#does the manga say anything that answers this question?

[carmenserenity123456]

sasusaku stans say that sasuke must have seen sarada even when he was on a mission because sarada sees the memory where she hugs him and sasuke remembers her name. What do you think?

I am sorry again for the late answer. I wrote a lot of posts about Sarada and one of them touches the topic of supposed memory that Sarada has which is not really a memory but her own imagination. I also gave evidence there that Sarada never saw her dad because he left when she was a very small baby. She confirms it herself so the answer is simple Sasuke was not around when Sarada was growing up, he left her and Sakura right away but I will analyse the whole Sasuke and Sarada's meeting in the Gaiden to end the delusions of ss. Sarada after so many years of not seeing her father, her mother dogging her questions and not knowing anything about him decided to meet him and in the process she awakens her sharingan which shows how much she wants to meet her dad. She comes to the same place where Sasuke is waiting for Naruto and what Sasuke does? He attacks her and wants to kill her because he did not recognize her at all. How could he if he only saw her right after birth. Sarada had to scream 'dad' for him to stop. We can all say that their meeting went terrible. Look at his expressions, he feels regret for his action. Not only he did not see her at all but he also wanted to kill her. He remembers her name because she is his child and it would be out of character for Sasuke not to know it and also very cruel if Kishi would do sth like that. Then we have a scene that you talk about where Sarada again imagines in her head how she wanted their meeting to go. She expected it to be warm reunion with her dad but instead we have tears, fear and sadness.

I just cannot believe that ss stans do not understand it. It is simple basic reading but they lack even that. Sasuke does not even look like him in her head. He is very massive because she only saw him from the photo with Taka where he wears a big cloak and he does not wear Uchiha crest anymore but Sarada did not know it. Also she looks the same and is the same age like in the main plot of Gaiden. SS just have to lie so they can believe that this family is happy. Coming back to the manga, Naruto enters the scene and Sarada starts to question her dad. The most important part here is that she mentions Sakura and when she does it Sasuke changes completely his face expression to his typical emotionless one and says to Sarada the same thing that he said to Sakura which is 'something that does not concern you'.

He could have said other million things but he decided to be just cold and not even went after her. His face says it all. Even Naruto went after Sarada and that is why I wrote many times that if it was not for Naruto's involvement it would end badly. Thanks to him Sasuke started to consider some things and Sarada did not leave the village. This scene is very important because it answers the question why Sasuke was not involved into his child's life. It is because Sarada is Sakura's daughter. This is what stops him from bonding with Sarada. Moreover her running away after Sasuke saying that shows that it was never a positive thing when he said it to Sakura. Sarada reacts like her mother should have. Then Shin attacks them and this is also the moment when Sasuke starts to rethink many things and redeems himself when he shields Sarada. Sarada is still his child, his blood and also he sees how Naruto acts towards her and she is not his daughter.

After that Sakura arrives and it more reinforces why Sasuke did not bond with Sarada. After not seeing his wife that he supposedly loves very much he makes this annoyed almost angry face and asks her why she is here. Sakura apologizes for not telling Sarada anything and Sasuke wanted to say something, probably the harsh truth why he does not want to come back to his family. Again his face is not nice at all and Sakura is worried. Of course Kishi could not write this whole scene but he gave us big clues.

Even at the end of Gaiden Sasuke did not bond with Sarada 100%. He started to accept her but still this notion that he does not like Sakura, did not want to be with her and have a child with here is in his head. I wrote more about it here. Basically he poked Sarada which we know means a kind way to say no and lied to her that he will see her again but Boruto manga confirms that he does not spend time with his family and Sarada was mad that Sasuke spends more time with Boruto than with her. Lastly, I want to point out that after meeting Sarada Sasuke did not show her any soft expression, he did it only at the end of the story when he was leaving. He did not show Sakura any soft expression even when she called him darling but when Naruto was praising him to Sarada, his face is soft and very nostalgic. Not to mention this horror stricken face when Naruto got stabbed.

[skyborneveggie]

Regarding the conclusion that Light comes to after rationalizing his wrongs & accepting the death note, I have split trains of thought.

We know that Light sees the law enforcement system is morally good. But does he believe the system is good and it works, or does he believe the system is good but doesn't work?

Does he see himself as its necessary external defender, an entity that must be free from its confines, to prune off the bad branches of society that threaten it? Or does he see himself as a replacement for the system entirely, rendering it null and outdated?

I guess what I'm asking is, how self-aware is Light in realizing that, by believing that his actions are an improvement upon society, he implies that he doesn't have faith in the current system?

[dunmeshistash]

Okay I think I'm ready to write the second part of this post about Milsiril

To make it easier for me I'll just divide this into her relationship with Kabru, Mithrun and Helki (her ex-canary prisoner teammate)

First about Kabru

This is an extra from the daydream hour 5. The caption says "Something like this might as well have happened" so its probably not canon but could be. I honestly think his reaction to Milsiril visiting and being overbearing says a lot about the type of relantionship they have. This is the fakest bitch in the whole of dungeon meshi, he never says what he trully thinks unless there's an advantage to doing so, he's a people pleaser that does and says anything to make people like/trust him. And yet he immediatly converts into "Mooooooom you're embarassing meeeeee" when he sees it's Milsiril.

This translation used "Mom" but as I understand the original he uses the more formal version so I think it would be closer to "Mother" but still he acknowleges her as his Mother, and he acts like her kid in every interaction we see between them.

I really don't understand where the idea that he learned to be fake from being "forced" to be her adoptive son comes from.

(Continuing under a cut)

The other interaction we see between them is the Kabru extra from the Adventurer's Bible

Kabru comes to her with a deep fear he clearly has had even before she adopted him, he trusted her with this fear and she did not disappoint him, she comforted him and then gave him the information he needed to believe what she was saying

I'd also like to point out in no moment she discouraged him from calling his his bio-mom "Mom". He also says she taught her children everything they asked

I doubt this would only be true for him, it also mirrors something she said in the manga

"You can go ahead and learn all you want about something else." I believe it when Kabru says she made every effort to answer her children's questions. I think this is also the way she expresses the love she has for them. Plus I love the thought bubble with Kabru mirroring what he learned from her. I also love this daydream hour, she sacrifices her own comfort to do something for Kabru.

Milsiril isn't a perfect mother tho, besides the fact she is overprotective she comes from a very different culture from her children. I like to call her Kabru's white mom cause I think that would be the real world equivalent. This extra is the one I think the most about showing this context perfectly

Kabru wants to share Utaya sweets but looks at his mom looking gloomy/rejected so he talks about fruitcake instead. This very rude for Milsiril to do since she's kinda trying to overwrite his actual cultural background, but I think its done more as a "I want you to like the things I like" rather than something nefarious, and once again Kabru doesn't hide at all his distaste for it, he does the bare minimum to please his mom since she's being dramatic but he doesn't lie to her, he shows how displeased he is about fruitcake, something he refuses to do when eating the harpy omelette that is way worse, because he must make a good impression for Laios. Kabru is honest with his overbearing white mom once again.

Now a little about Rin, from Kabru's context, this is her extra in the Adventurer's Bible

(look at Helki he's such a gremlin i love him) anyway, Rin has a trauma about elves, they really mistreated her so she hates them, but when they notice she isn't thriving they go to Milsiril for help (Helki specifically I'll talk more about him next). I think this indicates she really has a better understanding of short lived kids, her kids are thriving differently from the ones the other elves try to care for. I'd also like to remember she lives secluded from other elves so while Kabru probably had lots of interactions with elves during his life, most of it was probably spent with Milsiril and her other adoptive kids. She also asks Kabru if he would do this to help Rin, he isn't being forced or anything, I also think it's good that Milsiril knows she cant take in any more kids, this to me shows she's worried about the quality of life her kids have. That is all to say, Rin is the one with elf trauma, not Kabru, because Kabru had Milsiril to shelter him from them.

