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pedroscurls · 3 months ago

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training partners (pt. 4)

summary: you meet ryan reynolds and shawn levy, and hugh does his best to keep your nerves at bay. pairing: hugh jackman x fem!reader warnings: implied age gap (hugh is 55, reader is in late 20s-early 30s), reader has some description (hair, outfit), smut (oral - m receiving), shower sex (unprotected p in v, hugh bends you over 🫣), dirty talk, hugh briefly calling you a "good girl", no use of y/n. word count: 8.5k a/n: wow, this got filthy real fast but idc lol - i need it to fulfill my fantasies lol (thank you to the anons and @celestiamour who gave me these ideas!). i promise the story is progressing, just needed this little chapter lol. little fun fact about me - i'm also an 'amateur' photographer (who does specialize in engagement shoots, but also love taking landscape / street photography pics) and i've always dreamt of being an on-set photographer so here's to me living out my dream through this story (if you guys ever wanna see my photographs, i'd be so down to post them here too!). this is purely fictional! i mean no disrespect to hugh jackman (it's the only way i can live out my fantasies of this man lol). prev part. - next part.

Hugh wasn’t lying when he said his schedule would become much busier. It’s been a couple of months since meeting him and while he’s been very busy, he stayed true to his word and prioritized making time for you. When you both weren’t at the gym, he insisted on you staying at his place… and the man can be very convincing when he wants to be.

He’s been traveling a lot and whenever he does get back, he goes straight to your apartment and spends the night. You’ve started to leave a few of your things at his house and he’s started to leave more of his things at yours. Even when he’s traveling and away from you, it never truly does feel like he’s gone. Physically, yes, but he makes time for you and it makes you feel special.

Hugh’s heading back home today and you’re sitting on your couch, dressed in one of his t-shirts and panties with a throw blanket draped over your lap. You hear your phone go off and reach for it, seeing his name and the text he sends you: Coming up, baby. Can’t wait to see you.

You’re about to send a reply before you hear a knock on the door. You grin excitedly, tossing the blanket to the side and standing up, lightly jogging to the door. You swing it open and see him standing there, looking very tired, but still so handsome, his eyes lighting up at the sight of you.

“Hey, baby,” Hugh says, voice hoarse and low as he drops his duffle bag to step past the threshold and wrap his arms around your waist. He nuzzles his face against the side of your neck, letting out a sigh of relief.

You smile against him, arms wrapped around his shoulders. “Missed you,” you whisper, kissing his cheek. “Come on in. Did you eat?”

Hugh releases you and grabs his duffle bag, stepping back inside as you shut the door and lock it behind him. You follow him to your bedroom where he drops the bag on the floor near his side of the bed. He sits on the edge of the mattress and pulls you closer to him, to stand between his legs as he rests his forehead against your abdomen.

“Not hungry,” Hugh says, looking up at you and taking notice of the shirt you’re wearing. His gaze darkens as he runs his fingertips along the sides of your bare legs, biting his lower lip. “This was a longer trip than intended,” he continues. “I’m sorry, love.”

Your fingertips stroke through his locks, eyes locked with his. “You don’t have to apologize. I understand. It’s part of this…” you motion between the both of you. “Part of us.”

“Mm, how’d I get so lucky, huh?” Hugh asks, gripping your hips and pulling you onto his lap.

You gasp quietly, feeling his length pressing against your core. “Hugh… You’re tired, baby.”

“Never tired for you, and seeing you in my clothes just does somethin’ to me,” he whispers, leaning up to press his lips against the side of your neck. His beard has grown out, having heard him say multiple times that he needed to shave. You like it though, the salt and pepper look, the scruff and the feel of it against your skin. He knows just how to use it to get you excited. “At least on my next trip, you’ll be coming with me. I can have you every day.” His hands move further underneath the shirt, running up along your back.

“Hugh,” you whimper, feeling his teeth graze against your neck. Gently, you place your hands on his shoulders and push him onto his back. Slowly, you roll your hips against him, letting out a quiet moan against the fabric of his jeans. “Let me take care of you tonight. Is that okay?”

“What’d you have in mind, baby?” Hugh pulls back to look up at you, a quiet groan escaping his lips as he feels you press further against his hardening length.

Slowly, you climb off his lap and then sit up on your knees, biting your lower lip innocently. “Lean against the headboard,” you tell him.

Hugh doesn’t even hesitate. He scrambles on your bed and sits up, leaning back against your headboard. He reaches the end of his shirt and pulls it over his head, tossing it to the side. Your mattress certainly isn’t as big as his, but you both make it work. His hands move to the button and zipper of his jeans, undoing them quickly as his eyes take in your frame and the position you’re in. You’re leaning forward on your hands, your tongue slowly darting out to lick your lower lip as your eyes move towards the center of his pants.

Hugh’s exhausted and he knows he isn’t going to last long, but he has missed you so much. He knows that this relationship is still new and not that many people know about it, but the more he leaves you, the more he realizes that he wants more of this. He wants everyone in the world to know that you’re his and while he wants to make sure you’re comfortable and move at your own pace, he can’t help but feel excited to know that one day you’d both get there.

“Take off your pants,” you tell him, slowly crawling towards him as he parts his legs for you.

“I kinda like this side of you,” Hugh smirks, pushing his pants and boxers down his legs and tossing them over the bed. He groans at the relief in pressure, looking down at himself to see his manhood at attention. He reaches down and grasps himself, holding onto his base and tugging a few times.

You would never get over the sight of his manhood. So long and girthy, leaking at the tip, and hair at his base. Every time, you’re at a loss for words. He’s so beautiful and you try to show some restraint, wanting so badly to just wrap your lips around his length and gag–

“Come ‘ere,” Hugh calls out, breaking you out of your thoughts. “Take that shirt off, baby.”

You nod and sit up on your knees, pulling the shirt off your body, now only clad in your panties. Slowly, you then crawl towards him, settling yourself between his legs as you gently push away his hand to replace it with your own. Once you wrap your fingers around him, barely able to grasp him in one hand, Hugh lets out a groan. You lean down, wrapping your lips around his tip and sucking the pre-come from his tip.

His large hand moves to your hair, holding it away from your face as he leans his head back against the headboard. “God, baby,” Hugh moans.

Your tongue swirls around his tip as your hand strokes his base. You love doing this for him, just as much as he loves going down on you too. Just like him, you’re always so crazed and yearning for more. You feel Hugh’s hand move to the back of your head, urging you to go further down his length. You slowly begin to bob your head and with each movement, going further and further until you feel his tip hit the back of your throat.

Hugh lets out a loud moan at that, accidentally thrusting his hips upwards for more. He hears you gag and he has to pull you away for a moment so that you can catch your breath, eyes gazing down at you as he sees tears stinging the corner of your eyes.

“Sorry. I got carried away,” Hugh pants, his manhood throbbing for more. “I just– You look–”

“Shh,” you interrupt him, placing your mouth back onto his cock and beginning to quicken your pace. Your head bobs up and down, going further until you feel the tip of your nose brush against the hair at his base. He’s so deep in your mouth and you’ve learned to relax your throat because the sounds that come out of him is something that you yearn for more of.

Hugh lets out a litany of curses under his breath, hand gripping your hair as he watches you. Your hand pumps him in time with your mouth moving along him and he shuts his eyes, head hitting the back of the headboard as a loud moan escapes his lips.

“Baby,” he growls, feeling the tightness build in his lower stomach. “Baby, I’m about to–”

You interrupt him by lowering yourself until you hit the back of his throat again. You don’t slow down and you don’t make a move to pull away because you know that Hugh’s close and you want nothing more than to taste him and swallow.

When Hugh realizes that you weren’t going to pull away, it’s enough to make him reach his climax. He holds your head down against him as his hips slightly lift upwards. You pull inches away, your mouth still around his length, as you feel his come in your mouth. You open your eyes to look up at him, lips slightly parted, eyes squeezed shut, chest heaving, as he releases his spend.

You swallow immediately, tasting the salt of his release as you slow your movements. You continue to suck and stroke until he shudders, gently pulling you away from him as his manhood softens against his lower half.

You sit up on your knees and swallow again, licking your lips as you stare up at him. You wipe the fallen tears away from your eyes, lips swollen as you tilt your head at the sight of him. Hugh slowly opens his eyes and stares at you, a small smile lining his lips.

“That’s a nice thing to come home to,” Hugh smiles, lowering himself on your bed and pulling you into his arms. “That was amazing.”

You smile, leaning up to kiss his shoulder. “I can’t help myself sometimes. You’re just so–” you stop yourself, biting your lower lip. “Anyway, I’m glad you’re home.”

“I’m glad I’m home too, baby.” Hugh kisses the crown of your head and pulls you against his chest.

You try to pull away from him to grab the shirt from the floor, but he just pulls you back to him. “Hugh,” you giggle.

“No,” he smiles sleepily. “You don’t need a shirt.”

“What if I get cold?”

“I’ll warm you up,” he says softly, leaning over to kiss your temple. “I really did miss you, love.” Hugh’s eyes slowly fall shut, feeling completely satisfied and relieved to be with you now.

“I missed you too, Hugh,” you respond, head resting against him. “Get some sleep, baby.”

Hugh nods and within minutes, his snores begin to fill your small room.

—

Hugh decides to stay at your apartment for the next few days and it gives you a glimpse of what a “normal” life would be like with him. You know that you’re set to meet Shawn and Ryan soon and as the day nears, you feel your nerves begin to settle in the pit of your stomach. You don’t tell Hugh though, not wanting him to have to worry about you.

“So,” you tell him, trying to think of anything else but the meeting with Shawn and Ryan. “I was thinking we can tell our trainer about… You know, about us.”

Hugh’s eyes light up, turning to look over at you. You’re both sitting on your couch, his arm draped over the back of it as you snuggle against his side. “Yeah?” Hugh can’t help the excitement bubble within him. He knows you’re still a bit wary about this relationship, but if he had it his way, he’d let the whole world know you’re his. “Are you sure, baby?”

You nod, looking up at him as an arm drapes over his midsection. “Besides, I think she already knows. It’s not like you try to hide it when we’re at the gym.”

“Me?” Hugh playfully gasps, looking into your eyes. “You’re the one who can’t keep their eyes off of me.”

You roll your eyes. “Okay, we both know that’s a lie,” you tell him, though, you know you’re only lying to yourself.

“Is it though, baby?” Hugh smirks, pulling you onto his lap as he looks up at you, hands resting on your thighs. “You do this thing, and I’m almost certain you have no idea you’re doing it.”

“And what’s that, hm?”

“You bite your lower lip,” Hugh grins, bringing a hand up to run the pad of his thumb across your lower lip. “When your eyes zero in on my arms… especially when we’re doing biceps.”

You narrow your eyes at him, bringing your arms to drape over his shoulders. “I have no idea what you’re talking about,” you say innocently.

“Oh, so now we wanna act all innocent? You were all talk a minute there,” he chuckles, arms wrapping around your waist and pulling you closer.

“Okay, hush you,” you smile, burying your face against the side of his neck. He holds you like this for a few moments, but he can tell there’s something else on your mind. He runs his hands along your back and up your shoulders, and back down to your waist. He can feel the tension in your shoulders, can hear the quiet sigh that escapes your lips, your breath fanning against the side of his neck.

“What’s up?” he asks quietly, slowly pulling you back so that he can look into your eyes. “What’s on your mind, love?”

“Nothing,” you tell him, shrugging a shoulder.

Hugh sighs. “You’re a terrible liar, d’ya know that?”

You roll your eyes. “I’m not lying.”

He lets out a quiet chuckle and brings a hand up to your cheek, gently cupping it. “Talk to me. What can I do to help ease that mind of yours?”

“How do you know something’s bothering me?”

Hugh sighs, tilting his head. “You know, I’m very observant. Especially when it comes to you.”

“Ah, so you stare too.”

Hugh chuckles lightly, knowing that this is only your way of trying to lighten the mood. “Well, obviously, but that’s besides the point. I don’t know how I can ease that mind of yours if you don’t talk to me, baby. We talked about this already…”

“I know,” you sigh. “I know. I just don’t want to burden you with my problems and–”

“Your problems are my problems, baby,” Hugh says seriously. “Let me help you. What’s going on?”

“I’m just nervous,” you tell him. “Meeting Ryan and Shawn… I just don’t want to disappoint them and what if they realize that my work isn’t even that great and then also, it’ll be the first time I’m meeting your friends and–” you ramble, feeling him lean in to peck your lips.

“Okay, first of all,” he says, pulling away. “Your work is absolutely amazing and they already know that. And second, as long as I’m happy, that’s all that matters to them. Just be you, baby. That’s what got me in the first place,” he smiles. “Don’t try to be anyone else, but you. You make me happy and I haven’t felt this way in a very long time. That means something to me.”

You nod, looking deeply into his eyes. You can sense there’s something else he wants to say because you also want to say it too, but it’s too early. It’s only been a couple of months and you don’t want to scare him away, but you’d be lying if you said that your feelings for him weren’t getting any deeper…

Because it was.

And you’re afraid to fall because you know that if you do, there’s truly no going back.

“I just–” you sigh, leaning in to press your forehead against his. “I just want you happy.”

“I am happy, baby,” he replied quickly, lightly pecking your lips. “I’m happy with you, love. You’ll be okay,” he promises. “Besides, I’ll be there with you.”

You nod and wrap your arms around his shoulders tightly, burying your face against the side of his neck. Hugh’s hands come up to your shoulders and he can feel a tremendous difference. There’s still some tension, but it’s certainly not like how it was before.

“Okay, I believe you,” you tell him, pulling back to look down at him. “Should we go get ready for the gym?”

Hugh nods, standing up from the couch with you holding onto him. You smile down at him, legs wrapped around his waist as you lock your ankles together at his lower back. He holds you up against him, leading you down the hallway to your bedroom.

“If I wasn’t training to get back into shape for the Wolverine, I’d take you right here,” he says quietly, leaning in to pepper kisses along your neck.

“We literally had sex earlier this morning,” you tell him with a giggle, hands playing with his hair at the nape of his neck.

“Do you know what you look like?” Hugh says, gently setting you on your feet once you both get to your bedroom. “You make me feel young again,” he teases.

“Ah, right,” you tell him, grabbing the ends of the shirt you’re wearing and pulling it over your head, tossing it in his direction. “I forget you’re such an old man,” you tease, walking shirtless to your closet to change into your workout clothes.

Hugh’s gaze darkens and he strides over to you, wrapping his arms around your waist from behind. His hands come up to cover your breasts, kneading them into the pit of his palms. “How about I just bend you over right across your dresser and just–”

“Hugh!” you whimper pushing back against him. “We have to get to the gym.”

Hugh grunts and then pulls away, turning you around so that he can look at your exposed chest. “Fine,” he says with a huff. “But after our workout, we’re coming back here and you’re gonna let me have my way with you.”

“Oh, I’m gonna let you, huh?” you grin, running your hands across his hardened chest.

“Yeah, you are,” Hugh growls, stepping closer to you and wrapping an arm around your waist to pull you flush against him. “Now, go and get ready or else we’re never going.”

You turn around to grab clothes and feel Hugh smack your backside, causing a gasp to escape your lips. You look over at him and he’s staring at you with a grin and winks in your direction before walking away to let you finish getting ready.

—

You and Hugh are both halfway through your workout, both already drenched in sweat from yet another tough workout from your trainer. You get a brief break and walk up to your trainer, taking a deep breath. This will be the first person that you’ll be telling about your relationship and you’re a bit nervous. It still feels surreal to say (or even believe) that you’re in a relationship with Hugh Jackman.

“Hey you,” your trainer says, smiling in your direction. “Great first half of the workout.”

“Yeah right,” you laugh quietly, using your towel to wipe the sweat off your brow. “I felt like that just kicked my ass. Listen, I wanted to tell you something and…”

A knowing grin lines her lips. “What’s that?”

Your eyes narrow in her direction, tilting your head. “Why are you looking at me like that?”

“No reason,” she chuckles. “What did you want to tell me?”

You look over your shoulder at Hugh who’s looking down at his phone and your eyes linger on his arms, especially his arms. When he looks up at you, he winks in your direction and you clear your throat, turning your attention back to your trainer. “So, Hugh and I… We’re in a relationship… It’s still new, but–”

“I knew it,” she interrupts you with a larger smile. “You guys don’t make an effort to hide it, you know,” she laughs. “You stare at him a lot.”

“Okay, let’s never tell him that because he won’t ever let me live it down if you do,” you laugh. “But, I’m really happy. Like extremely happy and I’m afraid I’m going to end up self-sabotaging it because I don’t know what a healthy relationship looks like, but he’s… He’s amazing.”

“Take it day by day,” your train responds. “You deserve a good man and Hugh’s definitely one of the good ones. Let yourself be loved the way you deserve,” she tells you.

