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deceitful-darlings · 2 years

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So I got this chat on obey me, where all the brothers ask Satan to marry them, and Satan says “… I usually go for the older, independent type.” And then! Lucifer is like “You mean like me?” And I’m just 👀 like we all know that Satan has daddy (Lucifer) issues, but if that takes a more incestuous route, and maybe with a three way with reader… idk I feel like the sexual potential there is off the charts. Like Satan would be simultaneously trying to steal reader away from Lucifer but also fuck Lucifer at the same time… it would be so aggressive and bloody 💗

TW: Incest

Dear lord the possible bloodshed. Satan would never admit it, he would NEVER tell Lucifer that he loved him or had any form of feelings for him, in his eyes it’s all competitiveness. So when Lucifer introduces his partner, what better way of competing with him and getting back at him than stealing you away from him.

Lucifer finds it cute, because he can see right through Satan. He knows exactly what he’s trying to do. But Lucifer is certain you would never betray him, he would never have introduced you to his brothers if there was a chance you would do something to hurt his pride, but that doesn’t mean he wouldn’t give you permission to partake in something. He’s the eldest brother, he’s the one in charge, he’s the strongest, and while Satan’s little attempts are rather cute, he feels he does need reminding of his place in the heirachy from time to time, lest he become to rambunctious and annoying.

So he invites him back to his room, and of course it just so happens to be at a time when he’s got you bent over the bed pounding you into mattress. And Satan just stands there, having closed the door to make sure the other brothers can’t see, and seethes. Because after all his effort you don’t even hesitate to follow Lucifer’s commands even when he’s right there. You knew he came in, you’d looked over your shoulder when the door had opened, but Lucifer had told you to ignore him and you’d done it without a second thought.

And there’s nothing he can do but stand and watch, because he doesn’t stand a chance against Lucifer’s strength, he’s not stupid enough not to know that, it’s why all his planning is done in advance. But then he looks over at him and Lucifer just gives that smug little smirk that he always does and asks what he’s waiting for, your mouth is right there after all. He doesn’t need asking twice, and the time passes for him in a flurry of thrusting and heat and clashing teeth and bites.

Both you and he are covered in bruises and bitmarks, even Lucifer is sporting some from his neck to his chest, your thighs drenched in a mix of both their seed. Your breathing is even, having fallen asleep after too many rounds past overstimulation, your body unable to keep up with the stamina of them both mixed with his rage.But he’s still hard, and that’s when Lucifer smirks again, because he supposes he can assist his little brother one more time tonight, he’s the domininant of this little escapade, you the submissive, and Satan occupies the place in the middle.

Lucifer will only be dominated on his own terms, upon his offer. As long as he remembers that, he doesn’t mind taking his wrath every now and then~.

Sorry this is bad as y’all know I haven’t written in a while and I’m rusty

#yandere #yandere male #tw incest #tw inc*st #obey me lucifer #obey me satan #yandere obey me #anon asks #satan #lucifer #yandere lucifer #yandere satan

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lovelywetdreamer · 10 months

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Okay guys I have a serious problem about having a desire of domininating big buffy men while sweet nerdy men dominate me. I will bite and mark a big buffy men. A sweet precious nerd like Armin can make me their slut. I needs help.

#post #random #comedy #smut

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ausetkmt · 2 years

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The New York Times: In 2022, TV Woke Up From the American Dream

In the Peacock series “Killing It,” Brock (Scott MacArthur), an Everglades snake hunter and would-be YouTube influencer, gets shot in the face in an altercation over a sack of python eggs. It is the best thing that has ever happened to him.

The shooting leaves Brock minus one eye. But it’s captured on video, and the upload gets millions of views, giving him the lucrative viral success he’s wanted for years.

“American dream!” he says, beaming. “Getting shot in the face!”

On TV, 2022 has been the year of the American dream — with a catch. For many of the hustlers, entrepreneurs and strugglers onscreen, that aspiration still exists. But as Brock experienced, it can cost you an important part of yourself.

“Killing It,” created by Dan Goor and Luke Del Tredici of “Brooklyn Nine-Nine,” slipped under many TV watchers’ radar last spring, including, mea culpa, mine. In its first episode, it seems like a simple, wacky buddy comedy: Craig Foster (Craig Robinson), a Florida security guard with dreams of starting a prostate-supplement business, teams up with the ride-share driver Jillian Glopp (Claudia O’Doherty) in a contest to exterminate invasive pythons.

But as the season goes on, it becomes a broad, big-swinging satire of an adversarial economy that can seem to be booming and busting at the same time. (Tim Heidecker has a boisterous turn as a testosterone-pumped motivational speaker who preaches the philosophy of “Dominine,” which is one more than “dominate.”)

As Craig, Jillian and their opponents claw toward their prize, one foot of dead python at a time, they give us a tour of the hustler’s mirage, in which the promise of riches shimmers on the horizon, all yours if you only go to one more paid conference, pitch two more investors, take three more jobs.

