#does this count as a meta?

[spookydicks]

Just thinking about the "Bells Hells is the X Men" analogy from 4 sided dive

With VM, they're the "Flyover state Avengers". A group of do gooders who are, mostly, well meaning and want to do good with bits of chaos and utter stupidity. They're somewhat of a family but its clear that some information might be hidden from the group.

With MN, they're the guardians. A ragtag group of misfits who, yes do good and save the world, but also crime is an option with fuck it we ball energy. They're a family. If you fuck with any of them, the others will come for you and steal your shit. Of course, after they draw some dicks and shit all over your belongings. Let Chaos Rein.

Finally, our beloved Hells as the X Men. A group of misfit outcasts who are shunned from society for a myriad of reasons that do shit outside the law, help out in their own way. Yes, they seem like a bit of a family, but each member is holding information close. At times, there's an air of mistrust. But, make no mistake. If you fuck with any of them, the others will come to your house at 2 am, eat your kneecaps, and, figuratively and/or literally, fuck you up in more ways than one.

[obsxdiannn]

Not hating on anyone who likes it, more power to you if you do, but personally I dislike the coffee theory because not only does it take accountability away from Aziraphale, I also feel like it invalidates the severity of the trauma Aziraphale contains due to Heaven’s psychological abuse and emotional manipulation.

The Metatron doesn’t need to give Aziraphale some magical mind control serum in order to get his way. His manipulation alone is more than enough, and it displays just how much of a hold Heaven has on Aziraphale, and how not okay that is and how much Aziraphale desperately both needs and deserves to heal.

[picaroroboto]

in the ShB role quests, we watch each of Ardbert's party members make some sort of personal sacrifice, forced to discard their own goals, for the sake of the greater good. The moment they make that choice is when a Crystal of Light appears, officially marking them as Warriors of Light in recognition of their heroism and sacrifice. "By your sacrifice, a warrior made.", as the Shadowkeeper says in battle.

The same lore doesn't hold true for the WoL, back when they were in crystal-collecting mode in ARR and HW, the crystals just appear after major victories without the need for some sort of momentous sacrifice, and seem to serve mostly as a marker of how much story progress you've made/need to make to the end of the expac.

But if you think about it not lore-wise, but symbolically -

With each victory over a Primal, you're ensuring that you'll be the person who'll be called upon for help when next a Primal appears. You're cementing your own role as hero each time.

And each time, you are making personal sacrifices.

You might not even realize it until much later, what you have offered up, bit by bit - your freedom, your peace of mind, your own goals and desires, for the sake of the greater good of the star.

"By your sacrifice, a warrior made."

[drbatsponge]

It just hit me that Cassandra Cain, a character who was ultimately created because of the fallout of the Killing Joke, is the ultimate antithesis to the "One Bad Day" ideology Joker states in that story and I find that beautiful.

Since she was born she's had countless bad days and yet she still chooses to be a hero at the end of each of those days.

She's quite literally the ultimate fuck you to the Killing Joke in multiple ways by not only proving Joker's ideology wrong but also continuing the legacy and character of Batgirl.

[shippyo]

Let's enjoy picnic together!💕

speedpaint 🤌

and tiny extra filter with ibis paint that gave this result,i think it looked pretty cool so have it too :D

[lichanicksstuff]

It's funny how the comic version of Dream and Hob's 1889 meeting and the show equivalent are completely different. Because in the show it's like a tragic break-up in the rain:

Show!Hob: I think you're lonely... *says with love in his eyes (get a room, man, fr)*

Show!Dream: How dare you?! *walks out in the rain, making the guy run after him and the rest is history*

But in the comic it's more like:

Comic!Hob: You're like a lonely wet cat.

Comic!Dream: Excuse me?

Comic!Hob: You heard right. Tbh, I think you just come back here because you're desperate. Really man, I'm just a guy and you're a scary being with creepy eyes. At least admit you like my company.

Comic!Dream: NEVER! FUCK YOU! *walks out like an offended diva, he is*

[thequeenofsastiel]

So because I apparently have nothing better to do, I decided to list the names that Spike used when he was talking to Buffy ever since he realized he's in love with her, and the number of times he used those names. So here they are, by season, for posterity's sake:

Season Five:

Buffy-9

Slayer-4

Love-4

Baby-2

Summers-2

Pet-1

Honey-1

Sunshine-1

Blondie-1

Season 6:

Buffy-26

Love-15

Slayer-12

Pet-4

Sweetheart-1

Goldilocks-1

Buff-1

Season 7:

Buffy-18

Love-4

Pet-3

Lamb-1

Slayer-1(it should be noted that he only called her this before he revealed that he'd earned his human soul back)

I know no one asked for this but y'all have it anyway. Infer what you will from this knowledge.