“Thank you,” you reply, pulling her into a hug. “You know just all the right things to say, you know that?”

She hugs you tightly and then releases you, smiling at you. “Lots of experience. Now, let’s get back to the workout.”

—

By the end of the work out, you’re lying on the mats trying to catch your breath. You’re about to stand up before you feel Hugh hover above you in a high plank position, his hands resting above your head at shoulder-width distance.

“Care to motivate me to complete my finisher?” he grins, looking down at you as he tightens his core to keep himself upright.

“I don’t think I can even move,” you chuckle, looking up at him. “That workout was–”

“Don’t gotta move, baby,” he winks, pushing himself down in a push-up, chest hovering inches above yours as he leans down to peck your lips. “Just motivate me with your kisses, can you do that for me?”

“That’s gonna motivate you?” you tease. “And how in the hell are you holding this push-up position?”

Hugh just chuckles and then pushes himself back up. “Just answer the question. Every time I come down, gimme a kiss. Seems easy enough, isn’t it?”

“If I must,” you wink. “Now, come on then. Finish this last exercise so you can take me back home and have your way with me,” you repeat.

Hugh’s eyes narrow, pushing himself down into a push-up. You meet him halfway and lean up to peck his lips before he pushes himself upright. He continues this for a few more reps, but you’re beginning to distract him because you bring your hands up his chest to his shoulders and down his flexed arms.

“I have one more set, baby, stop that,” Hugh says, pushing himself down and pecking your lips. He notices the look in your eyes and he can feel himself stirring within his shorts. “You’re not helping me,” he chuckles.

“I think I’m helping you plenty,” you reply. “But are you helping me?”

Hugh pushes himself down once more, but moves his head to the side of your neck as his lips brush against you. He feels you shudder against him and let out a shaky breath. He barely pushes himself back up as he moves to hover his lips closely over yours. “I will be after this.”

“Mmm, promise? Because all I’ve been able to think about is you bending me over and–”

Hugh growls and moves into a high plank once more. He looks down at you, watching as you bite your lower lip. He doesn’t bother replying to you, wanting to just finish his last set of this exercise so that he can just take you back home.

“Okay, get on up and meet me in the car while I finish this.”

“You don’t need me to motivate you anymore?” you ask innocently, batting your eyelashes at him.

Hugh shakes his head and then stands up, reaching down to pull you on your feet. His hand darts out to rest on your hip, giving it a gentle squeeze. He has to remind himself that you’re both still at the gym and while your trainer isn’t in the same room, he can’t just take you here.

“Go to the car and wait for me there,” he repeats.

“Or… what?”

Hugh lets out a low growl, gaze darkening. He steps closer to you, pulling you flush against him at the same time as his lips hover near your ear. He whispers quietly, voice laced with desire and it shoots straight to your core. “Oh, baby, are we not gonna be a good girl today?” He nudges against you, hand dipping from your hip to move around your lower back, inching further to grasp your backside. “Because I’m sure you remember what happens when you ain’t being good.”

“But, what if I like being bad?”

“Then don’t whine and beg for me to let you come,” Hugh says with a husky voice. You can feel chills wash over your body as you pull back to look up at him, eyes narrowing in his direction. “Now, meet me in the car. I’ll be there shortly.”

You want to call his bluff, but you just want him so badly that you move away with a huff. “Fine,” you tell him, turning around to grab your bag. He reaches for your hand for a moment, his touch soft and gentle in comparison to the words he just said as he pulls you back to him.

“Gimme a kiss at least.”

“So needy, so demanding,” you tell him, leaning up on your toes to peck his lips.

“Yeah, we’ll see who’s needy later.” he replies almost instantly.

—

The ride back to your apartment was quick. You can tell Hugh was trying to get back to your place in record time. His right hand remained on your upper thigh, but throughout the entire ride, he didn’t say anything. You know where his mind had drifted to, what he was probably thinking because when you reached over to rest your own hand on his thigh, he just grabbed your wrist and pushed it away.

“No, baby,” was all he said. The moment he pulls into his parking spot at your apartment complex, he quickly climbs out to grab your bags from the trunk. You step out of the car and begin walking towards your door, looking over your shoulder at Hugh whose eyes are staring directly at you.

And once inside your apartment, Hugh drops both of your bags and shuts the door with his foot. The moment you both remove your shoes, Hugh is on you. His arms wrap around your waist, head dipping down to press light kisses on the side of your neck. He pulls you flush against him and he hears you gasp, knowing that you can feel his hardening length beneath his shorts.

“Hugh…” you whimper, arms snaking around his shoulders. “Can we–”

“Shh,” Hugh interrupts, lifting you in his arms as you quickly wrap your legs around his waist. He begins walking down the hallway towards your bedroom until he feels your lips on his neck, gently biting down and sucking on the skin afterwards.

Suddenly, Hugh stops and turns you so that your back is pressed against the wall. He pulls back to look at you, grabbing your hands and pressing them roughly against the wall above your head. Your legs remain tightly wrapped around him, rolling your hips slowly as you yearn for friction, yearn to feel more of him.

Hugh’s gaze is filled with lust as he stares at you, gripping your wrists as he leans forward, nose nudging against yours. “I should punish you for not listening to me earlier, for teasing me…” Hugh says, his breath fanning against your lips.

“But?” you ask, tilting your head as you squeeze him closer to you. “But you’re too nice and won’t do that, right?” you smile, letting out a quiet giggle.

Hugh shakes his head and rests his forehead against yours. “You’re really testing me, aren’t ya? And you know exactly what you’re doin’.”

“I have an idea,” you tell him, leaning in to gently nip at his lower lip. “How about we take a shower and… and see what happens?”

Hugh lets out an involuntary groan, just thinking and imagining bending you over in your shower or even just holding you up in his arms like this while the water cascades down your bodies. He suddenly sets you back onto your feet, releasing your wrists as he looks down at you.

“Lead the way then, baby.”

“Yeah?” you ask excitedly, eyes lighting up in anticipation. Without waiting for him to reply, you grab his hand and lead him towards your bedroom and into the connected bathroom. Once inside, you release your hold on him and lean over the tub to let the water run so that it can heat up. You reach out to test the temperature, feeling the water hit your hand. When you turn back to Hugh, he’s already stripped down to his boxers with an obvious bulge beneath it.

Your eyes take in his frame, moving along his chiseled and muscular upper body and down to the waistband of his boxers. You swallow quietly, hooking your thumbs into the waistband of your shorts and pulling it down your legs. Hugh stands there, watching you undress as he moves his boxers down his own legs. He lets out a groan of relief, hand immediately reaching down to grasp onto his throbbing length to stroke himself slowly.

Your clothes pool at your ankles as you stand before him, completely naked and bare, watching as he strokes himself at the mere sight of you. You feel a wetness pool between your legs, throbbing and yearning to wrap around something.

Hugh takes the initiative to step inside the shower, the water instantly hitting his sore muscles and the heat of the water doing its job to provide relief. He watches you step inside with him and immediately, he reaches out to grab you and pull you flush against him. The water cascades down both your bodies from above as you reach up to stroke back your wet hair and see Hugh do the same. You lean up on your toes and slowly press your lips against his, moving it almost instantly as you feel his manhood stir and throb against your lower abdomen.

His hands move down your wet back and to your backside, gripping both cheeks tightly in his large hands as he feels your breasts push against him. He’s throbbing so painfully that he knows he can’t tease you and drag this out long enough to have you begging because he needs to be inside of you now.

Slowly, Hugh pulls away to look down at you. Eyes searching your own and it’s in this moment that Hugh feels like this can be something so much more than he expected it to be. He reaches up to cup your cheek, thumb brushing against you as the water continues to trickle down your bodies.

“Absolutely beautiful,” he whispers.

When Hugh’s gaze softens like this, eyes staring deeply into your own, it almost feels like you know what he’s thinking, what he wants to say but doesn’t. You feel his thumb move down your cheek until the pad of his thumb brushes lightly along your lower lip, causing your lips to part instinctively.

“Hugh, I–”

He interrupts you with a soft kiss on your lips. “I know, baby. I’m gonna take care of you.” Then, he turns you around, eyes drifting down your back to your backside. Hugh then moves a hand to your middle back and slowly guides you to bend over as you reach out to rest your hands on the shower wall in front of you.

Hugh grasps himself and runs his tip along your folds, growling to himself. He uses his free hand to rest on your hip, fingertips digging into your flesh as he slowly slides into you. Your warmth and tightness surrounds him and he forces himself to keep the slow pace, your moans mixing in with the sounds of the water. He reaches up to take hold of your wet hair in his grasp, tilting your head slightly to the side so that he can see your face.

You moan loudly at the feel of him stretching you out. You don’t think you’d ever get used to his size, but despite the painful stretch in the beginning, you know that your walls will slowly begin to give way for him. And you’re always dripping wet for him that he just slides right in and this is certainly no different.

When Hugh fills you to the hilt, he has to remain still for a moment because you’re gripping him so tight that he knows once he starts to move, he won’t be able to stop until he reaches his high. But he suddenly feels you move back against him, eyes immediately drifting down to your backside as this position gives him such an amazing view. He moves his hand from your hair to your hip as both hands grip you and begin to move you back and forth on his hardened length.

Your moans filter into the bathroom, the steam from the shower encompassing the entire bathroom. As Hugh pulls you back against him, he pushes his hips forward, groaning to himself at the sensation of your warmth. Hugh will never get enough of this, of you. He’s had plenty of conversations with Ryan about you, about how he can see himself falling so deeply in love with you that it not only scares him, but also excites him too.

“Hugh…” you moan, reaching back to grab a hold of his forearm as your nails dig into the skin. His thrusts are slowly beginning to pick up in speed, the sound of skin slapping against one another now mixing in with the sounds of your moans and the water that has now turned cool.

“Oh, baby,” Hugh groans, taking your hand and holding it firmly against your lower back. He pulls back, looking down at where you’re connected and it turns him on even more. Your slickness coats his entire length and he pushes back into you with ease, your walls giving way to his girth but still so tight around him.

You feel your body begin to tremble as Hugh’s thrusts bring you closer and closer to the edge. As you’re about to reach your high, you quickly pull away from him, his length slipping out of you with ease. You turn around to face him, biting your lower lip as Hugh looks at you with a confused look.

“You were close, weren’t you?” Hugh smirks, stepping closer to you.

“Sorry, it was too much and I–”

Hugh presses his lips against yours and then lifts you up into his arms, allowing your legs to wrap around his waist with ease. He uses his free hand to reach down to grasp his base, lining himself at your entrance. He pressed your back against the shower wall as he slowly slides back into you, growling against your lips.

Your arms wrap around his shoulders as your fingernails dig into the skin at his upper back. He wastes no time in thrusting up into you, his hands resting underneath you. He’s careful not to slip, even with the water continuing to run down but he needs you to to come, needs to see and hear you. Slowly, he pulls away from your lips, forehead instead resting against yours as your lips brush against his.

“Come for me, baby,” Hugh whispers, driving his hips upwards. The muscles in his arms and chest flex as he holds you up against the wall, pulling his hips back only to push them back towards you, his length kissing that sweet spot within your depths repeatedly.

Your walls begin to tighten around his length and you squeeze your legs even tighter around him to pull him closer to you as your nails drag down his back. “Hugh!” You hold onto him tightly, feeling his movements become more erratic.

Hugh buries his face against the side of your neck, teeth dragging along your skin as he feels himself get closer and closer to the edge. He feels you tighten even further around him and he pulls out abruptly to shoot his release in the inside of your thigh.

You stare at him, completely breathless as you lean forward to peck his lips lightly. “We didn’t even shower,” you tease, panting against him.

Hugh chuckles, nudging the tip of his nose against yours. “Worth it,” he replies. “And you called my bluff… I just couldn’t tease you and have you beg when all I wanted to do was just be inside of you.”

“Good…” you smile, slowly unwrapping your legs around his waist so that you can fully stand upright. Your legs feel a bit wobbly, bracing yourself on his shoulders as his hands move to your hips. “Because I’d have been a mess if you left me begging.”

“Mmm,” Hugh grins. “That doesn’t sound too bad. Maybe next time,” he winks. “Now, come on. Let’s get cleaned up, love.”

—

For the rest of the week, you’re spending it at Hugh’s place. It’s easy how you both can slip into a routine with each other and how well you both coexist. Even though this relationship is still very new and in the beginning stages, you’re starting to see exactly how easy you can fit into Hugh’s life. You still have some reservations, still nervous that this might not work out, but the more time you spend with him, the more you realize that this is something you’d want to give a chance for the possibility of being something greater than you ever imagined.

You’re set to meet Ryan and Shawn tonight and you’re nervous. Knowing that Hugh would be there with you does ease your mind, but this is the first step in truly seeing if you can fit into his life.

You’re in the kitchen, whisking pancake batter in a bowl to cook breakfast for you and Hugh. You’ve gotten used to wearing his clothes and this morning is no different because you’re just dressed in one of his black t-shirts and nothing but. You’re so deep in thought, focused solely on making breakfast that you don’t hear him coming down the stairs and it isn’t until you feel his arms wrap around you from behind that it pulls you out of your trance.

“Morning, baby,” he whispers, leaning down to kiss the side of your neck. “Making me breakfast?”

“Mhm,” you nod. “Protein pancakes and then some scrambled eggs.”

You turn your head and kiss his cheek, smiling in his direction before you continue to whisk the batter.

“You spoil me,” he smiles. “I’m going on a run with a few friends, but I should be back by the time you’re done.” Hugh then pulls away from you to grab a glass of water as you turn to look at him. He’s dressed in a fitted white t-shirt and a pair of black sweatpants, tennis shoes, and a hat. Your eyes take in his frame, lingering at his arms and chest and down his legs. It isn’t until he clears his throat that you finally look up at him who’s staring at you with a knowing smirk.

“What’s on your mind, hm?” Hugh grins.

“You just look…” you bite your lower lip, reaching down to play with the end of your (his) t-shirt. “I like seeing you in a white t-shirt and the one you’re wearing is literally about to rip. It’s so tiny!”

“It is not,” Hugh chuckles, eyes lingering on your frame as well. “I’m just getting bigger…”

“Oh, I’ve noticed,” you grin and walk towards him, hands running across his chest as you feel him flex underneath your fingertips. “I like you either way, but seeing you get into shape as Wolverine again is just…”

Hugh leans down and pecks your lips, hand moving down to your hip. “Oh, I know. You practically stare at me every chance you get.”

“Do you blame me?”

“Not at all…” Hugh smiles, staring deeply into your eyes. “But that’s only because I stare at you every chance I get too.”

“We’re quite the pair, aren’t we?”

“I’d say the best pair,” Hugh says softly. “You ready for tonight?”

You shrug and move your arms to wrap around his shoulders. “No, I’m nervous… But I think knowing that you’ll be there helps a bit.”

“Just a bit?”

You smile. “Oh yeah, a very tiny bit.”

Hugh’s eyes narrow. “If I’m only gonna help a tiny bit, then I might as well not go with you.”

“No!” you say immediately, shaking your head. “Don’t do that. I need you there.”

“Ah, so more than a tiny bit.”

“Yes,” you laugh quietly. “Since you’ll be there, I know I’ll be okay.”

“You’d be okay with or without me there,” Hugh reassures. “But I’m happy to spend time with you, Ryan, and Shawn tonight.”

“It’s going to be very casual, right?”

Hugh nods. “Very casual.” he pecks your lips lightly and then pulls away. “I better get going. I’ll be back soon, baby.”

“Have a good run, Hugh,” you tell him, hands slowly sliding down his arms before you move back to the task at hand. Your eyes focus on whisking the batter as you move around in his kitchen to grab the necessary things you need to complete breakfast. Hugh watches you for a brief moment, eyes filled with so much love and appreciation that for a split second, he wants so badly to tell you what has been on his mind since his last trip.

But he doesn’t.

Not yet.

—

You’re staring at yourself in the mirror, dressed in a pair of high waisted denim pants with a black, loose fit collared v-neck knitted sweatshirt. Your makeup remains light and natural and you play nervously with the black belt on your pants.

Hugh comes up from behind you, dressed just as casually in a pair of black jeans, black t-shirt with a black bomber jacket over. He wraps his arms around you from behind, resting his chin against the side of your neck.

“You look amazing.” Hugh smiles. “You ready to go?”

“I’m nervous,” you admit. “Not only do I want them to like my work, but there’s a bit of added pressure because they know we’re together and they’re both your closest friends and–”

Hugh quietly hushes you with a gentle kiss against your temple. “They already like your work,” he reassures you. “And I talk about you all the time. It’s like they already know you.”

