#does she have bops?

[sleepyandconfused]

back to blocking anything tagged t*ylor s*ift on here because everything I'm learning and seeing about her is being done so against my will

[fantastic-nonsense]

in hindsight I actually think the Birds of Prey movie got Helena a little more right than I thought they did, because a solid half of Huntress: Year One is just Helena being blunt and rude and a little off-putting and generally threatening powerful men into doing what she wants them to do

[expectiations]

You should totally talk about River’s ‘The Doctor does not and has never loved me’ speech and emotional impermanence!

I’ve thought about it before, and to me it’s always seemed like it stemmed from a very relatable ‘I’m not good enough for the Doctor’ mentality?

Finally had enough breathing space to have a bit of a chat about these two. I have already yapped about my thoughts on that speech, but the more I learn about emotional permanence (or the lack of it), the more I see it in River. It's not a widely known concept I think, especially within the fandom. It may not have been in Moffat's mind when he wrote THORS but it still makes sense. Anyways, I hope I answered your ask adequately below!

River’s "The Doctor does not and has never loved me" speech reflects a moment of raw pain and emotional impermanence. It happens during a period of profound grief following the loss of her parents and a period of separation from the Doctor. Her words aren’t grounded in reality but in her state of mind—a mix of grief, emotional impermanence, and the effects of a miscommunication fueled by their nonlinear timelines.

River’s feelings of inadequacy aren’t caused mainly by the Doctor’s actions. He is openly affectionate, both verbally and physically. Their love is steady and enduring. However, River’s emotional impermanence makes it hard for her to hold onto that sense of being loved when the Doctor isn’t physically present. When he’s around, his love feels undeniable. When he isn’t, her mind fills the gaps with self-doubt: If he’s not here, does he still love me?

This emotional impermanence is amplified by their out-of-sync relationship. The Doctor’s absences, combined with the grief of losing her parents, make it harder for River to believe she’s enough. This isn’t about the reality of their love but how her emotional state distorts her perception of it.

By the time River delivers her speech, it’s clear a massive misunderstanding has occurred. Both are grieving Amy and Rory, but their coping methods clash. River suggests going to Darillium, perhaps as a way to reconnect and process their loss together. The Doctor refuses—not because he doesn’t care, but because he fears Darillium marks the end of their time together. His attempt to protect her only drives her away.

For River, his refusal may have felt like rejection. Emotional impermanence convinces her that his pushing her away reflects how he feels about her. In reality, the Doctor’s love hasn’t wavered—his absence stems from his fear of losing her. This miscommunication leaves them both isolated in their grief.

The Doctor’s reaction to the row is evident in The Snowmen, where he retreats into isolation, believing his time with River has ended. He searches for her to make amends but never finds her, yet upon seeing her data ghost, he is convinced their time is over. River, meanwhile, is left to process their fight on her own. By the time we see her in The Husbands of River Song, it’s clear the wound hasn’t healed.

River’s strength lies in her ability to keep functioning, even while carrying deep emotional wounds. She can compartmentalize her pain, locking it away to continue living her life. But her "The Doctor does not and has never loved me" speech is a moment where those walls break down. It reveals how much the row, their separation, and her emotional impermanence have affected her. It’s not a reflection of reality, but a cry of pain from someone who feels disconnected from the person she loves most.

River’s speech isn’t about a lack of love from the Doctor—it’s about the intersection of her grief, emotional impermanence, and their miscommunication. Their love is not fleeting or weak. It’s enduring, as evidenced by their reconciliation at Darillium. The speech reflects River’s humanity: beneath her larger-than-life confidence is someone who experiences self-doubt, pain, and longing like anyone else. Their relationship, with all its complications, remains a testament to their deep love and commitment.

[hauntingblue]

making a collection

making another collection with a threatening aura

[tastycitrus]

honestly, why is cass in three places at once? if everything is going on at the same time then cass is still in the spirit world with xanthe and constantine while also in the living world teaming up with black canary and the new birds of prey AND dealing with gotham war with the rest of the bat-family

[imtalkin]

I really hate the way my favorite artists are treated by the general public. Most of them are women so basically all of them are mistreated in some way and it’s so goddamn exhausting.

[dykefever]

btw !!

[adelle-ein]

every year spotify wrapped just confuses the hell out of me. what is "pov: indie" (why not just indie????) what is "alt z." what the fuck is "hopebeat," is it like "indie poptimism." and where is provo

[lassieposting]

So anyway, kirigan developing a habit of coming up behind alina and gently propping his chin on the top of her head. just to Be Close while he looks at maps on the war table or thinks strategy or whatever

[deva-arts]

What I Think Every Character's Choice Of Music Would Be.

