#does that sentence make sense

[markthemannequin]

heyo what do you think of this silly little fellow, his name is Stu and hes often compared to you

No wonder, what with the matchin' hard hats 'nd all!

[florallylly]

steve harrington is no serena.... unforch he's miss blair waldorf (school royalty, leader in their respective extracurriculars, have minions, equally absent and overbearing parental presence)

[bituin-describes]

ID: A pair of Cards Against Humanity cards. The black one reads "Here is the church / Here is the steeple / Open the doors / And there is," and the white one finishes, "PTSD". /ED

My boyfriend did a thing

[inkskinned]

i love my therapist but i hate being in therapy. 10 minutes before my appointment, i'm in a meeting with my boss - we discuss my artistic choices; my boss recommends i artistically choose less. 10 minutes after therapy, i wash my hair and think about everything that was said, and then i have to switch it off, like a lamp, and go back to work again.

i was on a walk the other day and someone had the perfect combination of his cologne and whatever-else. it was almost exactly his scent. i fucking hate that. after all these years, i remember that? i tell my therapist - i feel like a fucking wolf. try telling a middle-aged blonde lady. oh i scented him on the air. i'm 30, and i'm having a panic attack over something that would be a plotline in the omegaverse.

what they don't tell you about mental illness is that if you are lucky enough to survive it into adulthood; it becomes a weird slice of your life. because you do, eventually, have to build a life. i realized in a panic somewhere around 22 - oh. i don't know what i'm fucking doing, because i always assumed i'd just go ahead and die. i didn't die, and i'm grateful for that, and i'm very happy about that choice. but it does mean that i am an adult in an apartment, living with my conditions side-by-side like. oh, that's my roommate, adhd. ignore the glass, bytheway, that's ocd.

so you pick your stupid life up by the scruff of the neck and you're, like glad for it (so much laughter and light and friends you would have never thought possible, when you were in the worst of it). but it feels so strange to be dancing around these odd little microcosms, these patchwork moments of your symptoms. if you have a panic attack at night, you still need to wake up and walk the dog in the morning. if your depression is making everything boring, well, you don't have any sick days left, and a job's not really supposed to be that exciting anyway. your ocd tears out each individual leg hair, and then, an hour later, you sigh, patch up the bloody bits, and go get dinner with friends. and the life is kitten-quiet, mewling and pathetic, but it's also like - it's yours, so you're fond of it.

and it's like - you're real. so you still enjoy pushing the shopping cart really fast and then riding on the back of it down an empty aisle. and you're not, like, so sick anymore that when you accidentally drop a mug you burst into tears (except for the days you do that. which are bad). and no, you're not allowed around certain items anymore. oops! but you've learned to be good about brushing your teeth most days of the week. and yeah sometimes in the middle of the day you have a little freak-out about how fucking unfair it all is, how fucking hard, how other people can just do this without having to fucking hurt the whole time. and then you sigh and force yourself to sit down and fucking journal about it so you can tell the nice middle-aged blonde woman yeah i had a hard day but i practiced grounding. you still sometimes want to burst out of your own skin, but you force yourself to eat kind-of healthy and to take your vitamins. you let yourself chop off all your hair in the sink in a dramatic poetry of control and relief - and you also have developed good hobbies that help you move your body more frequently. you feel helplessly behind, lost in the shuffle - but you also practice gratitude, taking stock of what you have garnered. because you're trying. even if you're never gonna be normal, you have something... close enough.

and the little kitten of your life, this mangy, starlit tigercub, this thing you expected to rot so young: in your arms, it turns itself over, belly-up. exposing this new soft part, all the organs and guts. like it's saying i trust you now. you won't give me up.

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[mossytrashcan]

is it considered “new” art if I just repost the gideon update that no one liked the first time

[zh-lele]

NIKKI

I can't believe you did this... My #1 domestic comfort writer writing for my #1 comfort man and favorite Moon Taeil 🤲💗

I haven't read anything in months so this has been very pleasant and I am very glad that I came across it! You captured all the sensations so well! All these nerves when waiting for your loved one, when you need to make sure everything is perfect for the moment they arrive so you can feel good and at peace with them but then they actually arrive and you realize all you needed to get that comfort was just their presence. It's like everything automatically makes sense again when they're together. And I'm not gonna to lie to you... you got me tearing up a little there 🥲💗 This touched a very special spot inside my heart... a feeling that I crave! Also that last kiss with the audible mwah 🥲🥲🥲🥲 why is that such a Taeil thing 🥲🥲🥲💗💗💗💗 crying crying.

Ah it was so very nice. [In Haechan's voice] I'm really really thanks for... Nikki. Happy one year of lunena btw! Can't remember if I said it already and I might be very late, but I'm wishing you only good things for the future and thanking you for beautiful fics and a lot of feelings! 💗

𝐑𝐞𝐜𝐡𝐚𝐫𝐠𝐞

The sun is setting, there’s music playing, coffee is brewing, and your love is coming home. | fluff | 1k words | for @neonun-au ラビリンス - mondo grosso, hikari mitsushima

  There’s music playing down the block. Must be a party. Your guess is a backyard barbecue, likely in a tiny courtyard of one of the many apartment buildings; something small but full of life and thrill. Games, friends, and good times. You can picture it all.