“I don’t know if that helps me or not,” you tell him honestly. “I just–” You turn around to face him, looking up at him. “I just really like you and I want to get along with your friends, even if they are really fucking famous and–”

“Stop,” Hugh says, gently resting his hands on your hips. “Just think of it as a night out with friends. We’re gonna grab dinner and a couple of drinks and then call it a night.”

“What if you realize that I’m actually not all that great and then rethink this entire relationship?”

“Okay,” Hugh sighs quietly and rests his forehead against yours, eyes staring deeply into yours. “I like you, a lot, baby. I know this is still new for us, but there’s nothing I want more than to be with you.” He brings a hand up to your cheek, thumb brushing against your soft skin. “Just be you.”

“But what if–”

“Nope,” he interrupts. “What does our trainer tell you?” He tilts his head, eyes gazing into your own. “Ah, yes. Self-talk, baby. You gotta treat yourself just as kindly as I see you treat others.”

“Okay,” you nod, letting out a quiet sigh. “We should probably go before I talk myself out of it.”

“Oh, I wouldn’t let you back out,” Hugh smiles, taking your hand and leading you out of the bathroom. Your heels click against the tile floor as you follow Hugh downstairs. “We’re taking a car tonight. I know you still want to keep this relationship under wraps from press, so I figured–”

“Thank you, Hugh.” you say softly, following him out of his house and towards the black SUV parked out front. “You think of everything, don’t you?”

“I just want my girl to be comfortable and happy,” Hugh smiles.

My girl.

You slide into the car and immediately greet the driver, who looks at you from the rearview mirror with a shocked expression. Hugh slides in right next to you and shuts the door, hearing you make small talk with the driver and he smiles to himself. It baffles him how kind, sweet, and considerate you are to other people, but to yourself, it’s a very different story. He wishes he can make you see just how amazing you are or make you see the way he sees you.

Hugh also chimes in on the conversation as the driver begins driving away from Hugh’s house and towards the city. His hand moves to rest on your thigh, looking down at you with a small smile on his lips. He leans in and kisses the side of your head, feeling your hand move to cover his own.

It doesn’t take long before you and Hugh arrive at the restaurant. You look outside and let out a breath of relief, glad that you don’t see one paparazzi as Hugh steps out first. He reaches a hand out for you and you tell the driver to have a good night before you take Hugh’s hand and climb out after him.

He leads you inside and immediately spots Ryan and Shawn at the corner of the restaurant, waving in both of your directions.

“Just be you,” Hugh repeats, whispering into your ear as you follow closely behind him.

“Well, look who finally decided to show up,” Ryan teases, hugging Hugh as you bite your lower lip. You watch him greet Shawn before he turns to you, a large smile on his lips. He rests a hand on your lower back, urging you closer to the table.

“And this is…” Hugh smiles, saying your name as he introduces you to Ryan and Shawn.

“Okay, you’ve told us a lot about her, but you didn’t say she was this beautiful,” Ryan replies, causing a quiet chuckle to escape Hugh’s lips. You feel heat rise in your cheeks as you instinctively lean against Hugh for comfort, for support.

Just be you.

You take a deep breath and then reach your hand to shake Shawn and Ryan’s hands, smiling up at them. “I’m eager to hear what things he’s said about me if beautiful wasn’t part of it,” you tease.

Hugh shakes his head and pulls out your chair, waiting until you sit down before he takes his spot next to you. Ryan and Shawn sit across from you, already each with a drink in front of them.

“I like you,” Ryan chuckles. “I’m Ryan.”

“I’m Shawn.”

You smile and feel Hugh’s hand move to rest casually on your thigh. You don’t realize how much it brings you comfort and you glance up at him for a moment before you turn your attention to Shawn and Ryan.

“I’m a huge fan of you both… And I’m excited to join you for the movie,” you tell them.

“Oh, Hugh’s shown us some of your work and it’s impressive. I can’t believe you only do engagement shoots,” Shawn says, his eyes lighting up. “I mean, those are great too, but your landscapes and street photography are amazing.”

“I still can’t believe it,” you tell him, laughing quietly. “I mean, I’m just a woman with a camera–”

“Who takes fucking awesome pictures,” Ryan finishes for you.

“He’s right. We’re excited to have you join us too.” Shawn adds.

Hugh smiles proudly in your direction, looking around the table as you continue to have a conversation with both Ryan and Shawn. He envisioned this so clearly, how well you fit in in his life and to see it firsthand, it makes him feel the love he has for you bloom in his heart.

He looks over at Ryan, who’s staring back at him with a knowing grin. Hugh narrows his eyes, tilting his head before he interrupts you and Shawn briefly.

“Ryan and I are gonna grab a drink at the bar. What d’ya want, baby?”

“White wine, love,” you say almost instantly, your pet name for him coming out naturally that it causes you to blush.

Hugh grins at that and then stands up with Ryan, walking towards the bar. He feels Ryan place a firm hand on his shoulder and he looks over at the other man, letting out a quiet chuckle.

“Okay, out with it. I know you have something to say.”

“What? Me?” Ryan playfully gasps then laughs quietly. “I’ve got nothing,” he lies.

Hugh’s eyes narrow. “We both know that’s a lie. What is it?”

Ryan smiles genuinely. “You’re happy.”

“I am, mate. She makes me happy,” Hugh replies almost too quickly. He glances over his shoulder at you, seeing you in such natural conversation with Shawn. He doesn’t see the tension in your shoulders, doesn’t see the concern or anxiety in your features; you’re completely relaxed and comfortable.

“And she’s great,” Ryan adds.

“She is, isn’t she?” Hugh smiles. “I think…” he sighs, biting the inside of his cheek. “I think I’m falling in love with her, Ryan.”

“Oh, I could have told you that,” he chuckles. “Does she know?”

Hugh shakes his head. “No, no. It’s still too early. I don’t– I don’t want to scare her away.”

Once at the bar, Ryan raises a hand in the air to get the bartender’s attention before he turns back to look at Hugh. “Well, something tells me that she probably feels the same way.”

“You don’t know that, mate.”

“Hugh,” Ryan says. “Do you not see the way she looks at you?”

Hugh looks over at you, catching your gaze briefly. He feels the warmth in his chest at the sight of you smiling in his direction. He winks over at you before he turns to Ryan. “It’s still too early,” he repeats. “I’ll tell her when… when I think the moment is right.”

Before Ryan can reply, the bartender comes by and Hugh tells him your drink order and his. After a few minutes, he thanks the bartender as he and Ryan make his way back to the table and realizes that you aren’t at the table.

“She went to the bathroom,” Shawn tells them, then he turns to Hugh with a grin. “Hugh, she’s amazing.”

Hugh smiles, sitting down. He looks over at the hallway towards the bathrooms, seeing you walk down the hallway as you begin making your way back to them, back to him.

“Yeah, she is,” he says, voice laced with so much love and appreciation as his eyes stay locked on yours. “I don’t think I’m ever letting her go.”

---

taglist (if links don't work, i'm sorry!): @corvusmorte - @dragonqueen89 - @whimsiwitchy - @kellyxo1 - @wolviehugh - @moonxknightx - @sullyselena - @angelofthorr - @spectorrrhgf - @needz1nk - @fandomxo00 - @godlypresley - @kythefangirl25 - @callsignyourmom - @sue8724 - @squishyfruitloop - @sylviavf - @emotrash1 - @dissentientss - @sir-thisisadndserver - @absolutepie - @millajay

#hugh jackman #hugh jackman fanfiction #hugh jackman fanfic #hugh jackman x reader #hugh jackman x f!reader #hugh jackman x fem!reader #hugh jackman x female reader #real person fiction #real person fanfiction #story: training partners

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gothgoblinbabe · 4 months ago

Text

Babe, I'm Gonna Leave You

(chapter 1/2)

(Logan Howlett x fem reader)

A/N: Yeah, the brain rot has reached a maximum and I've completely disregarded the consequences of a digital footprint! there's a couple descriptions of style of clothing/jewelry but you can imagine that as you please, also absolutely based off of "Babe Im Gonna Leave You" by Led Zeppelin bc idk somewhere in my delusions I think Logans a Zeppelin kinda guy and its what I've been listening to. For the sake of the plot, stick with me, you've got an imaginary ex bf and his random name I picked is gonna be Danny and he suuuucks real hard okay? okay and I need you to pretend dear lovely reader that you like led zeppelin if you don't 💔[holding your face ever so gently and smooching ur forehead] and I've seen only xmen origins, x-men, X2, and Deadpool x wolverine so pls pls forgive me if some stuff doesn't canonically fit. This is kind of cringe but I wrote too much of it to get rid of it just bare with me I beg of u and it was so long I had to split it into two parts

Summary: Meeting the infamous Wolverine got you roped into a liiiitle more than what you bargained for

Warnings: swearing, you have telekinesis and telepathy (cause that's cool, c'mon), mild angst, suggestive stuff kinda, mentions of cheating (Logan does not cheat on u I pinkie promise), Logan calls you kid but you're not actually a child lol, you're a good bit younger than him but also so is anyone else who isn't borderline immortal

Word Count: 4K

Pt 2!

[credit for text post dividers here and here]

There had been muttering here and there between the students at the academy that Wolverine was coming back after a few years on his own, confirmed when Marie recognized the motorcycle now parked in the driveway of the mansion.

"Logan!"

He was immediately wrapped into a hug by Marie at the door, dropping his bags to the floor.

"Hey, kid, miss me?"

"Maybe," she smiled sweetly, tucking the white strands of hair behind her ears.

"Long time no see, huh?" Ororo's voice interrupted from behind her, earning a hug from Logan.

"Any one else around?" he questioned, hoisting his bag up over his shoulder again.

"Scott and Jean are around here somewhere, Charles as well. Oh, and there's a couple new faces you haven't met," she responded, smiling at the way Marie's eyes lit up at the chance to mention what she had been meaning to tell Logan.

Marie gasped and said your name, grabbing Logan's arm in excitement, "you have got to meet her. She joined us a couple of months ago, I think you'll really like her. She's kind of been like...our you, when you've been gone."

He quirked an eyebrow at that, looking between the both of them for an explanation as to what that was supposed to mean.

"You'll see," Ororo chuckled lightly, "oh, you will see."

"She's here now, I think, you should go introduce yourself to her!"

Logan had swiftly caught onto Marie's adorable attempt to play cupid and gave her a nod, "maybe when I settle in, okay, kid?"

She nodded in agreement and both her and Ororo watched him walk off further down the corridor.

"How do you think it will go when they meet?" the later of the two asked earnestly once he was out of sight.

"Well," Marie paused for a moment, thinking, "they'll be inseparable or absolutely hate each other."

Ororo nodded in agreement almost immediately, holding in a small laugh.

Much later in the evening, Logan had been beckoned into the study along with Ororo, Marie, Bobby, you, Jean and Scott by Charles.

He had been the last to enter, eyes immediately settling on your unfamiliar frame stood next to Marie with your back against the wall. You had plenty of rings adorning your fingers and necklaces dangling in front of your chest in the same kind of fashion he'd seen in those magazines with the Harley biker girls. You looked a little like one of them too, in well fitting jeans adorned with a belt, a band shirt and some chunky boots, except you were very much real and not on glossy paper.

"Oh! Logan!" Marie exclaimed upon noticing his arrival, beckoning him over with her hand. That turned your attention to him and he felt like the wind may have been knocked out of him when your eyes met his. You were far prettier than any of the girls he'd seen in any magazine.

"This is her," Marie whispered to Logan when he approached and nudged his arm, referring to when she had told him about you earlier.

"This is Logan," Marie said to you, gesturing towards him and leaning a little closer to you to whisper something he wouldn't catch, "and he's single, by the way."

A grin was plastered on her face when she pulled away and you rolled your eyes, "Marie - "

"I know, I know, too soon, but I just thought that was very good information for you to know," she raised her hands and stepped away a little, still intent on watching how the two of you interact for the first time.

Logan extended a hand for you to shake and you did the same. Your hands were small in his and your skin soft to the touch. It was almost hard for him to drop your grip when he did, nervous that he'd hold it even a second too long.

Nervous. Women had rarely ever made him nervous in the hundred - something years he'd been alive, and yet he could feel his heart pounding in his ears when you ran your hands through your hair to push it out of your face.

"Nice to meet you," he finally spoke, shoving his hands into the pockets of his jacket.

This may have been a good opportunity to try out your powers a little, concentrate hard enough on the handsome stranger's face to know what exactly was playing out behind his staring gaze, but you resisted the urge to do what you considered a tad bit violating.

"Same here," you responded at last, averting your gaze for just a moment to avoid inadvertently doing exactly what you had just decided you wouldn't.

Marie and Ororo had studied the small interaction between the two of you - of course - waiting for something more to happen, only to be disappointed when the both of you nodded courtly and turned away from each other.

"Well, that's not good. He'd be on her like a dog already - " Ororo started under her breath.

"No, no, I just think..." Marie interrupted, narrowing her eyes between the two of you, "I think they just need to get to know each other."

"Honey..."

"I'm telling you, I just feel like they'd be good together, they just need a chance to get to know each other!"

"Do you really think she's ready to get with another guy?" Ororo nodded her head in your direction, lowering her voice, "after all that stuff Danny pulled?"

Marie grimaced at the mention of one of the professors names, shaking her head in mild disgust, "have you seen him lately? always coming up to her in the halls and stuff, it's sad - for him, I mean."

Before either of them could further debate the topic, Charles gained everyone's attention to discuss a series of tasks he'd assigned to you all. As he spoke, you only tuned in once you heard your name.

"You are the one I'd like to send out to complete that with Daniel."

"Could, uh, can I do it with someone else? or have him do it alone, or something?"

Logan caught the confused look Jean shot your way, tilting her head before she spoke, "You don't want to go with Danny? What happened, I thought the two of you -"

You cut her off with a sharp shake of your head, scowling, "uh-uh. Hell no. He...uh, I'll tell you about it later."

You had realized the sudden vulnerability you'd found yourself experiencing in a room full of eyes on you and cleared your throat, attempting to change the subject.

"I can hang back and keep an eye on the kids, I don't mind."

"They do love you," Ororo chimed in, "and we need someone to stay back to watch them anyway."

"They only like her so much because she allows them to break the rules," Scott remarked, earning a nudge in the arm from Jean.

You sighed, rolling your eyes, "Scott, the thing with the kids in your room was one time and it was an accident - "

"Was it? Because one of them wrote 'asshole' on my bathroom mirror with sharpie."

"They're kids, they do that kind of stuff!"

"was that really one of the kids?"

You tucked your lower lip under your teeth in an attempt to smother a laugh. Logan almost immediately did the same when you darted your eyes around the room in a guilty attempt to avoid eye contact.

"You've gotta be fucking kidding me - " Scott started but Charles interrupted, holding up a hand.

"Alright, the both of you - enough. You," he continued, gesturing towards you, "may stay back with the children. Please do not allow them into anyone's personal quarters and I would advise you to hide the permanent markers for the time being, away from the children and perhaps yourself."

You nodded and hung your head low to hide the reappearing smile across your face. Logan stared inadvertently from then on, watching you twist your rings around your fingers and focusing on you intently when you spoke every now and then. When you were all dismissed by Charles and filed out of the room, you and Marie walked ahead of most of the group, almost out of ear shot.

Logan heard Jean's hushed voice behind him as she leaned into Scott, "so...what do you think happened? With Danny?"

"Who the hell is this Danny guy?" he finally asked, turning over his shoulder to interrogate the two of them.

"Well," Jean whispered your name, looking ahead to be sure you hadn't caught their conversation, "it's her boyfriend. Or was, I guess. They had a thing for awhile but they stopped hanging around each other all the sudden and she can't even stand to hear his name - she hasn't told me what it's about yet."

Logan simply hummed in acknowledgment, turning back ahead and finding his gaze caught on the sway of your hips as you walked.

"Oh no," he heard Ororo huff beside him, almost immediately following her gaze to see a guy he didn't recognize slip behind you and put an arm around your waist. Too far out of ear shot to hear the context, he watched you squirm out of the young mans grip and shake your head as you kept walking.

"Is it bad I want to get closer to hear what they're saying?" Ororo muttered, looking to the other three in her proximity.

"It's not our business," Jean reminded her.

"So, that's him?" Logan asked, gesturing to the guy still on your heels like a puppy.

"uh - huh," Ororo answered, frowning as she watched Danny make another pathetic attempt to put his arm around you.

When the two of you stopped at the far end of the hall and you told Marie it was okay to leave you, Logan, Ororo, Scott and Jean all turned the corner to the closest hallway.

"Oh, I know It's bad but I have got to know what lame excuse he's got this time," Ororo shook her head, stopping just around the corner to eavesdrop.

"Ororo - " Jean sighed, placing a gentle hand on her friend's arm, "come on."

"They're in the hallway! it's not like I'm standing outside a door," she reasoned, hushing them after so that the only voices hard were yours and Danny's.

