#doe eyed girl

[sf-renard]

tha deadly silly dude gives me strong Siberia/Alaska/Finland vibes since 2022 🤷🏿‍♀️

[oshiawaseni]

Izuku said Kacchan never received any valentines in elementary and middle school. Izuku observed Kacchan open his locker and watch how nothing fell out or was inside his desk every single year. Izuku has always kept his eyes on him, so every Valentine’s Day, Izuku knew Kacchan did not receive any chocolates or love letters from girls, even friendship chocolates because Katsuki doesn’t mix well with women, period. Izuku can so confidently speak for Kacchan, that as far as he’s aware (I mean… he can’t take his attention off him for two seconds - Kacchan.exe is always running in the background of Izuku’s mind), Kacchan has never received a.single.thing which means that Izuku has always been watching over him, listening in to his conversations should he ever mention it. Izu-

[diaryofaprettyprincess]

.・。.・゜✭・.・✫・゜・。.

[ymmyglitz]

So.. when is an older woman gonna come up to me and pursue me

[bakedcrossaintt]

who asked for Fantasy AU Beta ?? Nobody? Well i drew her anyways!! I have no lore for her so far so feel free to write ur ideas and headcanons for Beta in a magical fantasy AU in the comment :3

[satosktty]

modern au where instead of a frat boy satoru is a weird offputting loser who so happens to be pretty....

staring at people w literal bug eyes and jumping into conversations and making it about a video game he found or a flower he decided looked cool, in his own world half of the time.. literally the manic pixie dream girl ( just autistic and fun )

+ sukuna being the his roommate constantly subjected to hearing about mythology and religious teachings satoru studied up on that week and hyper aware that satoru is actively trying to get sukuna to ascend to higher planes of existence through mummification

satoru would also wear only white gothic clothing and be stuck doing DIY's ( because he's better at making clothes that he likes for himself than companies and he sews so well ) and maybe makes something for him and sukuna to match

[mercuryspit]

this is for an extremely niche audience and the niche audience is me

[confused-book-noises]

I’ve never in my life known a casting as perfectly perfect as Ravi Singh

[foreshvdowing]

do you like the blue pops in my hair or

[stubz]

Darn spider monkey

"Tag! Your it!"

"...can we play something else?" huffs Tuk, her tail swishing back and forth in boredom.

"You don't like tag?" asks Marl scurrying back to their large blue friend.

"I do but we always play it! How about a new game?" The na'vi smiles as she sets her little friend on her shoulder.

"Hmmm...I can't think of anything."

"...neither can I."

"Put your foot in for grounders!" shouts one of their teachers in a nearby clearing.

"...grounders?"

"Grounders."

.

"So for those who don't know what grounders is, like Tuk and Marl, it's basically tag but the person who is it closes their eyes when on the...well not on the ground since we don't have a playground here." Explains Max.

"If the person who is it isn't on the ground and shouts grounders then whoever is on the ground is it. Now, if you're climbing high you can keep your eyes open until in a safe spot. But if your peeking to cheat then you have to go back onto the ground, that's called broken dishes."

"Why is called broken dishes?"

"...I have no idea. Anywho! If your tagged but really don't wanna be it then me or Kim will be it instead. Right Kim?"

"I prefer to be the hunter rather then the hunted."

"Got it? Okay! Game starts in 5...4..."

The younglings scattered. Some went straight for higher ground so as to have the advantage of sight while others focused on putting as much distance between them and the human male. Tuk and Marl obviously went for the high ground.

Being as it they were on her home planet, Tuk had a clear advantage in growing up in these very forests, she knew all the best ways to climb and scale these massive trees. Marl while being very small was still a ursa, creatures that typically spend the first 3 years of their life in the treetops. The two friends easily made it up 15 feet of the ground in two bounding leaps.

"This'll be so easy."

"Right? We just have to stay up here and we'll never be caught!"

..

