#does the manga say anything that answers this question?

[shiro-s2e2-erukinzu]

Anime only watchers and people who aren't caught up with the Manga, BEWARE... Cuz I'm about to discuss Spy X Family Mission 109... You have been warned...! 👌

[SPOILERS AHEAD FROM THIS POINT ON]

This chapter was quite an interesting one...! 🤔 Especially with how it ended...!! 😲

This our first chapter of the year and did not disappoint...!! So let's us discuss this chapter shall we...? 👍

So, this chapter begins like this:

MELINDA STOP, THAT'S SOOO FREAKING ADORABLE!!! 💗😆

I just love the fact that Yor told Melinda about Loid's "concussive therapy" in the last chapter and because of that, we now get this gem of a reaction from her meeting Loid for the first time...!! 💗🤭💗

After that, it's time for Melinda's therapy session with Twilight...! Melinda tells him that Yor is the reason that she decided to come in, which Twilight acknowledges as an inadvertent assistance from Yor for the mission. After that, Loid lists off all of Melinda's symptoms and asks what might've triggered them, but she doesn't respond... Loid then tries to reassure her, which led to Melinda to say this to him:

Melinda... 🥲

After that, Twilight ponders why Melinda does not consider herself as a lively person, but she's still too anxious to give a full answer... So Twilight tries to reassure her again, but this time...:

It feels completely unsettling to me...!! 😰 Like, the way Twilight's drawn here with his inner thoughts just gives me bad vibes, but that's the thing with the characters of this series, most of them are grey characters...! Twilight may want to make a better world, but in order for him to achieve this as a spy, he has to do things like manipulation in order get the information he needs to help stop people like Donovan Desmond from causing more harm... And though he's only thinking of his mission currently, we have seen him go against what would've been more beneficial to the mission before (like deciding not to kill Yuri for Yor's sake back in Mission 83), so it's definitely possible that Twilight won't push Melinda too far, but we'll have to wait and see...!

Moving on, after sending her bodyguard Nora away, Melinda remarks that Twilight doesn't seem like a doctor (which immediately made me scared for a second that she might've figured out that Twilight was a spy) and proceeds to mention that she was a patient at Twilight's hospital a long time ago...:

Melinda then tells Twilight that she's here as a mother and a wife, which makes him come to that conclusion to ask if her distress involves her family, and then Melinda asks Twilight...:

HIS REACTION TO HER QUESTION GOT ME CACKLING!! 👏🤣🤣🤣

Twilight not knowing how to respond to that tries to figure out the best thing to say here by saying that he too is interested in UFOs, but it doesn't seem to work, so asks if UFOs have anything to do with Melinda's family, and her response was THIS:

WHAAAAAAAAT!?!? 😵

WHAT DOES THIS MEAN!? 😱 DOES THIS CONFIRM THAT DONOVAN HAS POWERS LIKE ANYA, OR COULD SHE BE IMPLYING THAT THE "REAL" DONOVAN WAS REPLACED BY AN ALIEN...?! I HONESTLY DON'T KNOW WHAT IT COULD BE...!! 😫

And well, that was the end of the chapter and, uh... I have SO MANY questions right now...!! 😵 I honestly don't what to believe at this moment, but I think I'm still leaning on the idea of Donovan having psychic powers like Anya...!! It just makes too much sense at this point!!! 👀

I don't know what's gonna happen in the next chapter, but whatever it is, it's gonna be ABSOLUTELY CRAZY!! 😲 So until the next Mission; take care, be safe out there and be kind to one another...!! PEACE!! ✌😁

[skyborneveggie]

Regarding the conclusion that Light comes to after rationalizing his wrongs & accepting the death note, I have split trains of thought.

We know that Light sees the law enforcement system is morally good. But does he believe the system is good and it works, or does he believe the system is good but doesn't work?

Does he see himself as its necessary external defender, an entity that must be free from its confines, to prune off the bad branches of society that threaten it? Or does he see himself as a replacement for the system entirely, rendering it null and outdated?

I guess what I'm asking is, how self-aware is Light in realizing that, by believing that his actions are an improvement upon society, he implies that he doesn't have faith in the current system?

[dunmeshistash]

Okay I think I'm ready to write the second part of this post about Milsiril

To make it easier for me I'll just divide this into her relationship with Kabru, Mithrun and Helki (her ex-canary prisoner teammate)

First about Kabru

This is an extra from the daydream hour 5. The caption says "Something like this might as well have happened" so its probably not canon but could be. I honestly think his reaction to Milsiril visiting and being overbearing says a lot about the type of relantionship they have. This is the fakest bitch in the whole of dungeon meshi, he never says what he trully thinks unless there's an advantage to doing so, he's a people pleaser that does and says anything to make people like/trust him. And yet he immediatly converts into "Mooooooom you're embarassing meeeeee" when he sees it's Milsiril.

This translation used "Mom" but as I understand the original he uses the more formal version so I think it would be closer to "Mother" but still he acknowleges her as his Mother, and he acts like her kid in every interaction we see between them.

I really don't understand where the idea that he learned to be fake from being "forced" to be her adoptive son comes from.

(Continuing under a cut)

The other interaction we see between them is the Kabru extra from the Adventurer's Bible

Kabru comes to her with a deep fear he clearly has had even before she adopted him, he trusted her with this fear and she did not disappoint him, she comforted him and then gave him the information he needed to believe what she was saying

I'd also like to point out in no moment she discouraged him from calling his his bio-mom "Mom". He also says she taught her children everything they asked

I doubt this would only be true for him, it also mirrors something she said in the manga

"You can go ahead and learn all you want about something else." I believe it when Kabru says she made every effort to answer her children's questions. I think this is also the way she expresses the love she has for them. Plus I love the thought bubble with Kabru mirroring what he learned from her. I also love this daydream hour, she sacrifices her own comfort to do something for Kabru.

Milsiril isn't a perfect mother tho, besides the fact she is overprotective she comes from a very different culture from her children. I like to call her Kabru's white mom cause I think that would be the real world equivalent. This extra is the one I think the most about showing this context perfectly

Kabru wants to share Utaya sweets but looks at his mom looking gloomy/rejected so he talks about fruitcake instead. This very rude for Milsiril to do since she's kinda trying to overwrite his actual cultural background, but I think its done more as a "I want you to like the things I like" rather than something nefarious, and once again Kabru doesn't hide at all his distaste for it, he does the bare minimum to please his mom since she's being dramatic but he doesn't lie to her, he shows how displeased he is about fruitcake, something he refuses to do when eating the harpy omelette that is way worse, because he must make a good impression for Laios. Kabru is honest with his overbearing white mom once again.

Now a little about Rin, from Kabru's context, this is her extra in the Adventurer's Bible

(look at Helki he's such a gremlin i love him) anyway, Rin has a trauma about elves, they really mistreated her so she hates them, but when they notice she isn't thriving they go to Milsiril for help (Helki specifically I'll talk more about him next). I think this indicates she really has a better understanding of short lived kids, her kids are thriving differently from the ones the other elves try to care for. I'd also like to remember she lives secluded from other elves so while Kabru probably had lots of interactions with elves during his life, most of it was probably spent with Milsiril and her other adoptive kids. She also asks Kabru if he would do this to help Rin, he isn't being forced or anything, I also think it's good that Milsiril knows she cant take in any more kids, this to me shows she's worried about the quality of life her kids have. That is all to say, Rin is the one with elf trauma, not Kabru, because Kabru had Milsiril to shelter him from them.

Helki

This will be short and sweet since there's barely anything about Helki, he's her prisioner companion from her time in the canaries, but he was pardoned after Utaya, it says so in the Canarie's Structure page in the new adventurer's guide but I cant really find it translated again... so here's google's machine translation (I remember it saying "Retired and pardoned as a reward after Utaya", something like that)

so officially he isn't a prisoner anymore, but I think he still works as a canary, even so he and Milsiril seem quite close, he is the one to go talk to her about Rin, He is there when she's training Kabru (both laughing at Kabru and then participating). I saw people theorizing she stays close to him because he is also someone who she can feel superior to, but I don't believe it at all, he's STILL in contact with her even after they have nothing to with each other, I think they really have a friendship, and there's no point where it seems like she feels like she's better than him or that he's less than her, people seem to interpret Milsiril and her relationships in the worst possible ways every time and I don't understand why.

This segways into Mithrun

I've also seen people assuming she only got close to Mithrun because now he needs her and has no power over her, once again with the theory that Milsiril surrounds herself with people she can feel superior to. But once again, Milsiril had a change of perspective about Mithrun after seeing his Dungeon

Rather than she feeling superior to him I think rather she realized he was just like her. (And I think she's friends with Helki for a similar reason, it's probably easier to see him as an equal than other nobles)

I've also seen this part used as proof of that. "He said that you've got suspicious ulterior motives and that I shouldn't listen to you" as if that's true, but this is past Mithrun, the one that didn't trust anyone and thought ill of all his teammates, ofc he doesn't believe someone would help him without an ulterior motive. This doesn't prove much about her real motivations.

