#does this need context.. i don't think

[cyellolemon]

That person can't be me

The text is a translation of the song Interviewer (kuwagataP)

White hair oc is Yu (he/him) the one with red hair is Soren (he/him) and long hair one is Meg (any pronouns)

<3

[egophiliac]

LEON

LEON YOUR EYEBALLS

[batshaped]

i paused reading chapter 76 to make this LOL

[antirepurp]

the way jolyne breaks so much convention as a jojo protagonist from not being introduced as an inherent badass and having to earn the right to be called that over the course of the story to her life being over from the moment that story begins while still not painting the events of it as a soul-crushing tragedy but rather a journey through which she reconciles and finds new meaning and purpose to herself as a person. i love jojo stone ocean i wish women were real

[my-beloved-lakes]

Had a dream last night that Eliot was sitting in a hospital bed with some bandages and stuff on and said "maybe we provide too much leverage." In a grouchy and sarcastic voice.

[necrotic-nephilim]

jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.

even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.

so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.

and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.

[ot3]

fic im not going to write #1465 edgeworth pulls up to offer phoenix a ride after kristoph's execution and phoenix says 'actually prosecutor gavin said he'd give me a ride" which is simply not true but phoenix was going to call a cab and knows that if he did that edgeworth would passive aggressively loiter until it showed up and he really can't deal with that right now and klavier is left to make a split second decision about whether he is going to go sit in a car with phoenix OR allow whatever rancid energy is beginning to curdle in the air here play out for even a single second longer. anyway i think they could have a really weird day together

[jessepinwheel]

my very serious writing advice for people who are trying to write more morally complex characters is to stop caring about their morality and focus instead on their individual motivations

it’s hard to articulate exactly what I mean, but the essence of it is basically: when a character does a murder, not only do I not care about whether they’re justified in doing so, it’s straight-up irrelevant. a character’s moral standing from some nebulous universal standard has no bearing on the plot or their interactions with other characters and has no use in the story for me as a writer. what does matter is why the character thought they were justified and then if it comes up to other characters, what they think about it.

you can obviously think about your characters’ morality but it’s not your job as a writer to interpret your stories for your readers and tell them how to judge your characters. your readers can see the evidence for themselves and draw their own conclusions. your job is just to understand why a character is motivated to act in a certain way and have it make sense

focusing on character motivations is a much more versatile framework than trying to give them specific personality traits or moral alignments, and frankly more useful to understand why a character would do a certain thing instead of just what they do. that way when something fucked up happens and your character starts acting differently, there’s an actual logical reason for it that isn’t you forcing characters to do things because it’s what’s required to make the plot go

when you write your characters with the understanding that people are not static and they act differently under different circumstances, complexity in character and morality follows naturally.

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[aceredshirt13]

gang i have to share this P. G. Wodehouse quote with you all because ever since I found it I can't stop thinking about it. it's from a letter he wrote when he was 78 years old to his friend Guy Bolton (many thanks to P. G. Wodehouse: A Life in Letters)

I have been on the sick list myself, but am better now. Inflamed bladder or chill on the bladder or something, the symptoms being agony when I passed water, as the expression is. It brought back the brave old days when I used to get clap.

he really said "yeah the pain from my bladder issue reminds of the days when I used to have so much sex I repeatedly got venereal disease"

[commsroom]

more than anything, what i want for hera is the safety to have trivial interests, to be unimpressive and entirely mundane. so much of her life is defined by the limitations imposed on her. she is always in some level of pain, and the entire concept of... knowing physical pain as a sensation without ever really experiencing pleasure, only occasional relief, gets to me a lot in the context of disability. she has never had a day in her life where she hasn't had to be concerned for her survival. even when she's able to relax, even when she's just goofing off with eiffel, whatever space he can give her for that... she's still constantly running all of these background processes, calculating and monitoring and making choices for her own safety, and there is something about that... in the same way that "i can't do this. i'm not good enough." being programmed into her is a useful metaphor for understanding trauma, i kind of feel those background processes, the constant need to multitask and take into account so many more things so much more quickly than anyone else, just to exist... there's something about that that resonates with me. i want her to feel safe enough to be able to just... turn that off. for a little while. i want her to see the ocean and not have to think about the direction of the waves.

[sysig]

Having fun, more and more! (Patreon)

[thesmokinpossum]

I can't believe y'all almost made me pay to go watch po*r th*ngs in theater without telling me that the whole thing revolves around a hardcore born sexy yesterday trope with a side dish of pseudo necrophilia where a woman with the brain of a litteral foetus who don't have periods or body hair (but do have boobs!) find joy and freedom by having a lot of sex with a bunch of men, shoving a apple up her vagina for some reason and joining a brothel (but it's a cool socialist brothel and all the girls looove being there, don't worry guys), all of that written and directed by two men, I'm never gonna trust you guys after this one lmao

[rawliverandgoronspice]

re: my last post, but I kind of have a good serving of criticism in my heart about the whole "gerudos as men r*pists*" trope that I've seen bouncing around in fandom since like 2008 at least (and before that I assume), but it's. not a particularly fun topic. so.

[art-o-gant]

what the fuck is the janissary motif doing in the new puppetshades. genuinely i. i've not stopped thinking about this. can anybody hear me

[jichanxo]

sunday six 👌

tags! @four-white-trees @passthroughtime @phantasy14 @overdevelopedglasses @skysquid22

despite my complaining about senseific, i did actually end up writing something this week! thank god! (i still need more notes on the dance club to be able to write more, but i at least had enough to write this much...) anyway um. lj school stories spoilers (below and in tags), but i'm not sure anybody really minds lol

Watching them all working hard and having fun as they danced, smiling like this, it was hard to believe that someone had asked The Professor to harm another student in the competition, Norizuki, an ex-idol and Nishizono’s rival in love.

His eyes went to Nishizono again, her footwork confident, and her smile – as far as he could tell – genuine. Amasawa had claimed the request had been made under her account, DancingBunny, and Itokura had pessimistically claimed that he should beware the students who seemed the most well put together, but he just couldn’t see it. She was serious about winning and about her crush, sure, but she also seemed to embody the club's motto the most: have fun like nobody’s watching. And she was, wasn’t she? Just having fun? Would someone like that really make such a serious threat against her competition?

Yagami didn’t want to doubt his judgement (not again, and under far less dire circumstances than before), but Amasawa’s discovery and Itokura’s warning remained in his head nonetheless. That discovery was immovable, and though biased, Itokura was right to question the surface level presentation of their suspect. Was there any way that these facts could coexist alongside Nishizono’s innocence? And if so, who instead should he direct his suspicion towards?