#dodge ram mechanic
Explore tagged Tumblr posts
Text
Tips To Identify Dodge RAM Engine Failure from Certified Mechanics in Kingsland
Dodge RAM is a very popular pickup truck known for its raw power which is provided by the technologically advanced engine under the hood of the truck. However, like other pickups, the engine of your Dodge RAM can also encounter issues with its functioning over the years leading to various problems while driving.
There are various signs exhibited by your Dodge RAM when the engine is encountering issues & you need to pick out those subtle symptoms. In this article, we will discuss the symptoms that indicate engine failure in Dodge RAM shared with us by certified mechanics in Kingsland, GA.
Unusual Sounds
Now, drivers of Dodge RAM would be familiar with the roaring sound made by their pickup when they press the gas pedal for acceleration. However, when you are driving with a bad engine under the hood, you are going to come across knocking & pinging sounds coming from the engine bay signifying serious issues with your pickup truck.
When you hear pinging & knocking noise coming from the engine of your RAM then it might be caused by damaged timing chain, worn-out bearings, or the engine oil level being too low in the vehicle. Besides that, knocking noise from your engine can also be caused due to carbon buildup or malfunctioning spark plugs that need to be replaced.
At times, drivers continue to drive their Dodge RAM even though they get to hear these noises on a continuous basis and this can create additional trouble for you in the form of serious damages to the crankshaft & piston rods of your pickup truck and that is why it is important to take immediate steps to address the problem rather than ignoring it.
Engine Overheating
While driving if you notice that the temperature gauge is rising and the needle is in the red zone then it signals that the engine is overheating in your Dodge RAM which is a serious issue. There are various underlying issues that can cause the engine of your pickup truck to overheat when driving.
The issues in your RAM might range from a failing thermostat to a faulty water pump and malfunctioning radiator which are the root causes behind an overheating engine. Now, issues with any of these components cause disruptions in the flow of coolant to the engine of your Dodge RAM leading to abnormal rise in engine temperature.
If you happen to face overheating issues in your Dodge RAM then you must immediately get in touch with a certified mechanic to diagnose the source of the problem and take remedial steps because overheating can affect the engine block or cylinder head leading to inflated repair bills.
Engine Performance Decreases
The Dodge RAM is known for its performance and any deviation from that is definitely going to catch your attention. If you notice a sudden drop in the performance of your pickup like slow acceleration, problem in starting, and decreased power output then it indicates towards malfunctioning engine.
The drastic drop in the performance of your engine can be caused by several factors ranging from failing fuel pumps to clogged fuel injectors and issues with the ignition system of your pickup truck. In addition to that, worn-out piston rings and a bad oxygen sensor can also cause the performance to decrease in your Dodge RAM.
The issues with the internal components linked to the engine of your truck adversely affect the air-fuel mixture in your vehicle leading to the drastic drop in the performance of your Dodge RAM.
Illuminated Check Engine Light
There are a host of warning lights located on the dashboard of your pickup truck and the check engine light is one such prominent light. If you come across an illuminating check engine light on the dashboard of your pickup then it indicates that something is wrong with the engine of your Dodge RAM.
Most of the time it is seen that the illumination of the check engine light is caused due to issues with the ignition system, bad piston rings, or failing oxygen sensors. You must get in touch with a certified mechanic to help inspect your truck with the help of advanced tools & rectify the issues affecting the engine.
Finally
The above-discussed factors are some of the symptoms associated with engine failure in your Dodge RAM and you must never ignore these signs because if left unaddressed it can lead to serious problems. Contact a professional mechanic to get the engine of your Dodge RAM fixed.
0 notes
Text
Explore the intricate web of transmission issues plaguing Dodge RAM vehicles. Delve into causes such as faulty sensors, fluid deficiencies, and control module glitches. Discover a comprehensive investigation revealing the suspects behind the system's malfunctions in this in-depth exposé.
0 notes
Video
youtube
Looking for an auto shop that cares about your time, has great service, and a good price? Give us a try at Hawkes Outdoors in #SanAntonio #Texas 210-251-2882. #repairs for #everyone
#youtube#autoshop#mechanic#repairs#bumper#grill#winch#outdoors#ram#dodge#adventure#travel#explore#hawkes outdoors#sanantonio#austin#dallas#houston#boerne#stoneoak#bulverde#texas#seguin#newbraunfels
1 note
·
View note
Text
#Chrysler#Jeep#Dodge#RAM#transmissionrepair#autorepair#carrepair#carmaintenance#vehiclemaintenance#carproblems#cartrouble#automotiverepair#mechanic#carcare#autoindustry#carlifestyle#carphotography#carcommunity#carspotting#carfans#cargram#caraddicts#carobsessed#carscene#carculture#carswithoutlimits#Criswell Chrysler Dodge Jeep Ram of Woodstock
0 notes
Text
You've probably not heard of the Stockholm Divorce. It's a new thing, only innovated in the last couple years. Conventional court-based divorces are messy, expensive affairs, where both parties often attempt to cause the maximum amount of damage to each other. Things don't have to be this way, and the next generation of divorce attorneys has found a better method.
Initiating the Stockholm Divorce is simple, and it should be obvious once it's been explained. Ninety-five percent of marriages start to suffer serious problems after a trip to Ikea. The reason why is simple. Assembling cheap, particle-board furniture with your spouse is bound to drive a wedge into any slight schism or disagreement you may have with them. Many successful couples simply just don't do it together, breeding resentment when it turns out that the "handy" dude you married just operates a Dodge Ram and doesn't actually own a screwdriver.
Where the genius of this divorce comes is that it starts one step earlier, well before the Ikea assembly causes a cascade of emotional chaos. Ikea's stores are notoriously maze-like, so what you can do is take your partner to a corner of the store, tell them you're going to go grab something and will be "right back," then just walk out and get in the car. You'll be back to singles life immediately, and your formerly-significant other will be stuck wandering the store for all eternity, wondering if you did in fact leave them behind or just are also looking for them at the same time, maybe in rugs or lighting or something. Don't worry, they won't starve. There's a restaurant.
Is it cruel? Somewhat, but like in many other cases, the cruelty is offset by novelty. Already, Ikeas across this great nation are filling up with divorced folks, which means it's a good place to go to meet new folks. And it's been fantastic for the stockholders: a new study shows that for every 15 minutes someone is forced to wander the store, wondering if they will ever see the face of their loved ones again, they buy approximately $17 in goods. This new mechanism has been so profitable, in fact, that the corporate bigwigs have decided that all the stores will now be open 24 hours a day, so as to encourage more frenzied, anxiety-laden purchasing as the customers gradually come to terms with the end of their relationship.
666 notes
·
View notes
Text
the last bit of us (chapter one)
Plot: Tyler Owens hasnât been home in a year. Heâs survived all the storm chasing and motel living with his new partners as they try to save lives. But with all the damage theyâve taken from driving high beams first into monster storms, itâs time to pay the piper and bring the truck in for repairs. And the only person who can fix them is the best mechanical engineer heâs ever met. Eleanor Harding, his estranged wife.
Pairing: Tyler Owens x Estranged Wife OC (Harding Daughter)
Word Count: 2441
Playlist Song: Snap by Rosa Linn
A/N: This is a hefty intro to Eleanor but really wanted to establish her before we get angsty!
prologue / one / two / three
______________________________________________________________
The sky was still dark when my alarm clock went off. My hand slides along the mattress, slapping the snooze button. It canât be time already. Thereâs no way. I snuggle deeper into the mattress and peel one eye open to squint at the cracked window. The big moon is lower in the horizon but the sun hasnât made its known yet.Â
My phone starts to go off, across the room atop my bureau. âFuck.âÂ
I try to get the kink out of my neck when I get up. The wooden floorboards of the farmhouse creak as I shuffle past the bureau into the bathroom and shut off the alarm. The bulbs above the mirror are too bright and I have to shut my eyes for a minute to adjust. I wash my face, toss my hair into a quick braid and pull up the weather app on my phone before heading downstairs.Â
The coffeemaker in the kitchen is ancient but after a few taps and fiddling with the cord of the plug, it starts to gurgle. Itâs a satisfying sound. While it brews, I check the living room through the archway for Carter. Heâs still curled up under a small crocheted blanket on her couch where I left him last night. Heâs too tall and most of his calves dangle over the arm of the couch.Â
âCarter, time to get up,â I call and pull my thermostat off the drying rack to fill with fresh coffee. He doesnât move. I sigh and look down at my watch. The long spider web of cracks in the glass doesnât distract from the face. Itâs 3:19 AM. We gotta get on the road. The wind chimes are loud out on the porch. The rain should be starting soon.Â
âCarter,â I say again. I walk through the archway and grab the closest thing I can find and chuck the pillow at his face.Â
Carter startles immediately, shouting âIâm up,â in the process. He grabs for his glasses, dropped onto the coffee table.Â
âNo you werenât,â I say, stepping back into the kitchen to fill his thermostat. âWe gotta go, the storm should be rolling in any time now and Birdie will murder us if weâre late.â When I turn to look at him, heâs sliding his rain boots back on.Â
âIâm so sorry, I forgot. I thought you were Birdieâs boss,â he says, hand on his chest to fey surprise.Â
âItâs too early for your sarcasm. Câmon.â The entryway into the house is cluttered with a few pairs of boots and sneakers, my raincoat and denim jacket along with a variety of hats hanging from the hooks. I stare at the wooden loveseat under the coat hooks while sliding on my boots. I can only see the bottom half of the painted heart on the backing.Â
âEl, anytime you want to get moving,â Carter says, slinging his backpack over his shoulder.Â
I blink a little, standing up and grabbing my own backpack. âFuck you.âÂ
The farmhouse sits out in the middle of an open field in Guthrie, Oklahoma. The barn doors shudder a little from the wind and I can see my dadâs red beat up Dodge Ram on the lawn. I smile a little, pushing the screen door open. It squeals as I unlock the door to my truck and slide in. The engine stutters a little when it comes to life and we whip out onto the road.Â
âDid you sleep at all last night?â he asks me, taking a sip of his coffee. A bump in the road causes the truck to jump and a little splatters on him. âAh jeez.â He tries to wipe at it and I canât help but chuckle.Â
âNot really,â I shake my head. I reach for the radio, turning the dial so I can hear the morning station. Thereâs a new Luke Combs song playing and I tap my fingers a little to the beat. âToo much on the brain with this project.âÂ
âI donât know if youâre aware El but you always have too much on the brain,â he says.
âWell someone has to do work on this team,â I joke, smirking at him.Â
Itâs not a lie. Ever since Charlie and I had gotten our first big contract with FEMA, I had been in nonstop work mode. Throwing myself into each project a little deeper than the last. It was probably worrisome how much time I spent at the warehouse, elbow deep in some new tech but I couldnât help myself. It was a safe and mindless space, fixing and tinkering.Â
We drive down the long stretch of dirt through the fields and I peer up at the sky again. Thereâs a loud ringing in the cab of the truck and I glance over at Carter, peering down at his phone. âItâs Birdie,â he says. âShe says weâre late.âÂ
I grin a little, shaking my head as the warehouse comes into view. The freshly painted sign on the building reads TempestEdge Innovations. I push the button on the callbox and the military grade barrier raises to allow me to drive through. I swing around the side of the building to the open garage door. Itâs just about 3:46 AM.Â
I slide out of the truck as the door to the garage closes behind me. âYouâre late,â Birdieâs voice echoes across the warehouse.Â
âBirdie, give me a break, I had to make four repairs last night before we left,â I say, walking toward the tall blonde woman. Her hair is pulled snug up into a ballerina bun, a clipboard held to the fleece of her vest. âNot all of us go for a run a 2 AM to start our day.âÂ
She scoffs and shoves me playfully. âMaybe you should give it a try.âÂ
We grin, making our way deeper into the warehouse where all of our desks are crowded together with a few computers. Tables of spare parts, design blueprints and drawings and our small kitchen are scattered throughout the space. Beyond that, my engineering floor houses large models and mock ups that sit large and wide.Â
I drop my bag at my desk and smile at the photo frame on the corner. Itâs from graduation at OSU. Weâre all making funny faces at the camera, hugging each other tightly. I tap on my keyboard to wake the screen, noticing my phone buzzing in my pocket. I ignore it and look up, âHowâs everyone doing this morning?â I ask.
âMorning E,â Palmer, our Meteorologist says when she looks up over her computer screen. She gnaws on her lip, auburn brows raised. âI donât think this classifies as morning quite yet.âÂ
âI mean, dawn, maybe?â Sean says, walking up from behind me with a coffee mug in hand. Itâs white with rope lettering that spells out This ainât my first rodeo! Sean walks over to Birdie who is looking over her clipboard, comparing it to the large chalkboard we wheeled over to her corner of the office. Sheâs talking to herself as he kisses her head on the way to his desk.Â
âDawn is defined by a sun rising in the sky,â Carter remarks, tapping away on his computer. âDefinitely not dawn yet.âÂ
Weâre interrupted by Charlie, stepping into the office space with her phone pressed to her ear. âAlright, yes. I can definitely get out there next week. Thank you so much, have a wonderful day,â Charlie says. She smiles at everyone. âAlright team, letâs get this test going.âÂ
Everyone slides up from their desk chairs, grabs their tablets and walkies and heads to the back of the warehouse. We slide on our swanky mesh neon vests, easily identifiable out in the storm. Sean slides the back door open and we step out onto the ramp. The rain has started and itâs coming down sideways, like a thick curtain across the landscape. A few hundred feet from the warehouse, a row of buildings line up on either side.Â
âAlright, we all remember safety procedures?â Birdie asks, looking over her clipboard. Thereâs a chorus of noise and Birdie grumbles. âCâmon people, weâre all about to bunker separately for the tornado. Do we all remember safety procedures?âÂ
âBirdie, weâve done these bunkering tests a few times now, câmon,â I say.Â
With our current contact, we started trying to build new infrastructures on different buildings to withstand a tornado in the hopes to help families and businesses not fall into a pit of financial burden from having to rebuild. It was the biggest project yet and took us nearly six months just to build the fake town with different materials and different methods. The only way to collect data around the structural integrity of the buildings was to bunker into each of the different variations.