Also before she showed up, Mithrun was being cared for by servants hired by his brother, he isn't someone helpless she has power over, he is still a member of an important Noble family that has a caring brother providing for him, he can do without Milsiril, he had done without her for 20 years before Utaya happened and she quit the Canaries.

This is all to say I think Milsiril is just a white(elf) adoptive mom doing her best, I don't see much of anything nefarious about her or her motivations, she is flawed as all the dunmeshi characters are, she isn't a perfect mom, she isn't an evil mom, she's just a person.

Elves in general also see short lived species as "children" so I imagine this makes her "You'll always be my baby" attitude way worse, she really treats pre-teen/teen Kabru like he's a toddler sometimes. But she also respected him enough to go all out in training him. I think they're a family with everything that entails.

PS: I didn't get much into Interracial adoption since this is something that happens irl too and I don't know much about all the issues that entails, but in the end, in this case, it seems like a net positive for the kids she adopts considering all we see about how she raised Kabru.

[sugar-grigri]

Pochita, if you can read, why don't you speak ?

Wouldn't it be humane to protect humanity and demonic to protect the underworld? And what if... it was actually the other way around.

The interweaving of questions and answers is exactly what this chapter does.

While Yoru sordidly states that children are nothing more than the property of their parents, the one who can't speak, instead of devouring a human as he did with all those demons, decides to go to the blood drive.

Pochita understood what the sign meant. He knows how to talk. But he'd rather hold up that sign and roar than make any demands.

Worse still, he does not decide to give any orders.

It's not words that symbolise order, it's that raised index finger that already in Roman times expressed command.

In the United States, arms are a constitutional right (as recently reiterated by the Supreme Court, which does not admit of any restrictions), a fundamental freedom but also a means of preserving one's freedom, allowing organised militias to fight and protect the State.

You can see how it's all a construction, the weapons are a technological creation, the State is an administrative and political creation.

And that's where things get interesting. First of all, this chapter is highly symbolic and has a very strong political message (oh my god, political interpretation in a manga, impossible..........)

Yoru has sliced off the index fingers of those who support the right to bear arms in the United States. Or campaign for that freedom. But what Yoru is doing. In fact, it's taking it away from them. How can I shoot without this index finger? You can't do it.

It's by taking weapons away from men that they actually regain their freedom.

But it goes even further than that. Why does Yoru sacrifice these fingers? Because it reinforces the fear of weapons. Let's say I point a gun at you (sorry). You'd be less scared if you were as armed as I am. Especially when you're trained, know how to defend yourself and aren't afraid to shoot.

Yoru makes those who thought they were invincible with weapons vulnerable. She strengthens the Gun Devil's power. She contracts with them through her sacrificed child.

Weapons,

freedom,

deprivation of childhood,

of loved ones,

obsession with a mentor,

To think that a god created them.

Remind you of anyone?

Infanticide is what makes you immortal.

The sacrificed demons become weapons, lost between humanity and the demons. Not being human, nor demon, because they have no parents. Even artificial weapons like Reze and Katana display these characteristics. Isn't loneliness one of the ingredients?

Humanity sacrifices its children. As Fujimoto confirmed, they were prepared to do it for eternal youth.

And now you're going to say to me. NOOOO! Yoru too! Just as Makima wouldn't hesitate to do. The demons are also ready to do it.

Yes, because they are influenced by men.

Yoru speaks, uniting with humanity to say horrible things. Whereas Pochita doesn't speak. Worse still, he has chosen not to speak. Worst of the worst, even worse. He'd rather be a dog than a human. That's his choice.

Pochita fights for those he loves, he doesn't sacrifice them.

The demon of birth, it swallows but can spit out. Suspending existence, giving it new life, denying none of it.

Wasn't Makima devoured by Denji proof of this?

Nayuta is the symbol of this rebirth. A perpetual love that surpasses hate.

Pochita loves demons. He also loves those who mean something to him, like Denji. But he also knows that when we become too human, we can end up sacrificing ourselves out of vanity rather than love.

Pochita has sacrificed himself for love, without expecting anything in return as he waits permanently for Denji's dreams.

He is also Denji's lock, preventing him from fully adapting to men.

That's why killing Black CSM was Denji's wish come true. Because Pochita is preventing Denji from becoming normal.

Because he wants to protect him from humanity. Pochita has never been for humanity.

He is simply the guardian of the underworld, all those demons whose existence he guards, a supreme mother. Humanity must endure in order to continue to be afraid. But if humanity is prepared to overcome the ultimate fear of losing its child, then fear is scorned.

So Pochita tried to wipe out the weapons' existence, to devour them. But they still existed. Why? Because they are already the result of infanticide.

being devoured by the demon of birth, mother of the underworld, actually reinforces their existence.

Being devoured by their mother is the reason for their nature.

Whereas weapons are beings born because their mother has killed them.

Denji is the result of the death of the Supreme Mother.

It's not a weapon.

He's a wall.

Hero of the underworld.

A hero of the underworld who has been fighting from the start for the victory of love, sacrificing himself for those he loves and not sacrificing them. So he asks for blood.

And I'm sorry. If weapons really are born like that, they have to look human, and I think this is the last possessed human.

Someone's been ringing the doorbell.....for 100 chapters… it's time to answer it, isn't it?

[opbackgrounds]

This scene with Sanji is one of his most important moments in the series, and in my opinion also one of the most difficult passages in the manga to interpret, because to completely understand it you have to look at the manga holistically rather than this scene by itself.

The big question that needs answered is why does Oda let Zoro "win" here by having him be the sacrifice instead of Sanji. Both are equally willing and both are identified much later on as the Wings of the Pirate King, implying that they have similar importance (although vastly different roles) within the Straw Hat crew.

If we go back to Sanji's introduction on the Baratie, his big flaw was that he lacked the "spear of spirit" to pursue his dream. Since he's been a boy he's wanted to find the All Blue, but even when he had the opportunity to go after that dream he chose to stay on the Baratie out of a feeling of obligation to Zeff. Sanji put the continued existence of the restaurant over his own life, something Luffy rightfully called him out for at the time, and even at the end of the arc had to be pushed away by Zeff and the other chefs before he finally set sail for good.

On Drum, Sanji once again almost died protecting Nami and Luffy during the avalanche, resulting in a broken back that required surgury from Dr. Kureha. Luffy again calls him out (note the English translation here isn't entirely accurate, see here for a breakdown), and with his power there's a good chance Luffy could have gotten them all out of trouble without all the dramatics by Sanji.

Something similar happens on Skypiea, when Sanji puts himself in the way of Enel so that Usopp and Nami can be saved. This case is perhaps more justifiable given the extreme situation they were in, but nonetheless he was still quick to throw his life away.

Then on Enies Lobby Nami--while not criticizing his chivalry--calls out Sanji for simply not running away from Kalifa, instead just accepting that he's going to get the shit beat out of him, and possibly die.

So there's a pattern of self-destructive behavior. Sanji repeatedly puts his life on the line when he doesn't need to in order to preserve the lives and dreams of the people he loves. Even him constantly simping over Nami and Robin falls a little into this category, because if either of them told him to take a long walk off a short pier I have no doubt he'd comply. It's that same extreme willingness to sacrifice anything and everything for the people he cares for that we see in Baby 5, except Sanji was fortunate enough to not be surrounded by people that encourage these worst impulses of self-destructive behavior. As he says here in Thriller Bark, he's just the cook. Luffy can always just find someone else.

(The glory of Whole Cake Island being Sanji realizing, no, Luffy can't, and he won't).

And it is finally on WCI that get to the heart of why Sanji is like this with yet another episode of putting his own dreams and happiness aside for the sake of others, and not until Wano that we finally see him take the first steps toward asking others for help instead of passionately throwing his life away when he doesn’t need to.

When Zoro first offered his head to Kuma, the prominence of his dream was first and foremost. Notice that Sanji never mentions the All Blue. One Piece is a series that places the pursuit of one's own ambition above all else, even if that ambition is selfish. Sanji hasn't yet learned to be selfish, so Zoro knocks him out and ends up being the one to accept Luffy's pain. Sacrifice isn't sacrifice if the person doesn't value what they're giving up, and right now Sanji clearly doesn't value his own life compared to the rest of the crew.

Next chapter Oda will speak through Brook to confirm that Sanji's willingness to give himself up wasn't foolish or stupid. It's just that he's missing a piece of the puzzle, and that's not something he'll have for a long time yet.

[ph1l5eyelash]

i think there was something weird about Gangle’s mask in episode 4 and people are not talking about it enough.

im just kinda throwing out ideas here, I have no concrete theory, just things I noticed and thought were interesting.

