#doing a great job

[ratcandy]

has anyone else looked at the official kitchen nightmares' youtube channel lately .

is anyone else wondering who's currently in charge of that

[xixovart]

“no seriously who did you choose?”

“i chose you”

grover and percy are the platonic soulmates. in the most literal sense possible. i mean, literally nobody in the world, including their respective girlfriends, will ever know grover and percy as well as they know each other. and not just because of their empathy link.

grover was the person who was there for percy the most. he helped percy transition from the mortal world into the greek one. he supported percy in tlt when sally was thought to be dead. grover was percy’s first friend. ever. it’s not fair how people keep forgetting that. grover saved percy’s life.

percy literally did NOT hesitate to save grover when he was kidnapped by polyphemus. percy tried his hardest to be there for grover while grover fulfilled his dreams of finding pan. percy and grover travelled through most of the labyrinth together. grover is the foundation of percy’s best traits. percy saved grover’s life.

there is no other friendship in any of riordan’s books that can compare to grover and percy’s. they’re platonic soulmates. there’s no one like them.

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[beep2018]

He's so supportive I love it

I was in a work party with a bunch of animatronics from FNAF and Springtrap came up to me and gave me a slice of cake (red velvet) and told me, "Hey, I just wanna say you're doing a great job out there. Keep up the good work."

[raggedy-spaceman]

Neil behind the camera all day tomorrow

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[charlietheepicwriter7]

It was easy to lure the newest Titan away from the rest, back the boy into a corner. He was the weakest link, the newest hero, the easiest to manipulate-

Then, the ghost child transformed, glowing rings passing over his body to reveal a familiar black-haired boy. "Uncle Slade, what the fuck are you doing?"

[cherylblossom]

#our badass 12-year-old Demigod child going up against the God of War

[aenslem]

You and me. Like old times?

[syea-say]

Death - Biyoo

Four of Wands - Jung Heewon

Nine of Pentacles - Jang Hayoung

----

I drew the three tarot cards for the ORV Empyrean Tarot project, hosted by @/phreinne on twitter!

Leftover sales are open if you would like to check it out! Link

Lots of goodies...and pretty arts ^q^

[slfcare]

the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.

[magnificent-winged-beast]

November 5th first Aid Kit

I'm recently unemployed, but I only can think It's November 4 and yet, I feel unprepared for tomorrow.

[extrashortshorts]

Colorful chickens again

[beaulesbian]

One Piece Live action season 1 + hints or similarities to future One Piece moments (specifically after East Blue saga) - part 1: episodes 1-3

This wasn't meant to be a comparison between the live action and the animanga, but more so seeing these added/modified scenes that differ from the manga, yet with some of the acting/writing includes clues and hints to different and future canon material, or even characterization that necessary doesn't fit East Blue yet, but fits well enough into later arcs.

Luffy not knowing his world directions both in Opla (ep 1) /// Skypiea arc, in anime ep 168. But it could be for honestly any other arc (Funny thing is, in Opla he rang the bell that unfortunately alerted Alvida's crew, and only when I was rewatching that scene it made me connect it with the great Luffy moment at the end of Skypiea.)

The matches that Zoro has on the Island of Sixis in Opla ep 1, possibly manufactured on Baldimore (?), with a name Beast of Baldimore. /// After Sabaody Archipelago Franky was sent to Baldimore by Kuma, finding Vegapunk's homeland and laboratory, and also developing more of his science projects, as well as causing funny incidents, such as the Burning Beast. (It has probably nothing to do with the matches, except for the 'tiger on fire' motif and the name of Baldimore, but the details of Opla are just so fun!)

Zoro's first meeting with Luffy in Opla episode 1 is really different but fun nonetheless, especially with wording of the line that he doesn't want to 'play pirates' with Luffy. It's such a great setup line for his development to truly be one of the very first to understand how much Luffy means everything he's doing /// Zoro in ep. 323 Post Enies Lobby arc, making sure both his crew and the audience know how seriously he takes being part of Luffy's crew and what it means for future arcs.

Opla ep 2, Luffy mentioning Shanks' way of thinking about fighting (or not fighting someone who's not worth it) /// ep. 146 Jaya arc, Luffy saying to Zoro not to fight Bellamy's crew, which was direct influence from Shanks not fighting the Mountain bandits in the first chapters of the manga. It's interesting that for both of these scenes both Zoro and Nami are there to hear this.

This is just a fun bit, but seeing Nami excited about having a bath was cute. Opla ep 3 /// anime ep. 326, just after they get Sunny and everyone was finding out what space there is for them.

Garp and Koby playing the game of Go, Opla ep 3 /// CP0 agents playing Go while discussing the outcome of Strawhats & Oden's crew's raid on Onigashima against Kaido. It seems like a game that maybe Marines play more/enjoy (?) & above, up to CP ranks.

Usopp 'retelling' a story about eating a dragon, Opla ep 3 /// Punk Hazard ep 580, Zoro killing the dragon and planning with Luffy what's the best way to cook and eat it. Lol. In next chapters Luffy was carrying a big chunk of it, seemingly ate a bit part of the dragon already.

This one is self explanatory. Zoro is so gone for Luffy in Opla it's insane. Every time I remember that I get emo. ep 3. /// One of the first really fond smiles that Zoro keeps smiling at Luffy, a mixture of proud and understanding how Luffy works. ep 63, but it's just so much better in the manga, just look at it. Smitten™ (ch. 104)

[froglover7789]

i think theres a deep uncanniness to luke skywalker. i think that even before he was trained there was just this eeriness about him. maybe sometimes the sand would part for him to walk through. maybe sometimes he pulled off maneuvers that were physically impossible or survived crashes unscathed when they shouldve killed him. maybe sometimes hed answer questions before you asked or look into your eyes and read your soul. maybe sometimes hed glow brighter than the suns and singe the air around him. maybe hed make the hairs on your neck stand up. maybe his smile would melt and the primal part of your brain would start screaming that youve just awoken a predator.

the skywalkers are all incredibly powerful but unlike most force sensitives they arent going to lose their strength if theyre untrained because the force is literally Part Of Them. i think if left alone it would fester in little moments that leave you unnerved, make you want to keep your distance. but at the same time theyre so good and captivating that you cant help but want to be closer

[eggwishing]

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