousekewitz Goes To Visit Orlando

[keycomicbooks]

Don Bluth's Space Ace #1 (2009) Paul Borges Cover & Pencils, Robert Kirkman Story

#DonBluth's  #SpaceAce #1 (2009) #PaulBorges Artist, #RobertKirkman Story Follow the adventures of the musclebound hero Ace! https://www.rarecomicbooks.fashionablewebs.com/Don%20Bluths%20Space%20Ace.html#1 @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #ArcanaStudios #ArcanaComics #RareComics #KeyComicBooks #KeyComics #VintageComics

[dalt20]

Tooning In 9. Dev Ross part 5 of 7

DL: so we were taking about disney last time right?

DR: I don't remember, I did tell you about my time there yes. Not sure if that was where we ended up.

DL: well, after jungle cubs how did you feel when you left the house of mouse?

DR: Disappointed that things had become so distant there. Lost the old feeling of comraderie. No real personal relationships. No team work, Very cold and corporate. I was very sad and felt I had lost a big part of my something that had once been so special.

DL: I'm sorry to hear that. Oh,so you wrote for Aladdin the series?

DR: A few eps,that is all.

DL: process for that?

DR: Don't remember a thing. I wasn't on it long enough for it to have made memories for me.

DL: so did you watch the film,before writing for the series or the sequel?

DR: Yes.

DL: thoughts on the first film?

DL: yeah he was great! so did you like any other 90s disney films?

DR: No. It was a pretty predictable Disney film. The best part was the Genie. Robin Williams ability to improv made the film. His stuff was fresh and out of the box.

DL: yeah he was great! so did you like any other 90s disney films?

DR: You'd have to be specific. I don't recall which movies came out when. I left Disney because I felt their still had become too predictable. Their use of iconic characters over and over was troubling to me.

DL: I see.

DR: They insisted on using their cast of characters and only finally reached for new characters long after I left. Meanwhile you had Pixar who was wildly creative and out of the box. Pixar wasn't afraid to find new heroes.

DL: well sadly pixar is now stale.

DR: Yep. It happens. Youth are turning to webtoons and 2D limited animations from Japan and Korea. Also the gaming industry has leaped ahead of narrative stories.

DL: well it's called 'anime' but yeah, that's all the rage! you probably grew up on speed racer and kimba.

DR: I know that it is called anime but what it is artistically is limited 2D animation. I did not watch speed racer or kimba.

DL: Gotcha. back to your career, you worked on adventures of the book of virtues for porchlight and PBS.

DR: Yes.

DL: written the episode, patience. can you explain to me the show and the episode.

DR: William Bennet was the driver of that. He was the a secretary of education under Reagan and very conservative. He believed kids weren't being taught morals and virtues enough so brought this series to life. Give me a clue on the patience episode as I don't recall it.

DL: thanks for giving me a history lesson (this is not sarcasm) the annie and ari are trying to teach other kids things but the other kids can’t do it and they become impatient with them. and also hellen keller.

DR: I actually really loved working in this show! I loved taking the lessons from the book and making them relatable to kids. But neither came easy. I did the play in high school and loved being Helen!

DL: That's awesome! Good for you!

DR: The fact that it showed the incredible resilience of these women was wonderful for me. I love telling these kinds of stories.

DL: Wow! So,how did you write the episode but trying not to make them christian? secular, i mean.

DR: I wrote them to be universal. All religions have common values. I'm not into religion at all but I do recognize intrinsic human values of kindness, compassion and patience. We all could use a giant dose of that today.

DL: Agreed.

DR: sends me a smiley face emoji 😀

DL : you wrote that episode with the creators according to IMdb.

DR : Not sure what you mean. I'm credited as writer on it...

DL : it said on the page for the episode you co wrote it with them.

DR : Hmm. I never co-wrote. I have the only credit on it when you view the opening. Maybe they made changes later. I don't know

DL : oh ok, lets talk about the Land Before Time. your golden ticket to fame!

DR: Yes. Loved writing those films. Great team.

DL: the first film, the great valley adventure. process on that?

DR: They had a script they didn't like and asked me to doctor it. I did a major rewrite of it in two weeks and that sealed the deal for more. I was fast and they liked my take on the characters. I used my own kids for inspiration and that worked! My six year old son was Little Foot and my bossy four year old was Cera.