Helki

This will be short and sweet since there's barely anything about Helki, he's her prisioner companion from her time in the canaries, but he was pardoned after Utaya, it says so in the Canarie's Structure page in the new adventurer's guide but I cant really find it translated again... so here's google's machine translation (I remember it saying "Retired and pardoned as a reward after Utaya", something like that)

so officially he isn't a prisoner anymore, but I think he still works as a canary, even so he and Milsiril seem quite close, he is the one to go talk to her about Rin, He is there when she's training Kabru (both laughing at Kabru and then participating). I saw people theorizing she stays close to him because he is also someone who she can feel superior to, but I don't believe it at all, he's STILL in contact with her even after they have nothing to with each other, I think they really have a friendship, and there's no point where it seems like she feels like she's better than him or that he's less than her, people seem to interpret Milsiril and her relationships in the worst possible ways every time and I don't understand why.

This segways into Mithrun

I've also seen people assuming she only got close to Mithrun because now he needs her and has no power over her, once again with the theory that Milsiril surrounds herself with people she can feel superior to. But once again, Milsiril had a change of perspective about Mithrun after seeing his Dungeon

Rather than she feeling superior to him I think rather she realized he was just like her. (And I think she's friends with Helki for a similar reason, it's probably easier to see him as an equal than other nobles)

I've also seen this part used as proof of that. "He said that you've got suspicious ulterior motives and that I shouldn't listen to you" as if that's true, but this is past Mithrun, the one that didn't trust anyone and thought ill of all his teammates, ofc he doesn't believe someone would help him without an ulterior motive. This doesn't prove much about her real motivations.

Also before she showed up, Mithrun was being cared for by servants hired by his brother, he isn't someone helpless she has power over, he is still a member of an important Noble family that has a caring brother providing for him, he can do without Milsiril, he had done without her for 20 years before Utaya happened and she quit the Canaries.

This is all to say I think Milsiril is just a white(elf) adoptive mom doing her best, I don't see much of anything nefarious about her or her motivations, she is flawed as all the dunmeshi characters are, she isn't a perfect mom, she isn't an evil mom, she's just a person.

Elves in general also see short lived species as "children" so I imagine this makes her "You'll always be my baby" attitude way worse, she really treats pre-teen/teen Kabru like he's a toddler sometimes. But she also respected him enough to go all out in training him. I think they're a family with everything that entails.

PS: I didn't get much into Interracial adoption since this is something that happens irl too and I don't know much about all the issues that entails, but in the end, in this case, it seems like a net positive for the kids she adopts considering all we see about how she raised Kabru.

[sugar-grigri]

Pochita, if you can read, why don't you speak ?

Wouldn't it be humane to protect humanity and demonic to protect the underworld? And what if... it was actually the other way around.

The interweaving of questions and answers is exactly what this chapter does.

While Yoru sordidly states that children are nothing more than the property of their parents, the one who can't speak, instead of devouring a human as he did with all those demons, decides to go to the blood drive.

Pochita understood what the sign meant. He knows how to talk. But he'd rather hold up that sign and roar than make any demands.

Worse still, he does not decide to give any orders.

It's not words that symbolise order, it's that raised index finger that already in Roman times expressed command.

In the United States, arms are a constitutional right (as recently reiterated by the Supreme Court, which does not admit of any restrictions), a fundamental freedom but also a means of preserving one's freedom, allowing organised militias to fight and protect the State.

You can see how it's all a construction, the weapons are a technological creation, the State is an administrative and political creation.

And that's where things get interesting. First of all, this chapter is highly symbolic and has a very strong political message (oh my god, political interpretation in a manga, impossible..........)

Yoru has sliced off the index fingers of those who support the right to bear arms in the United States. Or campaign for that freedom. But what Yoru is doing. In fact, it's taking it away from them. How can I shoot without this index finger? You can't do it.

It's by taking weapons away from men that they actually regain their freedom.

But it goes even further than that. Why does Yoru sacrifice these fingers? Because it reinforces the fear of weapons. Let's say I point a gun at you (sorry). You'd be less scared if you were as armed as I am. Especially when you're trained, know how to defend yourself and aren't afraid to shoot.

Yoru makes those who thought they were invincible with weapons vulnerable. She strengthens the Gun Devil's power. She contracts with them through her sacrificed child.

Weapons,

freedom,

deprivation of childhood,

of loved ones,

obsession with a mentor,

To think that a god created them.

Remind you of anyone?

Infanticide is what makes you immortal.

The sacrificed demons become weapons, lost between humanity and the demons. Not being human, nor demon, because they have no parents. Even artificial weapons like Reze and Katana display these characteristics. Isn't loneliness one of the ingredients?

Humanity sacrifices its children. As Fujimoto confirmed, they were prepared to do it for eternal youth.

And now you're going to say to me. NOOOO! Yoru too! Just as Makima wouldn't hesitate to do. The demons are also ready to do it.

Yes, because they are influenced by men.

Yoru speaks, uniting with humanity to say horrible things. Whereas Pochita doesn't speak. Worse still, he has chosen not to speak. Worst of the worst, even worse. He'd rather be a dog than a human. That's his choice.

Pochita fights for those he loves, he doesn't sacrifice them.

The demon of birth, it swallows but can spit out. Suspending existence, giving it new life, denying none of it.

Wasn't Makima devoured by Denji proof of this?

Nayuta is the symbol of this rebirth. A perpetual love that surpasses hate.

Pochita loves demons. He also loves those who mean something to him, like Denji. But he also knows that when we become too human, we can end up sacrificing ourselves out of vanity rather than love.

Pochita has sacrificed himself for love, without expecting anything in return as he waits permanently for Denji's dreams.

He is also Denji's lock, preventing him from fully adapting to men.

That's why killing Black CSM was Denji's wish come true. Because Pochita is preventing Denji from becoming normal.

Because he wants to protect him from humanity. Pochita has never been for humanity.

He is simply the guardian of the underworld, all those demons whose existence he guards, a supreme mother. Humanity must endure in order to continue to be afraid. But if humanity is prepared to overcome the ultimate fear of losing its child, then fear is scorned.

So Pochita tried to wipe out the weapons' existence, to devour them. But they still existed. Why? Because they are already the result of infanticide.

being devoured by the demon of birth, mother of the underworld, actually reinforces their existence.

Being devoured by their mother is the reason for their nature.

Whereas weapons are beings born because their mother has killed them.

Denji is the result of the death of the Supreme Mother.

It's not a weapon.

He's a wall.

Hero of the underworld.

A hero of the underworld who has been fighting from the start for the victory of love, sacrificing himself for those he loves and not sacrificing them. So he asks for blood.

And I'm sorry. If weapons really are born like that, they have to look human, and I think this is the last possessed human.

Someone's been ringing the doorbell.....for 100 chapters… it's time to answer it, isn't it?

[ph1l5eyelash]

i think there was something weird about Gangle’s mask in episode 4 and people are not talking about it enough.

im just kinda throwing out ideas here, I have no concrete theory, just things I noticed and thought were interesting.

AND IF YOU HAVE OTHER THEORIES REGARDING ANY OF THIS, TELL ME PLEASE IM SO CURIOUS

OKAY SO, first of all, I think we can all agree Gangle was acting weird in this episode— like, uncharacteristically weird. that could’ve easily (and obviously at least partially) been the fact that she was literally at her breaking point, on the verge of abstraction, but between the creepy vision Ragatha saw and the weird analog horror training video, I feel like it has to be more than that.

Talking about the vision Ragatha saw… what the fuck was that guys and why is nobody talking about it????? gooseworx did say “i just thought it would be funni.” when asked about it, but she has also said she often misleads us with her answers to the point that its “borderline gaslighting”. this is clearly an example of that, something so incredibly ominous and seemingly unrelated to the rest of the episode would not just be thrown in for no reason… it has to mean something. not to mention the creepy face when she turned around looks weirdly— intentionally— similar to Pomni’s face while she was possessed in episode 3.

I have a theory that whatever was possessing Pomni had something to do with Gangle’s mask in episode 4.