Palmer had tracked cells moving toward the area and we were certain an EF2 was heading straight for us. Which was a perfect opportunity to split up again and see how well the buildings held up. It would be our third test trial. Itâs not the smartest move but growing up with two crazy famous storm chasers? Kind of breeds crazy.Â
The winds start to pick up and I look up at the debris and dust kicking up in the air. âAlright guys, letâs head out,â I say, turning on my radio. We take off in different directions, saying goodbyes and waving each other off through the harsh winds. While Charlie stays safe inside the warehouse, Birdie takes to the gas station, Sean the grocery store. Palmer heads to the farm house tucked behind everything and Carter yells âStay safeâ as he turns into the doctorâs office. I head the furthest down the road to the bar & grille.Â
I look up the doors behind me, moving to the safety corner where all the monitors are. I slide into my space and settle in, logging into our tracking system on the tablet to type in my notes. I can barely hear the wind outside and pull my walkie talkie from my waist. âAlright, I am settled and am clear. See you guys on the other side.âÂ
I wait, anxiously tapping my foot as I watch the footage off the street for the incoming destruction. But ten minutes passed with no noise whatsoever. I glance up and toward the door, confused. I tap the storm tracker, noticing the pattern of movement for the storm diminishing. I click the button of the walkie with my thumb. âP, am I reading right that the storm choked itself out? Over,â I say, watching the monitor again.Â
âThe winds are dying down, I think it missed us,â Palmer calls back.
âLetâs hold for another five minutes to be cautious,â Birdieâs voice crackles. But five minutes pass with no movement. Birdie calls that weâre clear and I head out of the building. The sun is starting to rise, illuminating the fields with a golden glow as if there hadnât been 40 to 60 mile an hour winds and rain only a little while ago.Â
âWe woke up at the ass crack of dawn for this?â Carter groans.Â
âNot dawn,â Palmer corrects, walking in step with us back to the warehouse. Birdie wraps her arm around Seanâs waist as they step ahead of us.Â
âThe conditions seemed perfect,â Birdie says, shrugging. âAll we can really hope for.âÂ
The door slides open to the warehouse to reveal Charlie. Sheâs got this fixed look on her face as if she just stepped in dog shit. âWeâll get the next one Charlie, no need to fuss. They know that we canât control the conditions of the storms,â I point to the sky and pat her on the shoulder.Â
âThatâs not what soured my mood,â she says. She crosses her arms over her chest and huffs.Â
My eyebrows knit together in confusion as the team steps passed us, back to our desks. âWhat is it?â
âSomeoneâs out at the gate,â she says, nodding to the opposite end of the warehouse. âSomeoneâs here? No one comes here.â
âOh, if only,â Charlie says. She turns on her heel, heading to the door on the other side of the building. I rack my brain for people who know the warehouse. We had some rich investors who would stop by trying to buy us out, our clients and FEMA reps that would come our way to see new tech and some family but, Mom and Dad wouldâve called me before showing up. Curiosity kills the team and I hear their chairs scrap against the floor. Loud footsteps follow us as Charlie shoves the door open with a knowing look.
I step around her and peer out at the gated entrance to see a suped up red Dodge rumbling idle. The engine turns off after a moment and the driver side door swings open. I see his cowboy boots before I see him. Heâs wearing a stupid flannel and his stupid backwards baseball cap. Tyler. He takes off his sunglasses, expression is hard to read. Heâs not showing his normally beaming pearl whites that I caught a few times while passing Carterâs viewing of their YouTube videos. His face is stiff, uncomfortable as he rests his hands on his hips. What takes me by surprise is the young woman who steps out of the passenger side.Â
I donât notice my feet are moving until I realize how far away Birdieâs âSon of a bitchâ is. I donât even realize how fast Iâm moving or how close Tyler is. âWhat the hell are you doing here?â I ask when Iâm close enough that I could throw a rock if I wanted to. And I wanted to.Â
He looks down, trying to collect his thoughts. I can see the gears turning in his brain, trying to figure out what to say to me. He rubs at his jaw, nearly smiling and leaning up against the door of the truck. His eyes sparkled a little. âHi El.â Bold to go with charm.Â
âThatâs all you have to say? Hi El?â I cross my arms across my chest, staring him down. Heâs insane.
Tyler purses his lips, gaze softening as he takes me in. He turns to look at the woman, now having moved in front of the hood of the car. âKate,â his drawl is still thick with an enthusiasm that canât be rivaled. âMeet Eleanor. Eleanor Owens.âÂ
âI prefer to go by Harding these days,â I retort.Â
âOwensâŠyou meanâ,â the woman â Kate â stutters a little.Â
âWife,â I state, turning to look at her. âHe means wife.â
Thank you for reading! Want to be added to the tagged list or share feedback? Click here :)
#twisters#tyler owens#tyler owens imagine#tyler owens imagines#tyler owens x reader#tyler owens x oc#twisters movie#twisters 2024#the last bit of us fic
155 notes
·
View notes
Text
Hummingbird: Chapter Four
Miguel O'Hara x Reader
What if the Earth-1610 (Milesâs universe) version of Miguelâs wife was actually Milesâs AP Art teacher?
Masterlist
Warnings: Violence and injuries
Seven months later
This shit was getting old.
One of Doc Ocâs tentacles rammed into Miguelâs side, tossing him against a wall and leaving a crack in the concrete. She smiled in satisfaction, oblivious to the spider-venom blaster heâd stuck to the underside of the mechanical arm. With a quick chirp and blast of energy the arm was blown off. It landed with a pitiful twitch on the ground as electricity sparked through its circuitry.
âLetâs go!â Hobie whooped, slamming his fingers down the guitar strings with so much force Miguel was surprised they didnât snap in two.Â
Doc Oc screamed, blown backward by an eclectic spray of pink and purple newsprint.Â
Three arms down, five more to go⊠or so they thought.Â
New arms sprouted from their old stumps, flailing around for a brief moment before they shot out towards Hobie.Â
He barely dodged the series of blows.
âIs that hammer space, bruv?!âÂ
Joder.
Hobie lept around the barren stage, launching battered amplifiers slathered in a dozen layers of stickers towards her. A stray limb punched through the drumset as Hobie spun out of the way.Â
He gasped. The amps they could replace, but no one fucked with his instruments.
âIs it time to call for backup?â Lyla asked Miguel as Hobie gripped the neck of his guitar (the battle-safe one of course) and swung at Doc Ocâs head.
âDo not call for backup!â Miguel growled in annoyance.Â
He could handle this.
âYeah, I didnât even ask you to come, mate!â Hobie yelled over the sound of Doc Oc sailing over the empty mosh pit and crashing into the guard rails. âI ainât part of no band.â
âYou literally just finished a concert three hours ago!âÂ
âThat got nothing to do with you.â
Miguel groaned, ready to bash his head into the wrecked drum kit.Â
No puedo mĂĄs. No puedo mĂĄs. He found himself thinking that a lot lately.
But as much as Hobie and Miguel liked to pretend they hated each other, they made a good team out in the field. They swung from the ceiling lights, electric blue and pink lights showering down on them in that crazed, photomontage way that tinged every part of Hobieâs world. It was enough to give Miguel a headache.Â
The worst part about the multiverse is that there was no telling what kinds of powers and modifications existed out there. For example, Miguel didnât know a Doc Oc existed that had lasers shoot out of their tentacles.
âI feel like itâs time to call for backup.â Lyla repeated, casually watching from the safety of her AI existence as Miguelâs webs were split in two and he took a sickening punch to the jaw. He shook his head, blinking away the dots in front of his eyes as he took a moment to rest in the comfort of his rubble sofa.
âDo not call Jess. Sheâs on maternity leave.â
âI wasnât talking about Jess.â Lyla grinned mischeviously.Â
Miguel narrowed his eyes, âNo. Absolutely not.â
It was too soon, far too soon for him to drag you into a fight like this.Â
âCALL FOR BACKUP!â Hobie cried out from the confines of Doc Ocâs tentacles, squirming around and trying to use his head spikes to free himself.
âYou werenât saying that earlier!â
âTHATâS THE TOXIC MASCULINITY TALKING! YOU GOT TO BE COMFORTABLE WITH CHANGING YOUR OPINION AND ADMITTING YOUR FAU-â
A portal opened up stage left.Â
Miles swung out first, black and red suit standing out like an ink stain.
âÂĄÂżAlguien pidiĂł ayuda?!â Miguel could hear his smug smile through the mask.
âYou already called him!?â Miguel scowled and hopped onto his feet, sprinting to join the fight as Miles landed his first punch against Doc Oc.Â
Relief flooded his system. He thought that-
âI actually called her.â Lyla said, pointing a finger with a grin.
Miguelâs heart skipped a beat.
You stepped through the portal, adjusted the gloves on your newly designed suit and teleported yourself onto Doc Ocâs back, casually blinking away any tentacles that got too close.Â
You were absolutely buzzing with excitement. Nevermind that you were currently blinking across spacetime to avoid the lazers that left behind scorched scars on the grass. This was your first real mission outside of occasionally helping Miles with his friendly neighborhood Spider-Man duties. And in Hobieâs dimension no less! Ever since youâd seen his unique color palette and design youâd been itching to see his world for yourself. Maybe you and Miles could take an impromptu field trip to the nearest museum afterwards.
âLyla said you didnât want to call me.â You said, happy with the way his eyes slightly widened beneath his mask. He coughed to clear his throat.
âYouâre supposed to be at work.â Miguel said, tearing into Doc Ocâs tentacles with his forearm blades, âI didnât want to bother you.â
âItâs summer break.âÂ
âYou said you were teaching summer classes.âÂ
âI am! Only five kids are enrolled and he,â You tilted your head towards Miles, who waved back before he tore off an arm, "was the only one who could come to the Met field trip. Which you so rudely interrupted by the way.â The smile in your voice exposed the fact that you were quite ok with the interruption.
Miguel rolled his eyes half-heartedly, hoping you didnât notice his restrained smile. âLetâs just get the job done.â
And you did.Â
Fighting a flesh-and-blood supervillain was a far cry from the simulations youâd fought at Spidey HQ where the only injury you could sustain was a blow to your pride when Lyla flashed the battle stats on the screen. Your training also didnât account for the absolute chaos of working with a team. You nearly got in the way of one of Milesâs spider venom blasts and accidentally teleported onto Hobieâs back, throwing him off his rhythm long enough for a punch from Doc Oc to send you both crashing. Miguel had nearly lost his mind after that.
But after walking away from the fight with only a bruised jaw, cut upper arm, and a very disgruntled Doc Oc in tow, you were going to call your first real superhero outing a success.
âSorry about earlier,â you said, extending a hand out to Hobie from where he groaned on the ground. He grabbed your arm and rolled onto his feet, shaking the dust off his jacket.
âEh, itâs part of the learning.â He straightened his coat and reattached one of the pins heâd tucked safely away in his pocket, âNot bad for a first anomaly though.â
âHmmmm, are we counting Spot?â
âNo.â
âDamn.â
A shadow fell over your shoulder and you smirked, turning around on your heels to come face to face with Miguel. The fight was over, but somehow Miguel looked even more tense and irrate than before. Behind his back you saw Doc Oc yell and punch at the orange walls of her prison.Â
âAre you here to say good job?â You teased.
âAre you hurt?â He asked, voice tight.
Hobie brushed past you, âIâm good, cheers.â he said, patting Miguel on the shoulder before heading over to where Miles stared in awe at the anomaly. You felt more than saw Miguel roll his eyes.
âI wasnât asking you.âÂ
âI know.âÂ
Hobieâs reply widened your smile. There was something glorious about seeing Miguel lose his cool. Normally you tried to get him to smile or laugh, but sometimes annoyance was an easier emotion to muster from him. It reminded you that beneath all that hard-won armour was a man just trying his best.
âIâm fine, Miguel.â You said.Â
He gently tugged at the bottom of your mask and you took the hint, pulling it off entirely. Miguelâs frown deepened as he gently tucked a finger beneath your chin and turned your face to the side, eyes narrowed in on your swollen jaw. You tried not to blush under his watchful gaze. It really wasnât a terrible injury, and with your enhanced healing it would fade within a day, but it stll felt like a gut punch to Miguel.
You were used to this kind of attention from him. The first two months after joining the Spider Society had been a pool of uncertainty that youâd flapped around in with little control - youâd been uncertain about your powers, the multiverse and your place in it, and your relationship with Miguel⊠especially your relationship with Miguel.Â
His aloofness was only matched by his sincerity and once youâd forgiven him for what heâd done to Miles, you found him easy to like. His grouchiness and sarcasm pulled smiles from you as easily as water from a spring, and it didnât escape anyoneâs notice that you were the only one who could make him laugh and crack through his walls. But there was always that itch in the back of your mind that told you he only cared because you looked like his wife, not because youâd both grown to know and care for each other.Â
You tried not to think about it too often.Â
It made moments like these harder to handle.
âNada que no pueda manejar.â You said softly, pulling his hand away and towards the anomaly, âNow come on. This anomaly isnât just going to hop dimensions on its own.âÂ
Miguel opened his mouth as if to say something, but ultimately relented, allowing you to lead him to where Hobie and Miles bent their heads towards one another, shooting jokes back and forth as easily as their webs.
Margo portaled in to help Miguel take Doc Oc to Earth-928 and you watched their retreating backs disappear with a blink before Hobie turned towards you and Miles, rubbing his hands together and pulling you both into his side.
âNow! Whoâs ready to see some real art?â
______
âI canât believe all the museums in your dimension are Koons-themed.â Miles said, slouching in his seat and looking positively disappointed.
âWhyâd you think I took you to the back alleys, mate. Real artâs cheap.â
âSay that to my bank account after a trip to Blick.â You muttered, biting into your empanada with a groan of satisfaction.
You sat cross-legged on top of the bench, watching Margoâs cyber body split into two as the Go Home Machine whirred to life. Its metal claws clicked together, sounding like the chirping of birds as it spun its web around Doc Oc as she watched with no small amount of curiosity.