DL: Oh, wow!

DR : I would see the problems they encountered with friends and used them in my stories. My son was getting picked on so I used his struggle to deal with prejudice kids. My kids would always give me ideas. It was so wonderful to turn their experiences into stories.

DL: That's awesome!

DR: It was very rewarding!

DL: so you read the original script, can you tell me what was from the script?

DR: The beginning with them finding the egg but that's pretty much it. I still had to share credit though.

DL: Ah, I see. so The Time of Great Giving, the process of that film and the story?

DR: That was crazy. They wanted me to create a Thanksgiving theme along with a fire safety message!

DL: wait, WHAT!?

DR: Since there weren't exactly turkeys back then or a Thanksgiving holiday, I had to find a story that gave those values. It was a bit nutty!! I wrote the whole script then was asked to go back and put a fire safety message in there! But the value of giving thanks and being grateful, that was easy to do. If you watch it, you'll see the Valley has a big fire and Littlefoot helps veryone escape safely.

DL: well, ( i dont curse that often but) that must be absolute hell to write!

DR: When you write for kids you are used to putting in subliminal and obvious messages. But, yes, that one challenged me! But I've made my career on taking hard topics and making them entertaining. I'm working on a science and medicdd as l show for kids now and some of the medical stuff is downright boring! But! We are putting it all in space and using aliens for the medical scenes which makes it crazy fun. The ep I'm working on now deals with constipation!!! But I'm showing it by Mr heroes getting stuck inside a giant space creature who is constipated!!

DL: is that Weird Detention?

DR: Sorry for my bad typing.

DL: It's OK.

DR: No, this is for Dr. Theory. Weirf Detention address conflict resolution. Weirddetention.com

It addresses the need for better communication via magical realism. Three kids trapped in school detention with no way out.

DL: oh ok, but we're  gonna talk about that at the near end. your gonna spoil the the project!

I send her a smiley face emoji 😁

DR: Nah...

DL: that was suppose to be the suprise at the end.

DR: Ok. I ruined my own surprise party!

DL: besides your IMdb credits get shorter when time goes on.

DR: Very true! It's called ageism, Hard to get hired when you get passed forty.

DL: I see.

DR: That's why I do mostly my own productions now.

DL: Oh, OK. Stories of My Childhood, what was that? You wrote the elEnglish dub for a episode.

DR: That was hard! I was hired to take old Russian animation and redo the stories in English. I had to fit English in mouths that were animated for the Russian language. I often had to change the stories as they were very old and not great for American kids. So I was stuck with the animation and had to use it to tell a different story.

DL: did you watch The Snow Queen? old soviet animated film from 1957, that had a all star cast like Art Link-letter. if your old enough to know.

DR: It was not easy. Yes, I think another writer redid that one. Maybe Stephanie Mathison or Sindy McKay. It was fun to be in the editing room on it. Working to adjust the character's mouth movements

DL: Did you watched the first "Art link-letter' dub as a kid?

DR: No.

DL: Of The Snow Queen.

DR: No.

DL: Okay. So but how did you feel about the show using old 50s Russian animation to show to 90s kids?

DR: It was oddly fun to try and make the stories more relevant to our audiences. I loved the challenge but it was tedious!

DL: I can only imagine.

DR: Everything had to fit their visuals and we could only stretch or shorten their mouths so much. Very time consuming. But dubbing is often just doing a translation. I was often rewriting the meaning of the show. That was very difficult.

DL: oh, well how do you feel to be a dub writer?

DR: It was challenging. I wouldn't want to do it a lot!

DL: ok so journey through the mists, process for that film?

DR: That was my need to address xenophobia. Fear of the unknown. People being afraid of others who are different. The story tells that by putting the characters in a strange new place full of new creatures. They need to deal with their fear of others while finding important medicine for Littlefoot's grandfather.

DL: you introduce Chomper the Sharptooth in that right?

DR: No. Chomper is in the first one I was hired to rewrite.

DL: oh ok. how did you came up with him?

DR: I inherited him from the other writers.

DL: Okay.

[brisbybraveheart]

May your Cinco de Mayo holiday be filled with color, music, magic and celebration!