The work experience of Jillian, an Australian immigrant, is especially bleak-comic. She drives an Uber that tows a mobile billboard (which doubles as her home), gets a TaskRabbit stint helping a rich woman (D’Arcy Carden) perpetrate a tax-fraud scheme and takes a job murdering birds at an airport, all with a heartbreakingly cheerful spirit of optimism.

The comedy is grotesque and blunt — Craig spends one episode with a dead snake nailed to his palm — but sneakily smart. In this hunt for the American dream, it says, every life form must find a lower life form to kill. And while the series is set in 2016, three years before the first stirrings of Covid, it feels pandemic-adjacent in its focus on the stratum of the work force for whom work is risky, physical and in-person. You cannot drive an Uber, or shoot a nail gun into a python’s skull, over Zoom.

The pandemic plays explicitly in Season 2 of Starz’s strip-club melodrama “P-Valley,” about a line of work that is defined by in-person interaction. The proprietor of the Pynk nightclub, Uncle Clifford (a resplendent Nicco Annan), who is nonbinary and uses she/her pronouns, spends much of the season sporting a bejeweled mask, enforcing 2020-era Covid protocols while trying to keep her business afloat at 50 percent capacity.

The Pynk is a magnet for dreams, and not only naughty ones. The “P-Valley” creator, the playwright Katori Hall, respects her pole dancers as artists and athletes, and she recognizes their work for what it is: a job that manifests the economy tangibly, translating desire into dollar bills flying in the air.

And because dancers age out so quickly, the job also renders the pressures of the economy in time-lapse: You have just a few years to rise up the pole before your tiring muscles pull you back down.

Every dancer enters the Pynk with an eye on something else — a showbiz life, a business career, or simply escape — but one of the most affecting journeys of Season 2 belongs to Mercedes (Brandee Evans), who comes to realize that she has reached retirement age without having figured out her next step. “You’re just going to have to learn how to dream new dreams,” Uncle Clifford tells her. That’s the price of dreaming: You can’t afford to wake up.

The summer’s surprise buzz phenomenon, FX on Hulu’s “The Bear,” focused on the pressures of a different sort of service industry. Carmy (Jeremy Allen White), a high-end restaurant chef, comes home to run his family’s struggling Chicago sandwich joint after his drug-addicted brother’s suicide. The pandemic isn’t a factor in the story. But the show’s depiction of work as a kind of barely restrained combat (which sometimes boils over into actual combat) feels like a bespoke fit for the post-reopening economy of labor shortages and supply chain issues.

The memorable, high-decibel work sequences make “The Bear” look and sound like a war story that happens to take place in a kitchen. Work here is furious, violent and relentless. Flames roar up the sides of pans, pots clatter like artillery, slabs of beef are dragged and hoisted like casualties. Hands are burned, fingers slashed; the pace of the prep rush turns the kitchen staff into sweating, shouting bodies, meat cooking meat.

All the while, Carmy flashes back to memories of being mocked and belittled by his Michelin-starred boss in the restaurant where he used to work. At times, you wonder why he chooses to stick with this job that often makes him so unhappy. In the season finale, reminiscing about his brother at an Al-Anon meeting, he seems to hit on an answer: Sometimes our dreams are not ours alone, nor are they even our choice. “Me trying to fix the restaurant was me trying to fix whatever was happening with my brother,” he says. “And, I don’t know, maybe fix the whole family.”

In politics, “the American dream” has long been used aspirationally, to evoke family and home. But as my colleague Jazmine Ulloa detailed earlier this year, the phrase has also lately been used ominously, especially by conservative politicians, to describe a certain way of life in danger of being stolen by outsiders.

The typical counterargument, both in politics and pop culture, has been that immigrants pursuing their ambitions help to strengthen all of America. (The Dream Act has its name for a reason.) But some recent stories have complicated this idea by questioning whether the dream itself — or, at least, defining that dream in mostly material terms — can be toxic.

The third season of Hulu’s “Ramy,” starring the comedian Ramy Youssef as a rudderless young Muslim from an immigrant family, takes on the theme directly. The title character’s parents, Maysa (Hiam Abbass) and Farouk (Amr Waked), have found prosperity tantalizingly out of reach, signing up with ride-share and grocery-delivery apps in their middle age.

Maysa has grown resigned, but Farouk remains in a poignant unrequited love affair with the dream. He chases real-estate deals; he gins up a hapless business selling ad space on takeout containers; he fantasizes about appearing on “Shark Tank.” (Ramy, meanwhile, has hit it big in the jewelry business, having partnered with some contacts in Israel, but finds himself more spiritually adrift than ever.)

In the season’s final episode, Maysa and Farouk, having come across a stash of hallucinogenic mushrooms, reminisce about their early days in the country when they would feed Ramy and his sister hot dogs, not knowing they contained pork. Stoned, they make a run to buy convenience-store franks, bite into the seductive, non-halal treats and realize that they taste disgusting. “Why did we sell our souls?” Farouk asks. “We gave it all up for hot dogs.”