âYou think you could ever do that?â Hobie asked, leaning against your shoulder and slinging his arm around you casually.Â
You raised your eyebrow, âWhat, forcefully send a living person back to their home dimension?â
He shrugged nonchalantly.
âYou try interdimensional travel without your fancy watch and tell me how easy it is.â You said with a grin, poking at his side until he squirmed away with a chuckle. You took the opportunity to steal a french fry from him.
âAlright, alright, stop. I think you could do it.â
The four of you watched as the Go Home Machine finished its kaleidoscopic work. Miguel always had a clinical view of the work he did and the machines he created. Whenever it was traveling to another world, or encountering a new being (Spider-Person or otherwise) the last thing on his mind was beauty or a fascination with the ways things were. Thatâs where you two differed the most. So while Miguel hardly ever stayed around to watch the Go Home Machine run its science-magic, you always craned your neck to catch glimpses of the worlds beyond Earth-928.
âI better check in with Miguel.â You said, hopping off the table once Doc Oc was safely back in her home universe.
Hobie, Miles, and Margo all shot each other a knowing look before you could notice.Â
Now that school was out for the summer you found yourself spending more and more time on Earth-928, and after six months of training you could walk to Miguelâs lair from any part of the building with a blindfold on. The first few weeks you hadnât been able to suppress the slight unease at entering the dark room where many of the captured anomalies would sneer at you like you were a meal to be hunted.
Now⊠not so much.
âYouâre still here, Norm?â You asked, catching sight of the familiar gentleman who shrugged and smiled. He sat comfortably on the floor, purple hood and goggles abandoned beside him to expose his weathered face.
âStill here,â He repeated, âI suppose Iâm not as high a priority to send home now that Iâm not, you know, evil anymore.â He sighed, âI just canât believe my luck. I leave an alternate universe and not even a year later Iâm sucked into another one!â He chuckled.
âIâll talk to Spider-Man about it.âÂ
âPeter?!â His eyes brightened at the possibility.
âUmmmâŠno. Sorry.âÂ
He nodded, shoulders deflating every so slightly, âThanks anyway Spider-â
âY/sh/n, actually.â Miles and Gwen had helped you come up with it.
âWell, thank you Y/sh/n.â He said and waved you on before he could steal more of your time.
âI told you itâs dangerous to talk to the anomalies.â Miguel said, eyes still trained on the screens as you blinked next to him. One day youâd manage to sneak up on him, but today was not that day.Â
You frowned when you saw he was still wearing his mask.Â
âWell youâre talking to me right now, arenât you?â You said, bumping his shoulder with your own before climbing onto the empty space on his desk he subtly reserved for you.
Miguel stiffened and his fingers froze over the keys. It had taken you months to fully forgive him for all the terrible things heâd said and done to Miles - the things he may have said to you if you didnât have his wifeâs face⊠if you were just a regular anomaly.
âThatâs not what I-.âÂ
âYou also said Earth-199999âs Peter Parker took care of the Green Goblin. I think weâre fine.âÂ
He nodded and sighed. His eyes were killing him right now and even the faint flicking of the red-orange lights from the screens felt like blows to his skull.Â
âHe wants to go home.â You said and saw his eyes flicker to the anomaly on the screen, red and tired.
âI know. Heâs scheduled to be sent back tonight. I promise.âÂ
You nodded with satisfaction and snapped your fingers, a pair of sunglasses blinking into the palm of your hand, âYou should take a break. Youâve been working non-stop for over two days now.â
âIâve got work to do.â
âThe multiverse is not going to shatter because you take a thirty-minute lunch break, Miguel.âÂ
He eyed you warily and shook his head, fingers flying across the touchpad like they were racing to win gold.Â
He always did this. He always worked himself to the bone until you would find him red-eyed and slumped over the tabletop for one of his thirty-minute âpower-naps.âÂ
âLyla.â You called out. The woman appeared perched on your shoulders.
âYou rang?â
âCan you please tell Miguel that the multiverse isnât going to collapse before he does?âÂ
âOoooh you said please. I like you.â Miguel muttered a few choice words under his breath, âThe multiverse is holding steady. Iâll alert you if anything changes at all.â Lyla winked at you and disappeared.Â
âRealmente necesito cambiar su cĂłdigo.â Miguel grumbled.
âÂĄNi se te ocurra!â
Miguel tightened his lips but said nothing. You slid over to sit in front of him and pushed against his chest until he finally relented and sat down in the chair. He didnât want to admit this, but the only reason he agreed to sit down was because heâd fractured two ribs in the fight, and you pressing against his chest hurt like a bitch.
âDid you really come all this way just to get me to rest?â
âObviously.â You tossed the sunglasses into his lap along with the extra empanada youâd been carrying around the last half-hour. You hoped it was still warm, but then again, if it werenât for you he probably wouldnât have remembered to eat at all.Â
The corner of his mouth tilted up. âGracias.âÂ
âSolo cĂĄllate y come. Lo juro, es como si estuviera tratando de mantener viva una planta de interior. Una planta de interior muy obstinada.â
He tilted his head down, hiding his face as his mask disappeared.Â
You held your breath, reaching out instinctively to hold his face in between your hands. Color rushed into his cheeks, emphasizing the dark, purple bruise that crawled its way up from his jawline to his cheek bone, the flesh around it swollen and warm when you carefully traced it with your finger. The bridge of his nose was similarly bruised, the strong slope of his nose tilted ever so slightly to the left.Â
Miguel also stopped breathing, the pain hardly registering as he felt your eyes against his skin as physical and real as your hands.
You became all too aware of the closeness, the way he was looking at you. A familiar and malicious voice scratched the back of your mind - What are you to him? Who are you to him? Who is he really thinking about when he looks at you like that?
You let go of his face, your heart sinking in your chest.
âÂżQuĂ© te sucediĂł?â You murmured. His brown-red eyes were wide and soft.
He cleared his throat, disappointment gathering in his chest when you withdrew your hands, âI guess I should have called for backup sooner.âÂ
âWhere else are you hurt?â
âIâm not-â
âWhere else are you hurt? Y no te atrevas a mentirme.âÂ
Miguel melted under your fiery gaze. You werenât one to show your anger - teaching teenagers had strengthened your patience - but Miguel had a special way of pushing your buttons, whether he knew it or not.Â
âI may or may not have cracked a rib⊠or two.âÂ
âMiguel!âÂ
âIâll heal!âÂ
âEstĂșpido, bastardo terco.â You muttered under your breath with no small measure of affection.
You reached over and gently pressed on his stomach, hearing him hiss in pain. He grabbed your arm to get you to stop, shame coloring his bruised cheek.
âIâll be ok. I promise.â He whispered when you leaned down from your seat to inspect his jaw again. Any longer under your watchful gaze and he might just combust.
âI know youâll be ok. I justâŠâ Your lips tightened. âI donât like to see you hurt.â
Youâd been in this situation before with Miguel a few times. It always ended with him promising to take better care of himself, holding to that promise for a few weeks, and then falling back into old, self-destructive habits. The others said he had gotten better about taking care of himself ever since youâd come into the picture, but you found that hard to believe.Â
âI donât like to see you hurt either.â He admitted, gently rubbing up and down your forearms. He eyed the tear in your suit, and the clean white bandage that peeked through.Â
Who is he really thinking of?
You told that voice to shut up.
âSo you can imagine how worried I get when I see you like this.âÂ
Miguel sighed, running his hands through his hair and mussing up the curls. He could imagine it all too well. Every time you left for your own dimension a knot of worry would sink in his chest like a boulder dropped into a lake, and it wouldnât dissipate until the next time he saw you safe and whole. He flinched at the very thought of you sporting bruises and cracked bones like the ones he had - the scars he bore after years on the job.
âWhat would you have me do?â He asked, âI canât just give this up.âÂ
âIâm not- No one is asking you to. I know you need to do this. But you donât have to do it alone. You know any of the other Spider-People would be more than happy to help monitor things in the Spider-Verse.âÂ
âOne - itâs the Arachnoid Humanoid Poly-Multiverse. And two - the other Spider-People arenât like me. They canât do what I do.â
âYouâre right, theyâre a hell of a lot funnierâ He scoffed, setting his jaw in a scowl that had pain flaring up the left side of his face. âAnd they donât go around punching teenagers.â
âThat was one time!âÂ
Your lips turned in a downward smile, trying to suppress your laughter at the indignant expression on his face. The scowl on his face slowly but surely loosened, twisting into a barely concealed smile.
âStop doing that.â He muttered.
âDoing what?â You asked innocently.
âGetting me to smile and laugh. It hurts my ribs.âÂ
âAll the more reason to get some rest, Miguel.â You said, ruffling his hair and gleaming with satisfaction when he finally allowed himself to smile. You plucked the sunglasses from his lap and placed them on his face, careful not to upset his healing nose.
How was it possible that he hated and loved the way you said his name so much? He knew you cared for him. The first two months had been tense and filled with questions of what you were to one another - A mistake? A bad memory? Husband and wife? It had been a time when every touch, glance, and hidden smile had been given with a measure of uncertainty and restraint.
Miguel didnât feel that way anymore. When you messed up his hair and forced his hidden smile out into the open he just saw you. Not some version of his wife. Not someone heâd barely known. Not someone heâd lost.Â
Just you.
âIf I promise to take the night off to sleep and let Ben and LEGO Peter take care of it, would that satisfy you?âÂ
You hummed in thought, âHow many hours of sleep are we talking about?âÂ
âFour.âÂ
âSeven.â You countered.
âFive.âÂ
âDeal.â You stuck out your hand, a wide grin on your face that Miguel matched when he shook your hand.
âWhat would I do without you?â He asked sarcastically.
You scoffed, âShrivel up and die, probably.âÂ
<- Previous chapter Next chapter ->
_________
Author's note: Here's Chapter Four! Y/n is feeling some insecurity about her relationship with Miguel... I wonder if that will come up again in the next chapter đ...........
As always, please let me know your thoughts! Hope you enjoy :)
Taglist: @geraskier-thots @howabouticallyou @sweetheartlizzie07 @dont-mind-me27 @omg-edzia-stuff @sarcastically-defensive17 @trouble-sistar @saltyluminaryvoid @lunablue001 @sadslasher13 @yas-v @thel0v3hashira143 @trishuh8 @vague-flying-shape @tiana76 @dinuxia-bhm @mxtokko @devilsrose666@natbratty @zettoaizawa-shusband @dorck26 @notasadgirlipromise @niyanispunk @thecraziestcrayon @athenxt @imnotyourbcbe @jannajuju @lunamoonbby @elle-19 @aces148 @sseleniaa @elaineiswithyou-blog @summerli-u @rattlethemskulls @sunseekerlove @bubbabobabubbles @loonalockley @aleombre @littlelilies@07-bilin @nerdalicios @insanely-creative-things @enby-rising @nataliahemsworth @coralineyouareinterribledanger @louderfortheback @damnzelsoul @enheduannasposts @bontensbabygirl @mynameiswilliamblake
#miguel o'hara#miguel o'hara x reader#miguel o'hara x y/n#atsv x reader#miguel x reader#Miguel spiderman#miguel o'hara x wife reader#atsv x y/n#atsv miguel#hobie brown#spider gwen#gwen stacy#miles morales
368 notes
·
View notes
Text
The Two Most Iconic Wheel Standers of All Time.
Hurst Hemi Under Glass
Hurst Hemi Under Glass is the name given to a series of exhibition drag racing cars campaigned by Hurst Performance between 1965 and 1970 across North America and ended with the '68 model year.
Each wheelstander was based on the current Plymouth Barracuda for the corresponding model year. The car was so named because the fuel injected Chrysler Hemi engine was placed under the Barracuda's exceptionally large rear window. The result of the rearward weight transfer was a "wheelie" down the length of the drag strip.
The Hemi Under Glass was developed by Hurst Corporation to showcase their products in the A/FX class - precursor to funny cars. In 1965, George Hurst hired Wild Bill Shrewsberry of Mansfield, OH, an accomplished drag racer who had raced for both Mickey Thompson and Jack Chrisman. After helping to pioneer it into the first wheelstanding exhibition car, Shrewsberry left at the end of the season to pursue his own project.
For the 1966 season, Bob Riggle, who was also from Mansfield, OH and was involved with Hurst as a mechanic and fabricator became the second driver of the Hurst Hemi Under Glass car and campaigned the cars with Hurst as the sponsor until later years when the Hurst Company was sold to Sunbeam. At that point, the car ran without the Hurst logo and was simply known as the "Hemi Under Glass." Riggle's career ended in 1975 with a devastating accident at US 30 Dragway in Gary, Indiana.
Popular model kits of the car were produced in 1/32 scale by Aurora Plastics Corporation and in 1/25 scale by Model Products Corporation. A limited edition 1/18 scale diecast model of the 1966 car is currently available from Highway 61.[1]
Riggle returned to exhibition racing in 1992 with a 1966 injected version of the car and a 1968 supercharged version of the car.[2]Â The original 1965 car was stripped for its power train and parts in 1967 for the new Barracuda chassis/body style and no longer exists.[3][4]
While taping the June 26, 2016 episode of Jay Leno's Garage, Riggle, with Leno riding in the passenger seat, rolled a newly constructed '69 version of the Hemi Under Glass after turning sharply at the end of a wheelie run. Neither of the men were hurt, but the car sustained significant damage.[5] Leno was riding along to fulfill another item on his 'Bucket List.'
July, 2016, Mike Mantel of New Braunfels, TX was named as the new driver of the Hemi Under Glass. Mantel took over the '68 car which has the longest performing history of any Hemi Under Glass ever constructed and becomes the third official driver in the brand's 50+ year history.[6] Mantel was only 6 years old when the Hemi Under Glass first took to the track. He has a wide range of driving experience from drag cars, road race, and movie cars. Mantel's original hometown is the city of Hawthorne, CA.
Billy Lawrence Golden (December 31, 1933 â September 14, 2015),[1] nicknamed "Maverick", was an American drag racer. He is probably best known for driving the Little Red Wagon A/FX wheelstander pickup exhibition racer.