Speaking of this part of episode 3, I don’t think Pomni’s possession was apart of the adventure, or at least, not how it was intended to go. Whatever was possessing Pomni was hurting her in a way we have not seen in other adventures— this was not unintentional trauma like her and Gummigoo glitching beneath the map in episode 2, that was obviously not supposed to happen. This was intentional. As Jax said, Caine would not do something malicious to the humans, it’s not in his nature (which he said in a “i know that for a fact” sorta way, which is a whole other conversation). Not to mention, he said this DIRECTLY after Ragatha’s vision of Gangle looking eerily similar to whatever was possessing Pomni. So what was that?

And not only did it hurt Pomni— “how’s your wife, Kinger”??? are you kidding??? and this was not said nicely, it was clearly mocking him. how could mocking someone’s dead (or abstracted i guess) wife be any LESS intentionally malicious????

also, Caine is forgetful. This is shown by him forgetting they have a suggestion box, and more interestingly, through Zooble’s therapy session showing that Caine forgets their trauma. With such a large emphasis on Caine forgetting Zooble’s trauma, it would not be completely unreasonable to assume that he forgets the others’ trauma as well. Kinger’s wife abstracting, for example.

So with this moment being outright malicious towards both Kinger and Pomni, and with Caine’s forgetfulness being focused on in the same episode, I feel strongly that this was not Caine’s doing. Or at the very least, “how’s your wife, Kinger” was NOT Caine’s doing.

That raises the question, if Caine didnt do this, what did? And how does it know about Kinger’s wife abstracting— how would an NPC in an adventure know anything about the characters outside of the adventure?

I don’t have an answer to that question, but I have a looser theory that could possibly be related??? this one might be a little far fetched, but hear me out:

During Gangle’s weird (WEIRD) analog horror training video, Jax asks “when did you make this?” Sure, this could be meant to be a funny line that doesn’t mean anything… but he has a good point. When DID she make that? And why does it get so meta and scary? Malicious… one could say— I mean, Jax was terrified.

In the video, she was clearly projecting her failed dream of being a manga inspired comic artist, but if whatever was possessing Pomni knew about Kinger’s trauma, and with the theory that it has something to do with Gangle’s mask, I don’t think its impossible that it could know about Gangle’s trauma as well.

Assuming that whatever was possessing Pomni is actually intentionally connected to Gangle or her new mask, maybe that’s what made the video, not actually Gangle.

That would answer Jax’s question of when she made it— she didn’t.

That would explain Ragatha’s weird vision.

While the video doesn’t have any direct ties to the possession or the face, it definitely has pretty significant indication that she’s not herself— whether thats literally or figuratively. and idk man it was creepy and weird. as I said, im not set on this theory at all, i dont have any concrete idea what was going on here, but i know it has to be something.

this scene and Pomni’s possession were the only moments in the show that felt like the characters were being intentionally harmed— the only instances where they were intentionally made to feel real fear. The characters know that they will not actually be hurt during the adventures, they know that Caine wouldn’t put them in that situation. Sure, Pomni got jumpscared and her eyes popped out, they were panicked when trying to escape the angel head, they were panicked during the whole truck-chase scene in episode 2, but they knew it was all just apart of the adventure and they were gonna be fine in the end.

This fear was different. This was real fear— and they were intentionally made to feel that way. These instances were the only time the characters were genuinely afraid that they were in real danger (aside from the abstraction and backrooms-void situations in episode 1, but obviously those were not intentional).

I think whatever this is is trying to intentionally harm the members of the circus.

side note:

Zooble just found a mask that specifically looks like its for Gangle in their box of parts? why??? obviously it was for Gangle, so why was it in Zooble’s box of extra parts? did Caine put it in there? I guess that would make sense cuz Caine gave them the parts, but again, why give them a mask obviously for Gangle?

Which could mean nothing…? But it is weird that Zooble just randomly happened to stumble across a comedy mask… or maybe i’m just looking too deep into that.

Im gonna definitely post more about whats going on with jax in this episode (“nobody is seeing this, right”, “caine wouldnt do anything malicious its not in his nature”) because that feels important, but thats a theory for another day. this episode had so so much good information and my theory brain is absolutely spinning.

anyways yeah, i dont know. I feel pretty strongly that Ragatha’s vision and Pomni’s possesion are connected and that whatever that face is is important, but again, these are just ideas and the second theory is kinda just spitballing. i dont know if any of this makes sense. either way, all the theories make my brain happy and gooseworx’s storytelling is so amazing to me, whether any of this is right or if im completely missing the mark, its so interesting and i cannot wait to find out what the fuck is actually going on in this show. gooseworx, you talented storytelling genuis you, mwah!

if you have any theories on any of this, please share!! i would love to hear your ideas.

[ask-whitepearl-and-steven]

Where do you learn to do comics? What books did you read or watch?

That's the answer.

What did I read? Comics.

There wasn't a single video or book or blog that taught me what I needed to know. I have seen GREAT video tutorials and guides, sure. But it's my belief that you can consume COUNTLESS How-To guides ad infinitum (good ones! Useful ones!) and still not get a single useful thing out of them if you don't know how to learn from watching people do what you want to do.

Reading comics can be mindless and fun. You don't have to think a lot when reading comics.

But if you want to MAKE comics, you have to also read comics like you're listening to a lecture. You have to be willing to do the mental brainwork that it takes to understand comics on your own.

You have to read comics like the comic itself is a TEDTalk. You have to look at the pages and, instead of just going "haha, that's cool" ask yourself "Why do I like that panel so much? What makes it POP?"

I don't consider myself a huge comic connoisseur or anything. I haven't read as many comics as some people. I haven't read a great amount of varieties. I read Calvin and Hobbes, and I read manga, and I read Young Avengers, and XKCD and Stand Still Stay Silent, and a lot of Ryan Andrew's works.

And every time I read those comics, I thought 'why are there panels HERE, but no panels THERE?' and 'why is there no text here?' and 'why is this colored, but this isn't?' and I tried to come up with the answer to all of those questions.

I can't recommend guides. They're out there, many of them - great ones, incredible ones. But I can't recommend them.

What I CAN recommend is reading comics.

Comics that expand the panel and push boundaries of what a comic can be:

Comics that have an incredible narrative and a strong sense of theme:

Comics with horror themes that do creepiness and suspense really well through pacing and layout:

Also horror, but with fantastic architecture that teaches you about scale and backgrounds:

And there's, idk, TONS of others! I'm sure others can recommend in the comments. :)

[room-surprise]

PSA: Mithrun doesn't run a noodle shop after the end of the manga!

(WARNING FOR SPOILERS)

Awhile back I posted a PSA about how Mickbell and Kuro don't run a noodle shop in the canon, they run an "everything store." In this post I mentioned that "Mithrun running a noodle shop" was also not canon, and that I'd get around to talking about it later.

Both of these fanons are the result of some mistranslation and information getting passed through multiple people, resulting in a very popular fanon that some people think is canon, that Mithrun is running an Asian-style noodle shop in Merini, and that he's in competition with Mickbell and Kuro.

Please note, I'm not saying there's anything wrong with Mithrun (or Mickbell and Kuro) running a noodle shop! If you like the idea and want to write or draw things about that, it's fine! It's just not canon.

SO WHAT IS CANON?

Unfortunately a lot of the information we have about what happens to Mithrun after the end of the manga comes from the still untranslated second version of the Adventurer's Bible, a Chinese Q&A posted by Kui's Chinese publisher, and autograph sessions where Kui answered fan questions, and fans posted about it on Twitter and Reddit.

You can understand why the last one, fans self-reporting what Kui told them, is extremely unreliable and shouldn't be considered the same level of "canon" as something that Kui had printed and published, or that was recorded in an official capacity.

A fan at the Korean signing described it like this (paraphrasing for clarity):

A group of about 100 fans gathered in big room with a screen, where they were playing the anime. The publisher called us up one by one, and we were guided to a smaller room, where Kui was sitting with 5-6 people from the publisher and a translator. We were not allowed to use our phones to take pictures or video.