[kingthunder]

I saw a few of those "bg3 characters driving a car" headcanons and decided to do one myself for fun.

Lae'zel: She learned how to drive on the opposite side of the road from everyone else and her instincts are all wrong for her current location, but back home she's an excellent driver with a spotless driving record. She actually follows the service schedule in the car manual. She gets incensed at people who don't maintain their vehicle properly or who disobey road rules. Her car is immaculately clean. She would love to speed a motorcycle down one of those desert highways with no speed limit, but she's never gotten the opportunity and knows it's too reckless besides. But she wants to.

Karlach: She's had a motorcycle for ages and is a skilled if aggressive driver. However, she only recently learned how to drive a car. She is very enthusiastic about it and always volunteers to drive even though she's not very good yet. She's one of those people that do driving "pranks" like swerving back and forth to make people shriek/laugh, or doing "3, 2, 1 BLASTOFF" and gunning it. Could easily be provoked into an impromptu street race. Drives way too far on empty or with the check engine light on.

Shadowheart: Drives stick so that no one else can drive her car. It's a beat up old station wagon with a busted tail light and looks like shit on the outside, but inside she turned it into a goth mobile with like black velvet seat covers and stuff. She named the car but she won't tell you what. She has an air freshener hanging from the rear view mirror that smells like night orchids. She's a perfectly good boring driver with nothing to note about it UNTIL one day a cop tries to pull her over for her busted tail light and she hits the gas and pulls out all these street racing moves that you had no idea she was capable of and shakes the cop. She'll let you pick the music but if she doesn't like it her silent disapproval is so withering that you voluntarily change it to something she does like.

Astarion: Never got a driver's license and isn't about to get one now. Passenger princess who likes to control the radio but his taste in music sucks. He makes funny mean comments about other drivers and pedestrians. He'll complain if you ask him to fill the gas tank but he'll do it; you're paying for it, though. Actually pretty fun to go on a road trip with because he doesn't care about stuff like "making good time" and he's up for stopping anywhere that looks like it might be entertaining.

Gale: Never got a driver's license because he was always too busy with his studies to care and his mom drove him around and/or did all his errands for him anyway. He's real good at maps though and likes to be helpful by being the navigator. He's the smartest man in the world but he's completely stymied by a gas pump; you're better off pumping the gas yourself and sending him into the gas station for snacks. He always manages to conjure a full meal out of convenience food, somehow, and he's really good at feeding you while you drive.

Wyll: He saved up and bought his own fixer-upper car after getting kicked out of the house as a teenager. Good driver in general. People always think he would make a good designated driver, but actually he likes drinking socially and will politely decline requests to be the DD unless there's no one else available. Sometimes when he's having a bad day he blasts music really loud and finds a deserted area to just fuckin tear ass down as fast as he can go (he'll only do this alone and doesn't tell anyone about it). Never lets you pay for gas even if you offer. Will pick up hitchhikers.

Halsin: Has been driving the same car since 1973. Drives that specific car really well. If you gave him a modern car he would have no idea what anything on the dashboard does. Honestly, he prefers to walk or bike anyway.

Jaheira: Has a fuck-off huge SUV full of empty cans and wrappers from her kids. Absolute maniac of a driver who tailgates and speeds with no regard for road signs or lane markings. She is going to GET where she is GOING and gods help you if you get in the way.

Minsc: Failed the driving test three times and just gets rides from Jaheira. This does not bother him in the slightest. He tells you that Boo can drive vehicles you've never even heard of.

Minthara: Has run someone over on purpose.

[meanderfall]

The thing that gets me the most about Nie Huaisang's quest for vengeance is that when it's finally accomplished, he just looks tired.

Like, Jin Guangyao is a practiced hand at appearing inoffensive and biding his time until the right moment to strike, but when he does, he's always got that satisfied smirk on his face. Just so smug and vicious and pleased that he brought them low and he is the victor.

Nie Huaisang just looks tired. Sad. Even in the moments leading up, he looks intent, maybe even angry, but not happy or pleased or excited.