AND IF YOU HAVE OTHER THEORIES REGARDING ANY OF THIS, TELL ME PLEASE IM SO CURIOUS

OKAY SO, first of all, I think we can all agree Gangle was acting weird in this episode— like, uncharacteristically weird. that could’ve easily (and obviously at least partially) been the fact that she was literally at her breaking point, on the verge of abstraction, but between the creepy vision Ragatha saw and the weird analog horror training video, I feel like it has to be more than that.

Talking about the vision Ragatha saw… what the fuck was that guys and why is nobody talking about it????? gooseworx did say “i just thought it would be funni.” when asked about it, but she has also said she often misleads us with her answers to the point that its “borderline gaslighting”. this is clearly an example of that, something so incredibly ominous and seemingly unrelated to the rest of the episode would not just be thrown in for no reason… it has to mean something. not to mention the creepy face when she turned around looks weirdly— intentionally— similar to Pomni’s face while she was possessed in episode 3.

I have a theory that whatever was possessing Pomni had something to do with Gangle’s mask in episode 4.

Speaking of this part of episode 3, I don’t think Pomni’s possession was apart of the adventure, or at least, not how it was intended to go. Whatever was possessing Pomni was hurting her in a way we have not seen in other adventures— this was not unintentional trauma like her and Gummigoo glitching beneath the map in episode 2, that was obviously not supposed to happen. This was intentional. As Jax said, Caine would not do something malicious to the humans, it’s not in his nature (which he said in a “i know that for a fact” sorta way, which is a whole other conversation). Not to mention, he said this DIRECTLY after Ragatha’s vision of Gangle looking eerily similar to whatever was possessing Pomni. So what was that?

And not only did it hurt Pomni— “how’s your wife, Kinger”??? are you kidding??? and this was not said nicely, it was clearly mocking him. how could mocking someone’s dead (or abstracted i guess) wife be any LESS intentionally malicious????

also, Caine is forgetful. This is shown by him forgetting they have a suggestion box, and more interestingly, through Zooble’s therapy session showing that Caine forgets their trauma. With such a large emphasis on Caine forgetting Zooble’s trauma, it would not be completely unreasonable to assume that he forgets the others’ trauma as well. Kinger’s wife abstracting, for example.

So with this moment being outright malicious towards both Kinger and Pomni, and with Caine’s forgetfulness being focused on in the same episode, I feel strongly that this was not Caine’s doing. Or at the very least, “how’s your wife, Kinger” was NOT Caine’s doing.

That raises the question, if Caine didnt do this, what did? And how does it know about Kinger’s wife abstracting— how would an NPC in an adventure know anything about the characters outside of the adventure?

I don’t have an answer to that question, but I have a looser theory that could possibly be related??? this one might be a little far fetched, but hear me out:

During Gangle’s weird (WEIRD) analog horror training video, Jax asks “when did you make this?” Sure, this could be meant to be a funny line that doesn’t mean anything… but he has a good point. When DID she make that? And why does it get so meta and scary? Malicious… one could say— I mean, Jax was terrified.

In the video, she was clearly projecting her failed dream of being a manga inspired comic artist, but if whatever was possessing Pomni knew about Kinger’s trauma, and with the theory that it has something to do with Gangle’s mask, I don’t think its impossible that it could know about Gangle’s trauma as well.

Assuming that whatever was possessing Pomni is actually intentionally connected to Gangle or her new mask, maybe that’s what made the video, not actually Gangle.

That would answer Jax’s question of when she made it— she didn’t.

That would explain Ragatha’s weird vision.

While the video doesn’t have any direct ties to the possession or the face, it definitely has pretty significant indication that she’s not herself— whether thats literally or figuratively. and idk man it was creepy and weird. as I said, im not set on this theory at all, i dont have any concrete idea what was going on here, but i know it has to be something.

this scene and Pomni’s possession were the only moments in the show that felt like the characters were being intentionally harmed— the only instances where they were intentionally made to feel real fear. The characters know that they will not actually be hurt during the adventures, they know that Caine wouldn’t put them in that situation. Sure, Pomni got jumpscared and her eyes popped out, they were panicked when trying to escape the angel head, they were panicked during the whole truck-chase scene in episode 2, but they knew it was all just apart of the adventure and they were gonna be fine in the end.

This fear was different. This was real fear— and they were intentionally made to feel that way. These instances were the only time the characters were genuinely afraid that they were in real danger (aside from the abstraction and backrooms-void situations in episode 1, but obviously those were not intentional).

I think whatever this is is trying to intentionally harm the members of the circus.

side note:

Zooble just found a mask that specifically looks like its for Gangle in their box of parts? why??? obviously it was for Gangle, so why was it in Zooble’s box of extra parts? did Caine put it in there? I guess that would make sense cuz Caine gave them the parts, but again, why give them a mask obviously for Gangle?

Which could mean nothing…? But it is weird that Zooble just randomly happened to stumble across a comedy mask… or maybe i’m just looking too deep into that.

Im gonna definitely post more about whats going on with jax in this episode (“nobody is seeing this, right”, “caine wouldnt do anything malicious its not in his nature”) because that feels important, but thats a theory for another day. this episode had so so much good information and my theory brain is absolutely spinning.

anyways yeah, i dont know. I feel pretty strongly that Ragatha’s vision and Pomni’s possesion are connected and that whatever that face is is important, but again, these are just ideas and the second theory is kinda just spitballing. i dont know if any of this makes sense. either way, all the theories make my brain happy and gooseworx’s storytelling is so amazing to me, whether any of this is right or if im completely missing the mark, its so interesting and i cannot wait to find out what the fuck is actually going on in this show. gooseworx, you talented storytelling genuis you, mwah!

if you have any theories on any of this, please share!! i would love to hear your ideas.

[room-surprise]

PSA: Mithrun doesn't run a noodle shop after the end of the manga!

(WARNING FOR SPOILERS)

Awhile back I posted a PSA about how Mickbell and Kuro don't run a noodle shop in the canon, they run an "everything store." In this post I mentioned that "Mithrun running a noodle shop" was also not canon, and that I'd get around to talking about it later.

Both of these fanons are the result of some mistranslation and information getting passed through multiple people, resulting in a very popular fanon that some people think is canon, that Mithrun is running an Asian-style noodle shop in Merini, and that he's in competition with Mickbell and Kuro.

Please note, I'm not saying there's anything wrong with Mithrun (or Mickbell and Kuro) running a noodle shop! If you like the idea and want to write or draw things about that, it's fine! It's just not canon.

SO WHAT IS CANON?

Unfortunately a lot of the information we have about what happens to Mithrun after the end of the manga comes from the still untranslated second version of the Adventurer's Bible, a Chinese Q&A posted by Kui's Chinese publisher, and autograph sessions where Kui answered fan questions, and fans posted about it on Twitter and Reddit.

You can understand why the last one, fans self-reporting what Kui told them, is extremely unreliable and shouldn't be considered the same level of "canon" as something that Kui had printed and published, or that was recorded in an official capacity.

A fan at the Korean signing described it like this (paraphrasing for clarity):

A group of about 100 fans gathered in big room with a screen, where they were playing the anime. The publisher called us up one by one, and we were guided to a smaller room, where Kui was sitting with 5-6 people from the publisher and a translator. We were not allowed to use our phones to take pictures or video.

I don't know if all of the signing events were like this, but we know that Kui and many other manga artists want to preserve their personal privacy, so I'd assume most of these events are run this way.

This makes information from autograph sessions really unreliable, since anyone could post anything online and claim Kui said it, and even other fans who were at the event wouldn't be able to prove that it wasn't true.

I have heard that sometimes fans "overheard" answers that other fans got, which doesn't fit with the above description, so some signings may have not been that private... Or maybe after a fan got their autograph, they talked with other fans at the event and shared information that way? Or maybe they talked about it online afterwards? I can't say for certain.

Anyway, moving on!

IF HE'S NOT RUNNING A NOODLE SHOP, WHAT IS MITHRUN DOING?

Here's Mithrun's updated biography page from the World Guide:

"島の迷宮が消失した後は、女王の命を受けメリニに駐在する。"

"After the island labyrinth disappears, he is stationed in Merini under the orders of the Queen."

The confusing part here is that another comic says Mithrun is retiring, and that he'll no longer be part of the Canaries.

MITHRUN: 何の用だフレキ (What do you want, Fleki?) FLEKI: 実は隊長が隊をやめられると 耳にしまして･･…. (I actually heard that the captain is leaving the squad…) MITHRUN: 事実だ (It's true.) FLEKI: おおっ第二の��生を歩まれる (Oh, you're starting a second life.)

Cithis also confirms that Mithrun is leaving the Canaries:

"それで隊をやめたあと何をされるご予定で? (So what are you planning to do after you leave the corps?)"

This seems like it would be a contradiction with "he is stationed in Merini under the orders of the Queen." If he's retired, why is he still taking orders? Why is he stationed there, a term normally used for military duty?