Little Red Wagon
Born in Shawnee Township, Illinois, Golden joined the US Marines and first became interested in drag racing while at Camp Pendleton.
Golden was given his "Maverick" nickname in the late 1950s by an announcer at a Southern California dragstrip, because he chose to drive an unconventional 361 cu in (5,920 cc)-powered Dodge Custom Royal. He started racing in AHRA Super Stock, driving Dodges for several years. He was one of the first drivers in AHRA S/S to successfully run an automatic transmission. In 1960, Chrysler offered to provide him parts, when he was driving a Dodge Phoenix, powered by a 330 hp (250 kW) 330 cu in (5.4 L) with twin Carter carburetors and cross-ram intake manifold; the car was capable of quarter-mile times of 13.7 seconds.
By 1962, he was a factory driver, driving an S/SA Dodge. At the 1962 AHRA Winternationals, driving his bright yellow hemi "Taxi Cab" Dodge 330, he scored a "stunning" victory over "Dyno Don" Nicholson's 409 cu in (6,700 cc) factory Chevrolet at Fontana Drag City, to take the Stock Eliminator title, Chrysler's only Nationals win for 1962.
In 1963, Golden worked with Jim Nelson of Dragmasters to improve the car, and won seven Super Stock races out of eight events, taking the Midwest Championship.
At the end of the 1964 season, Chrysler proposed Golden drive the Little Red Wagon A/FX pickup. which became drag racing's first wheelstanding truck.
Little Red Wagon's first outing, at the AHRA Grand American event at Lions Drag Strip, was an 11 second pass at 120 mph (190 km/h). The crowd's very enthusiastic reaction prompted Golden to turn the A/FX truck into a wheelstanding exhibition racer, which he developed a steering mechanism for himself, relying on experience from his day job at Douglas Aircraft Corporation. The wheelstander was wrecked in 1969, 1971, and 1975; the third crash was nearly fatal to Golden.
Golden retired in 2003. He died on September 14, 2015.[3]
#Little Red Wagon#Hurst Hemi Under Glass#car#cars#muscle car#american muscle#mopar#moparperformance#moparnation#moparworld#dodge
68 notes
·
View notes
Text
Passenger / Chapter 6
Pairing:Â Trucker!Din Djarin AU x OFC Charlie Wanderlust
Wyoming (Part Three)
[ Previous Chapter ][ Series Masterlist ]
Chapter Summary: Charlie strikes a deal with the mechanic.
Rating:Â Explicit (18+ only)
Word Count:Â 7.3k+
Content / Warnings:Â yearning, slow burn, horny thoughts, food mention, eating, handcuffs, one bed, shower, dog grogu, guns
Notes:Â None really. Hope you like it, thank you for reading!
A bell chimes when Din pushes open the door to Giddyup Auto, and again when he lets it swing shut behind you.Â
Itâs just as cluttered inside the shop as it is outside. Pornographic magazines have been stacked alongside NAPA catalogs and tattered notepads on top of tool boxes. Promotional branding from popular auto parts manufacturers patch the steel walls, occasionally broken up by snarky signs that read things like KWITCHERBITCHIN AVE and I CAN FIX ANYTHING EXCEPT STUPID.Â
Country music crackles from blown speakers at the back of the shop, echoing off the tall ceiling. The rough, strained sound blends horribly with a high-pitched whir coming from beneath a 1989 Dodge Ram 250.Â
Din inhales the scent of motor oil and metal shavings. Adolescent nostalgia wells up in his chest like pride, some vague understanding of what it means to be a man. The responsibility of maintenance. Caretaking and custodianship.Â
He catches a glimpse of his adoptive father wringing his hands with an oil-soaked rag while rattling off the basic components of an internal combustion engine. Then he blinks it away.
Out of the corner of his eye, you adjust your grip on the wriggling dog, slipping one hand beneath his bottom and the other across his chest. Grogu huffs at the intrusion, but once heâs steadied to a higher vantage point, he seems pleased. His ears stand at attention, jowls sealed shut, the tip of his snout twitching with curiosity.Â
Both you and the dog look around the garage with the same kind of wide-eyed wonder. Two explorers ready to investigate this whole new world. Din leads the way deeper into the automotive bay, following the shrill grinding sound to the old rusted-out truck.Â
When he comes to a halt, so does the noise, then Paul slides out from under the truck on a creeper.Â
âHey there! Sorry, I didnât hear yâall come in,â he gestures to the impact wrench in his hand as he sets it down.Â
âHi, Paul,â you greet him with a cheerful smile.
Rising to his feet, he beams, âMiss Charlie, howâre you today?âÂ
The twinkle in his bright eyes makes Din feel uneasy. Strands of gray streak his dark beard and pepper his slicked-back hair. Hard-earned wrinkles crease his face. Heâs twice your age at least, and Din canât quite determine whether his intentions are cordial or flirtatious.Â
Either way, you hardly seem to mind. You perk up at the attention, taking a step towards him as you reply, âCanât complain. Yourself?âÂ
âOh, just fine. Annie get yâall set up at the motel?âÂ
âShe sure did. It was nice to sleep in a bed for once, yâknow, after being on the road for so long. Thank you for recommending it to us.âÂ
ââCourse. Yellow Seedâs been treatinâ you alright?âÂ
âYeah! We got to poke around a little yesterday. Went and got supper at the Outlaw Saloon, which was good,â you glance at Din and chuckle a little, âThe locals didnât seem too keen on us. Got a few dirty looks, but thatâs not surprising.âÂ
Paul laughs at this, crossing his arms as he leans back against the truck, âWell, you know, we small town folks donât always like outsiders.âÂ
âIâm used to it,â you shrug dismissively, then your face lights up, âBut, hey, I talked to the owner and theyâre gonna let me play a couple sets tomorrow night if you wanna swing by.â
âNo shit?â Paul grins and catches himself, âPardon my languageââ
âItâs fine,â you wave it off.Â
âPlayinâ a few sets at the Outlaw Saloon,â Paul repeats, shaking his head with amusement, âWhat kinda music you play?âÂ
âI know a little bit of everything. These kinds of gigs, I try to feel out the crowd. I catch a country music kinda vibe around here, so probably some Hank Williams Jr, Alan Jackson, Johnny Cash. Stuff like that,â you tilt your head at him, âGot any requests?â
âKnow any Waylon Jennings?âÂ
âSure, I have a few of his tunes up my sleeve. Any particular song?â
âSurprise me,â he winks.Â
Din tries to retain his stoic demeanor despite the discomfort writhing beneath his skin. The dog must pick up on this, because he whines at his owner and starts to squirm in your grip.Â
Struggling with Groguâs protest, you ask Paul, âIs it ok if I set him down?â
âGo on ahead, darlinâ,â Paul tells you, then turns to Din, âHow about you? Settling in ok?âÂ
âHow much will it cost to fix?âÂ
Paul raises his eyebrows and pushes off the truck, âRight down to brass tacks, huh?âÂ
âHeâs not much of a talker,â you smirk as you set the dog on the cement floor and start roaming around the shop, leash in hand.Â
âI can respect that.â His gaze lingers on your wandering form for a moment longer before he looks at Din and sighs, âWell, I had some luck calling around to a few junkyards lookinâ for salvaged or used parts. Found a good price for what I need. With that ânâ labor, itâll run you twenty-five hundred, long as everything goes smoothly.âÂ
Din weighs the cost against his bank account, factoring in the motel room, gas to get to the next job, and food for a few days. It would run him dry. His stomach tightens and twists. Before he can formulate a response, you chime in.Â
âIs there any way we can knock that price down?âÂ
Paul crosses his arms across his chest and gives you a sympathetic shrug, âWay it stands, âfraid I canât.âÂ
You nod as you consider this, furrowing your brow at the floor, then look up at him, âWhat if we make a trade?âÂ
âA trade?â Paul frowns.Â
âYeah, or, you know. Some kind of a deal. We scratch your back, you scratch ours.âÂ
Paulâs blue eyes flick between you and Din, âWhaâd you have in mind, sweetheart?â
Dinâs first instinct is to shut down the conversation. But when you glance at him as if searching for approval, he doesnât protest. You turn back to Paul and nod over your shoulder, âI noticed your sign out front is pretty faded. I could paint it if you knock a couple hundred off?âÂ
Paul shifts his weight to one leg and wrinkles his nose. Not sold. You donât let it deter you.Â
âIâve done murals before, so this would be a piece of cake. It looks pretty shabby now, but I can make it,â you smack your lips, âpop. Maybe itâd bring in some more business for you.âÂ
Shaking his head, he smirks at Din, âSheâs persistent, ainât she?â
âShe is.âÂ
âI am,â you confirm with a wide, toothy grin, âWhaddaya say? I do the sign, take off $500?â
Paul works his jaw from side to side, then slackens and sticks out his hand, âFive hundred.âÂ
âPlus the cost of supplies,â you add.Â
âPlus theââ he cuts himself off with an amused chuckle, âYouâre somethinâ else. Fine. Five hundred plus costs.âÂ
When you shake his hand, a victorious, blinding smile spreads across your face. The corner of Dinâs mouth turns up at the sight. He fails to correct his expression as you take a step back and glance at him. His heart skips in that brief moment where his eyes meet yours, before you drop your gaze to your feet and tuck a lock of hair behind your ear. Blush rises to your cheeks and neck, rosy splotches that bloom soft and full in his chest.Â
âWhaddaya think, should $100 do it?â Paul asks.Â
âI think we can make that work,â you nod, âDo you have paint brushes or rollers? Sandpaper?âÂ
âReckon I do. Hang tight, Iâll get yâall some cash, ok?âÂ
Once heâs out of earshot, Din studies you, wondering out loud, âWhy are you helping me?âÂ
âRule number ten: Be a stand up tramp,â you shrug, crouching down to scratch Grogu between his ears, âPlus, I donât know, it just seems like⊠the right thing to do.âÂ
Your answer perplexes him. He canât come up with a response other than, âThank you.âÂ
âYouâre welcome,â you grin up at him, then rise to your feet and change the subject, âIâm hungry. We should get lunch. And maybe get some groceries, too, so weâer, you donât have to spend as much on eating out.âÂ
The authority with which you suggest this causes him to chafe. He wants to push back for no reason other than to reclaim the upper hand. Your reasoning is sound, though. Itâs not a bad idea.Â
âWe can do that.âÂ
âYeah?âÂ
He nods.Â
Your gaze lingers on him for a moment, lips curving into a delicate smile. Something flutters in his stomach, frantic and timid, urging him to put up a wall between you. But he keeps his eyes anchored to yours despite his internal warning bells.Â
The tight wire of tension slackens as Paul returns, counting a stack of wrinkled bills, âHere you go.âÂ
You step forward to accept the cash, âPerfect. Thank you, Paul.âÂ
âAre yâall gonna be able to carry everything back here, or do you wanna borrow my truck? Might be a little easier that way.âÂ
âReally?â you grin and knit your brows together into a gracious expression, âWe were thinking of grabbing lunch and getting some groceries, too. Would that be ok?âÂ
âFine by me, just bring it back in one piece,â Paul answers, fishing a set of keys from his jumpsuit pocket and handing them to you, âFord F-150 out front.â
âThank you, Paul. Iâwe really appreciate it,â you tell him, then look at Din and raise your eyebrows expectantly.Â
âYes, thank you,â Din nods in agreement.Â
âDonât mention it,â Paul says, then ambles back to the old rusted-out Dodge, whistling along to some old country song.Â
Keeping pace at his side as he starts towards the exit, you jangle the keys and ask, âDo you want me to drive?â
âDream on, kid,â he scoffs, holding his hand out.Â
âWorth a shot,â you grin and place them in his palm.Â
âWould it be too predictable to put a horse on the sign?â you ask, frowning at your rough outline, âI feel like there are a lot of places out here that lean into the western motif, so it might be overdone. But the place is literally called Giddyup Auto, soâŠâÂ
When Din doesnât respond, you glance up and canât quite tell if heâs looking at you or something in your general direction.Â
Stupid goddamn aviators.Â
âYou know, itâs considered polite to take off your hat and sunglasses when you go indoors.âÂ
Again, nothing.Â
âOff in lala-landâ if youâve ever seen it.Â
You blink at him a few times to no reaction, then raise your voice, âDid you hear me?âÂ
This seems to do the trick.Â
Itâs difficult to explain how you know his eyes are on you when they are. Maybe the microscopic tilt of his head or the twitch of his eyebrows. Mostly though, you would say that his attention carries a force. One minute youâre sitting there wondering if heâs looking at you and thenâbam! It hits you. Absolute certainty. Â
Anyway, he looks at you and asks, âWhat?âÂ
âWhy do you insist on wearing your Unabomber costume all the time?âÂ
He frowns and shakes his head like he doesnât understand.Â
âYou know, becauseâOh for cripesâ sake, nevermind,â you scoff and sit up in your seat, turning your notebook to face him, âHere. Tell me what you think.âÂ
He looks down at your notebook and pulls it closer. As he quietly studies the sketches, discomfort twists your skin raw. Imagining all the criticisms lingering at the tip of his tongue, you canât stop yourself from speaking preemptively.Â
âThe first one is pretty boring, but I think the font adds a little flair. Iâd blend shades of orange for the background to make it stand out and white for the text.â You prop your chin up on the heel of your palm and lean forward, pointing to the second option, âI like the covered wagon as a concept, but it would take me a long time and Iâm not sure if it fits the vibe since wagons are kinda slow. The horse is fast, obviously,â you tap the third sketch and shrug, âBut, like I said when you so rudely ignored me, the western motif is sort of tired in this neck of the woods.âÂ
Nodding, he comments, âThey look⊠nice.âÂ
Such a way with words.Â
You stare at him for a moment, waiting for additional input to no avail. Raising your eyebrows, you release a big sigh and fold your legs up into the booth, ââNice.â Ok, sure. Well, let me ask you this: Which one is your favorite?âÂ
After a few seconds of contemplation, he taps the bucking bronco silhouetted over a mountain range, then pushes the notebook back across the table.Â
âWhy that one?âÂ
He shrugs, âItâs called Giddyup Auto.âÂ
Instead of pointing out that you said the same thing earlier, you mutter, âSure is, big guy,â and flip your notebook to a blank page, then start jotting down a shopping list, âWe should get something for the pup while weâre out. I feel bad for leaving him behind.âÂ
You wrinkle your nose at his silence, looking up to confirm that once again, he has drifted away.Â
Curiosity gets the best of you. You follow his line of sight, craning your neck over your shoulder to see the waitress approaching with a serving tray. Din straightens when she sets a plate in front of him.Â
âOk, we have a breakfast platter number two,â she sets another plate in front of you, âAnd french toast with fruit.â Tucking the tray under her arm, she smiles between you and him, âAnything else I can get for you guys?âÂ
âWeâre fine, thank you,â Din tells her, a small smile gracing his lips.Â
She nods before turning to go, dragging his attention along with her. You watch him watch her, studying his wandering gaze. A grin spreads across your face. When he notices you staring, he immediately becomes defensive.