It just kind of hammers home to me that this revenge plot is against his nature, and just how much grief he felt at not only Nie Mingjue's death, but the betrayal and hurt that Jin Guangyao did it, because they were friends.

[mxtxfanatic]

The return of Wei Wuxian after his 3-month disappearance is meant to evoke this terror and sense that something is wrong, and it definitely does, but like…

Do you not see the playfulness in which Wei Wuxian handles the ghoul child mirrored in how he later handles A-Yuan in the Burial Mounds?

A white child squatted by his feet. Like a young, carnivorous beast, it was gnawing on something that Wei WuXian fed it. Wei WuXian took his hand away after patting on the white ghoul child’s sparse-haired head.

—Chapt. 62: Evil, exr

Lan Sizhui replied, "I'm not sure either, just that when I saw Chenqing, I thought that it was extremely familiar......" It was unsurprising that it was Chenqing that made him remember. Wei Wuxian said, "Oh, of course you'd find it familiar, back then eating Chenqing was your favourite habit and you would drool all over it and make me unable to play it."

—Chapt. 111: Wangxian - Everyday Means Everyday, chiaki_himura

Do you not see the gentleness in which Wei Wuxian handles the blue-faced woman mirrored in how he handles Wen Qing when he takes her to the Qiongqi Path labor camp?

When she had been fighting, her face was almost hideous, but now, with her dark face against Wei WuXian’s lap, she somehow seemed to be a charming concubine, obediently pleasing her master. Giggling laughter came from her mouth as well. Wei WuXian sat leaning to one side, his right hand stroking her soft, long hair over and over again.

—Chapt. 62: Evil, exr

The shock that Wen Qing received was too strong. Finally, she couldn’t hang on any longer and passed out. Standing behind her, Wei WuXian caught her without saying anything, letting her lean onto his chest.

—Chapt. 72: Recklessness, exr

And then they both go on to reciprocate that care via over-protectiveness, even when Wei Wuxian isn't actively controlling them:

The curvature of Wei WuXian’s lips dropped slightly as he glanced at him. Jiang Cheng had also heard the dissonant tone, “Second Young Master Lan, what do you mean by this?” Lan WangJi’s eyes were glued to Wei WuXian, “Answer me.” The ghoul child and the blue-faced woman began to stir. Wei WuXian turned around and looked at them. They backed off slowly, reluctant, and sunk into the darkness.

—Chapt. 62: Evil, exr

After reading the entire novel and seeing how he maintains this same level of care towards everyone he has no antagonistic relationship with, alive and dead, how could I not be moved when circling back to reread this moment?

[withthewindinherfootsteps]

something about how both wei wuxian and jin guangyao repeatedly say they ‘didn’t have a choice’ in their actions. in both cases, it’s not literal impossibility, instead determined by their mindsets and personal conduct…. but while for wei wuxian that means he can’t do something immoral, even if it means losing all his social power, for jin guangyao it means he can’t do anything to lose his social power, even if it means doing something immoral. the other option is still there, but it’s never one they’d pick.

something about how they’re trying to walk the same path but in opposite directions: wei wuxian willingly left the nice, broad road in favour of upholding morals and debts, while jin guangyao is trying to claw onto it and stay there by any means necessary. in both cases, being parted from it so easily is only possible because this nice, broad road — full of people whose social power is unconditional, given at birth, independent of their actions — was never truly theirs to begin with. but despite how it is possible to be forced off due to nothing, as we see with wang lingjiao, the positions of both these characters were ultimately due to actions they took.

(about how no matter the similarity of the paths, no matter the narrowness of the choices, the direction you take is still up to you.)

[orcelito]

everyone always talks about That One panel of Trigun: Multiple Bullets, but i havent seen anyone talk about how fucking BATSHIT INSANE the surrounding fight is

like

Vash & Wolfwood fighting back-to-back, both using the punisher as a shield

(the rest under a readmore bc this accidentally got LONG...)

Vash seeing the shots coming from behind & purposefully not moving bc he knows if he does, Wolfwood would get hit

Wolfwood getting injured too, but not moving from Vash's back. the way he's stanced, it looks Protective. he's doing what he can to keep Vash out of the direct line of fire.

even when he's getting shot up for it, he Doesn't Move. (this also seems to be the moment he got hurt, which leads into the panel later)

& throughout this whole scene, we are only seeing Wolfwood's reactions.

until the girls give them an opening, and they burst out with THIS:

Wolfwood injured, so he can't properly aim the punisher... and he gets around this by sticking one of the leather straps in his Mouth

and then we FINALLY get to see Vash's face again as he grabs the punisher (with a "GAN" sound effect, so he fuckin SLAPPED that metal hand on the punisher).