I think what Kui is telling us is that even though Mithrun isn't a Canary anymore, he's still nobility, and as a noble he has to obey the elf queen, and even if he isn't actively a Canary, he's considered a military asset - one of the duties of nobility is to always be ready to perform military service for their monarch.

Since the elf queen is an absolute monarch, anything Mithrun does is "with the Queen's permission/under her orders," since she owns her subjects.

(This is fun because it hints at potential future conflict. Will the Queen ever command Mithrun to do something he doesn't want to do? What happens if he refuses? Will he defect, and swear allegiance to his new home in Merini instead?)

Ok, Mithrun's retired from the Canaries, but what is he going to do in Merini?

"メリニに残り悪魔��監視を続けるはびこ魔物の蔓延る場所を巡り活動を記録する魔物とは 迷宮とは なんだったのか 生涯をかけて 追い続ける (I'll remain in Merini, and continue to watch out for demons. I'll travel to places where monsters gather and record their activities. I'll spend the rest of my life seeking to understand monsters, and the labyrinth.)"

(Why does the translation call it a labyrinth, not a dungeon? PSA on this here.)

As you can see, there's no mention of noodles here. Mithrun has something he seriously, passionately wants to do, and he plans to do it for the rest of his life. Fleki's reaction, by the way, is complete and utter horror (she was hoping Mithrun would return to his family's wealthy estate and she could mooch off of him):

"残る･･･魔物のこんな未開拓地に? 蘇生術なし (Remaining here… in such a primitive country that's full of ​​monsters? Without resurrection magic?)"

This tells us that the elves probably consider the Eastern Continent an uncivilized and primitive place, where an elf wouldn't want to stay longer than necessary. Fleki seems to think living there would be worse than going back to prison in the elven lands.

Here is where some of the confusion probably starts:

CITHIS: 蕎麦打ち は? (What about making noodles?) MITHRUN: それもやる (I'll do that too.)

Note that Cithis does not say running a noodle shop, she just says "making noodles."

Obviously a person can make noodles for themselves, or for the people around them, without getting into the huge enterprise of opening a restaurant. It's illogical to assume "I'll make noodles" actually means "I'll open a restaurant that serves noodles."

Also, Mithrun is smirking when he answers Cithis, which implies that he's joking, or being sarcastic. This makes sense because "what about making noodles?" is part of a running joke in the manga about ramen noodles and how their presence in the primarily European-style setting of Dungeon Meshi doesn't make sense.

THE RUNNING GAG ABOUT RAMEN

The word Cithis uses, soba (蕎麦), literally means "buckwheat." The full name for buckwheat noodles is soba-kiri (蕎麦切り "buckwheat slices"), but soba is commonly used alone.

Historically, soba noodles were called Nihon-soba, Wa-soba, or Yamato-soba, all of which mean "Japanese noodle." This was meant to distinguish Japanese buckwheat noodles from wheat noodles of Chinese origin, such as ramen, sōmen, or udon.

In the modern era, soba is the word used to refer to noodles in general, regardless of origin or composition. So Italian noodles can be described as a type of soba.

The loan word パスタ (pasuta) is what is normally used to talk about Italian noodles, but the confusion between soba (Japanese buckwheat noodles) and soba (any other type of noodle) is the core of Kui's joke.

In Chapter 81, Laios and his party try to make food for Marcille that will remind her of her home and childhood (which is clearly supposed to be someplace like Italy) but they end up making Japanese-style pork ramen instead. The punchline is that Izutsumi, the only Japanese member of the party, can tell that they've made the wrong type of noodles, but the rest of the party doesn't understand what she's talking about to a comical and ridiculous extent.

In Chapter 94, when Kabru and the Canaries are trying to encourage Mithrun to keep on living, Fleki and Lycion go off on a comical tangent about making noodles:

The punchline of this joke is that Kui is depicting Mithrun servingJapanese-style noodles, which makes no sense because the elves aren't Japanese... Something we know for a fact because there are actual explicitly Japanese characters in Dungeon Meshi. Laios thinks "That's like Marcille's (local cuisine)..." in reference to the joke in Chapter 81.

The panel on the left shows Mithrun looking like a stereotypical ramen stand operator: gruff, covered in sweat, proudly presenting his finished work.

(Sorry for using your thumbnail, random furry youtuber.)

The headband, black tunic and white apron that Mithrun is wearing, and even the crossed arms in Laios' imagination is part of the look of your stereotypical Japanese chef.

So it's understandable that people look at all this, and think "Mithrun will run a Japanese-style ramen stand!" because it's a very cute, very funny idea.

But canonically it's an idea that only exists in Laios' imagination, as something that is meant to be comically outlandish, because the things Lycion and Fleki are saying are also presented as being pretty silly. A bit of levity in an otherwise very melancholy chapter.

I'll also note that when Lycion talks about Mithrun making soup bowls to serve his noodles in, he says "He could enjoy his handmade cuisine in his own bowls!"

There's no mention of serving the noodles to anyone else, just that Mithrun could enjoy the satisfaction of being self-sufficient, making his food and tableware from scratch. This is something which actually aligns very well with the themes of Dungeon Meshi.

DIDN'T KUI SAY MITHRUN IS MAKING NOODLES IN A Q&A?

During the post-manga publicity tour Kui went on, she did several signings where she answered short questions from fans while giving out autographs and drawings.

Remember, these questions and answers are being collected by fans from random tweets and other posts online, translated into English by amateurs, and there is no way to prove their veracity.

Q. Did Mithrun get to live a happy life after ending? A. He is doing work and hobby, living a happy and fulfilled life, although he is not that friendly so he will not be doing diplomat for a long time.

Taking this information at face value and assuming it's true, it sounds like Kui differentiated between "work" and "hobby" - So Mithrun has something he is doing seriously, like a job, and something he is doing for fun, as a hobby.

This makes sense with what we've seen in the official materials: monitoring the monsters and keeping watch for the return of the demon is Mithrun's "job", and making noodles (and doing other things, probably, since the noodles were a joke) are Mithrun's hobbies.

WHAT ABOUT THE WRITTEN WEIBO Q&A?

These Chinese fan questions were answered by Kui in written form, and posted online by her Chinese publisher in both Chinese and Japanese, so in my opinion, these answers should be taken more seriously than things that were solely reported by fans.

However, the question and answer about noodles here is clearly a light-hearted joke:

Q: 米斯伦会做出什么样的荞麦面？(What kind of soba will Mithrun make?) A: おいしい蕎麦だといいですね。(I hope they're delicious soba.)

As with many other answers, you can see that Kui answers in a vague, polite, and gently joking way. "What kind of noodles will Mithrun make?" "Tasty ones, hopefully!"

It's similar to how she answered questions about if Falin's lifespan is longer because she's a chimera or if Thistle is still alive with "That would be nice!" or "I hope so!"

This is clearly a sort of non-answer, but even if you take it to mean "Mithrun is 100% for sure making noodles," there is still zero indication that Mithrun is canonically running a restaurant.

In closing: if you want him to run a noodle restaurant in your heart, in your fanfics, in your fanart, that is perfectly fine! Japanese fans love this idea (they use pasta emojis to represent Mithrun!) and there's tons of artwork about Mithrun being a ramen chef. I think that would be a lovely thing for him to do! I bet he'd have a lot of fun!

But it's not canon.

What is canon is that he's living in Merini, going to group therapy, learning to appreciate the people around him, enjoying himself, and both his work and his hobbies are going well 💕

[no-psi-nan]

Does Saiki talk to his friends?

Short answer: Basically no.

Long answer:

According to author commentary, Saiki wasn't initially intended on being a silent protagonist, he was supposed to speak up occasionally. But as the series went on, Asou never really found a good opportunity for Saiki to say anything and so he just ended up making him essentially silent.

As a result, Saiki generally only "speaks" to the audience and a small subset of characters using his telepathy.

Here is a pretty complete list of characters Saiki actually "talks" to:

His immediate family

His grandparents after the power reveal

The Psychickers (Toritsuka, Aiura, Akechi)

Neighborhood kids (Yuuta, the little girl with the dog)

Various animals

You, the audience (he's narrating)

With everyone else, Saiki exclusively communicates using only body language, pointing, and facial expressions. We can see how dedicated he is to his silence when he's trying to convince his friends to not go on a deadly volcano vacation but only throws brochures at them and crosses his arms in an X shape instead of actually saying a word or two to them.

Interestingly enough though, we can tell by Toritsuka's performance that Saiki's friends are used to him saying "yare yare" / "good grief" all the time. Saiki is actually shocked that his friends genuinely think this is normal behavior for him. How does that happen?

Well, it's quite likely that Saiki unintentionally says "yare yare" / "good grief" "out loud" with his telepathy even when he's not "talking" to anyone.

We have two precedents for Saiki's telepathy not being 100% watertight: the manga-exclusive suicidal musician chapter where a song getting stuck in Saiki's head makes it play in everyone else's, and the second light novel where the evil Saiki comments that our Saiki's thoughts leak out everywhere.