âWhat?âÂ
Dead giveaway.Â
Suppressing a smile, you grab a butter knife and shake your head at your plate, âNothing.âÂ
âWhat?â he asks again, this time more pointed. Â
âI didnât say anything!âÂ
He scoffs and hunches over the plate to shovel scrambled eggs into his mouth.Â
After smearing whipped butter on your french toast, you pour syrup over your plate, glancing up at him when you ask, âDo you have a crush on the waitress?âÂ
âNo.âÂ
Denial sours the word in the most obvious way.Â
Raising an eyebrow, you cut your food into bite-sized pieces as you tease, âI didnât take you for a liar, Din. But I also didnât take you for the kind of guy who has a soft spot for pretty service workers, so what do I know?âÂ
Of course, he doesnât say anything. And of course, you decide to push the conversation further.Â
âI just mean⊠If you doâyou know, like her or whateverâyou should ask her for her number. Take her on a date. See if you canât live a little while youâre holed up in this town.âÂ
âAnd what am I supposed to do with you in that scenario?âÂ
Twirling a chunk of french toast around on your fork, you shrug, âMaybe she wouldnât mind your prisoner third wheeling. Thatâs probably not a red flag, right?âÂ
âNot at all.âÂ
You snort at him and he lets a small smirk tug at the corner of his mouth. It seems to soften the atmosphere, both of you relaxing back in your seats. While chipping away at your food, you ponder a little to yourself, then out loud.Â
âSuppose your line of work, you donât go on many dates, do you?âÂ
Frowning at the strip of bacon pinched between his fingers, he tells you, âNot in the traditional sense.âÂ
âWhat does that mean?âÂ
Instead of answering the question, he pops the bacon into his mouth. When he swallows and youâre still staring at him, he shakes his head, âForget I said anything.âÂ
âCome on, Din,â you meet his flattened expression with a grin, âYou so know I wonât let this go. Might as well just spill the beans.âÂ
He crosses his arms in front of his chest and stares at you like a challenge. You narrow your eyes at him, tilting your head with equal determination.Â
ââNot in the traditional sense.â So you do have romantic or sexual experiences, but society wouldnât typically deem those experiences âdates,â right?âÂ
He says nothing.Â
âHmmm⊠interesting,â you lean your elbows on the table, studying him, âYou seem reluctant to talk about it, which indicates⊠Maybe youâre ashamed of it? Although, youâre pretty reluctant to talk about everything, so I donât know how much weight to place on that. But youâre a trucker. Transient. Donât seem like much of a âfamily manâ to me. So, what⊠youâve gotta be a hookup guy or a sex worker guy, right?âÂ
The way he squirms at the question makes your chest tingle.Â
âIt could be both, too. I feel like you would be more of an opportunist than a strategist when it comes to fucking. Am I right?âÂ
His jaw shifts from side-to-side. He glances around before leaning in, âAnd youâre much different?âÂ
âNo, not really.â
Most people would ask follow-up questions or awkwardly segue into a different subject, but not Din. He seems as content with your answer as you are with his. But where he goes back to eating, you feel a loose end rattling at the tip of your tongue and speak it into existence.Â
âI think⊠I think people like us donât lay down roots for anything less than the spectacular,â you search his face, âRight?âÂ
With his fork lifted halfway to his mouth, he pauses to look at you and nod, âThis is the way.â
Din brings the shopping cart to halt in the middle of the aisle when you stop to examine jars of preserved nut and fruit spreads lining the shelves.Â
You pull a big plastic container of generic peanut butter from the lineup and toss it into the cart, âFour dollars, twenty-nine cents.â
He jots down the price in your notebook and adds it to the running total while you wrinkle your nose at the ingredient list of strawberry preserves, then set it next to the peanut butter, âThree sixty-nine. Gotta love that food desert markup. Whatâre we at?âÂ
âTwenty seven, give or take,â he answers, crossing two items off the list.Â
âWhat else we got here?â Sidling up to him, you peek at the paper, âSnacks. Wow, ok past me, very specific.âÂ
When you start walking again, he does too, and he wonders how you can possibly smell so good without the aid of perfumes. While not a definitive scent, it inspires a sensation much like when heâs parched and sets his sights on a glass of ice water. Itâs enticing, like your very foundation radiates temptation.Â
He cannot have this. This thing in his chest, gnawing at his bones, trying to escape. It snaps at the walls when youâre nearby, which is always.Â
Maybe if he could relieve some of the pressure buckling under his skin it would quiet. But he canât, so it doesnât.Â
It begs and pleads and promises to absolve him of consequence as long as he promises to move a little bit closer, hold his hand to your back a little bit longerâjust one more second and Iâll be content. Maybe another. What if you slid your hand around her waist and pulled her body to yours? How would she react? I bet she would like it. I bet if you kissed her she would finally be speechless. Just a taste, please?Â
He comes to a stop beside you and follows your gaze to the wall of chips. Hundreds of bags in all different sizes and colors, all of them glossy in the fluorescent light.Â
âWell, big guy. Whatâs your chip of choice?â you ask without looking at him.Â
Grinding his teeth together, he shakes his head.Â
âYeah, I donât know, either. Too many of the same goddamn choices,â you step forward to narrow your eyes at a price tag, âAm I crazy or does that say five dollars?âÂ
âIt says five dollars.âÂ
âWhat the fuck, that is obscene. Do we really need chips?âÂ
âDoes anyone?âÂ
âI guess not technically,â you sigh and start wandering further down the aisle, so he follows you. âBut we donât have to be so utilitarian about it. Junk food is for the soul, not sustenance. And sometimes the soul needs something salty and crunchy, you know?â
Nodding, he comes to a stop and points to the display of microwave popcorn, âWe could get this instead.â
âSix bags for four dollars,â you raise your eyebrows, âSalty, crunchy, and cost efficient. Hell yeah, Iâm sold.â
He grabs the box of generic popcorn in question and walks it back to the cart while you meander towards the sweets. When he meets you in front of the cookies, you glance at him, âOriginal or chewy?âÂ
âOriginal.âÂ
âTen four, good buddy.â You grab the blue package of chocolate chip cookies and toss it in the basket, âDo you ever get to say that on your radio? Have a real trucker moment?âÂ
âYes.â
âAdorable,â you chuckle, catching his gaze for a moment before you look down and tuck your hair behind your ear, âAre you gonna help me with the sign today, or do you have other plans?âÂ
âWhat do you need help with?âÂ
You exhale through slack lips, then shrug, âWell, today is just prep. I have to scrape off the old paint, sand it down, and prime. It has to dry overnight, but I think Iâll be able to finish the rest tomorrow or the next day if we get up earlyâŠâ Pausing to chuckle, you shake your head, âSorry, Iâm getting ahead of myself. What I mean is, you could help me with scraping and sanding. Itâs a real bitch and would be easier with your muscle. Ifâwell, you know, only if you want to. You donât have to or anythingâŠâ
âI can do that.âÂ
Your eyebrows draw together as you search his face, âYeah?âÂ
He nods, âItâs the least I can do.âÂ
As the two of you near the checkout line, a frail woman with closely-cropped white curls shuffles from a back office to the one and only cash register.
âHow are we doing this? Splitting it?â you swing the backpack off your shoulder and start rummaging through it, âI should have some money in my wallet. Itâs not much, but it shouldââ
He holds up a hand, âIâve got it.âÂ
âYou sure?âÂ
âIâm sure.âÂ
That thing in his chest whimpers when you smile at him, big and bright and gap-toothed, sparing him a polite, âThank you,â before you start unloading the groceries onto the conveyor belt.Â
Balancing the tips of your toes on the highest ladder rung, you stretch your roller towards the unprimed stripe of sign, but canât quite reach it.Â
âGoddamnit,â you mutter, returning all fours to the ladder with a huff, then look back at Din, âHey, can I borrow your tall?â
Your question bounces off him with no reaction.Â
Between the visor of his cap and the tablet glued to his face, you canât quite tell if heâs ignoring you or if he just plain old canât hear you. All thatâs visible is his furrowed brow. So you shimmy down the ladder and set the paint roller in the tray, brushing your hands on your jeans as you approach his lawn chair, waiting for him to notice you.Â
When the brisk October air nips at your dirt-caked, sweat-soaked skin, you skip closer, tapping your foot against his calf, âHey.âÂ
He jumps as if broken out of a trance, then raises his eyebrows at you, âWhat?âÂ
âCan you help me with something?â
His mouth flattens into a straight line. He looks down at the tablet, then turns off the screen and sets it aside to look up at you.Â
âSee the top of the sign, how itâs all shitty still?â you point at the evidence, âCan you get it for me? I canât reach.âÂ
âUse the big ladder.âÂ
âI didnât think to grab it before Paul locked up for the night.âÂ
He releases a big dramatic sigh, glancing down at the tablet before rising to his feet. As he passes you the handle of the dog leash, you grin and plop down in the warmed-up lawn chair, âMy hero!âÂ
âUh-huh,â he shakes his head and starts towards the drop cloth.Â
Beneath the lawn chair, the dog wakes from his nap and tries to follow Din, huffing and puffing when the leash goes taut, then walks back to your feet and sits on your shoelaces. His big satellite ears stand at attention while his person shimmies up the ladder with a roller brush in hand.Â
The two of you sit there and watch Din with the same level of ardent attention, both perched on the edge of your respective seats, unable to tear your eyes away for a second.Â
At first you try to tell yourself that youâre not even looking at him, just mapping out the illustration youâll start tomorrow. But the truth is, itâs hard not to be drawn in by the view. By his panoramic shoulders and muscle-bound arms stretching out the fabric of his flannel as he rolls the brush up and down, back and forth, spreading thick white primer across the freshly smoothed woodâŠÂ
Despite the waning sunlight and icy gusts spilling off the mountains, heat bubbles up to the surface of your skin.Â
You know that once heâs finished, youâll go back to the motel for the rest of the night. Given the thick layer of grime you each accumulated throughout the day, showers will likely be in order. Which, of course, means stripping down to nothing while heâs in the bathroom with you. And vice versa, probably.Â
Your imagination wanders to his naked body and how it would feel against yours. What if you argued in favor of water conservation, asking him to join you in the shower? What if he agreed? How would he look at you without those sunglasses covering his eyes? How would he touch you if morals werenât involved?Â
Din climbs down off the ladder and walks over, taking off his cap to wipe the sweat from his forehead, âIs that it for today?â
He replaces the hat and takes off his aviators, cleaning the lenses with his shirt as he meets your gaze. The full force of his big brown eyes turns your saliva tacky and makes your heart stutter. He raises his eyebrows at you expectantly.Â
Fuck, did he ask you something?Â
âIs thatâ? Oh, um,â you clear your throat, then nod, âYep, that should do it. Thank you, I appreciate it.âÂ
Flicking his eyes around your face, he nods, then turns back to the drop cloth, where he starts consolidating all the painting supplies.Â
With his legs stretched out across the perimeter of the bathroomâs tile flooring, back resting against the tub, Din types âTom Boucheronâ into the search bar of a Portland-based web forum.Â
The search yields 83 matches. He starts sifting through the results, scrolling past subject lines that indicate general complaints about property management like rising rent and evictions and gentrification. Every once and a while he comes across subject lines that take on a more conspiratorial tone, though, mentioning the weight of his influence or his ties to police presence throughout the city. When he finds these posts, he clicks on the thread, copying and pasting the urls into a separate document.Â
He can delve deeper into these later, once heâs able to better focus. But right now, with the roaring cascade of the shower behind him and your enthusiastic rendition of Tiny Dancer by Elton John, this mechanical sorting is the maximum concentration he can muster.Â
Squinting at the screen, he wipes away the fog forming on his tablet. Moisture reclaims the area just as soon as it clears. He sighs and turns off the device when your vocals start ramping up to a volume he canât ignore.Â
ââBut oh how it feels so real, lying here with no one near. Only you, and you can hear meeee, when I say softlyyyy, slooowlyââ
âAre you almost done?âÂ
âYou ruined the best part.âÂ
âWeâre going to get a noise complaint.âÂ
You scoff, then he hears the thunk of you turning off the water. In his peripheries, your arm stretches out from behind the shower curtain to snatch the folded white towel off the toilet lid.Â
A few seconds later, the curtain pulls back and you announce, âIâm decent.âÂ
He climbs to his feet while you step out of the tub, one hand securing the bath towel around your body, the other grabbing his arm for balance. Once sure-footed on the pink tiles, you let go and murmur, "Sorry,â before opening the door and padding off into the motel room.Â
Grogu runs into the bathroom to investigate as Din slips out and takes a seat at the foot of the bed. He tries to anchor his vision to the floor, but finds his gaze drifting towards your movements out the corner of his eye. Humming to yourself, you comb your fingers through dripping wet hair and pull a few articles of clothing from your backpack.Â
âAre you gonna hop in too?âÂ
His eyes tick to yours as you turn around, clutching a pile of clothing to your chest.Â
âBecause, you know⊠if you need me to be in there with you or whatever, thatâs fine,â you cast your gaze to the floor with a shrug.