Wolfwood trusts him enough to just do what he says in the thick of battle, so we FINALLY get to the iconic panel:

which brings us to the aboslute insanity of what Vash is actually Doing.

"DON DON" -> two shots fired for two missiles launched. he literally manages to TURN THEM AROUND MID-FLIGHT (interesting to note that they seem to have internal propulsion, rather than simply being fired by Wolfwood. how many of these does Wolfwood have? they seem heavy.)

he manages to avert the third missile from hitting the dude directly, and instead makes it land Behind him. then the other two missiles, he rests his arm on Wolfwood's shoulders to hit them and direct them behind the other two enemies

Boom.

killing no-one, but showing an INSANE level of fine control AND teamwork.

and in the end, Wolfwood's arm is in a cast, Vash seems either unhurt or hurt but unbothered by it (typical Vash). And Life Goes On.

(forgot to mention before, but all panels are from @trigun-manga-overhaul! thank u for the beautiful pages)

[iwritenarrativesandstuff]

This entire scene emotionally destroyed me but there's one part in particular that was like taking a knife to an already open wound.

So, Gon shuts down after the reveal that Kite was dead all along and his stunned and racing mind is disjointed and contradictory. Most of his statements fit into roughly three categories of desperate thoughts:

Vehement inability to process that Kite is dead. From the statement being repeated multiple times to the amount of "no"s everywhere on these pages.

Taking the blame for Kite's death, in a frankly horrifying show of self-hatred (especially given the context of what comes next).

Blaming Pitou and proclaiming that he "didn't do it" in an attempt to absolve the weight of his guilt.

Heartbreaking. But there's one thought here that's a bit different.

Throughout all of this, Gon has been adamant that Kite, and by extension the situation, can be "fixed" - after all, most every issue that's come up before on his adventures could be resolved nicely. But now, suddenly, it can't. Gon can't stand feeling powerless or helpless, and now he finds himself more helpless than he's ever been. And we get this.

"Somebody help me."

Gon is independent. Gon has a burning need to prove his worth through his own strength. Gon has a bad habit of equating "taking responsibility" with fixing things all by himself and rejecting help from others.

Gon has never pleaded for someone to save him before.

And it's just. Holy shit. Holy shit - he's a kid. He's just a kid. And in just a few pages, he's going to make a despair-fueled decision to throw away his life just to regain any semblance of power over a situation that was doomed to be unfixable from the start. He says, "Let it end. I don't care what happens to me now.", because this is the only way he can think of to make his pain and his guilt and Pitou all just stop, by losing himself to all of his power instead of his grief.

[kernsing]

ORV as a story about fervid devotion through life and death/the desperate lengths taken to save the one(s) you care about more than anything/the paradoxically futile yet worthwhile endeavor to know and understand and love someone—all without ever developing into romance—is just so near and dear to my aromantic heart. Even past the grand gestures, the heroic journeys, the sacrificial acts, this one dream: “I want to buy a really big house and live together with everyone.” How do I encapsulate the amount of yearning inherent to my reading of that sentence. Like it was clawed out from the deepest parts of the soul. How wondrously heavy and real it feels, this hope for a future I can see much more clearly than any vision of dating/partnership/marriage.

I want to buy a really big house and live together with everyone.

Me too, Dokja. Me too.

[whetstonefires]

Underrated element of where Jiang Cheng is re: wwx after everything is that they always had a sort of dual relationship. Two different relationship premises, superimposed on one another.

There's the one where they grew up together, as close as brothers, beating each other up and complaining and being one another's closest companions, sharing a bedroom as kids and eating at the same family dinner table, actively encouraged by Jiang Fengmian to interact as equals.

And then there's the one where Wei Wuxian was in service to Jiang Cheng's family. Not as a servant--Jiang Fengmian absolutely refused to do that, even if he couldn't adopt him. But as a disciple of Jiang Cheng's father and recipient of his charity, as Jiang Cheng's future right hand and most trusted subordinate.

It's a vertical relationship, intimate in its own way but with very strict expectations about what obligations flow in what directions; they are not identical and reciprocal as between friends and equals.