I don't know if all of the signing events were like this, but we know that Kui and many other manga artists want to preserve their personal privacy, so I'd assume most of these events are run this way.

This makes information from autograph sessions really unreliable, since anyone could post anything online and claim Kui said it, and even other fans who were at the event wouldn't be able to prove that it wasn't true.

I have heard that sometimes fans "overheard" answers that other fans got, which doesn't fit with the above description, so some signings may have not been that private... Or maybe after a fan got their autograph, they talked with other fans at the event and shared information that way? Or maybe they talked about it online afterwards? I can't say for certain.

Anyway, moving on!

IF HE'S NOT RUNNING A NOODLE SHOP, WHAT IS MITHRUN DOING?

Here's Mithrun's updated biography page from the World Guide:

"島の迷宮が消失した後は、女王の命を受けメリニに駐在する。"

"After the island labyrinth disappears, he is stationed in Merini under the orders of the Queen."

The confusing part here is that another comic says Mithrun is retiring, and that he'll no longer be part of the Canaries.

MITHRUN: 何の用だフレキ (What do you want, Fleki?) FLEKI: 実は隊長が隊をやめられると 耳にしまして･･…. (I actually heard that the captain is leaving the squad…) MITHRUN: 事実だ (It's true.) FLEKI: おおっ第二の人生を歩まれる (Oh, you're starting a second life.)

Cithis also confirms that Mithrun is leaving the Canaries:

"それで隊をやめたあと何をされるご予定で? (So what are you planning to do after you leave the corps?)"

This seems like it would be a contradiction with "he is stationed in Merini under the orders of the Queen." If he's retired, why is he still taking orders? Why is he stationed there, a term normally used for military duty?

I think what Kui is telling us is that even though Mithrun isn't a Canary anymore, he's still nobility, and as a noble he has to obey the elf queen, and even if he isn't actively a Canary, he's considered a military asset - one of the duties of nobility is to always be ready to perform military service for their monarch.

Since the elf queen is an absolute monarch, anything Mithrun does is "with the Queen's permission/under her orders," since she owns her subjects.

(This is fun because it hints at potential future conflict. Will the Queen ever command Mithrun to do something he doesn't want to do? What happens if he refuses? Will he defect, and swear allegiance to his new home in Merini instead?)

Ok, Mithrun's retired from the Canaries, but what is he going to do in Merini?

"メリニに残り悪魔の監視を続けるはびこ魔物の蔓延る場所を巡り活動を記録する魔物とは 迷宮とは なんだったのか 生涯をかけて 追い続ける (I'll remain in Merini, and continue to watch out for demons. I'll travel to places where monsters gather and record their activities. I'll spend the rest of my life seeking to understand monsters, and the labyrinth.)"

(Why does the translation call it a labyrinth, not a dungeon? PSA on this here.)

As you can see, there's no mention of noodles here. Mithrun has something he seriously, passionately wants to do, and he plans to do it for the rest of his life. Fleki's reaction, by the way, is complete and utter horror (she was hoping Mithrun would return to his family's wealthy estate and she could mooch off of him):

"残る･･･魔物のこんな未開拓地に? 蘇生術なし (Remaining here… in such a primitive country that's full of ​​monsters? Without resurrection magic?)"

This tells us that the elves probably consider the Eastern Continent an uncivilized and primitive place, where an elf wouldn't want to stay longer than necessary. Fleki seems to think living there would be worse than going back to prison in the elven lands.

Here is where some of the confusion probably starts:

CITHIS: 蕎麦打ち は? (What about making noodles?) MITHRUN: それもやる (I'll do that too.)

Note that Cithis does not say running a noodle shop, she just says "making noodles."

Obviously a person can make noodles for themselves, or for the people around them, without getting into the huge enterprise of opening a restaurant. It's illogical to assume "I'll make noodles" actually means "I'll open a restaurant that serves noodles."

Also, Mithrun is smirking when he answers Cithis, which implies that he's joking, or being sarcastic. This makes sense because "what about making noodles?" is part of a running joke in the manga about ramen noodles and how their presence in the primarily European-style setting of Dungeon Meshi doesn't make sense.

THE RUNNING GAG ABOUT RAMEN

The word Cithis uses, soba (蕎麦), literally means "buckwheat." The full name for buckwheat noodles is soba-kiri (蕎麦切り "buckwheat slices"), but soba is commonly used alone.

Historically, soba noodles were called Nihon-soba, Wa-soba, or Yamato-soba, all of which mean "Japanese noodle." This was meant to distinguish Japanese buckwheat noodles from wheat noodles of Chinese origin, such as ramen, sōmen, or udon.

In the modern era, soba is the word used to refer to noodles in general, regardless of origin or composition. So Italian noodles can be described as a type of soba.

The loan word パスタ (pasuta) is what is normally used to talk about Italian noodles, but the confusion between soba (Japanese buckwheat noodles) and soba (any other type of noodle) is the core of Kui's joke.

In Chapter 81, Laios and his party try to make food for Marcille that will remind her of her home and childhood (which is clearly supposed to be someplace like Italy) but they end up making Japanese-style pork ramen instead. The punchline is that Izutsumi, the only Japanese member of the party, can tell that they've made the wrong type of noodles, but the rest of the party doesn't understand what she's talking about to a comical and ridiculous extent.

In Chapter 94, when Kabru and the Canaries are trying to encourage Mithrun to keep on living, Fleki and Lycion go off on a comical tangent about making noodles:

The punchline of this joke is that Kui is depicting Mithrun servingJapanese-style noodles, which makes no sense because the elves aren't Japanese... Something we know for a fact because there are actual explicitly Japanese characters in Dungeon Meshi. Laios thinks "That's like Marcille's (local cuisine)..." in reference to the joke in Chapter 81.

The panel on the left shows Mithrun looking like a stereotypical ramen stand operator: gruff, covered in sweat, proudly presenting his finished work.

(Sorry for using your thumbnail, random furry youtuber.)

The headband, black tunic and white apron that Mithrun is wearing, and even the crossed arms in Laios' imagination is part of the look of your stereotypical Japanese chef.

So it's understandable that people look at all this, and think "Mithrun will run a Japanese-style ramen stand!" because it's a very cute, very funny idea.

But canonically it's an idea that only exists in Laios' imagination, as something that is meant to be comically outlandish, because the things Lycion and Fleki are saying are also presented as being pretty silly. A bit of levity in an otherwise very melancholy chapter.

I'll also note that when Lycion talks about Mithrun making soup bowls to serve his noodles in, he says "He could enjoy his handmade cuisine in his own bowls!"

There's no mention of serving the noodles to anyone else, just that Mithrun could enjoy the satisfaction of being self-sufficient, making his food and tableware from scratch. This is something which actually aligns very well with the themes of Dungeon Meshi.

DIDN'T KUI SAY MITHRUN IS MAKING NOODLES IN A Q&A?

During the post-manga publicity tour Kui went on, she did several signings where she answered short questions from fans while giving out autographs and drawings.

Remember, these questions and answers are being collected by fans from random tweets and other posts online, translated into English by amateurs, and there is no way to prove their veracity.

Q. Did Mithrun get to live a happy life after ending? A. He is doing work and hobby, living a happy and fulfilled life, although he is not that friendly so he will not be doing diplomat for a long time.

Taking this information at face value and assuming it's true, it sounds like Kui differentiated between "work" and "hobby" - So Mithrun has something he is doing seriously, like a job, and something he is doing for fun, as a hobby.

This makes sense with what we've seen in the official materials: monitoring the monsters and keeping watch for the return of the demon is Mithrun's "job", and making noodles (and doing other things, probably, since the noodles were a joke) are Mithrun's hobbies.

WHAT ABOUT THE WRITTEN WEIBO Q&A?

These Chinese fan questions were answered by Kui in written form, and posted online by her Chinese publisher in both Chinese and Japanese, so in my opinion, these answers should be taken more seriously than things that were solely reported by fans.