This would explain why Saiki's friends are so shocked by him speaking directly them, even if they're sure they've "heard" him speak before – because he exclusively "says" "yare yare" / "good grief" all the time but never joins conversations or talks to them directly.

So after using up a month's allotment of quotation marks, my best answer to this question is really....

Medium answer: Saiki only uses his telepathy to talk to people who know about his powers, neighborhood children who wouldn't be believed, and various animals. Aside from that, Saiki only uses facial expressions, pointing, and body language to communicate with others, though it seems he unintentionally says "yare yare" / "good grief" quite often in a way other people can hear. His "troublesome" line near the end of the series is the only time he's ever spoken directly to his non-Psychicker friends.

[lightfeltmemories]

Do you think Chil will be against the idea of having kid(s) with reader? Since he already has three daughters

would chilchuck be up for more kids with reader?

this is a question i've been wondering myself, since chilchuck already has 3 daughters, would he be up for more kids? my answer to that is no for the most part, but it can happen if given the right circumstance.

now beware below as there are manga spoilers, mentions of chil's wife and children, and etc, an afab and fem reader is in mind but anyone can read.

ngl i got a liiiittle too crazy with this im sorry but he's literally my fave lmaoo.

i feel like he wouldn't want any more for a couple reasons.

for one, you have to look at why he doesn't see his daughters, his wife basically left him due to not being able to be there for her emotionally (hell maybe even physically), and i wouldn't say he changed much after, in fact i feel like he's a tiny bit more closed off than before because of it, undoubtably he regrets not being able to be there for her, especially at the expense of not being able to see his daughters.

years pass by and he meets reader, things happen between the two of them and he ends up falling for them, fast forward to now, reader brings up the idea of children, now.. where do we go from here?

i personally don't think chilchuck would want to have another child with reader because of the fact that he hasn't seen his own daughters in years, he didn't even have the chance to watch them grow up, it would be unfair to them.

another reason is that he fears reader will leave him for the same reasons his wife left him, he fears that he might not be able to truly be there for reader, and thus, having them leave her for the same reasons.

but what if he does end up wanting to start a new family? i mean, there are plenty of men who have children with multiple women, whats so different?

in this scenario, reader and chil have a son, because why not, plus i imagine him as the type to always want a son.

i figure he'd be the type to want to meet his daughters first before he can be content with wanting a new child, i feel like they'd be happy for a new sibling, especially a younger brother.

most people would write his wife off as being jealous but honestly in the best case scenario i don't feel like his wife would care, i mean, she wouldn't want anything to do with him, and i feel like she wouldn't care in a "what he did to me he'll probably do the same to you" way.

and once he officially comes to terms with having a new kid, and possibly marrying reader, then a deals a deal.

[literaila]

Does tsumiki ever bring her friends over for sleepovers?

“satoru,” you hiss, “what are you doing?”

the man in question is currently sneaking down the hallway, hand on the knob of tsumiki’s bedroom, lips immediately moving to a pout when he hears your voice.

and then he steps back. takes a second to collect himself. smiles. “i’m just checkin’ on the girls.”

you cross your arms, raising a brow at him. “oh, yeah? you’re not going in there to eavesdrop on tsumiki’s conversations and try to gossip with her friends?”

“i don’t gossip,” he says, but the way his hand is itching back towards the door is answer enough.

so you walk over to him, promptly flicking his forehead, and then grabbing his hand so you can drag him back down the hallway. “you cannot interrupt tsumiki’s girl night.”

“why not?” he asks, sounding oh so dejected. “you let me come to yours.”

you snort, forcing satoru down on the couch, standing in front of him as bodyguard. “there’s no letting involved. and it’s just me and shoko, anyway. this is a group of four girls.”

satoru leans back, crossing his arms. “i know that nanami goes, sometimes.”

you stare at him for a moment, thinking about how pretty he would look if he was just a statue and not a literal child. “you’re ridiculous,” you tell him, simply, and then you sit on the couch too.

and if you move close enough to touch your thigh to his, no one needs to know. and if your head automatically rests on his shoulder, well, that’s no one’s business.

but you do hold his hand—just to comfort him a little bit. you have to take care of your husband and his very fragile heart.

satoru kisses the top of your head, then he says, “i just want to be a part of girls night. tsumiki’s friends are so cool.”

“did you die and get replaced with a twelve year old girl?”

he sighs dramatically, hanging his head against yours. then he does it again, just in case you didn’t notice.

when you don’t say anything, he does it again. the point is clear.

“okay,” you laugh, patting his knee. “i get it.”

“i’m all alone,” he whines, leaning forward so he can rub his nose in your lap. “my daughter hates me.”

you hum. “i don’t think tsumiki hates anything.”

“well then her friends hate me.”

“yeah, probably, since you had to inspect them when they walked through the door.”

satoru pinches your leg. “that was for protection,” he tells you, voice muffled. “i don’t want anything to get to her.”

you laugh again because, well, that’s just a ridiculous accusation.

satoru groans into your thigh and shakes his head, managing to tickle and annoy you at the same time.

after 27 seconds of this, you sigh.

“if you want girls night,” you say, so reluctantly, “i’ll do it with you.”

satoru immediately sits up, looking at you with wide, eager alien eyes. “really?”

you shrug. “sure.”

“with face masks?”

“um… yes.”

“and painting nails? and bad 2000s movies? and sharing our deep dark secrets at two in the morning?”

“what kind of girls nights are you having, satoru?”

“oh, we can get megumi, too,” he’s musing, “i could bribe him with another manga collection, or one of those jackets that’s easy to get blood out of—“

“i’ll ask him,” you interrupt, “but i’m not forcing him to do anything. he might be asleep.”

and then satoru giggles like a maniac. “sure sure,” he says, waving you off. “this is going to be awesome.”

forget curses—you’ve just created your own monster.

[donut251155]

The "Yugi twins situation" is NOT incestuous

I'll just analyze stuff people used to "prove" the opposite of this, as someone with a close (PLATONIC!!!) relationship with a sibling

I'll just get straight to the point

This scene is NOT incestuous. They hadn't seen each other for DECADES, it makes sense that Tsukasa reached out to touch Amane - usually if you can't believe you're seeing someone you reach for their face, no? And he just moved his head up (+ the つ (translated as "rub" could just be his hand moving and could be a translation error. Like the "ah…" from Amane, he says "つー" (Tsu) which would've probably been him calling out for Tsukasa)

Also Amane was blushing because he WAS ABOUT TO FUCKING CRY??? IT'S NORMAL TO GET RED WHEN YOU CRY??? That's basic knowledge I fear

He'd seen his brother after AGES, AFTER HE KILLED HIM. I WOULD'VE HAVE CRIED TOO IF I WERE HIM Y'ALL HE'S CRUSHED BY GUILT, GRIEF AND IS HAPPY TO SEE HIS BROTHER AGAIN

I also think that if the scene was supposed to have some incestuous undertones, Tsukasa wouldn't have moved his thumb back.

Someone said this

I believe it doesn't have incestuous undertones for three reasons:

1. He had a dreamy and hopeful face in both cases. Usually, when characters dream of doing anything, even eating a cake or something like that, the artist adds blush to make the desire stronger. Tsukasa's desires were just having fun with his brother at a festival, something COMPLETELY PLATONIC, and knowing that his brother genuinely cares about him (another COMPLETELY PLATONIC thing driven by a sense of insecurity that he got because of how grumpy Amane was while sick. He wanted to hear his brother say "I love you" (PLATONICALLY) for the last time. It's less ambiguous in the Italian version because it's "Amane, tu mi vuoi bene?" which can only be seen as platonic (voler bene is platonic, amare romantic))

2. He looks cuter blushing. He's a child, children are supposed to be cute. He looks depressed without the blush in the first image 💀💀

See? He's cuter with the blush

3. He blushes for like 90% of the time. It makes him cuter, more childlike, he's FOUR YEARS OLD. The blush disappears when the drawing is too small for it to be added, when he's supposed to be confused, scary/creepy or serious.