"How many times do I have to tell you that I'm sorry - "

"Danny, many times do I have to tell you I don't care? Why won't you just leave me be?"

You sounded exasperated, your voice slightly muffled when you rubbed your face with your hands.

"What do you think he did?" Scott chimed in in a hushed town, now fully invested in the dialogue.

Logan was still stood there, though he wasn't too sure why. He could have and should have kept walking - let the three of them do their weird detective work - but instead found himself leaned against the wall with the rest of them.

"I love you, you know that, sweetheart, I - "

"ugh, don't call me that. You gross me the hell out, you know that?"

Both Jean and Ororo made almost the same shocked expression.

"oh, it has to be bad," Jean hissed, frowning at the venom in your tone.

"Tell me you're not still in love with me, you know you can't, we - " Danny's voice began again and yours cut him short with a sense of finality in your tone.

"Danny. I stopped being in love with you the day I walked in on you fucking another other girl."

Jean's hands flew to her mouth to muffle a shocked gasp. Scott stood with his arms crossed, his face in a grimace.

"ooh, that is bad," Ororo whispered just as a door slammed.

Logan furrowed his eyebrows, following everyone else as they continued their path down the hall again. This Danny kid had to be a real idiot.

⠈⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄ * ⠈⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄

Weeks had passed and you shared small talk with Logan every now and then, sometimes making snarky comments here and there - though more often than not together and at Scott's expense. Funnily enough, the ability to piss Scott off so much made Logan like you even more. Maybe Marie was right, you kind of are like him.

You walked alongside him down the corridor one afternoon, intending to fulfill Ororo's request for the both of you to check in on some of the newer students.

"So, do you always do your hair like that?" you raised your eyebrows up at him, eyeing the peaks in his hair.

"Yeah. What, you don't like it?" He grinned, expecting you to make some smart remark about it.

"No, not that," you giggled, "it's like lil' cat ears, it's cute."

He looked down at you quizzically, stopping in his tracks.

"cat ears?"

"mm-hm. You're like a big kitty."

You bit down another giggle, reaching up boldly to touch his hair.

He gently swatted your hand away, still with a small grin on his face.

"Don't call me that."

"Big kitty?"

"Yes."

"Okay, kitty meow - meow."

He narrowed his eyes as you turned to continue walking in an attempt to hide the huge smile plastered on your cheeks that threatened to transform into a rather loud laugh.

"Uh-huh, whatever. You better not let anyone else hear you call me that," he huffed as he caught up to you rather easily.

As you were about to make another retort, your smile dropped at the sight of a familiar and unfriendly face that had come from around a corner.

"Christ," you squeezed your eyes shut in frustration, rubbing your forehead at the sight of your ex-boyfriend.

"Hey," Logan leaned down a little, nudging you gently, "I'm here, you're good. You're fine, don't worry about him. It's just us, alright? Walk past him like you don't even see him."

Though he'd be embarrassed to admit and absolutely deny it if anyone asked, he'd unfortunately (for himself) harbored a crush on you that only took a couple weeks to develop. He hadn't even really gotten the chance to know you yet, though that was precisely why he was glad about moments like these. He wanted to, even if he felt like a school kid with a playground crush.

You had simply nodded at his words, allowing him to place a gentle hand on your upper back to guide you down the hall with him. Even through the layer of a jacket and t-shirt, you could feel the warmth of his hand on you.

Logan remembered that moment in the hall on the first day you'd met, but never pestered you for details about what the hell went on before he got back. He figured when and if you wanted to tell him, that was up to you.

Keeping your eyes straight ahead, it took what felt like years to pass your ex-boyfriend. When you finally did, you let out a breath you didn't know you were holding, until his voice stopped you in your tracks.

"That's my shirt."

You whipped your head around, feeling Logan slip his arm a little further around you as a protective reflex.

"What?" you furrowed your eyebrows, looking down at your attire. The shirt, a tad oversized and well worn, was so familiar that you had completely forgotten it once did belong to him.

"I want it back," he spoke again, crossing his arms.

"Do you really want it back?"

You were beyond fed up with his pestering at this point, already having decided what may make the message clear.

"Yes."

"Okay. Fine."

You pulled away from Logan and slipped off your jacket, turning around to hand it to him. He gave you a confused look, hesitantly taking it out of your hands. In a matter of seconds, you turned back around and tugged the t-shirt up and over your head, tossing it directly at Danny's chest. You turned back and took your jacket from Logan's hands, zipping it far enough to cover your bra. In the few seconds you had stood facing him, he had done his best to keep his eyes away from your body and failed miserably, looking up after to see the asshole a few feet away already glaring at him.

"What, you're just gonna walk around like that? And what are you doing hanging out with him anyway, don't you know he - "

You groaned at the sound of Danny's voice again, gently tugging Logan by the hand in the opposite direction as you began to walk away, "yap, yap, yap - just shut the fuck up."

Logan couldn't help the smirk plastered across his face as you continued to walk, finally turning a corner. Before you could apologize to him for having to awkwardly stand witness to that, Scott's voice echoed from the stairway above you.

"Hey, Charles is looking for you two. He says he has something he needs you to take care of, he didn't say what."

"Thanks for the specifics, Scott," you replied sarcastically, "but we're supposed to check on - "

"I know," he interrupted, "I got Marie and Bobby to cover you. You're welcome, by the way."

You rolled your eyes and looked back to Logan, dreading what exactly it was Charles wanted from you.

That landed you where you were the next morning, heaving your bags into the back of Logan's truck.

"If we have to take the truck like two states over, can I at least drive?"

The plane being needed for another assignment that Jean, Scott and Ororo were assigned left the two of you with Logan's truck. You'd been asked to retrieve a rare mechanical piece needed for the construction of some new device; you'd only been half-listening when Charles started to explain the details, lost in thought after he'd mentioned it would require the two of you to sleep out overnight.

Man, that had made your chest feel tight. It had been almost physically painful trying to swallow down every tell that you really liked him for the past few weeks and now you had no choice than to be each others only company for nearly 2 days.

"Yeah, in your dreams, kid," Logan scoffed playfully and brought you back to reality, dangling the keys in his hand.

You narrowed your eyes at the keyring he began to spin around his finger. In a split second, the jangle of the metal could be heard as you snatched them from his hand with only a focused thought.

You caught them in your raised palm and tilted your head, a terribly smug smile across your cheeks.

"Looks like my dreams came true, huh?" you teased, walking past a still mildly distraught Logan to get into the drivers side.

"If you dent it, I'll kill ya," he warned as he finally slid into the passenger seat, watching your every move as you started the engine and carefully reversed out of the garage.

"Uh-huh, sure," you retorted sarcastically, "I'm terrified of the kitty claws."

"What did I say about calling me that?"

"Calling you what?" you feigned ignorance, fumbling with the knob on the stereo to change the station as your eyes stayed glued to the road.

"And don't mess with everything, kid, you'll end up breaking something. She's on old girl, you gotta - "

"Dude," you interrupted, simultaneously cranking down your window and fishing a pair of sunglasses out of his center console, "I know how to drive, chill out."

"Dude," he mocked, "this truck is probably almost as old as you, you gotta be careful."

You rolled your eyes under the shades of the worn aviators you had slipped onto your nose, simply nodding and continuing to flip through stations.

"Pick one and stick with it, will you?"

"Ooh, is someone mad I got the keys?"

Before he could say something in response, you gasped at sound of the song playing on the station you had just switched to, twisting the knob almost as far as it could go.

Logan recognized the familiar thump of "babe I'm gonna leave you" by Led Zeppelin, furrowing his eyebrows when you began to nod your head and sing along.

"You like Led Zeppelin?" he nearly had to shout over the music, leaning in to you a little further.

"Yeah," you responded, reaching over to turn the music down just enough for you to hear each other and glancing at him momentarily, "How come you're looking at me like that?"

He unfurrowed his eyebrows and shrugged, keeping his gaze on the road ahead as he spoke, " just never pegged you for a Zeppelin kind of girl, I guess."

"No? What's that supposed to mean?"

You were smiling again and it was excruciatingly difficult for him not to stare when you looked so good in the spot he usually sat with his old sunglasses on.

"Didn't think you had good taste in music."

That made you giggle and you shook your head, turning the stereo back up to a booming volume.

He watched you tap your fingers on the steering wheel to the drums as you continued to drive, occasionally moving to push your windswept hair out of your face. The morning sun shining through your open window highlighted your features perfectly and Logan sighed without a thought, unheard over the music. Jesus, he had it bad.

You could feel his stare in your peripheral vision every time he looked to you and it felt far warmer than the sun beating down on you from the opposite direction. You truly rarely ever used your developing skill of telepathy, feeling it was only justified when absolutely necessary to obtain information, but his burning gaze nearly had you veering off the road at times and his prior answer to the question of why he was looking at you that way wasn't too convincing.

With a deep breath, already wondering if it was a mistake, you kept your eyes focused to the road but gradually concentrated on the man beside you. Sometimes people's thoughts would appear as inner dialogue, other times as imagined scenarios, daydreams or visuals. You were confused, then, when you only saw an image of yourself as you were now. If you concentrated too hard, your own thoughts would transfer to Logan's mind and it would be humiliatingly obvious that you had been poking around in his consciousness and so you tried to clear your mind and try again, assuming your own mind was too preoccupied with yourself to concentrate properly.

Still, you could only see the image of yourself driving from the perspective of the passengers seat, one hand on the wheel and the other in your hair as you propped your elbow on the door. This time, though, you could hear the accompanying echo of Logan's voice over the hum of the music you had tuned out.

Is her hair always like that? I like it that way. Pretty.

You swallowed hard, fidgeting with the hair that was between your fingers. It's a compliment - innocent enough, and undeniably kind of sweet. You felt guilty then for probing his thoughts and nearly shook yourself out of it, only to realize the image in Logan's mind was no longer of just your profile. He was thinking about your legs, thighs squished against the seat of the truck.

Fuck

You nearly choked on your own saliva, clearing your throat at the echo of his voice again and immediately withdrawing yourself from his mind.

"You okay?" Logan spoke aloud, putting a gentle hand on your upper arm.

"Yeah, yeah, I'm fine," you lied, trying with every fiber of your being to just keep all focus on the road. You knew you shouldn't have done that. It was just a thought, though, nothing said aloud to change anything between the two of you, and so you pretended the best you could that you hadn't heard or seen a thing.

About eight hours, a handful of dad rock albums and a stop to switch seats later, you finally pulled into the parking lot of the nearest motel you had found didn't have a highlighted "no vacancy" sign.

"If there's fucking bed bugs in here, I will never let you hear the end of it," you warned from the passenger seat.

"I think you'd talk my ear off till the day I die anyway," he scoffed, shifting the truck into park and pulling the keys from the ignition.

"You won't die for another hundred-something years."

"Exactly my point, honey."

You rolled your eyes and slipped out of the truck as he did, pretending the nickname hadn't made your face burn. You both grabbed your belongings and once inside you looked around the small lobby as Logan checked you in, impressed with how surprisingly clean the place seemed to be.

"Hey, is that okay?"

Logan's voice took your attention from the painting on the wall you'd been inspecting and you raised your eyebrows.

"Huh?

"Uh, there's a room left but it's only got one bed."

Your face dropped and you looked between him and the poor kid behind the counter who already looked nervous as all hell.

"You're kidding."

"We can keep driving, but we've already been on the road all day and I don't think there's another place around here for a good few miles."

He was much more calm than you expected him to be and you exhaled, thinking of the literal pain in the ass caused by sitting in the car for so many hours.

"Ugh, fine."

A/N: I had to split this in two because it was so long but If anyone likes this at all I will post da other part cause I like spewing my brain rot on the internet <3

#wolverine #wolverine x reader #hugh jackman #wolverine fanfiction #wolverine fic

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all-hallows-street · 8 months ago

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All Saints Street Extra Comics Translations 1-3

Apologies for the delay! We are finally publishing translations for the All Saints Street manhua.

We will be uploading them on this drive for now and later upload to mangadex. I will have to ask you to NOT SHARE this drive PUBLICALLY, feel free to share it privately.

Example of what to do: sending the drive link to friends on discord.

Example of what not to do: posting the drive link to twitter. We are going to start with some older extras that were never translated to get a good idea for a workflow and fix problems as they rise. After that we are going to prioritize translating chapters 486-500 (why? well, if you know you know) so we can also start working on simultaneous text translations for new chapter releases. What I mean by this is that as soon as a new chapter comes out, we can upload an english text translation alongside it, like the japanese translation team does now.

Here is an example with the bonus comics:

I am also hoping this will be a good accessibility feature. Likewise, I am releasing to the public the table I translated from the japanese group. It is a rough Work-In-Progress table, but for me it has been an invaluable whenever I have to look up a certain chapter. I even made a search engine to look up chapters by character appearance.

Meanwhile we will be going back and re-lettering chapters that have been translated by independent efforts and uploading them to Mangadex. We have obtained permission from both @saints-street-translated and @wan-sheng-jie for this! After that the translation will continue in two fronts: the comic translations from 501 onwards and releasing text translations for new comics.

Translating the whole manhua will be a looooong process. Right now, we have text translations for all extra comics, but the lettering has been going slow. That's why we are still open to more volunteers to join us for the role of cleaner/typesetter! You don't need qualifications or even software (we will get it for you cough), just time and a disposition to learn.

TL;DR

ASS manhua translation is resuming.

Older Extra comics will be translated first.

We will translate 486-500 ASAP.

We will release text translations for newer comics.

We will remake the translations for 405-485 to upload to MangaDex.

We need YOU to typeset the ASS comics into English!

#all saints street #1031 万圣街 #wan sheng jie #manhua #translation #translated manhua

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hamletthedane · 1 year ago

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Hamlet’s Age

Not to bring up an age-old debate that doesn’t even matter, but I have been thinking recently how interesting Hamlet’s age is both in-text and as meta-text.

To summarize a whole lot of discussion, we basically only have the following clues as to Hamlet’s age:

Hamlet and Horatio are both college students at Wittenberg. In Early Modern/Late Renaissance Europe, noble boys typically began their university education at 14 and usually completed at their Bachelor’s degree by 18 or 19. However, they may have been studying for their Master’s degrees, which was typically awarded by age 25 at the latest. For reference, contemporary Kit Marlowe was a pretty late bloomer who received a bachelor’s degree at 20 and a master’s degree at 23.

Hamlet is AGGRESSIVELY described as a “youth” by many different characters - I believe more than any other male shakespeare character (other than 16yo Romeo). While usage could vary, Shakespeare tended to use “youth” to mean a man in his late teens/very early 20s (actually, he mostly uses it to describe beardless ‘men’ who are actually crossdressing women - likely literally played by young men in their late teens)

King Hamlet is old enough to be grey-haired, but Queen Gertrude is young enough to have additional children (or so Hamlet strongly implies)

Hamlet talks about plucking out the hairs of his beard, so he is old enough to at least theoretically have a beard

In the folio version, the gravedigger says he became a gravedigger the day of Hamlet’s birth, and that he’s be “sixteene here, man and boy, thirty years.” However, it’s unclear if “sixteene” means “sixteen” or “sexton” (ie has he worked here for 16 years but is 30 years old, or has he been sexton there for thirty years?)

Hamlet knew Yorick as a young child, and the gravedigger says Yorick was buried 23 years ago. However, the first quarto version version of Hamlet says “dozen years” instead of “three and twenty.” This suggests the line changed over time. (Or that the bad quarto sucks - I really need to make that post about it, huh…)

Yorick is a skull, and according to the gravedigger’s expertise, he has thus been dead for at least 7-8 years - implying Hamlet is at least ~15yo if he remembers Yorick from his childhood

One important thing sometimes overlooked - Claudius takes the throne at King Hamlet’s death, not Prince Hamlet. That is mostly a commentary on English and French monarchist politics at the time, but it is strange within the internal text. A thirty year old Hamlet presumably would have become the new monarch, not the married-in uncle (unless Gertrude is the vehicle through which the crown passes a la Mary I/Phillip II - certainly food for thought)

Honestly, Hamlet is SO aggressively described as being very young that I’m fairly confident the in-text intention is to have him be around 18-23yo. Placing his age at 30yo simply does not make much sense in the context of his descriptors, his narrative role, and his status as a university student.