"...this is kinda boring now." huffs Tuk. For 10 minutes they've stayed in the same spot watching their teachers chase the other younglings.

they haven't been ignored but were too far off the ground to be reached. The trunk was too smooth and the branches were too high for the humans. After multiple attempts by Max he gave up and focused on the other younglings.

"I find it entertaining! Go Pollix! GO! He's right behind you!" Marl cheered as the tighalax weaved through trees trying to lose the human. With a burst of speed he dropped down onto all fours and ran under a tunnel of roots.

"Yeah! Too bad mister Max!" the human ran even faster but this time to the right, away from the root tunnel. Tuk raised her brow as she watched him run up to a nearby tree and quickly begin climbing up.

"...Pollix get out of there! He's gonna-!"

"GROUNDERS! Got ya Pollix!"

"Darn it!" growled the cub from tunnel.

"Okay I guess it is entertaining." Tuk smiled.

...

By the 20 minute mark more than half the younglings were tired and sitting in the shade with Max. Tuk and Marl still in their spot. Kim and a few others on the ground running around.

"...wanna change spots?"

"Sure, how about that sunny spot over there?"

"Looks good."

"...wait. They're planning something."

"Who?"

"Kim and Piper." Marl pointed and true enough the adult was whispering something to the child while occasionally glancing towards them...while leaving just the smallest bit of space between them. When the girl smiled and nodded Kim grinned as well and together sprinted towards the tree they were on.

But rather than try and climb it as they had thought they would do, Kim turned and squatted against the tree.

Knee, shoulder, then waiting for Kim to stand, and finally using the adults palms as the final step Piper jumped and grabbed the lowest vine.

Piper was now it.

Piper was now scaling the tree like a prolemuris. The human youngling turned and swung her body in ways that the older humans couldn't and thus helped her go higher and higher.

"...We should start climbing."

"Way ahead of you!"

....

Together the humans managed to tag Tuk as she was a larger target than Marl.

With Kim's help Piper could reach the lowest vine or branch and from there she was set. granted she was not as fast as them but she had knocked down vines for others to climb so as to tag Tuk and Marl, the only two haven't been it yet!

A tragedy that must be corrected!!

The trees were no longer safe for the na'vi or ursa nor were the ground as that was the adult's domain.

While Tuk was bigger than the adult and therefore could outpace her she hadn't realized how committed human adults are to games. Even if it was children's game.

Deliberately Kim would go after Marl, the slower of the two, and make a show of almost catching them. Tuk, not wanting her friend to be it would always try to reach Marl first and carry them away. An abrupt stop would be Tuk's only warning before the human turned towards her and lunged.

If that didn't work then she would use the smallest youngling's affections to her advantage. Thrice she had ordered Anwred and Tarlak to hug her legs thus slowing her down.

"...I'm done..."

"Me too..."

"You guys did good, miss Kim hardly ever uses Piper in grounders." smiles Pollix.

"How does she do that? I mean, Spider, my human friend, can do that too but he grew up doing that. So how does Piper do it?"

"Apparently she has other teachers that taught her how to that and is just one of those humans whose better at climbing than others."

"Yeah! She used to climb miss Kim and mister Max all the time! Right onto their shoulders!" chirped Xw.

"She's a little spider monkey alright." said Kim walking over with said spider monkey clinging onto her back smiling rather proudly.

"...darn spider monkey." muttered Marl while Tuk laughed.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[hyperfixatedwhor3]

No, because block me if you compare Focalors and Furina to each other and somehow come to the conclusion that Focalors is an adult while Furina is a child. First of all, they look exactly the same with the difference being that Focalors has longer hair and Furina dresses in a style that people see as childish. "Oh, but it's because Focalors acts more mature" the only time we ever see Focalors was after she spent hundreds of years coming to terms with the fact that she was going to sacrifice herself to save the people of Fontaine, of course she was calmer than Furina who's always on the verge of a mental breakdown having to put on a constant act to fool celestia otherwise everyone dies

[seriousbrat]

let sirius (and james) be mean

Obviously in SWM both James and Sirius are atrocious towards Snape but I think it's pretty revealing how mean they also are to their best friends, especially Peter:

And while I think James possibly grew out of his mean girl phase to some extent Sirius didn't, at least not fully. To be fair he's usually not outright rude unless he dislikes someone-- mostly, he's dismissive or impatient especially when someone says something he perceives as stupid, as well as being overall insensitive to the feelings of others.