This part fucking hell. Y'all do not know how four year olds think, do you?? Let me enlighten you

To the four year old Tsukasa, you either love or hate someone. No in between. He isn't talking about romantic love, he's talking about caring about someone, usually deeply. He means the platonic kind of love, it's all he knows. Nene reacted that way because she's 15, to her "love" is the romantic kind of love and she's in love with Hanako, same with Kou - they're teenagers who learnt that romantic and platonic love are different. Tsukasa doesn't know. He loves Amane in a platonic, brotherly way and thinks Nene loves his brother in the same exact way, like every other 4 year old would've assumed

(I reached the max of images :(( I meant the part where Tsukasa asks Nene if she loves Amane and says they're the same after she says she does, her mistaking it as romantic love and him taking it as platonic. Mb guys I'm new to Tumblr)

For the pose where the early manga showed us how Amane supposedly killed Tsukasa: it's not suggestive in any way. It just looks like Amane pushed Tsukasa down, stabbed him and that his knees gave out after he noticed he actually did what he did because of the wave of guilt and grief he felt (he even dropped the knife)

That's all I can think of atm :D

If you have any questions about this, ask ahead and I'll answer them!! I'm ready to answer

And sorry if I sounded a bit pissed off, but I am. I'm so sick of people misunderstanding sibling love lolol if you ship them go fuck yourself and do not talk to me, do not even breathe the same air as me I hate you and you're a disappointment to humanity

[stillness-in-green]

The thing that doesn't make sense to me if Izuku resolved to kill is how it doesn't let them prove AFO wrong? AFO did his big reveal which only makes it clearer how deep the grooming went and it should've been time for Izuku to understand Tenko and Tenko to understand the abuse then reject the mindset forced onto him. But Izuku killing Tenko doesn't do that. Tenko just dies. It feels very wrong.

I guess Izuku just wasn't very interested in proving AFO wrong! Honestly, the only thing I immediately remember Izuku disputing the guy on was the same thing he disputed Shigaraki on: that he was anything more than a human being. AFO isn't a Demon King, but just a lonely man. Shigaraki hasn't transcended humanity; there's still a human somewhere deep inside of him. Izuku won't correct his allies' use of dehumanizing language for Villains, of course, but he's quick to push back when the Villains themselves self-aggrandize.

Sorry, I really only have withering disdain for Deku at this point. And I guess I don't really see any evidence that Deku was ever particularly driven by "proving AFO wrong." He wants to stop AFO, certainly, but that's because AFO is a monster who takes advantage of vulnerable people to maneuver them into doing Bad Things that advance AFO's Bad Plans and sets them onto Bad Paths that are difficult to walk back, not because he expressly opposes AFO on this or that ideological point about the nature of humanity and society.

(Hit the jump for the rest of a somewhat rambly reply.)

If anything, current evidence is that neither Deku nor the manga itself really do disagree with AFO about the frailty of humans, as expressed by Tsukauchi answering Deku's question about how to prevent future tragedies by shrugging and saying, "You don't, because life fucking sucks sometimes and that's just how it is. Our hands are completely tied on improving the system as we have it, so all we can do is punch out the Villains that appear in front of us to stop them from causing more harm."

That's also me being a bit harsh, of course. The fact that Deku is even still asking that question in the epilogue suggests that the manga hasn't reached its final answer yet, and maybe it will yet come up with something better! It doesn't have much time left, but it's still possible!

All the same, Deku is still having to ask that question in the epilogue because he never truly faced it over the course of the story. Never thinking about what Shigaraki as a person said in favor of fetishizing the Crying Child, never coming up with any kind of non-violent plan of attack or conversational approach, I have to ask what exactly about Shigaraki did Deku ever disagree with AFO on?

AFO, in the end, characterized Shigaraki as a puppet he molded exactly as he desired, a doll who he sculpted and programmed to act as he wished, a feeble child who has never made a single decision that AFO didn't cultivate him to make. So far as I can tell, Deku never really contested that framing. He didn't know the extent of it until the full reveal, of course, but Deku, like AFO, insisted on approaching Shigaraki solely through that "Crying Child" lens. He seemed to believe that nothing Shigaraki said or did on the surface really mattered (save as a reason that Shigaraki had to be stopped and potentially killed), that the "truth" of Shigaraki was that feeble little weeping boy who never grew up.

How could Deku possibly "prove AFO wrong" in that context? He doesn't even disagree with him! I mean, he's got some nice talk about how people deserve a second chance, sure; he says that people doing wrong doesn't make them Villains for the rest of their lives. What does do that, however - insofar as I can tell from how opaque the series keeps Deku throughout the final war - is refusing the hand out of the darkness. You stop being a victim and become a Villain for the rest of your life by choosing to remain a Villain even when offered an alternative (no matter how patently awful that alternative is).

Shigaraki chooses to remain a Villain and Deku doesn't have a counter for that because Deku never really got past the false binary represented by Villains and Victims to begin with. And I think the same goes for people who expected Shigaraki to just fold when he realized the extent of the grooming he'd undergone. Disallowing Shigaraki any agency in who he is and what he's done is defining him the same way AFO and Deku both did; when Shigaraki refuses to accept that framing, refuses to be a passive victim, the only thing left for him to be is a Villain. And when a Villain refuses to stop...

Well, Hawks already told us what the Heroes' answer to that is. "Someone has to die." As no one ever stepped up to prove him wrong, as far as the story is concerned, he isn't.

AFO always knew that victims can be turned into Villains with the right nudges; that's the whole reason for him cultivating "warped seeds" whenever and wherever he found them. Hero Society is - and always has been - much too rigid in its enforcement of the Hero/Villain/Victim narrative to effectively combat him. Crucially, Deku - the boy who wants to bring everything back just the way it was - doesn't disagree with him. He thinks AFO is an asshole for setting people up to fail, but he doesn't disagree about what failure means. So if AFO, Deku, and the story itself are all in agreement, what's even there for Deku to disprove?

Now, there is something that would prove AFO wrong, but it isn't something you can do while insisting on drawing lines to separate sad manipulated woobie victims who just need to be saved from awful unrepentant villains who just need to rot. It isn't something you can do while infantilizing Shigaraki Tomura.

The way to prove AFO wrong is to make room in society to help all Villains. Even if they aren't asking for it, even if they never ask for it, and even if they're jolly bastards who don't really deserve it! As long as there's a point at which it becomes okay to give up on trying to save Villains, Shigaraki will remain unsavable. He will insist on being unsavable. He could no more let that go than All Might could step aside and let AFO's attack kill an innocent at Kamino.

That's what it means to be a Hero for Villains.

Ultimately, what makes AFO right is that he knows that Hero Society makes it difficult if not impossible to uncross the victim-to-Villain bridge, and so anyone who does cross that bridge (with or without his influence) is that much more susceptible to him. Deku, in turn, thinks the only Villains he can save are those who drop everything and come sprinting as fast as they can back to the Hero side, so anyone who won't do that is someone he can't help.

Shigaraki refused to stop trying to create a better world for Villains. Toga refused to live in a world that would imprison her. Twice refused to give up on the friends no Hero would help. It's the same with every other Villain who refused to quietly endure their status quo: in a society that refuses to change how it treats Villains, anyone who won't submit to suffering in silence cannot be saved.

That's the paradigm AFO exploits, and Deku will never prove him wrong without resolving to change the paradigm first. We'll see if the last two chapters get him there.

[devildomwriter]

Can i get some headcanons on the angels being guardians of MC? 👀 In the manga, a pact with a demon requires them touching foreheads to make it, and they have to listen to their master's orders. What can the guardian and the charge do? Call for the other for help? Know when the other is in trouble or just need a hand? -Water Anon

Guardian Angel Headcanons

• An Angel canonically can only be the guardian to one human. It’s not specified if it’s one at a time or not and if they’d be able to guard someone again when the previous charge has passed.

• They get chills when their charge is in serious danger, they can hear their pleas for help, and stronger angels can answer telepathically if they only need an answer to a question or reassuring words.

• They can dispel viruses and curses more easily than if they weren’t your guardian, and can heal virtually anything with ease, be it mental or physical, whatever you ask for.

• They will immediately put their lives on the line for you and will not allow harm to come to you while you are their charge.

• If they for some reason cannot reach your side when you are in danger or in pain, you will receive some of their energy to keep you safe.

Simeon

• Simeon’s style of guarding is very relaxed. He believes it’s better you find things out for yourself and will give gentle pushes for you to find the right answers or make the right changes.

• He will always show up if you call for him, even if it’s ridiculous, because he loves you so he’s always willing to pamper you, but he does have a job so you might have to wait sometimes.

• If you’re in serious danger, he’s there instantly because he already sensed it. Simeon is normally calm and relaxed so to see him become serious and upset when he needs to protect you from something can be very surprising. If it’s person putting you in danger, his sadistic side comes out with cheerful smile and laugh as he takes care of the threat—as an angel he can’t kill them but the fear he instills is enough.

• Simeon can always tell when you need him, even if it’s not dangerous. He’ll be there for a pep talk, comfort kisses, cuddles, and a nice meal.

Luke

• You’re a handful. He has his work cut out for him, and before this he thought you were the most normal of the bunch.

• “No, MC don’t touch that!” “But you’ll protect me right?” “That’s not the point— NOOOOO MC!”

• Thanks to your guardian pact he can hear your pleas for help and he’s always super panicked but most of the time it’s because you want sweets and don’t know the recipe. He’s relieved and happy to help but make sure not to use him like a personal chef.

• He can tell when you’re in danger and gets chills but most of the time you’re just hanging out with one of the demons.