Most recently, Hulu’s “Welcome to Chippendales” — about another kind of commercialized American meat — reconsiders the immigrant dream from the vantage of success. The story of Somen Banerjee (Kumail Nanjiani), the founder of the male-stripper empire, it is in many ways of a piece with this year’s glut of scam-and-scandal docudramas; it’s a rise-and-fall series in which the fall is less interesting and takes twice as long. (The creator, Robert Siegel, gave us the prosthetic fantasia “Pam & Tommy” earlier this year.)

The series stands apart, though, for showing how Banerjee, born in India, uses a learned idea of American appetites to pursue a received idea of the American dream. In some ways, being an outsider makes his success possible — much in America is novel to him, so he’s receptive to new ideas (like seminude dancers in bow ties).

But his embrace of Americanness (for instance, he goes by “Steve” rather than “Somen”) cuts two ways. He experiences racism before and after he hits it big, but he also uses discrimination as a business tactic, ending up in court because of a scheme to bar Black patrons (whom, he concludes from experience, will make white customers see his club as less “classy”).

Banerjee has perhaps internalized the American dream too thoroughly. He gets his first intimation of this when he returns to India for his father’s funeral, his suitcase stuffed with gifts of electronics and Velveeta, hoping to be welcomed as a conquering success. Instead, his mother scolds him for leaving the family printing business to run a fleshpot. “We are middle-class people, Somen,” she says. “We did not need saving by America.”

He leaves, weighed down with rejection and processed cheese. Beyond his mother’s personal disappointment is the verdict that he has stopped being himself, but in the process he has not really become a new person either. He is simply a reflection of another culture’s artifice, an imitation of an imitation.

This is the danger of the American dream when you scale it down from the national to the individual level. You risk devoting your life to wanting something because it’s what you’ve been told you should want. Everybody loves a Cinderella story, but sometimes your dream, in reality, is just a wish somebody else’s heart made.

youtube

and Women started directly responding to bs,

youtube

whoooooops, guess that blew his wig uhhhruh back

youtube

yeahhh..

#In 2022 #TV Woke Up From the American Dream #Youtube

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kaleidoscopic-quiddity · 2 years

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‘misandry exists’ not as in ‘men as a social class are systematically opressed and underprivledged by virtue of being men’ and not ‘misandry exists’ in the ‘the libs dont want men to be masculine anymore!!’ way and not ‘misandry exists as in ‘uh not ALL men yknow?? its pretty bigoted that women feel unsafe around men if you stop and think about it’ way and definitely not ‘misandry exists’ in old white guy who’s mad that his grankids tell him that his having a job doesnt excuse him treating his wife like a maid kind of way

but rather, ‘misandry exists’ in the ‘so many so called ‘progressives’ learnt that feminism and equality, are like, good things, but never bothered to actually learn any theory or even more importantly unlearn the gender essentialism taught to them by a society that has never recovered from christian fundamentalism so instead of learning that masculinity and femininity are arbitrary social constructs that are neither inherently good nor bad and that have no ontological reality, they just took ‘masculinity = domininant, logical, superior and feminity = subservient, irrational, inferior’ and rebranded it as ‘masculinity = toxic opressors and feminity = innocent victims’ without any critical throught and now we’re unable to talk about gender or sex or feminism or equality or literally anything else properly because so many people have drank the far righr kool-aid and are applying this incredibly reductive black and morality to what are nuanced and ultimately morally neutral socially constructed roles and are only really doing more damage to men who are already penalised by the patriarchy for not ‘being masculine in the right way’ (trans men, gay men, men of colour, etc) instead of actually doing literally anything to progress the struggle for actual gender equality’

but yeah saying ‘misandry exists’ makes me sound like a fucking chud and automatically has these people, who make up most of the so called ‘progressive’ and ‘leftist’ spaces these days, tuning me out and writing me off as some reddit dudebro who’ll try to convince them of ‘the matriarchy’, so i hope the conservatives and terfs are enjoying their 2-in-1 gender essentialism and anti-intellectualism combo i guess, we’re all gonna go down in flames because you dumb sacks of shit cant be bothered to learn basic social anthropology, let alone read some non-radfem feminist theory

#feminism #misogyny #intersectional feminism #toxic masculinity #gender equality #transmisogyny #women's rights #ok thats probably enough tags to warrant me getting death threats (:#og post //

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smolbeanjerma · 2 years

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make a jerma/komaeda (idk which one would fit better) mannequin and cover it with stinkier oil every night AND every morning to establish domininance

At this point i should. There's no space in my room though :(

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honnie-bunni · 2 years

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Aris-Aria, Dominin of Cause.

When he beats the God of Intelligence to his own clamed Dominin>>>>

#oc #red oc #god oc #kinda theyre called Dominins in this universe #original character #art #didgital art #original story #he's highkey inspired by the herrscher of truth ngl #TeiLei

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wolf-empress · 4 months

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Les Principaux Avantages Des Interventions Fiables Contre Les Punaises De Lit À Paris

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Interventions Punaise De Lit

19 Rue Jean Jaurès, 94120 Fontenay-sous-Bois, France

+33745352824

#Punaises De Lit

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