However, it doesn’t really matter what the “right” answer is, because the confusion itself is what makes the gravedigger scene so interesting and metatextual. We can basically assume one of the following, given the folio text:

Hamlet really is meant to be 30yo, and that was supposed to surprise or imply something to the contemporary audience that is now lost to us

Older actors were playing Hamlet by the time the folio was written down, and the gravedigger’s description was an in-text justification of the seeming disconnect between age of actor and description of “youth”

Older actors were playing Hamlet by the time the folio was set down, and the gravedigger’s description was an in-text JOKE making fun of the fact that a 30-something year old is playing a high-school aged boy. This makes sense, as the gravedigger is a clown and Hamlet is a play that constantly pokes fun at its own tropes and breaks the fourth wall for its audience

The gravedigger cannot count or remember how old he is, and that’s the joke (this is the most common modern interpretation whenever the line isn’t otherwise played straight). If the clown was, for example, particularly old, those lines would be very funny

Any way you look at it, I believe something is echoing there. It seems like this is one of the many moments in Hamlet where you catch a glimpse of some contemporary in-joke about theater and theater culture* that we can only try to parse out from limited context 430 years later. And honestly, that’s so interesting and cool.

*(My other favorite example of this is when Hamlet asks Polonius about what it was like to play Julius Caesar in an exchange that pokes fun of Polonius’ actor a little. This is clearly an inside-joke directed at Globe regulars - the actor who played Polonius must have also played Julius Caesar in Shakespeare’s play, and been very well reviewed. Hamlet’s joke about Brutus also implies the actor who played Brutus is one of the main cast in Hamlet - possibly even the prince himself, depending on how the line is read).

#hamlet #hamlet meta #hamlet’s age #this obviously does NOT imply anything about being 30yo btw #any age is a good age to be driven to madness by guilt and grief #It’s just very usual for shakespeare to describe somebody well past their apprentice age as a ‘youth’ SO MUCH #and that makes those lines very interesting #shut up e #willy shakes #posting this while EXHAUSTED going to see a million errors and tone problems tomorrow sorry in advance yall #**very unusual #long post #posting Hamlet meta like it’s 2014 hell yeah

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anistarrose · 6 months ago

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You added an "image description" to my post - now what? (FAQ)

[Plain text: "You added an 'image description' to my post - now what? (FAQ)". End PT.]

While I'm literally always willing to answer (good faith) questions about image descriptions, alt text, and online accessibility writ large, I also know lots of people have social anxiety about sending DMs, doing IDs "wrong," or just not knowing what IDs are for in the first place. Hence, this FAQ.

If I added an ID to your post and/or asked you to do so, and you're confused about any aspect of that, this is where to start. You can absolutely still reach out to me, I just thought I should consolidate as many answers as possible.

"What is an ID and why does it matter?"

IDs are a description of the content of an image, and can range from a transcript of a screenshot of text, to a description of a detailed piece of art. They should be in plain text, and placed on the line immediately following the image (unless it's alt text, more on those pros and cons later).

IDs are primarily for blind and low vision people who use screen readers to navigate the internet — but help others too, including lots of neurodivergent people. Check out this post (link) and the notes for more examples (dyslexics, migraine sufferers, people who can't interpret expressions, people with slow internet...)

IDs are important because without them, the Internet really sucks for people who need them. You probably don't realize how many undescribed images circulate on Tumblr every day, with no way for a lot of disabled people to engage with those posts.

A blind person talks in more detail about all of this here (link).

"I reblogged your ID, is that enough?"

It's not that I don't appreciate it, but editing it into the root post and then reblogging that is much more impactful, for a variety of reasons. It means people who need IDs don't have to dig through the notes for them, it means that Tumblr can't glitch by failing to load the notes and make the ID functionally disappear, and it means all people who find the post in the tags or on your blog will be sharing the accessible version.

To explain visually, the best thing to do is something like this:

[ID: two mock-up Tumblr posts to illustrate adding an ID from the notes to the root post. A blog named "your-blog" posts an image of text reading "something cool you posted" with the caption "check out this cool image I made!" In the notes, the blog "image-describer" reblogs with an ID, which is highlighted. This version of the post is labeled: "original post, reblogged via ID writer."

The second version of the post is from "your-blog" again, where they've added the ID directly under the image, with the same caption below the ID. This version is labeled "updated root post, with ID copy-pasted. End ID.]

"My commentary first, or ID first?"

Include the ID right under the image, followed by your commentary. Unless you're putting your commentary before the image itself, a sighted person will see "image, commentary" in that order, so to ensure the post flows the same way for screen reader users, use the order "image, ID, commentary."

Commentary frequently assumes that the reader has seen the image, after all! A person might not even realize the image is described if the ID is buried too deep, because they might lose patience and skip the post. Or, to explain visually:

[ID: two mock-up example posts with an ID, one formatted well and one poorly. They both start with an image, which is just the text "screenshot of a tweet or something." The first post includes the ID immediately under the image. Below, it continues: "commentary blah blah blah get a load of this guy can you believe it." The post is labeled "Like this!" in green with a check mark.

The second post includes the commentary first, then the ID after the commentary. It's labeled: "Reads awkwardly, deprives screen reader users of immediate context" in red with an X. End ID.]

"I want to make a change to the ID, is that okay?"

Yep! If you want me to change it on my blog too (whether it's characters' pronouns, some typo, etc), just message me.

"What if someone else adds an ID to my post? Would they also be okay with me editing it into the original post like you are?"

Almost certainly! I can't speak for everyone, but I've literally never met an ID writer who wouldn't be okay with it — because we all have the shared goal of maximizing accessibility. If you're unsure or nervous, you can always include credit, but most people are even fine with going uncredited.

"I put your ID in the alt text, is that enough?"

I will never tell you not to use alt text when the alternative is an undescribed post, but I really strongly suggest putting it in both the alt text and the post. Some people who use screen readers prefer the flow of alt text, for good reason — but it's also poorly implemented on Tumblr, and it can glitch and disappear on reblogs, in drafts, or just apropos of nothing.

Moreover, when a low-vision person or anyone else wants to read the alt text directly, Tumblr's display options aren't great. (Unless you use XKit Rewritten's AccessKit, which I will always plug, but that's not an option for mobile users.) Long alt text often extends off the page and gets cut off. Tumblr used to use a terrible eye-straining purple background for it, and could always do that again with no warning. It's just not ideal.

Here's a visually impaired person talking more about the pros and cons (link).

We're in need of a compromise, so what can you do? One option is to include the same alt text as image description (placing the ID directly under the image as always, because remember, flow for screen readers is important). I like to lead with "ID from alt," in order to clarify to screen reader users that they can skip the ID, and help differentiate it from the other option I'm about to describe. This should be self-explanatory, but here's an example of a post I did in this style (link).

Option two is to include a short description in the alt text, and a more detailed explanation in-post. This can let screen reader users instantly know that the post is described, and decide whether they're interested enough in it to stick with it, but it maintains an in-post description for others to benefit from too.

Example of me doing this in a post about IDs (link)

Example of my mutual describing art like this (link)

Also, it's the style I follow throughout this exact post! Take a look!

As usual, the ID is directly below the image in all these cases. This means screen readers move immediately from the alt text to the full description, and the post flows the same way it would for a sighted person.

If you're here because I wrote an ID for you, it might be easier for you to put it in the alt text and the post body identically. That's perfectly fine! But if you're confident writing one short sentence for the alt text and including my ID in the body, you can always go for that too!

"Do I need to keep the brackets or the words 'image description/ID' in the alt text?"

Nope, no need. Brackets are purely for the visual distinction, and most screen readers preface alt text with something like "Image" that fulfills the same purpose as the "ID" label. It's not the end of the world if they're there, but it's redundant, so feel free to remove them.

"Can I put the ID under a read more? Or in small text?"

Please don't. Read mores are glitchy, and oftentimes have to be opened in a new tab. Accessibility that requires jumping through extra hoops isn't accessibility. And worse, if you change your URL or get deactivated, that read more link is usually just gone for good, and the post is undescribed again.

A blind person talks about read mores, and why not to put IDs below them, in more detail here (link).

The exception is if the image itself is below the read more, of course. Then putting the ID below the image, also below the read more by extension, is fine.

Meanwhile, small text, italics, colored text, and so on aren't good for low vision people or others who read the IDs directly — such as with increased font size — for whatever reason. If you want the ID to stand out visually even more than with brackets, an indent is fine as far as I know. And remember, IDs always go immediately below the image!

I demonstrate the issues with fonts and small text in this post (link).

"Why do you sometimes copy italics and stuff as plain text? Is that a screen reader thing too?"

Same reason IDs shouldn't be in small text, italics, etc — because of sight readers with low vision. Font in weird styles, or in a fixed size regardless of device settings (to my knowledge, this includes headings) isn't very accessible, so I try to provide an accessible transcript.

Colored text is sometimes even inaccessible to sighted people using certain Tumblr themes! If Tumblr gave individual users the option to disable small text and colors on their dash, then I'd tell you to use them to your heart's content, but as it stands, they're not very accessible.

"Okay, I want to make my blog more accessible, but I don't feel capable of writing IDs on my own. How can I get help?"

Good news, this is my absolute favorite question! I strongly recommend the People's Accessibility Discord (invite link here, please let me know if it breaks).

It was created for this exact purpose of crowdsourcing IDs (and answering questions about them). I talk about it more in this post (link), but I also describe an alternative if you're like me and have massive social anxiety about Discord servers.

TL;DR: ask in the post if someone can add an image description, and edit it in once someone does! If you've read this far in the post, you're clearly an expert on how to do that.

In that post, I also recommend text extractors like OnlineOCR (link), OCR Space, and Google Lens to extract text from images and save you typing if it's just a twitter thread or something. I would always spot check the text, adjust formatting, and remove superfluous characters, but it usually saves you lots of time when you might not normally have the energy to describe something.

Lastly, a lot of description blogs take requests! I don't unless I specify otherwise, because I easily run out of spoons, but @accessible-art is a great example of a blog that does this for non-fandom art, and there are lots of fandom blogs out there that do similar.

"I want to learn how to write image descriptions for my posts! Do you have any resources?"

This is my image description masterpost (link). I get a little scared about linking it because it's long, and a lot of the linked posts are long too, and I don't want to overwhelm people — so please, start with the first few links to get the broad strokes, and then feel free to treat the rest like a index. That is, peruse it if you're looking for answers or advice on a specific topic!

While learning, keep in mind that different ID users want different things out of IDs, and that's okay. Some people, including many blind people, care quite a bit about color, but others don't, and that doesn't mean either is wrong about the types of IDs they prefer versus ones they find unnecessary.

Blind people have a massive range of lived experiences, and all the other people who benefit from IDs broaden that range even more. Generally, no one involved wants huge walls of text, but some people prefer super-minimal IDs, while others prefer a nice handful of (relevant) details. It's stuff like the difference between "Two characters hugging in a cozy-looking house," versus "Two characters hugging with their eyes closed, both smiling. Their house looks cozy and cluttered, with warm lighting."

Neither of those is objectively wrong, and there will be people who prefer either. Nor is it wrong for you, the ID writer, to make a subjective judgement, such as on the "cozy" mood. You don't want to misrepresent things, but subjectivity is usually unavoidable on some level, and therefore fine. Likewise, you don't want to let the ID get so long it's a slog to get through (here's an example of what NOT to do), but if you're describing a complicated image like some art might be, it's okay to add some details. Just start with the important stuff and general idea first.

The purpose of an image also matters. With memes, shorter is almost always better, and excessive detail is annoying (post with examples). You don't need in-depth detail to appreciate most quick jokes. But on the other hand, art is often shared for the purpose of appreciating the details. This post goes into detail about how context matters, and how longer IDs make sense for art sometimes. It puts it better than I could, so I really suggest reading it if this is something you're wondering about! Key word: not length, not brevity, but "relevancy."

In my opinion, IDs are easiest to learn by doing, but also by starting small. If you want to build up your "description muscles" and confidence by just transcribing screenshots of text, that's perfectly fine — and also, the path that myself and a lot of people I know have followed.

Lastly: follow some described blogs! Check out how other people do it! Writing IDs is an art, and though it has a few hard do's and don't's we've gone over, we've also gone over how it's subjective. Everyone brings a slightly different style, with a different level of lengthiness, and it's great to learn from multiple sources. Here's one list of blogs like those (link)!

"Why would this matter if I know I don't have any blind people following me?"

Consider the cycle of inaccessibility (link). If no one ever accommodates blind people, then of course you're not going to see them on Tumblr, in fandom, or in whatever internet circles! There are blind people who might want to use Tumblr, but left because they weren't welcomed and accommodated (link). And blind people aren't the only people who need image descriptions — again, consider this post, especially this addition (link).

Worst case scenario, even if you have no one who can benefit from IDs following you, and no people who need IDs would follow you even if you included them, you're still helping people who do maintain accessible blogs to do so — and moreover, normalizing image descriptions in general.

"I don't think blind people would be in this fandom. I mean, there's a huge visual component!"

Described comics and webcomics exist. Audio descriptions for TV shows and movies exist. Disabled people who find creative ways to play video games exist. People who watched a playthrough of a video game by a person who happened to read out the dialogue, and give descriptive commentary on the action, also exist. People who lose their vision over time, or gain other reasons to rely on IDs over time, also exist.

"Where can I learn more about blindness and related accessibility issues, especially from blind people themselves?"

Wonderful question — check out @askablindperson and @blindbeta for starters! BlindBeta focuses on blind characters in fiction, but discusses accessibility too, and both these users have wonderful and very informative pinned posts! I'll link a few additional posts/tags below, from these bloggers and others:

BlindBeta on Myths That Harm Blind People

"For a lot of blind and visually impaired people, sight is a conscious effort."

Variation in blind experiences and accessibility needs

Ask A Blind Person's tag on Braille

#accessibility #image descriptions #long post

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thedisabilitybookarchive · 6 months ago

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Disability in Non-Fiction #1: Plain Text Edition

A plain text version of this post. Here you will find detailed image descriptions and easier-to-read versions of each book summary. If you think that any image descriptions/summaries need to be updated, please let me know!

================================================

‘How to Live Free in a Dangerous World’- Lawson, Shayla

[ID: A book cover. The background is a pale orange colour. In the centre, a large photograph of a person with brown skin standing in front a desert under a blue sky. They have short braided brown hair swept over their left eye, and have their arms crossed over their chest, with one hand resting on the side of their face. The title “How to Live Free in a Dangerous World” is around them in large orange writing that covers the length of the photo. The subtitle “A Decolonial Memoir” is to the right their head in very small white writing. The author’s name “Shayla Lawson” is below the title, at the bottom of the photograph, in smaller yellow writing. Black text at the bottom of the cover reads, under the author’s name, reads “author of ‘this is major’, a national book critics circle award finalist”. /end]

Summary:

Poet and journalist Shayla Lawson follows their National Book Critics Circle finalist This Is Major with these daring and exquisitely crafted essays, where Lawson journeys across the globe, finds beauty in tumultuous times, and powerfully disrupts the constraints of race, gender, and disability.

With their signature prose, at turns bold, muscular, and luminous, Shayla Lawson travels the world to explore deeper meanings held within love, time, and the self.

Through encounters with a gorgeous gondolier in Venice, an ex-husband in the Netherlands, and a lost love on New Year’s Eve in Mexico City, Lawson’s travels bring unexpected wisdom about life in and out of love. They learn the strength of friendships and the dangers of beauty during a narrow escape in Egypt. They examine Blackness in post-dictatorship Zimbabwe, then take us on a secretive tour of Black freedom movements in Portugal.

Through a deeply insightful journey, Lawson leads readers from a castle in France to a hula hoop competition in Jamaica to a traditional theater in Tokyo to a Prince concert in Minnesota and, finally, to finding liberation on a beach in Bermuda, exploring each location—and their deepest emotions—to the fullest. In the end, they discover how the trials of marriage, grief, and missed connections can lead to self-transformation and unimagined new freedoms.

‘Being Seen’- Sjunneson, Elsa

[ID: A book cover. It is a dark black with faint, grey, writing over it. The writing, from top to bottom, reads: “Elsa Sjunneson” “Being Seen” “One Deafblind Woman’s Fight to End Ableism” All in capitals. The “I” in “Being Seen” is designed to look like an opening of sorts, with a ray of light coming through. /end]

Summary:

A deafblind writer and professor explores how the misrepresentation of disability in books, movies, and TV harms both the disabled community and everyone else.

As a deafblind woman with partial vision in one eye and bilateral hearing aids, Elsa Sjunneson lives at the crossroads of blindness and sight, hearing and deafness—much to the confusion of the world around her. While she cannot see well enough to operate without a guide dog or cane, she can see enough to know when someone is reacting to the visible signs of her blindness and can hear when they’re whispering behind her back. And she certainly knows how wrong our one-size-fits-all definitions of disability can be.

As a media studies professor, she’s also seen the full range of blind and deaf portrayals on film, and here she deconstructs their impact, following common tropes through horror, romance, and everything in between. Part memoir, part cultural criticism, part history of the deafblind experience, Being Seen explores how our cultural concept of disability is more myth than fact, and the damage it does to us all.