(It's my opinion that Jiang Fengmian's core deal was a deep-seated discontent with the hierarchies he was at the top of, without access to any way to actually deconstruct them or even coherently articulate his opposition. Wei Changze was his dear friend, and no one thinks that's a good enough reason for him to treat Wei Changze's son like his own, because Wei Changze was also his servant, and you can't make that circle square. That's not a way you're allowed to love.)

Jiang Cheng and Wei Wuxian were like brothers; Wei Wuxian served Jiang Cheng.

The personal relationship was always the most important one. To them, in their hearts. But it was the other one that was real, that had weight in the world.

And it's important to understand that neither can be held up as more factual than the other, even though they conflict. Both relationships existed, and had power.

So then when Jiang Cheng chose to hate Wei Wuxian and articulate his grudge against him, he chose to do it in the language of fealty. Because as far as he knew, his case there was secure, watertight, and it wouldn't expose him emotionally or politically.

And those are the terms in which he's been condemning him all this time: for abandoning the Sect, for ingratitude, for lack of loyalty.

For fuckups, too, and poor judgment, but some of that now turns out to have been justified and some of it was mostly the fault of enemies behaving badly, or even Jiang Cheng himself allowing himself to be pushed into making unworthy choices.

And it was all for his sake.

The thing, the thing in my opinion, about what Wei Wuxian did, about the core transfer and his silent self-destruction around keeping it secret, is that that is a hideous thing to have done between two people who love each other, as an act of love. Beautiful, but awful. As the man who was like a brother to him, Jiang Cheng has a great deal of standing to object to it.

But as an act of vassalage, it's basically perfect.

If Wei Wuxian were only what he formally was to Jiang Cheng, if he is interpreted through a lens of fealty and obligation, he did exactly what he should have done, and went beyond what duty actually required. And went to his death silently, allowing himself to be judged, taking all the burden on himself rather than let harm come to his lord.

Like, obviously Jiang Cheng was harmed by the part where Jin Zixuan got manslaughtered and Jiang Yanli walked into the line of fire in situations where Wei Wuxian was resorting to violence and probably shouldn't have, but those are one step removed from the core issue. In terms of Wei Wuxian's intentional choices around Jiang Cheng himself, at the times he was feeling betrayed and abandoned Wei Wuxian was in fact being impossibly, poetically loyal, an absolute cliche about it.

But only in terms of the hierarchical form of their relationship.

Which means that even though Jiang Cheng has a lot of reasons to still be mad at Wei Wuxian, his actual complaints that he's centered for thirteen years are basically wiped out by the revelation of Wei Wuxian's sacrifice.

Wei Wuxian was in fact doing the tragic hero loyal vassal thing, which very much includes being misunderstood and slandered by the world. (Chenqing as a name choice absolutely references this expectation, and the idea that Jiang Cheng specifically will never understand that Wei Wuxian was trying to help him first and foremost all along; he is not subtle.)

The debts Jiang Cheng has been spitefully calling in and considering defaulted were already long paid.

So if at this point Jiang Cheng keeps pursuing that same line of rhetorical attack, now that he knows, he'll be putting himself morally in the wrong, and he knows it. But if he pivots to something else, he'll both be signalling the shape of that secret to the entire world and looking like a prize idiot.

Which is already how he feels.

To actually address the remaining grievances between them, which are considerable, would require releasing those safe, open grudges to Wei Wuxian's face and then reclaiming him as a loved one. Which is, one could fairly say, more than anyone could expect.

Which is why Wei Wuxian told him he didn't have to.

Which leaves Jiang Cheng at something of an impasse.

[not-equippedforthis]

holmes and watson as the sun and moon respectively because holmes is a burning, eccentric force of nature who collapses like a dying star when his mind seizes him, because watson is a solid rock who provides the stone for holmes to lean against and reflects his light by documenting the cases and righting holmes' thought process and scattered bearings. holmes as the light that comes back into watson's life after he's been stripped of hope and forced to wander around london's dark streets without any friends or familiar faces to support him. watson as the calm, ever-present soldier who is capable of burning with equal intensity but is often underestimated in his power because he isnt as outwardly flashy as the sun. holmes as the sun because he does everything with passion, with an inward intensity, watson as the moon because he has the same power but with softer lights, not blinding but glowing, calming. holmes and watson as the sun and moon because they will always be said in conjugation with each other. they belong as one. holmes as the sun because he is the light and watson as the moon is his conductor of light. holmes as the burning sun and watson as the shining moon- do you. do you understand.