However, the question and answer about noodles here is clearly a light-hearted joke:

Q: 米斯伦会做出什么样的荞麦面？(What kind of soba will Mithrun make?) A: おいしい蕎麦だといいですね。(I hope they're delicious soba.)

As with many other answers, you can see that Kui answers in a vague, polite, and gently joking way. "What kind of noodles will Mithrun make?" "Tasty ones, hopefully!"

It's similar to how she answered questions about if Falin's lifespan is longer because she's a chimera or if Thistle is still alive with "That would be nice!" or "I hope so!"

This is clearly a sort of non-answer, but even if you take it to mean "Mithrun is 100% for sure making noodles," there is still zero indication that Mithrun is canonically running a restaurant.

In closing: if you want him to run a noodle restaurant in your heart, in your fanfics, in your fanart, that is perfectly fine! Japanese fans love this idea (they use pasta emojis to represent Mithrun!) and there's tons of artwork about Mithrun being a ramen chef. I think that would be a lovely thing for him to do! I bet he'd have a lot of fun!

But it's not canon.

What is canon is that he's living in Merini, going to group therapy, learning to appreciate the people around him, enjoying himself, and both his work and his hobbies are going well 💕

[no-psi-nan]

Does Saiki talk to his friends?

Short answer: Basically no.

Long answer:

According to author commentary, Saiki wasn't initially intended on being a silent protagonist, he was supposed to speak up occasionally. But as the series went on, Asou never really found a good opportunity for Saiki to say anything and so he just ended up making him essentially silent.

As a result, Saiki generally only "speaks" to the audience and a small subset of characters using his telepathy.

Here is a pretty complete list of characters Saiki actually "talks" to:

His immediate family

His grandparents after the power reveal

The Psychickers (Toritsuka, Aiura, Akechi)

Neighborhood kids (Yuuta, the little girl with the dog)

Various animals

You, the audience (he's narrating)

With everyone else, Saiki exclusively communicates using only body language, pointing, and facial expressions. We can see how dedicated he is to his silence when he's trying to convince his friends to not go on a deadly volcano vacation but only throws brochures at them and crosses his arms in an X shape instead of actually saying a word or two to them.

Interestingly enough though, we can tell by Toritsuka's performance that Saiki's friends are used to him saying "yare yare" / "good grief" all the time. Saiki is actually shocked that his friends genuinely think this is normal behavior for him. How does that happen?

Well, it's quite likely that Saiki unintentionally says "yare yare" / "good grief" "out loud" with his telepathy even when he's not "talking" to anyone.

We have two precedents for Saiki's telepathy not being 100% watertight: the manga-exclusive suicidal musician chapter where a song getting stuck in Saiki's head makes it play in everyone else's, and the second light novel where the evil Saiki comments that our Saiki's thoughts leak out everywhere.

This would explain why Saiki's friends are so shocked by him speaking directly them, even if they're sure they've "heard" him speak before – because he exclusively "says" "yare yare" / "good grief" all the time but never joins conversations or talks to them directly.

So after using up a month's allotment of quotation marks, my best answer to this question is really....

Medium answer: Saiki only uses his telepathy to talk to people who know about his powers, neighborhood children who wouldn't be believed, and various animals. Aside from that, Saiki only uses facial expressions, pointing, and body language to communicate with others, though it seems he unintentionally says "yare yare" / "good grief" quite often in a way other people can hear. His "troublesome" line near the end of the series is the only time he's ever spoken directly to his non-Psychicker friends.

[donut251155]

The "Yugi twins situation" is NOT incestuous

I'll just analyze stuff people used to "prove" the opposite of this, as someone with a close (PLATONIC!!!) relationship with a sibling

I'll just get straight to the point

This scene is NOT incestuous. They hadn't seen each other for DECADES, it makes sense that Tsukasa reached out to touch Amane - usually if you can't believe you're seeing someone you reach for their face, no? And he just moved his head up (+ the つ (translated as "rub" could just be his hand moving and could be a translation error. Like the "ah…" from Amane, he says "つー" (Tsu) which would've probably been him calling out for Tsukasa)

Also Amane was blushing because he WAS ABOUT TO FUCKING CRY??? IT'S NORMAL TO GET RED WHEN YOU CRY??? That's basic knowledge I fear

He'd seen his brother after AGES, AFTER HE KILLED HIM. I WOULD'VE HAVE CRIED TOO IF I WERE HIM Y'ALL HE'S CRUSHED BY GUILT, GRIEF AND IS HAPPY TO SEE HIS BROTHER AGAIN

I also think that if the scene was supposed to have some incestuous undertones, Tsukasa wouldn't have moved his thumb back.

Someone said this

I believe it doesn't have incestuous undertones for three reasons:

1. He had a dreamy and hopeful face in both cases. Usually, when characters dream of doing anything, even eating a cake or something like that, the artist adds blush to make the desire stronger. Tsukasa's desires were just having fun with his brother at a festival, something COMPLETELY PLATONIC, and knowing that his brother genuinely cares about him (another COMPLETELY PLATONIC thing driven by a sense of insecurity that he got because of how grumpy Amane was while sick. He wanted to hear his brother say "I love you" (PLATONICALLY) for the last time. It's less ambiguous in the Italian version because it's "Amane, tu mi vuoi bene?" which can only be seen as platonic (voler bene is platonic, amare romantic))

2. He looks cuter blushing. He's a child, children are supposed to be cute. He looks depressed without the blush in the first image 💀💀

See? He's cuter with the blush

3. He blushes for like 90% of the time. It makes him cuter, more childlike, he's FOUR YEARS OLD. The blush disappears when the drawing is too small for it to be added, when he's supposed to be confused, scary/creepy or serious.

This part fucking hell. Y'all do not know how four year olds think, do you?? Let me enlighten you

To the four year old Tsukasa, you either love or hate someone. No in between. He isn't talking about romantic love, he's talking about caring about someone, usually deeply. He means the platonic kind of love, it's all he knows. Nene reacted that way because she's 15, to her "love" is the romantic kind of love and she's in love with Hanako, same with Kou - they're teenagers who learnt that romantic and platonic love are different. Tsukasa doesn't know. He loves Amane in a platonic, brotherly way and thinks Nene loves his brother in the same exact way, like every other 4 year old would've assumed

(I reached the max of images :(( I meant the part where Tsukasa asks Nene if she loves Amane and says they're the same after she says she does, her mistaking it as romantic love and him taking it as platonic. Mb guys I'm new to Tumblr)

For the pose where the early manga showed us how Amane supposedly killed Tsukasa: it's not suggestive in any way. It just looks like Amane pushed Tsukasa down, stabbed him and that his knees gave out after he noticed he actually did what he did because of the wave of guilt and grief he felt (he even dropped the knife)

That's all I can think of atm :D

If you have any questions about this, ask ahead and I'll answer them!! I'm ready to answer

And sorry if I sounded a bit pissed off, but I am. I'm so sick of people misunderstanding sibling love lolol if you ship them go fuck yourself and do not talk to me, do not even breathe the same air as me I hate you and you're a disappointment to humanity

[lightfeltmemories]

Do you think Chil will be against the idea of having kid(s) with reader? Since he already has three daughters

would chilchuck be up for more kids with reader?

this is a question i've been wondering myself, since chilchuck already has 3 daughters, would he be up for more kids? my answer to that is no for the most part, but it can happen if given the right circumstance.

now beware below as there are manga spoilers, mentions of chil's wife and children, and etc, an afab and fem reader is in mind but anyone can read.

ngl i got a liiiittle too crazy with this im sorry but he's literally my fave lmaoo.

i feel like he wouldn't want any more for a couple reasons.

for one, you have to look at why he doesn't see his daughters, his wife basically left him due to not being able to be there for her emotionally (hell maybe even physically), and i wouldn't say he changed much after, in fact i feel like he's a tiny bit more closed off than before because of it, undoubtably he regrets not being able to be there for her, especially at the expense of not being able to see his daughters.

years pass by and he meets reader, things happen between the two of them and he ends up falling for them, fast forward to now, reader brings up the idea of children, now.. where do we go from here?

i personally don't think chilchuck would want to have another child with reader because of the fact that he hasn't seen his own daughters in years, he didn't even have the chance to watch them grow up, it would be unfair to them.

another reason is that he fears reader will leave him for the same reasons his wife left him, he fears that he might not be able to truly be there for reader, and thus, having them leave her for the same reasons.

but what if he does end up wanting to start a new family? i mean, there are plenty of men who have children with multiple women, whats so different?

in this scenario, reader and chil have a son, because why not, plus i imagine him as the type to always want a son.

i figure he'd be the type to want to meet his daughters first before he can be content with wanting a new child, i feel like they'd be happy for a new sibling, especially a younger brother.

most people would write his wife off as being jealous but honestly in the best case scenario i don't feel like his wife would care, i mean, she wouldn't want anything to do with him, and i feel like she wouldn't care in a "what he did to me he'll probably do the same to you" way.

and once he officially comes to terms with having a new kid, and possibly marrying reader, then a deals a deal.