‘Disability Pride’- Mattlin, Ben

[ID: A book cover. The background is made of simple, colourful red, cream, white, yellow and teal shapes. Large text reads, from top to bottom: “Disability Pride” in large, black capitals, “Dispatches from a Post-ADA World”in smaller, black capitals, “Ben Mattlin”, in slightly bigger red capitals. /end]

Summary:

An eye-opening portrait of the diverse disability community as it is today and how attitudes, activism, and representation have evolved since the passage of the Americans with Disabilities Act (ADA).

In Disability Pride, disabled journalist Ben Mattlin weaves together interviews and reportage to introduce a cavalcade of individuals, ideas, and events in engaging, fast-paced prose. He traces the generation that came of age after the ADA reshaped America, and how it is influencing the future. He documents how autistic self-advocacy and the neurodiversity movement upended views of those whose brains work differently. He lifts the veil on a thriving disability culture—from social media to high fashion, Hollywood to Broadway—showing how the politics of beauty for those with marginalized body types and facial features is sparking widespread change.

He also explores the movement’s shortcomings, particularly the erasure of nonwhite and LGBTQIA+ people that helped give rise to Disability Justice. He delves into systemic ableism in health care, the right-to-die movement, institutionalization, and the scourge of subminimum-wage labor that some call legalized slavery. And he finds glimmers of hope in how disabled people never give up their fight for parity and fair play.

Beautifully written, without anger or pity, Disability Pride is a revealing account of an often misunderstood movement and identity, an inclusive reexamination of society’s treatment of those it deems different.

‘Crip Kinship’- Kafai, Shayda

[ID: A book cover. The background is light blue, with colourful pictures of butterflies, flowers and a house setting featured in the centre. Lower right centre of the image, a black figure in a long sleeved, billowing dress, holding a curved black walking stick in their right hand. Behind them, a drawing of a room with a table, chair, pink wall with a window, and a blank wall with an orange picture. Text on the book cover, from top to bottom, reads: The title “Crip Kinship” in large black font at the top of the image, The subtitle “The Disability Justice & Art Activism of Sins Invalid” in smaller black capitals, in the upper right corner of the image, The authors name “Shayda Kafai” in medium black capitals in the lower right of the image, partially overlapping the figure in the dress. /end]

Summary:

The remarkable story of Sins Invalid, a performance project that centres queer disability justice.

In recent years, disability activism has come into its own as a vital and necessary means to acknowledge the power and resilience of the disabled community, and to call out ableist culture wherever it appears.

Crip Kinship explores the art activism of Sins Invalid, a San Francisco Bay Area-based performance project, and its radical imaginings of what disabled, queer, trans, and gender-nonconforming bodyminds of colour can do: how they can rewrite oppression, and how they can gift us with transformational lessons for our collective survival.

Grounded in the disability justice framework, Crip Kinship investigates the revolutionary survival teachings that disabled, queer of colour community offers to all our bodyminds. From their focus on crip beauty and sexuality to manifesting digital kinship networks and crip-centric liberated zones, Sins Invalid empowers and moves us toward generating our collective liberation from our bodyminds outward.

‘Sounds Like Home’- Wright, Mary Herring

[ID: A book cover. The background is yellow. A black and white photograph in the centre shows two young black children and a dog in front of a car. The title “Sounds Like Home” is at the tope in large, curvy black writing. The subtitle “Growing Up Black and Deaf in the South” is written in small orange writing, on three black bars on the right side of the cover. The author’s name “Mary Herring Wright” is written in curvy black writing, slightly smaller than the title, at the bottom of the cover. /end]

Summary:

Mary Herring Wright’s memoir adds an important dimension to the current literature in that it is a story by and about an African American deaf child. The author recounts her experiences growing up as a deaf person in Iron Mine, North Carolina, from the 1920s through the 1940s. Her story is unique and historically significant because it provides valuable descriptive information about the faculty and staff of the North Carolina school for Black deaf and blind students from the perspective of a student as well as a student teacher. In addition, this engrossing narrative contains details about the curriculum, which included a week-long Black History celebration where students learned about important Blacks such as Madame Walker, Paul Laurence Dunbar, and George Washington Carver. It also describes the physical facilities as well as the changes in those facilities over the years. In addition, Sounds Like Home occurs over a period of time that covers two major events in American history, the Depression and World War II.

Wright’s account is one of enduring faith, perseverance, and optimism. Her keen observations will serve as a source of inspiration for others who are challenged in their own ways by life’s obstacles.

‘The Right to Maim’- Puar, Jasbir K.

[ID: A book cover. The background is white. A painting stretches from the bottom of the cover to bottom of top quarter. In the upper quarter of the cover, text reads: The author’s name “Jasbir K. Puar” is at the top in black writing. The title “The Right to Maim” is immediately below this in red caps. The subtitle “Debility, Capacity, Disability” is immediately below this in smaller, yellow caps. The painting is immediately below this. The background is a dark cream. It appears to show a humanoid figure climbing a mound. Two other figures appear to be falling off the mound. There are splashes of red paint around the mound and the figure on it. /end]

Summary:

In The Right to Maim Jasbir K. Puar brings her pathbreaking work on the liberal state, sexuality, and biopolitics to bear on our understanding of disability. Drawing on a stunning array of theoretical and methodological frameworks, Puar uses the concept of “debility”—bodily injury and social exclusion brought on by economic and political factors—to disrupt the category of disability. She shows how debility, disability, and capacity together constitute an assemblage that states use to control populations. Puar’s analysis culminates in an interrogation of Israel’s policies toward Palestine, in which she outlines how Israel brings Palestinians into biopolitical being by designating them available for injury. Supplementing its right to kill with what Puar calls the right to maim, the Israeli state relies on liberal frameworks of disability to obscure and enable the mass debilitation of Palestinian bodies. Tracing disability’s interaction with debility and capacity, Puar offers a brilliant rethinking of Foucauldian biopolitics while showing how disability functions at the intersection of imperialism and racialized capital.

‘Uncomfortable Labels’- Dale, Laura Kate

[ID: A book cover. The background is a close photograph of some kind of knitted garment, and its label. The garment is blue. The label is in the centre. Text on the label reads: The title “Uncomfortable Labels” in large black caps The subtitle “My Life as a Gay Autistic Trans Woman” in smaller black caps, lower left of this The author’s name “Laura Kate Dale” at the bottom of the label in black writing. A smaller label attached to the bottom has a single, black capitalised “M” written on it. /end]

Summary:

“So while the assumption when I was born was that I was or would grow up to be a neurotypical heterosexual boy, that whole idea didn’t really pan out long term.”

In this candid, first-of-its-kind memoir, Laura Kate Dale recounts what life is like growing up as a gay trans woman on the autism spectrum. From struggling with sensory processing, managing socially demanding situations and learning social cues and feminine presentation, through to coming out as trans during an autistic meltdown, Laura draws on her personal experiences from life prior to transition and diagnosis, and moving on to the years of self-discovery, to give a unique insight into the nuances of sexuality, gender and autism, and how they intersect.

Charting the ups and downs of being autistic and on the LGBT spectrum with searing honesty and humour, this is an empowering, life-affirming read for anyone who’s felt they don’t fit in.

'Brilliant Imperfections'- Clare, Eli

[ID: A book cover. A photograph of stones can be seen. Over it, a dark box stretching from left to right at the top of the image. Text in the box reads: “Brilliant Imperfection”, in large caps. “Brilliant” is in green, “Imperfection is in white. “Grappling With Cure”, in small, green caps. “Eli Clare”, in white caps. /end]

Summary:

In Brilliant Imperfection Eli Clare uses memoir, history, and critical analysis to explore cure—the deeply held belief that body-minds considered broken need to be fixed.

Cure serves many purposes. It saves lives, manipulates lives, and prioritizes some lives over others. It provides comfort, makes profits, justifies violence, and promises resolution to body-mind loss. Clare grapples with this knot of contradictions, maintaining that neither an anti-cure politics nor a pro-cure worldview can account for the messy, complex relationships we have with our body-minds.

The stories he tells range widely, stretching from disability stereotypes to weight loss surgery, gender transition to skin lightening creams. At each turn, Clare weaves race, disability, sexuality, class, and gender together, insisting on the nonnegotiable value of body-mind difference. Into this mix, he adds environmental politics, thinking about ecosystem loss and restoration as a way of delving more deeply into cure.

Ultimately Brilliant Imperfection reveals cure to be an ideology grounded in the twin notions of normal and natural, slippery and powerful, necessary and damaging all at the same time.

================================================

A short list of 8 non-fiction books featuring and/or discussing disability!

I don't highlight the non-fiction section of the archive enough, so I think this is a perfect opportunity.

A plain text version of this post exists here, featuring more detailed image descriptions of each book cover and easier-to-read versions of every summary.

Books on this list:

‘How to Live Free in a Dangerous World’- Lawson, Shayla

‘Being Seen’- Sjunneson, Elsa

‘Disability Pride’- Mattlin, Ben

‘Crip Kinship’- Kafai, Shayda

‘Sounds Like Home’- Wright, Mary Herring

‘The Right to Maim’- Puar, Jasbir K.

‘Uncomfortable Labels’- Dale, Laura Kate

'Brilliant Imperfections'- Clare, Eli

All of these books and more can be found on the Disability Book Archive.

Happy Disability Pride Month!

#books #disability books #disability #disability representation #the disability book archive #lgbtq books #lgbtq+#lgbtq representation #non fiction #disability pride month #disability pride #disability history #link #images #described #alt text #plain text #disability in non fiction #part 1

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mask131 · 2 years ago

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While checking around for my “Roman gods are not Greek gods” posts, I found back this tripartition of mythology, which is actually a fact that everybody should kno about if they want to dabble in Greco-Roman myths (especially Greek myths).

We know that, during Antiquity, the Romans and the Greeks thought that there wasn’t just one, but three different types of “theology” - three different views, perceptions and reception of the gods.

The first theology was the theology of the priests and of the state - aka, religion. The Greek gods as perceived and described by religion, as honored through rituals and festivals.

The second theology is the “mythic theology” - what we call “mythology today”. It is a set of legends, folktales and stories that are not part of religion, but rather used and carried by art - it is the gods are seen, perceived and described by the poets, by the epics, by the theater plays.

The third theology is the theology of the philosophers - who used the gods and their tales as images and allegories for various abstract or concrete topics. It is the gods as depictions and description of natural phenomenon, or the myths as a way to actualy exemplify a social fact or explain psychological workings.

For the classic Greeks and Romans, there was a clear divide between those three very different point of view of the gods. It was basically three different versions of the pantheon. This is notably why you will find texts noting that priests disliked and condemned the poets’ mythological works, due to them being blasphemous and making the gods too human when religion described them as perfect ; and it is also why the philosophers of old dissed on and rejected the literary works of mythology as nonsense only good to feed superstitions, because for them the gods weren’t characters or realities, but rather abstract concepts and rhetorical allegories.

This is something I feel needs to be reminded, because today these three different theologies have been mixed up into one big mess - as literary myths are placed one the same level as philosophical “myths” (actually texts taking the shape of myths), and both considered of outmost religious importance. When in fact, things were quite different...

EDIT: I was asked if there was a myth that could illustrate the three different theologies, and on the spot I would say “the affair between Aphrodite and Ares”.

This story originates from the “mythological theology”. It is primarily a story, and a good one. It is the story of a husband who discovers his wife is unfaithful and tries to get revenge, it is the story of an extra-marital affair gone wrong, it is typical set of divine shenanigans ending on a grotesque display of divine humiliation - it is an excellent narrative material for plays and poems (and the legend does originates from poems).

The story was also dearly beloved and reused by the “philosophical theology”, because the philosophers adored the idea of the love between Ares and Aphrodite - for them it was the perfect depiction of how the concepts of “love” and “war” , despite being seemingly opposite, attracted each other and were closely tied. For them, this story isn’t to be taken literaly as “a god cheated on another god”, but rather as “this is an allegory showing that love and war are two sides of the same coin, which is why Aphrodite falls for Ares despite being married to Hephaistos”. But for them the whole net part is just poetic nonsense invented to make people laugh ; or maybe they will reinvent them as a moral, cautionary tale that should be used to warn people of the dangers of unfaithfulness.

And then there’s the “religious theology”, the point of view of the priests - for whom such a story is mockery and sacrilege. You can imagine them saying: “You are making the gods look like fools! Gods don’t cheat on each other, gods don’t get captured in nets while butt-naked, gods don’t even sleep on beds - GODS DO NOT EVEN HAVE HUMAN FORMS IN THEIR NATURAL STATE - what the heck is this bullshit you’re saying, you’re just insulting the gods by turning them into lecherous humans and grotesque clowns for your vulgar story!” (This is a reconstitution and not the actual words of an Ancient Greek priest)

#greek gods #roman gods #greek mythology #greek religion #roman mythology #roman religion #ancient theology

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thewebcomicsreview · 7 months ago

Text

So, Gunwild, the writer of Cassiopeia Quinn, made a comment on that post about webcomics turning into illustrated prose

gunwildversuseverything said: I was hoping this would prompt a discussion about formats and expression, but no, it’s about artist versus writer workloads and “amount of story” being reduced to equations and word counts and update schedules. Figures.

And you know what, it's a good point. So instead of getting into the Artist vs Writers debate for the millionth time, let's take a look at how you, and artist and/or writer, can get a story told on the internet. For the sake of this discussion, lets assume you don't have any actual preference for a given medium that might influence you, you just want to know what's right for your story and will learn whatever skills you need.

TRADITIONAL WEBCOMIC

Comics are the most visual-heavy medium that a solo project can realistically do. This has several business advantages (pictures do better on social media), but it's also a good fit for stories with a bunch of things that are interesting to look at. Cassiopeia Quinn is a story heavily featuring weird alien races, cool spaceships, and attractive young women with extraordinarily casual dress codes. These are visual things! And visual things can be conveyed super quickly and subtly using visuals. Imagine just the "Cassiopeia doesn't wear pants" gimmick, if this was written out. If Cassiopeia gets a description of her appearance the first time she shows up in chapter one and then it's kind of glossed over, the reader would forget. If every time Cassiopeia entered a scene Gunwild had to go

Cassiopeia sauntered up to the motorcycle rack. Her own rack was barely contained by a dangling strip of black fabric, visible through an open orange jacket. Black elbow-high sleeves, covering her hands, matched her thigh-high stockings, separated from her black panties by her thigh pouch.

Somehow it's a lot less cute when it's written out like this, huh? And it also takes way longer to read that then it does to just look at her on the page, which increases the chance your readers might get bored. Comics are the medium that takes the most time to make and also the least time to read, which makes readers a lot more likely to put up with exposition or a plot tangent that doesn't really connect with them. Even if your comic has bits that don't grip your readers, they can grip themselves if you show them interesting bits.

The main downside of comics is the "equations and update schedules" part. They take a looooooong time to make, even compared to everything else. It's also got issues with how people read it. A comic that looks good on a desktop often looks too small on a phone.

TEXT UNDER A PANEL

This style is so strongly associated with Homestuck that a lot of people who weren't making explicitly Homestuck-themed comics seem to have been scared off it. But it's a perfectly cromulent format. It reads well on both desktop and mobile, and lets you use art for all your visuals while using text for dialogue and character thoughts. It's not, however, the best fit for every story. Because each panel is separate, it can be hard to make an exciting action scene this way, which is part of why this format is also associated with special animated pages (I mean, besides "Homestuck did it"). The panels don't really flow into each other, and there's a constant switching between looking and reading.

ILLUSTRATED PROSE

Distinguished from the Text Under a Panel Style mostly by the ratio of text to art, without a hard line demarcating the distinction between them. This style also reads well in desktop and mobile. Well, it should, but a lot of webcomics who switch to this style tend to stay in their webcomic format, meaning it's a picture of text that doesn't resize legibly, grumble grumble. I don't....I don't know if I need to explain the concept of "text" to people. You know what words are, and if you don't there's nothing I can say to explain it.

VISUAL NOVEL

I'm not going to claim to be a visual novel expert, but the main advantages are that it's the most art-efficient medium of any of these (because you can flat-out reuse art), the main disadvantages are that you'll usually need music, it's maybe not as well suited to long monologues, and most importantly that it's not a good method for drip-feed three-day-a-week updates. You kind of have to release the entire thing all at once, or at least in large episodes.

ALL OF THE ABOVE

A comic like Out-of-Placers is mostly traditional, but uses illustrated prose for lore updates. Prequel is text-under-a-panel but not always, and of course Homestuck is the absolute king of format switching, even ignoring the animations. The upside is that you can use the best format for any given scene, and that you're constantly keeping your readers on their toes. The downside (besides having to learn to do all this shit) is that you kind of have to commit to the bit and get your readers on board early with the idea that you're going to just be doing whatever this week. It's also harder to take full advantage of any one medium if you're constantly switching them up

I'm sure I'm forgetting about two hundred formats, but what are the biggest ones I'm missing?