He studies your bashful demeanor for a moment before responding, âIâll have you sit in there with me once you get dressed.âÂ
Without looking up, you give him a nod and walk over to the bathroom. As you put on clothing, Din uses all his will power to stare at the ground.Â
âWhat do you wanna do after that? We could watch a movie.âÂ
His eyes cheat to the mirror on the wall, where he watches your reflection wrestle with a t-shirt. He catches a glimpse of your bare back before returning to the floor and clearing his throat.Â
âI thought you werenât much of a movie person.âÂ
âWell,â your footsteps soften onto the carpet, then your voice is closer, âIf you have a better idea of how to pass the time in a seedy roadside motel, Iâm open to suggestions.âÂ
He meets your heated gaze long enough for something to spark deep within his belly. The air between your body and his thickens with a palpable magnetism. His lips part to respond, but only one suggestion plays over and over again in his head. The mad yapping of that thing in his chest.Â
Before he can say or do something stupid, though, you look away and start fidgeting, âSo, Iâm dressed. Are you ready?âÂ
Swallowing his tight throat, he pushes himself to his feet and locks eyes with you, âGo sit where I just was and put your head between your knees.âÂ
âWow, youâre taking this very seriously.â Â
âLetâs just get it over with, ok?â
You roll your eyes a little, but acquiesce.Â
Din trails behind you into the bathroom, shooing the dog from the room before closing the door. When he turns around, he finds you curled up on the floor, back pressed to the tub basin with your face buried in your knees.Â
âLike this?âÂ
âPerfect. Stay like that, I wonât take long.âÂ
For some reason he expected you would stay quiet while he disrobed, but you just continue talking as if you were accompanying him on any other menial task.Â
âI think itâs funny how you have me do this whole thing so I donât see your dick, but when I need privacy, the most you give me is a turned back.âÂ
Din glances at the top of your head while unbuckling his utility belt, then turns to spread it out across the bathroom counter, âThatâs not the only reason Iâm having you do this.âÂ
âThen why?â
âAre you familiar with the concept of involuntary captivity?âÂ
While you scoff and most likely try to come up with a rebuttal, he shucks off his flannel overshirt, then unfastens his shoulder holster and lines it up on the counter below the outspread belt. His hands work without much thought as he systematically unloads all three of his pistols. Eject the magazine, count the rounds, check the chamber.
âWhat the fuck are you doing?âÂ
Ignoring the question, he moves the unloaded guns and utility belt to a high shelf over the toilet, then pulls off his undershirt.Â
âCan you at least confirm youâre not gearing up to murder me right now?âÂ
If he wanted to tear your frayed edges, he could mention that you were begging him to do exactly that less than 48 hours ago. But since youâre somehow more irritating when in a foul mood, he doesnât.Â
âIf I was going to kill you I would have already.â He turns on the shower and takes a step back to make sure youâre still covering your eyes, then takes off his pants.Â
âWould you do it if you had to?âÂ
The question gives him pause as he pulls back the shower curtain.Â
âWhy would I have to?âÂ
âI donât know, because they asked you to do it.âÂ
He frowns, âI wouldnât do it just because someone asked me to.âÂ
âYou wouldnât?âÂ
The hopeful air in your voice eats at his stomach lining. Instead of answering or clarifying what he meant, he steps into the shower.Â
âOk, but letâs say they gave you a good reason, and you were going to do it⊠kill me, I mean. How would you do it?âÂ
âIâm not going to tell you that.âÂ
âWhy not?âÂ
He shakes his head and grabs a bar of soap off the shower ledge and starts to lather it against his skin.Â
âAre you ignoring me or thinking?âÂ
âIgnoring you.âÂ
âYou know, I appreciate the honesty.â Then, after a few seconds: âI promise not to leak your trade secrets, big guy. Come on, how would you do it?â
âI donât want to talk about it.âÂ
With this, you go quiet.Â
Silence fills the bathroom for the remainder of his time in the shower, but Dinâs thoughts are as loud and intrusive as your questions.Â
His mind becomes populated with scenarios in which you would end up in the sights of his pistol. Under what circumstances would he pull the trigger?Â
He imagines you stealing from him. He imagines trying to escape. He imagines it coming down to you or the money. He even goes so far as to imagine it coming down to you or him.Â
But each time the imaginary him goes to take aim, he falters.Â
While Din tosses a bag of popcorn in the microwave, you survey the Room 10âs VHS collection.Â
âOk letâs see,â you tilt your head sideways and read the titles, âAladdin, Batman Returns, Twisterââ
âYou choose.âÂ
Beeps sound from the microwave, then it hums to life.Â
You pull Aladdin from the shelf and admire the familiar cover art. Little flakes of deteriorated plastic break off the exterior and stick to your fingertips when you trace the title. You wince and mumble an apology to the inanimate object before prying it open to pull out the tape.Â
After feeding it to the VCR, you press rewind and hold up the cover to Din, âEver seen this?â
When he takes a step closer to examine it, you note the details youâre not normally privy to. His damp curls and the heat of his pulse. Mostly, though, you become fixated on his eyes. Those devastatingly dark and warm eyes. His heavy brow and hooded lids, all the lines of age creeping out from the corners.Â
He meets your gaze and you swear you hear the snap of his full attention locking onto you when he frowns, âCanât say I have.âÂ
Somewhere far away, the popcorn starts popping. You feel yourself succumbing to his gravitational pull, subconsciously drifting towards him, and canât really remember if you had a point in mind when you asked.Â
âItâs-itâs good,â you nod, letting your eyes drift to his mouth for a moment before you shrug, âI mean, from what I remember at least. I was obsessed with it when I was a kid. It drove my grandma crazy cuz Iâd make her watch it on repeatâŠâÂ
It doesnât really register how much information youâre disclosing until his eyes get all wide and doughy, at which point you take a step away from him and tuck your hair behind your ear, âSorry, um, anyway. I liked it.âÂ
He chuckles, causing you to grin, âWhat?â
âNothing.âÂ
His face tells you itâs definitely not nothing. Itâs something if youâve ever seen it. Something so gooey and hot it makes you ache. Dangerous, thatâs what it is.Â
The VCR clicks and shifts gears, then the TV lights up with disclaimers. Taking it as a sign from above, you start back towards the bed and tease, âI totally get why you wear the sunglasses, by the way. Your eyes give everything away.âÂ
Rather than admit youâre right, Din raises an eyebrow at you, then turns around to pull the microwave open before the timer reaches zero. While you slide under the covers and prop the flimsy pillows up behind your back, he pries open the steaming hot bag of popcorn and brings it to you.Â
âThanks.â
He grunts in response and disappears into the bathroom for a few seconds, returning with the shiny metal handcuffs, âLights on or off?â
âOff.â
When the lights go out, the dog jumps onto the bed, spinning around a few times before curling up into an adorable white ball. Din tosses the cuffs to your side as he crawls into bed beside you. Once you think heâs settled in, you offer him some popcorn, which he accepts.Â
âDo I have to put them on right now?â you ask, in reference to the cuffs.Â
He frowns and shakes his head, âI can wait until youâre ready.âÂ
Nodding, you study his profile in the dim illumination from the TV. You donât even realize youâre staring at him like a full-on creep until he says, âStop giving me goo-goo eyes and watch the movie.âÂ
Embarrassment flares up your neck and cheeks. You scoff, âI am not giving you goo-goo eyes,â and wriggle deeper under the covers, diverting your gaze to the TV.Â
I will not look at him for the rest of the night, you vow. Even if he asks me to, or talks to me, I wonât look at his stupid face until the sun comes up tomorrow.Â
You almost fulfill the vow, too.Â
Well⊠almost might be an exaggeration, but you make it to the end credits and thatâs further than you really believed you could make it.Â
With the motel room all dark save for the faintest glow from the credits rolling onscreen, he asks, âAre you awake?â
You remind yourself of your promise and try to ignore him. If you say something, youâll look at him. And if you look at him, you lose.Â
âCharlie?â he nudges you.Â
Fuck.Â
âYeah,â you glance over, and of course you catch his eyes, âIs it handcuff time now?âÂ
He nods, almost apologetically.Â
âCan I use the bathroom first?â
âGo ahead.âÂ
When you exit the bathroom and turn off the light, you find the room cloaked in darkness. The only reference point you have is the red glow of 9:12 on the alarm clock. You stretch your arms in front of you and start taking cautious steps towards it. Â
âOh my god, I canât see shit.âÂ
âWant me to turn the lamp on?âÂ
âNo, Iâve got it.âÂ
Your fingertips brush up against the bedspread, then you follow the alarm clock beacon to the side table.Â
âHere.âÂ
His hand finds yours in the darkness. You grab ahold of it, trying your very hardest not to dwell on the warmth of his palm against yours as he gently guides you. When you finally settle between the sheets, he releases your hand. You almost wish he didnât.Â
âReady?âÂ
âSure.âÂ
He closes the cold heavy steel around your wrist, then his. For a while, neither of you move. Anxious energy buzzes beneath your skin. You close your eyes in an attempt to trick yourself into being tired, but it only makes you notice how fucking quiet it is.Â
Resigning from your motionless state, you start wriggling around in an attempt to get comfortable. Din is accommodating while you do this, letting his wrist ragdoll wherever you drag it. You lie facing the wall for a while, fondling the knife you have tucked under the pillow. It doesnât feel right. You flip onto your back and stare at the ceiling. Same problem.Â
Then, when you canât stand it anymoreâthe dark, the quiet, the nervesâyou roll on your side facing him.Â
âDin.âÂ
âWhat?âÂ
âI canât fall asleep.âÂ
He doesnât say anything.Â
âDin.âÂ
âWhat?â
âI said I canât fall asleep.âÂ
âI heard you the first time. What do you expect me to do about it?âÂ
You open your mouth to ask him to fuck you, but nerves rob your tongue.Â
âJust talk to me for a while.âÂ
âAbout what?â
âI dunno, whatever you want.â You tuck your cuffed hand beneath your cheek and scoot a little closer.
His silence holds the weight of contemplation, so you prompt him, âWhat would your genie wishes be?âÂ
âHang on, let me think.âÂ
A few quiet seconds go by before he clears his throat and rolls on his side to face you. The back of his cuffed hand rests against yours, which brings you a shred of comfort.Â
âFinancial security. Property rights to some land and a house, something out in the country.âÂ
âLike a farm?âÂ
âSomething like that. Self-sustainable and off the grid. Maybe get a few animals and so I could live off the land.âÂ
âThatâs the dream, right? Fuck off to the middle of nowhere and not have to rely on anyone?âÂ
âYeah, thatâs the dream.âÂ
You hum, then ask, âWhatâs wish number three?âÂ
âI⊠Iâd rather not say.âÂ
Your gut instinct is to push back, but you resist the urge and instead tell him, âThatâs fine.âÂ
âThank you.âÂ
Thereâs enough sincerity in his voice that a tinge of guilt twists in your belly, and you feel obligated to bring up an earlier conversation.Â
âIâm sorry, by the way. For pushing you to answer me when you were in the shower. Sometimes I donât know when itâs time to shut the fuck up and let it be.âÂ
âDonât worry about it, kid.âÂ
âOk,â you wiggle around a bit and manage to find the perfect position, then close your eyes and release a content sigh.Â
âWhat are yours?â he asks.Â
âMmmm⊠you know, Iâve thought a lot about this questionââ A yawn swells in your chest, cutting you off. When it passes, your limbs feel heavy and warm. You continue, âIâd wish for the genie to be free.â
He lets out a disbelieving chuckle, âAnd what else, world peace? An end to climate change?âÂ
âI hear your snark, sir, and I donât appreciate it. No, I wouldnât wish for world peace or the end of climate change. I wouldnât wish for anything. Tricky bastard can keep his wishes, I make my own luck.âÂ
âTricky bastard, huh?âÂ
Another yawn takes over. Lethargy seeps through your body, making your worlds come out slow and murmured.Â
âYeah, yâknow⊠all the, umm⊠the fine print. Too many strings attached, I donât trust âem.âÂ
âYou sound tired.âÂ
You hum, snuggling deeper into your pillow, âYou sound tired.âÂ
âGet some sleep, kid. Youâve got a big day tomorrow.âÂ
âMmmkay,â you mumble, âSweet dreams, Din.âÂ
#din djarin x you#din djarin x ofc#din djarin fanfiction#din djarin#din djarin fic#the mandalorian#the mandalorian fic#the mandalorian fanfiction#pedro pascal fanfiction#pedro pascal character fanfic#pedro pascal characters#passenger
64 notes
·
View notes
Text
Chase Mechanics Overhaul in Eureka: Investigative Urban Fantasy
Some screenshots and sketches from a playtest of the new overhauled chase mechanics from Eureka: Investigative Urban Fantasy.
This one was specifically for car chases, and we did three total playtests in one session because they were short enough that we could do that: One with all the PCs in one car chasing all the NPCs in one car in a city/town setting, one with all six characters in separate vehicles in a town/city setting, and finally one with two motorcyclists chasing each other across a straight stretch of highway.
The first three screenshots you see here are from the second one, and the last screenshot is from an earlier playtest a week or so ago that dealt with foot chases.
An unarmed mundane PC in a normal car, an unarmed pyrokinetic in a normal car, and a vampire armed with a semi-automatic pistol on a motorcycle all trying to flee from an NPC armed with a semi-automatic pistol in a regular car, an NPC armed with a semi-automatic pistol in a van, and an NPC armed with a machine pistol on a motorcycle.
For a super short breakdown of how chases work, the fleeing characters start a little bit ahead, and also get the first turn.
Each character has a Speed, based on what vehicle they have and their skill at driving that vehicle, which determines how many actions they can take, with moving one space equaling one action, though they can at most take one combat action per turn.