[literaila]

Does tsumiki ever bring her friends over for sleepovers?

“satoru,” you hiss, “what are you doing?”

the man in question is currently sneaking down the hallway, hand on the knob of tsumiki’s bedroom, lips immediately moving to a pout when he hears your voice.

and then he steps back. takes a second to collect himself. smiles. “i’m just checkin’ on the girls.”

you cross your arms, raising a brow at him. “oh, yeah? you’re not going in there to eavesdrop on tsumiki’s conversations and try to gossip with her friends?”

“i don’t gossip,” he says, but the way his hand is itching back towards the door is answer enough.

so you walk over to him, promptly flicking his forehead, and then grabbing his hand so you can drag him back down the hallway. “you cannot interrupt tsumiki’s girl night.”

“why not?” he asks, sounding oh so dejected. “you let me come to yours.”

you snort, forcing satoru down on the couch, standing in front of him as bodyguard. “there’s no letting involved. and it’s just me and shoko, anyway. this is a group of four girls.”

satoru leans back, crossing his arms. “i know that nanami goes, sometimes.”

you stare at him for a moment, thinking about how pretty he would look if he was just a statue and not a literal child. “you’re ridiculous,” you tell him, simply, and then you sit on the couch too.

and if you move close enough to touch your thigh to his, no one needs to know. and if your head automatically rests on his shoulder, well, that’s no one’s business.

but you do hold his hand—just to comfort him a little bit. you have to take care of your husband and his very fragile heart.

satoru kisses the top of your head, then he says, “i just want to be a part of girls night. tsumiki’s friends are so cool.”

“did you die and get replaced with a twelve year old girl?”

he sighs dramatically, hanging his head against yours. then he does it again, just in case you didn’t notice.

when you don’t say anything, he does it again. the point is clear.

“okay,” you laugh, patting his knee. “i get it.”

“i’m all alone,” he whines, leaning forward so he can rub his nose in your lap. “my daughter hates me.”

you hum. “i don’t think tsumiki hates anything.”

“well then her friends hate me.”

“yeah, probably, since you had to inspect them when they walked through the door.”

satoru pinches your leg. “that was for protection,” he tells you, voice muffled. “i don’t want anything to get to her.”

you laugh again because, well, that’s just a ridiculous accusation.

satoru groans into your thigh and shakes his head, managing to tickle and annoy you at the same time.

after 27 seconds of this, you sigh.

“if you want girls night,” you say, so reluctantly, “i’ll do it with you.”

satoru immediately sits up, looking at you with wide, eager alien eyes. “really?”

you shrug. “sure.”

“with face masks?”

“um… yes.”

“and painting nails? and bad 2000s movies? and sharing our deep dark secrets at two in the morning?”

“what kind of girls nights are you having, satoru?”

“oh, we can get megumi, too,” he’s musing, “i could bribe him with another manga collection, or one of those jackets that’s easy to get blood out of—“

“i’ll ask him,” you interrupt, “but i’m not forcing him to do anything. he might be asleep.”

and then satoru giggles like a maniac. “sure sure,” he says, waving you off. “this is going to be awesome.”

forget curses—you’ve just created your own monster.

[stillness-in-green]

The thing that doesn't make sense to me if Izuku resolved to kill is how it doesn't let them prove AFO wrong? AFO did his big reveal which only makes it clearer how deep the grooming went and it should've been time for Izuku to understand Tenko and Tenko to understand the abuse then reject the mindset forced onto him. But Izuku killing Tenko doesn't do that. Tenko just dies. It feels very wrong.

I guess Izuku just wasn't very interested in proving AFO wrong! Honestly, the only thing I immediately remember Izuku disputing the guy on was the same thing he disputed Shigaraki on: that he was anything more than a human being. AFO isn't a Demon King, but just a lonely man. Shigaraki hasn't transcended humanity; there's still a human somewhere deep inside of him. Izuku won't correct his allies' use of dehumanizing language for Villains, of course, but he's quick to push back when the Villains themselves self-aggrandize.

Sorry, I really only have withering disdain for Deku at this point. And I guess I don't really see any evidence that Deku was ever particularly driven by "proving AFO wrong." He wants to stop AFO, certainly, but that's because AFO is a monster who takes advantage of vulnerable people to maneuver them into doing Bad Things that advance AFO's Bad Plans and sets them onto Bad Paths that are difficult to walk back, not because he expressly opposes AFO on this or that ideological point about the nature of humanity and society.

(Hit the jump for the rest of a somewhat rambly reply.)

If anything, current evidence is that neither Deku nor the manga itself really do disagree with AFO about the frailty of humans, as expressed by Tsukauchi answering Deku's question about how to prevent future tragedies by shrugging and saying, "You don't, because life fucking sucks sometimes and that's just how it is. Our hands are completely tied on improving the system as we have it, so all we can do is punch out the Villains that appear in front of us to stop them from causing more harm."

That's also me being a bit harsh, of course. The fact that Deku is even still asking that question in the epilogue suggests that the manga hasn't reached its final answer yet, and maybe it will yet come up with something better! It doesn't have much time left, but it's still possible!

All the same, Deku is still having to ask that question in the epilogue because he never truly faced it over the course of the story. Never thinking about what Shigaraki as a person said in favor of fetishizing the Crying Child, never coming up with any kind of non-violent plan of attack or conversational approach, I have to ask what exactly about Shigaraki did Deku ever disagree with AFO on?

AFO, in the end, characterized Shigaraki as a puppet he molded exactly as he desired, a doll who he sculpted and programmed to act as he wished, a feeble child who has never made a single decision that AFO didn't cultivate him to make. So far as I can tell, Deku never really contested that framing. He didn't know the extent of it until the full reveal, of course, but Deku, like AFO, insisted on approaching Shigaraki solely through that "Crying Child" lens. He seemed to believe that nothing Shigaraki said or did on the surface really mattered (save as a reason that Shigaraki had to be stopped and potentially killed), that the "truth" of Shigaraki was that feeble little weeping boy who never grew up.

How could Deku possibly "prove AFO wrong" in that context? He doesn't even disagree with him! I mean, he's got some nice talk about how people deserve a second chance, sure; he says that people doing wrong doesn't make them Villains for the rest of their lives. What does do that, however - insofar as I can tell from how opaque the series keeps Deku throughout the final war - is refusing the hand out of the darkness. You stop being a victim and become a Villain for the rest of your life by choosing to remain a Villain even when offered an alternative (no matter how patently awful that alternative is).

Shigaraki chooses to remain a Villain and Deku doesn't have a counter for that because Deku never really got past the false binary represented by Villains and Victims to begin with. And I think the same goes for people who expected Shigaraki to just fold when he realized the extent of the grooming he'd undergone. Disallowing Shigaraki any agency in who he is and what he's done is defining him the same way AFO and Deku both did; when Shigaraki refuses to accept that framing, refuses to be a passive victim, the only thing left for him to be is a Villain. And when a Villain refuses to stop...