#Cassiopeia Quinn #Prequel Adventure #Coquette Dragoon #Homestuck #Paranatural

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friskafriskito · 11 months ago

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Charity Commissions 🇵🇸

Hello guys, it's been a while!

To cut to the chase: I would like to help spread both awareness and support for those suffering in the ongoing genocide in Palestine. So, in light of this, I will open up some commissions where rather than paying me, you simply provide proof of your donation.

I know this blog is mainly just for my art, but if I can use my art for any good I would like to do so. If you cannot donate, please reblog!

Here are some recommended links:

E-sims for Gaza: https://gazaesims.com

Palestinian children’s relief fund: PCRF

Women for women (hygiene kits, blankets, food): Urgent Support for Women in Palestine Women for Women International

Anera dignity kits: https://www.anera.org/stories/gaza-emergency-aid-includes-dignity-kits/

A website for vetted fundraisers: https://gazafunds.com/all

But of course you can donate to any related organization and fundraiser you like, even if it’s not included here!

If you are Egyptian you can also donate to any of the organizations listed under the Instapay, Talabat, Fawry apps, or your bank app under their ‘donations’ services with the equivalent price in EGP (based on the bank rate). Just provide a screenshot.

For a written list of the prices, the do/don'ts, and so on, please look under the read-more for more details!

How Does this Work?

Send me the idea you have and I will let you know if it’s good to go or if it’s not appropriate (or if I can’t do it due to time/work)

When you get the okay, I will ask for more details (references, colour schemes, poses, which charity you plan to donate to, etc.)

I will draw you a basic thumbnail for your confirmation (these are very vague sketches to just pinpoint the pose).

Once you confirm the pose, I will ask you to donate and I will get to work

Send me a screenshot of the e-mail confirming your donation (blur out/colour over any personal info!), or the “Thank you for your donation!” screen if there is no e-mail

You get your drawing in exchange!

NOTE: I will likely post them on my artblog and Instagram, so if you don’t want them posted there or would like to remain anonymous, please let me know!

Also bear in mind I have a full-time job, so they might be a while! But you WILL get your commission.

HALF-BODY

$5-$9: Lineart $10-$14: Monotone $15-$19: Colours, flat $20-$24: Colours, shaded Above $25: Colours, shaded, with background

FULL-BODY

$10-$14: Lineart $15-$19: Monotone $20-$24: Colours, flat $25-$29: Colours, shaded Above $30: Colours, shaded, with background

Yes-es:

Fan art is fine (I won’t be getting any monetary profit from this)

Characters from original stories

Personas/self-inserts/fan characters/Tabletop RPG characters

Real!you, family members, friends, etc. (at the risk of them not looking like them at all :’D)

Animals (they might be a bit less cartoony as I'm not used to them but yes)

Personifications/anthropomorphic/strange creatures in general

Nos:

No discriminatory content

No religious figures, symbolism or content (I am Muslim so… Cannot Really Do That)

No extreme gore or suggestive themes, or characters from media that feature a lot of either (this is because my art blog is PG-13, and I’d rather not anything off-colour for a charity commission anyway)

No using these with AI or NFTs

Do not use for commercial purposes. These are for charity!

I reserve the right to decline your commission if I feel like you have insincere ulterior motives, or if an emergency comes up.

Generally, keep this PG-13/grandma-friendly!

Pleases:

References (preferably image based, but text is fine if there is no visual depiction/canon design)

Colour you associate with the character if monotone

Poses (just not lewd or rude)

Context (like description of their personality, what they like, their setting, etc.)

Ask first:

You are free to repost the artwork on another platform as long as you credit me as the artist. Absolutely use them if you need a picture for something like an RP account!

If from your original work, you may use them in non-commercial projects, just please credit me (and give me a heads up so I can go check it out! :D).

If an original character from an original story, you are free to use the artwork to help with things like visual development (let’s say, you are creating a game, comic or pilot, and you want a reference for the artists on your team to use), just once again give me a heads up and credit me as the artist.

If you've made it this far, and can't donate, thank you so much for your interest anyway. At the very least, this reached someone.

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margareth-lv · 11 months ago

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🏳️‍🌈 Every girl needs a gay best friend 🏳️‍🌈

Last week, I wrote a post here about the morbid shyness of a certain music manager.

My text was based on an interview Caitríona gave in mid-February 2018, shortly after her so-called 'engagement' and after she'd just won the Irish IFTA for her work on Outlander.

In the interview, Caitríona talked about how she met her fake fiancé. In the February 2018 version, Caitríona met her PA through one of her best friends.

So I decided to look into the subject of this "best friend" who brought the unfortunate music manager to Caitriona.

What I'm going to write today is, I think, 100% obvious to veterans of the fandom. But for those just starting out, I hope it'll be news. And I, well, I'm somewhere in the middle, between newbie status and more than three years of wading through the facts and the myths.

For me, the fun part has been reconstructing the chronology of events. The dates are interesting.

*** *** ***

The beginning of my story is quite surprising. Because we reach Caitríona's 'best friend' by clicking on a link in an article published in 'People Magazine' on 15 August 2019.

The article is entitled: 'Everything to Know About Caitriona Balfe's Super Private Relationship with Husband Tony McGill' and it tells us that: 'the couple tied the knot in England last weekend'.

😱

What excellent investigative journalists People Magazine have (bravo, bravo!), that in a twelve sentence article they could link to a post from Donal Brophy's Instagram.

👏🏻👏🏻👏🏻

And look at this description:

"It’s unclear exactly when Balfe and McGill started dating, but the earliest evidence of their romance dates back to 2015, when a friend posted a video of her sitting on his lap at a bar in Ireland on Instagram. (McGill was not tagged and does not appear to have any social media accounts of his own.)"

🤯

Isn't that brilliant work from Starz/TPTB/whatever's PR Dept?

*** **** *** From the above it seems fair to conclude that the 'best friend' who brought Caitriona bad luck in the form of an unfulfilling music manager was Donal Brophy, because who else could it be?

*** *** ***

And now, let's take a quick look at the Instagram post (dated 1 January 2015) linked to the 'People Magazine' article. We all know it, of course! Here is the irrefutable proof of the passion between our two lovebirds: the rhythmic (and how sexy!) patting on the hip.

🥱

Well, hip-slapping is boring (and not at all sexy).

Far less boring, however, is the look on the music manager's face, the look that seeks Donal's approval (tell me I'm patting her well, do tell!). Could it be that, like the People Magazine link, this video was made to show? I wouldn't rule it out.

*** *** *** Now let's talk about dates: the sexy (not 🤢) slap on the hip was posted by Donal with a date of 1 January 2015, but two days earlier, on 30 December 2014, Donal shared another photo on Instagram featuring both the hapless music manager and Caitríona. ⬇️⬇️⬇️

Perhaps the decidedly less seductive and sensual appearance of the 'fiancée' in the December photo was the deciding factor in "People Magazine" not publishing a link to it?

Who could know?

*** *** ***

It certainly wasn't love at first sight. The new boyfriend seems rather tired of Caitriona's presence. 😉

I know this is a mischievous conclusion. I am so, so sorry, my friends.

❓

But one thing is for sure: Donal is an old friend of Caitríona.

I haven't done too much in-depth research, but the oldest photo I've been able to find of both Caitríona and Donal is… a photo in a Flickr album belonging to Caitríona's ex-boyfriend, Dave Milone. The photo is dated… 2002.

😨

You get the idea - Caitríona's ex (and real) boyfriend, Dave, Donal, and after many, many years a new 'fiancé'. It feels like my brain is exploding. 🤯🤯🤯

*** *** ***

But back to Donal: I have a feeling that Donal may have been Caitríona's +1 at times when she did not have an official boyfriend.

*** *** *** And let's not forget: Caitríona has a sweet and tender relationship with Donal.

June 2013, Miss you babe!

December 2013, Caitríona on IG:

December 2013, Donal on IG:

April 2014: They even went hiking together in the Scottish Highlands.

I wonder, by the way, who was their mountain guide? Was it an unfortunate music manager? I think not.

I would rather point to someone else, someone who loves (and knows!) the (S)cottish (H)ighlands. But I won't name him.

⛰️🧗🏻‍♂️

*** *** ***

For those who are unfamiliar with the name Donal Brophy, here are a few words about his professional profile:

You know, it works for me: "While in New York, Donal was also known for epic parties. Everything he organized automatically became a “must-attend” event for New York’s most with-it residents."

You know, that kind of vibe (2007):

😵‍💫😵‍💫😵‍💫

*** *** ***

Had he been Caitríona's false fiancé, it would have been easy for us to believe in the beautiful, loving bond that existed between them. But he was only the messenger of bad news. What wouldn't you do for your best friend?

❓

PS. Unless something has changed, Donal was married to Emrhys Cooper, a British actor, singer, dancer, and filmmaker. Together they run Idyllwild Pictures, an entertainment company.

Taken in July 2023:

[January 23, 2024]

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eilinelsghost · 4 days ago

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One of the things that consistently perplexes me in fandom conversations around LaCE is the assertion that LaCE states or implies that Elf-sex always results in a child. This is just...not true of the text?

I talked a bit about the "you have sex, you get Elf-married" assumption here, and much like that example, I think a lot of this one also comes from reading the text with the fandom depiction in mind - and inadvertently reading into it what is already understood to be the case.

LaCE begins its discussion of Elven marriage by describing the ceremony of betrothal and marriage and how these are both achieved. In the oft-referenced wedding sex passage, we are told that

It was the act of bodily union that achieved marriage, and after which the indissoluble bond was complete.

I talked in more detail about this passage in the post already linked above, but the main thing we need to take away from it for the sake of this conversation is that an Elf was not married until the act of bodily union completed the indissoluble bond.

With that in mind, we follow the text to its description of Elven reproduction and childbirth. The important passage to note within this is regarding the timeline between conception and birth:

As for the begetting and bearing of children: a year passes between the begetting and the birth of an elf-child, so that the days of both are the same or nearly so, and it is the day of begetting that is remembered year by year.

Whether LaCE is utilizing Years of the Trees or Years of the Sun throughout the text is debatable, but it's not really necessary to elucidate that for the current discussion. The important thing here is that this, paired with the subsequent description of the timing between marriage, first, and additional children, is where we can see clearly that LaCE assumes that sex does not always result in procreation:

[...]at whatever age they married, their children were born within a short space of years after their wedding.* * Short as the Eldar reckoned time. In mortal count there was often a long interval between the wedding and the first child-birth, and even longer between child and child.

So what we know now is:

Elf-marriage is completed by (not caused solely by) bodily union

A year takes place between the conception and birth of an Elven child

Elven children are said to be born "within a short space of years" after the parents' marriage

There is often (not always, which is important!) a long interval of multiple years between the wedding and first childbirth

Which is a fairly straightforward contradiction of the 1:1 assumption. If every act of Elven sex resulted in a child, then a child would be born exactly one year after each marriage, since a marriage could not be completed without the act of bodily union. By telling us that there was "often a long interval between the wedding and the first child," LaCE establishes that there were occasions in which that interval was shorter. Which cannot be the case if all sex results in procreation because in that case the interval would need to be the same across the board. Additionally, it references "years" rather than "a year" when it discusses this intervening timespan, which reiterates that same fact.

This premise is confirmed by the Annals of Aman found in Morgoth's Ring where we are told that Finarfin weds Eärwen in Y.T. 1280 and their first child, Finrod, was not born until Y.T. 1300: a full 20 years after their marriage.

(Why yes I did find a way to shoehorn a mention of my guy into this, yet again confirming that I cannot in fact make it five minutes without mentioning him.)

Anyway, all that to say, if you're wanting to be LaCE-compliant, get those Elves doing it for fun.

#laws and customs among the eldar #LaCE compliant #Elven childbirth #meta #silmarillion meta #LaCE #the silmarillion

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winterspider-bingo · 5 months ago

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WinterSpider Bingo Round 1!

Hello! Welcome to WinterSpider Bingo, a creative fandom event for our favorite boys: Bucky Barnes and Peter Parker! No sign-ups for this event, just fun! There are two (2) cards (found below), one sfw and one nsfw, with five (5) alt prompts if you’d like to/need to swap any of the squares. You can do one card, or both!

Standard bingo rules apply: five (5) spaces horizontal, vertical, diagonal, four corners + free space, or black out! But you can fill as many or as few of the squares as you’d like, no pressure! You can write fic, make fanart, playlists and more! All fanworks are welcome, and there are no word count minimums or maximums for fic.

This event is open from August 1st 2024 - June 1st 2025

The AO3 collection (winterspiderbingo) will open on August 1st. Also, please tag this blog in your posts here on tumblr, and use #winterspiderbingo so that your work can be shared here for all to enjoy!

The Rules for this event can be found on AO3 on the collection's main profile page, or under the cut! Plain text of the prompts can be found in the image description of each card.

If you have any questions, the ask box is open, or you can message one of the mods: @papermacherainbow or @starksvinyls!

Have fun, and happy creating!

RULES

One work per square and it must be a new work, this does include a new chapter of a WIP or new part of an ongoing series! Anything created prior to the start of this event can not count for a square on your card, however. If you are writing fic and would like to create one multi-chapter fic, you are more than welcome to do so, but each chapter must be it’s own prompt/square. 1a. You may use two prompts for one fill if one is from the SFW card, and one is from the NSFW card!

Please use proper trigger and content warnings!

Combining fills with other events is a-okay!

Absolutely no kink shaming will be tolerated within this event! If you are uncomfortable with something in someone’s fill, please just block that content tag and/or user and move on.

Absolutely NO generative AI “art” or fic will be accepted as a fill for this event.

There is one SFW card and one NSFW card for everyone. There will be five (5) Alt Prompts on the cards for if you aren’t vibing with one of the squares for whatever reason. You can use none or all 5 alts, it’s up to you and what you’d like to create fan works for!

Have fun!!!!!!!!

#winterspider #bucky barnes x peter parker #peter parker x bucky barnes #marvel events #marvel #winterspiderbingo

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autistic-sidestep · 1 year ago

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sidestep scar map

here's all the physical scar mentions of step's ive discovered so far that aren't choice dependent! (choice dep scars will be in another post). lemme know if i missed any!

edit: hi people from r/hostedgames o/

edit 2 (nov 8th): added some more i missed!

edit 3 (nov 30th 2024): put these all (excepting the photographs related one because i'm not sure that's ever confirmed in the text itself) on the wiki!

(cw for sh/sui mentions and graphic injury description)

general

"Have you seen me?" You don't bother to hide your sneer. Even with your clothes on, there are enough scars and marks that many people would pay dearly to remove them. (ch 22, argent meetup) Regenerate…the notion is a tempting one; could it work on your tattoos? You've tried cutting and burning, but there's just too much, you'd be scarred and mutilated before you were done, but this…this prototype, could it help you too? (ch 19, etc, regenerator discovery) "What?" A moment's confusion and then—finally—he adds up the dots. His frown deepens, and he looks between your face and your chest, marred by scars and brightly orange tattoos, marking you as other. As not human. "Are you saying that—" (ch 22, flystep apartment scene) "Do you like scars?" you tease, taking one of [Daniel']s hands, tracing it across one on your chest. An ugly one, a remnant from an angry attempt to carve away your tattoos until the drugs couldn't keep the pain at bay any longer. (ch 22, flystep apartment date) It's a slow, circling motion over the small of your back, palm against skin, warm fingers tracing the deep scars you both know are there. And a few that ${he} doesn't. (ch 17, hoots makeout) ${his} hands are running over your skin, over your back. You know ${he}'s tracing scars, the same as you, and having an easier time of it. No fancy hospitals for your body, just your own skills, and no need to make it look pretty. (ch 21, chargestep apartment nsfw)

autopsy (incision) scar(s?)