In the prequel they're both fairly insensitive and rude to two terrified Muggles lol, I mean who cares and it's funny but there are examples of Sirius being something of a mean girl later on as an adult. obviously, the famous one:

and yeah you can defend this by saying he was stuck in grimmauld place and frustrated, bla bla bla, I do get it and I still love him and don't think it makes him a terrible person or godfather but objectively this is an incredibly mean thing to say to Harry.

Other somewhat minor instances that nevertheless paint a wide picture:

OotP (I'm leaving out his interactions with Kreacher bc those are self evident)

-------

-------

he's also kind of dismissive towards Harry's feelings at certain points. A good example of this is the stiff "one-armed hug" and gruff goodbye he gives him when they leave for Hogwarts after christmas, or this earlier conversation:

Also, how he talks about Regulus. obviously it's somewhat justified since Sirius believes him to have just been a Death Eater, but he specifically calls Regulus stupid rather than just saying he was a bad person. This is interesting because it can be inferred that Regulus was not stupid at all, given that he figured out the secret of the Horcruxes. imo Sirius was too dismissive of his brother to actually know who he really was.

(and bonus him being snippy with Harry)

GoF

like this is probably true but it's still rude lol, as is this from OotP which has definite mean girl vibes:

next:

so this on its own doesn't seem especially mean but it does come after Sirius has basically dismissed every single thing that Ron has said lol, even raising his hand at one point to shut him up. It's not the worst but imo does indicate his impatience with "stupidity" which we also see in SWM:

and James has this too:

imo this shared feeling of superiority and mutual delight in their own intelligence were big factors in his closeness with james.

ALL THIS TO SAY, Sirius was mean lol ESPECIALLY as a teen. my rude scorpio child. So I think when writing teen Sirius it's an important part of his characterisation (and James's) for him not only to be rude/disdainful to people he hates but also just generally. It's also why it's extra ridiculous that he's portrayed as dumb in fanon seeing as he's very often dismissive and judgmental to those he perceives as being of lesser intelligence.

And this isn't a criticism of Sirius at all, I love him and tbh his mean streak is one of the things that make him so fun to write for me. He's a beloved character and I understand the desire to paint him in a positive light, but he wasn't perfect. As others have said the friendship between the Marauders wasn't something idyllic and aspirational, it's a warning story to Harry. Furthermore, kindness towards Kreacher being something that helps them find the Horcrux is also a lesson for Harry.

Sirius's insensitivity to the feelings of others was what got him killed, his insensitivity and disdain for peter led in part to James and Lily's deaths too. it doesn't make him a terrible person, just a flawed one.

[floweringdawn]

༊*·˚

[delightiq]

Do you want children? Do you wanna marry me? Do you wanna run marathons at long beach by the sea?

[ohlittlearchie]

i have an ex who really hated shauna shipman, and, when i started yellowjackets, she essentially put it in my head that i would too, so i convinced myself that i did from the very first episode. we broke up last year in august, but it took me all the way until yesterday to realize i Don’t hate her. she’s one of the most interesting and well-written characters on tv, and she’s complex, and yeah, even though she threw her own wrongdoings back in jackie’s face at what was essentially just the perfect time to do so because doomcoming had just bonded her with the rest of the team, it’s not like she could’ve possibly known that it was going to snow, or that jackie wouldn’t just come back inside when it was quite literally life or death and her stubbornness had the potential to turn fatal. she’s just an envious teenage girl who doesn’t know how to handle her own emotions :(