Then, thereâs Obstacles, which are scattered randomly around the map by the game master as they are rolled on a table. These obstacles range from simple potholes to jaywalkers to traffic to fruit stands to trains, and some can be just as likely to take out a character as gunfire. Thanks to a set of stretch goals we hit in the Kickstarter, Eureka will have four separate tables for the GM to roll Obstacles on, each for different environments and different types of chases. I have been working on them for the past couple of weeks and their inclusion is part of the reason for the chase mechanics overhauls in the first place.
Each playtest lasted only a handful of rounds. In the first one, the fleeing NPCs got a huge head start but the PCs managed to catch them by taking a shortcut across a side road(where they nearly ran over a guy) and head them off, ending the chase by ramming the NPCsâ car with their own, using a new rule called a Vehicle Attack.
In the second, more complex one, the the biker NPC chased after the mundane PC in the car, repeatedly spraying him with bullets and causing him to lose his glasses. He is extremely, extremely lucky he was only hit by one of those bullets. (all sketches by team artist @theblackwarden)
Meanwhile, the vampire PC pulled over in a side street and waited for the pursuers to catch up, ambushing one of them and shooting him to death as he passed. The hunters would become the hunted.
All of this shooting brought the police to the scene after a few turns, thanks to the new Heat mechanic that determines how likely the police are to intervene in any given situation. The two non-vampire PCs had to Charm roll their way through the new obstacles created by the police to get to safety, while the other two NPCs were arrested before the vampire could hunt them down and kill them both. Oh and one police officer crashed into a fruit stand and died.
Here is one more sketch of the pyrokinetic using her powers to set the wheel of a pursuing vehicle on fire.
In the last playtest, both motorcyclists kept expertly dodging obstacles, with the fleeing one steadily increasing the distance between the two, until he got hit by a train and died.
In an earlier playtest, this one taking place on-foot, a lot more characters were taken out by obstacles. One goon was run over by a malfunctioning cybertruck, and another got stuck in wet cement and then shot to death by police because he was holding a gun.
Even devoid of any story context, these were incredibly fun sessions to run, which perfectly emulated a Hollywood chase scene while still remaining within Eurekaâs realistic constraints, and we have gotta set more of these up in future adventure modules.
If you want to play Eureka with these rules, you can get the most recent version that includes them for only $5 on our patreon! Thereâs no better time to sign up, since we just released a big update to the beta rulebook, we just launched the Gorgon Initiative! Long story short, the playable gorgon monster type is a Kickstarter stretch goal we didnât hit, but if we can reach 50 total patreon subscribers before the end of June, weâre going to be adding it to the book anyway! At the time of writing this, weâre at 45/50! You could make the difference, and get all this new Eureka content to boot!
You can also join the A.N.I.M. TTRPG Book Club, where we nominate, vote on, read, and play TTRPGs like a book club, and vote for Eureka in the upcoming round. (Starts on the morning of June 12th, 2024.) There is no time commitment or schedule requirement, as we group people based on schedule compatibility, making it extremely flexible and schedule-friendly. Plus, itâs just a cool play to hang out and talk about RPGs.
We also have a ko-fi and merchandise if you just wanna give us more money for any reason.
We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.
#car chase#action movies#neo noir#1980s#monsters#ttrpg#rpg#roleplaying#tabletop#vampire#vampire girl#vampire art#ttrpg art#ttrpg community#ttrpg tumblr#indie ttrpg#ttrpg character#film noir#noir#motorcycle#eureka#eureka: investigative urban fantasy
52 notes
·
View notes
Text
Ukrainian soldiers from the 93rd Mechanized Brigade bolted a 6 tube Grad rocket launcher to the rear of a Dodge Ram 1500 pickup.
Seen here firing off a salvo of 122mm Grad rockets at a Russian position.
30 notes
·
View notes
Note
I don't care about whether or not you do anything with this but your post about Blinky and Nibbly going to see Saw X caused my own head cannon.
I've been replying Carrion recently, it's an indie game where you're the monster of a horror movie, I think it's a metroidvania.
Anyway, my point is that I think that Blinky and Nibbly would really like it. A big part of it is eating people and it has the blood that Blinky likes. I think that they would have very different play styles though.
Nibbly would fully go on the offensive, trying to kill everything asap, not caring about health. Meanwhile, Blinky would play it like I play it. Like an ambush predator. Hiding in little areas only to reach down to kill someone, dragging people into water so the corpses are persevered for emergency health. I think Blinky would use parasitism a lot, controlling soldiers to gun down random people and then reaping all the rewards. Nibbly would not care if he is at full health and consume every corpse they make, and the first time he encounters an enemy that can't be eaten he spends 10 minutes trying.
So yeah, there's a fun little hc you inspired
Sry if this is too long.
THIS IS TRUE AND REAL!!! Carrion has been on my radar for a while, I love goopy oozy gory stuff and I like the idea of playing as the monster.
HCs under the cut, what if these eldritch entities of chaos and reasonless malice were also gamerrrrs :3
Blinky is a completionist and a huge backseat gamer. It's sitting behind Nibbly watching him ram himself at a roadblock, trying to brute force it, and it's seething because he's doing it wrong. Blinky needs to experiment with every ability and mechanic, and needs at least 5 playthroughs of a game to feel satisfied, but Nibbly full-offenses its way through the entire thing and says 'That was fun :)' and never picks it up again. Big 'never blocks/dodges in soulslikes'/'never uses status moves in pokemon' vibes.
But of course, they both have a brother who's an expert at toys and games, and has a large collection of time-looped victims to throw into the meat grinder over and over! With Tinky's help, they can play the real thing, and he's happy, because he loves a good game, especially one that's deeply distressing for everyone else involved.
As for the other LiB gaming, you know Pokey eats rhythm/dance games for breakfast. It also pretends it's above gaming, those petty mortal trinkets are below it, but give it a beautiful soundtrack and it changes its tune (literally). He'll sit next to one of his brothers for an entire playthrough, eyes closed, just listening to the soundtrack.
I'm not sure on Wiggly but I feel like he'd play Tycoon games and 100% them in, like, an hour. Grabs something like Gamedev Story, locks in, and maxes out his in-game studio in record time, then tosses it aside and plays something else. INCREDIBLY grumpy when interrupted. Picks up management sims and runs them like the navy.
Tinky, conversely, plays life sims/sandbox games and runs them like a Hieronymus Bosch painting. Others have said it, but he absolutely sets his Sims on fire/puts them in the pool and removes the ladder, reloads the save, and does it again.
Nibbly loves those old flash games where you just eat and get bigger, and the bigger you get the more things you can eat. It's not a fan of cooking games (from Cooking Mama to things like Papa's Pizzeria) because he gets mad that the food isn't real, but I think he'd dig Bugsnax, I dunno.
Blinky likes blood and guts, gorgeous visuals, games with lots of secrets/collectibles, and multiplayer games where it can troll and get people to rage. A game needs at least two to keep its attention. I can also imagine it running multiple games at once because you know it can't focus on one thing at a time; it has idle/clicker games in one tab, shiny hunting in another, skill grinding in another...
And Webby plays cozy story-driven games where choices matter. She likes to find micro-indie visual novels online, and always comments something nice after playing. Her brothers absolutely give her shit for being a 'fake gamer' because she loves Animal Crossing and puzzle platformers.
#thoughts.txt#long post#lords in black#sorry for sillyfying your eldritch horrors i will do it again!!!!#yes theyre incomprehensible cosmic nightmares but what if they GAMED!!!
12 notes
·
View notes
Text
Looking for ways to upgrade your Dodge RAMâs performance? This presentation covers all the information you ever wanted to learn about Dodge RAM 1500 performance upgrades. Please go through itâŠ
0 notes
Text
Experimental thingy, gonna try to make some iterator\travel logs for my iterator oc Bright Scale Among the Feathers ââ
ââ
ââ
ââ
ââ
ââ
ââ
ââ
ââ
âââ
ââ
ââ
ââ
ââ
ââ
After disconnecting himself from his superstructure to avoid death due collapse, rebuilding his body to adapt onto traversing big distances in harsh conditions and autonomy support of life without help of superstructure, Scale makes logs to keep the track of his adventure in search for answers about his group and The Samsara Experiment.
Log number 32-DF-1\4-07 Cycles after collapse:15 I am proceeding through my former territory, so far the main problem is still excessively low temperatures and the landscape destroyed by time. The idea to build an iterator high in the mountains, in a subzero temperature zone, is undoubtedly a good solution that removes the problem of overheating of our mechanisms and eliminates the need for constant access to a water source, but as soon as my superstructure stopped functioning, ceasing to heat the air in the area, snowstorms became a deadly threat, reducing the additional time for movement between cycles to minimum indicators. Surprisingly, even at such ultra-low temperatures, there are extremophile plants on my way that live in hardly suitable conditions. As my colleague, Roaming Ram, used to say, nature will always find a way. The reserves of resources taken from the superstructure are inexorably running out, but no signs of fauna or edible flora have been found. I need to focus on finding food, otherwise I'll die here, covered in snow, under my own superstructure.
Log number 32-DF-1\4-08 Cycles after collapse:21 The resources completely ran out 3 cycles ago, and this body is starting to fail. The remaining energy is barely enough to keep moving in short dashes from shelter to shelter. Recently, I almost fell off a ledge, tripping and rolling down in the snow. It would be unpleasant to end my journey on such a humiliating note. No signs of any kind of life have been detected so far. I tried to eat one of the extremophilic plants, but its bitterness almost made me vomit. There is no benefit. It's terrible to feel so helpless. Once such a powerful being, almost godlike, is dying the hell where, alone, wrapped in a metal tail to at least keep warm a little. What a pathetic sight. How low I've fallen.
Log number 32-DF-1\4-09 Cycles after collapse:29 After wandering for a long time through the lifeless snow-covered wastelands, I found a small region, which is a bunker built underground. It's not as cold as it is outside, and there are even some areas with spears on which lanterns are strung. Surprisingly, despite the fact that this primitive structure consists of luminous slime and a transparent shell, it emits enough heat to keep warm in a small radius from itself. I need to keep a couple of these in my pocket, then I'll forget the worries about my life support systems disabling due to extreme cold. However, the most important thing is that I found signs of life. I met a lone scavenger, and despite the fact that I didn't show any aggression towards him, he attacked me anyway. I tried to respond with same, launching a rapid attack, but he managed to dodge my spear, as a result of which I had to hastily retreat so that he would not injure me, this is the last thing I need. Scavengers have never been known for their love for iterators, on the contrary, these dim-witted primates were constantly an annoying problem, either damaging the exterior of my hyperstructure for weapons in the form of spears, or knocking down and destroying my overseers. I heard the news that some iterators had entire infestations of scavengers, who flooded their cities, deserted by from ancients, causing chaos there. An unenviable fate. However, I will not just leave this humiliation. I'll wait out the cycle to regain some strength and kill this obnoxious parasite.
Log number 32-DF-1\4-10 Cycles after collapse:30 Justice has been done. I cornered this scavenger, and despite his attempts to fight back, one precise blow to the body, and he's dead. My body almost shut down in the process due to lack of resources, but the deflection system worked, repelling his attack. Upon closer examination of the corpse, I found explosives on it, collected, dried and crushed fruits of explosive cherries, tightly stuffed into a dark shell. Primitive, but effective, it's good that he didn't think to throw it at me in such a narrow room, I don't think that in a weakened state my body would have survived the explosion. And now, I was faced with a dilemma. On the one hand, the corpse of an intelligent being lies in front of me. Scavengers have tribes, hierarchies, and some kind of culture. Eating the corpse of an intelligent being, even if it shows aggression towards me, is unethical and simply disgusting. On the other hand, if I don't consume AT LEAST SOMETHING, then my systems will completely run out and fail to work, and, technically speaking, I will "die". ... To hell with morality and ethics. I don't want to die.
14 notes
·
View notes
Text
CHAPTER ONE.
CW: depictions + descriptions of car crashes, character death, and object destruction.
{ LAST. â NEXT. }
September 12th, 199X.
All was quiet in the prairies. Rough yellow grass shifted in a gentle breeze and crickets chittered to each other from the depths. Fireflies rolled with the waves of the hills, mimicking the glimmering stars above in the deep dark skies.
Besides the occasional farm within the miles and miles of grass sat an abandoned racing arena. Its rotted wood perimeter and barbed wire fence stood like castle walls against a spacious dirt track.
The recently-wetted ground glimmered against the sickly moonlight. Shadowy figures shifted in the grandstands. The prairies held their breath. Then the trackâs fluorescent lamp posts flickered on, one by one.
A low rumbling filled the air as many machines asynchronously switched on. They were followed by the shouting of many more barking voices. In the middle of it all, the lights shone down on thirteen cars of various sizes parked in a circle, back-to-back.
People waved their arms and cheered on, louder and louder. A man in a stetson strolled out onto the edge of the dirt. He took something heavy out of his pocket and aimed it towards the barely-visible skies.
A gunshot.
A cloud of dust, a shower of mud, the scream of modified engines. Sparks flew, accompanied by the thunderous crunch of metal-against-metal. Exhaust pipes coughed out billowing black smoke, choking the arena with the smells of gasoline and diesel.
The cars were now darting around the track as the vultures in the grandstands looked on; dodging, swerving, diving into each other with crashes that could surely sever a limb. They would sit for a moment, coolant dribbling onto the ground, before yanking themselves away and hobbling off to a new target. Ends crumpled in and tires were worn down to the rim with no flesh behind the wheel.
Among these warring vehicles was a tattered muscle car. His paint was a rough, matted black that once shone and glittered emerald in the light, now making him a mere shadow against the ground. Long, capped exhaust pipes jutted directly from his engine, spewing out fumes whenever he moved. His doors were painted over with a repulsive white, finished off with a crooked 20 on each side.
Despite his size, he maneuvered through the chaos with ease. Thick mud caked his wheels as he veered about, dodging crashes by mere seconds. He reared himself at others, pushing through tangles of metal and smoking corpses. Any car that gave chase was destined to be crushed before they reached him.
Still, many tried with nonsensical determination.
The muscle car was numb to the crunching, popping, squealing of mechanical parts. When others rammed against his sides, he barely winced. He couldnât recall how many crashes heâd been in if he tried. His rear end was pushed inwards and up; a pickup truck had done the deed last season.