• He makes you say something specific when you’re in literal immediate danger in case he needs back up. Don’t misuse it because Raphael will show up with spears and he won’t be happy if it’s for something ridiculous.

Raphael

• Raphael is extremely protective and efficient with his job. Sometimes he can’t tell why you called him to specific situations so you’ll need to tell him.

• No matter what you called him for, he already has the spear ready. He scared people a lot by mistake. Police are still looking for a man walking around with a giant spear that cared away a group of people intimidating you.

• After saving you, Raphael won’t leave your side for a while, he needs to make sure you’re still oky and nothing else happens.

• He might guard your door at night, especially if you’re not in a good head space.

• Raphael struggles with understanding emotions so he takes a minute to learn how to help you with yours when you ask for help calming down, feeling happier, etc.

• Raphael can take on anything by himself so he never needs backup. Just calling for him scares people who know of him.

Michael

• Michael became your guardian because he knows that if you were to suddenly die it’d spell doom, as the brothers, ruler of hell, his greatest warrior, etc. would not ever be okay again.

• He already canonically saved you many times. When you almost died in the reaper cave for breaking a rule, and when Solomon’s good sent you into the past.

• He was pleasantly surprised when he found out you weren’t a wicked person but sometimes he’s baffled by your decisions and will telepathically communicate to definitely not do that thing.

• If you’re mentally stressed he sends you blessings and if he can meet you in person he will. His presence is also powerful enough to banish any curse without trying.

• Try not to call him upon demons because this could spell serious trouble for peace between the worlds but if he knows you’re in trouble he’ll lend you holy power to protect yourself to avoid disturbing the alliance with the Devildom.

[funishment-time]

🔵 Kodaka BlueSky Q&As: Female DR Characters (Specific)

⚠️ DISCLAIMER: Please be advised! Translations of all Japanese answers derive from a combination of Google Translate and my manager's three-quarters-remembered Japanese. We've tried our best to work out what he's saying, but there will be mistakes here and there. Do not take this as gospel!

To avoid spreading (too much) misinfo, where we're completely boggled about an answer, we've decided not to even make an attempt. We'll still list the post, but mark it accordingly.

➡️ AN IMPORTANT NOTE FROM KODAKA BEFORE READING:

First of all, the questions answered here are not official. Everything that is official is what is said within the work. In contrast, this is simply what Kodaka, the creator, thinks, and it is not the correct answer. Use this as a starting point to enjoy the depth of each character, or to say, "That's not right!" and enjoy it with your own interpretation. I think of this as a way of communicating with the characters who live in fiction. This is important, so please spread the word.

💕 FEBRUARY 2024:

Q: I apologize if this has already been discussed somewhere, but I would love to hear about the reasons and episodes behind choosing Kitayama Takekuni as the author of the novel "Danganronpa Kirigiri."

A: I like Kitayama's novels. They are mysteries, but I felt there was something in common between them [DR & Kitayama's work] in the writing and dialogue.

/////

Q: In her report card, it was stated that SDR2's Nanami Chiaki has a father and brother who are programmers, but does this only apply to SDR2's Nanami and is she separate from Despair Arc's Nanami? In the reference book, there is no data about Nanami's alma mater, but is there a possibility that information such as the alma mater of Despair Arc's Nanami will be released in some form in the future?

A: That's right. It applies to only SDR2 Nanami. I wonder if there will be any information released about Despair Arc Nanami...

/////

Q: Excuse me for asking a question!! I think games are essential to Nanami, so I wonder how she would react if they were confiscated!

A: I guess she'd end up looking like Gudetama.

NOTE: The adorable Sanrio depressed egg guy.

/////

Q: Mr. Kodaka, do you have any comments about Kitayama Takekuni's "Danganronpa Kirigiri"?

A: Before the series began, I had consulted with them about the overall structure and points of reference, but after the series began, I felt like I was mostly enjoying it as a reader.

/////

Q: Excuse me for my second question. I would like to know the reason why Kirigiri Kyoko has her braids undone on one side in the timeline of the anime "Danganronpa 3: The End of Hope's Peak Academy Future Arc" and the manga "Danganronpa Gaiden Killer Killer" and if there is any background reason for this...

A: I've not heard why, in part because it was left up to Komatsuzaki-kun. I thought on my own that it was because she had become an adult.

NOTE: Komatsuzaki is the guy behind Danganronpa's art.

/////

Q: Excuse me for the second question! Yumeno-chan was called a "shishamo roe" by Iruma and a "grilled horse mackerel" by Ouma, but what does she think about those metaphors?

A: "Huh?"

NOTE: A shishamo is a type of fish. Also, he's answering as Himiko, if it wasn't clear.

/////

Q: Why do we not get any undisguised Mukuro sprites in Danganronpa S?

A: I had absolutely no involvement with Danganronpa S.

NOTE: You'll see him reference this a few times too. He didn't do Summer Camp at all!

/////

Q: Why did you decide to become a maid, Tojo-san?

A: I think that because she could do anything, she felt it was boring to use her power for herself and felt more comfortable serving others, and that is why she was so selfless.

/////

Q: If the characters in Danganronpa were 16.7 years old in 2010, they would be 30 years old in 2024 if they were still alive. What do you think they would have been like when they turned 30 if they had lived a normal life? I don't need to know everyone, but I'd like to hear it.

A: At the very least, Fukawa is dead.

NOTE: It's true, but he shouldn't say it.

🍀 MARCH 2024:

Q: In the profile of Genocider Syo from Ultra Despair Girls, she lists "girls that aren't moe" as something she dislikes, but since she has deliberately stated "aren't moe", does that mean that "girls that are moe" exist in Genocider Syo's opinion?

A: "I think it's either 'not moe' or 'other.' I don't do moe."

NOTE: Answering as Syojack, it seems.

/////

Q: Does Yumeno-chan ever wear casual clothes? If so, does she wear a wizard's hat?

A: "A robe like a dark mage's is my personal attire. I don't go out on windy days because it all flips up."

/////

Q: when you wrote the ending to Danganronpa Another Episode, were you expecting to use Monaca more or was her arc always going to end the way it did in Danganronpa 3?

A: In truth, Monaka's story ended with just another episode. However, we wanted to have as many characters in Danganronpa 3 as possible, so we decided to add her to the anime.

/////

Q: Does Harukawa-san eat sweet things?

A: She used to lick rock candy on the job to replenish her energy.

/////

Q: What would happen if I confessed to Mioda Ibuki?

A: She sometimes responds with songs, but she usually doesn't know how to answer.

/////

Q: I believe the character of Fukawa Toko (Genocider Syo) is originally based on the protagonist of Clock Tower GH, but are Genocider Syo's murder weapon and motive for murder also based on Tono Masayuki's mystery novel "Scissors Man"?

A: Neither of them are right...! I imagined Genocider as a monster like the ones in Ushio & Tora.

NOTE: Clock Tower GH is a video game known as Clock Tower 2 in the US. It's a point and click survival horror. Ushio & Tora is a supernatural/dark fantasy manga from the early 90s.

/////

Q: Does Fujisaki have a favorite food?

A: Mini katsudon.

NOTE: Katsudon is a pork cutlet bowl.

/////

Q: What kind of clothes does Fujisaki Chihiro like to wear (or usually wear)?

A: Unisex jeans.

NOTE: It's not exactly a question so I won't list it here, but a Chihiro fan responded with excitement, at which Kodaka replied "100 points for your reaction."

/////

Q: Excuse me for asking a question! In Ultra Despair Girls, Fujisaki Taichi had a photo of Fujisaki [Chihiro] in a sailor uniform, looking like they were in their rebellious phase (?)! It's so cute! I'd really like to know how the photo was taken and if there are any untold details about the Fujisaki family!

A: No matter what Fujisaki [Chihiro] is, their father can't help but take pictures because they are a cute kid, but Fujisaki [Chihiro] themself is embarrassed, and since those around them are becoming more and more rebellious, they are acting a little like a rebel, but later they will probably feel sorry for their father and be depressed.

/////

Q: Why is Enoshima Junko so cute? What's her favorite food?

A: "I think it's because I live life the way I want to. I get bored easily, so my favorite things change every day."

🥬 APRIL 2024:

Q: I think Celes' dream is to live in a Western castle surrounded by handsome men, but if she had to choose one of the handsome men from Danganronpa, who would she choose? From watching Celes' fantasy scenes, it seemed like she only had a limited number of handsome men, so it's possible that there isn't a type among the characters that appear, but if there is, please let me know.

A: Probably none of them are in that category. I think she wants to create a world like Interview With Vampire.

/////

Q: Yumeno-chan, what type of handsome guy do you like?

A: Something like a pop star.

NOTE: My manager says another great translation would be "trendy bastards." Kodaka loves his fictional daughters...

/////

Q: Why does Fukawa Toko hate taking baths?

A: It's a hassle because you have to put the clothes on after you take them off, and you have to dry them after they get wet.