"I obtained…pictures." He lets out a sigh, rubbing his face. "Classified. Highly classified. I assumed they were from the autopsy." He focuses on you. "Your autopsy." […] "The damage from the fall was horrific…you looked dead. Opened up." (ch 22, steel bar meetup)

legs

You remember that [Psychopathor] fell against the wreckage, and it moved and caused you to scream out loud as it dug into your leg. There's still a scar there somewhere. (ch 2, warehouse fight)

face

"Yeah, things changed. For me." You touch your face without intending to. The thin scars there are the most obvious legacy of your fall, of the window tearing into you like memories. (ch 21, hoots) "I'm not the only one with scars." He rubs the side of his face as he looks at you, and you have to fight not to do the same. You can feel your own face itch with the need to pick at your scars. "Yeah," you admit with a tired sigh. "Looking into the mirror is not fun." For more reasons than one, but you'd be lying if the scars weren't one of them. Bad memories imprinted on your flesh, a reminder of nightmares you can't ever forget. It's interesting, really, the way they see you as another vet. Are you looking out of place enough for that? A helping of scars. The nervous awareness. (ch 22, steel bar meetup)

hands/wrists

"Does it say that the scar on your hand always itches when you're stressed?" (ch 22, flystep apartment date)

"I'm not sure about this," he says, looking down at your scarred hands as if he could read your mind. Soft. Human. He doesn't want to hurt them. (ch 25, post puppet crash step leg rights, chen apartment minddive)

You let Ortega take your hands in [theirs]. Warm. Calloused. Scarred. Just like yours. You can't help but trace the edge of ${his} mods where they break the skin, strangely cool to the touch. (ch 21, trans mc ortega apartment reveal)

You look down at hands so much cleaner than your own. $!{puppet_name} hides all scars. (ch 18, puportega stakeout)

"It feels like they do," you say, scratching one of the scars on your hand a little nervously. "I wish I could tell you, but I can't." […] Your hands are clenched. Hard enough that your knuckles are white. There are a few scars across them, memories of punching things you shouldn't punch. People. Armor. Walls. […] You press two fingers against your wrist, feeling your pulse, feeling the scars. It's a familiar sensation, but instead of the weight pressing against your shields, you feel like a balloon, ready to burst. (ch 17 - finch therapy scene)

arms

tattoo removal attempts

You tried to get rid of them after your first escape. A specialist, suitably coerced. You still have the scar on the inside of your arm where the lasers didn't quite take. Too deep. Something she had never seen before, and she wasn't lying. Almost as if they were regenerating. (ch 15/ch 17, reader regenereveal tag )

You've tried lasers to remove them. You've tried dermabrasion. You even flayed off a piece of your own skin, and while that worked, it left another scar, a deep one. You know it's not possible to do that for your entire body. It's too much surface area; the process would kill you or leave you maimed. Not exactly the life you want. _(ch 15/ch 17, reader regenereveal tag / ch 19, puppet auction)

You tug at your sleeve; it keeps clinging to your sweaty skin. The small hairs on the back of your arm stand on end. The scars are visible now, the ones you made yourself. The ones where you tried to remove them. (chapter 19, argent regene reveal)

"I'm not lying anymore." You very slowly tug your sleeve up, rolling it past the scars, past the places where you tried to obliterate the tattoos, up to where they peek out beneath the fabric. Sharp. Orange. Inhuman. Like you. You look away, regulating your breathing, keeping a straight face as ${mhis} fingertips trace the edges of the design. There's a slight "tsk" at the burn scars that cut them off, no doubt ${mhe} is adding the clues together. […] "I tried to burn parts of them off," you say, […] so ${mhe} doesn't need to ask. "Didn't work too well. Needs third-degree burns, or they'll grow back." "Really?" $!{mhe} bends your arm, and you shift to allow it. "Fascinating." "Flaying works if you cut down to the flesh." Your voice sounds dispassionate even to your own ears, and Dr. Mortum takes a step back with a shocked look on ${mhis} face. "I'd hate to know how you found that out." "Other arm." You tug your sleeve down now that ${mhe}'s stopped touching you. (ch 20, "good" mortum mc reveal at the lab)

Holding your breath, you raise your arm in front of you, watching the pale green hospital robe slip back, revealing the intricate tattoos etched into your skin, broken only by scars. Neon orange. (ch 24, mccrash, revoked legrights)

dog bite

Some [dogs] were kept to guard the perimeter; you got bit once for straying outside. You still have the scar on your arm, a reminder that things that are hurt inevitably turn on each other. (ch 15, 1st boneyard scene)

general arm scars

It's so easy to feel human around ${him}. So easy to ignore the fear. Your sleeves are rolled up to your elbows. Anything more would risk revelations you aren't ready for, but even like this, the scars are enough for conversation. […] *if suitag: The bubbles hide most; you keep them buried deep in the soapy water to make sure ${he} doesn't look. (ch 21, ortega apartment dishes)

sh scars (suitag dep)

The scars on your arms are hidden under your sleeves, and maybe they would be something you could talk about. Something she would expect. A safe revelation of self-harm. *if suitag: Across. Not lengthwise. Your one deal with yourself. Not yet. You have things to finish first." (ch 17, finch therapy scene)

#fh codediving #hopefully this format is useful!#ramblings #fallen hero #sidestep #archival adventures

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vasito-de-leche · 1 year ago

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;R1999 DIKKE - General Headcanons

Compilation of headcanons and analysis on Dikke as a character and other related things.

as promised, here's the Dikke post where I go deranged talking about her, since it was one of the two with the most votes in the poll <3

the other popular result was to talk about the parallels and use of racial issues within the story, how the game replaces actual racism for fantasy racism (arcanists vs humans) - so that one will deffo take me some time!

On the subject of justice and Dikke's inspirations.

I've seen some people say that Dikke is based on Joan of Arc, given her righteousness and religious themes - but there are so many more details about her design that point toward other figures!

Like, really. A lot of references to law and deities of justice all throughout history and different cultures.

The most obvious one is Dike, "goddess of justice and the spirit of moral order and fair judgement". In Dikke's interview with Pandora Wilson, they literally address her as "the goddess of justice". And a small statue of Lady Justice, the personification of justice that originates from Justitia (roman equivalent of Dike) can be seen in her insight 2 garment.

It goes without saying that Dikke's sword is another symbol representative of the previously mentioned figures - but to have only the sword and not the scales could have some implications about her way of imparting justice.

I would like to point out that Dikke's sword has these two dangling pieces that allude to the scales she's missing in her design. And sure, it might be a reach, but given how much detail and thought goes into the characters of the game and their designs, I really believe this is the case!

On Dikke's items, we also get the name and description for the sword.

The name alone leads me to believe that Dikke's weapon and its design represents both the sword and the scales of Lady Justice, it's the totality of justice itself. Dikke WIELDS justice, she ENFORCES justice, she IS justice. You're going to get really tired of me repeating the word justice in this post, but bear with me!

On the subject of swords, there are two swords mentioned all throughout Dikke's in-game profile and information. Her insight 2 garment is titled "Sword of Hamurabi".

This is evocative of something called the "Code of Hammurabi", one of the longest legal texts dating back to the first dynasty of Babylon. According to wikipedia, this stele it also depicts yet another deity of justice, Shamash. Wikipedia also makes note of the prologue within the Code of Hammurabi, in which the author - Hammurabi - claims to have been given these rules "to prevent the strong from oppressing the weak". This is extremely relevant to Dikke, as someone who fought hard for the rights of arcanists.

Pandora Wilson: I have heard many legends about you. The violent ghost of punishment, the crime-slaying sword of execution, the goddess of justice, the people's savior... Dikke: The desperate always need hope.

The stele of the Code of Hammurabi is ALSO relevant, because the artifact that follows Dikke around explicitly "belongs to some ancient stele". Yet another object that embodies justice and law.

I won't pretend I know anything about Babylonian culture or history in general, so anyone with more insight on this is welcome to add on to details and corrections!

The second sword mentioned can be found in the title for her 02 Story - "The Sword of Damocles".

This excerpt seems to be written by one of Dikke's coworkers, perhaps someone in a higher position of power since they mention being able to give others a day off. Overall, we're reading the thoughts of someone who is abusing their power and who does not think highly of Dikke.

"The story of Damocles is but a story" is something that Dikke herself says. At the end, there's a different phrase written and crossed out - "But the story of justice is not just a story".

Now, the anecdote of Damocles talks about how positions of authority and power are double-edged swords - a king may have all the riches and fortune in the world, but also be burdened with the anxiety of knowing there might be someone plotting against him. In the story, Damocles switches places with king Dionysus, to know what it's like to be a king, but to really make Damocles understand the position of king, a sword is placed above him - one that can fall and kill him at any moment.

With this in mind, Dikke's 02 Story becomes more clear - the first phrase is a warning given by Dikke herself to those in positions of power. The story of Damocles is a story, because not everyone will understand the consequences of being in a position of power. Not everyone will be given the opportunity to even reach such a position.

The author of the 02 Story is not a good person, only considering the idea of giving people HALF a day off, excluding those who work on the fields who will get nothing, refusing to lower taxes for the poor, and imprisoning someone who "interfered with the lord's land acquisition".

The sword of Damocles is also used to allude to the impending tragedy for those in positions of power, caused by the smallest of catalysts. So it makes sense to me that the final phrase, the one crossed out at the end, was either written by Dikke or alludes to the demise of this author at her hand.

And while we're at it, might as well talk about the last remaining item - her robes. Judges are required to wear these when working on trials, but Dikke is specifically stated to wear them outside of them - because she's always imparting justice. She's the opposite of Oliver Fog, she's always on the clock.

We haven't even gotten to another big aspect of Dikke's character - the fact that she's part of the Inquisition.

Without getting too much into actual historical events, the Inquisition as we know it focused on heresy and the conversion and persecution of Jews and Muslims. Within the game, this is recontextualized as a focus for arcanists instead. It's worth noting that her 01 and 02 Stories are written from the perspective of those who are in support of the Inquisition and its practices, or who profit from abusing their own power - hence the wording of "the Inquisition has been abused and considered evil by the ignorant."

There is an emphasis on how the Inquisition seeks power, while Dikke's final goal is justice.

This whole thing and yet another part from her interview with Pandora Wilson, is related to how Dikke associates herself with the corrupt and allows people to view her as a needlessly violent person for the sake of setting things right. On one hand, she could associate with the Inquisition and become a bishop to destroy corruption from inside out - on the other, she could acknowledge that to impart justice, one needs power because they're things that go hand in hand. The Inquisition is only able to have this much influence over trials for arcanists because of the common hatred towards arcanists throughout history.

The interview revolves around all the rumours surrounding Dikke, and we can see her showing distaste at the idea of cooperating with "what [she] shouldn't allow for the sake of justice" while at the same time, not denying her involvement with them. All the things she does are a means to an end.

Pandora Wilson: Does that mean you will cooperate with what you shouldn't allow for the sake of "justice"? Dikke: Fie. Pandora Wilson: Is that supposed to be a secret? Dikke: It sounds like we are talking about a conspiracy, yet it is but a means.

As for Dikke's own relationship with justice and her personal views outside of all the historical references used to create her character, I think this voiceline she has pretty much sums things up nicely.

Everything I doth… is so I may enjoy this calm wind on nights like this, rather than hear the sorrowful cries and moans of unhappiness.

She's a character that is strict in her ways and doesn't shy away from the darker aspects of life, such as the injustice arcanists have been subjected to for centuries. This extreme focus she has for upholding justice does cause Dikke to appear cold, and yet her ideals are almost childish, pure even - a world in which all misdeeds are punished and all good people are heard. Hell, her Ultimate literally purifies all negative statuses.

Dikke could easily lean towards righteous characters who exclusively see things as black or white, yet many of her voicelines and the origin of her devotion, show a very gentle heart. This is made clear by the fact that she's a healer.

Her two attacks and their names speak volumes about her own ways of thinking. Power is violent, power is not something that a judge should have so carelessly, but it is allowed in the name of "justice". Justice in quotations.

And then, actual justice is a rare occurrence, being merciful is not something that rules and the law take into account, but it's needed for those who cannot defend themselves.

On the subject of Dikke's backstory.

There's no resolution to this point, it just came up randomly while writing the previous one, because it just hit me that Dikke's Cover profile does not list where she was born. And that got me thinking about the fact that before settling down, she traveled all around Europe.

First of all, the Roman Catholic Diocese of Pamiers is an extremely specific location - one that has ties to the Inquisition, as a very important document regarding the Inquisition's procedures during a very specific trial was found there, as far as I know with my surface level research into history references. This document also talked about how, within this trial, the inquisitor and the bishop had "almost equal responsibility".

We can assume that this is the place where Dikke became bishop officially, if this was her final destination.

This starts to fall within headcanon territory, since it's mostly speculation, but I feel that the 02 Story takes place before she becomes bishop and settles in Pamiers - as a member of the inquisiton, she must've traveled all over Europe to do her job.

There might also be something related to the name mentioned, "Murville", but I don't have time nor the brain to start connecting the dots with actual french history. All in all, I like to think that Dikke was given the position of bishop as an attempt to distance her from, you know, killing every single corrupt person in a position of power by keeping her in a single place.

None of her voicelines give away anything about her life prior her entire journey of justice, as far as I can tell.

If we take Dikke's ties with Joan of Arc, maybe she was a common girl roped into things beyond her control. But I personally don't like the interpretation of Dikke's ideals being born from divine intervention instead of her own experiences, seeing the crimes committed against arcanists and realizing that she would like to do something about it.

Another option I'd like to explore about her background - maybe Dikke did have a relatively safe and normal childhood, away from the stigma and persecution. A nice, gentle life that she willingly gave up after she was confronted with the reality of the state of the world, without Jean of Arc's holy realization. To me, there needs to be an emphasis on Dikke's choice and decision to fight corruption. Making this dedication a result of "God told me to do this" would render her a little shallow - not to say religion cannot be part of her character, but in my opinion, Dikke is best when the focus of her moral compass is a genuinely care for the weak and the defenseless.

On the subject of Dikke and the loss of humanity.

Yes, that's THREE characters in a row that I analyze and that have themes of loss of humanity. There's just so many characters who've lost or given up their own humanity for the sake of something greater or something wicked.

Pavia's was a result of how he was mistreated and as a way to reclaim power, Forget Me Not's was a self-imposed torture originating from his inability to take responsibility. Dikke's seems to be self-imposed as well, but unlike the previous two, her loss of humanity is more of a sacrifice she makes for the greater good.

In her voicelines, we see that she leads a very strict schedule - she's straightforward and curt (but never impolite!) with Vertin, alluding to how simple justice is (if one commits a crime or abuses power, they shall be dealt with regardless of their social status) and how her body is "a representation of justice". Dikke has become a symbol for an idea, the concept of a fair system - she is no longer an individual but a savior, an executioner, a violent ghost, a witch, a threat, etc etc.

The loss of humanity is obvious in the way we do not get to know Dikke outside of any themes regarding justice. It's extremely hard to gleam any information about her childhood, her family, her interests and so on because they've all been displaced by this identity as justice itself. To me, this speaks about how power and responsibility on this scale will inevitably separate you from the people, THIS is the Sword of Damocles, now applied to Dikke as much as it applies to those in line for her judgement.

And yet, there are still very small hints of humanity left within her (still related, in a way, to her goals) in her care for the weak. Dikke's quote on her hobbies in a way reminds me of Sonetto.

The idle chatter of the people is entertaining, but 'tis more entertaining that they are always the first to know about the corrupt behavior of nobles.

Sonetto is a character that is similar to Dikke, in the sense that they both became the embodiment of concepts that ultimately stripped them off their individuality. Sonetto by fulfilling her training at the Foundation and becoming the PERFECT example of a military dog, a child martyr who struggles to connect with others because she was only taught how to exist FOR the Foundation. And Dikke, by all the things mentioned before.

But both of them have very endearing hobbies. Sonetto reads newspapers and collects them to find TYPOS IN THEM. Dikke's hobby is to listen to people talk as they go on about their day, not gossiping but to just listen to people exist.

In the main story, Sonetto's upbringing causes her to have a barrier with the people she truly wants to connect to (Vertin, namely) and Dikke's goal causes her life to revolve around a single thing, now only able to engage in mundane things from an outsider's perspective. She listens to people, she doesn't talk to them. She protects people, she doesn't live among them.

I like to think that, even so, this is when Dikke is most at peace. That she enjoys people watching, knowing they're safe and sound - because it validates all her efforts, it means that what she's doing is, in the end, worth it. This might also be why Dikke tells Vertin that they might be on the same path - Vertin, slowly figuring out the truth behind the Foundation and Manus Vindictae and acting as a saviour for those stuck in the middle.

As for headcanons, here's a couple I have!

Dikke has such a dry and deadpan sense of humour that only Vertin can understand it.

Sometimes, very rarely, Dikke will chime in with the most outlandish reply - straight out of the blue, spoken in the most serious and monotone voice. Those who aren't close to her will most likely brush it off as yet another intimidating thing they can't understand about her, but those close to her like Vertin?

It's THE funniest shit in the world and Dikke, who is very aware of the image and respect she commands, knows it.

Dikke and the artifact that follows her are friends.

Quite literally, that thing is the hand of justice. I like to think that Dikke can communicate with it non-verbally, even though it's implied that the artifact is not created by her arcanum.

Part of me likes to think that Dikke insists on said artifact being just her partner in her long journey of bringing justice to the world, but due to all the years spent together and all, the artifact itself (and whatever entity that shows up in her Ultimate) have come to see Dikke as their protégé.

#reverse 1999 #reverse: 1999 #reverse 1999 headcanons #reverse 1999 dikke #dikke #yes im flexing my 100% bond with her in that screenshot #i only have 3 characters at max bond and its pavia zima and dikke LMFAO

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