Well, Hawks already told us what the Heroes' answer to that is. "Someone has to die." As no one ever stepped up to prove him wrong, as far as the story is concerned, he isn't.

AFO always knew that victims can be turned into Villains with the right nudges; that's the whole reason for him cultivating "warped seeds" whenever and wherever he found them. Hero Society is - and always has been - much too rigid in its enforcement of the Hero/Villain/Victim narrative to effectively combat him. Crucially, Deku - the boy who wants to bring everything back just the way it was - doesn't disagree with him. He thinks AFO is an asshole for setting people up to fail, but he doesn't disagree about what failure means. So if AFO, Deku, and the story itself are all in agreement, what's even there for Deku to disprove?

Now, there is something that would prove AFO wrong, but it isn't something you can do while insisting on drawing lines to separate sad manipulated woobie victims who just need to be saved from awful unrepentant villains who just need to rot. It isn't something you can do while infantilizing Shigaraki Tomura.

The way to prove AFO wrong is to make room in society to help all Villains. Even if they aren't asking for it, even if they never ask for it, and even if they're jolly bastards who don't really deserve it! As long as there's a point at which it becomes okay to give up on trying to save Villains, Shigaraki will remain unsavable. He will insist on being unsavable. He could no more let that go than All Might could step aside and let AFO's attack kill an innocent at Kamino.

That's what it means to be a Hero for Villains.

Ultimately, what makes AFO right is that he knows that Hero Society makes it difficult if not impossible to uncross the victim-to-Villain bridge, and so anyone who does cross that bridge (with or without his influence) is that much more susceptible to him. Deku, in turn, thinks the only Villains he can save are those who drop everything and come sprinting as fast as they can back to the Hero side, so anyone who won't do that is someone he can't help.

Shigaraki refused to stop trying to create a better world for Villains. Toga refused to live in a world that would imprison her. Twice refused to give up on the friends no Hero would help. It's the same with every other Villain who refused to quietly endure their status quo: in a society that refuses to change how it treats Villains, anyone who won't submit to suffering in silence cannot be saved.

That's the paradigm AFO exploits, and Deku will never prove him wrong without resolving to change the paradigm first. We'll see if the last two chapters get him there.

[devildomwriter]

Can i get some headcanons on the angels being guardians of MC? 👀 In the manga, a pact with a demon requires them touching foreheads to make it, and they have to listen to their master's orders. What can the guardian and the charge do? Call for the other for help? Know when the other is in trouble or just need a hand? -Water Anon

Guardian Angel Headcanons

• An Angel canonically can only be the guardian to one human. It’s not specified if it’s one at a time or not and if they’d be able to guard someone again when the previous charge has passed.

• They get chills when their charge is in serious danger, they can hear their pleas for help, and stronger angels can answer telepathically if they only need an answer to a question or reassuring words.

• They can dispel viruses and curses more easily than if they weren’t your guardian, and can heal virtually anything with ease, be it mental or physical, whatever you ask for.

• They will immediately put their lives on the line for you and will not allow harm to come to you while you are their charge.

• If they for some reason cannot reach your side when you are in danger or in pain, you will receive some of their energy to keep you safe.

Simeon

• Simeon’s style of guarding is very relaxed. He believes it’s better you find things out for yourself and will give gentle pushes for you to find the right answers or make the right changes.

• He will always show up if you call for him, even if it’s ridiculous, because he loves you so he’s always willing to pamper you, but he does have a job so you might have to wait sometimes.

• If you’re in serious danger, he’s there instantly because he already sensed it. Simeon is normally calm and relaxed so to see him become serious and upset when he needs to protect you from something can be very surprising. If it’s person putting you in danger, his sadistic side comes out with cheerful smile and laugh as he takes care of the threat—as an angel he can’t kill them but the fear he instills is enough.

• Simeon can always tell when you need him, even if it’s not dangerous. He’ll be there for a pep talk, comfort kisses, cuddles, and a nice meal.

Luke

• You’re a handful. He has his work cut out for him, and before this he thought you were the most normal of the bunch.

• “No, MC don’t touch that!” “But you’ll protect me right?” “That’s not the point— NOOOOO MC!”

• Thanks to your guardian pact he can hear your pleas for help and he’s always super panicked but most of the time it’s because you want sweets and don’t know the recipe. He’s relieved and happy to help but make sure not to use him like a personal chef.

• He can tell when you’re in danger and gets chills but most of the time you’re just hanging out with one of the demons.

• He makes you say something specific when you’re in literal immediate danger in case he needs back up. Don’t misuse it because Raphael will show up with spears and he won’t be happy if it’s for something ridiculous.

Raphael

• Raphael is extremely protective and efficient with his job. Sometimes he can’t tell why you called him to specific situations so you’ll need to tell him.

• No matter what you called him for, he already has the spear ready. He scared people a lot by mistake. Police are still looking for a man walking around with a giant spear that cared away a group of people intimidating you.

• After saving you, Raphael won’t leave your side for a while, he needs to make sure you’re still oky and nothing else happens.

• He might guard your door at night, especially if you’re not in a good head space.

• Raphael struggles with understanding emotions so he takes a minute to learn how to help you with yours when you ask for help calming down, feeling happier, etc.

• Raphael can take on anything by himself so he never needs backup. Just calling for him scares people who know of him.

Michael

• Michael became your guardian because he knows that if you were to suddenly die it’d spell doom, as the brothers, ruler of hell, his greatest warrior, etc. would not ever be okay again.

• He already canonically saved you many times. When you almost died in the reaper cave for breaking a rule, and when Solomon’s good sent you into the past.

• He was pleasantly surprised when he found out you weren’t a wicked person but sometimes he’s baffled by your decisions and will telepathically communicate to definitely not do that thing.

• If you’re mentally stressed he sends you blessings and if he can meet you in person he will. His presence is also powerful enough to banish any curse without trying.

• Try not to call him upon demons because this could spell serious trouble for peace between the worlds but if he knows you’re in trouble he’ll lend you holy power to protect yourself to avoid disturbing the alliance with the Devildom.

[shiro-s2e2-erukinzu]

Anime only watchers and people who aren't caught up with the Manga, BEWARE... Cuz I'm about to discuss Spy X Family Mission 109... You have been warned...! 👌

[SPOILERS AHEAD FROM THIS POINT ON]

This chapter was quite an interesting one...! 🤔 Especially with how it ended...!! 😲

This our first chapter of the year and did not disappoint...!! So let's us discuss this chapter shall we...? 👍

So, this chapter begins like this:

MELINDA STOP, THAT'S SOOO FREAKING ADORABLE!!! 💗😆

I just love the fact that Yor told Melinda about Loid's "concussive therapy" in the last chapter and because of that, we now get this gem of a reaction from her meeting Loid for the first time...!! 💗🤭💗

After that, it's time for Melinda's therapy session with Twilight...! Melinda tells him that Yor is the reason that she decided to come in, which Twilight acknowledges as an inadvertent assistance from Yor for the mission. After that, Loid lists off all of Melinda's symptoms and asks what might've triggered them, but she doesn't respond... Loid then tries to reassure her, which led to Melinda to say this to him:

Melinda... 🥲

After that, Twilight ponders why Melinda does not consider herself as a lively person, but she's still too anxious to give a full answer... So Twilight tries to reassure her again, but this time...:

It feels completely unsettling to me...!! 😰 Like, the way Twilight's drawn here with his inner thoughts just gives me bad vibes, but that's the thing with the characters of this series, most of them are grey characters...! Twilight may want to make a better world, but in order for him to achieve this as a spy, he has to do things like manipulation in order get the information he needs to help stop people like Donovan Desmond from causing more harm... And though he's only thinking of his mission currently, we have seen him go against what would've been more beneficial to the mission before (like deciding not to kill Yuri for Yor's sake back in Mission 83), so it's definitely possible that Twilight won't push Melinda too far, but we'll have to wait and see...!