/////

Q: Today is Asahina-san's birthday. What would you give her that would make her happy? I'm sure she's been getting lots of donuts from everyone, so I'd like to give her a unique present that will leave a lasting impression!

A: "Shoes for my younger brother!"

🌺 MAY 2024:

Q: Did Enoshima clean up the victims' bodies and rooms?

A: I think she used technology to that extent, though Enoshima, impatiently cleaning up the mess, also looked hopelessly cumbersome and hopelessly kawaii.

/////

Q: Why does Yumeno-chan hate the ocean?

A: Because it's big.

/////

Q: Excuse me for asking a question! Is the story about the school festival in the Danganronpa original drama CD written by Kodaka-san? There is a scene in the drama where Fujisaki wants to wear a cute apron, which was quite unexpected for Fujisaki in the main story, so it was a shock. Was there a possibility that Fujisaki would embrace cute things in the main story as well?

A: I think I only wrote the very first one. The one that has a white and black disc. If I remember correctly.

/////

Q: Excuse me for asking a question! I think that in the articles(?) released during the development stage there were many scenes that were not in the main story. Were these scenes faked to hide the contents of the main story, or were they actually there during production? I'm curious if there were any scenes where Fujisaki-kun was suspected in court!

[This person included this image:]

A: This is an image made up for a proposal. It was made before the story even existed.

/////

Q: What do you think is Kyoko Kirigiri's favorite type?

A: Just look at Danganronpa!

/////

Q: Iruma Miu's favorite thing is "programs for young children," but what kind of programs for young children does she like? Programs where you can sing and dance along, educational programs, or maybe anime programs for young children...

A: "I sing along when the host sings, and I work with her when she's doing crafts. Other than that I just watch while swearing."

/////

Q: Can you cook, Kirigiri-san?

A: "I want to cook but I need to wear gloves and that's where I'm stuck. I really want to cook." In response to all this, that guy…(oops, no more on that)

/////

Q: Excuse me for asking a question! (Sorry for asking so many times lol 💦) In DR2, Nanami Chiaki said, "I have a father and brother who are programmers," and I interpreted this as Fujisaki Chihiro and Fujisaki Alter Ego but are they actually different people (because they were created by the program left behind by Fujisaki?)? She also said other things that reminded me of Fujisaki, so I've been wondering about this for a long time!!! I look forward to your answer!!!

A: I am pretty sure that was the impression I had at the time.

☀️ JUNE 2024:

Q: Celes, I believe you usually wear gothic lolita clothes, but do you ever wear sweet lolita, hime lolita or other types of lolita clothes?

A: "I just tried them on and threw them away."

/////

Q: Does anyone in the Danganronpa series get headaches?

A: Fukawa.

🎇 JULY 2024:

Q: Is Nanami-chan popular with the guys?

A: I think a lot of guys like her.

/////

Q: What content does Tsumugi Shirogane like more? Yaoi content or Yuri?

A: "I like all of them, so I change my taste depending on the season."

/////

Q: What were Junko and Mukuro's parents like?

A: They were an ordinary couple and a normal family, but their ordinariness had made Enoshima Junko despair from the moment she was born.

/////

Q: I'd like to hear more specifically about Maki Harukawa's usual diet!

A: Rations.

🌭 AUG 2024:

Q: I would like to know about Mioda's family relationships. I wonder if she often plays alone because she didn't have a good relationship with her parents.

A: It is possible that the whole family is like that.

/////

Q: If there was a punishment for Iruma Miu, what do you think it would be? She has a bad mouth, but I think she's a good girl at heart and I love her, so I want her to be happy.

A: You can't be as happy as a good child. It's so unfair lol

🍁 SEPT 2024:

Q: Do you have any favorite games, Owari-chan?

A: Any where I don’t have to use my head.

/////

Q: What is your best magic, Yumeno-san?

A: Self-hypnosis magic

/////

Q: Did Kirigiri cry as a child the first time she went on detective work with her grandfather (a murder detective would see a body)?

A: Kirigiri has never cried over a dead body.

/////

Q: If there was a motivation video in Danganronpa 2, what would Nanami's video look like?

A: 4K video of the Despair Arc of the anime, in which Nanami Chiaki, the model for the character, dies.

/////

Q: What would Chiaki Nanami do when she's in a desperate situation? Will she become a million-man murderer?

A: No.

[dunmeshistash]

sorry if this is a really vague question or if it's been answered before, but do you happen to know where magic originates from in dungeon meshi? does it just exist in the world or is it "channeled" from say, a deity, or is it manipulating nature/the mana around you? is it taught from ancient books and modified in schools, etc.?

What a peculiar ask!

I'll assume either you're not very familiar with dunmeshi or perhaps only watched the anime?

The second half of the manga talks a lot about magic origins, so it's a little complex if you don't have that context I think. Lots to explain if you want the "real answer with all the details" but Marcille gives a basic explanation in the cockatrice chapter.

The short answer is that there's this "infinite energy" dimension that the dungeons are connected to, that's why there's so much more mana inside dungeons which allows stronger magic to happen and monsters to survive.

But from my understanding this dimension "seeps" into their world in lower amounts, that's why mana exists outside the dungeons. Oh yeah on that note every living thing has mana inside them to some extent too

To answer your question more directly "manipulating nature/the mana around you" is closer

I'm really not good at explaining this so I'll put some links here in case you're curious about magic in dungeon meshi

Bits about Magic and Mana (Spoiler free)

Chapter 62 pages 28 to 32 (Spoilers)

Chapter 87 of the manga (Major Spoilers)

This monster tidbits (Major spoilers)

Please correct me if I got anything wrong in my explanation! I might have so I think the links give a better understanding, since it's direct sources

And if you still want more after that you can check these tags on my blog

Magic System

Ancient Magic

Dungeons

[dreamer1084]

Natsuyuu Anime S7EP6 VS Manga Vol22 SP.19 & Vol19 Ch.77

Sensei's "tsk" was changed to "hum" Matoba's "おや" was deleted.

Matoba's laughter was deleted.

Matoba's dialogue when explaining the content of the commission was greatly simplified, retaining only the most basic knowledge without details.

Deleted the scene where Natsume was suspicious of "Why did he keep me here?"

Natsume's description of things that the audience can directly see has been deleted as usual. By the way, we cannot see the youkai in anime as clear as in manga.

Anime deleted a lot of monologues and dialogues here explaining why he went to Hakozaki's house.

When they saw the Youkai, they were still outdoors in manga, but they had already entered the house in anime. That's why the dialogue where Beniko thanked them for coming was also deleted.

Anime changed Natsume's straightforward statement about investigating his grandfather here to be more tactful. First, anime moved the dialogue forward, saying that although he didn't know if he had the ability to help, he would look around the house. Then he use "speaking of" to bring in his grandfather's matters.

In terms of dialogue, manga Natsume seemed to be talking to himself, so he later apologized for being rude. In anime Natsume used more questions, thus a more sense of communication.

Youkai hided behind this tower in amine. It is different from the manga in which Beniko answered the phone and left so Natsume could discuss the situation with Sensei.

Anime deleted Natsume thought Matoba sneaked into the house, and Matoba smiled and said he had permission LOL

Deleted scene where he said "かじん(家人) will not be harmed" (The "家人" here in Japanese does not necessarily refer to the family, but may also mean something like a servant. It may be an attempt to ridicule the identity of Sensei. But it may also mean people in this house. )

Manga's Natsume chose not to speak when faced with Matoba's request, and than delivered a monologue to the readers. In anime, he said, "I am (helping you) only for Beniko-san and Sensei."

Deleted Motoba's line "Do you want to hear it? Okay" and Natsume was again speechless.

His dialogue explaining the Youkai was again slightly simplified.

Deleted Motoba's "そうですね" (more like a modal particle for thinking than recognition) Matoba in manga just stared at Natsume, and Natsume asked him unhappily what was going on. Anime included a strong wind that made Natsume close his eyes. At this time, Matoba looked at him thoughtfully.

Anime simplified Matoba's instructions to Natsume into simply telling him to look to the east.

Deleted Nanase said "We meet in a strange place"

Deleted Nanase said, "It's so convenient that Youkai will come close to you when you are here."

The dialogue here was split into Natsume first asking if there was a mirror, Nanase responded that it was part of the spell, and Natsume said that the mirror was broken.

Animation added Natsume says "わかりました"(Got it) And Nanase also said "頼んだぞ"(I am counting on you)

Sensei in anime did not have the arrogant tone from manga, but he clearly complained that "forbidden techniques are really troublesome." Anime Natsume asked "Even Sensei can't exorcise it?"

Deleted the dialogue where Matoba asked Natsume not to tell others and hoped to have a good conversation with him (Because the content was similar to the summary part of the abandoned station later.)

Anime also deleted the sence where Beniko said that she only let them in because Matoba-clan agreed not to charge. She also promised Natsume again that if she discovered anything related to his grandfather, she would inform him.