Seguir leyendo

[michi-mystuff]

“I want to go on a date” and “I don’t want to date anyone” are two statements that can coexist

[iwoulddieforienzo]

Something I really appreciate about TOA that I don’t see get talked about much is that I never get the sense that Apollo finds Lester ugly.

For all that he complains about the body he’s stuck in, I never got the feeling that it came from a distaste for Lester himself. When he sees Lester’s traits reflected in others, like Meg being chunky, he is completely unaffected by it. Finds it charming, even. (In fact, the only times I can remember him having Opinions about how someone looks is when they’ve chosen something about their appearance that he either approves or disapproves of, like a tacky jacket/hair cut or when he finds someone attractive. The only time I can remember him calling anybody ugly was when he pointed out that Dionysus was choosing to look as ugly as possible to piss of Zeus, which is a statement of fact and doesn’t necessarily mean he thinks that Dionysus�� form is actually ugly. He makes no mention of finding it so before or after that line. It’s a statement of fact that Dionysus is choosing a form that either he or Zeus finds ugly to piss of their dad.)

The thing about Lester is that he is so devastatingly mortal. He has flab and acne and no upper body strength and his voice squeaks when he’s nervous and he sweats a lot and he has a silly name and messy, curly hair that’s impossible to tame. He is the Most Teenager To Ever. There is no godly blood running through his veins, no powers he can call upon. If Apollo were to run into him in the street, I don’t think he’d pay him much mind. He’d probably just think, “sweet kid”, and move on. If he got to know him, I think Apollo would adore him because that’s just who rrverse!Apollo is. He loves mortals despite himself, flaws and all. He’d argue against anything bad Lester had to say about his own appearance and mean every word.

The problem is that it’s Apollo in this body. Apollo, The Golden Child, the perfect son, a God. His distaste for this body is because Lester is so devastatingly mortal and imperfect. Apollo has to be perfect, he has to be shiny and pretty and strong because he has nothing else to offer otherwise.

And.. I dunno, there’s something about Apollo hating the things that draw him to others when it’s him. The flaws that he tears apart in himself he finds endlessly charming on others, or he thinks that they have better reasons for why they have them, or he thinks they have enough positive traits to counteract them. The positive things that he hides deep enough that even the reader can’t see right away, like his kindness and genuine desire to understand and connect with everyone around him, that he’s shocked to find directed at him in turn.

That Apollo accepting himself and reclaiming his personhood leads to him being comfortable with being Lester, imperfect and mortal as he is. That he takes that imperfection back with him to Olympus… I dunno man I’m Emotional. Also it’s just plain nice that Lester is never treated as ugly for looking like a normal ass teenager, even by the guy stuck in this body. That’s neat.

Or maybe I’m just rambling and this means nothing at all and I’m reading too far into Blorbo from my books.

[gods-perfect-idiots]

was overcome with the urge to draw "wade tenderly caressing logan's face while he's Feeling Big Angsty Stuff" and then the parallel urge to do a follow-up of "logan kissing wade's hand/holding onto him for dear life"

(anyway hope you like it - I have been looking at this for too long and so of course I hate it now 🫠 art is hard guys lol)

some details below the cut because I am happy with some small aspects - still really enjoying the painting part of doing Wade's scars for example (thanks again @woof-verine for that inspo it is just baked into my psyche now, and also for being a forever enjoyer of pointy ears Logan - sorry couldn't quite get the fangs in this time but they are there trust me!!)

ps. was listening to She Calls Me Back by Noah Kahan for this one. idk it just hits for me in my poolverine-addled state lol

[hedgehog-moss]

I bought a cushion for my fireside chair with a mouse from Beatrix Potter's Tailor of Gloucester and it's the best financial investment I've made in a while, I smile every time I see it

[lilyflxwers]

sirius is the most ‘not to be dramatic’ dramatic bitch ever

and remus is the most ‘oh I don’t want to be a bother’ but literal life ending injury has just occurred man ever

[dailytomlinson]

Louis answering that LT3 is at a 3 (then corrected to 4) on a scale of 1-5 of how close it is to be done - 03.08

[frommybedroom]

thinking about how nick nelson has an issue with being a people pleaser and making sure his loved ones are okay and how that probably stems back to a childhood with a bully for an older brother and a bully for a father which then makes me think of a scenario where stéphane and sarah were fighting and nick tried to intervene or maybe he comforted sarah after stéphane storms out of the house and sarah thanks nick for always making her feel better and suddenly nick goes hey i’m pretty good at this whole comforting people thing and then begins to internalize that as his way of being useful to people

[spaceinvadeeer]

the sillies i love them

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)