Seraphina ;

Nathaniel ;

Sonia ;

Amon;

Eric ;

Vincent ;

Honorable mention;

Nightmare ;

Submitted by @mettamorphoses! The fact that all of these are accurate even down to lyrics :') Holy shit these are going in their playlists now. Grade A song recs, Mett!

[essektheylyss]

I swear I have other character modes but I realized that all of my PCs right now either fall into the category of unhinged fey wizard (who will not shut up) or overly precocious eleven-year-old girl (who will not shut up), and honestly these poles are hilarious.

[otrtbs]

my spotify discover weekly is so SO good this week. i love when this happens

[thelittleredheadedmusician]

I write some really niche fics (hopefully some of you just went “no shit, that’s why we’re here” and some went “no shit! Tell more!”) but I feel a little more vindicated for my series of Mia Dearden & John Constantine being reluctant friends fics. I initially justified it as a “Ollie met John once & Dinah is friends with Zatanna so she probably heard of him if not met him once or twice so Mia could have heard of him thru them” AND GUESS FUCKING WHAT. AS OF THE CURRENT BOP ISSUE DINAH NOT ONLY KNOWS JOHN BUT THEY’RE ON DECENT TERMS AND HE KNOWS OLLIE TOO SO LIKE *insert Brooklyn 99 VINDICATION meme here*

[majoringinsarcasm]

I will never be over the literal Players and Pieces callback like this will live rent free in my head for months on end. Plus the added thing of Ruby not being able to fight with them bc she doesn’t have her weapon. The Ever After may not be combat heavy like Remnant but both times an altercation has happened she could not help the way she usually does and mmmmmmmmm the angst is yummy

[rigginsstreet]

Well the difference of course is that nsync is talented so it’s worth it

[britcision]

Every single time Caleb talks about how the things he did were awful and irredeemable Astrid is internally screaming

Caleb failed on their graduation day

He made it through training, and yeah, did awful things

Astrid and Wulf passed that graduation, finished training, and spent 17 years in the real world doing the actual job

The parts too hard, too bloody, too dangerous, to trust to teenagers

Caleb knows Trent is awful and all of the terrible things he put children through, and every dreadful thing he is capable of, no question

But Astrid and Wulf, looking at him after the Mighty Nein? Not when he was in the Sanitarium, broken by Feeblemind, but a whole, complete person?

A wizard powerful enough to stand toe to toe with their master, and what did he do that they didn’t to get there?

He ate pastries. Wore bread as mittens. Made dick jokes and found love and forgiveness and people who may not understand, but who don’t care that they don’t understand and accept him anyway

People who looked at this sad, broken man with up to seven years of guilt and terrible deeds weighing him down (depending on when you think Trent started scourging ‘em, seemed young in the campaign but much later in the comic)

Knowing that they spent every one of the years he was in the Sanitarium and then after he escaped still under Trent’s thumb, still doing everything they’d done as kids and more, doing it with higher stakes, higher costs

And he talks about those childhood sins as unforgivable

He tells them that they too can be redeemed, as if nothing and no one could be worse than he was

But Astrid and Caleb are the same person

So you know she’s just as convinced that her sins were actually the worst, and there’s hope for anyone else but her

And she has the resume to back it up

And no matter how much she wishes she could have what he has, be free and redeem herself and maybe admit she shouldn’t have had to do any of it…

If Caleb doesn’t believe he can be redeemed, how could there be hope for her?

(And absolutely none of it will stop Jester Lavorre from scooping up another two formerly evil wizards and tucking them gently into her pocket and woobie-ing them to death with sprinkles and muffins and love)

look me in the eyeballs. astrid and caleb (imo wulf is a slightly different story but that's another post) are textually, canonically narrative foils. i think a better, less literary term-y way to put it is that they're variations on the same person. like. canonically. astrid is caleb if he didn't fail the training. caleb is astrid if she got out. they're like if you took one person and laid out two seperate options on how they would react to a major life-changing incident (hmm. i wonder what that might be in this context). astrid. caleb. they look at each other and see themselves. caleb is alright with this. astrid was holding on for her life for a little bit, trying not to lose her shit, because. he is who she would be if she was free and she figures that out during c2 yknow. caleb always knew that he was almost astrid so he just had to. like. look at this woman he loves dearly and fucking. wretchedly. and cope with the fact that 1. he loves her 2. she's awful 3. she could be so much better than she is 4. she's too far gone for that. but he's been coping for a long time, and she's not unreachable she's just. she's never gonna be him. meanwhile she has to grapple with the fact that she will never be as free as him- i don't know if she really wants to be, but he's proof that her life didn't need to go the way that it did and that's brutal. anyway. they're the same guy. it is so so important to consider that in relation to the dynamic they have going on. is this mic on