Moving on, after sending her bodyguard Nora away, Melinda remarks that Twilight doesn't seem like a doctor (which immediately made me scared for a second that she might've figured out that Twilight was a spy) and proceeds to mention that she was a patient at Twilight's hospital a long time ago...:

Melinda then tells Twilight that she's here as a mother and a wife, which makes him come to that conclusion to ask if her distress involves her family, and then Melinda asks Twilight...:

HIS REACTION TO HER QUESTION GOT ME CACKLING!! 👏🤣🤣🤣

Twilight not knowing how to respond to that tries to figure out the best thing to say here by saying that he too is interested in UFOs, but it doesn't seem to work, so asks if UFOs have anything to do with Melinda's family, and her response was THIS:

WHAAAAAAAAT!?!? 😵

WHAT DOES THIS MEAN!? 😱 DOES THIS CONFIRM THAT DONOVAN HAS POWERS LIKE ANYA, OR COULD SHE BE IMPLYING THAT THE "REAL" DONOVAN WAS REPLACED BY AN ALIEN...?! I HONESTLY DON'T KNOW WHAT IT COULD BE...!! 😫

And well, that was the end of the chapter and, uh... I have SO MANY questions right now...!! 😵 I honestly don't what to believe at this moment, but I think I'm still leaning on the idea of Donovan having psychic powers like Anya...!! It just makes too much sense at this point!!! 👀

I don't know what's gonna happen in the next chapter, but whatever it is, it's gonna be ABSOLUTELY CRAZY!! 😲 So until the next Mission; take care, be safe out there and be kind to one another...!! PEACE!! ✌😁

[alevolpe]

If Makoto and Ami are a baker and her doctor wife, what jobs do the other sailor scouts have?

Also what medical specialty is Dr. Mizuno in? (Dr. Kino? Who took whose last name?)

Oh, good question!

I see Usagi becoming a mangaka assistant! We've seen Usagi being quite the talented artist in canon, and she obviously loves reading manga, so I can pretty easily see her turning that into a career. That said, she might dip her toes a few times on making her own manga, but given the extremely strenous work hours, I don't see her publishing anything more than a pretty popular short series and a few one shots. She decides to stick mostly with assistant jobs.

I can easily see Rei just sticking to being a priestess at Hikawa Shrine. There's ups and downs about it, but I do believe she genuinely cares for the temple and keeping up its legacy after her grandfather's passing. Will it be her forever goal? Maybe not. Maybe later in life, she chooses to embark on a different path, perhaps being the singer she always dreamed of becoming.

Mina is all over the freaking place. This might be a bit of a controversial take, but I never really see her blowing up, as to say. She never becomes the biggest idol ever, like she always dreamed of, and that's not even from lack of trying. Some of her songs do go viral, but I just don't believe she's really cut for it at the end. She branches out and becomes a bit of a niche micro celebrity, mostly online, but makes the occasional radio and TV appearances. She mostly writes and performs her own songs and participates in popular radio broadcasts and podcasts. Still pays the bills, but won't cause her to get swarmed from just walking out in public.

Michiru has enough wealth and affluence to be able to live in luxury her whole life and the next 10+ generations to come without moving a single finger, but that's not what she wants. She just keeps on creating. Music, art, you name it. She just has an endless passion and appreciation for it. It makes her money, yes, but that's not her job really. She does it because she loves it.

Haruka.. I mean, Haruka lives in luxury as well. I think I said this before, but I see Haruka coming from an incredibly poor upbringing. She's basically as rich as she is because of Michiru and she's always very grateful and humble for her position. She doesn't become a race car driver (idk if people know how much you have to put into that career, it basically becomes your whole life and takes YEARS AND YEARS of training). I simply see her helping out her local garage shop regularly. When you're that rich, you can kind of do whatever you want, but Haruka's no slacker. She loves feeling useful and helping others.

Now, if you ask me personally, I see Ami being either a trauma surgeon or a brain surgeon. I know canonically she wants to be a pediatrician, but my Ami is a bit different. She's not nearly as apt with kids as her canon counterpart. Saeko before her being one of the most influential and renowned neurosurgeons in Japan.

Answering your last question.. I genuinely could swing either way. On one hand, Ami keeping her mother's last name (yes, it's her mother's, not her father's, idc) is very important, not only to her as her mother's daughter, but also as a form of respect and tradition to her family before her. Saeko, having kept her last name from her own father. It has become a bit of a status symbol in the medical and scientific fields, which Ami would only work to strengthen even further.

On the other hand, Kino has endless value to Makoto. In many ways, it's the most meaningful and everlasting memento left by her parents. It's a promise. A promise to stay true to herself, to be kind and to be brave, like her parents always taught her. It would be hard for her to let go of it, but it's a struggle that would die at her lips forever. She would never voice it to Ami. There's some problems that Mako will always just choose to deal with by herself.

All that said, I personally tend to default to Ami keeping her last name, Dr. Mizuno.

[poly-pan-0118]

Just a thought that led to this...

Bakugou/reader fluff about 700 WC

You meet up with Bakugou after his patrol. He had promised to walk you to the bookstore because he needed to get something himself. The truth is, he just went two days ago, but he's not gonna tell you that. 

His hair is still damp from the shower, sticking out from under the beanie he wears to “disguise” his look. However, people still gawk and whisper. There are not many tall, broad-shouldered blondes with red eyes in Musutafu. 

No one dares to say anything to him, though, as he walks close enough that his hands graze yours occasionally. You're too excited and oblivious to notice as you ramble on about your favorite manga having a special edition release.

Bakugou simply stares between the sidewalk and studies your face, hiding his feelings behind the scowl that usually accompanies his face. On the inside, he can't get enough of how your eyes light up as you talk so animatedly about guy character X finally admitting their feelings for the girl character Y. The irony is not lost on him. 

“But you don't understand, Bakugou. If I'm not there in time to stand in line, I won't get the ultra-deluxe version.”  is your explanation to him after he stays silent so long. It's not that Bakugou wasn't interested. He's totally invested in what you have to say. Hell, he decided long ago he'd listen to you talk about the different sizes and colors of rocks all day if he had to. 

“Ultra deluxe?” He asks as the palm of his hand settles on the small of your back to redirect you out of people's way, the movement coming naturally to him. “What? Does it come with fucking fries or somethin?”

You turn to yell at him, but Bakugou's look almost makes you trip over your feet. He's sporting a slight grin, the closest thing to a smile you've learned. The setting sun catches the red hues in his eyes just right so that you can see flecks of gold. The evening rush on the streets has gotten busier, something you only notice now because you're practically pressed chest to chest against Bakugou as you board the train. 

You're the last ones to get on and when a scummy-looking dude stares at you too long and gets too close for his liking, he turns you around so that his muscular arms cage you in with your back against the door. His hand is still on the small part of your back, and you can feel him pressing closer.  

Neither of you says anything, getting lost in the intimacy of your closeness. When you glance back up at Bakugou again, he's staring at you. He opens his mouth to say something but then closes it and looks away. 

You watch his eyebrows furrow and you recognize the look on his face. It's a look he has when he's pondering something as if making a high-stakes decision on a mission. Before you can overthink it, he whips his head back at you, and the train's jostling presses you even closer. 

“L’me make you dinner tonight.” His voice is so low you almost miss what he said. You're quiet for a minute as you stare up at the Pro Hero, playing the question repeatedly in your head. Did he just ask you to dinner?  

The longer you take to answer, the more red the apples of his cheeks get. Bakugou tilts his head, waiting for an answer. 

“You asking me for a date, Mr. Dynamight?” you tease as you smile at him. 

“Yeah, brat, I am.” 

“Okay, but first,” you start to say as he ushers you out of the train. “I need to get my manga.” You hear Bakugou click his teeth behind you. 

“Yeah, yeah. Make sure you don't forget your fries.” 

Bakugou's hand is now tightly wrapped around yours as you enter your favorite Manga store. Out of his peripheral, he can see people stop as they whisper and their camera flashes, taking pictures. They know who he is and right now, he could care less. All that matters is your smile, beaming brightly at him as you clutch the Ultra Deluxe manga Edition to your chest.