He swerved onto the outskirts of the track and paused, ever so briefly; an attempt to make something of his surroundings. The mixture of dust and smoke under blinding lights obscured most things, though he eyed the flitting shadows behind the haze carefully. It wasnât long before a yellow sedan shot out of the chaos and spotted him, revving its engine and charging full speed. He waited until the last moment to dodge. The sedan yelled and collided with a concrete barrier.
Number 20 didnât wait to see it slowly pull away, grill and headlights shattered, as he was already being chased by anotherâ someone who was about his size. Without further hesitation he jumped back into the fray. He nearly hit someone else, small and blue, missing two tires and trapped in the mud. He dodged and continued on.
Then there was a loud crunch behind him, and the engine of same-size ceased to roar.
Dodge. Dodge. Shift. Reverse. Dodge.
Thatâs when he saw her.
Full speed ahead. Brake. Reverse. Dodge.
A rosy-red van with colorful stripes.
Shift. Dodge.
Number 13.
A rather new contestant, but an otherwise worthy rival. She was busy plowing a small vehicle into a tangle of several, stuck together by bumpers torn from their frames. Most were still moving, pushing and pulling away with little luck.
A screech tore through the air.
A ragged truck rammed into his side.
It began to push him along, closer to a frenzied fight breaking out in the middle of the track. The muscle car pressed on his brakes. The truck snarled on.
He was dragged a considerable few feet before someone clipped the truckâs bed. Furious, it dislodged and gave chase. Both of them were trampled.
Number 20 began to move away again when the rosy van sped past him, splattering him with a fresh coat of mud and oil. She braked and whirled around to face him. Their headlights met.
In that moment, he finally felt something. And that something was dread.
Her front bumper turned up in a murderous grin.
He fled.
Everyone around him danced in violent tangos. The muscle car rocketed across the track once more. He turned left.
Then right. Then left again.
Right.
Left.
A green mass of metal flew by, inches from his grille, and then there was an opening. He zipped through the heat. He left the clusters of battles behind, slowing only when he noticed that Number 13 was nowhere in sight.
But there was no such thing as a moment of peace. In an instant he was rocked by a vehicle going past and scraping his side. He honked in surprise. The other began to circle, slowly.
There was Number 13.
She prowled around Number 20 like a hungry tiger, revving her engine. Her small headlights were full of fury. He revved his engine in return, coughing out exhaust. He steadily met her gaze.
The two large vehicles facing off in the very corner of the track commanded the attention of onlookers. The vultures began to chant. The sorrowful engines elsewhere seemingly faded away.
Number 13 smiled again, confidently.
Number 20 sat emotionless.
She was going to charge.
Slam.
Working on something akin to instinct, Number 20 barely realized he had moved. He had collided with her side with such force that it sent the van flying backwards. She spun. She desperately reached for the ground with her wheels. She tipped and finally hit the cement barrier.
Number 20âs engine buzzed. His vision was full of static.
When it finally cleared, he shook himself and glanced up at Number 13. She wasnât moving. No one was moving.
She was violently dented in, her frame sagging against her undercarriage. A light trail of smoke was forming in the air.
And then she erupted into flame.
Seconds dragged on like hours before a few men lumbered over with buckets of water and fire extinguishers. The inferno lapped desperately at the skies. The grandstands fell silent. So did the cars.
A few more seconds, and the fire was gone. Smoke billowed from the scene, and when it cleared, all that was left of the van was a shriveled, blackened mass.
The grandstands exploded with cheers.
Number 20 felt nothing.
âYou⊠killed her.â
The muscle car had been sitting in the same place, staring into the nothingness. He hadnât heard the arguing at the gate or the sound of another car approaching. When he turned to look, he was met with the devastated gaze of a little orange car.
She was probably one of the smallest demolition cars heâd ever seen. The dark accents on her sides shone bright among minimal scratches and dents; she had only been in a few derbies, and was a contestant that was quickly mended afterwards every night.
It was odd to see her alone. The coupe never seemed like one that wanted to stand out to Number 20. Whenever he saw her, she was hiding behind someone.
He tensed.
That someone was Number 13.
âYou killed her!â Her voice rose as she stared deep into Number 20âs headlights. She was full of a sorrow he didnât know a car could be capable of; it shook her body as she approached.
Number 20 said nothing.
âI saw it⊠I-I saw it all! You killed her! You killed Lilly!â
Anger blazed in her rectangular headlights. She was quickening her pace towards the much larger vehicle until he found himself backed against the fence. His engine raced.
Still, he said nothing.
The orange coupe in front of him looked ready to shatter into pieces, as if her emotions were just too big. She looked around wildly, desperately, before backing away and raising herself above her wheels.
âA monster like you deserves the same fate.â
And with that, she sped towards him.
She was fast, though Number 20 moved in tandem. She stopped in her tracks, seemingly surprised by the action, and the muscle car fled. She cursed under her breath and gave chase.
Number 20 went as fast as he could, swerving through the maze of frozen cars left on the track. He was precise as ever, though his engine continued to buzz. His thoughts felt choked by cotton. He zig-zagged in the metal and mud, refusing to slow.
He hadnât noticed that the sound of the vehicle behind him was becoming increasingly distant. The grandstands jeered on. It was too late when the orange coupe came barrelling towards him, cutting through the middle of the track. She hurled herself with a force that was rather remarkable, albeit useless.
Number 20 merely stumbled and slammed his brakes, but a loud crunch told him something else had happened to his competitor.
He gathered himself and turned back around. The sight he was met with made the buzzing fill his whole body. The coupleâs grille was dented inwards, her hood crinkled up like tin. Her wheels shook dangerously. She was panting.
Number 20 slowly approached, forcing words out of his machinery.
âStop this, youâre going to hurt yourself.â
The coupe paused, as if to consider his words, then her expression shot back to anger.
âI refuse.â
Number 20 blinked his headlight covers. With a grimace he pulled away, a dark trail of exhaust hanging in the air in front of him. The coupe revved her engine, murder reflected in her gaze.
She stood her ground. Number 20âs engine roared, warning her, and she barely flinched.
âIâm sorry,â is all he said.
He flew forward again, aiming head-on.
She was a statue.
Headlights shut, he swerved last minute.
Crunch.
He tore through her fender. Parts soared through the air and clattered lifelessly to the ground. She barely screamed. The grandstands erupted into howling cheers. He could barely hear it.
Number 20 reversed, carefully dislodging himself from the coupeâs broken body. When observing his work, he was overcome with a jolt of surprise⊠and regret. The lights bordering the track had gone off except for those directly above; they shone down like sinister spotlights.
The orange coupe could barely stand on her tires. She was shaking, even more than before, and gasping, sobbing. Small parts from her engine were scattered in the mud. Translucent liquid trickled out from the gaping space where her fender had been. Her left headlight, resting between them, glinted against the darkness.
Number 20 looked numbly into her remaining headlight. An invisible weight suffocated his engine. The crowd was still cheering.
âIf you⊠if you think you can fix this, youâre more of an idiot than I originally thought,â the coupeâs voice was barely above a whisper.
âIâŠâ he tried.
âYou know what you did.â
He looked away.
âI do.â
âYou do. And youâll pay for it.â
The match was over.
Horns wailed from the sidelines. Men came in to clear the track.
âIt looks like we have a winner!â a voice boomed over the grandstand speakers. âNumber 20, our undefeated champion!â
The orange coupe hobbled off. The large muscle car stayed completely still, blankly watching the torn up hunks of metal get dragged off the track by human and vehicle alike.
It wasnât until the track was completely deserted that he climbed out of his thoughtless haze. Looking around, he noticed that the coupeâs wreckage was still there, including her headlight. He inched closer to observe his reflection in the glassy moonlight. The surface was cracked and crumbling.
The undefeated champion had made it through another night. He looked up and into the darkness surrounding him, past the grandstands and the fences. The night was still. Little yellow lights flickered along the hills.
âIâm so sorry.â
13 notes
·
View notes
Text
Arknights CN 4th Anniversary PVs
youtube
youtube
New Operators
Melanite, 5* Heavyshooter Sniper
Please check the status of your weapons again to avoid any mishaps on the battlefield.
Silence the Paradigmatic, 6* Welfare Abjurer Supporter
We should explore the meaning of combat, not just let it happen.
Ho'olheyak, 6* Core Caster
Doctor, are you really going to waste your time alone with me, preaching about Rhodes Island's rules and regulations?
Muelsyse, 6* Limited Tactician Vanguard
Rhine Lab, Director of the Ecology Department, Muelsyse, but i don't think there should be such a formal greeting between us, Doctor.
Friston-3, 1* Protector Defender
Greetings, my name is Friston. And yes, "Friston", not "Friston-3".
Operator Skins Update
Total of 9 new skins, 6 new additions for the Bloodline of Combat brand and 3 new additions for the Ambiance Synesthesia brand
Bloodline of Combat
Orchid's Twines of Time - Free Login Event skin
Ebenholz's Eine Variation
Specter the Unchained's Born As One - L2D Skin
Ch'en the Holungday's Ten Thousand Mountains - L2D skin
Kal'tsit's Remnant - L2D + Special Voicelines skin
Justice Knight's Tournament Fantasy Retrofit Kit - Event Reward skin
Ambiance Synesthesia
Irene's Voyage of Feathers
Lumen's Golden Dream
Roberta's Granter of Colors
Announced skin reruns
W, Rosmontis, Nearl the Radiant Knight's Epoque skins
Mountain, Eunectes, Ayerscarpe and Flint's Bloodline of Combat skins
Series I & II Ambiance Synesthesia skins
~74 skins as part of 4th Anniversary Celebration edition of Rhodes Fashion Review
Operator Modules Update
Melanite and Ho'olheyak being part of branches with modules immediately gets their modules
ARC-Y module base effect increases Melanite's ATK to 105% and allows her to ignore Physical dodge when attacking enemies directly ahead
CCR-X module base effect allows Ho'olheyak to ignore 10 RES
Hexer Supporter and Flinger Sniper branches gets 1 module type each
W and Kal'tsit gets their second modules
ART-Y module base effect allows W to ignore 100 DEF
PHY-Y module base effect increases Kal'tsit's healing effectiveness by 15% when healing units on melee tiles
Events and Stories
Lonetrail, a Rhine Lab side story event
Misc Stuff
CN regional dialect voices for Lee, Aak, Waai Fu and Hung (though for some reason the PV claims there are 11 new additions)
Suzuran, Ayerscarpe, Click and Friston-3 added to recruitment
2 new main menu screen backgrounds, Laterano and Rhine Lab
Livestream Stuff
Showcased Muelsyse being a 6* Tactician Vanguard utilizing a special reinforcement unit that you can deploy on melee and ranged tiles, her reinforcement also comes with a unique skill that lets you deploy any operator on it to clone (most of) the op's base stats and applies unique properties depending on whether the operator copied was melee or ranged, her 2nd and 3rd skills play into this and have different skill effects depending on what mode the reinforcement is in
Showcased Ho'olheyak being a 6* Core Caster that reduces the weight of enemies in her range and utilizes Levitate, her 2nd skill is a rapid-fire arts burst with a chance to Levitate enemies and her 3rd skill makes her attack by sending tornadoes down her attack range and Levitating the first enemy it hits + dealing massive arts damage
Showcased Silence the Paradigmatic being a 6* Abjurer Supporter that gives a Sanctuary effect without any HP prerequisite and the effect becomes stronger the lower the ally's HP is + has a talent that automatically heals allies below a certain HP threshold, her 2nd skill allows use of a drone that can give a stronger Sanctuary effect and her 3rd skill allows the first ally that takes lethal damage in her range during skill duration to survive and their HP will not go below 1 for several seconds
Showcased the event mechanic, adjustable artificial gravity that can affect enemy movement speed and ally operators ASPD depending on the direction it's set to and gravity-affected spheres that can block enemy pathing and ram into enemies, the spheres can be pushed by operators dealing enough hits to it or by operators applying Push to it
Showcased the new gamemode Pinch-Out, Experimental Operation
A different take on the difficulty-select challenge gamemode, you can choose contracts of varying difficulty that are placed on a branching path with rewards scattered throughout the paths, certain rewards are only unlocked by clearing all connected contracts or paths required
After completing a run you can start the next run from certain "checkpoint" nodes instead of starting over from the original starting point
The gamemode has daily maps and missions for rewards
Laterano lore video narrated in Latin, showing the history of Laterano's founding and racial conflict, which then cuts to a room filled with unknown technology, a teaser for the next Laterano event
An introductory video for potential surveyors of the Infy Icefields, the video advises people to go through Sami due to ongoing Ursus-Columbia disputes then elaborates on Sami's geography, culture and society. A teaser for IS4: Expeditioner's Jöklumarkar
Showcased a few of IS4's new content
Temperature which presumably replaces IS3's light levels mechanic
Collectable rune tablets that can be combined to gain buffs and special effects, for example the ability to change nodes ahead of you
Ability to scout upcoming nodes with a special device to peek at the contents, the device can break which will prevent you from seeing what the upcoming nodes are at all
Interference in the form of elements and weather that can disrupt your exploration
Teased the next summer event to be located in Siesta after the events of Heart of Surging Flame, with a title "Wanderland"
Showed teasers for more episodes of the Ceobe mini-series in progress and LDA anime
Showed a teaser for a new comic series centered around Angelina and her travels across Terra
Arknights anime adaptation 2nd season: Perish in Frost teaser
Talked about the Terra settings/world building art book and the Arknights Vol. 2 art book, which comes with an exclusive Planter skin for 3* Lava
Showed art for an Arknights tabletop game, planned to release Late 2023
Showed teasers for collabs with ANTA Sneaker and China Aerospace Science
Announced that Rhodes Kitchen Tidbits and Rhine Lab - Records of Originium will get physical book forms
Ended off the livestream with an animation starring the Rhine Lab cast, from the founding of the company to Saria and Kirsten's parting
Destiny 2 collab teaser, said to be a story collection event and will have collab exclusive skins
58 notes
·
View notes